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  • ruRussian
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00:00:01
hello friends good evening we
00:00:03
today again with you and this is it
00:00:07
let's sign this is a lively night or
00:00:12
market or fair most likely
00:00:15
Christmas is all in lights, everything is burning and
00:00:20
let's try to do this today
00:00:24
canvas material is my favorite as always
00:00:28
format 40 to 50
00:00:30
already primed
00:00:32
colors burnt sienna red dark a
00:00:36
cadmium yellow dark cadmium yellow
00:00:40
light ocher
00:00:42
brown dark then or crimson
00:00:46
or the pink color is not here
00:00:48
in principle it is possible and like this
00:00:51
ultramarines with blue
00:00:54
that I have purple dark just me
00:00:58
they asked how the light and dark ones would set sail
00:01:00
dark violet
00:01:03
Turkish green and Mars black
00:01:07
brushes bristles
00:01:09
our rough stubble is number 18 and
00:01:13
number 14 small brush five all of them
00:01:18
flat and
00:01:20
round brush for now I will
00:01:23
drawing to make the layout round
00:01:26
brush number 5 in my opinion
00:01:31
4 to 4 the number has already been erased
00:01:36
so so so so well rag rag
00:01:40
our dear
00:01:44
so guys ask questions today we
00:01:47
We will communicate with you closely
00:01:50
Vladimir from Germany good evening
00:01:53
Svetlana from Crimea good evening everyone
00:01:56
so drawing drawing drawing friends
00:02:01
let's take it for a drawing
00:02:05
you know how the purple one probably is
00:02:09
so purple here again too not
00:02:12
basically I take this color because
00:02:15
that it can be done later
00:02:17
Well, somehow grind it and he won’t
00:02:20
visible through the paint
00:02:25
everything goes to this point, that is
00:02:31
we have linear perspective here and
00:02:37
let's go look not the middle we take until
00:02:40
canvas and lower it a little bit
00:02:43
they literally lowered it by 2 centimeters and now
00:02:46
we have him and that tent or is it a carousel
00:02:49
which
00:02:52
today the goal is not to repeat but
00:02:56
make the sensations make it just in
00:03:01
what is the impression of the work
00:03:07
I think it will be important for many people now
00:03:10
see how you transmit this light here and
00:03:15
where did Artem and I look for reference?
00:03:18
they took it precisely because it was here
00:03:21
coolly shows the warmth of the cold and
00:03:24
this is if
00:03:26
not the most important thing, but one of the most
00:03:29
the main painting is exactly there
00:03:31
heat transfer to cold sti and
00:03:36
in general I advise you when you are looking for
00:03:39
yourself some kind of reference yes
00:03:41
just look for it to be there
00:03:44
expressive so that this is straight from
00:03:47
it can't be that picturesque
00:03:49
create and
00:03:54
very conditional very
00:03:58
so here are the lines
00:04:01
exclusively for yourself so that you can
00:04:05
rely once again on
00:04:08
in the last master class I said that
00:04:12
learn to draw without cells
00:04:17
you will develop your vision much faster
00:04:20
And
00:04:21
learn to compose
00:04:34
all this
00:04:37
maybe it will be erased, but it’s impossible
00:04:41
it will be erased but there will be a performance
00:04:44
there's a tower here
00:04:46
there and here is something, some kind of fair
00:05:02
and here
00:05:05
beautiful Christmas tree
00:05:12
we will show it too
00:05:15
I don’t know, maybe we’ll do something
00:05:19
change
00:05:20
remove something add something
00:05:24
in the game the creative process is like this
00:05:28
you never know where it will lead you
00:05:34
at least in your own
00:05:36
creative activity I'm here
00:05:39
against brothers copying one
00:05:42
in one it
00:05:43
there but this it turns into words time
00:05:47
so well here it is believable
00:05:54
something like this
00:05:59
something like this
00:06:02
took the bristles
00:06:06
took the bristles
00:06:09
the cold sky of this evening is so
00:06:14
maybe even
00:06:16
night but illuminated by this light
00:06:19
reflexes and
00:06:23
so that's how you know
00:06:26
For example
00:06:28
in the city before
00:06:30
you can't see the stars in the sky because there
00:06:33
all these lights all this
00:06:37
reflects and we won’t see stars there
00:06:41
when we are in some
00:06:44
in some metropolis
00:06:46
ultramarine
00:06:49
ultramarine fcm
00:06:53
I put it a little differently next to it
00:06:56
I laid out the paints so
00:06:58
maybe there will be confusion
00:07:05
Alena good evening Andrey Khoroshilov from
00:07:08
Sakhalin what time is it now?
00:07:10
indicate good evening they said that
00:07:13
not long with us it's already a little late
00:07:17
threw a purple one into this mess
00:07:22
add a little white
00:07:28
alt good evening from Bashkiria
00:07:33
[music]
00:07:38
close
00:07:41
close the white canvas here you can immediately
00:07:46
throw in a little pink to
00:07:48
so that we can understand that
00:07:52
at the bottom
00:07:54
at the bottom
00:07:55
here is this stretch to from the cold in
00:07:59
warm
00:08:05
look, he got mixed up with purple and then
00:08:08
that's what we need
00:08:14
if we just took pink yes but
00:08:18
only glamor some color would be thought
00:08:21
Certainly
00:08:22
well maybe it works somewhere
00:08:25
some of these
00:08:27
lustration x' but not with us
00:08:31
So
00:08:33
abandoned the color left it here now
00:08:36
we will slowly get closer to him
00:08:40
let's distribute it here too
00:08:42
now to the left
00:08:45
but I’m quite so liquid now
00:08:49
I work in mixtures
00:08:56
always this quick-drying color
00:08:59
can you put something textured?
00:09:02
more like
00:09:06
well, I always say the rules too
00:09:10
what are the rules and painting is thick on
00:09:15
thin and thin she is thick and
00:09:19
she's thick, she's thin, yeah, that's it
00:09:21
you have to understand that dad is dried up
00:09:24
you can always put something on
00:09:25
textured and it will already play and when
00:09:28
you the picture has dried and it is already
00:09:31
requires a little glazing, but you can do it
00:09:34
over this thick layer of lesser but thin
00:09:38
Donald memory or by the way I'm still not working
00:09:41
80 percent and probably eight percent
00:09:46
I have my spirit today and
00:09:49
20 is just butter
00:09:53
without varnish
00:09:56
the varnish has reduced lately
00:09:59
my head hurts
00:10:02
on Sakhalin and two o'clock in the morning Andrey if
00:10:06
don't watch until the end
00:10:09
be sure to look at everything in the recording
00:10:12
will be saved until we say hello to you
00:10:14
from Volgograd and of course you are a hero
00:10:18
they turned us on so late
00:10:21
Irina from Krasnodar, good evening very much
00:10:24
beautiful reference she said yes
00:10:27
let's try to make it all happen
00:10:30
be something to contribute
00:10:35
ultramarine
00:10:37
ultramarine in a cent by the way here maybe
00:10:40
blink and turkish green
00:11:02
I am glad that you are starting to share
00:11:05
with your works
00:11:08
Tatyana Erina sent me their paintings
00:11:13
[music]
00:11:16
one picture at a certain stage yet
00:11:20
but I wrote that you are moving in the right direction
00:11:24
direction
00:11:25
it's really her in her own way
00:11:28
it turns out
00:11:31
but the principle was captured
00:11:38
so I add belyalova if I have
00:11:40
the paint begins to resist
00:11:42
canvases
00:11:44
whitewashed at all and always a little bit
00:11:49
softens
00:11:56
let's slowly take our time here
00:11:58
no need to rush
00:12:00
we sit and talk
00:12:03
we are discussing here and
00:12:05
approximately
00:12:07
take into account the idea that
00:12:10
us how it all stretches and what
00:12:14
we will be below, that is, look
00:12:17
relationship of one to another
00:12:19
there really isn’t another one right now, but she
00:12:22
understand
00:12:23
I'd like to see how you write it
00:12:26
the delicacy of bare twigs can eat
00:12:29
you have some secret to simplify it?
00:12:32
glands of burnt twigs you can here
00:12:35
on the left on which there are bare branches ah-ah-ah then
00:12:38
there is some secret maybe maybe
00:12:41
today you will see all these secrets about
00:12:43
you will be with us until the end
00:12:46
let's see let's see I say again
00:12:49
that starting to work
00:12:52
it's always a little challenge for an artist
00:12:55
This
00:12:56
like this
00:12:59
you know this is the feeling
00:13:02
why do you come here to get acquainted?
00:13:07
don't know this person yet, yes, but you
00:13:09
you want to meet her and that's always it
00:13:12
from when you sit down there is no diagram
00:13:14
determined how you will act
00:13:22
it adds
00:13:26
so look here from the whitewash pink
00:13:29
whitewash pink
00:13:34
such borderline heat cold
00:13:43
in general, this side is colder and it
00:13:45
our plan will be published
00:13:52
into the warm light
00:14:07
a lot of high night landscapes but
00:14:10
they are straight with black and with black
00:14:13
deep sky and
00:14:14
it's not so pronounced there it's this
00:14:18
ratio 1 to heat to cold
00:14:24
so this is another reason that we
00:14:26
took this reference
00:14:30
we will learn faster on such jobs
00:14:40
So
00:14:44
look, purple works
00:14:46
ultramarine and and
00:14:48
in cs pink
00:15:01
we strengthen this
00:15:12
the sky can always be tightened up a little
00:15:15
process that is, if you are missing there
00:15:18
some tonality
00:15:19
There are always not enough contrasting accents
00:15:23
this can be pulled in the process, that is
00:15:27
Of course, there are some people who have this opinion
00:15:30
artists that the sky above immediately ask
00:15:32
yes, as it were, but my practice has shown
00:15:37
that the sky can always be strengthened
00:15:42
Vladimir write in my city almost
00:15:44
one of a kind like this, well, in Germany
00:15:47
cool, yes, it's European
00:15:51
mr k
00:15:58
Natalya just wanted to ask
00:16:00
where the reference was filmed interesting Kaliningrad
00:16:03
Tallinn or
00:16:05
Europe not but we have something similar
00:16:08
similar, but these are the turrets
00:16:12
show us right away that this is something
00:16:16
such but it seems to me that Germany is all then
00:16:18
probably yes dynamite the cathedral and
00:16:21
there these ones are so interesting
00:16:26
medieval
00:16:28
buildings Victoria Kuskovo friends hello
00:16:32
I'm with you Alexey Artyom Artyom glad to see you
00:16:35
Alexey is a pleasure to hear and watch
00:16:38
Victoria hello good evening, you're welcome too
00:16:42
See you
00:16:43
ask questions
00:16:48
you can even just chat and eat there
00:16:51
at first
00:16:53
some work to do before share yours
00:16:57
experience, also communicate with each other and
00:17:01
In general, our task is to get you there somehow
00:17:04
we met these creative people, we are all
00:17:08
necessary
00:17:10
join each other to share
00:17:13
knowledge
00:17:27
you see what I was talking about, yes I am
00:17:30
I can this is heaven
00:17:32
infinitely strengthen
00:17:41
let at this stage without fanaticism but
00:17:44
well, it’s so simple
00:17:48
movement
00:17:49
introducing one color into another
00:17:52
rubbing it in
00:17:55
I don’t paint, but I rub it in and implement it
00:18:02
here let's give pink and
00:18:06
a little purple
00:18:15
with Belle Yeltsin
00:18:29
again, what I pack is distributed
00:18:33
It would be nice for you to learn this, yes, but you can
00:18:36
distribute it like this
00:18:40
your body responds to you
00:18:43
responds to this in every way hand motor skills
00:18:46
yours and try because in pursuit
00:18:50
perhaps you are behind some of my movements
00:18:53
you will lose a lot of time
00:18:56
Victoria asks about the beginning, missed it
00:18:59
standard canvas 40 to 50 Victoria
00:19:18
Sagittarius x good evening, a little late
00:19:21
Alexander good evening
00:19:27
this is the sky
00:19:30
a drop of darkness can be given from above
00:19:34
a drop through ultramarine violet
00:19:39
god it's even better this time
00:19:43
corner we will plant such darkness
00:19:54
Is it necessary to write? I write with acrylic for you with
00:19:58
Of course I suffer from stretch marks, but I try
00:20:01
well done you are writing dada now
00:20:03
clarify it during mass live broadcast
00:20:06
this is certainly commendable
00:20:16
but if anything we remind you again
00:20:18
master class will remain
00:20:20
you can review it later if
00:20:23
suddenly somewhere they didn’t have time and
00:20:26
I am also with you all the time
00:20:29
dialogue I read every comment you make and
00:20:31
And
00:20:32
I'm trying, if I know this answer I
00:20:36
Of course I won't tell you this
00:20:39
I'll write
00:20:41
no Natalya not now but just
00:20:44
try a picture of a mulatto
00:20:47
healthy, healthy
00:20:53
By the way, I also have acrylic
00:20:56
maybe sometime with acrylic
00:20:58
I'll try to describe
00:21:03
closed of course
00:21:06
plus there is no smell and but for me
00:21:09
Now, for example, there is no smell either because
00:21:11
what is odorless, that is, before here
00:21:14
the varnishes stink very much, the varnishes stink
00:21:17
infections
00:21:18
but now the benefits have become from
00:21:20
tikkurila good luck with before
00:21:23
or there's a pretty one there
00:21:25
now I'll show it again pretty
00:21:28
still cheap but it answers everything
00:21:31
all the requirements you have before odorless
00:21:34
Here
00:21:36
recon and
00:21:38
this is not an advertisement
00:21:43
here the Turkish green light may blink
00:21:48
how would this color be unobtrusive and
00:21:52
but it will dilute the atmosphere
00:22:00
nikolay haze hello everyone from dortmund
00:22:05
good mood inspiration you again
00:22:08
With us it’s almost a pleasure so far, for example
00:22:11
look this color is very good not
00:22:15
if you take a circle there it must be strong
00:22:17
spread it out it goes very well with
00:22:19
pink
00:22:23
although it's not related
00:22:26
opposite colors opposite
00:22:28
they are also nearby as if one for what
00:22:31
need opposite colors to be one
00:22:34
against the background of another one lit up by the designer this
00:22:36
they also know great how to accommodate
00:22:39
some color you need to take the opposite
00:22:42
according to his importance and then he
00:22:45
will come out of the period and show this one
00:22:47
its three-dimensionality and in general can be
00:22:51
even somewhere
00:22:53
mark you if you didn't know what
00:22:57
if you want to select an object always
00:23:00
give him the opposite color and he will
00:23:04
will come out and he will stand out from you
00:23:09
this is Megan wla can you have a little bit of it
00:23:12
more
00:23:15
stretch here
00:23:19
but here this one will dominate
00:23:21
pink
00:23:27
everyone has sorted out the sky
00:23:31
maybe we'll step it up a little later
00:23:34
why do I say later because I get there
00:23:38
straight into a relationship without knowing how it is with you
00:23:42
this is the story
00:23:44
it's almost impossible to get there
00:23:47
right away yes here in color with tonality
00:23:49
almost impossible to watch
00:23:51
then the relationship of this to this or
00:23:53
strengthen or vice versa introduce on
00:23:56
highlighting
00:23:59
so so so
00:24:03
let's cut off the dome
00:24:05
let's cut the dome shape with this tree
00:24:09
[music]
00:24:12
now we don’t look at the shape with our thoughts like a blur
00:24:16
actually, that is, I won’t do that now
00:24:18
this is drawing out this whole story
00:24:22
have taken
00:24:24
taken no like goodbye
00:24:27
ultramarine violet
00:24:31
they mixed it up to watch the black one
00:24:36
through whitewash
00:24:40
noble gray color
00:24:51
this whole middle plays great with
00:24:55
bright yellow orange flowers that is
00:24:58
but if there’s not even this on the screw
00:25:00
for references it’s just like this for you
00:25:02
as if as a hint, such a life hack
00:25:06
especially autumn landscapes in the distance
00:25:09
plan in the distance some backdrops to
00:25:13
which will be gray and nondescript
00:25:15
the yellow light will turn on yellow as they should
00:25:20
elegant here it is in its attire
00:25:23
autumn
00:25:27
Natalie says I'll write more with
00:25:29
construction acrylic with construction
00:25:31
camera effects
00:25:36
that's it, that's it, everyone chooses
00:25:40
for myself
00:25:41
the material that resonates with him is
00:25:44
Fine
00:25:45
Vladimir says it would be great Sakrina
00:25:48
I also worked with acrylic somehow
00:25:51
maybe we'll do it acrylic there
00:25:54
the principle is the same, just need to be faster
00:25:56
works because it all freezes
00:25:58
fast
00:26:00
here we can paint paint on the canvas
00:26:04
we'll have to there
00:26:07
there you need an exact drawing right away
00:26:09
exact drawing although can be overlapped
00:26:12
let's try it, let's try it sometime
00:26:14
I promise, I probably need to knead already
00:26:17
exactly the color
00:26:19
wolf more Artem we will work on
00:26:22
palette than here we have a palette
00:26:25
oils on canvas palette with acrylic
00:26:28
we'll work here now
00:26:32
Natalya says I really like yours
00:26:34
the color schemes are very harmonious
00:26:37
thank you, thank you
00:26:45
see it's all an experiment it's all going on
00:26:48
prepared in advance during the play we have already
00:26:52
look what yes how what to add what
00:26:56
what color will you play?
00:27:10
look at this part through sienna
00:27:14
put it right there, that is, it illuminates, yes
00:27:18
this part lights up the trees here
00:27:23
It’s even colored by this advice
00:27:25
a little pink where to throw it but this
00:27:28
so for now it's a hint that we haven't lost him
00:27:30
this color you see see without you extract
00:27:33
we were illuminated and
00:27:38
the top can be given cold
00:27:41
generally ultramarine
00:27:43
through in c we
00:27:46
maybe a little black
00:27:58
Now I'm trying this risk zile there
00:28:00
a little bit
00:28:02
discard
00:28:10
And
00:28:14
look somewhere here
00:28:16
it was removed smoothly into the sky
00:28:20
also a good scenic trick when we
00:28:23
we see that
00:28:24
the air works and we seem to
00:28:28
creates the illusion of being visible and at the same time
00:28:31
we don't see
00:28:36
The impressionists took great advantage of this
00:28:40
creating such an effect
00:28:44
blur effect
00:28:49
Well, in general, this is also a rule
00:28:53
interesting when there is something contrasting
00:28:56
object and something nearby
00:28:58
indistinct something in the distance which
00:29:02
is also located
00:29:04
you can use this and implement your own
00:29:08
practice pink
00:29:11
pink this soot gas space sienna
00:29:16
sienna soot gas is necessary with this one I have
00:29:20
just arrived where I got it from
00:29:24
there's a drop of purple in there
00:29:29
whether they broke
00:29:32
lay yeah more aggressive to more aggressive to
00:29:37
extinguished or ocher
00:29:41
but we have to turn off night time
00:29:45
so it messed up my ear, look at the ocher
00:29:48
mixed it in black it turned out green
00:29:50
complex green complex we don't need here
00:29:53
let's extinguish this color a little black
00:29:57
a little black
00:30:03
like this
00:30:06
these are the farthest from the girl
00:30:14
that's how they fell
00:30:18
Victoria asks Alexey for our girls and
00:30:21
cattle gangs look like that but many quietly
00:30:24
from work he asks to see it again
00:30:27
thinner and if possible send to
00:30:31
I'll send you a chat later, maybe even
00:30:34
be called just on camera to everyone
00:30:37
hi from they are probably watching at work
00:30:40
there and filigree doctor's hello but I
00:30:44
I'll show you this now
00:30:46
like this one
00:30:50
odorless white spirit
00:30:53
pretty budget but again for everyone
00:30:56
moving with him, he meets the requirements
00:30:59
use the link to the thinner there
00:31:03
you put on everything that the parcel but probably
00:31:06
Asanov parcels have already left
00:31:09
dilute to
00:31:12
Well, I can put the link in how
00:31:18
I lit the tops of my head a little with this pink
00:31:23
although something like this might work there too
00:31:27
here and again I’m starting in detail
00:31:30
there is no need for details to have a security guard there and on
00:31:33
casino good evening good evening
00:31:37
Nicholas writes Chinese linen 3 meters on
00:31:40
48 centimeters 58 centimeters 68
00:31:44
centimeters is the width, who knows?
00:31:47
tell me about the flax on a roll, you probably
00:31:50
I want to paint pictures on it
00:31:52
Chinese linen
00:31:55
Well, the Chinese have now learned how to do
00:31:58
actually learned a lot
00:32:01
do it earlier as if talking about
00:32:03
we are Chinese
00:32:05
turned up our noses before and now we’re almost into it
00:32:09
not a flagship and
00:32:10
0 and in principle he is good material for
00:32:14
lives not too bad it's the best
00:32:15
material for painting and
00:32:19
I tried Chinese canvases ok
00:32:23
show themselves normally
00:32:33
at least you can try
00:32:36
for testing
00:32:38
12 take for testing and
00:32:42
see how they behave
00:32:47
a little bit here, I just saw that
00:32:50
here we still need to give reinforcement
00:32:58
why did I see this now because
00:33:00
I already have some kind of
00:33:04
neutral fund neutral this is from from
00:33:08
these trees
00:33:09
a path has been drawn
00:33:14
Chinese canvases need to be primed before
00:33:16
it’s not work, well, you have to look there
00:33:19
look what kind of surface it is
00:33:21
are you satisfied with them or really
00:33:24
It’s worth going through the acrylic a couple of times in your hands
00:33:35
This one, for example, I don’t understand with soil
00:33:38
Well, I often find it like this
00:33:41
the surface is a little rough somewhere
00:33:43
I'm here now and I need paint
00:33:46
stronger there
00:33:48
will be implemented
00:33:51
then something else will fall on this layer
00:33:57
something more glaze and
00:34:01
An interesting trick will work
00:34:08
Gleb Pankov writes as always a miracle
00:34:11
is happening before our eyes and hello Gleb
00:34:13
this is this
00:34:15
this guy this guy is my friend
00:34:21
good friend
00:34:28
miracle yes we are trying to be weird we are trying to be weird
00:34:33
while of course we are far from the miracle we are going to
00:34:37
this direction
00:34:38
Allen needs to be primed
00:34:41
Alen, here Lena usually, well, no, loves which one
00:34:45
this is helen this is us just soil material
00:34:48
it's a primer, suddenly it's not primed
00:34:51
because you need it of course it's simple
00:34:54
canvas and like cotton only because
00:34:57
Lena
00:35:01
so-so
00:35:04
then the tip and
00:35:08
we'll leave that for now that's why it's now
00:35:11
I'll leave it, let's light it later
00:35:13
let's make this heat ratio cold
00:35:16
yes, purple ones work here and it’s smooth
00:35:19
stretching in red to orange colors and
00:35:24
then only
00:35:25
tan we will light this one our this one
00:35:29
our carousel
00:35:33
have taken
00:35:38
English red or burnt sienna
00:35:42
it doesn’t matter at all what kind it is here
00:35:44
the color now is
00:35:46
they answer what's new they say
00:35:52
are equivalent and and
00:35:53
purple was injected into it
00:35:57
look at this deep color
00:36:06
we have almost complex black
00:36:08
it turns out
00:36:13
But
00:36:16
towards the heat
00:36:20
you can go towards the cold and you throw it there
00:36:22
if you add ultramarine
00:36:27
that's where it goes
00:36:29
takes on an even warmer hue
00:36:37
now I worked without whitewash
00:36:40
then we do it all a little bit
00:36:44
let's spread it, we'll throw it there, we'll throw white
00:36:47
and let's do some stretching already
00:36:50
more gently
00:36:54
Chinese paint artists say that
00:36:57
they're glass, it's true
00:37:00
write for you in Chinese colors
00:37:02
Chinese paints Chinese paints
00:37:05
I am this
00:37:07
reading typing drawing writing this with
00:37:10
gigantic
00:37:15
calligraphy is done well by Chinese
00:37:17
paints and the Chinese will know about it
00:37:22
Well, painting is a little bit, yes it is a little bit
00:37:25
like this
00:37:26
something like that
00:37:28
such a conventional painting is obtained there
00:37:32
other colors there are other shades
00:37:36
slightly off-color shades so to speak
00:37:39
artificial what I mean is not
00:37:42
natural
00:37:44
it will be difficult to get you something like that
00:37:48
street given street I mean on tour
00:37:53
on and Donata and the wonderful of Chinese paints
00:37:59
but the characters come out perfectly Chinese
00:38:02
paint
00:38:06
Tatyana Subobina writes good evening
00:38:09
St. Petersburg was good to you
00:38:11
sat down at the easel with you, let's go
00:38:14
give who in the period bambo nim today
00:38:21
Hello everyone again, we are happy
00:38:25
see
00:38:26
read
00:38:28
for us of course it is
00:38:30
as a gift when you come in
00:38:37
you see such a smooth stretch up to
00:38:40
from dark to light from more
00:38:44
neutral heat cold to completely
00:38:48
to warm
00:38:52
this is how they laid the spot and
00:38:57
placed here
00:39:00
for me in a rag beforehand
00:39:05
laid down look at it begins
00:39:09
rag problem
00:39:12
wash the brush
00:39:20
have taken
00:39:21
yellow got red got orange
00:39:25
like in this kindergarten and
00:39:29
right here
00:39:32
knocked down, planted on people
00:39:41
strong vigorous because this color is
00:39:46
we will be dominated right here
00:39:49
here you can pay off a little despite
00:39:52
what is there on the references, it’s so bright
00:39:55
expressed
00:39:56
the emphasis is placed on this to make the center
00:39:59
compositions of the center of the composition we have here
00:40:01
about here it goes somewhere
00:40:04
here perhaps the painting has two centers
00:40:06
compositions this can also happen
00:40:10
We'll see
00:40:14
tatyana deck good evening everyone
00:40:16
sorry I'm late, no problem
00:40:19
look at the recording better of course yes yes
00:40:22
Yes
00:40:25
here you can throw pink ones on
00:40:28
removal, that is, it already begins here
00:40:31
work then tonal perspective
00:40:34
And
00:40:35
pink stretch trigger
00:40:48
connect a little bit
00:40:57
you can even throw a drop of ocher in there
00:41:05
that is, you always enrich your color without
00:41:08
do it clean somehow than richer
00:41:11
to those who he is he doesn’t ring a bell
00:41:17
artificially no painted no here
00:41:22
immediately when a person looks at a painting
00:41:25
he sees up to a professional from well otherwise
00:41:29
professionals and amateurs can easily
00:41:30
distinguish it immediately look at its range
00:41:33
see what colors what mixes
00:41:36
does
00:41:39
it all comes out at once
00:41:47
Irina asks friends did anyone write
00:41:49
previous master class for us too
00:41:52
I'm curious if anyone has any work to do
00:41:54
will work, be sure to discard it
00:41:57
Alexey yes yes smu give me on us
00:42:01
page to me to page of messages
00:42:04
or to the group in the group there again
00:42:07
I repeat, there is a special one in the group
00:42:09
the folder is for you
00:42:10
if you go there you can fill it
00:42:14
your paintings
00:42:16
purple purple
00:42:20
burnt sienna and
00:42:23
paved
00:42:26
they took it a little thinner they took it a little bit thinner nothing
00:42:29
Well, now we have a little bit of a terrible feeling
00:42:30
will flow
00:42:38
this one is down our carousel
00:42:46
Svetlana Novikova asks Alexey
00:42:48
what thinner do you use
00:42:51
thinner in white spirit with oil
00:42:54
today white spirit with oil on this
00:42:58
basis I write this double if
00:43:01
use a tee then there will be more
00:43:03
work and varnish
00:43:18
so for now so here are also the conditions in Brussels
00:43:28
I need some kind of watercolor
00:43:30
watercolor
00:43:33
stretching
00:43:40
the roof right away, you see, this is how I leave it
00:43:43
at the very last moment we will give a roof
00:43:46
via purple in prices
00:43:51
blue
00:43:54
whitewash
00:44:08
everything needs to be taken into account here too
00:44:11
reflexes from the environment
00:44:14
the light comes here and the light comes here and
00:44:18
the sky also gives its influence and
00:44:25
something like this happens
00:44:28
something warm cold
00:44:43
A
00:44:44
let's throw it here on the right side
00:44:48
through pink tint and burnt sienna
00:45:07
please tell me you are planning analysis
00:45:10
do the submitted work based on your lessons
00:45:14
no live analysis
00:45:17
I know guys 1 this is also necessary and
00:45:22
of course I would like to
00:45:25
in the future to implement all this
00:45:30
well at this stage for now
00:45:33
I need something
00:45:36
How else to deal with orders?
00:45:44
we're here, look at the bottom of it
00:45:47
illuminated
00:45:48
this tent and
00:45:51
pink ones flashed there
00:45:55
cold light goes up
00:46:04
maybe at least comments in the group
00:46:07
Well, as a stage, throw it, throw it, I and yes
00:46:11
If
00:46:13
I'll definitely look at your work
00:46:16
what's there
00:46:24
we will fulfill up to the prospect with us
00:46:26
here leaving here turn
00:46:30
still standing here
00:46:33
some of these
00:46:36
the buildings
00:46:40
and everything is remote there
00:46:46
good evening from Ukraine
00:46:50
I recently saw your video on YouTube and
00:46:52
I started watching it and I really like it
00:46:54
subscribed I'm fifty I'm writing in oils
00:46:57
I’ve been studying in a master class with you for three years
00:47:00
tuba and reference itself
00:47:03
thank you for subscribing
00:47:07
Well done you for painting
00:47:12
painting is the first way to find out
00:47:16
myself
00:47:18
This
00:47:19
a lot, a lot of course she gives here I want
00:47:22
tell life
00:47:25
not only you develop
00:47:28
develop a sense of beauty but also
00:47:32
it affects every aspect of life
00:47:36
this activity influences
00:47:39
here are also the conditions for so far abandoned
00:47:52
so the canvas begins to leave me for something
00:48:03
so these are distant ones, maybe a little bit
00:48:08
make it less contrasty if this
00:48:13
We worked through purple red
00:48:18
here you can have just such contrasting ones
00:48:21
give accents and then we delete
00:48:27
let's work pink
00:48:34
thereby creating the illusion of distance
00:48:56
Yes, you can make yellow here too
00:49:00
slightly extinguished
00:49:10
olive ask please tell me
00:49:12
like VVK
00:49:13
I thought I could find your group on VKontakte
00:49:16
that I even joined it and now I don’t
00:49:19
I can find it, maybe I'm confusing something
00:49:21
it was not your group it was in
00:49:25
dream
00:49:26
look at me and get in touch
00:49:29
written in the description on the page right in
00:49:33
description on the kotova page I'm there what I am
00:49:36
there it says group and link
00:49:42
Well, it's called paintings to order
00:49:45
scorpios order yes yes yes she is in
00:49:47
description below
00:49:49
previous video
00:49:55
Now if you open the previous videos
00:49:57
but then of course come back because
00:49:59
that we are waiting for you, you can wait for 4 hours
00:50:03
stay
00:50:06
there is there, go there and have a look
00:50:12
I'm at camp asking asking today
00:50:16
the job will be finished or oracle
00:50:18
the difficult and wonderful part will be finished
00:50:20
or a master class designed for several
00:50:23
days this is not a marathon this is not what we have today
00:50:25
marathon
00:50:26
we're working right here
00:50:33
a little bit beyond the striped one, let's do this
00:50:36
here we take
00:50:41
Alexey, do you make copies from
00:50:43
Dutch landscapes
00:50:46
I understand what you are talking about voice
00:50:49
Dutch she is long and it is necessary
00:50:54
follow all Dutch rules
00:50:58
masters
00:51:00
Well, not according to my temperament and that’s all
00:51:03
I’ll tell you honestly, but it’s possible, yes
00:51:06
you can write but it will also be in mine
00:51:09
performance
00:51:11
but it won't be a copy
00:51:13
for reasons because for reasons it is not
00:51:17
kitchen
00:51:19
this vision is individual
00:51:23
I'll do it for you now
00:51:26
master classes by great artists there
00:51:30
from the samples there will be clover when I and
00:51:34
Levitan will follow them
00:51:38
I'll also look and try to get closer
00:51:42
to this range and I’m trying to show it again
00:51:46
their character through their paintings
00:51:49
so it will all be
00:51:52
to the lowest
00:51:54
based on also great based on
00:51:58
paid extra you bring your soul there you
00:52:01
enter it individually and what do you
00:52:04
let's put some here
00:52:07
purple
00:52:09
purple pink
00:52:11
although there’s no such thing there, but then here’s what
00:52:14
it will fall on this
00:52:17
yellow will fall orange
00:52:20
even look at the Turkish greenery here
00:52:23
I knead
00:52:27
just put a spot
00:52:35
this is the part
00:52:37
here she is up to this stripe
00:52:41
purple
00:52:44
pink and
00:52:46
whitewash
00:52:48
but you can put a drop of ultramarine there
00:53:22
and here we are strengthening by
00:53:25
tonality
00:53:27
through even in c and
00:53:31
purple tint and
00:53:37
further on highlighting
00:53:50
So
00:53:52
let's do this object one two at a time
00:53:55
we'll give
00:53:58
Now you can take a little brown
00:54:02
variety yes gama siena wife but plus
00:54:06
minus with us everything will be discreet
00:54:08
there is here to show the sword with heat
00:54:11
cold
00:54:18
Lyudmila asks the term based on
00:54:21
great artists it will be in the same
00:54:23
format like today's master class
00:54:25
also on YouTube not it will be paid it
00:54:28
it works but palm I will register them in
00:54:30
courses and at your request you will
00:54:34
there is already someone who wants to buy it
00:54:44
so orange far and wide
00:54:50
And
00:54:58
look, I'm showing you today
00:55:00
so as not to get confused in this detail
00:55:03
how can you solve this
00:55:08
that is, we always look at spots like these
00:55:11
we can supply something detailed
00:55:13
write in some person
00:55:16
or
00:55:18
some object
00:55:30
the roof is quite cold through
00:55:34
Turkish greens
00:55:38
so through ultramarine
00:55:50
planted
00:55:54
Turkish land along the marina white
00:56:03
Alena write and now I found it under yours
00:56:06
last video I joined your group
00:56:08
I'm really a member but get into
00:56:11
I can only do it through this link
00:56:13
I'm not on the list of communities
00:56:16
displayed
00:56:18
if you log in from a computer you can
00:56:21
basically make a bookmark tab on
00:56:25
her to this page
00:56:27
then you won't lose it
00:56:30
look further, yes, it also seems like something
00:56:34
cold something white but I decide
00:56:37
it's through pink and
00:56:41
somewhere a drop of ultramarine and
00:56:46
this is such an interesting gray it turns out
00:56:59
let's cut this roof off a little
00:57:05
yes some kind of building has formed
00:57:11
We won’t detail all this yet
00:57:15
very conditional
00:57:18
one might say
00:57:20
colorful layer colorful spot we
00:57:24
we create for ourselves
00:57:25
some starting points
00:57:28
which can later be
00:57:31
expand to and lead to something
00:57:35
picturesque and
00:57:37
Of course we'll collect it all, we'll collect it all
00:57:42
into one kind of
00:57:45
canvas
00:57:52
this is the house
00:57:58
but these are not houses, it’s dark, it’s probably this
00:58:00
market square when artyom there is a hangar
00:58:04
for free and they sell everything there
00:58:07
New Year's something there somewhere I see
00:58:09
clothes hanging
00:58:12
please send the link to the chat
00:58:15
group We will leave a link after the master class in
00:58:19
video description
00:58:24
guys and I say again if you want
00:58:27
right now he can take a walk through the links
00:58:29
This program just won't let us do it
00:58:32
right away yes, all these links are all us
00:58:35
then we fill it in
00:58:36
if you want you can go to the previous one
00:58:40
master classes there all the links are there
00:58:42
Absolutely links
00:58:49
lay or speck
00:58:59
there are roofs
00:59:05
keep the perspective in mind
00:59:07
so as not to break
00:59:11
It's not easy to show off like this
00:59:15
I'm showing off you're drawing for showing off something like this
00:59:17
I didn't see what you had
00:59:20
the tilt has gone in the other direction
00:59:34
and everything that is closer to the light source
00:59:38
acquires a warm light except
00:59:42
if it's some kind of cold and if it's
00:59:46
some kind of cold moonlight, for example
00:59:48
there will be the closer to the moon to the closer
00:59:52
towards this source he will be colder
00:59:59
I tell you why these are moments like this
01:00:02
Now I’m telling you, yes it seems
01:00:04
master class but before the light and
01:00:06
show me some color I'm putting on
01:00:09
That's why I'm telling you this
01:00:10
the relationship there to the source of asv as
01:00:14
does this or that item work and how
01:00:17
he takes reflexes from one object like
01:00:21
it acts on another object to
01:00:25
you could then make your own paintings
01:00:28
that is, knowing all these rules you
01:00:32
you can then apply it to any
01:00:35
yes it doesn't mean you're an artist
01:00:39
only
01:00:41
when you watch the master class yes that is you
01:00:43
took master classes and write, write
01:00:45
and q1 speakers of another speaker not only
01:00:49
then this is this too you know a little bit
01:00:51
hostage hostage master classes a
01:00:57
knowing the rules you will already
01:01:00
navigate
01:01:03
what you say is the most valuable
01:01:06
for understanding, thank you guys
01:01:10
songs that maybe people think like this
01:01:13
boring as
01:01:15
is happening, well, it makes me very happy
01:01:19
people here understand
01:01:24
actually just if I had it
01:01:27
they once told me about the time
01:01:30
maybe everything would happen faster in my
01:01:34
activities
01:01:36
there was a moment when I was skidding a lot
01:01:38
I skidded a lot, it’s just like stagnation
01:01:41
was
01:01:42
without explanation it's like a coloring book about the exact
01:01:47
and the same take pictures by numbers
01:01:48
Yes, and I have nothing against it, I know
01:01:52
many many people do this but there
01:01:55
you need to apply you know artem a little
01:01:57
this one should be included and just like the color
01:02:00
paint the number and here is number 5 green with
01:02:05
so Toyota on green things - some
01:02:07
takes the hindrance
01:02:09
here we think we think this is a plus and
01:02:17
of course everything will be much faster
01:02:20
take place
01:02:24
so we got here we got here and
01:02:27
put
01:02:29
pink yellow cadmium light yellow
01:02:35
whitewash
01:02:37
lit
01:02:44
without fear
01:02:48
without any
01:02:52
sometimes you just need to brake
01:02:57
to start to to push off
01:03:00
sometimes you just need to brush
01:03:02
somewhere rough
01:03:03
from this rudeness already
01:03:06
the whole dance will begin
01:03:11
I still want a little more
01:03:13
intuitive painting but at the same time knowing
01:03:17
rules and then you will
01:03:19
juggle
01:03:21
you'll just
01:03:24
she's a head taller
01:03:28
another person who does everything according to
01:03:31
scheme
01:03:45
In general, please write how you like it
01:03:48
cityscapes because someone
01:03:51
doesn’t like it at all and doesn’t like this one
01:03:53
architecture
01:03:55
there is minimal architecture here but it
01:03:57
is present, but there are very similar ones
01:04:01
quite interesting loaded well
01:04:03
loaded in a good sense of the word
01:04:05
some kind of architecture
01:04:10
there is Renaissance architecture up to
01:04:14
Venetian architecture or
01:04:17
medieval castles here I am too
01:04:20
such an interesting topic for me
01:04:23
I think many will be scared to start
01:04:25
all of this yes yes yes it's scary to start
01:04:28
but there I want to say what you’re talking about too
01:04:31
you can learn a lot and a lot
01:04:35
understand for yourself that it is not necessary to be
01:04:38
engineer to write
01:04:40
Right
01:04:43
put everything in linear perspective
01:04:46
rewrite the architecture correctly
01:04:48
competently and
01:04:49
own it perfectly
01:04:54
this linear perspective
01:04:57
Here you can break the mold a little
01:05:00
that's the thing
01:05:02
you can change it in the process
01:05:05
that is, it is not watercolors, watercolors require
01:05:09
from the artist, look, and a little bit
01:05:11
failed, I realized that I soldered it to me
01:05:14
I have to let it go, what else will I do? I'll take it
01:05:16
just these tips and
01:05:19
cutting off cutting off thereby this part
01:05:23
we have dropped a little to already
01:05:26
visually she sank
01:05:31
Natalya says she likes Portuguese
01:05:35
streets especially if there are glares of sunshine
01:05:38
need Portuguese
01:05:44
Well, here we are somehow on this too, yes we
01:05:48
we'll get there
01:05:55
so we practically got rid of the whites and
01:05:59
we'll put up our Christmas tree
01:06:03
the cityscape is great too
01:06:05
especially the night city Lyudmila term
01:06:09
in total I mean I’ll take a pencil too
01:06:15
so ultramarine siena
01:06:22
this is the line first
01:06:34
not rechargeable just do it
01:06:38
also not what it looks like on a spot
01:06:43
to tonal and
01:06:50
the closer here she gets and
01:06:55
she I mean this is this spot this is a Christmas tree
01:06:59
this spot is already taking on a warmer shade
01:07:05
such
01:07:24
here it is possible that it is not at all an angle
01:07:27
was leaving
01:07:29
we'll throw them here
01:07:33
such is the sky
01:07:44
A
01:07:45
if left like this it will be
01:07:48
abstraction or style like this style
01:07:52
was called in like this is what this is in
01:07:55
well this is still absurd
01:07:58
no but this is a spot this is a spot this is for now
01:08:02
like this you know how
01:08:05
I see some kind of burning field here
01:08:09
I need to heat it up here, can I have it now?
01:08:13
In general, something can be born from this
01:08:15
still another
01:08:18
the accent gave more warmth
01:08:22
cold that it’s warm here and then
01:08:25
we no longer have it remotely
01:08:31
so, well, this kind of painting takes place
01:08:35
and if now I just take a palette knife
01:08:38
attention, I'll take some mastic and
01:08:41
I'm throwing people around, I'll give you some more
01:08:45
there are some bright accents
01:08:48
this is so weird
01:08:50
option is also sometimes really cool
01:08:55
Natalya already works on the viewer like that
01:08:57
like it yes yes you can leave it like that
01:09:01
valley all his motor I'm sending this picture
01:09:05
1 like
01:09:06
let
01:09:09
I'm happy when there are no pictures yet
01:09:11
it's finished, it's already finding some reviews
01:09:17
Nikolay Haze writes I'm still stalling
01:09:20
I remember the first portrait the eyes turned out
01:09:22
beautiful, frightened as if from
01:09:25
hell jumped out
01:09:28
Yes Yes Yes
01:09:30
the first job is of course I apply first
01:09:34
work we are looking at the same amount
01:09:35
I look, I think, oh my god
01:09:37
Wow
01:09:39
it was a completely different vision
01:09:41
it was a completely different perception
01:09:43
beauty
01:09:47
and the hump of labor writes I love Peter
01:09:50
I would like a master class with the channel
01:09:52
boats temples and this is class
01:09:55
Venice, this is class holiness again
01:09:58
it sounded yes
01:10:00
yes, yes, these are St. Petersburg motifs
01:10:05
landscapes ki I'm for
01:10:10
maybe in the future I will give
01:10:13
a few references for you and you will already be
01:10:16
to directly participate in
01:10:18
voting but pooping
01:10:21
more interesting which one to take more interesting
01:10:25
after all, you have a beautiful one at the show too
01:10:29
ness already
01:10:33
so here it is in the dictionary
01:10:38
we threw bad words but let her
01:10:41
our version of the Christmas tree lives here like this
01:10:43
that's the way
01:10:46
it's a little colder here
01:10:49
a little warmer to the left warmer to the right
01:10:51
colder Alena finally found ours
01:10:54
the group joined us
01:10:58
Great
01:11:07
so now he is now
01:11:10
you see we got rid of white
01:11:15
canvases
01:11:19
Inez writes to them I live in Italy and am conquered
01:11:22
landscapes historical centers
01:11:24
small towns in Italy with their narrow
01:11:28
streets and the center of Naples with its
01:11:31
the atmosphere is not that of being in love at all
01:11:34
cool I think we're visiting European towns
01:11:40
We'll go through Italian Spanish
01:11:46
Andrey the best good evening still guys
01:11:50
too, but it’s not like I’m there right now
01:11:52
somehow calling but to a greater extent
01:11:54
depends on you yes I can sit and that's it
01:11:57
do everything alone but from your
01:11:59
activity
01:12:00
a lot will depend
01:12:03
how are you
01:12:05
come in like what
01:12:09
How does this generally resonate with you and me?
01:12:13
I look and draw conclusions at night, this is necessary next
01:12:15
there is no here is some kind of plot to take and
01:12:20
we have a great idea about
01:12:23
voting
01:12:25
in contact we can go to the right where she is
01:12:27
interesting things you can do on YouTube
01:12:29
They’re probably looking for something there too
01:12:31
seriously not fully mastered it
01:12:35
youtube, well, you can probably do it there too
01:12:45
give a little drop here for reinforcement
01:12:48
that's why it came to the fore
01:12:57
forgot the turrets forgot the turrets
01:13:03
all in the summer fc
01:13:08
look first pawned
01:13:11
horizontal and vertical
01:13:14
Further
01:13:29
edge brush
01:13:50
at this stage you don’t feel that if you
01:13:52
somewhere out there in the strong and
01:13:55
not much, that is, they filled it all up
01:13:59
let's fix dinner
01:14:01
some further areas
01:14:05
work
01:14:16
like this one
01:14:18
here we are doing something indistinct
01:14:22
let it go to the back
01:14:27
look at you from your first exit
01:14:29
I really like it and write to us, thank you below
01:14:36
here's another one
01:14:39
can you make it a little differently
01:14:44
shade so as not to compete in color
01:14:47
well, or such diversity leads
01:15:01
after purchasing canvas water soil exit
01:15:04
canvas
01:15:07
sometimes yes sometimes no depending on what
01:15:11
which manufacturers
01:15:14
what canvas and if this answers everyone
01:15:18
my requirements
01:15:19
then I leave him and
01:15:23
there is no need to create a little contrast
01:15:26
although not, but we pulled him out here a little
01:15:31
this is this this turret we are
01:15:34
a little let's get it here
01:15:40
due to tonality due to
01:15:42
contrast
01:15:46
we're triggered
01:15:49
we'll throw some warm ones
01:15:52
illuminated parts
01:15:56
part of the turret is slightly illuminated and here it is
01:16:01
this warmth flashed
01:16:13
here are additional
01:16:24
I don’t write them out much
01:16:33
everything is so ghostly for now
01:16:43
so the Christmas tree a little bit a little bit
01:16:46
Selim key
01:16:48
via purple
01:16:51
because this gain will come later
01:16:55
bright color but we need it for something
01:16:58
catch a brand to this world and
01:17:03
if we put it on orange it won't
01:17:06
will light up if we put it on
01:17:07
some opposite color in this
01:17:10
case it is purple purple yellow
01:17:12
this is the opposite color it will be
01:17:14
great job
01:17:19
look how nature works yes
01:17:21
if we see a violet it’s in the middle
01:17:24
nature already tells us yellow
01:17:28
yellow these are like a stamen petal
01:17:32
before
01:17:33
yellow core and that's it
01:17:39
everything is already shown to us by the verse I give
01:17:43
In my opinion, yes, she also lived there
01:17:45
yellow in general, if you watch
01:17:47
like an artist and observed nature
01:17:49
how he did this whole thing he just watched
01:17:52
for nature for
01:17:53
relationships
01:17:56
colors
01:17:59
Natalie tells us how it is with you
01:18:01
more than 1000 subscribers in the tab
01:18:05
community you can add a poll from
01:18:07
many possible answers and so on
01:18:09
spend the city daga there is
01:18:11
there is a community, I think I saw it somewhere
01:18:14
yes yes yes yes yes everything everyone now I
01:18:17
I'll take this into account thanks
01:18:23
next what do we do with you next we
01:18:25
put this brush aside
01:18:28
we'll take the five but still have stubble
01:18:33
it's too early to take a round one
01:18:36
let's use round synthetics for now
01:18:39
let's work through the stubble as much as possible
01:18:42
let's give reinforcement, enrichment often occurs
01:18:46
enrichment of tone
01:18:50
And
01:18:51
somewhere details somewhere details we will
01:18:54
deploy
01:19:06
so purple
01:19:11
purple pink
01:19:16
planted
01:19:20
planted
01:19:26
a little brighter here
01:19:36
from
01:19:49
that is, you can cut it with wood and
01:19:53
show the light and you can take this part to
01:19:57
shadow and
01:19:59
as if
01:20:00
It’s like things are changing a little for us, yes
01:20:04
the relationship between one and the other changes
01:20:08
dark to light
01:20:12
this is also allowed
01:20:19
well maybe I did it now
01:20:21
then they changed their minds and
01:20:24
I'll do it differently
01:20:29
So
01:20:31
Now we already have a so-called base
01:20:36
the foundation has appeared, that is, we have laid
01:20:38
foundation and on this foundation we will
01:20:40
slowly build up brick by brick
01:20:43
brick of the building
01:20:47
pink ones worked here
01:21:08
Let's look for the form a little
01:21:12
singing drawing
01:21:17
again, we don’t necessarily say this
01:21:19
repeat one by one
01:21:31
here you can add red for
01:21:36
the existing color gets in the way and
01:21:40
will give the richness of the shade give a little more
01:21:44
a little yellow
01:21:46
look I'm mixing now I'm mixing now
01:21:49
I'll lose
01:21:50
one color to another like this
01:21:52
the impressionists worked
01:22:00
this part will be strong here
01:22:05
illuminated
01:22:06
she gives a reflex to this
01:22:11
billboard wanted to say this
01:22:13
platform and
01:22:20
sets it on fire
01:22:22
pretty much right now I work in such
01:22:25
Here
01:22:26
somewhere in a rude manner but
01:22:30
I keep the drawing in my head
01:22:36
I want to say exactly with these
01:22:39
landscapes and generally very different
01:22:42
cityscape from forest landscape
01:22:44
here you can afford
01:22:47
gesture here you can afford some
01:22:51
rough stroke and
01:22:52
oh it will sound it will sound
01:22:57
somewhere in the forest where it’s like that
01:22:59
a little foggy somewhere
01:23:02
plastic needs to maintain accuracy on
01:23:05
maybe this rudeness is not there
01:23:07
it will work but here after all
01:23:10
stone
01:23:12
jungle but still stone yes they are
01:23:15
so you can here like this
01:23:19
afford yourself a little
01:23:27
today only please no palette knife
01:23:30
Fisher Victoria and this is sorry, sorry
01:23:35
here's how it goes
01:23:38
Victoria I don’t know me now
01:23:42
will carry it on a palette knife and
01:23:46
just then they lost the artist
01:23:53
I give a little emphasis
01:24:07
so let's show it very tentatively
01:24:12
we'll show you
01:24:15
our horses
01:24:23
that is, we do not draw
01:24:29
something specific there
01:24:32
figure a
01:24:36
just ask
01:24:40
we ask something like this: there is something there
01:24:45
all this can be done already and next time
01:24:49
stages
01:24:53
more
01:24:55
more detailed more
01:24:59
approach this thoughtfully
01:25:02
my task today is to show you how
01:25:05
It’s a complicated thing to solve like this,
01:25:08
detailed and translate it into language
01:25:12
painting these photographs and
01:25:19
to lose oneself completely by fear through ocher
01:25:23
through somewhere a yellow tint
01:25:29
although no, it's too early, I'm starting now
01:25:31
let's take pink
01:25:33
all the same ocher
01:25:37
Haru has the same pink color
01:25:53
maybe then a city landscape with a palette knife
01:25:57
next time there will be some master class
01:26:00
do
01:26:01
in any case it will be in any case
01:26:03
will not know us to lie down without satiating there
01:26:06
we have a thing I already have an idea
01:26:09
But
01:26:11
will
01:26:17
we strengthen it a little
01:26:33
that is, here you can right yourself
01:26:36
not so broken the brush and normal
01:26:39
indulge in hooliganism
01:26:46
shade
01:26:48
cut off ultramarine violet
01:26:54
took a lot
01:26:58
diluted with linen
01:27:15
So
01:27:18
deeply buried here left for now
01:27:23
some moments
01:27:25
took away and
01:27:29
let's do it
01:27:30
next you temples
01:27:35
through pink yellow
01:27:40
here he is
01:27:41
you see some green one mixed it up herself
01:27:44
we're waiting, this one is working here now
01:27:46
green
01:27:52
Aria writes I watched your video like I did
01:27:56
I became an artist and I don’t understand how you are
01:27:58
started drawing and without learning from anyone
01:28:01
it’s unclear, well, YouTube is huge
01:28:04
training area if you want
01:28:07
In general, the Internet we live in those times
01:28:10
when possible
01:28:11
find all the information
01:28:13
you need if you have
01:28:17
well, if you have a request
01:28:21
then this request can be easily satisfied
01:28:24
one button
01:28:27
your phone
01:28:33
and he also supports us up to I would like
01:28:36
more skill with a palette knife
01:28:41
Fine
01:28:44
see the light I'm making right through
01:28:47
pasty some blows
01:28:51
although it may be too early for now
01:28:53
light but
01:28:55
to catch to catch the main spots it is necessary
01:28:59
A
01:29:00
Then
01:29:02
we'll draw out
01:29:09
see she days smooth painting here
01:29:12
it turns out that we are also painting a cityscape
01:29:14
so remember that here you can
01:29:17
somewhere around 100 days slam even more so
01:29:21
there is a lot of light and the whole world is like me
01:29:23
I always say he loves the post we know
01:29:27
respect
01:29:38
that is, we are building like a builder right now
01:29:42
water acts as a builder
01:29:44
look
01:29:47
what can we get here?
01:29:53
everything goes there, everything goes there
01:30:09
so well, you see the advice, yes I’m one more time
01:30:11
I just won't do it
01:30:13
his
01:30:15
voice it to you, yes, as much as possible
01:30:18
possibilities but
01:30:19
I'm losing my line
01:30:22
line is a creative line therefore
01:30:31
so you see yes what color I take
01:30:35
especially at this stage it is necessary
01:30:38
think about it, we need to work with it now
01:30:41
color
01:30:46
look, you can get it here
01:30:50
Turkish greens can take cadmium
01:30:54
light yellow and
01:30:56
look like this, lay it down here
01:31:00
pawn this
01:31:06
cut it all off orange
01:31:14
And
01:31:16
enter like some kind of pink
01:31:30
different a little bit you see the painting
01:31:33
it's a little different
01:31:35
from the fact that I may have shown us to you
01:31:38
at previous master classes
01:31:40
Today
01:31:42
this is the mood I think everything is simple
01:31:46
watching in one breath now because
01:31:48
that there are few questions
01:31:52
happens to dresses I want to believe
01:31:54
I want to believe
01:31:57
this slightly scattering light
01:32:02
there it originates here and goes to
01:32:04
No
01:32:06
This is how they shaded it a little
01:32:14
shoot x writes today I was drawing
01:32:17
I was listening to an audio book but at one point
01:32:19
I noticed that I missed about an hour
01:32:22
content
01:32:24
yes yes yes this happens especially yes
01:32:28
when you turn it on in the background you start writing
01:32:31
a picture and such a shower and somehow I’m not the only one
01:32:34
since I forgot how and how what am I listening to
01:32:37
what is it all about anyway?
01:32:39
book
01:32:42
not the one I was interested in
01:32:45
I somehow turned it on so quickly and forgot about it
01:32:48
at all
01:32:50
meditation meditation meditation you
01:32:54
you completely immerse yourself in this world
01:32:56
you leave and
01:32:57
you fall headlong and are cold
01:33:00
roofs in the background guys, look
01:33:02
through Turkish greens through in prices
01:33:05
some cold roof blinked
01:33:12
let's calm down this color a little bit
01:33:16
calmed down
01:33:17
maybe some other lighting accents
01:33:20
I will put them but they will be visible when I
01:33:25
I emphasize here
01:33:27
let's concentrate it right here
01:33:30
pink yellow
01:33:32
when I say cadmium yellow dark yellow
01:33:36
I just call him yellow if I
01:33:39
I call it light means light icons
01:33:41
I take the light one but it’s just like that
01:33:43
habit
01:33:45
stupid
01:33:52
just a little bit more yellow
01:33:55
rose wink
01:34:02
a little bit a little bit that's all
01:34:06
once focus
01:34:17
gave a little bit of reinforcement at the bottom through
01:34:20
violet
01:34:33
here it is
01:34:36
there will be
01:34:43
that is, learn to cut off all unnecessary and
01:34:46
see
01:34:48
see the form
01:34:51
dark and light
01:34:54
cold and warm
01:35:13
I want to give emphasis here through
01:35:18
orange and
01:35:21
this is how pasty you are
01:35:24
pawn
01:35:30
pink
01:35:32
yellow
01:35:52
here through burnt sienna through red
01:35:56
I have dark red
01:36:10
and don’t rush to forget about everything
01:36:12
even eat and most importantly time doesn’t fly
01:36:14
I managed to look back at two o’clock in the morning, so did I
01:36:19
I call it meditation, it's another world
01:36:22
in which you sometimes want
01:36:26
immerse completely escape bad
01:36:29
the word because but still you have to live
01:36:32
here and now we live in the moment and
01:36:36
this world which this is not what
01:36:39
mysterious then it’s not for everyone
01:36:43
unfortunately available
01:36:50
it’s like a rounding is happening here
01:36:57
I think the camera is too far away for Crimea
01:37:00
costs
01:37:04
so you can see this palette
01:37:09
I can zoom in but this tribute will disappear
01:37:13
palette
01:37:14
there are probably more of us above the painting
01:37:17
maybe the place can be brought closer somehow
01:37:20
let's move it a little here from here
01:37:23
move the tripod itself a little bit
01:37:25
artem
01:37:33
yes maybe here are the details
01:37:37
yes, more or less until
01:37:52
That's why I'm showing the palette so that there's an extra one
01:37:56
since you don't
01:37:58
strain with this here I take it there
01:38:00
I take this one like this one
01:38:03
so the yellow one will also play here
01:38:08
under the little red one
01:38:11
Here's Celine red and
01:38:16
here I also want to show the light
01:38:23
there is also a stroke of light here
01:38:27
in general, do you know how to show the light?
01:38:31
just like that a little bit that he gives up and
01:38:40
here
01:38:43
Same
01:38:46
defocused like this
01:38:53
along this edge
01:38:56
Well, let’s throw these there now
01:39:01
these light bulbs
01:39:04
but he’s deciding here through roses
01:39:07
through the pink there might be a drop somewhere
01:39:10
a little yellow
01:39:17
I want to clean this tent a little
01:39:23
chill to cut us off this one
01:39:27
chief to acting and
01:39:30
remove it a little
01:39:32
soldier let this be our option not
01:39:37
as in references
01:39:41
but there will be space
01:39:47
so here let's throw some
01:39:50
like this one
01:39:57
Tatyana Subobina asks the sky will you
01:39:59
change how many times from the garland
01:40:02
now I now see that the sky
01:40:05
I want to tighten it up a little, but I don’t know
01:40:09
will this sky appear on
01:40:13
today's broadcast but in general I will later
01:40:17
since I'm going through the picture you could do it
01:40:19
notice I post it when it’s ready there
01:40:24
there is a little difference though
01:40:31
columns
01:40:33
that's how we took the twigs
01:40:35
pulled out
01:40:43
what brand of white do you use?
01:40:46
bird
01:40:48
everything is no longer visible there
01:41:05
and these verticals with reason
01:41:09
gave some impression of what it is
01:41:14
something like that, covered with a dome
01:41:22
distant look once the finger grows while
01:41:27
left
01:41:32
it's not here, but we'll put it there
01:41:46
if you have any moment of suddenness
01:41:49
it happens, you have to see it too
01:41:53
leave it somewhere
01:42:01
see yes now we are on the way
01:42:05
generalization
01:42:26
people now immediately
01:42:29
Let's dial and it will be here too
01:42:34
well that's the atmosphere
01:42:38
bustle
01:42:40
will appear through sienna through purple
01:42:46
We’re also still solving it all in spots
01:42:53
somewhere red but still with them
01:42:57
different attire
01:43:12
somewhere very
01:43:14
did the topic succeed?
01:43:20
there's a guy here in something like this
01:43:24
about Christ
01:43:36
and immediately
01:43:37
simulated
01:43:47
tossed
01:43:49
shadow
01:43:58
this is just such a sketch and a weirdo
01:44:02
without statement
01:44:04
distant children can be given through
01:44:09
in the center
01:44:13
so let them be in the background already
01:44:18
cold
01:44:20
figurines
01:44:27
Tatiana Subbotina writes I had enough for
01:44:30
an hour and a half now I'm in the auditorium
01:44:34
what process are you on?
01:44:36
I wonder what you have
01:44:39
came out of this
01:44:41
yes yes yes interesting afraid
01:44:46
so there’s something interesting about the barrel here
01:44:50
Same
01:44:51
also adds burnt sienna
01:44:56
through well give burnt sienna ear
01:45:04
so whitewashed
01:45:08
got rid of the white canvas
01:45:12
but in spots, yes, because everything is different for everyone
01:45:15
ok ok we have this from today
01:45:17
it won't work if he sleeps on what work
01:45:20
enough
01:45:21
volumetric and
01:45:24
I don't have any goals for myself right now
01:45:26
target
01:45:28
make a finished version
01:45:32
making an impression
01:45:38
because I'll repeat myself again
01:45:41
everyone has their own detail
01:46:01
you can put it here
01:46:03
like this one
01:46:06
orange and
01:46:10
bright pretty orange
01:46:15
shade
01:46:17
Madrid, how pasty it worked
01:46:27
first asked to go there in the background and
01:46:32
you can get closer here
01:46:34
through orange through pink
01:46:53
we'll clarify somewhere
01:46:56
if the form is broken
01:47:02
but I advise you
01:47:04
move away as always, this advice is mind
01:47:09
always working, you have to leave
01:47:12
look
01:47:13
constantly catching ourselves
01:47:21
this is one roof and this is behind it
01:47:23
second roof on
01:47:26
it overlaps a little in cold weather
01:47:30
some shades work
01:47:37
Andrey is better
01:47:39
Andrey is the best and asks if it is possible
01:47:42
send a painting from Russia abroad
01:47:45
before
01:47:54
focus a little bit
01:48:09
Lyudmila Vater good evening today too
01:48:13
viewer I wrote to myself what I did too
01:48:17
today she is a spectator and a seller of yours with us
01:48:19
you probably just joined us
01:48:32
put
01:48:34
let's work a little on the bottom here
01:48:38
let's give accents but look through the pink
01:48:40
I work here I understand what is here
01:48:42
slightly dimmed light
01:48:54
between
01:48:58
by these guys
01:49:08
In general, we have this kind of modeling going on
01:49:14
somewhere removing somewhere added
01:49:21
somewhere pasty somewhere to grow manually
01:49:39
let's cut it off
01:49:41
Let's cut these trees a little bit
01:50:05
remember that the light is the outer part
01:50:09
it will be warmer further away already
01:50:12
chill
01:50:19
Nikolai smokely advises friends not
01:50:22
buy expensive paints for training and
01:50:25
study I bought schmincke just a day
01:50:29
I spent the main thing in vain paints
01:50:31
translated so sorry now I bought the most
01:50:35
cheap to get the skill I'll go
01:50:38
I really agree with every word
01:50:40
actually yes and
01:50:41
here I can even include canvases
01:50:44
buy some expensive ones
01:50:47
italian there being belgian those
01:50:49
more than that, you can generally splurge on
01:50:51
one holsten
01:50:53
for training you can use regular
01:50:57
primer for us to do it on cardboard
01:51:00
or on canvas on cardboard too
01:51:04
pretty too
01:51:06
not bad
01:51:10
ultramarine pink
01:51:14
dressed up a little
01:51:26
very guys, this is the second stage so far
01:51:30
still a convention
01:51:36
but this stage 2 brings us closer to
01:51:41
little by little it brings us closer to the drawing
01:51:43
already
01:51:44
second stage 2 hours second stage 2 hours
01:51:48
third stage
01:51:51
accordingly the cry of the father
01:52:05
sometimes I'll be somewhere now
01:52:06
keep quiet so that the process speeds up
01:52:10
write questions and chase me away because
01:52:14
what do you have to talk about?
01:52:17
because I sometimes
01:52:19
when I am silent there is concentration
01:52:24
name liter liter marine
01:52:35
Hello Ekaterina Plekhanova
01:52:38
Hello, he says I think I need to buy
01:52:42
normal colors even for studying
01:52:44
master class is the best option
01:52:48
Again, depending on what your attitude is towards
01:52:51
this is correct if you
01:52:54
took over and
01:52:56
They told themselves that I had become an artist
01:53:00
such immediate respect for yourself
01:53:03
here to yours
01:53:06
as they say, give yourself
01:53:09
in advance before in advance this title and then
01:53:14
of course take it take the best
01:53:16
work as the best
01:53:21
but I want to say if you learn to write
01:53:25
when you take the exam ronda later
01:53:28
good material
01:53:31
it will be so easy for you
01:53:37
it's nonsense to learn to learn in a piece
01:53:40
coal and making a masterpiece is of course
01:53:44
problem
01:53:54
it is the skin that will write to me, too, I feel sorry for myself
01:53:57
work to do on the picture and bad
01:54:00
paints and on cardboard on cardboard and
01:54:02
bad paints
01:54:04
let's strengthen the sky after all
01:54:07
enough
01:54:08
I now see that it would not be enough
01:54:12
purple fc ultramarine
01:54:21
turned white
01:54:24
ultramarine
01:54:36
Lyudmila writes complex plots, two write
01:54:39
two or three days usually in the morning in good weather
01:54:43
you write in the light and at some point
01:54:45
you understand that you are starting everything
01:54:48
behind
01:54:51
spend labor is right
01:54:53
read
01:54:56
apparently you're tired
01:55:00
Well, we need to work out a formula for ourselves
01:55:03
to
01:55:04
painting didn’t take away my strength, but rather the opposite
01:55:08
gave everything understood portb art pour sharpen
01:55:12
that is bad for well yes yes yes yes yes it
01:55:15
that's because
01:55:16
sat out somewhere
01:55:22
Andrey writes the best, but I tried it
01:55:24
many paints from different companies, many very
01:55:27
famous eventually settled on
01:55:29
master class price-quality
01:55:31
in my opinion our paints are of no use
01:55:34
inferior to foreign ones and superior in some places
01:55:37
master class is one of the best companies it
01:55:42
also was produced during Soviet times and then
01:55:45
didn't do anything nonsense
01:55:47
but they are not expensive they are very expensive but
01:55:52
they are like of course if you take it there
01:55:55
any
01:55:56
such foreign ones I haven’t already forgotten how
01:55:59
they don’t call it like some kind of paint
01:56:03
I ran into something there, one tube costs
01:56:06
4000 that one tube is like this
01:56:09
Here
01:56:11
46
01:56:12
milliliters is crazy
01:56:22
look in a circular motion while erasing it
01:56:25
sky and
01:56:27
[music]
01:56:28
depth appears, cut off a little bit
01:56:33
not all the sky I strengthened it, let it be for now
01:56:37
this piece will stay here
01:56:40
the only one you can still throw
01:56:45
Ekaterina writes and I keep writing old
01:56:48
ordering one meter per meter of white has already taken more
01:56:50
10 large tubes of this type of equipment
01:56:54
chose a
01:56:55
Well, yes, you’re probably like that, here’s the palette knife fields
01:57:00
Yes it
01:57:03
OK-OK
01:57:07
on a bad canvas, let alone cardboard
01:57:10
the paint suits the whip, all the work will be
01:57:13
down the drain
01:57:16
behind
01:57:17
burdocks you can prime it and then
01:57:21
won't go out
01:57:23
paint master class compared to
01:57:25
imported ones are no worse, but significantly
01:57:28
cheaper
01:57:29
many people like the master class here
01:57:31
Ekaterina supporting yes yes yes yes
01:57:34
coin
01:57:39
this tree went to us on Wednesday yes
01:57:43
let her live there and then we will
01:57:47
a little dressed up
01:57:54
that's how long we've had this night
01:57:57
some night
01:58:02
sometimes you see it's worth it
01:58:06
throw up some shades
01:58:10
bright yellow
01:58:12
warm to
01:58:15
to understand how much to strengthen
01:58:20
sky a
01:58:23
train well on gouache cardboard
01:58:30
walks I can't say anything
01:58:33
school year
01:58:42
for training, buy a normal one
01:58:45
children's gouache and cardboard, well, yes, and canvases
01:58:49
and oil for a more thorough
01:58:51
approach
01:58:54
You can donate for training
01:58:57
these materials
01:58:59
Natalya says I wrote with acrylic
01:59:02
artistic 300 rubles per tube
01:59:05
on a large canvas the consumption is normal
01:59:08
switched to construction acrylic difference
01:59:10
I don't see much
01:59:14
the main thing is to buy a normal base paint
01:59:17
I tikkurila use a white base and
01:59:20
transparent
01:59:24
[music]
01:59:34
let's dress it up a little more now
01:59:37
so that she can give us this tree too
01:59:42
gave
01:59:44
some atmosphere
01:59:57
I throw away my gray hair and live there too
02:00:00
purple together sienna
02:00:10
just a little bit here
02:00:40
modeled the shape
02:00:52
so here it is necessary
02:00:56
give in a speck like this
02:01:00
like this
02:01:05
such a speck
02:01:09
so that we can grab this spot and
02:01:15
show off our elegant beauty
02:01:33
before painting a quality picture
02:01:36
which can be donated and sold at
02:01:38
I use a lot of good canvas and paints
02:01:41
trained and wrote on primed
02:01:43
erased the cardboard again and wrote again
02:01:51
training is our everything
02:01:55
invaluable experience
02:02:02
so really figure out the mistakes and already
02:02:05
there is no experience
02:02:20
pink
02:02:23
a little purple
02:02:34
Alena writes that I generally like her
02:02:36
Russian materials and paints and brushes and
02:02:38
canvases from some companies I understood one thing
02:02:41
You can’t buy Russian paper for
02:02:44
watercolors it is in no way in any way
02:02:47
there is no comparison with the imported one
02:02:51
paper we have lousy paper
02:02:54
That's for sure
02:03:03
amazing you write with 1 brush
02:03:06
There are about ten brushes
02:03:07
involved given to everyone every
02:03:10
it works in its own way and the tonearms seem to have changed
02:03:14
some kind of well, I have a minor A and
02:03:16
these are the guys who do defocusing
02:03:21
this is 16 14
02:03:34
here a little bit
02:03:37
we break
02:03:42
ours writes a cool story I want
02:03:45
repeat and here you will have the opportunity
02:03:47
I advise this not from this reference
02:03:51
write and my paintings are ready because
02:03:53
that I'm already here
02:03:56
conveyed color and
02:04:00
there will be something summarized somewhere
02:04:06
so that you don't get confused and end up
02:04:17
pink
02:04:20
clean
02:04:32
here near the Christmas tree ultramarine
02:04:36
works
02:04:38
with purple
02:04:45
took a bit too much
02:04:47
let's sort it out
02:04:54
that is, cold and
02:04:56
in a warm place or
02:05:13
this color is a little bit possible
02:05:16
give a little here somewhere
02:05:20
balance
02:05:23
Let's imagine that there are also some
02:05:29
some light strikes
02:05:43
So
02:05:44
So
02:05:50
Sometimes
02:05:52
any stain is solved here
02:05:56
somewhere here sometimes an artist
02:05:59
put some spot and
02:06:03
work once immediately
02:06:07
got ready
02:06:27
so this yellow one is mixed up, not needed here
02:06:32
It's cold here, now I just want
02:06:35
show these roofs they are in the distance
02:06:38
plan they are cold down key key
02:06:41
they can be solved through Turkish potions and
02:06:50
through in c
02:06:58
and this is the roof
02:07:01
we have her
02:07:04
ruin
02:07:11
I bought a lot of brushes and tried them in
02:07:14
in the end, just a few favorites, 2 of them
02:07:17
very cheap and there are construction stores
02:07:20
expensive but somehow didn’t catch on
02:07:22
people, well, you
02:07:26
so if this is also such a changeable thing
02:07:32
some people get enough sleep, so you take it and don’t
02:07:35
when you start working it just crumbles
02:07:38
somehow it’s just starting to crumble before our eyes
02:07:55
so the material is of course material
02:07:57
material discord
02:08:10
let's compact it a little
02:08:19
yes but Christmas tree Christmas tree
02:08:30
took squirrel for now without
02:08:34
without any blinking without lights
02:08:41
dress up with a snowball
02:08:44
violet ultramarine white
02:08:49
a little pink
02:08:59
like this
02:09:01
on what to model and
02:09:07
closer to the source
02:09:10
it's getting warmer and
02:09:13
and the snow is even getting warmer
02:09:37
V
02:09:41
So
02:09:55
a little bit
02:09:57
let's give it a chill
02:10:04
you write, you write, you feel something is wrong
02:10:07
something is missing, apparently with experience
02:10:10
knowledge comes of what exactly is not
02:10:12
grabs some stroke puts everything on
02:10:15
their places yes yes I’m talking about the smear too
02:10:18
that's what I meant
02:10:20
that sometimes it’s some kind of stroke
02:10:24
put together and
02:10:27
gives and
02:10:30
gives character to the picture
02:10:40
include with twigs
02:11:08
and here it is, little by little
02:11:11
pull it out and
02:11:13
creating
02:11:15
modeling and again this one
02:11:18
create some kind of picture like this
02:11:21
let's set the tree because she
02:11:24
will also ask us right away
02:11:29
composition general
02:11:32
photo purple in purple it's very
02:11:37
such
02:11:38
colors that work at a distance do not
02:11:42
you can often visit me
02:11:44
see them at work
02:11:48
in general, many skinny people choose for themselves
02:11:51
some
02:11:52
certain colors palette and
02:11:56
sometimes I even advise you not to chase
02:12:01
some artist and elect him
02:12:04
colors maybe you will have these colors
02:12:06
his
02:12:19
it's all individuality
02:12:22
it was his entire inner world that was even included
02:12:26
trees
02:12:36
so far this is how clumsy I am
02:12:41
somewhere with a pink tint
02:13:00
but that's all we are now
02:13:02
we'll give it a little more snow
02:13:25
so here I don’t really want to
02:13:27
just show it a little
02:13:29
strongly
02:13:43
And
02:13:45
here and there
02:13:48
Can
02:13:50
add some snow
02:14:15
small brush
02:14:17
round synthetic
02:14:21
you can always use these
02:14:24
there might be some clumsy ones somewhere
02:14:28
awkward branches you can always
02:14:29
enrich
02:14:39
now so you don't lose it all
02:14:43
so that I don't lose it now
02:14:46
I'll show you quickly because I don't
02:14:49
I'll even get to this point like this, here's a brush
02:14:52
put and
02:14:57
no we pull it out
02:15:07
We also observe spring and remember plastic surgery
02:15:10
how our tree behaves
02:15:25
very interesting but complex plot
02:15:28
there are many small details, we will have time to detail them
02:15:31
and we won’t detail it, why do we need it?
02:15:33
I need to show you the details today
02:15:34
What is your relationship and approximately?
02:15:38
sequence work detailing
02:15:40
After you
02:15:42
anyway you won't do my detailing
02:15:45
but it's not that I'm so cool yeah
02:15:48
she is yours and I always
02:15:52
but I always write that there’s no need to chase
02:15:56
for this detailing is at an entry level
02:16:01
you grasp and the character you grasp
02:16:06
in this state
02:16:11
this is what I often do, yes this
02:16:15
maybe somewhere minimal
02:16:17
tree detail
02:16:20
that is, this would be enrichment
02:16:37
look somewhere
02:16:39
they are not needed
02:16:42
somewhere they are simply not needed
02:16:51
it shouldn't take away from the audience
02:16:54
tree
02:16:55
let her be like a
02:17:00
as something complementary they will be basic
02:17:09
for example this is this and this is this
02:17:11
basic yeah basic I'm going
02:17:15
this tent is in the foreground
02:17:20
can be registered
02:17:29
nude trees pee without training
02:17:32
It’s difficult, it takes a long time to tinker
02:17:35
the trees turned out realistic
02:17:37
special hand movement hand
02:17:41
necessary
02:17:54
because
02:18:06
Andrey is the best who writes there: I didn’t like it
02:18:09
how I made the brush, take a flat one
02:18:12
brush and thin wire
02:18:16
or thread and decide about the brush
02:18:19
throw a tassel on the bun and one
02:18:22
turn onto the brush shaft and so on 5 times
02:18:26
This brush is good for painting foliage and
02:18:29
firewood is great and especially
02:18:31
if you are writing some autumn
02:18:35
landscape these are just lying leaves
02:18:38
there are 5-6 pieces right away, but you need a model
02:18:41
Ravana a little
02:18:42
It's not thoughtless to do this, but this brush
02:18:45
Of course it’s gorgeous, I understand what I’m talking about
02:18:57
I took some cookies and now it’s over
02:19:00
another
02:19:03
completely different concorde
02:19:06
already in a different character
02:19:30
you know the man saw
02:19:32
Here
02:19:34
it's a little bit
02:19:36
so what is this
02:19:41
cut it off a little bit
02:19:52
that's how much money
02:19:56
You can also clarify endlessly if
02:19:59
form a
02:20:01
broke down
02:20:06
it can always be fixed
02:20:15
yes, complex plot but very interesting
02:20:19
you are very interesting on such subjects
02:20:22
learn a lot
02:20:25
the more difficult
02:20:27
the more knowledge
02:20:49
do these plump minutes too
02:20:56
pulse purple brown here and now
02:20:59
it worked and
02:21:04
write I also made a similar brush
02:21:07
only not with wire but with an elastic band
02:21:10
excuses
02:21:15
before such a brush of course a makeup artist
02:21:19
it would be nice to have
02:21:29
look here, it’s a sacred tree
02:21:32
can be written through sienna
02:21:40
good composition, interesting, uncluttered
02:21:43
Christmas story Ekaterina Plekhanova
02:21:46
Thank you
02:21:48
this picture is interesting and reference
02:21:52
let's see what
02:21:54
what is not in the picture in the end
02:22:16
kill the job worked with the Christmas tree broads on
02:22:19
tree switched yo normal
02:22:39
so we continue to dress up
02:22:48
so pink all summer you and
02:23:01
even somewhere black with sienna
02:23:11
black sienna he gives so deaf
02:23:14
dull color green
02:23:17
The shade looks interesting, try it
02:23:21
I've never used black before
02:23:24
then I realized that
02:23:27
in some moments it is simply necessary
02:23:30
Of course, it’s another matter to assemble it, well
02:23:33
for example Leningradskaya natural
02:23:41
ibra
02:23:43
Leningradskaya
02:23:46
it's almost like something but it's an alternative
02:23:48
black
02:24:00
I think for minutes
02:24:02
30-40 a
02:24:05
no tower
02:24:07
We'll see
02:24:13
like this
02:24:29
something is starting to show up
02:24:34
some kind
02:24:36
herringbone looming
02:24:43
upper
02:24:45
the top of the head always looks up and
02:24:50
the lower is the middle and lower
02:24:56
goes down
02:25:19
This is how Andrey writes to me, too, black
02:25:21
I like the paint but only in mixtures
02:25:23
only media yes no no no way
02:25:26
do not use
02:25:27
in its purest form it is just dirt
02:25:33
but works great in mixtures
02:25:36
especially Mars black or something
02:25:39
burnt bone
02:25:46
I don’t use gas soot, but that’s it
02:25:50
there are guys who made friends with this
02:25:52
paint so I can’t help you here
02:25:56
advise against using carbon black
02:26:00
if she is for you
02:26:03
Well, if she responds at work
02:26:05
Please
02:26:11
[music]
02:26:18
it says I use indigo
02:26:23
but indigo is a cool shade of blue
02:26:27
Well, yes, if we take it, let’s say what kind of
02:26:30
tynde guy there
02:26:32
mix brown here's black for you
02:26:38
I still want this bottom part
02:26:41
under greenhouses
02:26:46
warm up you guys know yours
02:26:50
this look from the outside is very important to me
02:26:52
because I don't have the opportunity to leave
02:26:55
And
02:26:57
here's where they suggested a vegetable garden
02:27:00
the bottom of the tree should be warmer I 1 time
02:27:03
reacted
02:27:09
well of course within reason now
02:27:13
In general, we’ll break everyone’s picture
02:27:15
I think I understand my taste
02:27:19
some moments are just mistakes
02:27:23
I'm all for it
02:27:25
talked
02:27:30
let's make it a little wider at the base
02:27:37
sienna
02:27:39
violet
02:27:57
So
02:28:03
Well, of course I still can’t, but
02:28:07
maybe I'm not old enough for it yet
02:28:10
understand when
02:28:12
a picture is painted in an hour, that's what it is
02:28:15
or is there a plot of some simple neighbor
02:28:20
or
02:28:22
the artist is already so
02:28:25
can do this in about an hour
02:28:30
can create something like this
02:28:34
I've seen this somewhere before, it's not the melody they write...
02:28:37
picture for often this is all advertising
02:28:39
move so you paint a picture together with
02:28:42
It takes me an hour to cut an apple to an apple
02:28:45
per hour per
02:28:48
but there is no way anyone is there
02:28:51
spokes in the wheels and put on
02:28:57
I want to somehow communicate with the canvas
02:29:00
then sit creeping
02:29:03
hour, hour, I don’t know what this is possible
02:29:09
So
02:29:14
Well, either there may be some tricks
02:29:16
used, I know there are some
02:29:19
big brush tricks
02:29:22
waved them right away or Olya asked which
02:29:30
uses a lot of helpers there
02:29:33
materials that help
02:29:36
in writing well used because he
02:29:40
this artist is no longer with us
02:29:43
better world
02:29:48
here's a Christmas tree
02:29:51
a little more Andrey writes the Christmas tree on
02:29:54
the reference is too bright for my liking, yeah
02:29:57
there she is a little exaggerated somehow but
02:30:00
the burning ones were not decorated with lights because
02:30:03
it glows there and even I don’t have it
02:30:06
it's still glowing while it's the same light
02:30:09
gives another reflex, these scattering in
02:30:13
light so to speak
02:30:17
so wait, get ready
02:30:21
patience now we will press the south and so that
02:30:24
the light came on or the color we need
02:30:29
put something dark
02:30:32
so that there is a base of something to grab for
02:30:34
I thought now you’ll say the Christmas tree should burn
02:30:37
shout
02:30:39
let's Artem in this humorous topic how
02:30:42
let's move yin-yang good evening good evening
02:30:45
good evening
02:30:48
Vladimir writes the same motive
02:30:50
draws hundreds of times that's why the result
02:30:52
that's probably why it's so fast, but yeah
02:30:55
may be
02:30:58
May be
02:31:04
and Ekaterina writes that in an hour it’s you
02:31:07
should have said in 40 minutes that
02:31:09
the picture is finished and you would be believed
02:31:15
40 minutes ago 40 minutes ago you said
02:31:18
yes the suggestion will work then all this is all
02:31:21
this is the level here
02:31:26
Alena writes, by the way, we discussed this
02:31:29
on previous broadcasts I heard that soot
02:31:33
gas paint is very dangerous
02:31:35
later I have to get out
02:31:38
Mars is black, warm, but I hardly notice it
02:31:41
I use and use swords and gray
02:31:44
Payne and indigo umber, well, this one
02:31:48
good too, so complex black
02:31:50
it turns out
02:31:54
Yes, in its pure form it is not necessary, of course, and
02:31:57
In general, any paint is not needed in a clean
02:31:59
if only there
02:32:01
just work on some accents yes
02:32:04
maybe there's a little yellow one there?
02:32:07
I don’t recommend lighting before lighting at all
02:32:13
work on clean ones
02:32:26
So I took a round brush and
02:32:30
condition
02:32:31
has changed
02:32:34
applying mask
02:32:39
such a combination is already starting
02:32:42
painting somewhere rough somewhere
02:32:44
registered and this
02:32:47
this is just for us
02:32:51
gives this one, what a picturesque
02:33:06
So
02:33:10
You can’t get these anywhere on the counter
02:33:15
take me somewhere
02:33:20
highlight
02:33:22
roof
02:33:25
the further we go
02:33:28
all unfocused
02:33:33
an interesting magical theme was chosen in
02:33:36
New Year's Eve is beautiful
02:33:38
it worked because thank you we tried
02:33:44
exactly
02:33:47
Christmas Eve
02:33:50
by the way
02:33:53
Friday is Christmas Eve but if you take it
02:33:57
Catholic is cruel
02:34:10
the light sets this bottom on fire
02:34:15
domes a
02:34:22
in the middle
02:34:25
middle
02:34:28
that's the story
02:34:36
yes, it’s a round brush after all
02:34:40
she is more modeled and flax works
02:34:46
edge of the tent and foundation foundation
02:34:49
the oval is gone
02:34:51
the roundness until it disappeared I can see clearly
02:34:55
see see
02:34:59
Well, thank you
02:35:15
So
02:35:22
like this from bed
02:35:26
have we rounded it a little and
02:35:32
so that it appears you can cut it off
02:35:35
All
02:35:36
color
02:35:42
like a linear perspective
02:35:45
designating
02:35:56
how is it Artem shift and maybe too
02:35:59
tell me too
02:36:01
a little bit and make it round, I see
02:36:05
right here a little bit and go up to
02:36:08
[music]
02:36:17
I want to keep perspective and when
02:36:23
fight this
02:36:25
region yes yes
02:36:42
but that's not the case
02:36:48
this is not a tent on a carousel and so is Rus'
02:36:51
this is what I call a simple tent yes it is
02:36:54
carousel as understood that the carousel is there
02:36:57
all the action happens dynamically
02:37:00
that is, she is wound up and how a little
02:37:02
blurry
02:37:05
look there he is
02:37:08
these horses
02:37:12
recommend people to put and then
02:37:14
the roundness will hide
02:37:19
there are just these two people and I also
02:37:22
you know what the idiots here need to do here
02:37:25
here you need to cut it cold
02:37:29
like this
02:37:39
especially when we write something and
02:37:42
some kind of geometry zma
02:37:44
there may be errors at this stage
02:37:51
cut the path at the left edge
02:37:58
here
02:38:08
So
02:38:11
the joke was written because of a crime
02:38:13
negligence of museum workers picture
02:38:15
Malevich's black square hung in
02:38:18
upside down
02:38:20
let's not let it end
02:38:23
this is negligence
02:38:31
little brother ostrich of course
02:38:36
friends don't forget that we are watching
02:38:38
picture from an inclined camera on our
02:38:41
the screen proportions are a little off
02:38:43
perspective yes yes yes yes this is also necessary
02:38:46
take into account stood now just a little bit
02:38:49
I'm leaving
02:38:51
well I'm not leaving
02:38:53
moving away until
02:39:10
so-so-so people put it, come on
02:39:13
we'll deliver
02:39:16
let's find out who this lady is
02:39:19
people fall
02:39:24
brown siena
02:39:34
but we will not record this photographic portrait
02:39:38
we can her and and
02:39:40
change
02:39:42
I don't think she'll be offended
02:39:54
because this is not Vianna here at all
02:39:57
we see from here
02:40:00
So my little guy got his, let him
02:40:03
costs
02:40:25
there is a child nearby yes
02:40:30
let's get this guy through
02:40:33
cool shade
02:41:04
our young ladies didn’t make such a head or
02:41:08
already a man
02:41:28
the kid can be illuminated a little
02:41:32
I mean you understand illuminate
02:41:37
because here he is cold, but here from and
02:41:42
heat can work on it and
02:41:44
chill with work
02:41:53
like this now
02:41:54
now a little bit of it
02:42:08
it turned out to be an octopus
02:42:10
we'll remove it
02:42:14
[music]
02:42:31
a little bit
02:42:33
let's cut it off
02:42:52
some figures have formed before us
02:42:55
let them stay
02:42:59
a little clearer
02:43:02
these kids
02:43:22
that is, there is no need to write out notes here
02:43:26
approx figures figures
02:43:30
the main thing is to show this illusion of what is there
02:43:35
movement there life
02:43:42
Well, let's highlight it all correctly
02:43:47
light
02:43:58
what kind of solvent do you have?
02:44:02
White Spirit
02:44:03
With butter
02:44:20
ck
02:44:50
that is, now I’m also creating
02:44:51
some kind of set
02:44:53
And
02:44:58
trying in all its diversity not
02:44:59
get confused
02:45:07
leaving leaving at the same time
02:45:10
some kind of picturesqueness, after all, everything is possible
02:45:13
rub out
02:45:15
is it possible to do all this?
02:45:20
write out
02:45:22
so why then do we paint?
02:45:26
we can admire the photographs too
02:45:44
So
02:45:52
you can show the snowflakes later
02:45:54
detailing then and reduced throws because
02:45:57
What
02:46:05
I want a little more here
02:46:08
turn up the light
02:46:12
in the background
02:46:15
like this a little bit up
02:46:19
introducing
02:46:22
accent
02:46:31
Let's quickly light the Christmas tree now
02:46:36
let's put up a Christmas tree
02:46:49
such blows through
02:46:52
yellow Red
02:46:53
mix and one by one
02:47:06
Natalia found what kind of place this is
02:47:09
traditional fair held
02:47:11
in the city
02:47:12
colmar in france france after all yes
02:47:17
This
02:47:20
today we just made bets on what it is
02:47:23
check-in
02:47:36
but look
02:47:38
keep a certain rhythm
02:47:41
when you bet
02:47:43
these are these
02:47:46
no matter what the stars are in the sky or
02:47:50
light some lights with rhythm
02:47:53
must be present
02:47:56
that is, don't do it
02:47:59
monotony
02:48:03
alternate 1 at the top another at the bottom as you do
02:48:06
That
02:48:08
accustom yourself
02:48:11
2017 Christmas market in
02:48:15
Colmar was recognized as the most beautiful in
02:48:19
France that's where we find ourselves
02:48:22
famous I’ll write this in general who from
02:48:26
France
02:48:28
don't want your attraction
02:48:31
buy yours
02:48:36
look at the top of your head, you can do it at all
02:48:39
light up
02:48:42
whitewashed right there
02:48:49
and whitewash will work well
02:49:07
Sagittarius also writes like a joke
02:49:11
a passerby approached the artist and looked and
02:49:14
says you're a little green here, here you go
02:49:17
red here and blue here
02:49:20
the artist made the viewer say something
02:49:23
you brother can't train
02:49:27
you often hear enough the viewer not how is it
02:49:30
actually familiar
02:49:34
besides, it’s not always necessary
02:49:36
listen to the advice
02:49:39
no no well when they are constructive
02:49:41
when people figure it out, I see that
02:49:44
if people understand they
02:49:47
correctly they give, for example, an oval shape here
02:49:50
this is all this is all in the cash register for me
02:49:56
look at the accents there
02:50:00
Sveta
02:50:02
A
02:50:04
We already have ten minutes left and
02:50:07
will be three hours normal three hours from not
02:50:10
4 developments need to logis legends of chima logic
02:50:14
frantic it all
02:50:17
no, that's how we do it
02:50:21
pretty much already decided here we decided I
02:50:25
I have a task to do
02:50:27
look here
02:50:30
this cathedral
02:50:33
let's give it a little too
02:50:36
let's detail
02:50:54
Vladimir writes it’s a pity it’s not allowed here
02:50:56
show photos of this story in almost every
02:50:59
city ​​in Germany one to one yes
02:51:13
in the background is me and the film tower
02:51:28
A
02:51:29
Christmas Eve is not an Orthodox holiday
02:51:32
typing a non-Orthodox holiday
02:51:36
Well, he won’t be here on Friday
02:51:38
Orthodox holiday
02:51:55
we are international
02:52:07
so so so here
02:52:21
you can actually do it however you want
02:52:23
you can call it
02:52:25
they call some kind of fair festivities
02:52:27
Can
02:52:29
Christmas night how are you this dog
02:52:31
only action fair
02:52:33
Christmas market of course
02:52:36
it doesn't need to be tied to the name
02:52:53
So
02:52:55
the dome worked, it seemed to work, and
02:52:59
dome made of bags
02:53:03
carousel not Tarasenko
02:53:08
so you tower
02:53:23
this far one can be
02:53:25
solve through pink shades
02:53:30
let it be illuminated there too somehow
02:53:34
Interesting
02:53:39
Nikolay writes I don’t want to be annoying but
02:53:42
carousel perspective looking up they
02:53:46
go to one third
02:53:51
up
02:53:52
so well, it’s necessary to move away already, that means
02:53:57
wait maybe it's here
02:54:00
cut off here
02:54:03
cut these pieces off
02:54:07
on the roof, yes if you cut a little to the right
02:54:10
but these are delta slices
02:54:14
yes you are the one
02:54:29
at
02:54:31
you look like a frame in the picture
02:54:34
from above
02:54:36
to the reference, as if from below, a little bit
02:54:41
there are less roofs shown
02:54:44
so yes yes yes
02:54:48
yes yes yes you can have a little bit of it here
02:54:56
here you can know how to do it
02:54:58
take her away altogether
02:55:02
something like this
02:55:17
here we are with you
02:55:19
let’s clarify, although if with a reference
02:55:22
compare yes, but Nikolai clarifies that
02:55:25
no foundations edge a
02:55:32
do not join up to the foundation and edge
02:55:43
although in my opinion the roof should be corrected and
02:55:45
it will be like
02:55:49
just a little bit, I'm talking as if
02:55:52
you if not directly equal to
02:55:54
reference you also have a place to be
02:55:57
that is, a little from above the frame
02:56:03
so I'll go and have a look
02:56:14
they already write that this is not a copy
02:56:16
nitpick but it's not really
02:56:18
a copy of course it's not a copy it's just not that
02:56:22
there is a prospect, we must respect it, but
02:56:25
she can stand with us for a little while
02:56:28
forward and then already
02:56:30
there will be a prospect
02:56:32
such a no-brainer and here it’s shown on
02:56:41
here's this part a little bit
02:56:44
Here we have our first spam and here she is
02:56:48
here she is, here she is
02:56:51
you need to raise the water a little
02:57:01
Here
02:57:11
what are they spamming?
02:57:12
dating chat
02:57:15
embellishment
02:57:16
adults for adults river 1
02:57:20
[music]
02:57:25
Sagittarius writes the bottom edge of the roof
02:57:27
remove rounding
02:57:30
exactly, yes, that’s what we had
02:57:32
exactly someone told me rounding
02:57:34
I'm wrapping up
02:57:47
Yes, we will ban such people now
02:57:50
Bye
02:57:52
no possibility yet
02:57:55
well, don't pay attention just a little
02:57:58
advertises
02:58:03
Well, that’s it, really, we’re not
02:58:07
kids let's get acquainted let's get acquainted
02:58:10
just
02:58:12
so that you unite as if to a sign
02:58:16
such get to know each other in chat
02:58:22
I think you could clarify, it looks like yes, of course
02:58:26
I’ll clarify, of course, I’m screwing up, I need it
02:58:29
I just might not see it now
02:58:31
this is necessary to move away from walking and looking
02:58:33
be more careful now yes
02:58:36
this is it
02:58:38
they continue to do something there, in my opinion
02:58:41
I was working on the Christmas tree and now I’m still a little bit
02:58:44
I'll take these moments
02:58:47
since I got here
02:59:02
do yoga I have to go home
02:59:06
tell me not just can I mess around now
02:59:09
and I don’t update no, it’s you exactly if
02:59:13
you are on my channel, what are the details?
02:59:15
I won't bother too much
02:59:19
because it really is possible
02:59:21
dig in
02:59:23
get lost
02:59:26
Alena writes this spammer is very tenacious I am
02:59:29
I understood him on other channels but that’s all
02:59:32
anyway it turns out it’s all robots being made
02:59:36
automatically
02:59:42
before
02:59:44
the middle is illuminated
03:00:02
as Artyom said, something was going on with the Christmas tree
03:00:05
we're all going south
03:00:11
you can put these little spots like this
03:00:13
then Bilyalov will give accents
03:00:16
the light itself
03:00:19
the middle of the light bulb
03:00:26
you said part 1 part 2 part 3 part 2 but
03:00:30
hour three part is gone
03:00:32
It's 4 o'clock now, it's probably already started
03:00:35
the fourth part should
03:00:38
you give it to me on schedule
03:00:50
why the thing and fatigue and nothing
03:00:52
you feel
03:00:54
no one can fly together
03:00:56
now like in meditation in general yes yes yes
03:00:59
I
03:01:01
I don't feel any fatigue at all
03:01:20
there it is a little complicated and the trees I
03:01:22
I want it a little bit
03:01:25
change
03:01:36
we were reminded once again what we need
03:01:37
meet
03:01:39
live this power
03:01:56
look here there is a snowflake
03:02:15
Gennady Afanasiev writes awkwardly
03:02:17
It’s an amateur to interfere, but in my opinion it’s necessary
03:02:21
extinguish the picture and add bright colors
03:02:24
bring to Front
03:02:26
it is necessary to come to the fore
03:02:28
add and for this you don’t have to dry it
03:02:34
this is exactly what you will be doing already
03:02:36
detail and correctly no I now
03:02:39
make vodka
03:02:42
Here
03:02:44
such accents were not enough
03:02:48
but guys, of course, I’m already emphasizing yes
03:02:53
later
03:03:04
this is a shadow, a shadow from the roof
03:03:20
Galina writes easier than anyone, I don’t know maybe
03:03:23
this is from the outside but the small spiers are closer
03:03:27
back to main
03:03:28
although to be honest it will be all the same later
03:03:32
everything will get better
03:03:36
what
03:03:39
you say no tiredness you don't have me for
03:03:43
for this buried buried from you maybe
03:03:47
some of my kids were drinking something with him there
03:03:49
it happened, you can fix it later
03:03:51
once you go you already noticed it now
03:03:55
etude
03:03:56
this is showing how
03:04:00
again, something is needed out of this chaos
03:04:04
it’s more or less understandable to do something like this
03:04:08
Tatyana Subobina write a lot here
03:04:11
details can be finalized for days, no, well
03:04:14
don't need it for days it will disappear it will disappear
03:04:18
magic a
03:04:21
there's a guy on a bike
03:04:23
some crazy guy has arrived, look I'm not him
03:04:25
noticed
03:04:27
let's get this muscle he has a bike trail
03:04:31
will leave here
03:04:32
let's put it on it's a bike it's
03:04:35
it's a fair, everything can happen here
03:04:44
the barrel itself is behind the bicycle, but in general
03:04:47
I watch it too, I want it very conditionally
03:04:51
show
03:04:52
without any extra here strong
03:04:54
perspective
03:04:56
2
03:05:02
Andrey is the best asked in Volgograd
03:05:03
beautiful city andrey come
03:05:06
Volgograd you will see
03:05:08
it's great, sometimes the grass is green
03:05:11
Yes Yes Yes
03:05:16
sometimes grass sometimes
03:05:18
So I woke up yesterday you Artem told
03:05:22
And
03:05:23
I look out the window and there’s grass there
03:05:27
will start to spike
03:05:28
green still not waking up and the grass in
03:05:32
shocked because the snow fell
03:05:53
so this is very much more than conditional, but let it be
03:05:57
will
03:06:04
Gennady Afanasiev asks the master with
03:06:08
the bed you tied can resume and
03:06:11
Master Class
03:06:12
out of bed
03:06:18
master untied save are you sleeping
03:06:21
at all
03:06:23
yes yes it is possible
03:06:27
Maybe
03:06:30
lessons will appear
03:06:42
but this
03:06:44
according to my mood
03:06:46
If I want
03:06:49
there will definitely be a lesson
03:06:58
I generally think it’s creativity, but if
03:07:01
human life is present it must
03:07:03
be
03:07:05
no this is not
03:07:09
to make yourself
03:07:12
if you want today we write in oil
03:07:16
oil tomorrow pastel
03:07:19
take the shepherd, that is, do not be a hostage
03:07:23
any one material
03:07:43
Sagittarius x writes you are hot in the summer though
03:07:46
last summer and here in Saratov
03:07:48
the area was very hot
03:07:51
but our air is very dry
03:07:59
It's hot and it's so dry
03:08:03
sometimes overcooks right in Saratov
03:08:07
I don't think I'm hot either hot summer
03:08:10
I can't now nismo
03:08:13
it's snowing in Chelyabinsk there were flights
03:08:17
canceled bu mass 990 snow fell but
03:08:21
it won't be for long next week again + 8
03:08:24
+ 10
03:08:31
Volgograd was a very beautiful city
03:08:33
him in adolescence 2 times at home
03:08:37
Pavlova that they demolished
03:08:38
he left you with a lasting impression
03:08:41
and of course Mamaev Kurgan Pavlov's house is there
03:08:44
a piece left of the mill with us
03:08:45
unfortunately falls apart and disappeared there
03:08:49
it's being restored, but of course it's already
03:08:55
is falling apart right before our eyes
03:09:07
this is the roof
03:09:16
Same
03:09:18
let's tweak it a little bit
03:09:32
warm day
03:09:54
so accents a little bit
03:09:58
let's go out slowly finishing
03:10:25
all the detailing, small details too
03:10:28
for 4 to 5 seats
03:11:01
So
03:11:29
Of course it’s worth leaving now and that’s all I have
03:11:33
I'll see
03:11:51
Sagittarius writes by the tent, that is
03:11:53
carousel
03:11:56
let's put this torch in the left one
03:11:59
raise the bottom edge a little but that too
03:12:02
again maybe because of the perspective
03:12:04
seem yes yes I think you're the best
03:12:08
you'll do it later, but now the left edge is at least
03:12:11
a drop under them from the side is more visible than the rena
03:12:15
it's clearer from the outside
03:12:19
that's it, Sagittarius Alexander
03:12:24
enough
03:12:26
give more
03:12:48
I mentioned the cityscape here
03:12:52
speed if we can't use dice carousels
03:12:54
figure out I can’t see I mean it’s still well
03:12:57
I forgot, I forgot, of course it’s necessary
03:12:59
train
03:13:00
linear perspective needs to be trained
03:13:03
especially in urban areas
03:13:06
motives
03:13:22
It’s better to step back and look at it, of course already
03:13:26
after now when we finish what will I do
03:13:29
Yes, and you’ll probably fix it when you’re close
03:13:34
very much yes, you are also sitting in front of the painting
03:13:37
you no longer feel all these lines before
03:13:40
which prospects need
03:13:53
but she's a complete mess, I'll go away
03:13:57
I'll go have a look I need to see
03:14:03
[music]
03:14:06
but everything is clear
03:14:16
Dagny left must be taken to the right and
03:14:18
let down
03:14:23
obviously
03:14:24
the roof of the tent in the photo is almost
03:14:27
horizontally on the roof of the atra here in general
03:14:30
nothing to do with the bottom right, this is what you need
03:14:32
omit a
03:14:36
this thing needs to be omitted
03:14:39
this is how I will do it for now
03:14:48
I'll take you away
03:14:58
like this
03:15:01
I lifted her up there with 7 to be considered
03:15:05
like at some point
03:15:15
don't write to the country anymore
03:15:19
it's me Natalya writes glow I would like to add
03:15:25
nationally to the big picture a x a
03:15:30
what are we doing here
03:15:35
Christmas tree mode and now
03:15:37
glow to glow on the Christmas tree
03:15:40
make it like this a little bit
03:15:45
the light should be defocused here
03:15:49
I understand that it’s unlikely that they’re landscapes
03:15:52
I'll take it and look for it
03:15:54
a little off my topic
03:16:09
so here it is
03:16:11
No need
03:16:18
cut off a little cut off a little
03:16:20
you can see with what light
03:16:25
pink and
03:16:27
Turkish greens
03:16:30
put a drop of warm
03:16:34
maybe some kind of light worked there too
03:16:37
in the background
03:17:15
wow, what a tyrant I am, not a good color
03:17:22
we'll clean it up now
03:17:25
we'll clean you up
03:17:43
around you can
03:17:45
warm shades like these
03:17:48
toss
03:17:54
as if it will be illuminated a little
03:17:58
these turrets will be slightly illuminated
03:18:15
Natalie writes very beautifully it turned out
03:18:18
your topic
03:18:20
you say this is not my topic
03:18:23
but that's me, that's just when it starts to take a long time
03:18:26
messing around in some me and I think it's
03:18:28
this shouldn't happen, it should be written on
03:18:31
in one breath
03:18:34
I call my topic when it's all in
03:18:37
goes on some flight
03:18:40
then yes then this is my topic my topic is
03:18:44
fox my topic is some kind of swamp
03:18:47
we are my topic, this is what you really teach
03:18:52
Something like this
03:18:54
forest a
03:19:00
this is how diversity can be taken for
03:19:04
in order not to get bored
03:19:09
Well, for you, perhaps you will choose for
03:19:13
myself
03:19:14
this is the topic
03:19:20
Galina asks me easier than anyone
03:19:22
Question: Do you sell varnished paintings?
03:19:25
or this stone is missing and I’m covering for the old lady
03:19:30
the block must be covered through
03:19:32
long time
03:19:35
in at least half a year it will be
03:19:43
Sagittarius writes today at his work
03:19:45
oil the whole sky practically with your finger
03:19:49
I drew this, let's say yes of course of course
03:19:53
Alexander this is a normal move
03:19:57
there is a cloud feature there
03:20:00
more than allowed
03:20:18
feeling Artem in time
03:20:23
three hours and twenty minutes
03:20:29
leaving completion
03:20:36
Let's throw a couple more kids here
03:20:56
Gennady Afanasiev writes I have it
03:20:58
familiar artists who are not only
03:21:00
finger drawing
03:21:04
It's clear
03:21:15
Natalia writes that we are very much
03:21:17
subscribers are killed by impulse
03:21:21
but the clues should be food we are like that
03:21:28
from the outside
03:21:30
from the outside if
03:21:33
people understand, they will tell you on the contrary
03:21:35
and it will work but don't focus on one thing
03:21:41
a piece of some attention
03:22:10
never writes I hear heard Kuindzhi
03:22:13
night on the Dnieper wrote 20 years
03:22:16
I’m not 20 years old when you write
03:22:20
it's all about cancer
03:22:25
Ivanov painted his picture all his life
03:22:28
the appearance of Christ to the people
03:22:34
all his life he's probably killed 20 years
03:22:39
exhibited for this picture later and
03:22:43
did not receive due recognition and recognition
03:22:49
very through you can say
03:22:53
for a short time
03:22:55
went to another world
03:22:57
that is, the man finished the picture
03:23:01
I gave my whole life
03:23:04
not everyone said goodbye
03:23:27
like this
03:23:43
let's throw a little snow under
03:23:46
just a little bit
03:23:57
just don’t do this to me like this
03:24:01
brushes on the host are like that
03:24:08
Elena Kritovo about the best time of the evening
03:24:12
I will be happy to watch your creativity
03:24:14
and learn
03:24:15
we just joined
03:24:21
look at this snowball just for us now
03:24:24
will give dynamics
03:24:48
Galina is easier than anyone after watching your videos
03:24:51
helped me with forest snowy landscapes
03:24:54
with writing snow thank you please but
03:25:00
and thank you for coming
03:25:08
here a little illuminated through the yellow
03:25:12
what kind of moment is possible?
03:25:15
night landscapes wrote added
03:25:19
a little but so
03:25:22
quite interesting
03:25:48
Sagittarius writes once upon a time I read a story
03:25:51
about the artist who painted portraits
03:25:54
the people I painted were healed
03:25:57
the artist faded away with each work
03:26:03
a little bit of that is Dorian gray
03:26:06
got a whiff
03:26:09
then you see something like this
03:26:12
magic of art
03:26:24
Tatyana Subobina asks for snow
03:26:26
pure white but no unclean I
03:26:31
here I take it via PC via pink depending
03:26:34
where on what
03:26:36
what lighting is she in
03:26:39
hits if here let's say through
03:26:41
some shades of pink, that is
03:26:43
he passes light through this snowflake and
03:26:48
gives us this interesting shade
03:26:59
but this is still conditional because it is
03:27:01
finalize everything and
03:27:08
but these snowflakes are
03:27:11
add
03:27:13
dynamics
03:27:44
We agreed that you don’t need brushes like this
03:27:46
doing so
03:27:50
respect your creativity
03:27:56
and the rains were raining and they wrote
03:27:58
before the rain is also interesting by the way
03:28:02
it's decided there in its own way
03:28:22
here is where is it wet snow?
03:28:31
so let's quickly
03:28:33
let's go over the accents and
03:28:36
Let's put an end to this, I said the same thing
03:28:39
half an hour ago d'arte
03:28:44
God bless Artemov
03:28:51
when I started probably no I don’t think so
03:28:54
no sign up for this
03:28:58
ok ok well we are developing we are
03:29:01
together somehow
03:29:03
let's go this way
03:29:38
Ekaterina writes, I think I need it after
03:29:41
drying add bright lights where
03:29:45
they are definitely on the map, definitely here
03:29:49
here's the emphasis and let's give it straight
03:29:51
Necessarily
03:29:56
or
03:29:59
catch me I have
03:30:02
palette knife
03:30:05
look everyone don't have a palette knife right here
03:30:07
this and
03:30:09
mixed orange knocked down beaten faces
03:30:19
Galina asks Artem doesn’t write himself
03:30:23
Artem is engaged in graphic design at
03:30:27
computer up to
03:30:28
by the way
03:30:31
tried it
03:30:33
I painted mountains once, but what does it have to do with it all?
03:30:37
it was done on 1 try
03:30:56
guys thanks for the master class received
03:30:59
boost of energy Nikolay to you too
03:31:01
gratitude for being with us, it was necessary to knock down
03:31:03
we received from you
03:31:05
we mutually worked here
03:31:15
thank you for coming
03:31:34
and like this
03:31:38
you can do it all in the same manner
03:31:41
clarify and do
03:31:46
some lighting accents and without
03:31:49
drying out
03:32:26
Here
03:32:36
and that's all friends
03:32:38
that's all
03:32:43
Thank you
03:32:45
for our meeting today that you
03:32:50
visited
03:32:55
inspiration to everyone as always
03:32:59
new discoveries
03:33:02
don't be sick and
03:33:05
let's see you master classes bye
03:33:08
thank you for such a wonderful broadcast
03:33:12
questions
03:33:13
all the best

Description:

Сегодня напишем оживлённую ярмарку Рождественского сочельника Материал: холст на подрамнике, масло, кисти, мастихин Набор красок: белила титановые, английская красная, красная тёмная, кадмий жёлтый светлый, кадмий жёлтый тёмный, охра светлая, марс коричневый, ультрамарин, голубая фц, фиолетовая, розовая, турецкая зелёная, марс чёрный Референс: https://vk.com/album-71413451_195091359?z=photo-71413451_457239087%2Falbum-71413451_195091359 Поддержать канал: 5228 6005 5638 3232 Сбер. Пожертвование: https://www.donationalerts.com/r/chuprinovalexey на материалы для будущих прямых эфиров, на кисти, краски и холсты Ссылка на фотосток, откуда вы можете приобретать качественные референсы на любой вкус https://depositphotos.com/?ref=1018679 Страница вк: https://vk.com/id64551367 Группа вк: https://vk.com/tvorchestvoiiskusstvo Одноклассники: https://ok.ru/ Телеграм: https://t.me/alexeychuprinov Магазин картин Ярмарка Мастеров: https://www.livemaster.ru/alex123next... Связь с художником: email [email protected]

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