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Subtitles
Russian
00:01:21
what's on air00:01:26
dear friends, hello to you00:01:29
Dmitry Razin school of maritime technical speech00:01:32
add a mountain landscape00:01:34
I am glad to welcome you all as always00:01:39
nice to work for you write for you00:01:43
tell all sorts of interesting things00:01:45
show, well, today we have the same00:01:50
unusual work everyone saw everything00:01:52
were preparing I want to know where today00:01:57
we have an audience so write in the chat as00:02:00
our questions and answers always work00:02:03
our permanent Lenochka Orlova sits behind00:02:06
chats will be answered in and today even00:02:09
you will see a slight re-equipment in our00:02:11
studio studios00:02:12
added some technical00:02:14
opportunities will be added by the way and and00:02:19
let's get started right away as usual with00:02:22
materials but then everything else00:02:26
I need to go to the palette and so on with paints00:02:31
Everything is the same with us as usual00:02:34
titanium white cadmium yellow light00:02:39
cadmium orange kraplak pink durable00:02:43
blue fc and green vc indigo00:02:47
umbro english red thinner00:02:51
us tee on tassels large bristles00:02:56
for shading there is a small bristle, it is not00:02:59
only for shading will be for nuances00:03:01
in the clouds sin t00:03:03
we always work flat and three00:03:06
little blood and synthetics then synthetics00:03:11
and lenyr lenyr is also invariably with us00:03:14
a brush, as it were, and here are two of these00:03:15
already added so thinner tee00:03:19
and mountains in the clouds00:03:24
we start as usual with markings00:03:29
diluent00:03:32
liquid pink paint liquid liquid00:03:35
liquid pink water and we will share00:03:39
now our image is on the third00:03:45
we have the image itself even the image00:03:48
she's even longer than mine00:03:50
I didn’t take even more canvas from00:03:52
proportions so it will stretch a little00:03:55
divide the vertical into three parts and divide by00:04:01
three parts horizontally checked00:04:04
it's imperative that we have this this this00:04:08
uniform why is it needed for00:04:10
so that our drawing fits clearly on the canvas00:04:15
as if correct because the scale00:04:17
can change and trouble happens anyway00:04:19
after that I can take it and spend it00:04:22
Dasi, look at our clouds00:04:24
almost more gently along the lower third00:04:26
and the mountains themselves take their position00:04:31
the central third peak is one here00:04:37
just a failure, that is, we already see00:04:39
where do we have what parts of flynn geth00:04:45
are accordingly immediately visible00:04:47
scale visible picture00:04:52
we begin to do the same on canvas00:04:55
canvas in three parts 1 2 300:05:02
if we missed somewhere, we’ll straighten it out00:05:04
necessarily so that the third00:05:05
corresponded to thirds still possible00:05:09
a little bit00:05:10
we don't need this00:05:13
for convenience and again only00:05:16
so that the line is clear to us how it goes so that00:05:19
scale was maintained with 2 brushes00:05:23
arrange it along the entire length of the canvas00:05:26
marks and do the same00:05:32
from the upper third00:05:38
the top line insofar as but00:05:40
let it be better at least for her00:05:43
we don't lie, things won't run away00:05:46
three parts up 2 tassels at once00:05:52
I check everything again, adjusted it, cut it00:06:04
it turned out that the person continued on00:06:07
good thing we have a silhouette of mountains and without00:06:12
clarification of the drawing and maybe a little less00:06:15
than it is00:06:18
let's do the markings now just in case00:06:21
If you have any questions we will answer them00:06:23
questions here we have 2 mountains00:06:35
USA00:06:36
[music]00:06:39
And00:06:41
here and basically show the line00:06:44
fist drawing is conditional for now00:06:50
arbitrary main total color mass00:06:52
show where we will have clouds and how00:06:54
they will close here at our bottom00:06:58
parts of the upper part in our sky in the very00:07:03
there are moments where the sky peeks through00:07:07
clean00:07:08
there are places where the cloud density is not even00:07:10
clear sky smoky such a state in00:07:13
sky because we weren't usually there00:07:16
blue color here00:07:18
the gray-violet tint will burn out as00:07:20
if it’s clear that there is DNA there00:07:23
line of clouds that are illuminated00:07:27
approximately along this line00:07:31
this line00:07:35
dense clouds and here00:07:41
the voice on top disappeared.00:07:44
with depth it would appear in principle00:07:50
we get all our markup00:07:53
which we need if you have questions00:07:56
for some reason based on paints based on materials00:07:58
I’m just answering them now00:08:05
almost all of Russia many many countries00:08:08
Today we have an international webinar and00:08:10
now we ask miter questions the most00:08:15
the first question is the size of the canvas00:08:17
Today we have a canvas of 40 by 80, that is00:08:24
watch right away00:08:25
proportionality to 1 1 height correct00:08:29
height decreases to 100:08:32
2 heights one length out of breath that is00:08:36
proportionality of the canvas if you have00:08:38
canvas is smaller in size, say 40 by 6000:08:40
I saw in the chat they were asking if it was possible to00:08:42
actually00:08:43
or crop the picture for yourself right away00:08:46
or just squeeze it and let the mountains00:08:49
these ones will shrink a little bit, nothing00:08:51
what's scary is that the drawing will go away00:08:54
no matter how it shrinks, nothing will be lost00:08:57
at the same time, from the beauty of the second question00:09:01
tee, how can it be replaced if it00:09:04
no damn it, ideally it’s a tee00:09:06
it is very difficult to replace because00:09:08
tee very high ductility00:09:10
specifically for shading i.e. his behavior00:09:13
with paints is such that it allows00:09:15
give paint consistency with one00:09:18
sides are liquid but at the same time small00:09:20
the amount of paint it turns out00:09:23
we have a tee somewhere00:09:25
in the middle, let's say, between a pure pioneer00:09:27
let's say green oil00:09:29
that is, it thins the paint more thinly00:09:33
than oil but not as liquid as00:09:36
bred and and pinin00:09:37
precisely thanks to this property00:09:39
tee is easy to do shading00:09:41
the amount of paint we get onto the canvas00:09:43
a small one, well, in principle, you can write00:09:46
on oil but keep in mind you00:09:50
the amount of paint on the canvas will be slightly00:09:52
more00:09:53
than necessary and it will be a little more difficult to00:09:56
shading is more difficult00:09:57
simply how to see correctly00:10:05
color in photo00:10:06
I see green in very rough gradations00:10:08
blue pink atom with a lot00:10:10
shades, look at the most important thing00:10:13
probably see the color first00:10:15
the main one, as it were, there are shades but already00:10:20
add based on our own00:10:22
feelings of one's own taste but also conditions00:10:25
tasks that we have, let’s say00:10:27
us mountains in the shadow reflexes on them00:10:30
practically do not fall accordingly00:10:32
shades of color in the same shadows of the mountains because00:10:36
that is, the distant mountain, let’s say this00:10:39
there are no distant reflexes there and00:10:42
she's all purple and blue00:10:47
lilac volumes violet and red and blue00:10:51
and accordingly the shades of these colors00:10:53
will help dressed a little more gray somewhere00:10:55
more brightness of color but shades exactly00:10:59
basic colors that are inside00:11:02
there is a tint component, it’s always00:11:04
our taste our feelings of understanding color00:11:08
that is, there is such a wrong moment00:11:12
indicator no yes there is a spectrum of colors00:11:16
light that starts from the bill of yellow00:11:20
transition there into bright yellow and orange00:11:24
pink then to lilac so these are the colors00:11:27
the lights are clear to us, yellow is orange there00:11:29
pink but shades of these colors have00:11:33
huge variety further question00:11:35
our feeling how we will make them up again00:11:41
back to the tee00:11:42
Question from Holland: is it possible to mix00:11:44
easy dammar varnish pinin yourself00:11:48
and lenin and butter are all in the proportion 1 1 100:11:53
that's why it's called a tee, that's three00:11:54
equal parts of each diluent00:11:58
mix with each other we get on00:12:01
tee and after00:12:02
no question, let's continue to draw a bro entry00:12:05
How long will the recording be available and where?00:12:08
The recording will be available on the channel in00:12:11
youtube and also at the same address then00:12:13
there will be a single moment00:12:15
probably after it works00:12:21
the webinar will be held on youtube at some point00:12:24
time y records in processing that is00:12:26
she's been there for probably an hour and a half00:12:27
may not be available and then00:12:30
this link will already be in YouTube00:12:35
we will send bizarro in our subscription to00:12:38
link that is, if anything don’t worry00:12:40
The link will be in the newsletter00:12:43
All00:12:49
we start from the sky and we start from the air00:12:52
who looks behind the hollows of the cameras there is00:12:55
we practically start with bluish and00:12:59
lilac shades and so whitewash00:13:05
this is the moment of truth00:13:08
white let's do white this is no light00:13:12
white is a paint additive00:13:17
which allows you to do any other00:13:20
the color is lighter nothing more than that00:13:23
lighter, that is, white is not the color of light00:13:25
whitewash00:13:27
this is an opportunity to do any other00:13:30
the color is lighter just like the black worms it is00:13:35
the first moment the second whitewash is given00:13:37
plasticity of paints, that is, they00:13:39
allow00:13:40
carry out exactly the same shading00:13:42
if we don’t add white with shading and00:13:44
We hardly have anything normal00:13:46
the paint will start to float, here they are00:13:50
probably two main tasks of white color00:13:52
that is, the ability to give anyone00:13:54
to another00:13:55
lighter color tone and possibility00:14:00
shade the color consistency00:14:02
thin thin with metal so00:14:05
let's say well, we have a bluish one there00:14:10
a slightly blue tint is added and00:14:14
preferably so that it is not saturated00:14:17
bright ones will pay attention now00:14:18
It’s probably clear that it’s relatively00:14:20
white palette, the color is not very dark and not00:14:24
very bright, now let’s tighten it up a little00:14:28
there on the right side I have the sky00:14:34
protrudes through paint over a thin layer00:14:40
put the same thing a little here00:14:43
levista frame the sun shines on our right00:14:49
By the way, let's get back to this again00:14:51
look we are writing from the photo I am now00:14:53
I'll make the blue a little darker, that is00:14:56
as you move away from right to left but along00:14:59
picture00:15:00
we must show the attenuation of light in00:15:04
the sky that is the left side00:15:06
a little darker than the right one I whiten00:15:17
this color and add pink from pink00:15:22
We'll move on to the clouds later, you00:15:24
now the smoky sky will show white00:15:28
pink consistency thin sour cream00:15:34
pink should be lighter in tone than00:15:36
blue is also not allowed at this moment00:15:39
make a mistake that is blue further from00:15:41
the colors are pink closer to the light and this00:15:46
pink do not click on us00:15:48
please report00:15:56
and a little bit here on the right00:16:00
sides a little bit00:16:06
now just take a big brush and let’s do it00:16:10
shading connection when we do00:16:13
shading brush is always strict00:16:16
perpendicular to the canvas should be00:16:18
there is no changing the position of the brush00:16:20
we put it there somehow and that’s it00:16:23
we do shading here, let’s say how00:16:26
lay coloring according to the form that is we00:16:28
painted here was blue here00:16:29
let's say we shade the pink only00:16:32
along the connection line and generalize between00:16:37
are these two colors and it’s the same here00:16:42
soften it a little and at the same time if we have00:16:45
colors lay down many ultras subraces stretches00:16:49
will leave like this here actually with00:16:54
the left side in the picture is not very good00:16:56
I see the clouds are quite dark00:16:58
We don’t pay any attention to them yet00:17:00
now let's go away from the shadow colors of the clouds00:17:03
Gradually fill the sky with colors just right00:17:05
there will be siri it's pink there with00:17:08
adding English red somewhere00:17:09
she's practically a little blue00:17:11
We all have a light tone, don’t go dark, and so on00:17:17
I just broke my guitar00:17:20
good thing what I have left00:17:23
white thinner paint consistency00:17:27
be sure to ask simple questions00:17:30
definitely if anything is unclear00:17:32
Any points please write in the chat00:17:34
so that I can calmly listen to your00:17:38
I add a little questions and answers00:17:41
English color00:17:48
And00:17:51
dachshund will do for now00:17:57
we have a lot of light in the clouds00:18:01
We will change the light a little in principle00:18:04
you can be completely calm with pink00:18:06
shade00:18:07
paint over the main part with this00:18:10
along the mountains of this period and so now00:18:14
maybe the palette won’t even be shown00:18:17
the color will be almost the same00:18:19
I'll just pick it up from time to time00:18:21
we paint palettes00:18:25
the primary solution is laid out like this00:18:27
let's say color and tonal00:18:36
Let's calmly drive up the mountains with this color00:18:54
we paint we paint without paying attention to00:18:58
randomly we will customize the densities00:19:03
Then00:19:11
stubble and00:19:13
shading is not even shading00:19:17
just suddenly somewhere it turned out too much00:19:20
thick layers of paint at the same time simply00:19:27
check yourself for the number of colors and00:19:31
now we continue up the whitewash00:19:38
at the top we have such an interesting shade00:19:42
I'll add a little green color00:19:50
a little English red so gray00:19:54
gray-violet greenish tint00:19:57
maybe a little more blue, that's just right00:20:01
when we talk about paint shades00:20:03
I see something there about shades of color00:20:06
Let's focus first on what00:20:09
perceived seen paint in this00:20:12
color and then see what happens if00:20:15
something extra comes out of us00:20:16
then we will simply and simply00:20:20
painting the most important thing now is not the type00:20:22
pour especially00:20:25
now is probably the best moment00:20:27
interesting here quite filled00:20:32
complex sky tone a little deeper00:20:34
it turned out by the way now maybe a little00:20:42
maybe I'll be jumping on the floor00:20:47
to the sky practically and invisible and with00:20:52
pink with this we connect now the main one00:20:56
The main task is to get rid of whiteness00:20:58
canvas on yellow sti attention00:21:02
practical now on orange sti bye00:21:04
that without paying because it is very difficult00:21:06
will sort out the paint on the 1st floor where00:21:12
what shade of color should it be therefore00:21:14
first the general solution of the colder ones00:21:17
more gray shades are almost color00:21:21
turns into the color of the sky a little bit darker00:21:24
a little denser and probably more gray00:21:26
something else that was and we will already be in it00:21:30
add rich brightness with one00:21:37
in a word we paint we paint beautiful beautiful00:21:43
one more moment we have a photo here though00:21:46
there is a fairly clear focal point on00:21:49
photos concentrated this00:21:51
illumination of the mountains of clouds above them00:21:53
so if anything happens we will attack him00:21:56
focus on lighting00:22:00
a little bit of empty space and white is left00:22:04
we have this gray-pink one00:22:07
bluish bluish00:22:10
sky00:22:16
big brush again and blending now00:22:19
I'll stretch it, I'll just straighten it out00:22:22
paint by the way by the way by the way probably00:22:28
again people like me always ask not00:22:30
try to write live right away00:22:32
sometimes difficult but if you write do not rush00:22:43
summarize we connect as soon as we got rid of it00:22:48
from white it will be easier we will be00:22:53
see the missing depth of shadows and00:22:59
let's say there is an excess of light if we have00:23:02
hence the soft soft shading00:23:09
Now let's color in our questions00:23:13
questions and a lot of questions let's start00:23:16
traditional paints, whatever you can00:23:19
replace00:23:20
english red blue pc andy yes00:23:25
Dima hasn't mentioned it yet, come on00:23:27
straightaway00:23:28
mars black gray a pain this is for indigo00:23:33
if possible, replace the soot with this00:23:36
gas pluses c also burn in indigo00:23:39
as if it looks very similar in color, you can use it in00:23:43
basically any dark color blue00:23:46
in a shade like this, let's say it's like here00:23:48
we have black, basically any black00:23:50
bluish color00:23:52
or purple in that shade we have on00:23:56
indigo looks like00:23:57
Gas soot is similar to indigo in principle00:23:59
as if they were broken if you add more there00:24:02
a little bit differently sometimes00:24:04
brilliant green sometimes the rose is gray00:24:09
Payne are very similar to indigo only00:24:11
our density is lower00:24:13
mars dark is like indigo so00:24:16
you can use these00:24:21
English red that's about English00:24:24
red I’m not really sure it’s needed00:24:25
Is there something else to replace this paint with?00:24:27
Indian red it's basically similar00:24:30
to English red only not00:24:31
slightly higher color saturation00:24:34
sienna is very similar in color but in death00:24:37
mixing behaves perfectly00:24:38
in another way, that is, English red in00:24:41
to some extent a unique color in00:24:42
in terms of physical mixing of colors between00:24:45
tesan mixes perfectly with00:24:46
blue green so it's better to look00:24:50
English red very interesting00:24:53
very capacious color for mixing them precisely00:24:56
that is, about replacing it00:24:58
I can’t offer an alternative if00:25:00
just not sienna in its pure form00:25:03
that is, we still had a kraplaka there00:25:05
to blue with and blue fc you can calmly00:25:10
completely replace with Prussian blue00:25:13
for ultramarine, in principle, there are no00:25:17
that is, any blue dark ones are exactly in00:25:21
first of all, the main thing is that there are00:25:22
suitable to use orange00:25:25
terracotta instead of light orange00:25:28
house is possible, I think it will most likely suit00:25:31
there is already a tint component00:25:33
so it won’t be very scary00:25:39
whether to treat the canvas before starting00:25:41
no work, no need here again00:25:43
look at this moment if you have a table00:25:45
that pulls paint very strongly, that is, you00:25:46
start painting00:25:47
but he drags on and doesn’t give00:25:50
then you can shade the possibilities00:25:52
it's a little easier to process it a little bit00:25:54
will work on a saturated canvas but00:25:57
this is only if it is strong00:25:59
by stretching the canvas you can do underpainting00:26:03
You can use acrylic quite easily00:26:08
acrylic and preferably thinly, as if without00:26:10
invoices and the last question for this00:26:16
stage, what is the best way to cover a picture?00:26:18
what kind of varnish for dammar acrylic washing in00:26:24
in principle, both will fit well now00:26:27
and can be easily sold in aerosols00:26:30
buy in aerosol00:26:31
with added a little simpler and if with00:26:34
taking into account errors it is easier to wash off, but00:26:37
hid it with a little more complicated washing, that is00:26:39
it is thicker and cover it a little00:26:41
It may be heavier, but the lower ones00:26:47
clouds we immediately tint the lower one first00:26:49
part after that we'll move on and put it00:26:52
mountain silhouettes00:26:53
after that we'll start working on the details00:26:57
white for00:26:59
for quantity again here's another one00:27:02
the positive property of whitewash is00:27:05
amount of paint you can make00:27:07
that is, we make it using whitewash00:27:10
quantity of indigo blue paint and00:27:15
pink we make a gray-violet shade00:27:19
colors gray-violet a little bit00:27:24
with a shift towards pink more00:27:27
so that he carries nil00:27:28
but curled00:27:33
and the left side will be lighter00:27:40
a little shadow on the right is darker so that00:27:43
just bring the right clouds closer00:27:48
as much as possible to us, that is, we will have00:27:50
the close-up is constructed in this way00:27:54
smooth transition middle zone middle00:27:58
area with mountains and going in that direction to the right00:28:02
into the distance towards the light so a little bit at once00:28:06
we'll act out and add a little to this00:28:10
English red color is slightly more gray00:28:15
make a shade of English red here00:28:18
behaves just fine with00:28:20
blue flowers behave well with00:28:23
indigo with green, that is, it allows00:28:25
such noble grayness00:28:27
emerald gets a very cool color00:28:32
look without lighting and do it00:28:35
there is no illumination at this stage00:28:36
We don’t have it, we’re just closing it now00:28:40
gradually from this moment to more00:28:42
dark tone and local that I immediately00:28:44
I’ll do the shading, dear friends, right away00:28:54
We kindly ask you because completely00:28:57
Our studio equipment has been updated00:29:00
I would like it if the broadcast is bad00:29:03
something with sound something with a picture00:29:06
be sure to write to the chat anyway00:29:08
so that you can track these moments00:29:15
I'll make it a little darker, let's take the blue one00:29:21
Rapla chok let's add English red00:29:25
above this color and immediately it00:29:27
calms down from it flashy colors00:29:31
disappears it becomes grayer00:29:33
more calm good darkness00:29:42
you need to put it in and don’t shade it right away00:29:56
went to the sequence of giving in this00:29:58
once walked around the mountains00:29:59
grew up, let's make it the third stage after00:30:07
clouds, paint over, rub, work with00:30:23
minimal color palette allows00:30:26
as much as possible just to train00:30:28
your own vision of mixing00:30:32
shades of tones, that is, the fewer you have00:30:35
the more colors you have00:30:38
mix together to get00:30:41
the necessary shade and it’s very, very00:30:44
important point because that's exactly what00:30:51
in this way we learn to see how they behave00:30:54
how many colors relative to other colors?00:30:57
need lightness or darkness and they00:30:59
add a bar and so on00:31:07
dark purple-red color here too00:31:12
again why in the first place00:31:14
violet-red not violet-blue00:31:16
us snow in the shadows will be more purple00:31:20
blue00:31:21
sera sera see her a purple-blue and00:31:25
just to separate it from the rocks00:31:28
from the mountains not only the tone is lighter than darker but00:31:31
and the color of the mountains will initially be made00:31:34
more00:31:36
purple kraplak you are indigo kraplak00:31:41
blue and kraplak maybe a little bit00:31:51
English red again she too00:31:53
will give the tranquility of the light he will not00:31:57
will scream about himself00:32:00
the left mountain will give us a darker tone00:32:04
the right one will be a lighter tone and00:32:06
I'll add a little pink00:32:09
redness and it's not black, this color is00:32:14
Yes, he is dark, but by no means00:32:16
black00:32:19
again on the snow inside00:32:22
don't pay attention to the right moment yet00:32:27
try to paint it first00:32:29
the central part of the mountains without getting close00:32:33
close to him00:32:38
the remaining paint is already approaching here to00:32:41
edges so that the layer thickness does not turn out to be00:32:47
our lines adjacent to it because00:32:51
that I would still have to climb00:32:53
some yagura00:32:57
so I won’t show them until the end00:33:02
lift towards the sky like I already did00:33:05
said the right side will be lighter00:33:07
I'll leave myself a little extra in shape00:33:16
finish drawing it then put on the light00:33:21
I whiten it00:33:30
the game is already00:33:32
if you compare here it's good00:33:33
you can see the tonality is lighter and you can00:33:38
make it even pinker00:33:41
divided and added a little pink00:33:45
more purple shades than more00:33:53
and practically the entire profile is also possible00:33:57
I paint over the mountains, that is, look, we don’t00:34:02
show no volumes at this stage00:34:06
that is, we don’t have all the volume00:34:08
absolutely flat and by the way if we want00:34:13
so that we have clouds in the foreground00:34:20
taken closer will be necessary00:34:22
shade of this color that we have00:34:25
was in this mountain00:34:29
we can put it here in the shade00:34:33
the front cloud has even more depth00:34:36
add tones00:34:37
so that later when we arrange the light00:34:39
with us she is as close as possible to us00:34:43
so sleep and another moment here on the left side00:34:47
this part of the clouds is in our shadow00:34:49
will be located deep behind the mountains and00:34:51
the same color as for the distant mountain00:34:55
add here to these clouds and00:34:57
I'll calmly pick up this color00:35:01
almost a close guarantor00:35:13
half-empty brushes and almost paint00:35:15
over and collecting00:35:24
the remaining paint is already washed away so that00:35:26
softly, softly in the transition we got this00:35:30
I deliberately didn’t touch some of them yet00:35:32
here other shades are a little off00:35:36
correct stubble and shading connections00:35:41
in the clouds look, you can use a brush00:35:45
perpendicular to the canvas and circular00:35:48
movement00:35:50
let's say in this situation it is possible against00:35:54
clockwise is just convenient00:36:02
just create feathers as you go00:36:12
this shading immediately gives00:36:16
decrease in thickness if somewhere suddenly00:36:18
it turned out that the consistency of the paint was not00:36:20
you can lay down on it right away00:36:22
to navigate, that is, if we see traces00:36:24
from this brush on the canvas it is clear00:36:27
leaving means something is wrong with00:36:28
we have paint consistency and this is the moment00:36:31
extremely important consistency fees00:36:34
I climb a little even you see everywhere00:36:37
the consistency is like paint00:36:44
practically do not switch from one00:36:46
states into another certain tonal00:36:50
the decision has been made, we are waving our hands00:36:53
they say there will be questions today00:36:57
active theater is very nice00:36:59
there are many who watch and understand this00:37:04
great and so the first and important question00:37:07
Is it possible to write this work in several00:37:10
stages over several days is possible, of course00:37:12
even the mistakes themselves must be done first00:37:15
what can we say like this this is this00:37:19
half of the first stage is already00:37:21
the finished canvas is closed with the second half00:37:24
the first stage is increasing volume00:37:27
objects, that is, we are almost all00:37:30
We'll increase the volume of items, I'm talking about this00:37:32
I'll definitely tell you where I can00:37:35
quite calmly stop there00:37:37
drying the painting until the writer and harvest00:37:44
mild concern audience a00:37:45
seascapes will certainly be like knees00:37:52
there will still be cloudy landscapes00:37:55
clouds of mountains and sea but in reality00:37:58
again00:37:59
and if you remove the clouds and draw a smooth surface00:38:03
there will be mountains protruding from the sea that is00:38:06
we're actually not that far away00:38:07
moving away from the seascape we pray00:38:11
itself just water for May in its purest form00:38:14
everything remains the same by the way00:38:17
very many indeed00:38:19
problems with writing mountains and00:38:22
accordingly, as if here00:38:24
worth attention to the mountains and to the blocks too00:38:27
clouds this is this this is our eternal00:38:29
sore subject clouds smoke one more question00:38:34
how much tee do you need to use on your brush?00:38:39
The faucet must be taken not with the hand but00:38:40
add it to paint and here it is00:38:42
entirely by experience00:38:45
achieved that is, you take the quantity00:38:48
some kind of paint00:38:50
add a tee and mix00:38:53
add little by little to get exactly what you want00:38:56
there was no excess of it, that is, in a small00:38:58
Small quantity can be added again00:39:00
the quantity will also gradually come to00:39:02
required paint consistency if you00:39:04
you'll pour a lot of tee00:39:05
your paint may turn out very liquid00:39:08
Then I'll have to return everything to you00:39:10
mixed00:39:11
the paints that you had will have to be used again00:39:14
return them to this mixture to give00:39:17
return back to normal thick00:39:19
consistency therefore tee quantity00:39:24
in paint00:39:26
quantity of colors different color when we00:39:28
mix shades00:39:30
this is entirely our work on00:39:34
yourself00:39:35
try a little bit added a little bit00:39:37
looked00:39:38
don't rush, don't grab eight at once00:39:40
kilogram of paint per brush00:39:43
it will be possible to mix normally, that is00:39:45
supplements gradually dim one more question00:39:50
how to determine when you need shading00:39:53
do with a soft brush when with a hard one00:39:55
but in reality it depends00:39:58
what do you mean by soft brush?00:40:00
mean by hard if we say00:40:02
that's just about the moment we're having00:40:03
was00:40:04
for the connection I did some shading00:40:07
big stubble then this is a generalization00:40:10
if we talk about soft brushes in00:40:12
shading is when we really, really and00:40:14
you need to connect something very gently and when00:40:19
this won't disturb anything else00:40:22
this is the place or this is the work right here00:40:26
floor00:40:27
fell fell at semitones semi tint00:40:29
when you need the minimum then you need it00:40:31
soft brush when dense enough00:40:34
strong shading goes then you need00:40:36
use medium soft like this00:40:39
that's because if you are very tough00:40:40
take bristles, they will scratch00:40:42
the paint will leave marks on you00:40:43
streaks of paint and nothing good out of it00:40:47
you won’t be able to shade these, that is00:40:49
there is probably another important point here00:40:51
here is the shading brush, it’s not big00:40:54
should be very soft00:40:56
because otherwise she will just be00:40:58
remove paint from the canvas by taking it away00:41:00
as if it shouldn't be very tough00:41:03
because it will be very tough00:41:04
still scratch the canvas and leave marks00:41:07
sometimes even the consistency of the paint is00:41:09
correctly and will not save, that is, by itself00:41:10
the tool itself is not suitable for00:41:12
Is it possible except for shading?00:41:18
dark lightness still warm coldness00:41:21
It’s necessary to voice colors here’s how00:41:23
really, if you are now00:41:26
look at almost everything we have00:41:28
cold it's who's bad okay we've got light00:41:32
and shadow polar concepts00:41:34
color shadow accordingly if we have light00:41:39
warm00:41:40
then our shadows will be cold, this is it00:41:45
the state of heat and cold allows us00:41:48
without going into tonality into darkness give00:41:51
to them on the wall the lordship of light00:41:53
create volume that is, we can00:41:55
put the light dark enough in tone and00:41:58
at the same time, the shadow is quite light in tone00:42:01
no matter how it sounds, I'll give it corny00:42:04
dark light and light shadow as if but00:42:07
it is heat that coldness allows us00:42:10
it is possible to do this now with us00:42:12
Almost everything is cold accordingly00:42:15
when we gradually begin to increase00:42:17
the volume will already partially appear there warm00:42:21
shades of paint now we are warm00:42:23
didn't work there, added English to00:42:25
in small quantities it is not warm00:42:27
leads it leads more to dullness00:42:29
colors, that is, we remove the brightness of the color00:42:32
from some places where we brighten me00:42:35
we need and therefore do not want to attract00:42:37
to this place of attention00:42:39
and probably by the way it’s warm00:42:41
coldness grayness let's add here and what00:42:44
further we move away from the central part00:42:46
compositions in the painting00:42:48
the more gray we become00:42:50
all colors, that is, in theory, if we have00:42:53
the brightness is somewhere around here00:42:56
there will be illumination of the mountains this00:42:57
golden light of clouds and the like00:43:00
the brightness in this side of the picture gives us00:43:02
absolutely not needed, it will just be there00:43:03
distract attention and accordingly00:43:07
Our main focus will be on00:43:09
the central part of the composition by color00:43:11
there will be more open colors more00:43:13
bright and the edges will be just the same00:43:18
calmer all the time00:43:19
in order to push away immediately from00:43:23
edges to the center of the composition00:43:34
the clouds are returning to the top now00:43:37
I'll make the back side of the tassel for myself00:43:39
the drawing here needs to be of course it00:43:43
it will be seen approximately like this00:43:45
estimating where the brightness of the clouds will be where00:43:49
the wall will be, that is, essentially along the lines00:43:52
drawing with scratch regarding00:43:55
pictures of where you plan to put it00:43:58
brightness is not cream in a row one after another00:44:02
We practically have a fence like this00:44:03
Zabrakov turns out to be hard here for00:44:10
with this mountain we will have more00:44:13
deep shadow part here we have00:44:15
the shadow will also fall clouds shadow cloud we00:44:19
We'll show it later and here we have it00:44:23
incomprehensible state from a heap heap00:44:26
clouds00:44:27
somehow we'll solve it along the way00:44:31
the left side is quite bright00:44:32
the cloud we will reduce it a little00:44:35
we will bring it to high brightness00:44:36
wipe the brush thoroughly and now00:44:41
anything00:44:42
so we have it on the toyota sera palette00:44:45
with a greenish tint the color from the cloud00:44:48
I'll add white and English red00:44:51
with pink gray00:44:55
reddish purple tint and will go00:45:01
first, here's a part of this00:45:09
and a little straight up in the shade00:45:14
I hit the mountains a little and00:45:20
the line that essentially outlined it00:45:22
boundary of an object relative to another00:45:25
I shadow along this border a little at once00:45:28
I’ll put a brush in the depth right away00:45:34
I take a little paint on the brush and00:45:37
accordingly smeared smeared all over00:45:40
paint with a brush about this remnants already00:45:42
empty brush just until stretching and00:45:45
look we will have such verticals00:45:48
get a little here00:45:54
then this little corner, well, at least I can’t stand it00:45:57
abandoned gradually00:46:03
adding shades by introducing we see how00:46:05
behave the previous ones, that is, if00:46:06
we have something against the background of these flowers00:46:08
will change to just adding and00:46:11
change him like this now to the right00:46:17
side00:46:18
the shadow cloud is so good lies here00:46:22
let's put00:46:23
and almost close, that is, a little00:46:27
I'm going to the mountains, here I'll try00:46:33
leftover paint00:46:34
what is left on the brush so as not to00:46:37
give excessive brightness, that is00:46:41
the tone here will be paler00:46:44
in the clouds they will be more grayish00:46:48
it’s a cloud and we won’t show it brightly00:46:50
mountains mountains adding a little bit of this00:46:54
lilac color with shadows00:46:58
this is what we have here, this is where we are now00:47:01
spots deepen the shadows of the sky00:47:10
it's too colorful, it could be in00:47:13
principle go and vice versa from dark00:47:16
colors in this situation we have red00:47:19
it was much more convenient for me to go from00:47:24
colder grays towards darker and00:47:29
warmer shades later again big00:47:33
bristle00:47:34
save me, I'll wipe it under me thoroughly00:47:43
I'm dirty and I'll summarize now00:47:47
these are the nuances that we had here00:47:51
made well wiped brush well not00:47:58
spoils nothing for us the blue in which she00:48:01
was in Siri there are two options00:48:10
work 1 we clearly draw a picture of this00:48:13
so that nothing works out for us, that is00:48:16
practically copying, lining up00:48:17
scale grid or we are to some extent00:48:21
we're still improvising00:48:31
I walk a little here and it’s perfect00:48:36
connection here above the clouds of air and00:48:39
clouds, that is, we actually have like00:48:42
If only all the blues would disappear into the haze now00:48:48
I'm missing a little in the shadows of the clouds00:48:51
I'll take it00:48:52
I add purple to the pink one00:48:55
I was whitened and added bluish00:49:00
I will make the color more bluish and00:49:05
here it is calm from this mountain00:49:11
several shadow moments are visible00:49:15
very good photos, that is, at the top00:49:17
more nearby clouds there we are00:49:20
they are more rank and here we have blue00:49:32
You can deepen the tone a little here00:49:58
a little calming down in this part here we are00:50:01
We’ll be building more mountain ranges now00:50:03
the mountains just give us contrast00:50:06
which allows you to put in the sky00:50:09
the depth of the shadows from above here this this00:50:14
Jessie00:50:17
bluish which was just his00:50:19
a little very small amount00:50:23
dotera I00:50:34
our ears are somehow smoky00:50:36
appears and now we will quietly00:50:40
move on to the bones we have a question00:50:42
no, you can answer the question at large00:50:47
do brushes need to be wiped and how?00:50:50
way to depending actually on00:50:52
necessary as if we need00:50:56
Yes, interfere somewhere with the shade of color that00:50:59
there is a sarah on the tassel00:51:00
from not necessarily or if for a little00:51:03
then the paint needs to be wiped off00:51:05
recording should be economical and so on00:51:10
convenience absolutely always here00:51:13
the only point of remark is not00:51:14
wipe it constantly because if00:51:16
you wipe and constantly you all the time00:51:18
remove the cover from it00:51:20
do something on canvas she paint00:51:22
you took it again, you wiped it, dried it00:51:26
she took the canvas paint again00:51:28
only 5 canvas paints by constant rubbing00:51:31
my this brush00:51:33
she really likes to eat paint and what do you00:51:36
you make it cleaner timan halide more00:51:41
what can you use to wipe these brushes?00:51:43
cloth non-woven napkins can be00:51:47
rags than good luck wetting me with nothing00:51:50
wetting absolutely dry rags00:51:53
Well, this question is rather creative, how00:51:57
you come up with a master class00:52:00
master classes00:52:02
take ideas from me and by myself actually00:52:06
they come from where we have a lot00:52:09
beautiful places00:52:11
I just liked these mountains too00:52:14
image she is very beautiful why not00:52:16
not to do that is, you are also visual00:52:19
I saw an image somewhere further on and then00:52:23
you start creating what you see00:52:25
stick out the mountains just a little bit00:52:31
a little bit of volume is proud then a little bit00:52:33
volume of lower clouds and that's how we will be00:52:36
constantly move up the middle00:52:39
above middle bottom adding everywhere00:52:41
little by little00:52:42
now we will line up and fight in the mountains and00:52:47
here we probably already have somewhere00:52:49
there will be partial heat and coldness00:52:52
the illuminated parts of the mountains they are green from us00:52:56
a little bit at least for me00:52:58
in the photo it basically feels like00:53:01
there would sometimes be up on the rocks there and grassy00:53:03
something else happens so it’s possible00:53:06
a little bit00:53:08
potion the only condition is not00:53:10
let's lighten it up, I took umber, burnt umber00:53:14
I just added it to the color that was00:53:18
the previous ones are blue00:53:20
gray-blue clouds and then we begin00:53:23
relief shape mountains brush works on00:53:29
slope direction00:53:32
somewhere I’ll have to add a shadow later00:53:35
because the drawing fell a little bit00:53:37
intentionally left empty spaces00:53:42
to be able to calmly00:53:46
shade the sky00:53:53
we set the profile of the mountains based on our own00:53:56
sensations and drawing, that is, thoroughly00:53:59
there is no need to repeat it, the only thing is00:54:02
so let them work on the relief00:54:05
direction of the slope angle, that is, than00:54:07
steeper mountain00:54:08
the more vertical we work than the mountain00:54:11
let's put it, let's put it we work00:54:18
here's another moment for sure00:54:19
move away and see what's going on00:54:22
you are folded according to the pattern from a distance00:54:25
now I will pick up at the same time00:54:28
cold blue there, Sirine, here I am not00:54:31
You can add the palette without showing it00:54:33
in principle, I’ll either adjust the lilac to fit00:54:38
the color of the mountains or00:54:41
violet-lilac or00:54:43
green sounder that is I just need00:54:46
the shadows are not in tone, I’ll make them darker00:54:55
the consistency of the paint is a little bit now00:54:58
thicker than it is by the way we still have snow here00:55:05
you won't forget about him00:55:15
the only line we can00:55:18
lead along to the profile00:55:21
This is exactly the shape of a mountain, i.e.00:55:23
here we just move along the ledge00:55:28
We are now creating a more verified00:55:32
Drawing of a mountain profile draws a line00:55:38
then for yourself you need something right away00:55:42
spread out direction00:55:44
We have a little bit of slope here, this piece00:55:50
By the way, I stayed right here on purpose00:55:54
I rise into the sky and make you mix00:55:58
what's in the base what's on the brush00:56:01
the tone is lighter and the game turns out automatically00:56:03
will recede a little into the distance00:56:15
just a little grace hits her00:56:17
you can outline some for yourself00:56:21
directions of relief verticality of mountains00:56:27
such a terribly true moment here00:56:31
we have00:56:32
appearance, I’ll draw snow, will it live?00:56:36
and go into the clouds and get lost and also00:56:47
there will be snow somewhere around here00:56:48
grief slope like continents captive on the globe00:56:56
according to form00:57:00
then we'll move there and we'll be there00:57:03
there will be a little snow here but it00:57:05
there will be a next line00:57:08
again, here the umber passed through00:57:12
but the shadow and accordingly disappeared in some places00:57:16
lilac00:57:17
purple you and the same colors that00:57:20
in grief and shadow00:57:29
a very important point from which side00:57:31
the light is falling and where are we00:57:33
there is a shadow side behind everyone00:57:36
light illuminated part on the left side00:57:39
the objects we had were the shadows of the night00:57:41
volume should not be lost instantly00:57:46
race00:59:43
yes dear youtube friends00:59:51
oh sorry good ones youtube stopped00:59:58
we are at stage c no but now we will continue01:00:03
snow on the distant mountain and more more01:00:09
Harry's creations paid attention01:00:15
snow was drawn on the OLED service, here it is01:00:20
raw why yo tone darker I by the way we01:00:26
there's a little bit more of it now01:00:27
bastard01:00:28
I'll make it more blue and add it a little01:00:31
English red so he's more01:00:33
gray-blue was that is, in English01:00:36
red is one remarkable property in01:00:37
small quantities and beat01:00:40
saturation density brightness of colors01:00:45
excellent and in this bitterness just general01:00:50
drawing us by chance of snow exactly like01:00:52
stains are not snow, they are stains01:00:56
some kind of gray-blue shade01:01:00
blue-gray violet01:01:01
along the slope there located strongly01:01:05
we won't go into details01:01:16
We planned to go out here a little and01:01:19
shadow now this mountain profile01:01:22
I trimmed the far one I didn’t trim it01:01:28
and let's level the mountain01:01:40
so dear friends once again for quality01:01:45
images are required throughout01:01:47
be sure to let us know where and what moments01:01:55
there is something wrong in the image01:01:59
I'll definitely correct this later01:02:06
I really want there to be broadcasts01:02:09
by the way, we provide the highest quality01:02:10
Now we'll start a whole series of broadcasts01:02:13
since we practically have a studio01:02:17
equipped01:02:18
a little more well equipped01:02:21
some interesting things about which01:02:24
I'll tell you later we'll be practically01:02:30
live and chat almost01:02:32
two-way maximum direction01:02:40
I immediately trim the shadows01:02:49
there is also a little bit to add this circle01:02:52
ray of light01:02:55
when you look from too high an angle01:02:58
on canvas some things in perspective01:03:00
distorted shape changes with the more01:03:05
killed to the canvas01:03:06
the more the form is incorrectly distorted01:03:13
it turns out that now the depth of the shadows is01:03:18
in this piece here in this piece01:03:20
let's build it up, that is, indigo kraplak blue01:03:27
almost almost black tone that is colors01:03:31
almost invisible dark dark dark thick01:03:33
purple and here relatively01:03:36
snow increasing brightness01:03:47
and we work further up the slope, look01:03:50
I'll tilt us in this direction, this ridge01:03:52
goes according to the direction of movement01:03:54
brush exactly in this direction, that is, there01:03:58
where the slope goes so we work so where so01:04:01
goes we work this way here01:04:05
just added a shadow shadow there01:04:10
darkness needs to be generalized, you can’t generalize01:04:15
here it’s a matter of taste and not shading anymore01:04:23
let's go and not evenly someone likes it01:04:33
write mountains with a palette knife allows enough01:04:41
interesting accidents of relief texture01:04:44
create but for this you need enough01:04:46
high work experience here is also experience and01:04:49
skills are important but we are not so much anymore01:04:52
dependent on the tool, that is, a palette knife01:04:55
like a tool in skillful hands01:04:57
allows you to do a lot01:05:00
and sometimes when we lack experience01:05:04
on the contrary, it turns out not what we expected01:05:08
because there is entirely01:05:12
accident01:05:15
I'm trimming the shapes now so that01:05:20
the shadows were deeper and the snow picked up a little01:05:27
under cut it01:05:35
went a little into the details but here we have it01:05:37
as if this part is one of the key01:05:39
so I’m building more here01:05:42
we will increase the depth of the shadows the same01:05:46
dark tone01:06:04
and relief01:06:07
While we were rebooting I saw in the chat that01:06:09
Close pictures are sometimes not necessary01:06:12
I’ll review it in the recording too and01:06:16
necessarily these moments also when01:06:18
filming we will adjust to maximize01:06:22
close01:06:24
some moments could be shown01:06:32
gradually moving here to the right01:06:36
I paint this dark paint in exactly the same way01:06:38
but I rub it in so that it01:06:42
once it was lit, that is, if on the main01:06:44
main part in the middle in the center01:06:47
the picture is darker then here it is darker01:06:53
bright and we’re trying for another moment like this01:06:57
in this distant mountain that is on our right01:07:00
there are fewer details inside, that is, it is away01:07:03
that's why we can't see small details01:07:05
we show it in general without detail, but here it is01:07:13
now periodically look from01:07:17
sides so as not to add something01:07:20
unnecessary01:07:34
we have already done some profile silhouettes01:07:38
now there is still snow around the edges, gray-blue01:07:45
this piece of snow is still somewhere01:07:49
lies here, add something01:08:04
and such01:08:06
chaotic movements in the direction01:08:08
slope we turn on the main thing so that there is no01:08:12
bright01:08:13
also somewhere there can be a little bit of clouds01:08:16
color now cling it's you here01:08:20
tighten it up so we have some relief01:08:24
already formed there is already a feeling01:08:29
Gregory away clouds in the front01:08:33
let's give them some volume01:08:39
I whiten the blue-gray that was for01:08:43
snow01:08:46
maximum01:08:54
I add pink and01:09:02
A01:09:04
clouds so line01:09:09
brightness times are not there brightness past01:09:14
there are two there, there it is, a large cloud01:09:21
foreground which is practically01:09:23
affects us from the right side01:09:26
falls out of the canvas just a little bit of light here01:09:40
gray-pink and rubbed01:10:09
dear friends, how do you feel about that01:10:11
let's say that every month we will01:10:13
host an open webinar, reply to01:10:16
chat please bye this roof then01:10:23
I think it would be interesting01:10:24
and light light washes by the way now01:10:31
a big brush and that's what's here01:10:33
painted, blend the same circular01:10:39
soft movement01:10:51
Now let’s add a little shading here too01:10:58
I add white to the pink that was01:11:00
I add blue I need s01:11:03
bluish tint now the color of the clouds01:11:07
on the left side here01:11:15
put paint on01:11:16
and shading I attach the light down then01:11:21
There is no light in the top, I shade it in01:11:23
the bottom line of the erosion of it to01:11:28
such layering burns the secret we have layered01:17:10
dear friends evicted, stuck around, appeared01:17:16
Whether we are waiting for a signal or not, we are waiting for the go-ahead01:17:22
it seems like things will get better01:17:27
hope we have more of these types of jambs01:17:33
won't be waiting waiting for an answer waiting for an answer waiting01:17:41
answer, give me some pluses then dears01:17:43
friends what is seen, heard and as soon as01:17:49
they'll go plus sign and now we'll start, that is01:17:51
I'm all back to normal just like that01:17:59
have a fight on youtube damn what what what01:18:05
what, well, what are we continuing on?01:18:09
stopped, I don’t remember, I think01:18:11
something from the clouds01:18:13
big stubble and continue and we are now01:18:19
let's go up and work with01:18:24
illumination of the upper clouds01:18:28
we return who watched and worked on01:18:33
at the rate of the cloud it will be just the same for them01:18:37
it’s more clear there attention is all a cloud01:18:42
has been given to beginner clouds01:18:46
for the first time we start English red with01:18:49
whitewash pale whitish01:18:56
pinkish excellent shade01:19:02
look we are starting there are no yellow ones01:19:05
then we have01:19:06
but just like that, I would like even one second01:19:08
I would make this color a little more01:19:12
more saturated not so light, that is, it01:19:20
very light we will make it brighter01:19:24
brightness will then allow us to use01:19:25
more than 5 shades01:19:34
they are living and yellow x-terra because01:19:36
Damn it's darker, of course it's knocked it a little01:19:40
this gap is broadcast on the basis of nothing01:19:44
scary so the darker it is initially01:19:47
we take the colors of light the more we have01:19:50
margin for obtaining illumination brightness01:19:55
items therefore this one here01:19:59
English white color we try to do01:20:03
quite dark and then we have clouds01:20:09
here and there the shape will probably be a little bit01:20:12
we will produce them and pay attention to this corner01:20:16
look at the right corner where it comes from01:20:18
we make the light soft and dim then01:20:22
we have light rising and falling01:20:27
here, that is, compositionally we have this one01:20:29
the most important part will be in this part01:20:32
Let's see the mountains, most likely there will be01:20:34
brighter laughter reflects a little light from us01:20:36
higher than the clouds so the brightness of the snow01:20:40
let's make it high and accordingly now01:20:44
English red goes where it will be01:20:47
light01:20:53
and almost everything we do is done here01:20:58
with this bristle where you need shadow01:21:01
washing is not yet corrected to make them stronger01:21:03
let's lift it up a little by the way01:21:08
this is where you feel01:21:10
light and here I broke a little, that is01:21:13
in some places we watch the tone if we have space01:21:15
light melts he chooses this color01:21:18
more light and that is measured here01:21:19
here the illumination will not make us softer01:21:22
so bright, that is, we don’t need bright01:21:24
contrasting substrate light path in the distance01:21:27
accordingly, I put more here01:21:29
pale blurry 1 time days blurry01:21:34
measured color where we have brightness01:21:38
will be higher accordingly01:21:40
brightness of color tone of color darker and01:21:44
so once again so as not to get confused01:21:47
where we have pale light then change to light01:21:52
where we have brighter light then on01:21:55
darker ones just to01:21:57
we had a larger tonal reserve on01:22:00
brightness that is dark and light color01:22:04
because of this the color will be brighter01:22:06
light accordingly pallor not01:22:08
brightness whitening English red01:22:15
a little bit, that's what I also had01:22:18
I add orange, that’s just it01:22:21
transition by01:22:22
and I add a little bit of wisdom01:22:30
change the shade of the color then it's a little01:22:33
now let's see if he's fine01:22:37
a little bit lighter01:22:39
from a different color, that is, from red we01:22:41
turned into an orange tint and this01:22:44
I'm slowly turning orange01:22:49
turning it pink01:22:53
I’m increasing the brightness, that is, but white for now01:22:58
that we don't talk about it at all01:22:59
independent color which light is there01:23:02
shows us we01:23:04
we make do with broken light01:23:10
by mercy and the further the edges the more01:23:15
both left and right are paler as already01:23:17
it was said that our color is more measured01:23:20
the brightest part is this part01:23:23
clouds accordingly here we have01:23:24
the brightest shades of color brush01:23:28
put it just a little bit like that with a turn01:23:31
need swish tempo01:23:32
once and01:23:40
101:23:43
and then we choose the form and quantity01:23:49
the task is quite creative like this01:23:52
let's say it wasn't in the construction, that is01:23:55
it seems like there are a lot of details to be sorted out01:23:58
a little bit and there is a little bit a little bit with01:24:06
the right side should not be extra01:24:08
brightness I wipe the brush dry now01:24:12
I connect a little color together01:24:17
a little light light01:24:19
blurring we are still trying to brighten01:24:25
the colors towards the sky were a little weaker01:24:30
we're trying to get to the center, I'll explain later01:24:34
this moment is an example now01:24:36
soften slightly, slightly pass, look01:24:41
to there was no rhythm so as not to repeat01:24:44
moments for something we add something01:24:48
we remove and I already said that we are not only01:24:53
Now we will highlight where we need it01:24:55
on the contrary, we won’t add sensations01:24:56
there is depth01:24:57
enhancing shadows we will show more01:25:00
high contrast now on the palette01:25:04
pink let's say he has green01:25:09
a little bit but again with this01:25:12
Calculating to make the color more purple01:25:14
remained than zelenin is pink01:25:18
more in quantity01:25:21
and right there is not enough indigo I will add again01:25:26
start up, select purple-reddish01:25:31
lilac dark tone checked01:25:37
okay, that is, in some places I don’t do those01:25:41
deeper on the clouds to brighten01:25:43
lighting01:25:44
increased, that is, we are not only01:25:46
Your lordship we work and just the same 101:25:50
under no circumstances can your lordship01:25:51
we can work on volume, not volume, brightness01:25:55
lighting can be lost and when we01:25:58
we work with both shadow and light polarly01:26:02
at the same time that is it is increasing01:26:06
in the necessary places we achieve then01:26:09
much more volume and naturalness01:26:13
like here we have it on the right01:26:15
clouds now we are it and this color is like01:26:19
since probably not, he’ll add redness01:26:22
let's take a little bit of blue into our own color01:26:26
otherwise the bright cloud will turn out to be sulfur01:26:31
some one goes and01:26:38
look I'm working almost like this01:26:41
the bristles are just the amount of paint on it01:26:44
small01:26:45
the paint is quite liquid but to a small extent01:26:49
quantity and accordingly then and01:26:51
does not provide layer thickness, but there is01:26:54
opportunity to eat01:26:58
the color that lies below put from it01:27:04
the redness is still visible now01:27:07
in some places in this cloud I’ll add blue01:27:11
I bleached the color I had01:27:15
I broke it so as not to obscure it01:27:18
there is i need color change first01:27:20
color tint queue oniton and therefore01:27:23
be sure to go back to white first01:27:26
lighter tone and then add01:27:28
required color return to01:27:33
blue in some places here too01:27:37
in the depths of the customs cloud the edges a little01:27:41
this color01:27:47
and up here and softly, softly with the air01:27:50
I'll rub it a little so it's not here01:27:52
sharpness, that is, I keep the shape like this01:27:56
such a rotational movement of all sorts01:28:00
showing small, jerky clouds01:28:05
lightness and on the left side we have this01:28:10
there are clouds, look, just poke01:28:18
brush canvas01:28:21
the brush is constantly rotating a little01:28:23
so we spin in our hands and work along01:28:26
some line01:28:29
twisting the brush so that the shape is01:28:31
the most diverse, that is, the most01:28:34
The main thing here is not the quality of the mask for01:28:37
diversity and at the same time we have this01:28:41
the shadow will be drawn closer to us and01:28:45
the cloud is soft here01:28:52
knocking down the brightness of the light in the sky a little, we01:28:58
raised a cloud, a light came out01:29:03
you can see where a little bit of brightness comes from and01:29:08
We’ll put the details on this mountain now later01:29:10
let's go down on these clouds again01:29:12
a little bit of English red rose too01:29:14
we'll add them too, select them and then01:29:16
Let's take care of the nuances and so whitewash01:29:23
English red01:29:25
you can even add a little more umber01:29:29
grief01:29:34
need it right along the terrain01:29:40
this bristles allows quite well01:29:43
create relief and this is where we work01:29:46
the color of the light is again English01:29:48
red is our color of light01:29:51
corresponding redness is not here for us01:29:53
as the farthest color of light and we begin01:29:57
add little by little01:30:02
light on illuminated areas of the mountain01:30:07
movement along the slope01:30:10
don't rub it too hard, it's not the point here01:30:13
shading is there we put it right well01:30:17
let's say they put the direction there01:30:19
just a little generalization01:30:22
slight blurriness but by no means01:30:24
not shading in the literal sense of it01:30:27
words, that is, we create a structure01:30:31
relief01:30:38
no way to lighten it up, but the main thing is that01:30:41
there was a sense of direction of movement01:30:43
slope and illuminated areas01:30:46
on the right side we also have a spot01:30:48
there is light but its I'm special01:30:52
rubbing the paint a little into the shadow will make it01:30:57
slightly weaker than the brightness on the left side01:31:01
have outlined01:31:03
and also a little lit01:31:06
but not bright and by the way you can do it here01:31:10
I risk a strip like it’s the day of this mountain01:31:15
covers this piece01:31:17
now a little bit with this part and that01:31:19
same color01:31:20
We don’t change anything because of the chaos of the mountain01:31:30
Ours is chaotic, that’s why these ones are here01:31:34
touches are the most important direction01:31:37
slope the rest is slightly chaotic01:31:40
here somewhere there is something there01:31:43
a little goes in very neatly01:31:46
I think that our grief already manifested itself in01:31:50
became quite clearly visible in the relief01:31:52
in illumination01:31:56
We'll put some snow now01:32:04
bright we have golden snow there01:32:08
on the right side we take white yellow01:32:11
bristles and add a little umbro01:32:15
on the palette it's such a dirty yellow01:32:20
greenish tint of color wanted on01:32:25
on canvas it works like gold for us01:32:35
In fact, somewhere now we are already succeeding01:32:38
brightness of mountain lighting01:32:41
by no means pure umbro yellow01:32:44
calms yellow let's do it again01:32:46
the opportunity to shine thereby01:32:50
golden hue01:32:54
put this goldenness inside01:32:56
golden here and there01:32:58
let's add broken whites or rather not clean01:33:03
white something broken into yellow01:33:07
direction the slopes are shallow01:33:11
inclusions a little bit here too01:33:17
just not bright, just a little spotty here01:33:23
There's already enough light on the mountains for us01:33:26
brightly let's add a little very neat with01:33:31
fading so to speak on these mountains01:33:36
to feel that the light is with the brightest01:33:40
lighting is here01:33:43
whitewashed directly into this paint that was01:33:47
Now I’m working absolutely hard01:33:49
I need to paint the texture01:33:54
white and yellow and somewhere here we have01:33:58
there is snow01:34:01
can you take a little bit from the picture already?01:34:03
retreated but interspersed01:34:17
as far as the entrance goes down01:34:23
you need to get it a little dirty on the dachshund slope01:34:30
I'm just taking a little bit from here01:34:32
Let's play it out in relief, dear friends01:34:36
question and if anything don't be shy01:34:43
a little bit a little bit there a little bit then we01:34:47
look how it glows a little here01:34:52
can be put01:34:53
By the way, can you link this snow01:34:57
also do a little like this here01:35:01
the brightness is down a little bit let's move here01:35:06
no small brushes that is01:35:10
small tassels will make you try01:35:12
some of the details you peace is here01:35:14
isn't this and a speck of paint is much more important01:35:21
the color of the illumination of this snow now01:35:24
we do that is, it’s not yellow, it’s ours01:35:28
will broken into pinkish also English01:35:32
red need orange added now01:35:36
wait a second01:35:37
I'm sorry01:35:41
and the left side of this spot is a little01:35:58
this color goes up a little01:36:04
slightly slightly attach here book01:36:09
we have such a sacred hollow01:36:12
points so let's get some snow in01:36:21
other parts01:36:22
but for us he is already shadow basically01:36:25
so I add belitsky to blue01:36:30
the freight that got me was pink01:36:31
I add a little bit of this sera sera01:36:35
pinkish01:36:36
the bluish tint is the most important01:36:44
the direction of the slopes is ours01:36:46
moving the brush in the direction of the slope01:37:00
accidents here the most important thing is01:37:04
randomness and heterogeneity, that is, than01:37:10
more us01:37:33
we play with all sorts of things, it’s also snowing here01:37:37
maybe I’m not making it too complicated01:37:41
night component, that is, we stay01:37:43
in fairly simple shades01:37:47
need more somewhere else01:37:50
gal kill somewhere crush in these colors01:37:55
the most important thing here is that we get along01:37:59
general feeling of the volume of the form and01:38:03
a little relief01:38:06
inside just adjust it from 10 to with your finger01:38:14
hide in the clouds01:38:24
I’ll summarize a little here and there some more01:38:27
less let's say so go detailing time01:38:31
the picture should be perceived as a single01:38:34
the whole is not like a set of parts therefore if01:38:36
pay a lot of attention to detail and01:38:38
just instead of a single whole01:38:40
we get a set of fragmentation I want01:38:44
add a little shadow depth here01:38:48
indigo01:38:51
blue red purple violet01:38:55
slightly with a bluish tint or even01:38:59
a few find a few a little bit here01:39:01
the clarity of this border of this one01:39:05
this mountain to the sky01:39:13
here you can also correct the shape of the ridge01:39:16
shadows and just close them01:39:29
It’s because the clouds have already fallen into the shadow01:39:32
part of the mountain01:39:34
So01:39:41
there is a mountain, well, it’s not bright, the color is a little bit01:39:49
clouds01:40:01
our prospects are top01:40:04
parts of the average illumination already in the mountains01:40:06
right on the already bright side I want01:40:10
add one accent snow here01:40:13
you need one more brightness a little higher01:40:19
I'm even looking a little higher now we're a little bit01:40:26
we have here01:40:27
sunshine and on white will appear higher then01:40:32
there is even more depth of perspective so01:40:38
pink english red and this one01:40:43
a little more piece and highlight it so that01:40:47
maximum here is the state of movement01:40:50
show mountains in our direction01:40:58
wipe the brush well and let's talk01:41:05
we have a lot of questions01:41:10
Dmitry obtaining the final color by01:41:13
sometimes mixing colors on the palette01:41:16
this is something unexpected for me01:41:18
my own experience is colossal01:41:20
my own experience actually01:41:22
look there are colors yellow red blue01:41:28
green but that's just general01:41:34
tank warm and cold brown01:41:37
green maybe01:41:39
yellow-green can be and the like01:41:42
that is, this is already a shade of color and shades01:41:46
we can see colors only then01:41:48
when at least we have them next to each other01:41:51
they even hit a friend and are still lying on something01:41:54
that is, if you take any one01:41:57
color take three pieces of paper in front of you01:42:00
your leaf will be white and different01:42:02
let's say you have a medium leaf01:42:04
gray and one black and you paint one01:42:09
and all these three leaves in the same color01:42:11
you will see that you have your color on each of them01:42:14
they will be completely different on something01:42:16
dark on something it will be light but01:42:19
somehow it will be more green and01:42:21
appreciate blushing more at something from him01:42:24
the color will not be visible at all, that is01:42:26
the concept of color shades of color is generally01:42:29
the concept is unique every time you get to01:42:32
some other one he himself changes, that is01:42:35
they always either attract and01:42:38
and we only see shades of color01:42:40
mixing and in proximity with other colors01:42:43
we cannot see any individual01:42:46
color separately, that is, we don't care01:42:48
always on the ratio in comparison01:42:51
we perceive therefore mix paint01:42:55
see what happens and only then01:42:57
to make adjustments, that is, if01:42:59
it seems to you that something is light01:43:02
it may not be like that at all it may turn out to be01:43:04
that it's just dark but01:43:06
lies on a different tone at the base and does not01:43:11
I have a question about the master class01:43:15
about the living, how to get to them, how01:43:18
sign up and how to do so01:43:20
for example in Nizhny Novgorod or Tyumen01:43:23
and passed01:43:24
You can sign up for live master classes at01:43:28
VKontakte group at school mark school01:43:30
seascape01:43:32
type in any internet search engine01:43:34
you always get to the point almost immediately01:43:37
her second moment regarding Tyumen and01:43:40
Surgut from Krasnodar to Sochi01:43:45
Nizhny Novgorod Kazan and many more01:43:52
cities need dear friends01:43:53
the organizers, that is, to come in principle01:43:56
There is no problem in the planned schedule01:43:59
it is important that there is a studio, it is important that01:44:02
someone on site provided that recording01:44:05
people like that because I01:44:07
One cannot cope with this alone and far from it01:44:10
always it is to quench the realized time01:44:12
there are possible therefore if you want01:44:14
to have master classes in your city01:44:16
passed need an organizer who01:44:18
will take care of all the main points01:44:20
again this can always be written in01:44:22
PM or at the seascape school01:44:24
there is a separate post in the discussions01:44:28
which is exactly where you can01:44:30
write about organizing events01:44:33
and one more question: is there a difference in writing01:44:38
on cardboard or paper and on01:44:40
they are on canvas but the difference is of course although I01:44:44
now paper is special for writing01:44:46
oil for writing oil paintings on it01:44:50
you can write completely calmly01:44:52
you will feel the difference anyway01:44:54
Halston is still elastic, he behaves differently01:44:56
she then hangs freely01:45:00
the brush and paint will behave on it01:45:04
layer by layer on canvas on cardboard slightly01:45:06
to another one and on canvas on paper on01:45:08
cardboard is different, that is, there is a difference01:45:11
but again you can appreciate it01:45:13
only tried one second and third01:45:15
worked it which one you like more01:45:18
then take it as a basis to work with it01:45:21
there are more questions here a question about01:45:25
palette what it is made from01:45:28
the palette that we have on the camera is on01:45:29
actually made from plywood which01:45:34
special lining with paint colors01:45:40
especially to make it easier for you01:45:42
navigate laid out with names01:45:44
and it’s all covered with film on top01:45:46
wrapped for convenience, let's continue01:45:56
confused with the question01:45:59
clouds from below or from above from above let's01:46:03
brightness of the clouds from above01:46:05
then let's see a little brightness from below01:46:08
on nuances and little by little01:46:10
we will move towards completion01:46:13
work, that is, now the brightness of the lighting01:46:15
clouds over the mountains then a little01:46:18
quantity in the clouds below01:46:24
and so I had yellow-white from the mountains01:46:32
umber stay shade of color per hour I'm in01:46:35
basically he added white and now01:46:37
I'll watch how he behaves01:46:39
behaves perfectly, that is, definitely01:46:41
umbro a little bit when mixing white and01:46:45
yellow, that is, it turns out like this with one01:46:49
the sides are calmly bright, that is, he is not01:46:53
I'm yellow, look how bright he is01:46:56
play with a calmer shade of color01:46:58
I'll pawn it now01:47:01
lighting is the only thing01:47:03
the lighting will be a little fine01:47:06
from01:47:08
photos of brothers so that01:47:10
put them into motion compositionally01:47:13
I will add light somewhere, I will add light somewhere01:47:20
take away01:47:21
that moment is already individual for us01:47:30
from right to left01:47:42
definitely need to come here they can just01:47:46
I can even rub the air now01:47:48
gray-blue ones that we were wearing, that is01:47:50
and the warmth of light greenness and when here01:47:54
yellow-green sunlight will appear01:47:57
it will give sensations, that is, that the light is shining01:48:02
just easy easy you don't need it01:48:04
turned green in no case01:48:06
it's dangerous, then we'll put a cloud on top01:48:13
here you are diminished youth01:48:21
generalization01:48:28
don’t go into all the details and nuances01:48:31
will be the quantity that is here01:48:34
all the details and nuances in full quantity01:48:35
we’ll just write the details differently, yes01:48:38
By01:48:39
so the main ones in those moments from work01:48:46
Our clouds are just glowing01:48:52
I return the amount of color also01:48:54
white yellow and umbro only01:48:58
droplet and we return to the canvas, this cloud01:49:02
inside that is, the light is not only the edges01:49:05
clouds but also inside the clouds in pink then01:49:10
there is so that the clouds become maximum01:49:12
voluminous we don’t just highlight the edge01:49:16
highlight the internal volume of the cloud01:49:21
add a little bit here here here here here01:49:26
We'll definitely add more later01:49:31
fading easy to come just if we01:49:34
let's set the brightness the same on everything01:49:36
period we won’t have enough flat food to eat01:49:39
all the clouds will move towards you at the same time01:49:40
so we must have it somewhere01:49:42
a brighter spot and then calm down01:49:45
so they will leave somewhere a little bit01:49:48
break this color and a little01:49:50
get dirty with just gray01:49:54
that is, take away the brightness of the yellows here from01:50:00
us01:50:08
Dear friends, be sure to leave01:50:10
look at the picture from a distance especially01:50:12
these are the moments when we are already there01:50:15
we’re finishing up some accents01:50:18
we arrange it because it’s very easy01:50:20
being close make a mistake with the brightness01:50:24
with detail and accordingly01:50:32
make a few fragments of the picture01:50:34
equally bright as the shadows are now01:50:40
I'll take gray shiro purple color gray01:50:43
pink-violet with English red01:50:46
a little bit like this, we’ll erase it, I’ll strengthen it in01:50:53
this cloud the depth of the shadows01:50:58
so that but with us I’ll go here as much as possible01:51:02
spoke01:51:18
I'll add a little shadow and move on01:51:25
to the right but very carefully01:51:28
just not brighter01:51:39
almost circular movements here01:51:41
counterclockwise works for us and01:51:47
we'll definitely go and check it out periodically01:51:50
what we get at the edges01:51:53
the clouds appeared a little sharply and01:51:55
Now I’ll generalize them, unnecessary brute force and01:52:01
fragmentation near it is practically01:52:04
can't be seen, but from a distance they start arguing01:52:10
for your attention01:52:12
let's give a hint to the main ones01:52:25
if anyone needs a picture for01:52:28
in order to draw this webinar01:52:30
feel free to visit my page01:52:32
VKontakte or in the group where you recorded01:52:34
will definitely be there for the webinar01:52:36
posted01:52:37
after Feb photo of the painting itself and01:52:41
a picture from which you can draw from them01:52:47
soften them with tea soften them a little01:52:51
I01:53:31
we're on the air again01:53:33
it seems like it's on air again01:53:36
please add us we can't be seen01:53:39
we showed up we didn't show up01:53:40
you can hear how well they worked there01:53:52
we are below in the clouds returning to him01:53:55
dear friends, we will definitely come up with01:54:00
something not via youtube01:54:03
solve this problem in the future01:54:05
we were not broadcast via youtube01:54:10
So I wiped the brush, I generalize light and shadow01:54:16
join each other a little for now01:54:20
hung out walked away looked still golden01:54:23
there's a little cloud on top, let's add it01:54:26
definitely, but here by the way01:54:32
English red with pink, you can do this01:54:36
such a zigzag, look, we're a little bit01:54:40
we'll even change01:54:41
picture this cloud let it stay like this01:54:45
then they take01:54:46
I walk diagonally without lifting my brush01:54:49
it’s such a flat cloud lying down here and01:54:55
I twist it a little in these directions01:54:58
now here are the colors01:55:09
slightly smoky walls of clouds01:55:14
in the background it's an empty brush that's all01:55:17
I was rubbed01:55:18
and mountains there was a question in the chat whether there will be01:55:24
let there be a dark cloud in the middle01:55:27
let's make it high brightness here01:55:30
the foreground is unbearable if we want01:55:32
so that we have mountains just like that01:55:34
the goldenness of the clouds stood out there01:55:37
foreground brightener is not needed only01:55:39
show the general condition now I'll remove it01:55:43
hence the brush marks generalization01:55:50
brush brush anti-clockwise stream01:55:53
we forgive ourselves the light on the wall01:55:59
mixes easily and in the right way01:56:02
direction so look I'm still behind01:56:06
small tassels today are not even01:56:07
taken, that is, another one of the key01:56:10
moments we begin often taking in01:56:16
hands01:56:18
grind small brushes immediately01:56:21
there are details we dive into01:56:23
often you just don’t need a little bit01:56:30
just a little bit and let's see what's going on01:56:34
we have we have clouds in the foreground01:56:37
plan on the right side she forward here01:56:39
came now I'm a little light on her01:56:41
I'll add it to this cloud too01:56:44
white-yellowish which was a tint01:56:46
I take it and put a little bit of it here01:56:53
let's add a drop a drop a drop01:56:57
backlight and soft blur01:57:06
so that we can have her a little more here01:57:09
even so I rode forward and this cloud and01:57:13
let's add us here too and the same01:57:18
color here01:57:29
the clouds came forward and approached us01:57:32
maybe you need a little of her from yourself01:57:35
I’ll add a gag now, I really want to01:57:38
there really isn't enough depth here01:57:40
shadows01:57:41
this cloud we are still more01:57:47
bright let's make it blue she added to us01:57:54
when will move forward01:58:08
made this cloud come forward01:58:11
red you took a little clean kraplak01:58:14
just to the point of panties01:58:21
rotational movements and we have them ourselves01:58:25
become q something fluffy01:58:31
I saw again a question in the chat about01:58:34
tee which sti Kurilovsky01:58:36
thinner and acrylic styrene cute varnish01:58:38
acrylic washing varnish is a topcoat varnish01:58:41
that is, he is only there to01:58:43
Never coat a painting with varnish01:58:45
we don’t write on it, we write on homer to us or01:58:50
on fir varnishes for you but under no circumstances01:58:54
acrylic washable a little volume01:59:00
clouds this cloud is here ahead01:59:01
acted as a counterbalance to grief, that is,01:59:04
we have such a diagonal to a little bit01:59:07
so golden clouds01:59:11
I'll take it, I'm lazy and work a little01:59:14
liner white liquid yellow and01:59:24
umbro umbro reduces the brightness a little01:59:31
make the yellow dachshund richer and yellow01:59:37
oh wrong umbro a little orange01:59:43
that is, the tone is deeper with the sea tank here01:59:49
here is our goldenness01:59:55
adding this color here01:59:58
I ended up with a lot of paint like this02:00:03
the spot is so flashy look at me and02:00:06
easy to blur to it you can even02:00:12
a dirty finger gets the brush dirty02:00:20
a little by the way right away this color then02:00:25
a little bit into the mountains, then also with a liner02:00:33
direction of the slope with him straight02:00:37
lit up02:00:53
easy easy generalizations stax I'll take02:00:58
Now I’ll separate this color a little02:01:01
I would make it paler and here is where02:01:04
snow more than that pns whiteness appeared then02:01:09
there is on the mountains it is reflected more brightly02:01:11
yellow and where there is snow more saturated02:01:16
let’s add it and here’s the space for02:01:25
lovers02:01:27
details you need, these are the little things02:01:34
arrange as much as you like02:01:45
what's good about it is the randomness of these02:01:48
strokes02:01:49
I want a little bit of white right away02:01:56
a little bit very much rose is a threat to you02:02:04
I take it and add a little yellow sti that is02:02:06
it turns out yes and here it is again02:02:11
the border can be shown in chiaroscuro02:02:15
to you02:02:16
basically this is where the light comes in02:02:19
you need to do it this way02:02:22
that is02:02:23
sharpness of edges and light and shadow02:02:28
the ledge of this mountain here has split02:02:32
light fell here shadow02:02:36
lighting bright relief volumetric on02:02:40
the top of the head needs to be added to the clouds02:02:46
more measured this one here is yellow02:02:51
umber stay color we're starting to get weird so here we go02:03:09
almost half empty almost not even02:03:12
half empty empty brush02:03:18
thin paint02:03:23
light from behind02:03:28
the most important thing at this moment is not02:03:30
overdo it and try to move away02:03:34
let's make sure there's nothing superfluous02:03:41
brightness contrast ultra-high from02:03:44
everywhere it is necessarily generalized like this02:03:48
so that one spot remains02:03:51
dominant a little more02:03:59
with English red and these ones02:04:04
clouds in the distance and also the lighting02:04:10
added a little bit and a light light02:04:15
generalization with a brush we work like this02:04:18
vertical oval extensions that is02:04:20
shading goes like this rotationally02:04:24
movement, this stain came out strongly02:04:30
I really want to take it02:04:34
white english red umbro02:04:38
make it so muted you need it02:04:41
add color and here here here02:04:46
add a little red or something02:04:52
Celeste of the Wilderness02:05:05
how the hell did the clouds turn out with your finger02:05:11
a little shape02:05:12
changed02:05:17
Let's soften this one a little over the clouds02:05:21
the bright part climbs climbs screams straight02:05:25
I really want it a little bit02:05:34
show more clearly the movement of light from there02:05:37
here somewhere here now02:05:45
add brightness and add shadows large02:05:51
bristles also02:05:55
gray color gray bluish shadow of someone02:06:08
deeper02:06:10
then stand out02:06:32
like this now02:06:38
before the finishing touch this is it02:06:45
purple-pink clouds dark from above02:06:47
again it will allow quite well02:06:53
come to the foreground of the top02:06:56
it’s not possible to bring the sky a little closer to us02:07:05
we crush it in the center, that is, we create a whole02:07:10
a stain and in some places already from it02:07:20
such renegades02:07:22
abruptly separate but at the same time in02:07:26
one direction laid from the main02:07:29
down here I take it a little02:07:35
so we have silence on issues well02:07:42
everyone's tired wow I'm listening to you02:07:50
shine that the painting is finished02:07:55
independence02:07:56
you really have had enough of waiting02:08:01
the question is very difficult02:08:04
looking for almost constant wars from02:08:06
live workshops feelings02:08:10
sufficiency sense of proportion is needed02:08:13
develop in the same way as working with02:08:15
shades of color that is, it comes with02:08:18
experience02:08:20
very good advice just the same02:08:23
for beginners so as not to surpass02:08:25
sugar is not how not to turn a picture into02:08:30
one fragmented by contrast and02:08:32
there is something in the picture with a spot02:08:35
globe we take to the maximum all our02:08:40
possible forces we create contrast and02:09:04
my friends we seem to be back again02:09:07
on air if anything again + + + + + that we02:09:12
apparently youtube is being weird today02:09:16
I have a very strong feeling that02:09:20
floats a little video, let's do it02:09:23
hope there's a little left02:09:25
let's finish, so we have a repost competition for02:09:33
repost competition will be drawn02:09:37
as many as three prizes we again letters hello hello02:09:45
hello dear friends we can be seen and heard02:09:54
seems to show that we can be seen and heard02:09:57
this is how you update it seems it seems02:10:04
refuses the paddle, let's go02:10:08
dear friends, we have a repost competition02:10:10
everyone who received the newsletter in the group02:10:16
just read this lesson again02:10:19
look carefully there are three interesting prizes02:10:22
there will be a draw today02:10:27
today today02:10:28
We have a draw today so I'm waiting for you02:10:34
read carefully02:10:36
follow and watch and participate02:10:42
so a little light on the clouds again02:10:46
liner again this is a high cloud02:10:49
And02:10:50
the lightest light along the edges a little02:10:56
here and there with a yellowish tint02:11:09
you can put it in a cloud somewhere02:11:11
let's say a bright and white spot here02:11:18
here here here and here02:11:39
Well, we'll probably finish it off02:11:47
I'm probably asking you to complete the picture now02:11:51
you literally have 10 minutes more attention02:11:56
by the way about the northern lights about the northern lights02:12:02
northern lights02:12:04
so now I'm presenting02:12:10
a series of paintings that we will paint on02:12:14
closed online in binary maybe someone02:12:18
I've already seen this and accordingly how would we02:12:24
planned to hold it a little earlier02:12:26
it turned out that I was welcome to the studio02:12:28
a lot of things and we will start this series on the 27th02:12:33
and right away there will be the northern lights there02:12:36
northern lights and so on dear friends02:12:42
Please note that many people are already drawing with me02:12:50
it's been a long time since many people are just starting out like this02:12:55
you're afraid you won't succeed on your own02:12:58
draw a picture I'll help you get to02:13:04
result carriage information all around02:13:09
on the Internet there are so many drawings in total02:13:11
just everything everything and you always have02:13:13
the choice is not to draw, figure it out yourself, or02:13:19
who wants to study, turn it off, go02:13:25
who wants to sleep gets on the way02:13:30
self-education02:13:33
tons of paint and the like and well and well02:13:37
can you just really calm down02:13:38
learn with results learn again02:13:43
it's real enough02:13:47
and we will have three at the master class02:13:52
paintings02:13:54
each of which we will draw in02:13:56
two stages with drying it will also be02:14:02
online webinar is the only one like me02:14:04
I think that we will exclude youtube if we have02:14:06
will it be possible to do it all again before02:14:08
start time before the 27th if not02:14:10
spent so much time on YouTube02:14:12
it will be some time later02:14:14
closed rooms without interruption02:14:16
recording lessons of course these too02:14:18
it will be like I was already at the very beginning02:14:24
secret bonus is no longer secret to three02:14:26
lesson that will be we will add northern02:14:30
shine in the form of a bonus and so on the first02:14:34
picture of mountains mountains mountains what to salt02:14:37
today, but with the sea it’s already like02:14:40
snowy icy with beautiful s02:14:44
a beautiful double wave is enough02:14:46
complex, that is, a topic in itself02:14:48
complex and interesting and deserves02:14:50
attention to work with her02:14:54
moon and02:14:56
turquoise wave will do02:15:05
for beginners02:15:10
for those who are already studying but are still on the way, well02:15:17
for those who have been drawing for a long time and I think too02:15:19
will find some interesting nuances02:15:21
moments and details are actually already02:15:29
many, many years for those who know for02:15:32
those who don’t know I say a lot of many02:15:36
it turns out that many people please themselves with pictures02:15:39
but I would like to show a video review02:15:42
a person has been studying for a year and a half02:15:45
years ago he had no idea what02:15:48
look at the brushes and paints02:16:18
102:16:20
let's leave the review aside, we need to do this02:16:22
look at yours we are if not02:16:24
I'm wrong and we will have three packages02:16:28
basic light standard and full02:16:34
vip so let's call him everyone gives what02:16:41
The higher the package, the correspondingly more02:16:43
bonuses and by the way for the latest package02:16:45
if this is the case, we’ll have time in hardware02:16:47
another additional innovation02:16:49
analysis of our work will be in addition to02:16:52
master classes broadcasts at which we will be02:16:56
review the work you have written02:16:58
that is, it will not be just communication in02:17:00
chat this is for everyone again everyone02:17:02
concerns who who acquired who will acquire02:17:05
this lesson is also at its maximum02:17:08
participation we will analyze the work in02:17:11
live broadcast everything why such a price02:17:17
more than 10 hours of online lessons all all all02:17:24
everything else including02:17:28
and for 3 days special prices02:17:38
accordingly we will have a light price02:17:40
2 900 standard 4 900 or 5 900 why02:17:47
we conduct master classes I want to develop02:17:50
fine arts among among02:17:52
you for you dear friends I like it02:17:57
I like sharing my experience with you02:18:00
when I see you doing more02:18:03
and more when you come alive02:18:05
master classes after online and start02:18:07
do the markings yourself02:18:09
it's just by watching the video it's cool02:18:12
anyway it's just a joy for me02:18:16
and for you, well, to these three we add02:18:21
the fourth painting and the cost is not02:18:25
changes you can register at02:18:33
this link friends, let me tell you02:18:38
how will we have now02:18:40
registration is carried out02:18:43
we have a new website here is its domain02:18:46
name I will now turn off the presentation and02:18:49
I'll show you what our new site looks like02:18:51
rose . fan hear k and so like this02:18:55
our site looks like and go and02:19:00
go to this address and further02:19:03
you can see what will be on02:19:06
master classes02:19:07
there is a register button here02:19:10
you can click here right away02:19:13
scroll through this mountain we are like this yes02:19:17
let's draw beautiful northern seas02:19:20
we will also draw mountains and a beautiful sea02:19:24
Rocky coast02:19:26
for 2 online lessons, the recording will be saved in02:19:30
the result will actually be02:19:31
hand painted picture02:19:34
there will also be a picture of the moonlit path02:19:38
Well, as Dmitry already said, it will do02:19:41
literally everyone has students who are 802:19:44
years and 80 everyone gets drawings02:19:47
pleasure enjoy afterwards02:19:49
result02:19:50
here you can for three days02:19:52
sign up at the prices that02:19:56
Dmitry has already indicated to you, choose that one02:20:00
package that suits you best02:20:03
the difference between them is also shown here02:20:07
separately we want to say that we will send02:20:11
bonus instructions on how to properly02:20:14
mixing paints to get colors02:20:16
natural sea02:20:17
a lot of questions were asked today about02:20:20
about color mixing02:20:21
how to dilute them which one should02:20:24
be the consistency there in this instruction02:20:26
everything will be but as you see she02:20:29
not present in all tariffs except02:20:32
That's a very significant discount of 1002:20:34
percent for the next master class and02:20:36
Dmitry which is saved only for02:20:39
one tariff but also on02:20:41
maximum tariffs and there will be recommendations02:20:44
on organizing your own exhibitions02:20:46
since Dmitry already has students02:20:48
who organize exhibitions themselves02:20:51
organize a master class yourself02:20:53
tours to different cities and02:20:56
They sell their paintings quite successfully02:20:59
so Dmitry would be happy to02:21:00
will share with you this experience and the most02:21:04
popular tariff is standard and since02:21:07
or register02:21:08
press the key so it's us02:21:11
tested, click register02:21:15
I'll update now register02:21:19
choose the tariff accordingly, then you02:21:23
write your name there for example my name is02:21:27
Vova02:21:32
write your name and enter your phone number02:21:40
just enter some phone number02:21:42
the one that we will then contact you with02:21:45
the manager will contact you to clarify some02:21:48
questions, click register and02:21:50
check your phone number carefully02:21:52
because if you do it wrong02:21:54
enter your phone number accordingly02:21:56
we just can't reach you by phone02:22:00
We will call you to clarify02:22:02
which payment method suits you best?02:22:05
suitable because we have different ones02:22:10
there are countries there, we counted about 1502:22:14
countries that have signed up to participate02:22:17
accordingly for Russia maybe can02:22:20
be different ways to pay it and02:22:22
Yandex and various banks we have everything here02:22:26
connected and the manager and I will choose the one02:22:30
the payment method you need and02:22:31
accordingly we will give recommendations on02:22:33
tariffs then we return to02:22:38
presentation I hope everyone enjoyed it02:22:41
It’s clear how to pay if you have one02:22:45
questions, please ask them at02:22:48
VKontakte and02:22:50
and in private messages02:22:54
I repeat once again that in order to02:22:59
register for this program by02:23:01
discounted prices you just need to go02:23:04
at the address rose. fan hear to choose02:23:08
tariff and click register02:23:11
by filling out the appropriate form again02:23:17
Dmitry said but maybe he meant that02:23:20
that we had technical problems02:23:22
today with YouTube02:23:23
the price is much less than the value that is02:23:25
you will learn under personal guidance02:23:27
Dmitry paint four paintings at once02:23:30
I went to this master class three times before02:23:32
paintings, master working with complex02:23:35
practice geometric shapes02:23:37
skills in painting complex landscapes02:23:39
learn to work correctly with02:23:41
transparency with colors and shadow for beginners02:23:43
artists with this02:23:44
there are certain difficulties and so on02:23:48
I hope you have already read everything on the site02:23:53
before the link was sure to be firmly jan02:23:57
now we will also add you will receive02:24:00
instructions for proper mixing02:24:01
flowers if you leave a request right now02:24:05
and a video lesson about cumulus clouds that02:24:09
usually cost 1340 rubles, we will also send02:24:12
if you are right now right today02:24:14
we'll add it to your kit, we'll add it to02:24:17
We don't mind the set, I hope everyone02:24:22
understand how to leave a request02:24:24
Dmitry will make every effort to02:24:27
you made some beautiful pictures02:24:31
people doubted that they would succeed02:24:34
To be honest, I also doubted it, but that’s all02:24:38
come out after master classes with beautiful02:24:41
paintings02:24:42
if they draw under the guidance of Dmitry02:24:45
In addition, we will also add a certificate02:24:50
certificate signed by Dmitry stating that02:24:54
you passed the master class like a lover02:24:59
sea lovers in the sea lovers in the sea02:25:01
that is 10 hours02:25:03
online lesson plus on your own02:25:05
preparation we will issue a certificate of this02:25:08
there has never been a certificate before02:25:11
will not be the same as you see now on02:25:14
presentation about what will be a lot02:25:17
it will be more beautiful with time and also02:25:21
to everyone who made it to the end until November 23rd02:25:26
send a video review about this02:25:30
free webinar it must be sent to02:25:33
private message to the group02:25:35
mountains in the clouds and Dmitry among those02:25:41
Whoever sends a video review will win a prize02:25:44
this one02:25:46
yes, exactly in the picture that just happened02:25:49
before your eyes, here she is, here she is02:25:53
they reached the flax among the drawn as02:25:56
to be honest and02:25:57
I would have taken it myself, but Dmitry is standing there02:26:00
guards and does not allow you to take away very beautiful02:26:03
the picture in real life is just a bomb02:26:08
competition we are announcing a competition competition for02:26:16
this webinar is literally tomorrow02:26:18
we'll try to mount it already02:26:20
record and hold a webinar competition02:26:26
an album will be created with which you will02:26:28
send your photos and on the 25th we02:26:34
we will draw three among all participants02:26:39
prizes for first place for02:26:44
let's say the winner will get it from me02:26:48
artist set02:26:49
who will walk canvases and paints and02:26:51
brushes and maybe some more02:26:54
nice bonuses second place winner02:26:58
second place02:27:01
choose according to your taste02:27:05
from my several video courses02:27:08
something for you and accordingly we give them02:27:10
we will send somewhere on average everywhere 502:27:12
lessons02:27:13
so the winner for second will have them02:27:17
Noah and third place winner02:27:20
place02:27:21
choose yourself one my any video lesson02:27:25
Of all the ones that exist, I think it’s gorgeous02:27:29
friends, these awesome prizes will come in handy02:27:32
no one cares how in what way they02:27:37
draw this set which02:27:41
Dmitry kindly give it to the winner02:27:45
who will take first place is himself02:27:48
personally uses and draws all his own02:27:50
The winning paintings will be determined by02:27:53
results of the voting that we will arrange in02:27:55
group in a group of mountains in the clouds and02:27:57
examination of students' work02:28:02
Dmitry and Dmitry personally, of course02:28:04
will inspect all this, that is02:28:07
we will first determine the finalists and then02:28:09
Let's take a vote and decide02:28:12
the winners and prize-winners are your friends02:28:17
participated in the repost competition therefore02:28:20
let's determine who won02:28:23
we will have three of them who02:28:26
Well, in general, now I tell you everything02:28:28
I'll show you02:28:43
we will take the winners with the help02:28:45
site02:28:46
rand becoming02:28:51
for this we need to find02:28:54
related related post02:28:58
just a second here it is our post02:29:06
the post that you reposted accordingly02:29:09
we insert it, the city of the winner is not for us02:29:13
important among reposters02:29:16
our winners, as stated, are 3 and02:29:21
we choose a winner02:29:24
then we become the winner02:29:31
Masha Lyubov Formica and Olga Karataeva02:29:35
Masha 007 please we must crush02:29:39
body check there beds there any02:29:45
form and to any big hello knows and02:29:51
Olga Karataeva02:29:58
well, or the post ran away, well, not far from02:30:02
fourth place so let it be02:30:07
yes okay let's leave it so we have three02:30:13
We take a screenshot of the winner just in case02:30:16
chance that these people don't go to hell02:30:22
we'll catch up with them02:30:27
Well02:30:34
so friends, I see that there are questions about how02:30:38
asks you to repeat it again02:30:43
register for the master class02:30:45
go to the rose website. fan hear k02:30:48
to the top and we are in hilka now yes we are now02:30:51
above the hour I put the plug in and no youtube02:30:56
yes to the youtube chat and now let’s just put it02:30:58
a link to this site and everything from there02:31:00
you can calmly watch it like this02:31:02
that literally one second nipple02:31:08
addresses02:31:19
go to the rose website. fans only02:31:22
m.k. choose the tariff that suits you best02:31:25
like02:31:26
fill in the appropriate fields02:31:30
choose a tariff and write the correct name02:31:33
phone number and send02:31:35
and press the register button02:31:38
after which we will probably tomorrow today02:31:41
in the middle of the night, guys, don't disturb you02:31:43
we will be and tomorrow during the day we will all02:31:46
We'll call you to find out which one is most suitable for you.02:31:49
you payment method02:31:52
if necessary, we will advise on02:31:55
tariff02:31:56
and we will answer all your questions afterwards02:31:59
accordingly you will02:32:02
are assigned to a closed group, but then we02:32:07
already you in more detail to those who leave02:32:10
we’ll tell you about the application so you don’t waste it now02:32:13
for this time so02:32:26
Dmitry summing up02:32:38
Well02:32:40
drew a picture, chose Zverev02:32:42
Registered prices will go up02:32:49
24 we held a draw for a little while02:32:54
prizes for reposts now and now02:32:57
please place a big request02:32:59
video reviews are very important and probably02:33:01
as if, in principle, for everyone, for those who02:33:04
I haven't picked up a brush yet02:33:08
because I looked at your review02:33:11
maybe he will take her, remember yourself in02:33:13
the beginning when you are exactly the same with a huge02:33:16
fear often took the brush in hand02:33:19
they tried to do something and often still02:33:22
I had to look for where to learn something02:33:25
give others the opportunity to learn too02:33:28
write 0 and write until the 25th02:33:33
picture therefore send the webinar to02:33:35
PM the community and take part in the competition02:33:38
with prizes, well, dear friends02:33:45
it was a pleasure to write for you02:33:49
It's a pleasure to work with you today02:33:51
Lenochka Orlova worked with us02:33:56
chat Vladimir presenter Ivan videographer02:34:06
well, adme three times all the best02:34:09
good luck, see you soon on the 27th02:34:12
on a closed binary all the best02:34:16
dear friends good nightDescription:
На бесплатном вебинаре в "прямом эфире" написали картину "Горы в облаках". Отличный подарок любимым и близким. Повторяйте за мной и результат Вас порадует. Поделитесь этим видео с другими любителями живописи! ------------------------------ Приобрести другие уроки и курсы по написанию картин с морским пейзажем можно на нашем новом сайте: https://molbertich.ru/ __________________ Список необходимых материалов: https://drive.google.com/file/d/1qcJtgbBW7EDZzA7uzN-9-wJDGUzN9Zua/view?usp=sharing Холст лучше брать горизонтальный на видео - 40*60 Скачайте референс: https://yadi.sk/showcaptcha?cc=1&mt=BB0EF5243F23E8796F168DF768657B825FAD8C393FF2ED1A1DD65766C734A864420A340C83B69A03EFF027959DE6BB4D30DA731DFEA8F45FADB64DBF8A1C2A05298EB59F7262BCB5365BEE6363B662B712C8934CCBEC21CD4F0B4CBA79956FE292220BDF10B467C423D1D73A6CD7133E4C5D4AF926CB2431984E471586481CB5ACD927D5859D8ED5CA355D2DC450CACC440EC2C3DEFDE28E02B85EF86A339C3A72240A7023744C0F82E41D480B27620DD7BB126C6059A8E1ED8460AD69D25BDB1191486FF911239A67060843818520A4DAE95A13DC879C469D528CC1A1&retpath=aHR0cHM6Ly95YWRpLnNrL2kvN2k3c3M3aTBOSUN4ZUE__b1ab9ea1b62178b2b70a6192601b7821&t=2/1718479532/9e925f6e5396eaf388d87805c032c7af&u=5f7f4af3-386f7a0b-855bb6ca-8fd41ad3&s=82efc4a93aeb96e4061fba4605edf6e9 _______________ Магазин https://molbertich.ru/ Наша группа в ВКонтакте: https://vk.com/izomore Подпишитесь на полезную рассылку, чтобы не пропустить новые вебинары: https://vk.com/app5898182_-12514400#s... Мы в Facebook: https://www.facebook.com/groups/risue... Дмитрий Роза в Instagram: https://www.instagram.com/dmitriiroza
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