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00:00:09

hello friends today we want to

00:00:11

touch on a topic like the construction of

00:00:13

falling shadows, a shadow that is its own

00:00:17

or a shadow that is falling differ in

00:00:20

that they are continuously connected to each other

00:00:21

and we will now understand how this happens from

00:00:24

some very simple elements or

00:00:27

objects and so let’s begin let's imagine a

00:00:29

situation that we have a certain stick

00:00:32

that stands on a certain surface and has a

00:00:34

small thickness in the form of such a thin

00:00:36

practice, and now let's imagine a

00:00:38

situation that next to it there is a

00:00:40

lantern that has a base that

00:00:43

rises up here and at the top and there is a light

00:00:45

bulb hanging that finds a marshmallow that shines

00:00:48

in the direction of this sticks, so if you

00:00:50

take a line that runs from the

00:00:52

source of this light through the top of this

00:00:54

stick and extend it like this in a straight line

00:00:57

and take the base of the

00:00:58

light source and extend it in the same way

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in a straight line, then at the point where these lines

00:01:03

intersect the falling shadow will end, that

00:01:05

is, we get this line is the falling

00:01:07

shadows from this space, now

00:01:09

imagine the situation that you

00:01:10

have built another similar stick,

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which is located here and here,

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respectively, you do the same from

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this light source, draw a line

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going to this part, extend it and

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also pass a line from the light source

00:01:23

which passes here and you get the

00:01:25

next falling shadow it is located

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in this path if the lantern

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remains in place this is the shadow that

00:01:32

comes from the lantern the shadow from the lantern now

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imagine the situation that we put

00:01:37

on this surface or lay on this

00:01:40

surface a stick that connects

00:01:43

these two sticks, as a result, the shadow

00:01:45

will appear in the same way as the connection

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between this and this surface, that is,

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we have received such a shadow,

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respectively, if the light source

00:01:54

that we took always remains

00:01:56

stable on its surface, this

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shadow situation will arise

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if we close this line and

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turn it into a plane that

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will not transmit light, accordingly, and

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here we will have a shadow of a cat will

00:02:11

completely form this value, and

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now imagine the situation

00:02:14

that we have the same story and we have a

00:02:18

cube with you, now we will

00:02:20

draw it in the form of such a system, the

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space and behind the cube there is a

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light source.

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flashlights here and here what we are doing

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is the same stick we are punching

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lines going here we are punching a line

00:02:38

going here and we are passing a line

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going here through the same edge

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that goes on top here we are

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connecting this part and now we have

00:02:48

visible connection points falling shadows

00:02:53

here and here

00:02:54

but there inside we have another one coming. the

00:02:57

stick that needs to be completed,

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we also pass

00:03:01

a line through it in the same way, we pass a line through

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it and get the next edge as

00:03:06

a result we got an exact falling

00:03:09

shadow with four projections one-two-three

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as they are closed here in this space

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it turned out that the falling shadow that is

00:03:18

built here is simply a

00:03:21

continuation of these elements here and

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here, respectively, this edge is a

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reflection of this part to this edge is a

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reflection of this part and this edge is a

00:03:32

reflection in this part they collect each

00:03:34

other and a laying structure is obtained, this is

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how a shadow is built from a simple

00:03:39

geometric object or with

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electric lighting, when

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there is a light source, but imagine that the

00:03:46

light source is so far away that there is

00:03:48

no base and you cannot fix it,

00:03:51

for example, this is the sun, then the

00:03:53

angle of inclination of this light source is taken as the conditions,

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that is, we take

00:03:58

exactly the same object that we have standing in the form of

00:04:01

a stick and

00:04:02

take a certain sun, it can be here, it

00:04:05

can be here, it can be

00:04:07

projected here in any way and then the

00:04:10

base that I am here is also

00:04:13

chosen as a certain direction that

00:04:16

is to this object by choosing it here and

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here further you do the following on the

00:04:21

basis you are more don’t

00:04:22

pick and choose because you just took this

00:04:24

path and from the light source

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you throw a line and choose the path

00:04:29

that will be from this part, let’s say that the

00:04:31

next object appearing like this

00:04:34

will have the direction from the

00:04:36

light source at the same angle and in the same

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direction, just shifting

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responsible this subject because the

00:04:43

top distance is so large that no

00:04:44

perspective arises so it

00:04:46

just moves along it then all the

00:04:48

shadows that you build will be absolutely

00:04:50

straight to from any shape

00:04:53

here and there so if you

00:04:55

build this way you no longer

00:04:57

need to think about the light source and its

00:04:59

basis you can only think like this, for

00:05:02

example, let’s return to our cube,

00:05:05

we’ll build it again,

00:05:08

yes I have it back in perspective here, we’ll again build

00:05:10

this line of the cube here here here and

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here and take as a basis that from here the

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falling shadow that came out of this

00:05:18

point will be have this angle and

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it will come here, respectively, all the

00:05:22

next lines that will stand, I

00:05:24

will also demolish at the same

00:05:25

angle, I will simply build them as

00:05:28

direct projections to this to this part, they will

00:05:31

greatly facilitate the situation for me and then the

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falling shadow will be

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so much simpler there won’t be this

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angle of convergence

00:05:38

that appears here in most

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cases, all simple objects that you

00:05:42

build are built according to the same principle,

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that is, they are simply direct projections

00:05:46

that pass from the light source,

00:05:49

give a cross-section of the objects and are carried down,

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thereby forming

00:05:53

the foundations that will be there, this

00:05:56

concerns and this applies to a round shape and a

00:05:59

cube; this further applies to

00:06:01

a cylinder because the cylinder has the

00:06:03

same set of

00:06:05

ring sticks that are placed around the

00:06:08

entire perimeter and therefore the light that

00:06:10

comes from here through this point will

00:06:12

give the same system; the extreme

00:06:14

stick that will become the edge of its own

00:06:15

shadow will create this line

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and this semicircle, when repeating these

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lines, create the same elongated

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Alice here until the edge touches this

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surface and then you will get

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such a straight thing with an imprint of this

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edge going into this surface,

00:06:33

this is a very simple diagram or a very

00:06:36

simple explanation so that you

00:06:38

understand how to build a flower on any

00:06:40

surface, in fact, from the point of view of

00:06:42

descriptive geometry,

00:06:44

there are much wiser and much

00:06:46

more accurate systems for constructing these

00:06:48

things, the most important thing is for you to understand

00:06:50

that when you draw any still life or

00:06:53

when you draw any space,

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it is in the falling shadows that it hides all

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the depth and all the air

00:06:58

when you draw some kind of still life,

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here and here we will have two

00:07:03

such fields, I will show you how it works,

00:07:05

imagine that you have drawn a huge

00:07:07

number of objects but there is no depth between

00:07:10

them because these are just

00:07:11

listed sticks and for the

00:07:13

air to appear first what are you doing, you

00:07:15

define the plane on which they

00:07:17

stand, this is what they usually always do, there

00:07:19

is no escape and the air has already appeared because a

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frontal perspective has appeared,

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now you assign a light source and the

00:07:25

beret of any object to a falling shadow and

00:07:28

simply save this falling shadow from

00:07:31

all the objects that you have drawn and

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now you can walk between these sticks, this is how you

00:07:35

create a system of

00:07:37

aerial perspective inside a flat

00:07:39

system,

00:07:40

now imagine that you have

00:07:41

a pot, that you have an apple, that

00:07:45

you have a rosette, in the same way here and

00:07:48

here in relation to the plate or rosettes

00:07:50

that will be there, you assign this the same

00:07:52

system of falling shadows

00:07:54

here and here which is given by the same

00:07:56

air from the object that works

00:08:00

here here it is precisely due to this that

00:08:01

there is not a decorative flatness

00:08:04

where any object will be simply flat, but

00:08:09

objects in space

00:08:11

living with such strength of falling shadows

00:08:14

they are needed for this, that’s why

00:08:17

if this is a system here, I hope you

00:08:20

understand, then you can complicate this

00:08:23

complication system, it looks something like this:

00:08:25

now you take an indirect object and you

00:08:28

take a line,

00:08:29

for example, a curved one, and when you

00:08:34

draw a falling shadow going in

00:08:37

some direction from the form, you should

00:08:39

see how far from of a straight line, the shape

00:08:42

deviates in one direction or the other

00:08:45

from here it will arise tongue-tied sti

00:08:49

if you want, up to this line it

00:08:52

was just straight curved so you

00:08:54

built a straight thing and carry it out of

00:08:56

whether it is not under a straight line and feel

00:08:58

how much it bends in relation to

00:09:00

this surface it a very interesting

00:09:03

system that allows you to see a whole system of a

00:09:06

seemingly falling shadow like a leaf,

00:09:09

that is, in fact, a falling shadow

00:09:11

could very well turn into such a

00:09:13

surface passing inside and

00:09:17

penetrating into the depths, this is the

00:09:20

closest way to learn how to

00:09:24

draw shadows or understand how they

00:09:26

arranged

00:09:27

on curved lines the simplest

00:09:29

exercise from this is to take a ribbon and

00:09:34

bend it, place it on a certain

00:09:38

surface so that having a small

00:09:40

space, a certain bend you

00:09:45

feel how it is built 10

00:09:48

as soon as you have done this you begin to

00:09:50

see how a falling shadow appears from the

00:09:54

light source that comes from here the edge of

00:09:57

your own shadow, how the place

00:10:00

where it ends is formed, thereby you

00:10:07

build a path for this point here

00:10:09

and here as a light source, if it is not

00:10:11

curved here and here and you see how a

00:10:16

falling shadow also appears from the point

00:10:19

going into the interior of this volume here

00:10:23

here then it will be easy sometimes it is not necessary to understand the principle of

00:10:26

interaction of falling shadows on

00:10:28

folds with greater precision at the first

00:10:31

stage, but if

00:10:35

you begin to

00:10:38

study this edge more thoroughly and meticulously,

00:10:40

these shadows will open to you, a

00:10:42

wonderful world of falling shadows will open to you, maybe

00:10:46

this will even become the basis of your

00:10:49

artistic works, this is very

00:10:52

interesting topic, fascinating and

00:10:54

develops your three-dimensional thinking,

00:10:56

so write in the comments if

00:10:59

it was useful and maybe we’ll

00:11:00

write something similar again. All the best,

00:11:02

see you friends

00:11:07

[music]

Description:

Всех-всех мужчин поздравляем с Днём Защитника Отечества! 🎉 Здоровья вам, сил, энергии, радости и счастья. Пусть в вашей жизни всегда будут мир и спокойствие. Желаем научится правильно рисовать прекрасных дам и дарим скидку 20% на видеокурсы Александра Рыжкина. 🎀 Скидка действует с 22 по 24 февраля! Успей приобрести! 🕺 Подробности тут https://asvl.ru//kurs Сегодня мы затронем тему построения падающих теней, а также разберёмся в терминах - собственная тень и падающая тень. А чтобы не пропустить лекцию Александра Рыжкина в своём городе, подписывайтесь на телеграм-канал https://t.me/artstudioVL 💥 Поддержать канал https://www.donationalerts.com/r/rizhkins 💥 Моя группа Вконтакте https://vk.com/public193360823 💥 Мой Instagram https://www.facebook.com/unsupportedbrowser 💥 Мой Facebook https://www.facebook.com/unsupportedbrowser ________________________________________________________________ Арт-студия Виталия Лещенко https://asvl.ru Онлайн школа Арт-студии Виталия Лещенко https://asvl.emdesell.ru/ Список видеокурсов https://asvl.ru/kurs ТЕЛЕГРАМ-КАНАЛ https://t.me/artstudioVL ________________________________________________________________

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