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Video tags
Subtitles
Russian
00:00:00
hello friends hello hello everyone00:00:03
today we write for the sea00:00:06
diversity took this topic00:00:10
this is a reference because someone already wrote to me00:00:13
someone what oh what a beautiful job00:00:16
it turned out no it's still a reference00:00:18
we just have to00:00:20
Today my friend Artyom is helping me and00:00:24
and and let's probably start again00:00:28
good afternoon, are you connecting?00:00:30
yes yes today I will paint without varnish00:00:34
Today00:00:35
We use white spirit as a thinner00:00:39
and a little linseed oil00:00:42
linseed oil that's who asked00:00:44
this is what I use00:00:47
so well so well and you in front of no smell but00:00:51
from the front without smell like this00:00:55
not bad I want to say either tikkurila00:00:59
but it will be a little more expensive tikkurila00:01:03
brushes brushes today bristles00:01:06
stubble, well, maybe I’ll use synthetics00:01:09
use this one in battles00:01:11
visited00:01:12
it's bandaged and it's a handicap, well maybe00:01:15
maybe we won't let's see00:01:18
paints00:01:20
I put up the whole set but it's possible00:01:24
some won't happen today00:01:26
go into circulation here warm00:01:29
shades yes we have them00:01:33
so yes so this is our English red00:01:36
squeezed out Siena here squeezed out his wife00:01:39
brown dark yellow dark00:01:42
light ocher00:01:44
yellow light or can be used00:01:47
cadmium yellow00:01:50
black mars do not use soot in your work00:01:54
gas in oil painting is not00:01:56
use carbon black because it00:01:59
after drying it starts everywhere00:02:02
come out here this is the pigment00:02:05
this is very very bad very bad00:02:08
leads and interacts with others00:02:10
carbon black paints00:02:11
so our alternatives are Mars00:02:15
black or bone john and that's about it00:02:19
these are such colors00:02:20
then we have Turkish greens here00:02:23
turquoise turquoise it can tell00:02:27
almost basic blue color00:02:30
purple dark purple light but00:02:34
let's start drawing drawings drawings00:02:36
drawing00:02:37
took a brush00:02:39
five and00:02:45
We start looking for the horizon line00:02:48
well, we won’t really look for her here00:02:51
we see how it is on our references00:02:54
approximately00:02:56
Today I have a task not to repeat00:02:59
friends, not to repeat, but to convey00:03:02
this is the impression to convey the state00:03:06
this slightly cloudy day00:03:09
diffuse lighting by the way she's here00:03:12
not a point, that is, the sun is here00:03:14
absent-minded therefore00:03:17
very and those will not be very soft you00:03:21
you know when the contrasting light is there and and00:03:25
the shadows are contrasting, that is, if he hits00:03:27
goes to the sunny somehow there are shadows already00:03:29
here we will have contrasting ones00:03:32
soft so they took it, let's do it00:03:36
purple just like that, really runny00:03:39
perky picked up or purple and00:03:44
the brush was placed like this no like this00:03:47
put a brush on00:03:55
Here00:03:57
showed00:03:59
horizon line00:04:01
that's enough for us00:04:04
some use tape, some use masking tape00:04:08
maybe this is also lifehacks and has00:04:12
place to be00:04:14
like a wave wave here we have it well here it is00:04:20
the main character is the main thing today00:04:23
Maybe00:04:24
the contrasting area will be the area prescribed00:04:27
moreover, we need to spend a little time with her00:04:31
sit00:04:32
let's look for him00:04:43
shoot xrust with us again good00:04:46
evening hello hello twigs00:04:49
connect if you like the picture00:04:52
reference well let's try00:04:54
today again I tell you to repeat it00:04:57
that's all a00:04:59
do something of my own because I want to00:05:02
say here the colors are a little00:05:05
I want something scanty and a little color00:05:07
add some color like that in the shadows00:05:11
play there a little00:05:13
so we'll see00:05:16
write in the comments how you like it00:05:19
this is such a seascape00:05:22
This is also a topic for me00:05:26
a little forgotten because I00:05:28
not a marine painter but for a change for00:05:34
as they say00:05:36
but sometimes you need your experience00:05:39
switch to such pictures so here I am00:05:41
I forgot about the rag, you should have a rag00:05:43
always be at hand00:05:46
usually in the left hand and the work is very00:05:50
actively paperclip00:05:53
So00:05:57
look here00:06:01
that is, they meant that we see it gave on00:06:06
secondary character but here he is first00:06:08
hero yes00:06:10
don't be here too much right now00:06:12
draw we showed ourselves the boundaries00:06:15
marked the areas where it will touch00:06:19
color and tone and that's enough00:06:24
just like with the forest, yes it will probably be00:06:27
first you first we will now00:06:30
do pretty pretty rough00:06:32
the underpaintings are pretty rough00:06:35
she will go to work with us from the spot like00:06:39
I like it00:06:40
further already00:06:42
gradually we will layer by layer00:06:46
detail00:06:49
sky let's dial sky right away00:06:54
you can see this color in the photo right away00:06:56
I’ll say it’s a hoax, it’s not how everyone sees it00:07:00
nature he will be more reserved here00:07:02
some grayer shades00:07:04
will acquire00:07:08
yes, but still we’ll take it here now00:07:11
probably through well let's through00:07:17
pc00:07:21
via flash drive00:07:27
I don't have a vest, it's fcm00:07:30
did not approve of ultramarines00:07:33
you some paints I might even00:07:36
I won't use it today00:07:40
look, no fear, just take it and00:07:43
close00:07:49
firmament00:07:53
Not00:07:55
we paint, we don’t paint, but we create somewhere00:08:00
even some kind of texture00:08:02
somewhere even let it be for now00:08:06
watercolor story before it drips00:08:09
watercolor this one00:08:12
went00:08:15
watercolor wasn't that's normal that's all00:08:18
now we need to understand that we00:08:23
preparing00:08:24
canvas00:08:26
yeah I forgot to say I primed the canvas00:08:31
once with acrylic primer00:08:37
many people ask me about wishes00:08:40
paints here's how to avoid it depends on00:08:44
that bad soil comes from here00:08:48
paint wish00:08:50
from bad soil therefore00:08:53
prime two layers 3 layers trace00:08:57
necessary00:08:58
here we are introducing purple and there is also this one00:09:04
reception you take acrylic paint and00:09:08
let's say something neutral00:09:10
you don't even have any underpainting or tinting there00:09:13
underpainting just tinting is acceptable00:09:15
cover everything with yellow just yellow00:09:18
cover with acrylic paint until it dries00:09:21
enough on the water when it's00:09:23
dries in literally an hour and you can immediately00:09:26
work with oil which gives us the yellow color00:09:29
it will flash from under the oil and00:09:33
it produces a very interesting effect00:09:35
This is the effect when it’s sunny00:09:38
this day looks very lively00:09:41
what kind of soil do you prefer?00:09:44
acrylic primer, the main thing is that it is not00:09:46
liquid00:10:01
so, here's what it is for now00:10:04
unclear and yes00:10:06
here you can see the sea right away00:10:09
indicate through purple and droplet00:10:13
I add a drop00:10:15
black00:10:17
a little black00:10:21
in general it is possible at this stage for now00:10:23
basically work without whitewash00:10:35
because we are going from dark to00:10:39
light, that is, we will enter on00:10:41
highlighting will be chosen by many artists00:10:44
just first00:10:46
I make everything dark and then slowly00:10:49
pull out the form from there00:10:58
some turquoise ones are being introduced00:11:01
shades00:11:06
it's not yet00:11:10
don't think that it gave an hour what I00:11:13
I'm doing this something already specific00:11:15
drawing I'm just looking for a spot right now00:11:18
I'm watching00:11:20
Where00:11:22
well, it’s not even the husband who tinted it00:11:25
spots tinting and then00:11:27
why is this being done? it will make the task easier00:11:30
what will happen to us00:11:33
some substance on the canvas this one00:11:36
the material will already be colorful00:11:42
look you can cut it right away00:11:46
it means you forgot the best lock00:11:50
squeeze out no green00:11:53
although we can get a green one for you00:11:55
you know, yes, for example, yellow is there and how00:11:57
they are facies and will be difficult green but that's it00:12:01
I still him00:12:04
I'll take it00:12:06
but I won’t use it in its pure form00:12:15
just put it here00:12:24
and for now we'll forget00:12:43
So00:12:47
We welcome everyone who joins00:12:51
write in the comments and like this00:12:54
so he entered without him with Turkish greens00:12:58
You can also know what color to get here00:13:01
good ones will play00:13:03
sky blue or in my case00:13:05
just blue00:13:08
myself but these are the main types00:13:11
1000 was a faucet and there was also a master class00:13:14
like that somewhere00:13:16
well, let's go here to the center00:13:21
more because I watch a lot there00:13:23
will00:13:24
what colour00:13:27
while it doesn’t resemble anything modern00:13:30
art, that's why sometimes00:13:33
people take money00:13:43
So00:13:50
but we are with you now00:13:54
we understand that00:13:56
The main thing for us is to indicate00:13:59
designate the main guys up to this volt00:14:04
wave and00:14:05
add shadow relationships to it00:14:17
because I’m deliberately not drawing now00:14:20
It’s really special and I’m not even really looking for it00:14:24
but simply exposing00:14:27
some spots and I look like this one00:14:30
spot play with another spot00:14:35
not for everyone, that's exactly what I want to say00:14:39
such a painting it will seem possible00:14:43
somewhere difficult at the beginning but the plus is00:14:49
that you will learn much faster here00:14:54
Well, firstly, and the drawing, and secondly,00:14:58
your vision will manifest itself faster00:15:00
correct without drawing from the left corner00:15:04
ending with the bottom right00:15:06
top left and ending with bottom right00:15:09
and just like that, walking through the picture or eating00:15:14
this technique is from a piece of ice like this00:15:18
drawn by very professional artists00:15:20
that's how they write it, but you need to know that much00:15:24
that's how accurate it is to hit both00:15:29
drawing and understand how what like me00:15:32
here now I took a relationship and how is it with me00:15:34
this light will play in relation to this00:15:37
this is what I want to say to this piece00:15:41
skill00:15:43
look we are laying horizontal00:15:48
horizontal sections00:15:57
what paint manufacturers?00:15:59
do you prefer a master class is better00:16:02
paint master class is00:16:04
I want to say this00:16:07
It's probably better I didn't try anything00:16:11
different, but now sometimes I take Titian00:16:15
pretty too00:16:18
shows well on canvas00:16:25
so is-3 we need to get rid of already00:16:30
foam, this foam is in the foreground on00:16:33
quite warm00:16:35
warm and smoothly transition and he leaves00:16:38
in the distance it will be cold somewhere00:16:40
maybe we'll mix fc here somewhere00:16:42
Although00:16:44
that's exactly what the task is here for us00:16:48
we should make a better smooth transition00:16:51
in the vault of heaven it will be more00:16:53
picturesque technique not to do some00:16:56
rough00:16:58
rough outline00:17:01
this horizon lines horizon00:17:05
look, I'm doing it on purpose now00:17:08
its so gray because for this00:17:10
the gray one will have some kind of glare and will already appear00:17:16
volume00:17:19
you see a completely different task than00:17:24
how we painted the landscape right there00:17:29
appeared00:17:30
like some kind of drawing00:17:32
here I even have it00:17:36
I’m trying, well, I’m still trying and no matter what00:17:39
what the hell am I trying to do right now?00:17:43
with a spot of work00:17:46
here you can even have a different drawing altogether00:17:48
track as if the lake is possible here00:17:50
part of a million drawings are already here00:17:53
look at some stalactites we have00:17:55
Checked out and you can buy it here00:17:57
make a cave, that is, this is how00:18:00
once again I want to say they asked me00:18:02
about how to start writing about your paintings00:18:05
Yes00:18:07
If you know00:18:10
rules but rules I mean00:18:13
chiaroscuro as a composition if you know00:18:17
rules of linear perspective and what00:18:20
we still have prospects we have00:18:22
we have air prospects00:18:25
tonal perspective if these are00:18:28
three guys in you learned00:18:31
you can already enter something of your own00:18:34
create your own characters, etc.00:18:37
other00:18:39
regarding foam yaw live for beginners00:18:42
probably now it’s unclear what she is00:18:45
It's white, why isn't it white?00:18:48
it's sure to keep it true00:18:51
the same as the sky is blue you know00:18:54
guys, that is foam, it’s not white, it’s00:18:56
has a lot of shades and why00:19:00
the whole picture works on reflexes then00:19:03
there is one object interacting00:19:06
directly with another object and everything is already and00:19:10
you already understand that there is a shadow there00:19:14
yes, there is foam in the shade, yes it gives a little00:19:17
some shade of purple maybe00:19:20
somewhere there is a cold shade of blue00:19:24
ultramarine fi al this pc or turkish00:19:28
you see, it depends on the environment and not00:19:31
this is acceptable when the light is cold00:19:34
there is cold light and warm shadow00:19:36
that's the rule I want to say she doesn't00:19:38
always works, take this for example00:19:41
planet mars up but here's the thing from just00:19:43
so to prove my words the planet00:19:48
Mars and you understand that the light there is warm00:19:51
A00:19:52
the vault of heaven is there and there should even be00:19:56
go and the shadows are cold accordingly and00:19:58
the shadows there are warm because the surrounding00:20:01
Wednesday is all red, all ocher00:20:05
shade has00:20:08
so it doesn't always work00:20:14
here's a look at some00:20:17
purple as I call it pink00:20:19
I knead here and let it blink here00:20:26
we all got rid of00:20:30
white and now00:20:33
you can look for the drawing00:20:39
I want to tell you that if you00:20:43
will you write using this technique?00:20:47
you need to rebuild yourself and to generally00:20:51
Do not be scared00:20:53
at all00:20:55
work and don't worry about what you have00:20:57
there will be some mistakes here you can always00:21:00
move00:21:02
remodel and00:21:04
this is how much patience and00:21:08
how much of your skill is enough?00:21:11
see this, you still have to see what what00:21:13
remake00:21:15
so here's the main idea so far00:21:18
took place with us00:21:21
sagittarius x ask a from imagination00:21:24
draw00:21:25
I give the image but also in I am very much in00:21:29
basically I’m writing a post from my imagination maybe00:21:32
maybe I’m taking about five references there00:21:35
I’ll put some kind of picture together from this00:21:37
again, here's something for me there00:21:41
I liked some element there00:21:43
liked it and00:21:44
you're already starting to come up with something of your own00:21:50
let's lay nemo00:21:53
let's try to lay it down no yet00:21:56
put this brush aside, it's big00:21:59
brush number 1800:22:02
let's put it aside, take number 14 and00:22:08
more thoughtfully00:22:12
competently00:22:14
let's put the heat up here00:22:18
let's rise into the cold and that's it or vice versa00:22:21
chill from above bring warmth the one who00:22:24
as usual although I want to say this00:22:27
it doesn’t matter at all you can from here00:22:29
start writing yes if you see the picture00:22:33
if you see the tonality at all00:22:35
it doesn’t matter there is no algorithm guys, it’s just00:22:38
They also say there should be an algorithm there00:22:40
there is no algorithm if you know how and see00:22:43
drawing and you will see the tonality in general00:22:46
no matter where to start00:22:49
so we took purple shades and a drop00:22:53
added darkness there00:22:57
maybe through English red00:23:02
tried using English paint00:23:04
just tried it around00:23:07
Just00:23:09
touched00:23:20
yeah well, while something blinked they were setting00:23:24
Next we took purple00:23:30
here he's more like that00:23:33
This is the kind of cloud we got in general00:23:36
there is no task, I’ll repeat this somehow00:23:40
I'm watching but I want to00:23:44
not that such a quarrel with the level to show00:23:47
Here00:23:49
some kind of excitement00:24:03
So00:24:05
there's an experiment going on right now00:24:08
there's an experiment going on right now I'm watching now00:24:10
what is the best key for us to take here?00:24:16
What colors can make this more interesting?00:24:25
Do you constantly use white spirit?00:24:28
back to us or turpentine they compared it00:24:31
well pinin00:24:33
I worked at Pinega at one time00:24:38
maybe who they are I don’t know honestly00:24:42
well, there's not much difference for me00:24:44
maybe it's not big for me00:24:45
there is a difference, someone will say yes no, here it is00:24:47
completely two different00:24:51
product00:24:54
I wrote it in pure turpentine and somehow00:25:03
so let's squeeze ultramarine under00:25:06
because I'm watching the facet00:25:14
wait, it's in c00:25:17
it is in c here it is defined00:25:23
white palette and a little00:25:27
takes away the light00:25:31
here she is to hire the author Marinka00:25:36
we're kind of like these guys studied00:25:39
stories of market leaks about tags00:25:42
increased yes some things are normal00:25:44
and it's cramped and then you have them here00:25:46
appeared and there and here I'm just more00:25:49
aka liquid based worked here00:25:51
Somehow I took the watercolor one right away00:25:57
if dad is so much like that of course00:26:00
was00:26:02
look, lay ultramarine with00:26:06
a little bit00:26:08
a little bit of dark, well, black Mars00:26:17
I don't want to do this at all00:26:22
fabulous sky because that's all00:26:25
photoshop must be understood00:26:28
here we focus on this wave00:26:31
and we need to highlight it in very contrast00:26:35
bring to Front00:26:42
so everything else can be00:26:44
muted ones including these00:26:48
clouds00:26:57
here I am now sketching yes00:27:00
again tonality and then we can00:27:03
start this kind of formation already00:27:06
even a finger00:27:09
don't be afraid, that too00:27:14
sometimes adds some liveliness00:27:18
just a brush won't do that, we seem to be in00:27:22
Terra im paint this pigment we00:27:25
rub it into the canvas00:27:28
but also such an interesting distribution00:27:31
it turns out we'll give part00:27:36
let it be diverse for you00:27:39
multifaceted sky don't make it one00:27:43
some color glaze but not vip00:27:47
glaze don't take it there00:27:49
let's say some blue or00:27:52
purple kim00:27:54
after all, it may appear in the sky here00:27:57
even green00:28:02
it’s just another matter that we have an understanding of00:28:06
head and our brain it is somehow already configured00:28:08
because the sky is still blue and we00:28:13
here we introduce the green one and break it00:28:15
general formula00:28:25
this is painting when00:28:28
We00:28:29
take and look at the relationship of one color to00:28:32
add it to another00:28:35
color-light00:28:37
throw reflexes at an object nearby00:28:42
this is this one, it's like a merger before00:28:46
one thing happens after another00:28:52
send a picture00:28:54
It’s very easy to take it and pass it on here00:28:58
these are the colors we see again00:29:02
same dates as in the photo00:29:05
but for real00:29:07
Of course, you can only feel the light00:29:10
Outdoors00:29:18
and still I know people who go out00:29:21
plein air yes but especially00:29:24
guys just who00:29:26
they begin to write, they go out into the open air and00:29:29
they already have it in their heads00:29:32
the rule is up to that but the grass is green00:29:36
the grass is green and they take green00:29:39
they write grass although there is about his Christ and00:29:41
shades there and sienna there fc and sky00:29:44
blue and gives a reflex yes to this grass00:29:47
all verticals they will all be cold00:29:50
these horizontal lines will be warmer00:29:53
rules, well, as a rule, they are the park for you00:29:56
this nature will tell you if you watch yes00:29:59
Nature will tell you this00:30:03
let's do it right away00:30:06
let's cut it off00:30:08
this00:30:11
long shot00:30:15
you see how rough it is somewhere even00:30:19
That00:30:21
somewhere a moment of chance happened00:30:25
In general, this random effect is very00:30:27
important in painting it must be seen00:30:32
a good artist is when he can00:30:35
pull your hand back in time, that is, from he00:30:39
I saw that something happened to him00:30:41
interesting and he once removed it all00:30:44
leave it, we can move on now00:30:49
along the way sti was written out and this one was written out00:30:53
doesn't always work great if you don't00:30:58
master but unless of course you00:31:00
you know what you're doing00:31:12
look, I specifically want this00:31:15
so that she can do it like this00:31:17
maybe she's somewhere horizontally00:31:19
the sky will give us some small one like this00:31:23
diagonal yes, this is the outgoing one00:31:26
because00:31:29
wave wave this wave I might00:31:32
I’ll do it a little bit with this tilt and00:31:35
this is always beautiful00:31:48
friends, let's ask more actively00:31:50
questions about who is connecting and no guys00:31:53
feel free, feel free to write here00:31:55
It’s even possible that some topics are completely irrelevant00:31:59
related to painting and we came here00:32:02
we came here to meet you00:32:05
so let's be more active00:32:08
brothers, if you watch the recording of the broadcast00:32:11
You can also ask questions along the way00:32:14
letters pictures if there are any00:32:17
You can ask questions directly below despite the fact00:32:20
that this recording will be broadcast, you can also00:32:23
Will we leave comments on00:32:25
answer also yes yes on the next one00:32:27
in the master class we will raise your questions00:32:29
all this will be well, this is one hundred percent me00:32:32
I read everything and00:32:34
I see everything you write to me00:32:43
so this area is here00:32:49
let's take ultramarine vcn00:32:53
carbon copy of dark dark if you tell them00:32:57
for this I take black means fruit drink00:33:06
too much piri-piri00:33:08
darkened00:33:11
here is a view of the canvas as a canvas palette00:33:14
use it as a palette00:33:19
tried it, no response00:33:22
took it and00:33:25
a little pads with lily00:33:30
yeah, this is already difficult, you see how00:33:33
complex color turned out there and purple00:33:35
there and00:33:37
ultramarine00:33:46
Sagittarius x is our most active today00:33:49
the question is that I noticed that in the drawings and00:33:52
photo movement from left to right00:33:55
perceived naturally and on the right00:33:58
left causes tension before it's a trick00:34:01
Artists have a special trick like this00:34:06
this is given by the viewer's perception, this is how it works00:34:13
I think maybe even from the letter it gives us00:34:16
when we read some text on the left00:34:19
we read to the right maybe even00:34:21
got used to it, but who can be about it again00:34:24
brain, we have now touched on the topic that00:34:26
our brains are already accustomed to this, as it were00:34:29
this is your erudition00:34:30
happened and00:34:32
we already perceive it00:34:36
dad to the formulas that are laid down00:34:40
Svetlana good evening, also in there only00:34:43
Did I understand the question from Svetlana correctly?00:34:46
stock if the cold sky is vertical00:34:49
cold horizontals warm00:34:52
you just told me yes yes yes yes yes yes00:34:56
look00:34:57
grass yes grass, here it is, and not00:35:01
Believe it or this is the fence, let's not do this00:35:03
on the grass because it is more difficult00:35:05
subject00:35:07
there is a fence the sun is shining and these00:35:13
We will write all verticals cold00:35:17
that's all and here we have black annet warm00:35:22
light, that is, we will put it here like00:35:24
some ocher some closer00:35:28
to yellow00:35:30
this00:35:32
it's but that's how it works it's not like that00:35:36
there, of course, it’s necessary again00:35:38
watch from the environment you have to watch what00:35:41
surrounds this fence and what kind of fence is there00:35:43
reflexes will work but00:35:45
this is probably how it is believed that the sun is up00:35:48
the sun shines from above on this fence00:35:50
it shines from above and it turns up00:35:53
this one near the fence seems to be horizontal00:35:56
lines they will be warm they will they would00:35:59
more look here I am again00:36:02
specifically but there is no such thing but I00:36:06
pawned it a little00:36:08
this one on light ocher00:36:14
yellow ocher00:36:25
look if I want a little of this00:36:29
make everything so smooth transition yes00:36:34
I’m just barely making a frame out of canvas00:36:38
some00:36:39
crosshairs brush flat and practically00:36:43
we do this kind of stroking00:36:52
but this is also the first layer for now00:36:56
you can say you can complicate it you can00:36:59
add some other tint glasses there00:37:02
work more interestingly with the form here00:37:05
now you know where to work with00:37:08
shape00:37:09
for example these clouds00:37:13
although probably the brush is here for00:37:17
these00:37:18
we need to take fewer moments00:37:23
Victoria, good evening, glad to see you00:37:27
yes yes it's good good evening Victoria00:37:33
you always have some interesting sky00:37:36
it turns out with these yellow ones00:37:39
shades here and now look at the photo00:37:41
Amanov is boring, she's so gloomy00:37:44
gloomy but00:37:46
you see, she’s also a little over there00:37:48
photoshop Lina and00:37:50
there it seems strong to me. not only you00:37:54
I just couldn't get to the sky00:37:56
I wish I could look at the same color00:37:58
we'll find it in this00:38:00
in life yes00:38:01
they're so dark, I'll see them again, but here they are00:38:05
these are such pronounced azure colors00:38:10
you need to go somewhere to Abkhazia and there00:38:12
there are such lakes, but probably only in00:38:16
certain places00:38:22
but let's get back to the sky00:38:25
brothers and sisters, we'll be back a little later00:38:29
let's try to solve it after all00:38:33
lay down the sea for us00:38:36
this is where they took the green speck00:38:40
took ultramarine and00:38:46
have taken00:38:48
maybe let's go dark first00:38:52
some00:38:56
to this00:38:58
[music]00:38:59
Mars was taken and00:39:02
tried it00:39:08
too much00:39:13
Victoria is asking me to explain it to you again00:39:16
this is probably connected again with the fence00:39:19
if I understand correctly that is from the sun00:39:22
heat red and yellow shades and shadow00:39:26
lower means cold, but not always00:39:28
however not always however not always again00:39:32
I'm saying look at the environment00:39:34
what surrounds what around these objects00:39:38
guys, everything around her is directly00:39:43
affects the object that we write before00:39:47
I put my hand like this if I00:39:49
I want to write my hand like this00:39:52
I understand that now from this canvas00:39:54
light is reflected and it will be directly00:39:58
act on my hand before this advice00:40:01
will hit and be reflected give reflections00:40:05
I already have it on my hand, that is, when I will00:40:08
write my hand, I'll fix it here, it's not00:40:12
due to the fact that my hand is now in00:40:14
paint and that's why00:40:17
keep this in mind I put it to00:40:21
some bright red00:40:24
Let's take a hand to the closet, yes, it's clear that00:40:27
the reflex will already be some kind of beige00:40:29
some kind of non-beige00:40:32
some kind of ocher red that's all00:40:36
we need to keep these moments in00:40:38
head then00:40:40
there are some objects nearby what they are00:40:43
colors mean they also influence that object00:40:45
himself which we write absolutely absolutely00:40:51
Well, here there is also the rule of heat and cold00:40:55
steam and of course we take into account for example00:40:58
the item is blue, yes, we have some00:41:01
yellow warm shade next to what then00:41:05
there will be a little green and once again I00:41:08
just now it's not, I'm just on my own behalf00:41:10
I ask for example instead of your hands00:41:12
there will be some blue object and behind it00:41:16
next to it there will be some warm yellow tone00:41:19
red what will the reflex be then?00:41:22
on the subject itself, well, he will give00:41:26
this darker one00:41:29
lehr tooth mixture more some somewhere00:41:32
warm shades he himself can be00:41:34
cold object yes but there were qnet on it00:41:37
Is this warmth from the background necessary to mix?00:41:41
see item blue00:41:43
background for example red means red with00:41:46
it will be some kind of blue00:41:48
purple red blue you mean00:41:51
these relationships are heat negligence yes00:41:53
If00:41:54
the reflex will go red on the object00:41:57
about the item itself we have blue00:42:01
this is how this shade turns out00:42:05
red falls on blue we will have it00:42:08
to mix00:42:11
it's just torture here now00:42:14
look, remember the main thing and the main thing00:42:16
if you write00:42:18
Let's say you're painting a portrait from life00:42:21
portrait is as you know they say in the background00:42:25
background to the face face to the background that is, here00:42:29
but in fact there is such a statement she00:42:31
quite famous yes00:42:32
portrait painters know that if you paint00:42:35
first the figure yes you don't write the face you00:42:39
write the background and then enter the object into00:42:42
this fund why this is being done because00:42:44
we take it right away00:42:46
all reflexes00:42:48
environment from the background to our figure00:42:54
these are these moments00:42:56
Well, well, you have to kind of keep them in, I say00:42:59
Guys00:43:07
look what color appears00:43:10
we have a little blue one here00:43:14
but we won't have it in any way00:43:19
give resistance to this, that is00:43:22
it should be extinguished a little here00:43:25
and how will we extinguish it? We will extinguish it through00:43:28
function00:43:29
this is the color you see00:43:40
sometimes you draw on paper and prime it00:43:43
you can prime it, you can write it like that if00:43:46
it's fast, someone's coming wanted00:43:48
let's write00:43:51
you don't even want time00:43:53
spend on the ground, oil will fall00:43:56
just don’t use it in oil yourself00:44:00
niloye oil but don't need it already there00:44:04
this pigment is oily in the oil itself00:44:06
just pure oil for diluent00:44:09
white spirit if you want to work00:44:13
paper quickly and some quick tubes00:44:15
make sketches00:44:17
I highly recommend that this is how they say it00:44:20
you know, sign that is a little00:44:22
sign and practice a little00:44:26
it’s more pleasant to paint on canvas or00:44:30
thought about canvas of course paper but00:44:32
this great secondary is understandable00:44:34
so that he paper is what we use in00:44:37
last moment when00:44:39
or some kind of sketch00:44:43
we do00:44:47
look I don't do that here00:44:50
don't do tough to tough some00:44:54
I still want to move from sea to sky00:44:58
make this smoothness but at the same time00:45:01
so that the viewer understands what it is00:45:04
sea that it’s not just something like that00:45:07
Well, it was just such a storm once upon a time00:45:10
combat, this technique can be used for00:45:13
do a smooth stretch from the sea to the sky00:45:16
but still there is another task00:45:21
somewhere it will go into the sea and where00:45:24
then we will have to go00:45:27
smooth00:45:29
straight horizon line00:45:34
it's kind of mixed up, not a good color00:45:42
this is darkness and00:45:44
and then it will be possible to highlight it well00:45:48
some accents it won’t be like that00:45:50
a terrible stain00:45:53
add some purple dark ones there00:46:05
at this stage there is no need to be afraid that you00:46:08
fill up the horizon00:46:13
we can fix everything00:46:20
So00:46:25
sometimes I will be silent because00:46:29
this process also requires some energy00:46:32
some00:46:33
concentration especially when it comes00:46:35
concerns the details of the drawing00:46:38
here on the spots I can tell you fairy tales00:46:41
tell me when a little bit00:46:43
thoughtfully and need to with it00:46:45
so this is something like this00:46:50
just some understanding here I just00:46:54
I ask from you00:46:59
I already have a question I have a question yes yes yes no00:47:02
you have questions just they ask me00:47:04
dispelling these questions is normal00:47:08
Victoria asks00:47:10
so I understand that you are writing out or00:47:13
more precisely, you rub in the colors, sometimes the color is bare00:47:16
in the other, that is, rubbing on the canvas00:47:20
I introduce one color into another color yes I do00:47:25
I look at relationships and how I am00:47:29
these combinations worked00:47:36
I'm not trying to get in anyway00:47:39
straight into color, maybe there's more here00:47:43
the guys are worried about what00:47:46
Well, let’s say they come to some00:47:48
master classes they are told to take00:47:51
initially this is me in general me and I00:47:53
I can’t stand guys, honestly00:47:55
the word is my subjective opinion and00:47:57
take and create a color scheme on the palette00:48:02
there he looks at the photograph and doesn’t00:48:06
touching the canvas again he begins to create00:48:10
if there is a wound on the palette00:48:14
it's so many thousands you'll be wrong guys00:48:18
here, returning to the topic of reflexes, you are in00:48:21
in any case you won't get in, so that's all00:48:24
the whole story happens here00:48:27
this is our palette and this is our00:48:30
canvas and them and ours00:48:32
the end result happens here00:48:35
not here I am again telling you here I am00:48:39
sometimes they don't show the palette to you00:48:41
you need it, you will have your own00:48:46
I tried writing on primer with acrylic00:48:50
varnish00:48:53
with acrylic varnish no and here we go again00:48:58
I said good technique first00:49:00
We do the entire underpainting with acrylic00:49:03
with acrylic, acrylic won’t fit badly anymore00:49:06
oils00:49:15
[music]00:49:21
so some chicks are a little purple00:49:26
shooting and with these clouds I want00:49:31
figure out00:49:38
they are too elegant00:49:59
you're thin, you don't see life, we're working00:50:02
in oil00:50:04
you can, of course, simply not take it, but this00:50:08
the next slide00:50:10
when will we take it00:50:13
the general impression will be possible later00:50:16
more00:50:19
more textured00:50:28
So00:50:33
here you can add a drop00:50:38
a drop of turquoise00:50:42
turquoise or sli take Turkish00:50:45
green add pc there and00:50:49
you'll get something like this turquoise00:50:59
here's what else I did wrong00:51:01
these are the details that we don’t care about right now00:51:03
needed00:51:12
it'll all be written off anyway, but that's just me00:51:15
what am I doing here just sketching what00:51:17
yeah yeah here the wave will be all wrong00:51:19
I'll forget00:51:24
how come there isn’t a bit of glare here, I’m just00:51:27
I really look at this00:51:29
by color00:51:32
but on00:51:34
mirror of this00:51:44
here it goes, yes here we have it somehow00:51:48
it's gone00:51:49
something watery00:51:52
here you can also goby like this00:51:56
give a hint00:51:57
just give a hint00:52:01
via PC00:52:04
blue00:52:06
there is a photo of green me just some00:52:09
I’ll ask you to tell me a fact about how my ears are00:52:11
if I talk in c I always talk about00:52:13
blue facies green for me no00:52:17
but if someone is constantly looking and00:52:21
somewhere in Nadal maybe purple00:52:24
toss00:52:29
Victoria writes I like that sometimes00:52:31
palette knife goes entrance super can stream by00:52:35
palette knife then do it and we are here00:52:37
Today we will introduce a palette knife window00:52:39
I want a difficult stream00:52:42
simple requests maybe only you00:52:45
just start working with a palette knife00:52:48
palette knife will be a separate picture altogether00:52:51
where we will paint the whole picture00:52:53
with a palette knife we can give you some lining00:52:55
but purely these are the stains00:52:58
let's ask00:52:59
with a big brush and then we’ll move on00:53:02
we will have a quiet cityscape for you00:53:05
in addition to the palette knife00:53:10
here you can take it in full and show it00:53:15
what is this little guy capable of?00:53:19
look, it's purple somewhere00:53:21
blinked this reflection of the sky00:53:26
this is the influence of the sky on the sea00:53:34
I heard the opinion that purple paints00:53:36
unstable, but how can we do without them? But we can’t live without them00:53:40
no no why not stand on again00:53:42
what company look00:53:46
well, or create it there and I don’t know what00:53:50
complex combinations of red and blue00:53:52
add there00:53:54
not some whitewashed in favor of that00:53:58
light purple then in favor of dark00:54:03
experiment guys just painting00:54:06
it's all built on experiments00:54:08
carried out certain yes but00:54:10
these rules00:54:13
they are good00:54:16
well that's good when00:54:21
as well as when we are searching00:54:24
yeah yeah we know that there's light like that00:54:26
fell to means he lit it like this00:54:29
to us, yes, here is the reflex, yes, it worked from00:54:32
reflex these are the rules and so on00:54:35
basically everything is based on experiments00:54:37
responds to you00:54:40
I want a palette knife but I'm scared Victoria00:54:44
Seems00:54:45
there is nothing to be afraid of because Alexey is like that00:54:47
explains that even a beginner can00:54:49
probably make it straight from scratch00:54:52
there will be something beautiful we will try00:54:56
we'll try, guys, we'll try, but it will be00:54:59
anyway00:55:10
so okay, I dug in here a little00:55:14
right here00:55:17
we'll give00:55:21
green00:55:23
in combination00:55:26
Mars black00:55:30
we'll pawn00:55:35
Well, I’ll add turquoise somewhere00:55:41
look how deep it is00:55:43
deep color is a shadow wave00:56:12
It’s like we have a bit of a funnel here00:56:14
is formed and it’s good to show00:56:34
here we need it, not like in the photo00:56:39
do and take away, that is, there00:56:42
almost exactly and you will see here00:56:44
no there in the corner00:56:51
maybe through some00:56:55
also some kind of shadow00:57:04
although there is a shadow and here the light will fall, well00:57:07
according to all laws00:57:10
nuvola you understand yes how it goes up00:57:13
step effect00:57:14
illuminated part00:57:16
cold but not cold shady00:57:18
illuminated shadow00:57:39
So00:57:41
here's a little to the main character00:57:44
getting closer00:57:49
here he is our main character00:57:52
[music]00:57:54
we'll lay it right away00:57:57
this transparency00:58:03
through00:58:04
blue00:58:10
Svetlana says this is already possible00:58:12
stop already interesting picture already00:58:14
interesting and good evening Svetlana sweet00:58:17
you grow up hina credo new colors00:58:20
use and00:58:23
they seem to be very good00:58:28
mixes very well with others00:58:31
yes yes I didn’t give them more expensive00:58:34
they are more expensive00:58:42
well, at least in our stores00:58:46
look here, look, I want, I want00:58:50
this is the shade to use turquoise00:58:52
wreaths and00:58:54
immediately before immediately I somehow started playing00:58:59
somehow it happened already00:59:01
not that diverse00:59:09
but all this is still from striped all this00:59:12
Bye00:59:14
work with it and work some more00:59:29
there may be a slightly different approach to the sea00:59:31
because00:59:33
there are a lot of videos on youtube who write what they say00:59:38
sea00:59:40
maybe a little different and00:59:43
not the usual approach00:59:47
what's the other one00:59:50
no algorithm00:59:53
no, in some sequence you00:59:58
you say there is no algorithm everywhere at all01:00:01
in the drawing it will even be different01:00:05
the picture is correct correct I have it like this01:00:08
but for other friends maybe, but for me01:00:11
So01:00:15
let's paint the same landscape01:00:17
the same artist, the same landscape, he01:00:20
will write to duplicate from him01:00:22
it will turn out completely different01:00:29
that's when they take it from me01:00:32
paintings01:00:33
it's all out of stock01:00:36
the order comes for the same picture I01:00:39
I warn you that I will write therefore01:00:42
same impression therefore same motive but01:00:45
it will be a different mood it will be01:00:49
already a different flavor01:00:51
do you agree it yes yes no no then no01:00:56
that means we disagree with you01:01:03
Each painting must be individual01:01:05
each individual01:01:08
even a copy01:01:19
about expensive outcall Victoria01:01:22
writes that it’s not about the price, it’s that the master01:01:25
Alexey can do it himself01:01:28
it comes out great01:01:32
thank you thank you guys01:01:36
[music]01:01:43
Let's do01:01:46
roll01:01:48
this arc01:01:50
where we have a wave01:01:55
goes to the bend01:02:01
a little drawing is required here from01:02:03
you01:02:05
searched01:02:07
left01:02:09
added01:02:11
some other blue ones were introduced01:02:23
here you can do a gentle stretch01:02:37
comb this comb01:02:42
we also solve through01:02:45
turquoise shades through Turkish greenery01:02:49
tried it01:02:51
look how interesting it is here01:02:53
works here she doesn't go to some01:02:57
in a certain direction she is straight01:02:59
what's called 3D is rolling over us01:03:03
there it spills, it's a wave and we01:03:06
here you need to show this direction01:03:08
and give a little here01:03:10
like this01:03:14
Well, of course it’s a little exaggerated01:03:18
here it is slightly exaggerated but shown01:03:20
you can handle this task too01:03:26
let's try now01:03:29
there is already possible in some one01:03:32
we'll give direction01:03:36
where do orders most often come from?01:03:39
paintings fair of masters to or from01:03:42
old clients01:03:44
old clients are the best clients01:03:48
these are people who have already01:03:51
your friends01:03:53
attacks but01:03:56
many sources01:03:58
you can find many sources, this is me01:04:02
on the question of sales, well, in general I’m on01:04:05
fair yes I sell you to us at the fair01:04:07
a miracle and somehow01:04:10
didn't go there and01:04:15
I didn’t even come in at the time and that’s all01:04:18
basically the fair is not bad01:04:28
At one time it was sold on Facebook like this01:04:31
just fine01:04:37
in general, with these pandemics, somehow01:04:41
a little bit01:04:43
but many have already seen their sales drop01:04:57
So01:05:00
I still want this one01:05:04
transparency show maybe we are here01:05:07
let's take yellow and01:05:09
there is no such thing but we01:05:12
let's throw this yellow one01:05:26
so our blue one is gone01:05:35
I know that I see a little bit right away that I am01:05:38
it’s confusing, I need to highlight it here, I think01:05:41
no way it breaks yet01:05:44
composure yes somehow it is01:05:45
some kind of fragmentation01:05:50
It’s very important, of course, to sketch out the spots01:05:54
and then collect them01:05:56
This is also not an easy task01:06:03
And01:06:08
look like01:06:10
at your place01:06:15
Well, this is so that there is a series of objects01:06:19
somehow more picturesque but not in a row01:06:24
They are there01:06:27
some order that was present01:06:31
even if we see it in the photograph01:06:34
Our task here is to break everything down01:06:41
so, look what else I’m doing here01:06:48
shadow01:06:50
the link parts are somewhere gray01:06:55
somewhere gray somewhere pink01:06:58
ghetto purple01:07:00
upenn I have a daughter01:07:08
but by all rights it will be warm here01:07:11
as if maybe I didn’t stand at all, well01:07:15
although this is also a warm color debt01:07:17
it turned out through purple ones01:07:20
artists really love this one01:07:22
mud01:07:24
there is a concept of dirt should not be in01:07:28
painting01:07:30
nobles squabble01:07:33
that's what we need01:07:37
so here I forgot to put it01:07:40
one more01:07:44
another wave01:07:47
already such a little friend01:07:58
interesting brush work or rather01:08:01
hand movement usually goes sea01:08:03
horizontal because this plane01:08:06
Alexei just uses his hand in an interesting way01:08:09
seems super and moves horizontally01:08:11
it seems not01:08:13
well, this motor skill is already like me01:08:17
the body itself tells you how to take it01:08:20
brush01:08:21
for her to do something01:08:25
something unpredictable and even sometimes01:08:52
V01:09:03
so here you can use purple here01:09:07
give in01:09:10
purple white and01:09:13
black mars01:09:18
look give the verticals broke it01:09:21
everything is horizontal01:09:24
If01:09:26
you don’t know how to hatch, but here you can01:09:29
cross hatch and01:09:31
breaking the vertical with the horizontal01:09:36
as if rubbing it into the paint01:09:42
in the photo the near wave is rolling onto01:09:45
the shore I think the shore is approaching but01:09:49
we wandered for a long time, even the shore is here, oh well01:09:51
there are no rocky areas here01:09:53
manifestations01:09:56
we can put pebbles but that's already01:09:59
there will be a completely different picture01:10:06
judging by the wave, how it runs not in the usual01:10:10
closer to the shore so yes yes yes yes yes yes how01:10:14
I wish she was rolling her nose towards the shore in the photo01:10:17
can not see01:10:34
look here01:10:36
one-one-one-time to left right that is at01:10:41
that's how the waves work for us01:10:48
this shadow you see is the part we and01:10:52
smoothly remove the team colors01:11:19
so nothing there nothing nothing guys01:11:22
write01:11:24
good luck I read all the questions let's01:11:27
ask questions more actively01:11:30
share this video with more people01:11:32
will come on air01:11:45
and right here right away we indicated01:11:47
advice right away01:11:50
there is an understanding of where we can strengthen01:11:54
shadow01:12:09
but I’ll repeat this for now01:12:12
sketch01:12:16
rough underpainting01:12:23
if you sit until the end01:12:26
you'll see how it turns into some kind of sketch01:12:32
I don’t like to rush in paintings at all01:12:38
I like to sit and think01:12:43
but you still do it quickly01:12:46
some take me a month to draw one01:12:48
picture01:12:49
or one month where there but there is there01:12:53
such artists01:12:55
but again if01:12:59
if they have an order it is acceptable01:13:02
paid for six months01:13:04
then this makes some sense01:13:07
A01:13:09
when you, well what can I say?01:13:15
directly01:13:16
you work and sell01:13:19
then this is unacceptable, I think01:13:25
look, there it is, a smooth transition from01:13:30
sea in01:13:33
the vault of heaven at this point01:13:38
stands out a lot so I waved01:13:42
this looks after all in order and01:13:45
appeared in the answer after all the brain to me01:13:47
wants to immediately give the task to do it all01:13:50
that's not how the fence works, clouds don't work01:13:53
there must be some01:13:56
interesting manifestations01:14:03
you can do everything with a palette knife01:14:13
What is the most difficult thing for you to draw?01:14:19
person on01:14:21
portrait of a man portrait anatomy necessary01:14:25
pull up01:14:34
Well, that is, I can’t take it like that01:14:35
yes clever, how clever01:14:39
sit down and start painting a portrait, that is01:14:43
I need to get ready a little bit01:14:48
see different photos of this01:14:51
person if I write from a photograph if01:14:54
I’m writing from life, that’s another thing, that’s another thing01:14:58
things work out faster there, well you01:15:01
directly interacting with01:15:04
human of course01:15:06
of course you see his features01:15:11
This01:15:14
Well, that's simplifying the task01:15:23
I told you about the finger, here it is a finger01:15:27
interferes01:15:30
you can take it with your finger, look01:15:36
mix01:15:38
ultramarine white01:15:42
take some01:15:45
some01:15:47
to the workshop at CERN of their shades and01:15:52
roll these clouds right here01:15:58
somewhere flashing until the moment it turns out where01:16:02
then on the contrary the shadow part comes out01:16:19
that is, you understand if they tell you oh01:16:22
this is wrong this is amateurish guys01:16:25
everything is fine if you can do it01:16:28
if this01:16:30
looks well first of all when you do01:16:34
like these ones01:16:38
finger moments01:16:40
viewer01:16:41
Well, this throws the viewer a little into a stupor01:16:45
what and how did he do it and how did that01:16:47
will be a brush so don't do it 3h so01:16:50
with a brush just like that, that's how we are01:16:53
now we're doing this with our fingers01:16:57
a lot like getting someone layered01:16:59
glaze painting yes as if01:17:01
painting from old masters but it is necessary01:17:04
do delicately01:17:09
I think this is the hardest thing01:17:13
emotional movement sagittarius x wrote01:17:16
that is, in the drawing the most complex01:17:18
we move emotionally and here we go01:17:22
character01:17:23
given to grasp grasp character state01:17:27
nature or man01:17:32
because this is a set of thoughts before a set01:17:37
some internal01:17:40
dialogues yes this person and you when01:17:42
you write you have to immerse yourself a little01:17:45
this is what this man lives in01:17:48
this is by the way because as you say01:17:52
one photo is needed in several photos01:17:54
watch because it's emotional01:17:55
the person probably had a condition01:17:57
different moment of shooting and you can somewhere01:18:00
make a mistake how to convey this emotion can01:18:04
be a person not so and expressed as on01:18:07
photos and need to see a few01:18:09
photos to understand some01:18:12
I came across a peculiarity of a person01:18:14
photos you know01:18:17
people who are very01:18:20
not sincerely smiling not sincerely like that01:18:24
a forced smile, that's all you can see01:18:28
everything is visible, it’s being read at the moment01:18:31
filming they were asked to say cheese maybe01:18:34
maybe before maybe and then they talked01:18:37
you drew me but not sincere01:18:39
they didn't look alike over time, and that's why01:18:42
why are you making such a grimace01:18:44
I realized that I would never end up here01:18:48
I won’t see where you are, where are you for real?01:18:52
where are you being a little hypocritical? that's it01:18:56
how come we are all just artists01:18:59
these are not psychics01:19:01
so I think here accordingly with01:19:04
more per person who provided01:19:06
the photo was necessary somehow already that I liked it01:19:10
what emotion is there in the photo, well, I changed it01:19:14
girls wrote to me just mentioned01:19:15
my smile is why I'm so all of her01:19:19
looked somehow unnatural and01:19:23
and of course she didn’t recognize herself, but01:19:26
of course I recognized it on the wall because it01:19:28
Well, somehow everything was tense, like some kind of01:19:31
you know this one01:19:33
mouse who am I offending now this is a syndrome01:19:36
Instagram yes this is when everyone is perfect and01:19:39
all licked01:19:41
then you begin to communicate with the man of the dons01:19:44
ordinary earthly and somehow not in it01:19:47
such pathos as it showed01:19:52
so here of course01:19:55
here very01:19:59
it’s difficult to take a photograph and01:20:03
get in if you don't know this person01:20:07
but it’s another matter if there are any artists there01:20:10
pee at home we still see their films01:20:14
we know their autobiography01:20:17
that's another matter01:20:23
so that's it, that's what you are01:20:30
This is the technique I offer you all01:20:32
try01:20:35
this finger01:20:39
but we don’t get carried away, we don’t get carried away and01:20:45
back to our wave01:20:53
So01:21:00
scallop01:21:04
scallop01:21:06
azure01:21:08
here to here01:21:11
come here01:21:18
look01:21:20
if we talk about a palette knife, how is this possible?01:21:23
do01:21:24
palette knife01:21:36
that is, here we immediately give01:21:40
circle to along this bend we and01:21:43
we do01:21:45
this is this movement01:21:56
next we have foam here01:22:02
can be pawned01:22:06
although we get cold foam from here01:22:09
but we'll try a little purple01:22:12
add01:22:13
how do we cut off the shadow?01:22:33
like this01:22:45
that is, even now I’m also looking for01:22:47
drawing and at the same time01:22:51
I look where to stay where else is there01:22:55
toss01:22:57
like this, avoid this01:23:01
I've seen a lot of this, the guys don't have it01:23:05
this shouldn't happen01:23:07
I might even be somewhere special, well01:23:10
no it’s special it’s not intentional01:23:12
I make these mistakes, but the most important thing is that they01:23:15
we need to sort out these mistakes right away01:23:17
we have more here like this01:23:20
rounding01:23:24
How01:23:27
well, yes, the idea is to roll and01:23:34
here it is, those shadows came from the foam, a shadow came01:23:45
and you can still throw it here01:23:49
you see it’s not clearly expressed then I01:23:53
I’ll exaggerate it a little for you now01:24:08
perhaps via ultramarine via01:24:11
ultramarine is possible01:24:22
Ultramarine is also here01:24:24
mixed with green with Turkish greens01:24:27
and this becomes a complication01:24:31
what we need01:24:39
there's not enough here01:24:43
I'm missing this blue one01:24:50
that is, transparency itself01:24:53
from the sun to from the light source01:24:58
kind of transparency here01:25:00
formed a smoothly smoothly stretching in01:25:04
the shadow is missing because here it is01:25:08
so you can have purple ones here01:25:10
some ultramarine and01:25:15
pawn01:25:17
somewhere blue somewhere fc01:25:24
here he is, the palette knife went to the entrance01:25:37
and I rub it in until I see this one01:25:41
result of a smooth transition01:25:51
look at the glare I'm not there yet and here's the glare01:25:55
these droplets I'm not doing everything yet01:25:58
comes from large masses01:26:10
So01:26:18
there will be a stream and completion of work well01:26:21
at least here I will do the 7th I think01:26:25
tune with a sketchbook if we don't sit I won't01:26:27
I know of course how long it will take01:26:30
I have01:26:31
now it's already an hour and a half by an hour and a half01:26:34
this is nonsense for painting this01:26:36
absolutely little and of course01:26:40
we probably won't have enough here, even two01:26:43
hours01:26:46
Well, if someone has business there, you can01:26:49
then rewind and look there but if01:26:52
this topic is very interesting01:26:56
so of course01:27:00
state today I would like to convey this01:27:02
because I'm not a fan of leaving it01:27:04
for later but then I mean and01:27:08
wonderful parts and here we need to do01:27:13
Today01:27:24
so you see yes01:27:28
more01:27:31
these rifts01:27:41
[music]01:27:50
here you can give01:27:54
complication of color in the shadow part01:27:59
thereby01:28:02
let's give the foreground01:28:10
look up to the sacrum and it looks like it’s already there01:28:14
some kind of foam formation happened01:28:24
Yes, I drove Kuya01:28:26
I drove it here, you can look here01:28:30
come here immediately to appear like this01:28:32
purple and give the idea of foam01:28:42
no glare, no glare yet01:28:46
light01:28:48
plots but01:28:52
understanding that this is some kind of foam01:28:54
it will just help us later01:28:57
there will be some hint01:29:10
don't forget about these holes01:29:27
that's what I'm talking about effect01:29:30
accident01:29:32
all the same, here in the sea in the sea01:29:36
in landscape paintings it is simply necessary01:29:38
this randomness effect is simply necessary01:29:42
but with knowledge of the matter01:29:48
did you have to wipe part01:29:51
drawing to remake it there, well how01:29:54
wipe cover basically not01:29:57
wipe and cover01:30:08
I had pictures that I01:30:10
they just didn’t come to me01:30:14
I superimposed another on one picture01:30:17
the paintings are simple and01:30:22
Nothing01:30:23
Fine01:30:40
so here we can fall like that01:30:44
can her colors squeeze out the most01:30:46
I say don’t be sorry if you01:30:48
paint artist01:30:56
son somehow01:31:01
Turkish greens here are good01:31:03
it will work01:31:05
scallop01:31:15
A01:31:16
here you can give color so that it is a little01:31:20
differed svc to turkish greens in c and01:31:25
it will already be01:31:27
will not give such resistance then01:31:31
there is an argument between one color and another, well01:31:33
somehow this is not comme il faut01:31:45
maybe it's too early for me to implement01:31:48
palette knife you just told me about the time01:31:51
and I realized that I was messing around01:31:57
too thick layer of paint how does it hold up?01:32:01
then it holds well well if01:32:04
complied with complied with technology01:32:06
everything is fine, that is, it needs to be subtle01:32:09
write thick in thick thin here01:32:11
remember this01:32:16
then nothing will fall off01:32:18
that's unfortunately why now van01:32:22
Goga paintings began to fall apart01:32:25
no matter if the technology is followed01:32:30
now it’s all crumbling away from him01:32:33
know another job01:32:36
because back then they didn’t know what it was01:32:39
technology as it should be01:32:42
prime yes how01:32:47
follow this whole process01:32:55
so it was me who waved something dashingly01:32:59
if you want, but in an already painted picture01:33:01
can I write another one first?01:33:04
paint it with whitewash01:33:08
but so that you have a background but what the heck01:33:12
many people can simply push away01:33:15
get lost in another picture01:33:17
but I advise you01:33:21
oh yeah, degrease first01:33:24
degrease it01:33:26
some of his spirit and01:33:30
then yes, you can whitewash such a lining01:33:36
make belyalov01:33:56
look, some kind of hooliganism is going on01:33:59
some kind of hooliganism is going on01:34:02
hooliganism and search01:34:05
and this instrument is very01:34:08
picky I want to say to him it is necessary01:34:11
find an approach01:34:13
well, once you find an approach to it01:34:19
starts01:34:21
do unpredictable things01:34:24
which is very cool very01:34:28
they play great but they are a plus01:34:45
that is, you can do it all with a brush, yes01:34:50
but it will turn out more so man-made01:34:53
brush painting01:34:57
they need a brush it's necessary I think01:35:01
lay some basic shadows up01:35:03
main spots and01:35:06
then try to disperse it all01:35:09
palette knife01:35:11
that is, there must be such a symbiosis01:35:14
one tool material then another01:35:22
here are some movements01:35:28
let's give some light here01:35:36
he used whitewash here, I got the whitewash in the way01:35:40
also with color there are purple and pink01:35:43
shades, that is, not pure white01:35:53
and like this styling01:36:09
Sagittarius and x writes too impasto01:36:12
the paintings seem careless I don’t think so01:36:15
I think they often hide behind this01:36:18
lack of skill I would certainly be here01:36:21
argued01:36:26
lack of deduction skill you have01:36:29
due to detail or or lack01:36:33
skill that is somehow too hacky01:36:37
I'm too unfinished just in01:36:39
some artists are just in this01:36:41
incompleteness and01:36:43
want to show off a trick01:36:49
here it's very like this you know it01:36:53
you know the ice is very thin here01:36:57
a fine line01:37:16
but I myself love impasto paintings but01:37:19
this to01:37:21
I wanted to squeeze out a maximum of 501:37:24
show as much as possible what you are capable of01:37:28
but at the same time do not rewrite01:37:30
recording the picture is really quite difficult01:37:33
for example foreground why don't we01:37:36
don't give it pasty, why not01:37:38
give it pasty if it's cool01:37:52
you see how the light got there01:37:55
it’s even better to take the Turkish one, take the turquoise one01:38:01
And01:38:04
let us immediately designate this light01:38:08
look at once as watery and01:38:18
took some dark stuff there, mixed it in and made it01:38:22
smooth stretch into the shadow part01:38:34
today we have a new lesson from the elements01:38:38
one might say01:38:49
about detail, this is what distinguishes the master01:38:53
opportunity to show details then01:38:55
the viewer looks and oh how he is how he is01:38:59
I was able to draw it all with pastiness01:39:02
but she’s talking about the details after all, yes01:39:05
Well01:39:07
somewhere they need details somewhere we01:39:11
on the contrary, we take01:39:15
we specifically remove these details01:39:18
because they are unnecessary details01:39:24
Well, how can I tell you if there is something here?01:39:30
saw such pictures when quite01:39:32
straight licked licked and what01:39:35
fair product turns out guys01:39:39
bush children's German01:39:42
fair product I have nothing01:39:45
against Kustodiev he is a great man but01:39:48
he doesn't have some slightly different tasks01:39:50
were he writing01:39:53
theatrical skits down then switched to01:39:57
this kind of painting more like these here01:39:59
his women have such samovars01:40:02
Russians are truly Russian, but at the same time01:40:08
he was very good at01:40:11
classic in classical painting he is very01:40:15
could write like classic and01:40:18
It’s just me now, as if you understand01:40:20
than I compare now but there is01:40:25
there are pictures like this that but01:40:28
They01:40:29
really01:40:31
combed and combed and01:40:36
know and01:40:39
it would be great if it was all detailed01:40:41
shown and with the following rules and with01:40:44
rules of perspective with rules01:40:46
chiaroscuro with heat and cold and if there01:40:50
this is not there and there are a lot of details01:40:53
turns into kitsch it turns into01:40:56
bad taste01:41:00
but in general I love you, you see what01:41:03
stopped at all I love01:41:04
detailed details detailed01:41:06
paintings01:41:09
it's always really interesting when01:41:12
made01:41:13
a competent artist is always01:41:16
interesting to consider diving into01:41:18
this is in all Yuri the bug's ear pictures once01:41:22
fair01:41:24
white, what the hell, no, this one01:41:28
great although for me it's great01:41:30
man fell their is there such a school01:41:33
will be behind you, but yes, of course he is01:41:36
there a man writes out every blade of grass01:41:40
but look how much he has there01:41:45
the light works correctly as far as it goes01:41:50
everything is built according to all laws01:41:54
by nature depot as by natural laws01:41:59
no-no-no his persistence doesn’t bother me now01:42:01
you'll understand, sometimes I talk too much01:42:05
exaggeratedly fair I mean01:42:08
when a person has no base no base a01:42:11
he starts making small details01:42:15
small small details here he is he wants01:42:19
seem to show skill but she doesn’t01:42:22
this fragmentation combines01:42:24
there are a lot of details before but they somehow come together01:42:27
are not going to01:42:29
again, if we are talking about such01:42:32
great to artists01:42:35
like Shishkin and what Vazovsky where01:42:38
there really are a lot of details01:42:41
Well, there's a school there, excuse me, what kind of school?01:42:43
classic behind me01:42:57
so here the color is lost now01:43:00
here we are, me la-la-la and the color flew away01:43:05
we'll implement it here01:43:08
let's implement01:43:19
New York care of course it is01:43:23
but she is also masterful like everyone else01:43:25
tells01:43:28
listen to him, sometimes he already gets01:43:32
to his channel and you will really listen01:43:33
when he explains it's like this01:43:37
you know a bedtime story for you01:43:39
you tell too01:43:41
in which even childhood you are immersed01:44:09
here it is, slowly, and here’s what’s somewhere01:44:12
it was completely dark for us, we take a little01:44:15
for highlighting and showing some01:44:18
smoky there is some somewhere01:44:21
smoothness01:44:27
because I still can’t make up my mind01:44:30
We decided to do this in a wave, but now01:44:33
now I've matured her01:44:42
I'm still wondering which color is better01:44:47
It's better for us to take it, look at this01:44:51
reference once or twice this is this01:44:53
there should be no alternation01:44:55
here or here we can do it quickly01:44:58
there's more to do here01:45:07
there seems to be a mistake in the photo under the crest of a wave01:45:11
there must be a shadow well yes yes yes me and I eat and01:45:14
I will put this shadow there, you understand01:45:18
what kind of story is there like a wave and01:45:21
a little bit forward01:45:25
flies and this shadow seems to obscure it01:45:30
this01:45:32
this is the edge01:45:35
like the end of a wave it seems to be behind her01:45:39
There are still classes left, but I really need them01:45:43
show it we need to give this topic a hard time01:45:45
Well, this is where we should put the thread01:45:48
now now mafia we'll decide01:45:52
or is it the sun that shines so strongly on01:45:54
wave that it is transparent and such shadows01:45:58
no under it01:46:00
well here but diffuse lighting01:46:06
here exactly but it’s actually Jesus who came01:46:11
to the conclusion what kind of photoshop is here?01:46:12
sky to sea but there can be no such sky01:46:15
and such a wave that it was illuminated like that01:46:18
maybe even those like a designer like01:46:21
times I go here using photoshop to01:46:25
a professional in this can be seen here01:46:27
which is probably what was made from01:46:30
several waves, that is, they take as01:46:33
create such works photo radars take01:46:36
separately sea01:46:38
separately some beautiful waves in the sky01:46:42
beautiful it all comes together from pieces01:46:45
plus it all matches in color and01:46:48
it seems like it's all one and the same01:46:52
that's why it might be like this here01:46:55
that's why there are some errors01:46:57
one might say that it was not thought out01:47:01
poorly made yes yes yes yes but ours01:47:03
look today problem on getting acquainted01:47:06
with this material the cheeks with a palette knife and01:47:08
learn not to be afraid and understand the idea of a wave01:47:12
the idea to understand the anatomy of a wave as we have it01:47:15
at all01:47:16
behaves01:47:19
because well, writing the sea from life is01:47:24
but I don't know this is the task01:47:27
there's always a new wave up there01:47:30
rolls in, well, you won’t get in and rules01:47:34
so there's more here01:47:36
[music]01:47:37
attentiveness and visual memory01:47:49
in continuation about detailing Victoria01:47:52
asks many people want to write it the other way around01:47:54
exaggerated and without detail what is yours01:47:57
opinion01:48:00
exaggerated in favor01:48:03
generalization01:48:05
probably yes there was a question but my opinion01:48:10
this is the case this is wonderful01:48:13
the pictures are01:48:16
work which01:48:19
work so-called01:48:22
impression01:48:23
impressionism maybe even01:48:26
that's all of course01:48:31
it's great if you can grab it right away01:48:37
immediately get into the color match and there01:48:42
maybe no details are needed there01:48:44
implement further01:48:50
so you don’t lose the direction of the waves01:48:54
this is like a sagittarius tip x this is written01:48:58
we can move Volhynia there01:49:00
maybe we should go take a look01:49:05
no, I want to complicate it a little01:49:09
so maybe01:49:11
I want to complicate it maybe somewhere01:49:14
split into 201:49:17
Andrey Lobachev ask Alexey please01:49:20
you can move the palette a little, it’s not visible01:49:23
how do you mix blue colors to01:49:26
I don't think there are any friends here01:49:29
in any case, each of us in our own way01:49:32
between yes yes yes there is no formula like that01:49:35
and in the end it mixes as I understand the color01:49:37
anyway on canvas in the end it’s the same as01:49:40
the palette is on canvas and I want to say01:49:43
you need to understand exactly01:49:47
exactly this idea this principle principle01:49:51
tonal no need to run directly01:49:55
for my color01:50:00
at01:50:01
I'm such a mess here right now01:50:04
here on the palette and01:50:05
this is but the first first layers can be seen where01:50:10
yellow-orange duck color bottom well01:50:13
it's no longer visible01:50:16
Well, you don't need to watch this01:50:20
good, yes01:50:23
you know, I can say of course that01:50:26
every color but this is what I will look like01:50:28
parrot this is also how you look at yourself01:50:32
I take purple01:50:33
I take purple01:50:35
I take adding giving with and01:50:37
knead mars black well the same01:50:40
conversations like this will always start now01:50:44
ultramarine erase to variety01:50:46
I interfered with cocaine myself, I was just in shock01:50:50
from what is here to get green there01:50:52
I also threw all the colors in there, I threw them in01:50:56
this firebox on intuition is a matter of both rhea and01:50:58
minute and from absolute to absolute01:51:01
threw the fourth edition of intuition into the firebox01:51:03
admitted and01:51:07
I took this dark complex color01:51:11
complex dark color01:51:14
I just implemented it here, look what it’s like01:51:17
the rower turned out beautiful01:51:20
there are no purple or green brushes either01:51:23
still blinking like this so scared scriba well01:51:27
Turkish greens and01:51:30
there like that and Turkish greens01:51:33
seemed like nits at the top, she was blinking there01:51:36
well, let it blink01:51:39
I think to own it like that you need it01:51:41
just mixing more paint or01:51:44
see what happens in the end and then01:51:47
already intuition will come I want to tell you01:51:50
just need to do the exercise c01:51:52
have taken01:51:53
laid out the color and moved around the palette01:51:57
They took it and drove it across the canvas, but they didn’t hit it01:51:59
three wrong again on the canvas once01:52:03
once once tried felt yeah well01:52:06
here's something even interesting01:52:08
it happened there01:52:12
you constantly01:52:14
communicate01:52:24
activity should be like this01:52:27
interaction of one with another and not01:52:29
fear not fear that's the first thing01:52:32
it's in01:52:34
this is the most important thing, I think it’s worth it01:52:40
look here I'm doing through01:52:43
ultramarine and white and dirty bi01:52:46
hit, look at the general cyber dirt there01:52:48
purple is confused01:52:52
I understand that our sky is fair01:52:55
purple although very simple now01:52:58
the sky looks very simple with this01:53:02
We will complicate the sea with this coloring01:53:07
but this will be possible another time01:53:10
in the series we are I, you can already be separately01:53:12
complicate01:53:14
today I just want to show you an idea01:53:17
idea then01:53:19
painting the sea with a palette knife01:53:23
then of course I'll sit with her01:53:26
I'll work01:53:29
avoid on the variety of lambs on01:53:33
in the background but in the background this is not necessary01:53:37
do01:53:41
We also give some kind of accents01:53:51
move away move away from the picture look01:53:55
what do you do01:54:03
so give it a direction I'm here01:54:07
removed the direction not lost it01:54:10
wave direction01:54:13
let's get this raging us a little bit01:54:16
it turns out01:54:31
somewhere01:54:33
not rubbing but slightly touching01:54:38
growth01:54:41
watch the brush with these movements01:54:45
won't do that01:54:46
but she will do maybe some ribs01:54:50
she will make ribs like this01:54:53
take some ribs01:54:55
a brush and something like this01:54:59
dad arise by arise somewhere01:55:04
somewhere scrolling through it but if you at all01:55:08
don't like palette knife01:55:10
formula with a brush, well, this is what you need to take01:55:14
her and01:55:15
scroll somewhere, stretch somewhere01:55:17
this is how we extended trees to you01:55:19
but the palette knife is beautiful with the sea01:55:23
Just01:55:24
be friends with a bang01:55:40
so here we have it by the way01:55:43
so this is the shadow part01:55:46
this chill has gone01:55:50
it's ours01:55:52
foam shadow01:56:19
so I didn’t do anything wrong here01:56:23
this transition it should be here01:56:27
pronounced01:56:37
he answered and generalizes quite well right away01:56:51
here here here01:56:54
you can give a boost through purple01:56:58
blue01:57:04
tried it01:57:05
they gave me some more green stuff there01:57:09
whether they broke01:57:16
I look and see what it resonates with me01:57:19
I have01:57:30
how she lies down01:57:36
palette knife will always be interesting and01:57:40
individual work if you learn01:57:42
work with a palette knife01:57:46
it's always something01:57:49
Well01:57:50
experimental like this01:57:54
this is where the foam came out01:57:59
you can even do it through pink01:58:03
purple light that is01:58:16
look not with a brush I'm on how much here01:58:19
I was fiddling with this element01:58:25
you'll see this already01:58:28
An error has occurred01:58:30
we take01:58:33
but I have some paint left here and I took it01:58:36
And01:58:37
don't beat the drum to your brain and if you have01:58:41
this is what happened01:58:43
all this is removed01:58:46
very easy01:58:50
that is, I dispersed and dispersed and did more01:58:55
some kind of foam idea01:59:17
so so so so01:59:29
this wave is also well lit01:59:42
these are a completely different technique01:59:46
than we wrote about natural01:59:50
landscapes before01:59:53
more01:59:54
bolder more daring02:00:07
not enough before not enough02:00:11
contrast02:00:14
black purple green02:00:18
or Turin this turquoise02:00:26
I’m just wondering where to let him in02:00:29
it would be better to alternate here too02:00:31
not interesting right here right here right here02:00:34
place02:00:38
Now I looked from afar on a big one02:00:41
monitor02:00:42
It turns out really good with 3 form02:00:45
anatomy waves02:00:56
so-so02:01:00
yes, you need to look at everything here02:01:03
stage you have to watch it from afar02:01:10
but it’s really not enough, here it’s not enough02:01:13
I would like to throw something like this here02:01:16
accents02:01:26
break this shape a little02:01:35
leave of course transparency leave02:01:37
we will leave this transparency but02:01:49
we'll break it, but we'll break it, but like how we do02:01:53
photo shape as in the photo I don’t want it02:01:56
do02:02:16
so here is the report in general hooliganism02:02:18
something happened I left I left02:02:22
somewhere for tea at this moment02:02:25
now we'll fix it here02:02:28
here it is look what color is here02:02:31
infiltrated like this because02:02:37
this is all this is me this is this02:02:41
It’s embarrassing that this is how I am here02:02:43
chose of course for myself the task of choosing02:02:45
sometimes the path is overwhelming and then I decide02:02:56
I'm correcting the designer's hack work02:02:59
I made this picture in Photoshop02:03:04
I see there you make a shadow before a shadow before02:03:07
left home02:03:26
So02:03:30
that's the idea now I'm on it now02:03:32
saw02:03:34
Now02:03:56
yes, but here it’s more dirty02:03:58
moments well that's normal02:04:03
You can put pure color on this mud02:04:06
and he will clamp down02:04:44
So02:04:48
somewhere it's worth tinkering, that's nonsense02:04:56
needed somewhere02:04:59
be patient02:05:09
with this with these02:05:15
plagued with these stripes02:05:18
cool brush sprites02:05:27
maybe on the second 702:05:36
so here I am and here I bent a lot02:05:39
bend strongly02:05:43
Yes, in general, you can take her away here for nothing02:05:46
let it go a little into the haze, but this02:05:51
we'll show you what's coming02:06:06
So02:06:23
Very02:06:44
quote02:06:49
not a simple wave02:06:51
but that's why she's interesting02:06:57
topic on and makes you think about what02:07:01
the more difficult you have02:07:05
The more difficult you gain experience, the stronger it becomes02:07:10
You02:07:11
become02:07:14
become that artist02:07:18
that's how it is02:07:20
because that's not why don't be afraid don't02:07:23
be afraid of such pictures02:07:27
complex plots02:07:31
all this gives you growth02:08:16
here it is, rubbing one into the other02:08:19
state02:08:26
that is, write something like this before write02:08:29
here it is, but it takes a very long time02:08:32
sit and02:08:35
create what you have02:08:39
it happened by accident, this is possible02:09:17
So02:09:24
guys, are you there if that's the case too02:09:26
tell me where I might have an eye already02:09:28
got lost somewhere somewhere02:09:36
maybe somewhere some very strong02:09:39
accents I skipped it all I02:09:43
I'm listening02:09:48
but you see now yes I’m still mostly02:09:51
And02:09:55
I'm trying02:10:25
so well so so we need to collect everything for now02:10:28
something somewhere, some kind of fragmentation02:10:30
present we must go in sight02:10:33
collect02:10:42
so-so02:10:44
let's now give the foreground02:11:00
again purple accents and02:11:03
with Mars02:11:07
you can add pink there or02:11:11
purple light02:11:26
I am someone of course what now02:11:28
what's happening on screen is weird02:11:31
someone02:11:56
so here we will now put this one02:12:01
like this02:12:17
everything is white there, everything is somehow light02:12:21
And02:12:23
eaten by a camera firstly02:12:26
secondly this02:12:29
photoshop 0 shower take02:12:36
but we made the foreground like this02:12:39
warmer02:12:42
that's how the sun worked02:13:01
from no one yes today we are waiting for no reason to eat02:13:05
I see guys watching, please write02:13:09
This is not the first time you have been on this broadcast02:13:13
whether you are in the past or you are a beginner if02:13:17
newbie let's get to know what kind of person you are02:13:19
cities what do you do maybe you already02:13:21
artist02:13:23
come on guys let's get acquainted02:13:26
get to know each other again I them02:13:30
on the last broadcast he said that when02:13:32
creative people gather in one place02:13:35
there are always some ideas02:13:37
interesting02:13:38
appears02:13:41
exchange of energy thoughts is necessary, well02:13:47
it's easy for a creative person02:13:50
vital index channel o02:13:56
what color was introduced and how did it immediately02:13:59
lit the planet sitting in front02:14:02
but for me the knife competes with this one02:14:06
let's add it here02:14:09
like this02:14:40
broke it ugly02:14:46
it's practically here02:14:49
Now02:14:50
but still he sometimes makes a palette knife02:14:54
give me the bases02:15:01
sex with happens f c g c green very02:15:06
works well02:15:23
so let's put it this way for now02:15:58
I don’t want one foam on the other02:16:00
I argued that too02:16:02
not eating is good02:16:07
now we are all in this funnel and02:16:10
let's introduce it smoothly, as if lowering it from02:16:14
slides02:16:19
dirty to purple02:16:23
pink black shades02:16:26
so dirty in the shade02:16:29
but beautiful and dirty02:16:51
in case anyone didn't have time to watch it live02:16:55
on air02:16:56
master class please write to02:16:59
comments what time do you need it?02:17:01
convenient to look maybe we're on02:17:05
next live broadcasts let's see who02:17:08
more what number of people is more02:17:10
they will write for a while, maybe the mother during the day02:17:12
we'll go on air or maybe earlier02:17:17
maybe someone is at work02:17:24
let's see who has more and what time02:17:27
will dominate at such times02:17:29
we can do the next broadcast02:17:40
last broadcast was more a question of how02:17:43
you think people might not like you anymore02:17:46
it lasted, I'm struggling and maybe it's sea02:17:48
the topic doesn’t fit or just02:17:51
maybe already02:17:53
oversaturated with these seas02:17:57
again it resonated with me, I took it02:18:01
according to my mood and for variety02:18:04
because I don’t always choose something either02:18:08
I only want one topic for myself02:18:12
Well, I want to change somehow, it seems to me02:18:15
as you said, few people write to Marina with02:18:18
Chuck and therefore may have questions02:18:21
few people02:18:23
Some people like the forest more, and there’s more02:18:27
nature02:18:29
well yes it is possible02:18:35
Ekaterina Plekhanova wrote that on02:18:37
slate coincided with basanova ether02:18:41
the ruins of the world everything is clear in this02:18:46
in case, ask questions after direct02:18:48
broadcast under the video is already recorded and02:18:54
then we will answer offline or on02:18:59
next broadcast02:19:14
yes, somewhere there is foam and somewhere there are these02:19:19
sometimes you need to make holes02:19:23
specially show them because we02:19:27
overwrite yes when02:19:29
we write foam she02:19:32
sometimes it overwrites space but this one02:19:35
tonality has to be introduced02:19:39
new drawing02:20:01
but here's something02:20:07
something like this with us02:20:10
it worked out02:20:12
you can give a relationship here02:20:19
also look one two three one two three02:20:22
that is, these spots let02:20:24
light is all and holds now if02:20:27
we'll start here here here here here here here02:20:28
what kind of alternations to do, well it will fall02:20:31
All02:20:40
the sea is wonderful, I think she is very02:20:44
cold winter, well, for such a winter02:20:47
a little bit right02:20:52
Well, thank you for wonderful, well, everyone02:20:56
for someone wonderful there02:20:58
Thank you02:21:16
so this wave02:21:19
even better than this02:21:31
what a contrast02:21:38
what a contrast02:22:05
here he blinked, blinked there with the same turquoise02:22:08
some02:22:16
him in some kind of stretch02:22:20
before02:22:30
all of this can be controlled in a dry way02:22:33
do it but that’s the whole point02:22:37
working with a palette knife what's here02:22:40
this is the moment02:22:43
surprise accident02:23:01
look, don't worry too much02:23:04
I bet you can turn it off via PC02:23:09
turquoise through some02:23:14
dark shades of purple black mars02:23:27
dmitry egorov writes can I ask you02:23:30
for beginners think a little for02:23:33
next webinar02:23:35
canvas and palette layout02:23:38
It’s almost impossible to see what’s going on02:23:40
palette again returned to the question of how02:23:43
mix until the light so it's a look02:23:45
above answer02:23:47
well guys I can push it further yes02:23:53
then you won't see02:23:55
some moments on canvas date camera02:23:58
I won’t take it from you, but you have the canvas02:24:01
any questions I think is ok02:24:03
it is seen02:24:04
if I can move it there a little yes02:24:08
then we have02:24:10
everything will go a little forward and there will be a palette02:24:14
it is seen02:24:15
I think already but I yes it's next time02:24:19
again yes here to catch and idea02:24:23
no matter if you are a beginner or an experienced one02:24:26
man you need to catch the idea here02:24:29
what do I do no color mix with what02:24:34
do you think I know what color I'm mixing?02:24:38
did the tears come?02:24:40
very intuitive brothers very intuitive02:24:45
here are the main ones see which ones work02:24:48
turquoise purple black02:24:51
ultramarine and02:24:54
Turkish greens are all here they are basic02:24:57
combine them blue here I use02:25:00
yes, in these moments, but it’s me here02:25:03
use minimal blue02:25:08
combine and drive this color and02:25:11
look how he responds02:25:22
Ekaterina writes the sea is always a classic02:25:25
interesting, but I wonder how often and02:25:30
that's why I'm writing here and already my question02:25:33
Ekaterina, what do you think I should do now?02:25:36
it seems like not everyone is at sea02:25:39
really dares and therefore, as it were, little02:25:42
questions today02:25:44
just if you compare it with the ether where we are02:25:48
wrote autumn02:25:50
there was a lot of interest there02:25:53
how what's going on here02:25:57
maybe it's interesting it's beautiful but not02:26:01
everyone dares to do it and that's why02:26:03
few questions on the topic02:26:12
people write but not everyone succeeds02:26:17
Well, yes02:26:19
what do you think about the sea?02:26:23
place in difficulty when comparing02:26:25
the stated sea is complicated but it's true02:26:28
action is such a topic I’m saying in general02:26:31
wave, she doesn’t serve this to everyone, and so02:26:36
especially here's a palette knife in the sea, yeah02:26:40
Today maybe I famously took this topic02:26:43
in my opinion it seems to me that you02:26:47
on the contrary, now I showed this simplicity02:26:50
awarded as if it was all easy cancer02:26:52
loosen up like a hand02:26:55
force that's exactly not to the traditional02:26:58
style yes when you take a brush and every02:27:02
tubercle there are waves up to each one02:27:05
you prescribe the warbler, namely a02:27:09
this is exactly the movement of lightness02:27:12
where do you get something you can lubricate something02:27:15
can be removed add I think to this02:27:18
a master class needs more than just a name02:27:20
just write the sea, namely the sea and how02:27:24
dare this this this this02:27:27
drawing yes to this picture that is how02:27:30
since here we are now showing what is here02:27:34
nothing so complicated everything02:27:37
intuitively02:27:39
you mix it up and it’s not complicated, I agree, but02:27:42
the main thing is understanding understanding02:27:45
you're doing something02:27:51
I didn’t like something, I shaved it all off02:27:56
put it on a new one02:27:59
rubbed02:28:03
and here I wanted an idea like this02:28:06
lay down that is, roll one into another02:28:09
Now02:28:11
It happens02:28:13
half an hour ago he said then once and and already02:28:17
missed the moment02:28:25
that's the idea I have here02:28:33
no, we’re just broadcasting on Wednesday02:28:44
so the question is who is comfortable02:28:48
in any case, of course everything is in the recording02:28:51
look we saw what about autumn02:28:54
since there are a lot of views yes thank you02:28:57
guys great you just give me02:28:59
motivation02:29:07
here the edges can be removed altogether02:29:12
write off, that is, do not register02:29:16
the edges02:29:25
this part is purely through ultramarine02:29:29
you can drive it purely through ultra02:29:31
marinchik02:29:35
maybe a little purple02:29:42
but will dominate02:29:45
ultramarine02:30:06
a little greenery02:30:11
although Zelin knows where he’s asking for02:30:14
please share here02:30:41
So02:31:06
went with me02:31:08
the easel has gone02:31:20
So02:31:46
we lay02:31:47
foam and02:31:51
you can immediately shadow02:32:09
now it's probably something fabulous02:32:11
festive winter or autumn will be02:32:14
people wonder where to next time02:32:16
of course on earth you understand it's me02:32:19
Today02:32:20
for again for winavr and haven’t written for a long time02:32:23
sea I want to sign a little02:32:25
remember this topic a little and02:32:28
show you at the same time02:32:39
You can also write in the comments to02:32:41
you wanted to see on live broadcasts than02:32:44
more answers like any one02:32:48
genre, let's take it02:32:54
Well, yes02:33:34
so here he is02:33:36
here here02:33:38
to the public02:33:40
public glare glare02:34:12
This is how I gradually drive through the whole picture02:34:14
Yes, I don’t stop at just one02:34:16
pieces02:34:19
I'll inspect all the work02:34:25
I saw somewhere that it was too much02:34:31
too kind of perspective02:34:35
left02:34:37
I add02:34:48
So02:34:56
I want you on time02:35:00
two and a half hours has already been decided on the plan02:35:03
let's get three hours02:35:45
Ekaterina dances I would be interested02:35:47
some stylish portrait but02:35:50
my portraits are still difficult for us02:35:53
in portraits for portraits this is necessary02:35:56
certain preparation02:36:03
Well, somehow we’ll get to the portrait02:36:09
what does stylish mean?02:36:12
I don’t know, my husband has some kind of style02:36:14
portraits02:36:17
can somehow beat02:36:59
probably needs even more darkness in this02:37:02
picture02:37:04
think about the darkness, well, that's it02:37:08
lighting hour so let's play now02:37:10
turn off the lights and02:37:12
there will be a completely different state02:37:21
she will have a deeper picture if you want02:37:25
even try, try turn it off02:37:28
lighting and see how much it will be02:37:30
darker02:37:32
even just for experimentation02:37:41
we will not remain in complete darkness but we02:37:43
we'll see the depth02:37:45
paintings02:37:48
write how you like it now02:38:15
what you need in the shadows now is just02:38:18
I say02:38:21
Well, so the general shot of you, of course, to me02:38:24
seems darker02:38:25
agree with me02:38:32
My vision has now immediately adjusted to02:38:36
another mode and02:38:38
somewhere I lost the colors somewhere I saw but02:38:41
Well, we need to throw something new02:38:44
you understand how much02:38:46
so if you work in the studio before or at home02:38:51
how much influence02:38:53
lighting02:39:00
but let’s leave it like this until the end or let’s do it02:39:03
why is it so I don't care02:39:06
and so I can basically finish it with that02:39:11
lighting but the depth of the shadows increases02:39:13
more is better visible and somehow she02:39:15
takes on a more atmospheric look02:39:19
then let it stay02:39:38
but also daylight and evening light02:39:41
also two completely different lighting02:39:45
colder warmer picture02:39:48
it will be natural of course it will be02:39:51
cold with a warm tint in the evening02:39:55
kidburg prevail02:40:02
I want to come here02:40:05
throw in the shadow part02:40:09
kicks02:40:16
now mine02:40:26
And02:40:30
throw it through ultramarine02:41:08
well, you can show the veins too02:41:17
this is not there, but this is how the sea behaves and02:41:22
these are the veins too02:41:25
Great02:41:32
will show himself great02:42:31
but we don’t flirt and that’s it02:42:34
idea in the distance02:42:54
see here the trick won't work with the sea02:42:57
Yes, it won’t work out quickly here02:43:00
write02:43:01
you still need to think about it02:43:06
How02:43:08
how she behaves02:43:11
wave02:43:14
how it rounds like this02:43:20
Of course, not everything here suits me yet02:43:22
but this02:43:25
this is the first stage and02:43:29
so probing02:43:50
but it also affects that02:43:53
a long time ago and the bottom ordered with this topic02:43:57
that's okay too02:44:00
as if with us02:44:03
forgets forgets about the brain and if it's not02:44:07
train he starts it on one topic02:44:11
put it in the back drawer02:44:51
let's put accents on the sky02:44:55
with a palette knife02:45:09
Ekaterina I sometimes paint the sea from life but02:45:12
only gouaches for now class class share02:45:16
how hard it is for you to write about the sea, because the waves are02:45:21
moving igan interesting you02:45:22
Do you live geographically near the sea or02:45:25
ride and02:45:27
just before the season there on vacation02:45:30
and write02:45:35
tag wanted02:45:37
we'll continue to give02:45:47
we're overwriting it somewhere02:45:49
live lebanese02:45:55
from nature it is very difficult to catch a wave02:45:59
Well of course she’s always a different wave02:46:05
well, it seems like one thing after another02:46:08
repeats itself but still02:46:10
it's really not just that though02:46:15
it seems that something is a wave, I am a wave then02:46:18
one the other looks like it to me02:46:24
it's like every leaf on a tree02:46:29
individual02:47:10
this02:47:13
distant clouds02:47:16
let's have a little of them too02:47:18
let's make it more contrasting02:47:21
not more contrast, but a little02:47:25
we'll drive it to Wednesday in this, otherwise somehow /02:47:30
Lena it worked02:47:50
crawled away somewhere02:48:01
you see, yes the Zionists and but still02:48:04
purple ones here02:48:06
similar to02:48:09
here's some distant one02:48:12
horizon line02:48:14
give me the distant seas02:48:17
she will look like02:48:21
the sky which02:48:23
comes into contact with02:48:27
horizon02:48:33
I'm a rag of course02:48:36
leaves much to be desired02:48:41
now we'll try02:48:43
create02:48:45
here02:48:47
way opinion and we'll do it too02:48:52
This will show the depth02:48:59
let's take a very brush02:49:04
brush and then add a palette knife02:49:16
depth of atmosphere will appear02:49:23
and somehow the picture will come together from her while she02:49:26
us02:49:29
spots02:49:40
yes the waves are always different sometimes even02:49:42
anger takes over, I want to stop the wave02:49:45
so that she doesn’t move because these photos02:49:48
shades do not convey fireworks in such02:49:51
moments I understand that VAZ is a genius02:49:53
of course, yes it is02:49:56
this is a man with incredible visual02:50:00
memory02:50:03
Theodosius is alive and has a daughter02:50:06
Certainly02:50:07
there is sin02:50:11
no it is not in contact with the sea02:50:18
feel in the sea02:50:24
take this as the main theme for painting02:50:27
his02:51:07
so you can rely on this02:51:11
some contrasting shade02:51:18
through ultramarine violet02:51:25
Let's also add the idea of clouds02:51:36
this is all done very02:51:41
not at ease02:52:27
slightly correct the horizon line02:52:31
they failed a bit02:52:40
Here02:52:41
there are edges that touch the canvas02:52:45
they are leaving02:52:47
goes this Wednesday02:52:49
air02:52:52
this is where our accent is02:52:55
horizontal a02:52:57
this can all be written off02:53:26
look, it's not whitewashed, but it's on me02:53:28
there was ultramarine left on the palette, I got it02:53:31
I interfere02:53:33
clouds these things are also such a technique02:53:37
so as not to write too much for you02:53:41
have fun play around with your finger02:53:45
maybe it will work out02:53:48
maybe you are a detail too02:53:52
How02:53:55
how to simplify all tasks02:54:00
not realizing that clouds have shadows02:54:05
light02:54:09
started together hand winning another 40 all02:54:12
I caught myself thinking that I was holding my poems02:54:30
at the same time we learned to draw clouds02:54:34
took the sea and learned the clouds02:54:40
let them be so detailed of course02:54:45
How02:54:48
we wanted this but we02:54:50
look at the reception when we take it and02:54:55
a little bit02:54:57
crush it a little until it appears02:55:02
glow effect02:55:06
crush the paint with a palette knife and02:55:09
we reflect light and it turns out02:55:13
shine02:55:33
I forgot that it turns out to be the sea02:55:36
it's long and02:55:39
I think I took it02:55:42
such a topic for today02:55:45
all this is cleverly fast but in reality02:55:50
No02:56:20
so here you know what you can do right02:56:23
to implement02:56:26
introduce ultra marinchik02:56:31
depth will also appear02:56:33
additional02:56:35
Why is there three hours there?02:56:39
for almost three hours02:56:42
now we're leaving, ending now02:56:45
5 more minutes02:56:47
10 my finish02:56:56
the main spots are some kind of in the floodplain02:56:58
caught and now you can02:57:01
detail02:57:03
Can02:57:06
try this is how you say the details02:57:09
write down some very small ones02:57:17
you can put a sailboat here if you want02:57:22
there is such a desire02:57:25
draw some seagulls and liven them up a little02:57:31
but even so she is already independent02:57:37
as an independent picture of us02:57:39
took place02:58:26
Well, of course there's a wave here02:58:30
requires02:58:32
this color02:58:41
And02:58:42
this can only be seen when02:58:46
you have02:58:48
You've already written almost all of it02:58:52
and you see, yeah, what you're pulling with isn't enough02:58:56
what kind of accents here and such shadow ones02:58:59
It seems to me that there are not enough accents if02:59:02
the front shaft does not give any more emerald02:59:04
sti then the picture will be even more beautiful with a tiger02:59:07
she needs to be given emerald sti this02:59:09
there are definitely emerald shades02:59:12
but maybe I can add yes yes yes02:59:16
she needs to be given here give it here02:59:29
but give more here02:59:32
with shadow02:59:54
so we have lost it here02:59:57
idea of transparency03:00:03
now I will probably take it and03:00:08
introduce some things there03:00:11
these are the colors and some bad03:00:15
I picked up the photos now I understand it03:00:16
I mean, I was flattered by photoshop03:00:22
flattered03:00:24
it's on its own03:00:26
a bit difficult03:01:10
Alena write good evening I really hope03:01:13
that master classes are stored on the in channel03:01:15
I really can’t watch right now03:01:17
Of course I want to keep it03:01:21
yes and along the way03:01:23
as you watch, you can do the same as in03:01:26
live broadcast ask questions write03:01:28
write me at the next master class03:01:31
we'll figure it all out03:01:59
that's why I always say paint a picture03:02:02
all at once03:02:04
that's when we write everything at once03:02:07
we see our mistakes03:02:13
how can it be to look at03:02:16
the next day with a new look for example03:02:18
suddenly something03:02:20
missed the moment right then the first day03:02:23
I painted a picture, sometimes something like this happens, but it’s necessary03:02:27
take a fresh look anyway03:02:31
Tomorrow I’ll sit down and see here and the count is a million03:02:33
errors, well, not completed, not really03:02:37
some mistakes and really gross ones03:02:40
exactly unfinished sti or rewritten03:02:44
Austin turnover I'll clean something up tomorrow03:02:47
add something but this is already the rule03:02:50
said precisely with a fresh look not03:02:55
today's washed-out03:02:59
for example this is the part we are03:03:02
we really need to remove it03:03:06
in the background everything is necessary here03:03:10
let photoshop focus alone03:03:13
in other words, you don’t have to believe it and03:03:16
once again I am convinced that03:03:20
our understanding of what a wave looks like03:03:24
this is more important than taking a picture and03:03:28
this picture03:03:30
lick everything off03:03:36
it's beautiful it's daringly catchy yes but03:03:41
wrong03:04:47
like this already03:04:49
jewelry items03:04:52
such touches03:04:56
a little straight03:04:59
pressing not even practically not pressing but03:05:03
practically mine as it were03:05:07
rubbing a little gives a little as if03:05:11
leave such a path and03:05:18
let's see how it all works out for us03:05:38
you know, some guy really wants everything03:05:40
mix03:05:42
There’s nothing like that there at all03:05:45
no, but wouldn't he tell us that she's here?03:05:48
necessary03:05:54
yeah, well, it won’t be so contrasting, but03:05:57
I'd like to kick this red one03:06:02
red english is it any03:06:04
brown is absolutely necessary here03:06:39
so, now we're just going to quickly03:06:41
the accents were highlights let's put it where it is03:06:44
necessary03:06:46
for a greenhouse it was not enough to reach the sea03:06:51
this is it03:06:55
heat03:06:57
took place03:07:05
here you can still work with foam, but03:07:08
It’s me, we’ll work later03:07:32
let hehe, well, of course there may be good ones there03:07:35
do things and maybe it will ruin everything03:07:47
about what I saw the person missed03:07:50
this is where the emphasis is needed, of course03:07:54
I'm still so low and03:07:59
select small tits03:08:25
and here too the accent is kk03:08:38
even somewhere03:08:40
according to fasting days03:08:42
in some places in some places03:08:45
posts on and smoothly03:08:50
smoothly it all turns into some kind of03:08:55
into such a colder ear is stretched03:09:01
here in general to see what is being formed03:09:05
here it’s like a funnel too03:09:08
is formed03:09:15
here he is mcgrath03:09:22
Yes03:09:32
and here you can throw03:09:49
when in the direction in the direction03:09:52
movement03:09:53
waves can be made03:09:56
these03:09:59
these blows of foam03:10:06
show this direction too03:10:51
so but let's go out, let's go out03:10:52
completion03:10:55
this one can still be lost for a long time03:11:30
This is our dog, what a tragedy03:11:34
happened03:11:38
now a little bit of this03:11:46
what a habit to keep03:11:54
look here or else03:11:57
what was missing before03:12:04
these guys were missing03:12:08
see see the main thing is to notice it all03:12:13
during03:12:24
and apply03:12:32
I took it so hard03:12:50
Yes . there's some light blocking it03:12:53
this . obscures and very interesting03:12:56
Effect03:12:59
formed a03:13:05
these are coming out03:13:17
here you see a type of cold path 10003:13:22
cold light warm03:13:30
although in the background up to03:13:32
the clouds are cold, throw warm light03:13:36
in the foreground there is a warm shadow and a cold one03:13:41
light03:13:47
so the air works the same way03:13:50
here we have a different situation03:13:57
we happen to be like this you know yes here we are03:13:59
there are such clouds03:14:12
A right now we'll delay03:14:18
we can pull it off even through Turkish greens03:14:23
this is to shade03:14:26
through the Turkish greenery and03:14:29
ultramarine03:14:35
remove the darkness here03:14:50
like this and here like this03:14:54
give light accents03:15:02
how to wrap03:15:07
because the sky is changing03:15:09
endlessly but endlessly we can change03:15:13
the sky is like in nature and we always03:15:17
constantly changing is not on03:15:19
one place03:15:30
and keep the rhythm of Denmark cloud to03:15:33
cloud, not one after another but03:15:37
give some some03:15:40
fantasy and on canvas03:15:44
make variety03:16:16
try this cloud idea here03:16:20
exactly03:16:23
finger03:16:43
so so so well what03:16:45
well guys03:16:51
let's finish about03:16:57
look how it worked now03:16:59
Interesting03:17:00
worked green worked well here03:17:05
now now now03:17:08
doesn't let go of the picture03:17:14
I would like some variety03:17:17
still add some meager color to03:17:20
we have references here03:17:23
Of course, this example also prevails03:17:27
purple turquoise blue tint but03:17:31
after all, you saw what they are here03:17:35
mixed shades03:17:38
will it be possible to download the reference?03:17:42
this is in the description link yes yes yes03:17:44
of course of course of course03:17:46
I'll put it on right now03:17:48
I'll finish it and put it in03:17:51
description is cut03:17:58
And03:18:00
and I generally advise you to wait until I03:18:04
when I finish I'll post it in contact and then on this03:18:08
take a picture and pee03:18:14
because03:18:16
reference it's a bit difficult it's a bit difficult after all03:18:19
yes, I want to say, well, if you don’t03:18:22
collided with the sea03:18:27
I'll write down the feeling here more clearly03:18:30
than on03:18:32
she is leaning on a photograph03:18:53
the moment when you said goodbye and continue03:18:56
paint03:18:57
with everything and I understand everyone is already tired03:19:01
now now brother03:19:21
So03:19:27
so-so03:19:32
but I want to remind those who haven't yet03:19:34
Be sure to subscribe to Alexey's channel03:19:36
subscribe click on the bell03:19:38
so as not to miss new useful videos03:19:42
recommend this video to your friends03:19:44
like and don't forget about03:19:46
that you can support03:19:48
the future of broadcasts is material, namely in03:19:52
you will find the description under this video03:19:55
details for financial support for03:19:57
brush and paint canvas and no matter what03:20:00
amount you are willing to thank for03:20:02
master class be it 10 rubles 10003:20:05
thousand rubles doesn't matter anyway03:20:09
the reverse energy of gratitude will give03:20:12
the enormity of you and the funds for him03:20:14
materials03:20:15
future our broadcast yes guys and thank you03:20:19
I want to say a lot of people who support me03:20:22
that all these funds will be spent on03:20:25
further streams they will go to03:20:28
master classes and development on ours03:20:31
channel for the material here's what Artem said03:20:34
jim so it won't go there03:20:37
to our personal piggy bank of some kind all these03:20:41
the money will go exactly to03:20:45
further for the future on materials and on03:20:48
new stream, well, let's do it with me too03:20:52
I'll say goodbye to you friends, thank you very much03:20:55
that inspiration came to everyone03:20:58
some new victories in the world of creativity and03:21:02
let's see you next master classes on03:21:04
cities in the next date videos03:21:07
happy03:21:20
then complete becomingDescription:
Сегодня напишем море и разберём строение волны. Набор красок: Белила титановые, красная тёмная, жёлтая тёмная, жёлтая светлая, коричневый марс, ультрамарин синий, голубая фц, фиолетовая, охра светлая, сиена жжёная, сиена натуральная Референс: https://vk.com/albums-71413451?z=photo-71413451_457239075%2Fphotos-71413451 ПОДДЕРЖАТЬ КАНАЛ (на кисти и краски) Карта № 5228 6005 5638 3232 СБЕРБАНК ALEXEY CHUPRINOV Страница вк: https://vk.com/id64551367 Группа вк: https://vk.com/tvorchestvoiiskusstvo Одноклассники: https://ok.ru/ Телеграм: https://t.me/alexeychuprinov Магазин картин Ярмарка Мастеров: https://www.livemaster.ru/alex123next... Связь с художником: email [email protected]
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