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Video tags
Subtitles
Russian
00:00:00
Hello friends, today we00:00:03
will talk about lips,00:00:05
people who just start drawing00:00:07
lips usually make a classic00:00:09
mistake, now we will discuss what it is and00:00:11
discuss how people00:00:14
who have been drawing lips for a very long time deal with it. So, how00:00:16
lips are usually drawn is there. The upper00:00:19
line of the lip is there. The central part is there. the00:00:23
lower part of the lip is the center between00:00:26
this surface, of course this is a very00:00:28
primitive scheme, but in most cases00:00:30
this is exactly the edge of the mucous membrane that00:00:33
is depicted exactly like this, you can do it.00:00:35
A little more carefully you can see00:00:37
some drawings of the lips like this, the00:00:41
surface is drawn here and there And00:00:44
exactly this surface is also drawn,00:00:46
you can do this a little more carefully. But in00:00:48
any case, this is called an00:00:50
ornamental approach and it leads to the00:00:53
fact that the lips will always be flat, they00:00:54
will always be decorative,00:00:57
they will look fake, lifeless, the same thing00:00:59
will happen if you draw lips00:01:01
in profile, that is, usually so00:01:02
a line is drawn here, then00:01:05
reinforcement here, then00:01:08
lines are drawn here in exactly the same way and the next line is drawn. That00:01:10
is, a rather decorative00:01:12
effect of this volume is obtained. Initially, you need to00:01:14
change the system of perception. Gov lips,00:01:17
of course, not an ornament and of course not00:01:19
a color, so the first thing we will start with is00:01:21
to look at how they look from the point of00:01:24
view of a professional artist,00:01:25
friends, we have been recording videos for three years00:01:28
and over these three years we have recorded a whole00:01:31
video course that is dedicated to stage00:01:33
drawing. There is also a course that is00:01:36
dedicated to lecture-based learning of information. The00:01:39
link is in the description, you will find it,00:01:42
go watch it, study it if you need00:01:45
any then you will like the course, you can00:01:46
buy it, we will be very glad to see you00:01:49
they look something like this the upper part of the00:01:52
lip This is what it really is This is a00:01:54
round ball This is a round volumetric shape of the00:01:57
lower lip This part actually00:02:00
consists of two of the same round balls00:02:02
What are the three round ones ball once this is a Circle00:02:05
balls means the lower part of this ball is00:02:07
dark this is the lower part of the ball is also00:02:10
dark the upper part is Light That is, this is a00:02:12
volumetric structure and then you do00:02:14
the following Look if you divide the00:02:17
upper ball exactly in half Then this will be00:02:19
the place where the columnar filter of the00:02:21
mind comes where it is formed this deflection on the00:02:23
lip, which is actually called00:02:25
Cupid's bed, from the point going down you00:02:28
find the end of the column00:02:30
of the philtrum and see the central part of the00:02:32
lip. That is, it is always normalized by00:02:34
this line that goes down, this00:02:37
line that goes down shows00:02:39
us at the point of closure of the upper and lower00:02:42
lips This repetition and then the00:02:44
most interesting thing happens is00:02:46
these two semicircular volumes of the lower lip00:02:49
dictate the shape of the upper curve of the dry00:02:53
mucous membrane, that is, this00:02:54
upper ornament, it always repeats the00:02:57
curvature of these two balls further into00:03:00
this Lower ball, divide into three parts and00:03:03
at level 1 /3 parts of the myths so in half you00:03:06
see how the territory of the closure of the two lips00:03:09
leaves the territory of the ball and00:03:11
turns into a horizontal line,00:03:13
it is here that the arc of the upper lip coming00:03:17
here begins to move away00:03:19
parallel to this volume and ends with a00:03:22
line that runs exactly the same00:03:24
parallel to00:03:26
this bend. That is, it turns out that00:03:29
we see one sphere, we see two spheres and00:03:32
here inside these spherical volumes00:03:34
That is, everything works according to the spherical00:03:37
structure of the00:03:38
lower part, we continue these00:03:41
filter columns, we reach the edge of the lower part of00:03:45
the ball, we draw such a straight plane,00:03:47
this will be the end of our lower lip and00:03:50
in no way In case, we don’t draw such00:03:52
a line, it’s simply prohibited here. It’s00:03:55
not there because the volume that is in00:03:59
this part. It’s so open,00:04:01
semicircular, what’s there is. The color of this00:04:04
skin that’s here does00:04:06
n’t interest us yet. This is the most important00:04:08
point; as a result, we thicken it with tone00:04:13
we reach the upper lip to the edge and00:04:16
tighten the tone with such a trapezoid under the00:04:20
lower lip. This is due to the fact that00:04:23
this round ball that is located here00:04:25
and here is the orbicularis oris muscle. It has00:04:27
this ornamental structure, that00:04:30
is, the lips will be viewed like this00:04:31
as a result of what we did look,00:04:33
when we now draw the lips, we00:04:35
immediately draw the ball of the upper lip, we immediately draw a00:04:39
repetition of this ball, draw a line and go around00:04:43
it with the same sphere, move to the00:04:46
side here and here, immediately holding00:04:50
inside the head that it is a spherical shape, the00:04:52
columns of the Filter give us the lower part of the00:04:55
lip, we put this territory And00:04:57
now we are laying them out right away00:05:00
in a tone, this must be done almost00:05:03
with lightning speed as soon as you have built one00:05:06
and the second volume without trying to draw this00:05:08
line, it is very important that00:05:10
this territory does not become closed, plus00:05:11
what problem have we solved? There is no more straight00:05:14
line that00:05:16
connects us corners with this point we00:05:18
now have this line lower than00:05:21
this point and we get an00:05:22
arc-shaped bracket this is one of the secrets00:05:25
that we always see in the human00:05:27
closure of lips, always the line that we00:05:30
draw here will have a slight arc00:05:33
so by attaching this surface00:05:35
here I am attaching this surface here00:05:38
in the upper part you will always have an00:05:41
arched structure of the upper lip in00:05:44
relation to the arched structure of the00:05:48
Lower lips They all seem to go in an arc,00:05:50
this is one of the important moments00:05:52
of seeing straight lines, so in order for00:05:55
human lips to always be00:05:57
cheerful and turn out correct, you need to00:05:59
remember one more next law,00:06:01
look, this is very interesting So you00:06:03
have drawn an arc, we will simplify it a little,00:06:05
this process is drawing a part,00:06:07
we are drawing a ball, we turned00:06:09
this part here, we went down along the arc,00:06:12
we placed the edge, we already installed the00:06:14
Filterroom columns and you got sad lips,00:06:18
everything seems logical, but what needs to be00:06:20
done draw a straight line in this00:06:23
corner and now you pick up00:06:26
these corners in this direction and you00:06:29
get00:06:30
natural human lips. They are00:06:33
no longer sad, they are not too cheerful.00:06:35
Therefore, in these corners hides the secret of00:06:39
normalization, as if the effect of revealing00:06:42
the form is such a simple system and so now00:06:45
after that as we understand How it00:06:47
works front and we will now try to00:06:49
do the same in three-fourth turn00:06:51
moving to the profile and how it looks00:06:53
look we are still drawing a ball we are00:06:57
still drawing a ball once Now we00:07:00
are drawing another ball here relative to this ball00:07:02
and another ball here is00:07:05
such a round shape. Now here00:07:07
we draw00:07:08
our territory of the column of the filtrum,00:07:12
we go down here and here we see how00:07:14
one ball blocks another ball.00:07:16
Now we draw the arc of the lips00:07:19
that clasped this space,00:07:20
we go out to One third of the lips and put00:07:23
the corners that also obey in this00:07:26
spherical shape we go out to the corners of the00:07:28
lip here from the columns with a filter, remember Yes,00:07:31
and immediately fill the upper and lower00:07:36
lips with tone and now we immediately got an incredible00:07:39
volume. Now we will emphasize this a little,00:07:41
look, the line of the upper lip00:07:44
goes inside this structure. This is how00:07:48
this line goes up here and lies on the00:07:53
surface of the lip once and on the surface of the00:07:55
lip 2 and the secret All in this00:07:58
small corner Here is this line00:08:01
that is in the upper part this is00:08:04
the line of the silhouette that is in the00:08:06
upper part here and here in this00:08:09
part Look what to do we need00:08:11
this one a corner so that this ball00:08:13
overlaps the line that is trying to00:08:16
hide behind it. And these lines came out00:08:18
here now when you see how these00:08:20
lines come out, let's try to do it00:08:23
again, only now without the balls,00:08:24
look, draw a line, once00:08:28
you release the shape from under this line, once00:08:30
you draw it here And this line, you hide a00:08:34
corner behind it, here you put the edge and00:08:38
repeat this movement, bring out00:08:40
the corner and you get space. In00:08:43
all absolutely fast00:08:45
drawing systems, it is precisely this system of00:08:49
seeing the turns of00:08:51
spherical structures that creates00:08:53
normal natural lips. This is one of the00:08:57
secrets that people who00:08:59
draw fast linear lips use. and they00:09:02
always seem voluminous, that is, a00:09:04
line is drawn, a second line is drawn, a turn of00:09:06
the edges, a turn of the next shape, a00:09:09
corner, come out here, that is, all the time, the00:09:12
structures that you knock out should be00:09:15
from the ball from the ball from the next ball00:09:19
through the center line through the corner in you00:09:22
will always get voluminous00:09:25
spatial lips Well, the last thing00:09:27
you need to remember about the lips is rather00:09:29
related to drawing the lips themselves. And with their00:09:32
location, this is also a great topic in general.00:09:35
When you have drawn the nose and when you00:09:38
have drawn the chin, you need to find the00:09:40
correct position of the lips, so this is what it00:09:42
looks like: take the lower part of the nose,00:09:45
take the chin, divide exactly in half00:09:48
exactly in this place the outer one will be00:09:51
now divide this entire upper part00:09:54
into three equal segments and turn the upper part with00:09:58
a filter the00:10:00
second third turn into the upper lip the00:10:03
lower part the last third into the lower00:10:06
lip go down and insert00:10:08
the chin here now shade the edge of the00:10:11
upper lip and shade the edge of the00:10:13
lower lip to the corner and then you00:10:16
will have the correct position of the lips on the00:10:18
surface of the face. If you try to00:10:20
make them lower or make them higher, you00:10:22
will always get an emotional00:10:24
distortion. This is possible when you00:10:25
make some kind of grimaces, but this is00:10:28
rather a change in the emotional portrait.00:10:30
This is different. topic So I hope this00:10:32
was useful and see you friendsDescription:
❤ Видеокурсы Александра Рыжкина https://asvl.ru/kurs ✔️ Курсы по Рисунку и Живописи в Москве https://asvl.ru/live-art-studio-in-moscow ✔️ Поддержать канал https://www.donationalerts.com/r/rizhkins ✔️ Моя группа Вконтакте https://vk.com/rizhkin ________________________________________________________________ ✔️ Арт-студия Виталия Лещенко https://asvl.ru ✔️ ТЕЛЕГРАМ-КАНАЛ https://t.me/artstudioVL ✔️ Тик Ток https://www.tiktok.com/@asvl.ru ________________________________________________________________ #АлександрРыжкин #КакРисовать #Губы #asvl #ПластическаяАнатомия #HowToDraw #Education #Анатомия #Художник #Образование
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