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you

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I just need a fun

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to

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to

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you

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hello and welcome to our first ever

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stream on this new YouTube channel

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called viz economy UK so quickly I will

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introduce myself I'm Mike and I'm going

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to be the mind voice for this channel so

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I hope that you like it and also I would

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like to quickly put in some few words

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about our school so we're busy cata me

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and you probably seen our posts on

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Facebook or other social media like

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Instagram so you know you probably know

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us that's why you were here

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so let's just jump into our schedule so

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today we're going to show you a few

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metals how to model out some basic but

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still very impressive quick quick

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methods how to model out some parametric

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facets and you know it's going to be

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exciting and I hope that you'll learn a

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lot we're going to go briefly through

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those techniques you'll be able to

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follow up on the methods I'm going to

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show you if you have some basic 3d

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knowledge so here I'm showing you now

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our Instagram page quick information for

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you each image shown here is basically

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done by our students so we on our course

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we teach people how to actually create

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this kind of visualizations in just a

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few short weeks you too will be able to

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create images like those and as you can

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see those are professional works that

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are pretty neat I guess we're really

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proud of our students so let's just move

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on and move back to our schedule and

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before we start I should probably ask

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you guys can you hear me well I mean can

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you actually hear me oh hi hi I can see

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the chat now so hi guys okay so moving

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on this is our minor web page and oh no

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this is our mind web page also I'd

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recommend you to visit it when you have

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some free time and now continuing

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talking about what exactly are we going

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to do today so I'm going to show you how

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to approach this kind of images like

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like so and as you can see those are

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pretty basic but still impressive

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mmm elevations that if you would like to

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create in programs like Sketchup or

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AutoCAD it would probably take you a

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while and today we're going to try to

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flex on those that use Sketchup and

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think that it's the most let's say

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efficient program to use in 3d so still

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this is going to be our main course I

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mean we're going to approach this kind

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of folding elevation we're just going to

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quickly show you the method methods and

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also a few extra warm-up warm-up

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modeling so I'm quickly going to jump to

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three years max earlier on I prepared

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some scenes so please don't mind that

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anyway if you would like to approach a

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scene like this you would probably have

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a little bit of a little bit of problem

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in Sketchup because when working in

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Sketchup you probably need to add all

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those dimensions and when it comes to 3d

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visualizations we can have a little bit

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of flexibility we don't need to care

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about the centimeters we aim for the

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meters so quickly to show you how to

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approach this kind of

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building I'm going to move ahead to the

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perspective view and create I mean

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change the view to clay

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I mean display mode okay so now changing

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this object into editable poly going to

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connect those like five times here I'm

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going to connect those six times and

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using the inset I'm going to quickly

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show you how to create those holes for

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the balconies and also we're going to

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use over the use the leftovers of this

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of those elements so as you can see in

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if you would do it in any other software

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it would probably take you a while so as

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you can see it's going pretty smoothly

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now I'm copying those elements and

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moving those to create balconies

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themself scaling down now moving those

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elements down again to reach the bottom

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and to actually make use of those I'm

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going to rotate them by 90 degrees and

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tilaka I tell me guys

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and in the meanwhile why I follow this

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thing out could you tell me where you're

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from or what brought you here

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that they'll be even better question I

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mean are you truly enthusiasts or

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architects students please write it down

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in chat so we can see what who are we

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hosting today

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okay oh no I wasn't showing the screen

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I'm so sorry for this let me start over

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okay yeah as I said this is one of those

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moments that could be unexpected when

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going live

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okay so pretty embarrassing

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I'm going to start over so as I said the

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chat should be actually up all the time

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because you were trying to show it to

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tell me it all the time okay he's sorry

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for that let's do it again I'm going to

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divide this object by creating some

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extra segments on the width we're going

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to have five elements so we're going to

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need six segments at five segments now

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six hates height segments and we're

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going to convert this object into

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editable poly so again I'm going to

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select the front of this object use the

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insert tool change it to change it to

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polygon and again apply it and extrude

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okay so oh we've got somebody from

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Argentina hi so again as I said this is

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this element is going to be called and

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left over we're going just to copy it by

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holding shift moving this elements to

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scale them down and now we are going to

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use them as our balconies so this is

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going to be the border of the balcony

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again I'm going to copy those objects so

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to avoid over selecting the objects I

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prefer to copy those so we can create

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quickly create the floor plane for this

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object

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okay let's go to the left view change it

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to vertex and again by using snap tool

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we're going to quickly align those as a

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floor okay

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now don't worry you can see you nowadays

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okay so I'm going to detach this floor

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because your client may think that you

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should probably create a few versions of

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the floor or any type of element so

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since we're not going to add any kind of

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material in this webinar we're going to

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quickly just show you a fastest way to

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populate this kind of balcony so you

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know for the quick sketches that you

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create on a daily basis we prepared some

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models that you can download from the

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internet from pages like three sky or

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any other so as you can see those are

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really neat a balcony type of plants so

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I'm just going to scale those down

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because we're just trying to show you

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this type of elevation and how to

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quickly approach it so scaling it down

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again it suits my needs so now I'm going

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to hide our object and this is where the

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magic happens so we're going to use the

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Corona renderer mostly in our class

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we're going it in depth about each

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aspect of this program so I hope that

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you're familiar with this software and

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if not we're going to teach you from

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zero because and let's say approximately

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90 percent of our students actually

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start from zero knowledge above of 3ds

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max

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and Corona renderer and those are our

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mine tools that we use by pressing X you

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can open this dialog always in this type

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I mistyped okay so by opening by

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pressing Z I mean X at any time in the

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viewport you open this dialog where you

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can search for your actions so if you

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know the name of object that you want to

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create you can quickly type in the name

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instead of looking for it in the menus

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so I'm going to open the transform tools

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this is a very handy tool that I use on

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a daily basis it allows you to quickly

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receipt or reset your objects and I

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don't know why it happened like this

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anyway okay and also align the pivot to

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the bottom of your object which is

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necessary in this case so we're just

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going to press insert to apply the

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position of our pivot and now we're

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adding those objects into scatter as our

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instanced object to quickly populate

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this Tarin okay I'm going to scale down

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here to let's say 5% okay 3% yeah we're

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going to add randomness to this and we

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need approximately 150 or 50 of those

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objects now I'm going to open the full

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preview of those and as you can see

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we're quickly populated our balconies

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okay I'm going to increase the scale a

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bit to quickly look at those and as you

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can see those are a little bit interest

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interlacing

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we can quickly grab the floor object and

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again scale it down so high this object

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quickly now moving again

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oK we've got it covered now so now no

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object is intercept intersecting and

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okay so as you can see this this was a

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quick way to populate this we can also

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copy the windows into into it but we're

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not going to cover it because we know

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that all of you are here to actually see

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how to approach this kind of objects

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here and this elevation so I'm going to

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move forward and quickly show you the

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benefits of using the morph tool

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I mean modifier so as you can see here

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with we created a few objects that work

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with one another so okay this type of

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object is called a tractor work because

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it's attractive to some vertexes and as

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you can see as I move this object the

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mesh changes also if I scale this object

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down or app it's going to change the way

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the area if it effects so as you can see

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you can create many interesting

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pavements like this so okay now how to

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actually approach this so it's quite

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easy and since there are videos like

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this over the internet we added a few

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twists to it so you can actually use it

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in your 3d visualizations instead of

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just you know seeing a video that you

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cannot actually use ever so okay and now

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let's clear clear this up a little bit

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okay I'm going to copy this element here

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and I'm going to delete my attractors so

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you can see each step that we actually

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take to approach this object so I'm

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going to place this simple box 25 by 25

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in this

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and I'm going to copy it like gazillion

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of times so I guess 50 is enough okay

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50 was too much now I'm going to move to

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the top view and again I'm going to copy

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it a little bit less this time and let's

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go with 40 so as you can see it actually

00:19:04

worked this time so by pressing ctrl Q

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you can select the similar objects in

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3ds max Dutton doesn't need information

00:19:15

I guess so

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now we've got only our box is selected

00:19:20

to save resources I'm going to hide all

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those other objects and by pressing hide

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unselected now I'm going to quickly move

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this object into our editable poly mmm

00:19:40

okay and attached and the quickly align

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those are attached those objects to

00:19:48

create one big mash now I'm going to add

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more modifier and I'm going to save this

00:20:02

state as our starting point in channel

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parameters so capture this we're going

00:20:13

to capture the state of this object as

00:20:16

it looks and as it looks like now so

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captured current state and I'm going to

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name it state Oh 1 and remember it's

00:20:27

very important at each scene to actually

00:20:31

name your objects properly and to have

00:20:33

your scene tidy and clean use as many

00:20:39

tools that will help you to sort out

00:20:41

your scene as possible because if you

00:20:45

don't it's going to affect your workflow

00:20:48

because

00:20:50

pretty sure that you named your files

00:20:52

you know as the FD of the 115 and two

00:20:58

weeks later you didn't know what to do

00:21:00

now because you cannot find the file

00:21:02

here we're looking for so this is going

00:21:05

to be our state number two and this is a

00:21:10

state Oh - okay and now we're planning

00:21:16

to add our modifier it's which is vertex

00:21:19

selection

00:21:20

oh no it's of volume select sorry again

00:21:28

we're going to change it to vertex and

00:21:30

here we're going to add mesh object and

00:21:34

what is important for you to remember is

00:21:37

that each object that you add as a

00:21:40

tractor is actually going to affect your

00:21:43

object accordingly to number of the

00:21:48

vertex vertices that it has so remember

00:21:51

to actually don't go crazy with your

00:21:53

segments and lower them to some

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reasonable value volume values I'm going

00:22:01

to add it as mesh now okay great and

00:22:06

since we're you want this object to

00:22:09

actually do something we need to use the

00:22:12

fall-off and I'm going to set it to

00:22:15

let's say 50 or 80 so okay now how to

00:22:22

actually make it work

00:22:23

we're going to move this modifier here

00:22:26

and we're going to increase this number

00:22:30

to 100 in the state 1 so when I move

00:22:35

this object here it's going to affect

00:22:38

all those objects so it's pretty neat I

00:22:41

guess and at this point we're going to

00:22:44

go to preferences and turn off the

00:22:47

render

00:22:48

render ability for this object okay and

00:22:52

also I'm going to display this as box

00:22:54

because I don't want it to obstruct your

00:22:56

view but as you can see it works we need

00:23:00

we need to inverse this selection

00:23:03

and for this we have volume select and

00:23:06

you just go to invert and this way now

00:23:08

we actually create the holes not those

00:23:11

pavements so I hope that this is still

00:23:16

that you're able to follow I mean that

00:23:19

you understand what I what I am creating

00:23:22

is everything allright I mean can you

00:23:26

see the screen now and can you hear me

00:23:28

please write a plus or some other as a

00:23:34

symbol so I can see it

00:23:42

so if you want to

00:23:47

use this technique it's going to be have

00:23:50

some downsides oh thank you so many

00:23:52

pluses so if you're going to use this

00:23:55

technique it's going to have some

00:23:57

downsides it's going to only affect one

00:24:01

object or one mesh so if you want to

00:24:05

create another attractor you basically

00:24:08

need to go to edit poly or any edit edit

00:24:13

action mode edit mode and attach your

00:24:18

object so as you can see it still works

00:24:21

pretty neat but if you want to avoid

00:24:23

this you can also go with Corona scatter

00:24:27

method that we are going to show you a

00:24:31

little bit more info about during our

00:24:35

class also it's pretty neat way using

00:24:40

the distance map I'm actually going to

00:24:43

cover it briefly now because the

00:24:46

premises of this the idea is pretty

00:24:49

pretty much the same so you need to add

00:24:52

this plane as this distribution object

00:24:56

you add this plane as the object is

00:25:00

going to actually have those scattered

00:25:04

objects like this brick here displayed

00:25:08

on it so those are instanced objects and

00:25:12

by using current distance in with this

00:25:16

settings here black white black and a

00:25:19

colored inside turned on we're going to

00:25:23

actually be able to quickly use move it

00:25:27

and this time we're able to actually add

00:25:30

next objects into this stock piranha

00:25:35

scatter is a really good tool for this

00:25:38

type of work but it has some downsides

00:25:41

downsides again no it's should be here

00:25:47

sorry

00:25:50

okay sorry you can add it in distance

00:25:53

map it's just the magic of streams you

00:25:59

make so many mistakes that you can

00:26:01

barely talk but still it's going to be

00:26:03

fun because this method is going to be

00:26:07

posted on YouTube in just a few days

00:26:11

we're going to create a short video

00:26:14

about this and there's a downside to

00:26:16

scatter method because you can't add

00:26:19

animation into it or any kind of real

00:26:22

mass displacement so if we want to move

00:26:26

to this type of scenario like here we're

00:26:31

going to have a little bit a little bit

00:26:34

more difficulties by going with Corona

00:26:38

scatter so now as you can see we've got

00:26:43

this beautiful elevation that we are

00:26:47

going to create from a scratch using the

00:26:50

method with more I shown you and we're

00:26:54

going to make make it actually work in

00:26:57

300 degrees like here so we're going to

00:27:00

create this Tower and you also will be

00:27:02

able to use this method later for your

00:27:06

own designs because this is 100%

00:27:09

editable so you can just add your own

00:27:12

modifiers if you want to change it you

00:27:15

just want to bend it or you know shape

00:27:20

it to your likings

00:27:23

so now let's jump back to our welcome

00:27:28

screen and guys please say could you ask

00:27:32

her a few questions

00:27:33

tops because I seen that we have a few

00:27:38

questions okay yeah I told you that

00:27:43

we're going to have a Q&A during this

00:27:46

stream and I guess I should answer those

00:27:49

questions at at this point we had a few

00:27:53

questions about VR and iar those were

00:27:56

pretty interesting and

00:28:01

you asked if we see any future in this

00:28:03

type of fields and to be honest I must

00:28:07

say that yes but the technology is still

00:28:10

not there because it's a pretty bulky

00:28:13

and hard to use and it takes a lot of

00:28:16

resources but still it's some amazing

00:28:18

technology that will be standard in a

00:28:20

few years which few years time so I

00:28:24

would if I were you I would probably be

00:28:27

on hold for those

00:28:29

okay so let's reset the scene or let's

00:28:33

just go to our previous scene and reset

00:28:36

it so okay I'm going to quickly show you

00:28:41

how to use the technique with morph -

00:28:44

actually I'm going to quickly show you

00:28:47

the technique with morph - quickly I

00:28:52

want to learn today use program do they

00:28:57

give courses yes please please visit our

00:29:00

or mine page it's three deepest

00:29:02

academy.com okay so again resetting 3ds

00:29:07

max and we're starting from scratch so

00:29:11

to do it the fastest way I'm going to

00:29:13

create an end gone from a creation panel

00:29:17

and I'm going to pick the angle so it by

00:29:24

default it has six sides and at this

00:29:27

point you can see that it's pretty bass

00:29:33

basic shape so we're going to change it

00:29:37

to editable poly and remember when I

00:29:41

told you about this small twist that

00:29:44

we're adding into this stream we're

00:29:47

going to actually make this technique

00:29:51

usable and you know when your teacher or

00:29:55

client is going to demand you to

00:29:58

actually deliver the product when you're

00:30:03

going to you know add a lot of changes

00:30:07

because you know he still hasn't decided

00:30:09

what he actually wants so

00:30:13

by using this technique you can go back

00:30:16

and forth and change all the elements

00:30:20

when working with this type of objects

00:30:24

so now what is important before you move

00:30:30

before you move forward I would like you

00:30:32

to select this edges here and also make

00:30:36

sure that you've got your vertex s

00:30:39

selected like so because we're going to

00:30:41

change a lot of objects at the same time

00:30:45

we're going to need to have those as

00:30:49

selection options so remember too that

00:30:53

you shouldn't deselect those before you

00:30:57

copy this object and right now I'm I'm

00:31:01

going to copy this object like so by

00:31:05

holding shift I'm going to copy it or

00:31:08

I'm going to copy it like this and now

00:31:12

let's just go with I know 25 that sounds

00:31:19

good mmm okay again I'm going to enlarge

00:31:23

the screen and go to the clay displayed

00:31:25

mode so you can better see what we're

00:31:28

working on okay now we're going to copy

00:31:33

this object again and now it's we're

00:31:36

going to create this pattern and this

00:31:38

hexagon or honeycomb pattern if you will

00:31:41

three this sky here and again I can see

00:31:46

that the color is a little bit dark so

00:31:48

I'm going to pick some brighter color

00:31:52

for you guys okay and again we're going

00:31:58

to copy this like let's say eight or

00:32:02

nine times yeah that is enough so when

00:32:07

we have this object now we're going to

00:32:10

actually attach all of those so we have

00:32:14

this large portion of our end guns in

00:32:17

just one object one match with a lot of

00:32:20

elements so it should work like this and

00:32:23

since we

00:32:26

didn't deselect our vertexes and we

00:32:30

didn't deselect our our edges we're

00:32:35

going to be able to quickly work on

00:32:38

those and create the effect that we're

00:32:40

looking for okay so I'm just going to

00:32:44

quickly drag those down to create some

00:32:48

extra extra detail and now I'm going to

00:32:55

move to elements now clear all smoothing

00:33:01

groups we don't need those at this

00:33:02

moment and again I'm going to add our

00:33:07

favorite modifier which is Morpher and

00:33:11

now this is going to be our basic state

00:33:15

for our object so we're going to capture

00:33:20

this state as and name it the state 1 ok

00:33:29

state a 1 and now I'm going back to

00:33:34

editable poly and by selecting edges

00:33:39

pressing 2 I'm going to scale those down

00:33:42

and as you can see we actually have

00:33:46

those shutters closed I mean yeah they

00:33:49

shrank again since we don't want them to

00:33:55

change their actual shape and we're

00:33:58

going to use them later we're still

00:34:01

going to drag them those vertexes a

00:34:03

little bit down so they look more

00:34:05

believable and now we've got this

00:34:09

beautiful hexagon or triangle pattern

00:34:12

done we're going to move to motive

00:34:18

Morpher again and save this in as a

00:34:22

state - okay thank you for this link

00:34:26

we're going to capture this estate - and

00:34:33

again we're adding the volume select

00:34:38

modifier vertex now we're going to add

00:34:47

the mesh object and again something

00:34:51

really simple so I'm going to go with a

00:34:54

box and as you can see now we'll just

00:34:59

need to select our object as our

00:35:02

attractor so use a soft selection again

00:35:06

let's make it 150 I guess the box is a

00:35:11

good shape here and now let's see if it

00:35:15

works at this point no it won't work

00:35:17

because I need to use move this modifier

00:35:21

a little bit down okay and again why oh

00:35:28

yes I need to add 100 in the state okay

00:35:33

here we can see that by moving this

00:35:36

object our shutters closed and so we

00:35:40

just need to invert this again by going

00:35:44

to volume select and this is pretty much

00:35:50

this technique but if you would like to

00:35:54

put it on as your elevation or you want

00:35:59

to cover your roof with it whatever

00:36:03

we're going to show you how so first of

00:36:07

all we're going to create reference of

00:36:10

this object and from this point now on

00:36:14

when we're working on this object it

00:36:18

won't effect above this modifier stock

00:36:22

if we add anything let's say editable

00:36:25

poly if we have add anything it's not

00:36:30

going to affect the original object so

00:36:33

it's going to be pretty useful for us if

00:36:37

you want to

00:36:38

actually work with some kind of

00:36:41

architectural objects and to create the

00:36:47

kind of tube that we had earlier we're

00:36:50

going to use bend modifier and since

00:36:53

this object was erected in in this way

00:36:58

I'm going to use the x-axis and we need

00:37:02

approximately 160 degrees to close it

00:37:07

but there's still going to be a small

00:37:10

gap that we can eyeball and let's just

00:37:14

add six degrees because this should be

00:37:17

enough and right now if we move our

00:37:20

attractor we're going to see this

00:37:23

beautiful effect here as you can see it

00:37:27

works pretty neat so if you want to have

00:37:31

your object I mean you're up

00:37:34

if you want to your object to be a

00:37:36

little bit fancier shape you just need

00:37:41

to edit it out or you know you can pick

00:37:43

pick any object as you like

00:37:47

so tell me nice do you have any

00:37:50

experience in 3ds Max or if you have any

00:37:55

prior knowledge about tree rendering or

00:37:59

basically tell me what brought you here

00:38:01

so I'm just going to create another

00:38:06

screen now quickly select these and go

00:38:11

to perspective mode select our view and

00:38:15

as you can see we're already we already

00:38:19

have this neat effect where we can just

00:38:25

copy our our mesh again and if you if

00:38:31

you want you can simply go ahead and

00:38:35

pretty much render it out at this point

00:38:37

as a quick sketch so you know we're not

00:38:41

going to cover many details in in this

00:38:45

video but we

00:38:48

a lot of those during our class and if

00:38:51

you want to sign up we already posted

00:38:53

those links and you know here the most

00:38:59

important thing is that when you take

00:39:01

away the attractor or just turn on/off

00:39:04

the Morpher it's going to revert your

00:39:08

object into the previous state so to

00:39:10

avoid that we're just going to move away

00:39:12

the attractor and at this point you can

00:39:17

add any kind of detail in editable poly

00:39:20

as you like so you can split all of

00:39:24

those and you can let's say add extra

00:39:29

detail like insert okay that's a pretty

00:39:33

large mesh wait a second

00:39:37

and I believe I may okay now again so so

00:39:50

yeah I was trying to read your question

00:39:52

your answers and yeah I see our support

00:39:56

is bravely answering all of those

00:40:00

so right now I'm trying to move along

00:40:04

but the mesh is trying to actually trick

00:40:08

me and let's just add ten and apply this

00:40:12

so you can see that you can edit out

00:40:14

this those elements okay ten was too

00:40:20

much okay I'm not going to stress out on

00:40:25

this element it's unreal event at this

00:40:28

point if we would use some proper scale

00:40:32

that I didn't you would probably get the

00:40:35

proper effect by adding those proper

00:40:39

values and again right now we're going

00:40:44

to quickly jump into our Q&A s again so

00:40:49

if you've got any questions you can

00:40:51

shoot away in the chat please do because

00:40:54

it's all this stream is all for you

00:40:59

this is a free stream part of a series

00:41:02

that we're going to create there's a

00:41:04

there's an option to actually get into

00:41:07

some exclusive options that we can

00:41:12

discuss with you if you're willing to

00:41:15

actually receive this kind of

00:41:17

information and I'm now going to again

00:41:23

flex on those that use Sketchup because

00:41:26

from people from my experience and what

00:41:30

I've encountered during my work I'd

00:41:34

noticed that creating this kind of

00:41:36

objects in Sketchup is really annoying

00:41:38

because you cannot really create any

00:41:41

curvature without extra plugins that may

00:41:44

cost you a fortune

00:41:45

so Trias max has you covered because it

00:41:49

actually has tools specially designed

00:41:52

for this kind of work and we're going to

00:41:56

quickly put this object on the zero axis

00:42:00

and the in the axe and change the pivot

00:42:05

point to zero which is which is here and

00:42:09

now I'm going to use tools awry and I'm

00:42:14

going to preview what I'm actually doing

00:42:16

when I'm creating those copies so let's

00:42:20

just go ahead and rotate this by a few

00:42:23

degrees

00:42:25

and let's just go crazy with all those

00:42:29

objects so I'm pretty satisfied with the

00:42:32

amount of objects I created mmm how much

00:42:39

is the online course well right now

00:42:42

we've got some special offer for you

00:42:44

guys so if you leave us your email we

00:42:47

can send you all the details this video

00:42:49

is going to youtube so many things may

00:42:52

change in the future but right now

00:42:54

please send us your email or contact our

00:42:58

support on Instagram Facebook or just

00:43:02

write to us directly ok so when you have

00:43:06

this object you can you can go ahead and

00:43:09

add

00:43:10

four-by-four ffd 4 by 4 by 4 modifier so

00:43:15

when when selecting the vertex is here

00:43:20

we're going to be able to manipulate

00:43:22

this object and create this smooth

00:43:25

curvature that cannot be achieved in

00:43:28

Sketchup or any program program that's

00:43:33

used by architects overly like ArchiCAD

00:43:38

so right now it took me like I don't

00:43:41

know three minutes to create this thing

00:43:46

again I'm going to quickly jump to our

00:43:53

queen and guys right now I would like to

00:43:57

add a few few informations about our

00:44:01

school so again visit us on three visit

00:44:06

kademan

00:44:07

slash English so you can get more

00:44:11

details and as I stated before all the

00:44:15

images that we post post our images

00:44:19

created by our students all the

00:44:21

techniques and many more are covered in

00:44:26

our course so if you want some more

00:44:29

information please contact our support

00:44:32

or leave us leave your email to us

00:44:35

contact details I mean and at any point

00:44:39

we've got 24 hour support we will help

00:44:44

you at any time of the day or night we

00:44:47

we split our course into three main

00:44:51

elements so when you're when you're part

00:44:56

of our

00:44:57

when you're our student we always are on

00:45:01

a lookout for any questions that you may

00:45:03

have because you know you work in your

00:45:05

own time and you probably should be able

00:45:08

to you should probably be able to you

00:45:13

know sit at the work that you want to do

00:45:16

in 3dsmax at your own time and you know

00:45:19

you're probably student or you're

00:45:21

working and we're not going to we want

00:45:26

to be able to help you at any time so if

00:45:28

you're going to work at 3:00 a.m. we're

00:45:30

going to be there for you with all the

00:45:32

answers that you may need all this works

00:45:34

that you can see now on the screen are

00:45:36

were created by our students and all

00:45:40

those posts were actually posted payasa

00:45:45

of course but those images are created

00:45:48

by our students and we're really proud

00:45:50

of those guys so going back to the main

00:45:54

information about our class you know

00:45:58

guys we need to actually tell you that

00:46:01

we said we have our own instructional or

00:46:06

tutorials or lessons instruction videos

00:46:10

that we send to you that you can use at

00:46:12

any time for you can keep those and also

00:46:17

use them for educational purposes so

00:46:20

that's the base also we've got webinars

00:46:25

more complex than this three times a

00:46:29

week and also the in my opinion that's

00:46:32

the most important thing is that we can

00:46:35

support you 24 hours and you know nobody

00:46:41

else is doing and does this and you know

00:46:44

it's in my opinion that's the strongest

00:46:47

part because we've got a team of

00:46:49

experienced people in invisi Kadim e our

00:46:54

founders both are award-winning people

00:46:58

with many accomplishments and as you can

00:47:02

see we've teamed up to you know show you

00:47:06

all the details that you may need our

00:47:10

team consists of three visualization

00:47:13

specialists architects and also our

00:47:17

support is also experienced in all those

00:47:20

details we work with you we treat you

00:47:23

like you know we're not going to be too

00:47:27

stiff during the course so we want to

00:47:30

have friendly atmosphere and you know if

00:47:34

you have any extra questions please

00:47:36

should shoot now we're going to move to

00:47:39

some real Q&A s and we're going to

00:47:44

probably stay here and answer your

00:47:48

questions for another few minutes and

00:47:50

you know I think that'll be it if you

00:47:55

have any extra questions please shoot

00:47:58

away we should be able to answer all of

00:48:02

those in just a few seconds so during

00:48:06

you during the time you actually create

00:48:11

type in your questions I can give all

00:48:14

that go ahead and actually do this

00:48:18

scatter method from scratch so it's not

00:48:23

like you know there's those situations

00:48:27

when somebody tells you to create

00:48:29

something from scratch it shows you some

00:48:32

basic steps and then you know and add

00:48:36

the all the rest of the details is this

00:48:42

also for people with no knowledge

00:48:43

exactly 90% of our students started with

00:48:48

zero knowledge of true Diaz max or

00:48:51

Corona renderer usually they don't

00:48:55

really know that this program exists so

00:48:59

we basically show you each step how to

00:49:02

become

00:49:04

you know professional grade 3 art

00:49:07

visualization specialist okay that was

00:49:11

too much too many words I mean so

00:49:15

basically if you don't have any

00:49:18

knowledge we're going to be able to help

00:49:22

you at each step so these is this

00:49:30

software free to use 3ds max is not free

00:49:34

to use but Autodesk has some extra

00:49:37

offers for students it's allowing them

00:49:41

to use it in non-commercial way for free

00:49:46

you should probably visit their site to

00:49:49

get more information

00:49:51

also Corona renderer is a really great

00:49:54

engine that is really cheap and is if I

00:49:59

may say say it according to my

00:50:02

experiences you know beneficial to

00:50:04

actually buy it and use it because it's

00:50:08

one of the best engines at truly

00:50:11

rendering engines on the market so I

00:50:15

strongly recommend it for all of you how

00:50:22

to sign up to the course well please

00:50:24

leave your e-mail to us or send us some

00:50:28

information on this email provided to

00:50:31

you we're going to give you all the

00:50:34

information about the pricing about how

00:50:38

does how do we work how much information

00:50:41

you're going to receive from us and also

00:50:44

how are we approaching all of those

00:50:47

elements of 3d design as I stated our

00:50:52

team's consists of architects so you can

00:50:56

shoot away and ask any questions about

00:50:59

the architecture we may help you how to

00:51:02

create your portfolio also how to

00:51:05

prepare for your exams you know all the

00:51:08

all the sort of time things that may be

00:51:12

helpful for you so

00:51:15

strongly recommend you sign up to us and

00:51:19

right now we're mmm right now we're

00:51:26

going to add this object to Corona

00:51:29

scatter which I created earlier on like

00:51:33

three seconds ago I mean so we're going

00:51:37

to add this brick box one two as our

00:51:40

instance object and at this moment you

00:51:44

can see that it's already scattered on

00:51:46

our object okay I overdid it again

00:51:50

always right-click on your viewport to

00:51:54

turn off this small plus okay to avoid

00:52:00

adding extra objects now I'm going to

00:52:02

move this Corona a distance map to our

00:52:07

scale so it works like this if you have

00:52:14

this if you have this object that is

00:52:17

near your object that you've selected in

00:52:22

distance from your objects are going to

00:52:25

basically run away from this object so

00:52:28

you can use this technique to make your

00:52:31

grass grow or you hide some elements or

00:52:36

avoid your home if you're going to

00:52:39

create let's say you alone you can use

00:52:42

this technique to scatter some grass and

00:52:45

also you can distance it distance this

00:52:50

from this box so you can see the grass

00:52:54

is not growing all around the house so

00:52:57

it's going to be pretty neat especially

00:53:00

when you're going to have some

00:53:02

back-and-forth with your client and you

00:53:05

know he wants to change the position of

00:53:07

the house or move it a little bit to the

00:53:10

left because he likes this tree on the

00:53:13

right whatever it's going to allow allow

00:53:16

you for a lot of flexibility and it's

00:53:20

going to help you create your design as

00:53:25

efficient as possible

00:53:28

mm okay thank you for the smashes

00:53:31

message on facebook we're going to take

00:53:33

care of it in just a few minutes so you

00:53:38

know guys I guess they'll be it for

00:53:40

today I hope that you liked our stream

00:53:43

the next stream that we're going to post

00:53:47

we're going to create a beautiful

00:53:51

bathroom that we're going to show you

00:53:54

how to create this type of bathroom that

00:53:57

were posted in our Facebook event on

00:54:05

Facebook event that you can see in our

00:54:08

feed and separate and and please visit

00:54:12

our page both Facebook Instagram are

00:54:16

always welcomed to you so also I got

00:54:21

this extra let's say a gift for you if

00:54:25

you were able to stay with us for so

00:54:27

long if you will invite 20 people to our

00:54:31

next stream you'll get all those scenes

00:54:35

that I've created so you can just look

00:54:37

into it and have a look how was it done

00:54:41

and you can just play a play with it as

00:54:44

much as you want so this is going to be

00:54:48

this let's say a reward for inviting

00:54:52

people also you'll get some basic

00:54:54

tutorials of terima 3ds max that those

00:54:58

are starting videos but if you invite

00:55:02

approximately 40 people we're going to

00:55:05

award you with some extra videos that

00:55:08

we've we marked as more intermediate or

00:55:15

about to remodeling and it's going to

00:55:18

cover topics like this and also many

00:55:22

important aspects how to actually

00:55:24

approach it what techniques used at what

00:55:27

time and you know it's still going to be

00:55:31

the basic but you know I

00:55:34

intermediate but still it's going to be

00:55:36

very beneficial so we're going to send

00:55:39

it for free what yeah what we ask is

00:55:42

just a proof screenshot or let's say

00:55:46

just a quick memo anyway thank you for

00:55:51

joining in and I hope that you liked our

00:55:54

stream and you know this is going to be

00:55:58

part of Sirius so till the next time

00:56:01

right thank you very much and have a

00:56:04

good evening

00:56:06

[Music]

00:56:17

you

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