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Video tags
Subtitles
Russian
00:00:37
dear friends, good evening with you00:00:40
Dmitry roses to the seascape school and00:00:43
let's write such a wide-format today00:00:46
how this canvas painting makes everyone happy00:00:49
greetings everyone, congratulations on the day00:00:52
International Artist's Day is almost 800:00:56
Martha00:00:57
test today Vladimir Novikov00:01:00
will track everything accordingly00:01:02
answer your questions pass them on00:01:04
I will be responsible for the video for them and me00:01:08
remote control Anastasia and00:01:10
we start right away and the canvas is format 4000:01:13
by 80 and in order to a little00:01:17
anticipate questions 30 to 6020 to00:01:22
43 meters by six meters and the like00:01:26
paint basic set00:01:28
brushes also have large shading bristles00:01:32
flutes synthetic synthetic bristles small00:01:36
flat synthetic main working ki00:01:38
today have a big brush00:01:40
big 16 and00:01:42
liner zero points just in case00:01:45
there under the palette there is a palette knife but not00:01:47
the fact is that it will be useful00:01:49
paints titanium white cadmium yellow00:01:52
light cadmium orange00:01:54
kraplak pink durable blue fc and00:01:56
green fc indigo umbro Leningradskaya00:01:59
natural English red00:02:01
thinner tee palette and00:02:04
thinner constant always working00:02:07
with these colors in all lessons00:02:10
on all closed marathon webinars00:02:14
lessons and the like, that is, per liter00:02:16
doesn't change anymore00:02:18
I’ll repeat it again for a certain number of years00:02:21
canvas format 40 by 80 and00:02:26
if you have questions, write to the chat00:02:28
accordingly, Vladimir will give them to me00:02:30
to voice which he himself is not, because he00:02:34
a lot of people already know about painting so00:02:38
he will answer some questions00:02:40
some will be answered by participants00:02:44
together so let's start as usual with00:02:47
markings00:02:48
principle in this picture we have a global00:02:51
no markings needed for this photo00:02:53
We work almost as usual except00:02:57
Ivan Konstantinovich from photographs00:02:59
divide by 3 vertically00:03:04
be sure to check everything00:03:06
please pay attention to the tags00:03:08
almost hit and immediately a big third00:03:11
if divided by three small up again00:03:14
We have already found the horizon line for part 300:03:16
it is completely below the middle of the canvas00:03:19
a little more that can be done00:03:21
divide into three parts horizontally00:03:24
Mark00:03:27
how the perspective runs well into the distance00:03:30
what is closer is less what is further is more00:03:33
becomes because I will divide it further00:03:35
immediately onto the vertical mesh so that00:03:38
were you looking at me00:03:41
it becomes immediately clear that the neck00:03:43
which is here on the left00:03:44
sides exactly along the length of half00:03:48
one third is so catch up immediately to00:03:52
markings and00:03:54
Please, when will you do it?00:03:57
make the markings exactly, otherwise it will float00:04:00
picture after picture everything will float00:04:03
what happens on the canvas in color too00:04:05
It’s very easy to get into a stupor00:04:09
what happens on canvas is not at all what happens00:04:11
happens on reference and00:04:14
panic begins, what is not in this panic00:04:16
was00:04:17
make the correct markings00:04:21
the key to success be careful00:04:24
maximum like this 3 3 3 lower00:04:33
the brush does not fit through from below00:04:39
hit and won’t share yet00:04:43
horizontal I mark the horizon line on00:04:47
divided into three parts00:04:50
hit00:04:53
for convenience, 2 brushes will measure the height00:04:58
where on00:05:01
two brushes together make it possible00:05:05
there is no straight line to the horizon00:05:10
missed00:05:13
I drew the wrong line today00:05:17
artist can joke00:05:19
in fact the horizon line is lower and00:05:22
It does not count00:05:26
I divide it into three parts horizontally00:05:37
with Verochka and thus for now00:05:42
True to size if divided in half00:05:46
this is the remainder00:05:52
then you can easily find00:05:55
FKU guru who is with us00:05:59
side here she stands behind us00:06:02
she is small, a little less than a third00:06:04
which I just spent and now00:06:07
here we have another pea00:06:09
also small by the way00:06:12
does not reach one third of the big whole00:06:17
The markings are done with liquid umber by the way00:06:19
we have peas that are dark00:06:22
significantly below the horizon line have00:06:25
this means because otherwise it’s very easy00:06:28
destroy aerial linear perspective00:06:31
at the same time that is, if we put00:06:33
bright contrasting dark object on00:06:35
the horizon is precisely bright and contrasting00:06:39
there will be a double sensation on one side00:06:41
the horizon suggests that it is very00:06:43
pelicula milks the horizon the line between the sky00:06:47
and water that is accessible at a glance00:06:49
on the other hand there is contrast and he00:06:51
will say the opposite, look00:06:53
how bright I am next to the sun00:06:57
is between00:07:01
only slightly higher than one third in fact00:07:05
that's the line I drew these00:07:07
It’s useful that there was a lot of line around her00:07:09
that they are building and it is stretched to the left00:07:12
and to the right just from00:07:15
one third on the left side is enough00:07:18
ok so the picture fits in00:07:21
sat golden ratio minus light hits00:07:24
almost to the section boundary here00:07:27
there will be a bright light that lies00:07:29
down to us comes here we have one00:07:32
bend cheat will be a rock which too00:07:34
is within00:07:38
just pi the same section and picture00:07:40
in general it should look like plus or minus00:07:42
quite harmoniously, then the question is how00:07:45
this is to play with color contrasts and00:07:48
details Vladimir if you have questions00:07:50
possible before starting00:07:54
hello again my name is Vladimir00:07:56
Mikryukova physical and that I also join00:08:00
congratulations on international day00:08:02
artist a couple of questions 40 to 6000:08:06
it will be ok, you'll have to see00:08:09
cut off all excess00:08:12
decide both to work for the heroes and00:08:15
also the question is who or what do you have Dmitry00:08:19
The process itself is truly inspiring00:08:22
inspires00:08:24
I thought I was inspiring00:08:27
[laughter]00:08:31
today friends today we have this00:08:34
big companies hope that we won't00:08:35
tighten it as much as necessary00:08:38
celebrate artist's day00:08:41
when someone poured cognac, someone poured champagne00:08:46
tea blood and00:08:48
joined us for the main thing that happened00:08:51
good creative mood and that's all00:08:54
we also have a summary today00:08:56
results of the repost competition now in chat00:08:58
once again I posted a link to the post that00:09:00
you will need to repost the phone number from the conditions00:09:02
competition, but towards the end we’ll talk about00:09:05
new course that we have prepared00:09:07
I hope you like it a little later00:09:11
we'll tell you about it for those who work with us00:09:14
first time watching first time00:09:17
and plans to write at the same time I want to00:09:19
warning you don't need to do this00:09:21
calmly watch the entire broadcast recording00:09:24
us is not deleted, remains on the channel but00:09:26
those who are subscribed are still additional00:09:29
they will receive a link to it and will be able to look at it00:09:31
any free time and work00:09:33
calm down so don't rush00:09:37
work for me work not to say that00:09:41
very monumental but enough00:09:43
big and00:09:45
there is no reason00:09:48
now try it with me right away00:09:51
do00:09:53
straight from supplements to make it easier00:09:57
work sunshine again here is the zone00:09:59
our sunshine it consists of00:10:03
I will specially give you white and yellow color00:10:07
easy markings then we have00:10:10
such a stretched oval a little brighter00:10:14
we will select the shade of yellow from below00:10:18
very like that00:10:19
quite a significant transition red00:10:22
and purple shades to the left00:10:26
if you look along here00:10:28
almost lines 1 3 a little lower there even00:10:30
greens and a little bit in the sky00:10:33
bluish green turquoise is so light00:10:35
and then we will have a dome like this00:10:39
gradually rise blue to the top00:10:42
there and as for the water we are on it00:10:45
We'll see after we do it00:10:47
sky and so let's start working let's start00:10:50
Bela00:10:53
yellow shades00:10:56
or rather from the yellow ones, even the main ones00:10:58
white-yellow then00:11:03
I didn’t specifically wipe the brush for this purpose00:11:05
so that a piece of umber gets into the color00:11:08
I'll see how bright it is now00:11:11
will be and what I want to immediately point out00:11:13
attention if you are we work in one00:11:16
entry yes immediately alla prima dose where from00:11:20
start to finish without drying then for00:11:23
to make a smooth transition00:11:25
flowers in the sky is a must00:11:29
How thin is the consistency of the paint?00:11:31
sour cream mix the paint better with00:11:34
small amount of paint left in stock00:11:39
umbro shorts add forces00:11:41
constantly mixing again and again because00:11:44
that she is missing and00:11:47
colors begin to jump jump run away00:11:51
somewhere away from you00:11:52
panic begins00:11:56
I can’t mix the color they come out00:11:59
good practice for work00:12:02
learn how to mix colors00:12:05
repeat on the other side so that this00:12:07
no problem, more paint still on00:12:11
that I will draw the attention of the clouds to us00:12:13
the first stage will not be completely all00:12:15
main cloudiness that is present00:12:18
after we laid out the light in00:12:20
air00:12:22
I immediately want to run away into the blue green00:12:26
Well, I won’t leave it for now, I’ll take a piece00:12:31
white next to yellow00:12:33
I make a small amount of pink white00:12:37
I make my pink orange like this00:12:42
pinkish tint color and look00:12:45
here is a very important point not to go over00:12:48
change colors00:12:50
sometimes the light, especially at night, fades from00:12:54
light to dark, that is, particles00:12:56
colors are present but mostly this00:12:59
tonal transition dark and light here00:13:02
We work more on shades of color00:13:07
and another moment like this00:13:10
Now we're laying the first line00:13:12
basic color design that is00:13:15
there are no ideal shades of speech color00:13:17
we need to at least understand what we have00:13:20
what shades of color will it all be?00:13:22
build and so orange00:13:26
with a little bit of yellow and00:13:30
down here down we will grow00:13:33
brightness00:13:34
on top of everything a little bit dark00:13:37
a little brightness bright orange not00:13:40
I want something so bright, I’ll add pink00:13:46
added white added a pink tint00:13:49
a little colder00:13:51
here the yellow wolf is just the same if00:13:54
the color above was orange, here it's pink00:13:57
and he doesn't really go far00:13:59
the pinkness lies somewhere here00:14:01
further siri it that is coming00:14:09
and the same brush that worked very well00:14:11
I wiped it softly and went through to unite it.00:14:16
condition00:14:18
yellow if I need it will it be00:14:20
then I’ll lift you into the sky, now it seems00:14:22
what's his00:14:24
a little more kraplak is not enough00:14:27
I add orange to this color and00:14:32
woo here down here brighter00:14:35
a little bit00:14:41
but again only here it’s pink with00:14:43
orange clouds if you look closely00:14:46
it will be clear what we have in the background00:14:48
there are clouds and shadows there00:14:50
everything is as it should be, then this is the part00:14:55
the lilac fades away gradually00:14:57
there the rules gain depth00:15:01
I'll take the whitewash now00:15:05
next to the yellow special because00:15:08
I'll need yellow00:15:11
a little pink tint from the paint00:15:14
protrudes beyond the brushes but is not critical00:15:17
blue and00:15:20
the tonality here is already so complex00:15:22
the question again, let's look at how00:15:24
lays on the canvas and adds yellow there00:15:27
that is, broken00:15:30
bluish with a hint of yellow strongly00:15:34
It’s dangerous not to overdo yellow00:15:38
border00:15:45
down here she will gradually be in00:15:49
red orange go here blue here00:15:51
a little bit of this color on the edge00:15:54
I'll take it apart now00:15:57
again00:15:59
whitewash in this situation is simple00:16:01
allow first diet00:16:03
colorless, to put it mildly, so gray00:16:07
state and push off again with00:16:10
pure color00:16:15
at the same time, the darkness of blue selenium I do not00:16:19
I do that is, I do it quite strongly yes00:16:21
do not darken the blue with your retinue00:16:26
will be necessary from these Germans 000:16:29
bright enough and probably from here00:16:31
I'm starting to get a little dark, I'll make it even lighter00:16:34
I'll add more whitewash, I need it00:16:36
quite light00:16:44
you know, it would even be possible to brighten up00:16:49
with mix well I see that00:16:51
it turns out a little bit like a Big Mac00:16:56
There’s nowhere else to drill it, let’s go00:16:59
than it is but it is still lighter00:17:01
a little bit more than birch00:17:03
it turned out and00:17:05
before reaching the edge we stop with this00:17:09
there is a lot of color and now it’s no longer needed00:17:11
these are the ones I take big stubble and start from00:17:15
yellow to understand both yellow and00:17:19
pink00:17:20
hit the brush and then I start gently00:17:24
generalize pink and blue00:17:30
along the flowers, never across them00:17:34
We don’t do color shading00:17:39
We also try not to lift the brush from00:17:41
canvas00:17:47
and the next moment00:17:50
come look from a distance what00:17:52
turns out this is important00:17:57
well, at the first stage almost always00:18:00
we collide as soon as we start00:18:02
white canvas is painted like this00:18:04
the problem is not clear whether it is bright or not00:18:06
it turns out bright00:18:08
the process is completely normal and in plan00:18:11
something00:18:12
the holes are not painted over, we still are not00:18:14
we'll see and00:18:15
think about it accordingly00:18:18
what we can do is not worth it00:18:20
I want a little coffin. to this color00:18:23
add let everything be easy with us00:18:25
Sirine's view00:18:28
not much but with a pink tint00:18:35
in my opinion it turned out a bit dark00:18:38
he has now been additionally dedicated00:18:42
the picture is bright, yes it is bright but not00:18:45
dark and00:18:47
contrast is generally not in00:18:51
in tones and in colors therefore00:18:56
we will not be earthly, accordingly, we will have light00:18:59
the sun is fading away from us on the left side00:19:01
fades to the right in the right there will be more00:19:04
blue shades are a little more dark and00:19:06
tones and the like00:19:12
painted with a large brush and00:19:16
generalizations to colors00:19:19
softly crossed over and00:19:22
connected with each other00:19:31
Well, we set the brightness to bluish00:19:37
maybe a little purple now00:19:39
darker00:19:40
a little00:19:42
pink and00:19:47
here is the left to the right corner00:19:52
According to00:19:55
tilt00:19:58
fill the brush strictly perpendicularly00:20:01
also to the canvas along the borders of the paint forms00:20:05
we make sure that there is no clearly visible00:20:08
gradient between them00:20:12
fold the soft transition00:20:15
there is not enough paint, you have to mix it and00:20:18
it's not at all a fact that00:20:20
it will turn out to perfectly match the shade but00:20:23
there’s nothing scary here sometimes00:20:27
anyway, this is a small difference00:20:29
her shades are very interesting00:20:31
specially even a little more pink00:20:33
I'll add00:20:35
darker00:20:46
put the paint again with a large brush00:20:49
let's see the connection again00:20:53
the amount of paint you put on00:20:55
shading was enough to00:20:58
leftovers before painting over actually00:21:01
there is a thinner layer of paint here, but again00:21:04
thin enough for me so that the canvas00:21:07
through it shone so that we can work00:21:10
lighter lighter colors connect between00:21:12
yourself00:21:14
yellow has already passed bright00:21:17
clouds here we have00:21:24
they are not pink-violet in tone00:21:27
very dark so I bloom what00:21:29
I had a00:21:35
according to the shade of color they will ruin more than00:21:39
blue you are not wearing them on the rock yet00:21:43
I draw your attention, look at this part00:21:46
remembered and then that one was a little lighter00:21:49
color man to lighter places00:21:53
illuminated we are approaching therefore these00:21:56
a little more lightness00:21:59
this is how much darker than we need00:22:01
so what else can we devote to the palette?00:22:05
look quite gray00:22:07
color00:22:08
here will be just what you need00:22:12
I even want to escape to something more pink00:22:16
condition00:22:19
abundance of blue which were white and00:22:22
the color is pink, but it’s just more fun this way00:22:26
became00:22:29
connect with clouds00:22:32
the primary state of the sky turned out well00:22:35
quite dark by the way behind the clouds there00:22:38
we have such a beautiful color00:22:41
now let's think about how to do it00:22:43
added the blue one to the yellow one00:22:46
greens turned out and to this greens00:22:49
I'll add00:22:50
orange00:22:54
Let's see how the tone of it all turns out00:22:56
looks orange enough00:22:58
there it may be very important that he00:23:01
wasn't a very dark moment ok time00:23:03
smoky this state of color is gray00:23:06
this is where it fits perfectly00:23:09
look, the cloud immediately turned blue in the background00:23:12
this color if they are not against a white background00:23:15
were perceived as such blue clouds00:23:18
blue decided to become00:23:20
If we touch them up later, we'll separate them00:23:24
added a little yellow orange00:23:27
it will brighten up I need it here00:23:29
come I don't need darkness, it's lighter00:23:32
than the previous one and00:23:37
softly and generalization already00:23:40
I don’t want a big synthetic brush00:23:42
because it's easy to get dirty00:23:44
can we add this hole here in the very00:23:49
the end of this haze is even possible00:23:51
add something pink here00:23:54
pink-red I have here00:23:57
the pink one was even earlier you added and00:23:59
I walked a little along the border00:24:02
quite dark but bright color00:24:05
look at the background of the clouds at once the color00:24:08
change a little again, more and00:24:11
more blue is starting to come out of them00:24:13
another interesting point here00:24:16
dark perceived original reference00:24:18
look here it's light and mine is dark but00:24:21
we are not there yet, darkness and clouds and00:24:24
no tim nasty water according to the background00:24:26
light areas here and light areas here00:24:29
That's it for now, but you'll come a little later00:24:32
Let's see if it's as dark or00:24:35
No00:24:39
and we begin to slowly go down00:24:41
because our mountains are all on water00:24:43
are located first paint the city in00:24:47
here the moment is so interesting what they are00:24:49
almost the majority of colors at once00:24:52
will say the brown ones are not really00:24:55
red-brown in light00:24:57
parts but in the unlit they are cold00:25:02
must be and that's why now we00:25:05
not very dark but darker anyway00:25:09
than the state around the purple color and00:25:12
paint over for peace of mind if00:25:15
it turns out a very bright color00:25:17
add green to this shade that is00:25:20
mix violet with not blue from00:25:22
green sheep it will be more gray00:25:26
I don't know how bright it is on the screen00:25:28
looks like I can't say they're not00:25:31
bright I got a bright color00:25:36
cold00:25:39
if the light is warm the shadows are cold if the light00:25:44
cold shadows are already warm here00:25:47
is selected based on00:25:50
the plot of the picture and the task you want00:25:53
decide on something you want to show and how00:25:56
way to express it00:26:00
not during the day there are conditions with cold00:26:03
light and night condition with cold out00:26:06
warm light both here and there so more00:26:09
from the plot, well, what is the next mountain00:26:13
closer to us it will be even darker00:26:15
tone and just as cold, so I take it00:26:17
kraplak I take the green one it turns out00:26:22
dark cool purple color00:26:26
quite gray and inexpressive00:26:31
what is he like and we close this rock or00:26:34
I'm burning a mountain with this color tone00:26:38
here is an interesting moment in the photo00:26:42
it could be anything00:26:44
again, how the camera distorted it00:26:48
how all this was printed on paper from00:26:52
paper, a lot depends on the00:26:55
a lot depends on the picture, but if00:26:57
we want a natural state00:27:01
objects in the picture should always00:27:03
remember the heat and cold00:27:05
and depending on what kind of light we have00:27:08
we have to choose00:27:11
shadow by temperature00:27:14
if only we had lemon yellow light there00:27:17
was he meant by the cold light00:27:20
we could easily be in the picture00:27:23
put the brown shadows of the doll here for us00:27:27
nothing would interfere and so water is what we are with00:27:31
often come across in photographs00:27:35
reference contrasting horizon line00:27:39
the camera very often pulls out to us00:27:41
just the same high contrast on00:27:43
border of water and sky but if so00:27:48
there will always be a double feeling00:27:51
far close in that airy picture00:27:55
perspective suggests that distant00:27:57
the subject is weakly contrasted here00:27:59
exactly the opposite occurs00:28:01
state00:28:02
high contrast in the distance and00:28:05
accordingly, it is interpreted in two ways00:28:07
sometimes takes it very strongly00:28:12
Let's just say it hurts this one's eyes00:28:15
sense of perception is a state of strong00:28:18
contrast at the horizon00:28:20
That's why we00:28:22
we'll pawn00:28:24
look at the strong contrast for me00:28:28
divided into the color of the mountain so gray00:28:31
gray we got a beautiful color00:28:33
which is only a little darker than00:28:38
border horizon we don't need to come here00:28:41
pay attention somewhere there00:28:43
something goes far away and00:28:45
why make it too strong?00:28:49
attention so we can use this color00:28:52
calmly some water here00:28:55
paint over it, but here we are closer to the sun00:28:59
we are a little brighter but not dark you00:29:01
colors and the brightness of colors where there is light00:29:05
it's always brighter there00:29:09
smashed00:29:10
again why do I whiten it?00:29:13
kraplak paint is actually dark00:29:16
I'm drowning if you look and in order to00:29:20
tone at least equal to this here00:29:22
put but brighter white is not needed00:29:25
just for00:29:26
lightness of base paint00:29:33
bright00:29:35
lilac color is this backing00:29:38
look how right here in this place00:29:40
it's half brightened, it still seems dark00:29:43
Well, it’s lighter, it’s not as dark as it was00:29:47
and immediately these distant ones brightened00:29:50
gave a medal to the far part of the air you are so00:29:52
they will say00:29:56
you need to bring a little in this circle and00:30:00
immediately moves away00:30:03
this mountain is deep because it’s weak00:30:06
contrast by the water00:30:09
with the mountain it turned out the mountain itself is a contrast00:30:13
but the mouse still can’t put the light on it00:30:16
very carefully along the horizon00:30:19
I pass and00:30:20
I soften the state of the flowers a little between00:30:24
air and water there was no sharp line and00:30:29
I can already see the brightness of the colors in this part00:30:32
pictures of attention will come more00:30:36
now I need a little bit at the same time00:30:41
I add darkness and color changes00:30:44
blue and00:30:46
here to the center00:30:49
a little more blue00:30:55
It's always quite difficult to write conditionally00:30:58
It’s difficult because the state of the water is like ours00:31:00
now the row on the water is not frank00:31:03
strong waves00:31:05
something runs onto the shore only in00:31:08
small quantity and many many many00:31:10
dark shadows if you look at the ripples of the ripples00:31:14
this is exactly what is present on the water00:31:16
essentially this substrate is the future under the shadows00:31:19
who must be there if we don’t00:31:22
let's set this movement00:31:25
tonality and slight darkening as00:31:28
moving forward we have depth in the picture00:31:30
it won’t work and we’ve probably come to00:31:33
to the moment when the coastal border00:31:36
the bend that we have here goes here00:31:40
all this line is darkness and00:31:43
which is present in the picture00:31:46
we are on the left side of the men a little taller00:31:50
even raise but it is conditional and for now00:31:53
moment if we look at the colors from above the colors00:31:56
looks very similar from below00:31:59
so she can't pay much attention00:32:02
surprise and astonish00:32:05
I add a brighter purple kraplak00:32:09
the color is darker and00:32:11
here forward even more00:32:15
we should have a contrast00:32:18
become a00:32:21
on the right side, on the contrary, it is more gray00:32:24
state of ethics and00:32:31
still leaving the color00:32:34
therefore green00:32:37
pink00:32:42
the paint runs out, add white and00:32:47
repeat color mixing00:32:54
cool waka green00:32:57
dark tone gray sealed00:33:01
darker than the previous state well00:33:05
by the way, right here00:33:10
immediately to the pedal it brightened a little00:33:13
more crab. so that more is still in00:33:16
pink gray color went away than green00:33:21
I don't pay attention to the reflection00:33:25
worries here by the way you can00:33:27
work big brush00:33:29
I want to summarize a little00:33:38
the perception of the sky changes completely00:33:40
colors change in the sky00:33:44
the state of the clouds itself changes and00:33:47
color and tonality, contrast00:33:49
throughout00:33:52
here in the foreground is such a moment00:33:54
very interesting00:33:56
here's where the cash register goes but it's made of stone00:34:00
embankments00:34:02
here she is00:34:06
on the left side there is also a reflection of the sky00:34:09
here in this piece of lilac you are violet00:34:13
bluish shades00:34:17
this moment is smart under the mountain not00:34:20
It's been painted over for an hour, I'll remove it right away00:34:25
I’ll generalize, it’s just omitted, it will be what will happen00:34:30
window and connection so that there is no white canvas00:34:33
it was practically visible00:34:36
where it's dark sti00:34:44
again the same purple color00:34:48
to green00:34:51
fc and00:34:53
pink built aka so dark00:34:58
just as dark and00:35:01
on the right will be specifically then not now00:35:05
without experience it will be possible to place the light where00:35:07
needed but basic condition00:35:10
exactly like this00:35:19
I don’t pay attention to the wave at all00:35:22
which foams up00:35:37
what's even more pink in the shade00:35:42
look it seemed dark in the background00:35:45
white has now become lighter and even00:35:48
shades of color have appeared, that is, paint00:35:50
is constantly dependent on00:35:52
neighboring flowers xiangnan is not00:35:55
independent as such always00:35:57
adjectives to an existing or00:36:00
again according to the present state therefore to00:36:03
this always pay attention to the sky calmed down00:36:06
completely different shades00:36:07
began to be perceived00:36:09
I want a little00:36:15
just add blue color right away00:36:20
wants to take at the expense00:36:22
lay the reflection of the sky00:36:27
that was00:36:33
in fact, now I’m playing in spots, that is00:36:36
I need spots of color and00:36:40
to me the color is light, which is the best00:36:44
the main thing is that the brightness is now00:36:47
we don't pay much attention00:36:49
pink shades and I even now00:36:52
I'll try pink and add orange too00:36:55
see dark tone00:36:58
Well00:37:00
when he gets here he is no longer so dark00:37:02
perceived00:37:08
I specifically work with one brush for00:37:11
in order to get this one00:37:13
continuity of color transitions00:37:15
from00:37:17
one to the other that is, if the brush00:37:20
constantly wipe all the colors will turn out00:37:22
clean and the picture will be00:37:26
very bright00:37:29
added00:37:33
orange and pink00:37:37
at the first stage the brightness of the light is not00:37:41
we need to prepare the substrate00:37:44
under it00:37:48
we cover the white canvas and see what00:37:51
What colors do we get in common?00:37:54
state there in terms of brightness00:37:56
how it is perceived so don’t try00:38:00
at the first stage, set just this00:38:03
light brightness look for dark brightness on00:38:07
which simpletons the light lies00:38:11
because these dark brightnesses will00:38:13
helpers for you to00:38:16
then create lighting in the picture and00:38:21
accordingly, the more you are00:38:23
drill and brighten00:38:25
base here is the underpainting step00:38:29
whatever you want to call it, the more difficult it is for you00:38:32
will00:38:33
paint exactly a bright sunny picture00:38:39
Well, actually, it’s possible to answer questions00:38:42
about answering and it went by so quickly00:38:45
And00:38:46
I did the bulk of the first stage00:38:52
I've accumulated a few questions00:38:56
I remind Dmitry that now it’s a little00:38:59
We’ll sum up the results of the repost competition later00:39:02
and we'll tell you about the new course, wait00:39:05
it will be interesting00:39:07
Irina Chaikina asks if the canvas00:39:10
stained, absorbs paint strongly00:39:12
What should I do? Paint it completely and give it to him.00:39:14
dry after it dries00:39:16
I also recommended repeating the first stage00:39:20
Irina do not buy from this manufacturer00:39:22
canvases for example on our website easel00:39:25
dot ru very good canvases00:39:28
they pull paint and stain the group00:39:31
coronary dilute or if they pull, well00:39:34
either prime or don't buy00:39:37
buy those to give to00:39:40
so Olga Andreeva with further with just00:39:43
natural umber but not Leningrad00:39:45
it will fit but it's just different00:39:47
shade of color and in mixtures there will be00:39:49
be different just keep it in mind00:39:52
What can you use to prime if it’s your first time?00:39:55
and the canvas is not clear00:39:58
again ideally in the store for ogrun00:40:01
For artists, soil is sold and you can00:40:04
absolutely calm buy from primer00:40:06
or try l00:40:08
yes, it’s better if there are any doubts00:40:12
for example, we bought canvas cheaper than before00:40:16
unverified not always cost even00:40:19
actually affects shorter better00:40:21
prime primed00:40:24
so a difficult question came to us from00:40:28
Germany00:40:29
from heike00:40:31
you are a forest if I read correctly00:40:35
Dmitry I have a question, could you00:40:38
mix the colors together and then connect00:40:41
write them together in the picture00:40:43
mixed colors or it doesn't suit you00:40:46
yes and so and so you can do it anyway you like00:40:49
in fact00:40:52
that is, mix not on the palette but on00:40:54
canvas they see us, this is another00:40:57
technique00:40:58
we partially actually do this00:41:01
Yes, we mix Astana juice here and there00:41:04
asks if you ever had to00:41:06
Dmitry use it at the drawing stage00:41:08
frame project how do you feel about00:41:11
the use of projects gives absolutely00:41:13
I’m calm about not using it myself00:41:16
a convenient way to get it right00:41:19
make a drawing and in general it works00:41:22
Wirth I probably don’t know if there is no canvas00:41:26
ask Lana in Vladim ago on plywood00:41:31
or write on hardboard and what is the difference00:41:33
then it will take more paint to prime00:41:36
be sure not to write directly on plywood00:41:38
be sure to apply a primer and then00:41:41
the paint will go off normally and the behavior will be00:41:43
just like canvas00:41:47
so coming back chat yeah that's very good00:41:51
on easels and canvases confirm our00:41:53
students00:41:58
ok I won't ask for bones00:42:00
English red 0 5 interesting00:42:03
rf photos00:42:05
OK00:42:06
Konstantin I will remember this for you00:42:12
ok let's move on it seems like it was easy00:42:14
Not yet00:42:16
Well, we can go away and see what00:42:19
it turns out completely calm00:42:21
start off00:42:23
laying the clouds right away00:42:26
will give us a lot of contrast in the sky00:42:30
let's not split hairs a little bit of clouds00:42:33
which are on the right side00:42:35
distant ones are illuminated then darker00:42:39
I want to immediately draw your attention to the closest one00:42:42
how much has changed in this situation00:42:46
the area initially seemed dark and not00:42:49
so bright now as00:42:51
painted completely white base00:42:54
the overall picture has changed00:43:01
distant clouds00:43:03
I can’t rely too much on the markings00:43:07
I will be in general condition00:43:08
somewhere around00:43:13
a little lower a little higher lower lower00:43:17
half the sky falls and goes here in00:43:20
this side00:43:22
Here00:43:23
yellowish00:43:26
pinkish army bellies hues00:43:28
lie down immediately for peace of mind00:43:31
so as not to interfere with the paint, you can do it00:43:36
drawing00:43:38
It’s better to remove the unnecessary ones again here00:43:42
put away00:43:43
excess and develop the drawing rather than leave it00:43:46
the emptiness of the white canvas because white00:43:50
quite contrasting tones and when we00:43:56
we miss places in a completely different way00:43:58
the sky looks very difficult sometimes00:44:02
evaluate whether it was done correctly or not00:44:05
And00:44:08
I'm just whitening now00:44:11
light paint and00:44:14
pink will be everything else00:44:17
mixed the sieve so it will be an accident00:44:19
count for00:44:21
painterly tone should be00:44:25
same as00:44:28
blue now I'm essentially laying a shadow00:44:32
the distant clouds are pink again00:44:39
there are quite bright shadows but00:44:42
Lordships they00:44:44
the sky doesn't really stand out so00:44:48
we even make the tonality of pink dark00:44:51
if it looks bright on the palette00:44:54
look almost completely00:44:56
disappears into the sky and we don’t notice it00:44:59
already on the palette he can do whatever he wants00:45:02
look bright here a little more00:45:05
blue air hits00:45:08
which is also sufficient00:45:10
accordingly he00:45:12
it evens out, softens and then it will00:45:15
lighten that is, as we00:45:17
We're getting closer to the sun, it's getting brighter00:45:19
everything and00:45:22
the shadows lighten too00:45:25
their tonal contrast decreases00:45:31
after all, the dark tone turns out even lighter00:45:34
that is, it was good for a corner, but for00:45:38
there are already a lot of these areas and why00:45:41
pink, well first of all it will be cold00:45:45
replace shadows00:45:47
contrast to the light lying on00:45:49
clouds and the second pink one will block00:45:51
completely movement00:45:54
not yellow paints, that is, if we00:45:57
will need to put the color we like pink00:46:00
since we're blocking00:46:03
possible formation of greenery especially00:46:06
if we write in one go, if in several00:46:08
calls are no longer critical00:46:11
but pink is also present there as one00:46:15
from flowers therefore00:46:22
you can safely pawn00:46:37
be as careful as possible when working with00:46:39
clouds relate to their drawings and00:46:42
being sloppy can be put to rest00:46:44
you can ask any question00:46:46
first, will you like what you got?00:46:49
you don't know this until you00:46:52
you won’t do them and the second point is that00:46:55
will concern just the same correction00:46:58
already if you did it wrong in the first place00:47:01
according to the drawing, then you don’t have a sample before00:47:03
eyes and00:47:05
accordingly how to fix it and what00:47:07
it will be extremely unclear00:47:09
to invent, but that’s just fiction00:47:11
sometimes they lead us completely into the wilds00:47:14
misunderstanding of what is happening00:47:16
so try00:47:22
it’s just easier for you to get into the drawing00:47:25
it will be well, by the way, before you were very00:47:27
turned out good for00:47:29
periphery in brightness for these00:47:32
clouds00:47:35
this orange blends easily with pink00:47:40
all the colors are from master classes00:47:43
except for whitewash, respectively, if you have00:47:46
orange ladoga he will behave00:47:48
differently in Ladoga there is more yellow00:47:51
shade and when mixed with blue it00:47:55
runs sharply into green, keep it in00:47:57
I mean, this orange one is more00:47:59
cool here is the master class and behavior00:48:02
when mixed it differs from00:48:08
Vlady00:48:09
put a little orange tint on the light00:48:14
to have a general idea of00:48:18
happening and so orange and00:48:23
it will be almost yellow now00:48:25
completely got rid of the blue in the brush00:48:29
you need to be brave00:48:32
how to transition from a yellowish tint00:48:39
distant clouds are quite bright but at the same time00:48:42
at the same time softly lit, yes that is00:48:45
yellow there are orange you and shades but they00:48:49
Not00:48:50
saturated dark00:48:52
simpletons having a background allows us to already00:48:55
understand how to do them00:48:58
bright everything I don’t have enough palette for00:49:03
lordship00:49:06
here comes the soft yellow00:49:08
white-yellow color00:49:12
I deliberately started with distant clouds00:49:15
to be able to communicate with others simply00:49:18
block is already in a state, that is, I’m not00:49:19
I pay attention to what will happen here00:49:21
the clouds don't really care00:49:28
somewhere very soft shading soft00:49:32
touching the canvas with a brush00:49:35
the paint adheres easily and very far00:49:38
doesn't spread00:49:42
now it turns out as00:49:45
every new color hits the canvas00:49:48
the state of the picture as a whole changes and00:49:50
here you just need to be prepared for00:49:53
because the picture always changes twice00:49:56
it seemed like it started here00:49:59
light00:50:02
purple and then it turns out that he is00:50:04
dark blue because they lay next to each other00:50:07
colors00:50:08
that changed the perception of a particular00:50:12
shade of color00:50:18
white-yellow00:50:22
here we need to add a little brightness00:50:25
at first it seemed like it was enough00:50:28
Now I understand that I can still calmly00:50:31
turn yellow00:50:37
then the whitewash ends00:50:43
go down the expense is significant00:50:49
Well, now I want a little00:50:52
white-yellow color put where00:50:54
there will be sun00:50:57
then I’m almost a bleached yellow one00:51:02
pasty enough lay out look00:51:04
this moment is probably still00:51:09
It's better to work if you feel it00:51:13
uncertainty about drying out will be easier00:51:16
because they just didn't bother00:51:19
condition00:51:23
if we worked in 3 stages we are now00:51:26
would put a tonal underpainting on00:51:28
in the second stage we did just that00:51:30
what am I doing now the third stage is we00:51:32
wrote out the details accordingly to us00:51:34
there would be a possibility00:51:35
work on dry paint where if something00:51:39
everything went wrong, you can calmly00:51:40
erase and recycle here if and00:51:45
wash then wash then completely until00:51:47
canvas therefore somewhere moments00:51:50
If you feel like it’s not working, dry it00:51:54
work and continue on dry ground00:51:57
easier and00:51:59
I almost always recommend this00:52:05
feel bad take a break from the picture00:52:09
let him rest from you and00:52:13
then calmly continue and so brightness00:52:17
the sky has already appeared enough after that00:52:19
How will we lay down even darker clouds?00:52:23
will intensify and00:52:25
I repeat again the same thing I did before00:52:29
I take this rag here from us00:52:32
large00:52:34
mass of dark clouds00:52:37
in the background00:52:40
I wipe00:52:43
almost to the ground00:52:45
upstairs here with us00:52:48
there are large clouds in this place00:52:53
I wipe and00:52:55
chain of clouds00:52:58
here towards the mountain goes I'm the only one00:53:02
wiped off the paint00:53:05
we have them00:53:08
red00:53:11
gray-violet00:53:13
red is probably the main color00:53:19
perceptually there is a little bit of brightness 300:53:23
faces in blue on them from the sky but00:53:25
still the basic state00:53:27
red purple a little umbro00:53:30
you can add a little green00:53:32
here you can look at the shade and00:53:34
on the combination how it looks on canvas00:53:38
use white to adjust lightness00:53:41
tones00:53:44
too dark, we'll see now00:53:50
dedicated a little dark00:53:55
more calmly and here the threads of the whip are still00:54:00
that we are not talking about volume and light now00:54:03
we're talking00:54:04
we talk about we talk about00:54:08
form first of all, that is, we set00:54:11
form00:54:13
I’ll say it again, the drawing and the special00:54:17
pay attention to it, there is a correct drawing00:54:21
paint over and the shape of the cloud will be correct00:54:23
similar to those you see and will be00:54:26
It’s easier to live if the drawing is wrong00:54:31
it won't be possible to paint it correctly00:54:34
in the process of comparison00:54:36
what will happen00:54:39
frustration because it doesn't seem like anything00:54:43
don't look like why don't look like00:54:45
understandable and00:54:48
complete disorder occurs, what with00:54:51
do all this good00:54:54
I can't draw, I don't have anything00:54:56
it turns out they drank all the brushes00:54:58
pays a00:54:59
if there was a correct drawing no longer00:55:02
there would be this feeling because00:55:04
the right drawing would be right00:55:06
laid00:55:07
shapes of objects and where they are correct00:55:10
the shapes and colors are gradually correct00:55:12
appear and00:55:14
everything comes back in perfect order00:55:19
color00:55:20
I reach the end of the canvas here00:55:25
I do it a little less expressively00:55:27
the photographs are again expressive00:55:29
maybe everything00:55:30
the picture doesn’t express everything00:55:33
no point in falling apart but also00:55:36
will the photos actually be then00:55:37
it’s easier to just go print the photo00:55:40
on canvas and admire what00:55:42
there is a picture of him a picture00:55:44
she's not talking about this condition anymore00:55:47
after all, windows are so important and what is it00:55:49
secondary00:55:54
and upper clouds00:55:56
I'll still mix the paints00:55:59
kraplak green00:56:01
whitewash00:56:03
By the way, can you try a little English?00:56:06
add just a little red00:56:07
very bright and warm color therefore00:56:10
easy to pass the whip and with additives00:56:13
be careful00:56:15
such powerful clouds from above turned out00:56:18
thanks to the English Red00:56:20
something not a merit from a service probably00:56:24
redundant so I'll add a little00:56:28
green and a little linen will calm me down00:56:30
I'll reduce the brightness00:56:32
colors00:56:42
this cloud is falling straight down here00:56:45
low enough00:56:49
here's a request, use this00:56:52
my webinar in such a way that first00:56:55
make a drawing then see how00:56:57
colors are set, do not copy00:56:59
one-to-one form as I show because00:57:02
What00:57:04
sometimes I move away from her but just a little00:57:07
It’s easier after all, I can fix it and00:57:14
understand that I don’t like it, remove it00:57:18
what I don't like and00:57:21
I won't be upset about this00:57:23
because every picture is something00:57:25
experiment00:57:27
experiment00:57:29
experiment with shapes with paints00:57:44
I trim the bottom and again things are there00:57:47
a whole series of cumulus were also born00:57:49
clouds are moving here but no shade00:57:51
I haven't touched them yet00:57:56
then I want to grow the cloud a little00:58:06
because I need the final form00:58:08
determined only after they have00:58:10
I will be all at once this blue00:58:12
appeared unnaturally and completely00:58:15
stuck and I'll change it00:58:19
color in it00:58:22
I lighten it to the required level00:58:25
under the cloud is a more pink state and00:58:28
then everything that happens00:58:30
here towards the horizon00:58:34
more00:58:36
pink-red then I'll draw clouds00:58:41
high cumulus here00:58:45
a little bit of shape all along this one00:58:50
I'll add stripes00:58:55
it didn't seem so blue it seemed00:58:58
lilac at the very beginning more even with00:59:01
pink tint00:59:02
everything has changed Vladimir something with00:59:06
questions we have00:59:08
you can add questions at once00:59:11
I answer the next webinar we have right here00:59:14
here is a webinar in January in January and morphing00:59:18
we will be in December weak numbers00:59:22
December00:59:23
We’ll probably share a secret right away, winter00:59:26
will you us yes yes there will be00:59:28
marathon 21 22 23 three-day marathon to00:59:32
this is what we will do 21 22 2300:59:36
register but more on that later in00:59:39
this is the pole of the link yes so the question is Tatyana00:59:43
Boginskaya I’ll ask if you can use the soil instead00:59:46
paint plywood with water-based paints00:59:49
sometimes you really need it00:59:51
water-based emulsion pulls paint strongly 1000:59:54
just watch how it will behave00:59:56
and you can do it completely calmly00:59:58
They also ask what's next01:00:00
Dmitry wants to paint an original painting01:00:02
I do not know01:00:06
then Galina can ask instead01:00:09
cadmium yellow yellow light sonnet01:00:12
I find it difficult to answer because01:00:17
this orange one01:00:21
I used it but didn’t use the yellow one so I don’t know01:00:23
I won’t actually say the behavior, but if01:00:26
Honestly, I still like yellow flowers01:00:29
in the master class because even ladoga01:00:32
already leads here much worse01:00:34
consistency according to miscibility01:00:38
yellow orange is better after all master01:00:41
Klossovsky is the best thing about them01:00:43
behavior01:00:45
for now it's all a question so let's continue the clouds and01:00:52
further we have clouds they are more01:00:55
reddish and lighter shadows01:00:59
they are present in any case and01:01:02
we will make them01:01:05
look pink so think about01:01:07
normal everything is so pink purple01:01:09
the colors here are immediately bright and saturated01:01:13
it turns out and we block the yellowness that01:01:16
we were lying let's go to the sun01:01:21
these are our shadows01:01:28
and small clouds that go into the distance01:01:31
they're leaving and floating here all along01:01:34
distant clouds there is almost such01:01:37
horizontal shelf base base01:01:40
here she is on01:01:43
she is the one who says that there are clouds in01:01:45
the valley at the same time rises up these01:01:49
our clouds are already diagonally more01:01:51
perspectives go away at a steep diagonal01:01:53
there is a little bit of linearity in this01:01:56
condition and01:01:58
I feel like we're out for some water today01:02:00
a palette knife works, I don’t know why01:02:02
but it seems so to me01:02:03
to which I will dedicate a little light01:02:08
Let's start with the clouds closest to the sun01:02:10
and gradually I will move away01:02:14
orange broken and01:02:20
English red just a little01:02:22
be careful with the English red one01:02:24
quite dark color strong01:02:27
so little by little01:02:31
it turned out even darker than the shadow so01:02:34
slightly lighter cabbage soup01:02:36
the colors came out even darker than the shadow01:02:40
the condition is just a little yellow01:02:42
I'll add [ __ ] areas so softer01:02:46
I'm here, you can come up with a form01:02:50
to everyone and to the bank01:02:52
they may have a form01:02:56
individual partially and the light should01:02:59
lie on the side the sun is about this01:03:02
please don't forget very often01:03:04
it happens that the light lies in the shadows and that’s it01:03:08
and the clouds rose up unnaturally laid out01:03:11
light or half light is not the brightest01:03:14
still in good condition with a little bristle01:03:18
I generalize the boundary between light and shadow01:03:24
here somewhere I’m crushing a little into the sky01:03:28
I add01:03:31
small01:03:33
details of the clouds so that they are01:03:40
no such single figures but01:03:44
surrounded by this small01:03:49
delivered the little ones from his daughter01:03:55
here's an interesting moment01:03:58
rhythm, something happened, let's start01:04:01
repeat make each other similar01:04:04
and we get an unnatural state01:04:06
often just like that from rhythmic where01:04:08
all forms are repeated it's simple01:04:11
pay attention see the rhythm01:04:13
correcting whitewash orange01:04:16
I want to add a little yellow here01:04:21
.01:04:24
you can look close to the sun01:04:29
these shades of color are calm yellowish01:04:32
I’ll add reddish ones just not01:04:35
abuse them too much light01:04:40
may be excessive01:04:47
complicated let's say and fragment attention01:04:50
not on the map in this to the light01:04:51
attentively01:04:53
don't do much again orange 2001:04:58
years of workers now01:05:01
clouds01:05:04
great valley01:05:13
warmer color for the sun01:05:16
there's a yellow-orange one further down there01:05:19
places where she is01:05:22
at first glance illuminated at the very01:05:25
in fact they are in the shadows just like that01:05:27
part of the cloud that is turned towards the light01:05:31
carcass had01:05:34
it's pink there01:05:38
sulfur pink01:05:40
volume shown01:05:45
here we can say so kraplak01:05:48
green white01:06:06
everything about clouds like01:06:08
recommendation basic sketches made01:06:11
halftones of light and shadow and spread them out01:06:15
dry out do not try in one go at once if not01:06:19
feel confident that you can handle them01:06:22
do01:06:25
there's a high probability that it's just01:06:28
the disease will begin and01:06:32
and we won’t get anything good01:06:34
English red01:06:37
orange whitened slightly darker tone01:06:39
I want to add brightness to these clouds01:06:42
im on01:06:43
bright but initially darker in color01:06:49
light and the same here01:06:56
just a little bit01:06:58
edges and upper clouds are the same01:07:09
added and softly-softly01:07:12
summarizing01:07:19
here we need to split it up a little somewhere01:07:21
be careful, don't abuse it again01:07:26
there's a lot, a lot, a lot of fluffiness01:07:28
trying to show very heavy01:07:31
looks and is often not natural01:07:34
there, don't try, all these clouds01:07:37
crush exactly the same as on01:07:40
the more photos there will be of this01:07:41
fragmentation01:07:43
attempts to give small details01:07:46
fluffiness hairiness is nothing to the clouds01:07:49
we look like we have hair in the photo01:07:52
this is often what they say about the condition01:07:59
Lots of lighting on the outside01:08:03
light passing01:08:06
rays illuminate the boundaries of the clouds not the top01:08:10
and bottom learn border01:08:19
and the spruce on this color can be even slightly01:08:22
he can even have more orange01:08:24
we just set it to try before01:08:27
patches of smaller clouds01:08:44
some hints here01:08:47
Let's see what it looks like from a distance01:08:50
always try to judge from a distance01:08:54
if not, estimate from a distance01:08:58
it is often very difficult to see what01:09:02
quite contrasting things happen01:09:04
heavy spots on the clouds have formed01:09:07
I'll leave the sky alone for now01:09:11
a little water and then I’ll think about it again01:09:14
whether to leave them in this brightness or not01:09:17
By the way, we need a little light here with01:09:21
pink01:09:23
with a little bit of pink, maybe a little bit01:09:26
easy rendering oh add well no01:09:30
lighten01:09:45
that top cloud looks hard01:09:48
I'll climb a little into the sky and cross the border01:09:51
I'm drilling into the sky, that is, not at the expense01:09:53
that I will add colors here precisely for01:09:57
account nebushko01:10:05
take a big brush a little01:10:12
I'll go through and reduce the detail in practice01:10:16
clouds that is simply generalized01:10:22
pea hooked01:10:27
let's look again and01:10:31
let's go down to the water01:10:37
on the right side we have a single01:10:44
after all, they’re all the same purple ones01:10:47
shades added crab onion here's some greenery01:10:49
which I had01:10:53
I support you almost everywhere01:10:56
consistency or thin sour cream01:10:58
or a little thicker very liquid paint I01:11:00
I didn't actually work here today01:11:03
us rock01:11:06
a little dark01:11:09
think about it01:11:21
A light colors are quite dangerous01:11:24
because they bloom very easily01:11:27
darkness and01:11:30
sometimes it’s critical once it’s installed01:11:35
the rock just on this side a little bit01:11:38
balance balanced01:11:40
condition, I’ll make a reflection from it right away01:11:43
some water01:11:46
a little bit01:11:48
shadows and01:11:53
English red01:11:55
whitewash01:11:56
I’ll lay it all out for you in color, that is, so that he01:12:00
English red is so calmer01:12:02
there was a little bit of light on the scale01:12:05
A little01:12:10
there's still a little one there01:12:12
I'm adding an island in front01:12:23
I don’t just take it with a brush01:12:25
put it and horizontal movement01:12:29
a little fragmentation a little bit completely01:12:36
the picture behaves very interestingly01:12:39
there was no such green steady at all01:12:41
the grayness was actually mild now01:12:44
emerald green water appeared01:12:47
I want a little bit of echoes of the sun01:12:50
just put it in the sun01:12:56
It seems like we don’t have obvious paths here01:12:59
Well, I want to reflect the light in the water01:13:03
whitewash a little pink and01:13:07
orange01:13:10
enough boyarka put it01:13:13
vertical light and then horizontal01:13:17
movement01:13:18
I'm switching him to water again01:13:22
will be like a substrate for the main brightness and01:13:29
A little01:13:30
calm the sky on the horizon beyond01:13:34
account of just the same colors of water a little bit01:13:37
gray apple below01:13:50
whitewash01:13:53
ten I have English red with01:13:55
it was orange, I use white to highlight it01:13:58
maximum01:14:07
pink01:14:11
and I'll try this orange one on top01:14:16
very light01:14:23
brighter this kind of pink orange01:14:26
shade01:14:29
here below and by the way you can absolutely01:14:33
calmly put it here too and01:14:39
horizontally and01:14:43
generalization again to the plane01:14:47
I regulate the pressure on the hand very gently01:14:51
and long01:14:54
movement along the canvas01:14:57
wiping the brush and01:14:59
I cut this color and take it a little bit01:15:03
side01:15:09
waviness appears01:15:15
about a dollar mountain you have to walk even along01:15:18
A little01:15:20
just don’t show strong waves01:15:23
we don't have a storm so if we do01:15:27
something big will happen, remove it01:15:30
no need for a figure in the distance01:15:35
be sure to get some of this color here01:15:38
the left side is possible01:15:42
pick it up and I want to hint now01:15:45
darkness and line01:15:48
indigo didn't use indigo today01:15:54
we need a dark tone here01:15:58
strip01:16:03
almost in the sun 2 which01:16:05
will go this way01:16:09
bend over01:16:11
sharpness needed dark gives contrast01:16:14
I just used it01:16:18
lay contrast01:16:21
the back of the brush here if01:16:24
continue in this dark stripe we like01:16:27
once we get the transition01:16:28
lilac foam it's probably me here01:16:32
I'll use a palette knife to01:16:34
just put paint there thickness of layers01:16:37
already decent01:16:39
blue white01:16:42
definitely a lot of shacks because there01:16:45
lilac blue tonality dark01:16:53
foam01:16:55
in this situation it will be simple01:16:58
stripe for color start01:17:01
no need to spray anything01:17:07
please don't overheat it01:17:12
dark moan01:17:19
what's the plus of the palette knife?01:17:22
the fact that you can put paint and it won’t01:17:24
gets dirty with the lower flowers of simas quiet01:17:28
to be in this first and foremost01:17:31
quite a good plus01:17:34
layer one color on top of another01:17:38
that’s why the palette knife is just as good01:17:41
light layouts01:17:43
so that the bottom layer for me01:17:47
mixed with the top one, took a little01:17:49
pink01:17:52
upper limit foam a01:17:57
Then you need to calmly generalize and here’s how01:18:01
since I won’t generalize with a palette knife01:18:05
a brush marked it a little more conveniently01:18:09
border01:18:10
in extreme brightness I'll start on too much01:18:14
attention will be on the edge again somewhere01:18:18
you need to put a bright sky color here01:18:22
a palette knife will help here too01:18:25
precisely because he01:18:29
he puts paint on top01:18:34
is convenient for01:18:38
adding paint where the brush is not01:18:41
cope because the color will mix01:18:50
a little something that went down too much like01:18:54
anyway, just a little brush01:18:57
touched it and it disappears01:19:00
very convenient thick layers of paint01:19:04
brush through01:19:07
on a mule in friction it's good to show a wave01:19:11
maybe a dark tone behind this one?01:19:13
foam there is still a wave of shichko with a shadow day01:19:17
outlined a little01:19:21
let's say here we have a high stick01:19:23
yellow brightness01:19:25
a palette knife will help here too01:19:29
namely to put it on top of what is already lying01:19:34
there is and so we just see that01:19:37
happens how one color looks on01:19:43
friend without stirring brush01:19:49
pushes through a layer of paint01:19:53
one into the other and01:19:57
acceptable for some brightness with a brush01:19:59
exactly the same as with a palette knife01:20:01
work very carefully to01:20:04
and pasty reasons so as not to push through01:20:08
bottom layer01:20:25
you just need to calm down01:20:29
generalized01:20:41
palette knife always needs against glasses01:20:43
That's why01:20:45
if work and something01:20:47
rub01:20:49
so that he doesn't stain everything01:20:52
happens on canvas and didn't turn it01:20:56
one color01:21:00
if you fulfill the second point, it turns out01:21:03
Interesting01:21:10
Vladimir we have a question01:21:12
let's have a few together01:21:18
right on the way, let me go01:21:21
a little bit like you're like a palette knife01:21:22
now a small amount of paint at once01:21:26
on the palette knife here on the dark good01:21:28
it will be visible a little bit of light as I add01:21:33
question Tatyana Boginskaya ask01:21:36
please tell me it is absolutely necessary01:21:39
varnish the work after drying yes01:21:42
no not necessarily advisable at all01:21:44
sometimes it's just01:21:46
In general, varnish is a good remedy as protection01:21:50
pictures to from the external environment from dirt from01:21:52
dust01:21:54
which are still present in the air01:21:57
+ varnish about decay removes paintings01:22:01
sometimes especially with multilayer writing01:22:03
dull spots appear01:22:06
gloss disappears saturation is lost01:22:10
paints and varnish saves from this01:22:13
Tokmakov's plan asks the question whether01:22:17
you work in thin layers of paint or01:22:20
you have work more shameful01:22:23
for example, there is practically no palette knife01:22:25
always apply thin layers of paint with a palette knife01:22:27
as an additional tool where01:22:29
you just need to put it exactly01:22:32
thick layer Elena Popova tell me01:22:35
please is it possible when painting pictures?01:22:38
use pink cinchona credan firm01:22:41
master class yes possible01:22:44
and purple01:22:45
[music]01:22:49
Natalya Burmatova is interested in how01:22:52
see what color to put the substrate under01:22:55
Is there a path to certain rules?01:22:58
or take the color of the sky as a guide and01:23:02
it darkened on them01:23:05
reflection in water can always can't01:23:07
they will be darker than the color of the sky because01:23:11
darkness and which we lie in the water and01:23:13
which are not in the sky will be highlighted01:23:16
paint if we are in pure in equal tone01:23:19
let's take paint from the sky so for01:23:22
reflections, darkness will already be in the water01:23:26
colors relative to the sky are the same01:23:28
ideal background for paths pink01:23:31
red shades that are easy01:23:34
combined with blue ones on the periphery01:23:37
exit from the picture and with yellow inside not01:23:42
greener and01:23:43
Galina will clarify, maybe not with a palette knife but01:23:47
with a brush when the canvas you can of course01:23:50
Of course you can, who will stop you?01:23:54
even your picture and01:23:57
who says that my hands are always clean01:24:01
well I haven't gotten around to it yet, knowing01:24:05
several artists who shelves01:24:08
english red01:24:12
well at least it’s not in speckled pink01:24:17
so what Dmitry when we have a competition01:24:20
don't do it, let's do it a little01:24:22
now I'll put some light here01:24:24
let's work on the front part after that01:24:26
competition in Chelyabinsk when Dmitry is not01:24:30
I know for now honestly yes01:24:33
January February March without departure01:24:36
practically Moscow petya and from April we will be01:24:39
see what happens and01:24:40
focus already on01:24:43
long trips from April01:24:50
break this line of darkness a little01:24:53
and which he also put in our mountains by the way01:24:55
left without light01:24:58
here you need to eat a little bit of this yellow01:25:01
soften calm down although she's there on01:25:03
the picture is almost gone I wanted to add it01:25:06
And01:25:10
and add01:25:16
at marathons I usually always try01:25:18
maximum01:25:19
I also let you leave the tour a little and01:25:23
gag everyone you do like that01:25:35
I'm dying for them like that01:25:41
horizontally very easy just right01:25:44
sometimes you need layers of a palette knife01:25:48
sometimes you look like this here01:25:50
we’ll probably touch on this right now01:25:53
of this nuance sometimes it turns out that01:25:55
you want it, sometimes you don’t, it’s passed on somewhere01:26:00
on the brush somewhere a little bit more or01:26:06
there was less paint and behavior01:26:08
completely different almost always01:26:11
canvas if we don't layer it01:26:13
consistent we write very meticulously01:26:15
We01:26:17
we have the effect of randomness01:26:19
we mean that chance can01:26:21
something might go wrong01:26:23
That's why01:26:25
you always walk on the edge01:26:30
get the effect you want01:26:33
like it or not so the only one01:26:37
the answer to this question is always try01:26:39
do see what happened and if01:26:42
it satisfies leave and if not01:26:45
look for a new way to get it for now01:26:55
these are the pebbles that actually lie01:26:58
here the palette knife is probably good too01:27:00
assistant01:27:01
kraplak01:27:03
English red in gray violet01:27:07
green which was so not bright01:27:10
the color turned out01:27:15
smeared it like this01:27:19
you just use a palette knife to make grandmothers01:27:24
canvas and everything there if needed01:27:28
go01:27:33
in randomness you need to make it random01:27:36
there is a way if we try to do it01:27:39
an accident somehow so right01:27:42
movement won't do anything01:27:45
rhythmicity set01:27:46
the normality that you want just the same01:27:49
erase that's when we have nothing to do with them01:27:52
let's allow ourselves01:27:54
try to at least create something random01:27:57
condition there is a possibility that01:27:59
it will work out01:28:00
you practically have this moment too01:28:03
always keep in mind that01:28:05
must be01:28:08
must be present01:28:10
element of some kind of accident absolutely01:28:13
Naturally, everything can be done only in01:28:16
in one case the perfect drawing and we01:28:17
ideally we write everything down here a little01:28:20
I already had it in blue for01:28:23
foam I mixed it and here I have it01:28:26
reflected in the water in front of the pebbles and01:28:30
by the way by the way this color is beautiful01:28:33
suitable for somewhere here01:28:35
put it in some water like this01:28:39
must be horizontal and01:28:42
convey the words to Vladimir in a few01:28:46
minutes for him01:28:48
held a competition and after that we will continue01:28:53
work01:29:00
only Vladimir will be ready for this01:29:03
I'll tell you bye01:29:05
so when is the competition01:29:09
question one asks let's question01:29:13
if it's not a secret what vitamin are you01:29:16
use in huge doses that you01:29:18
enough for everything and at the same time01:29:19
great result01:29:23
I don’t know what kind of vitamin this is01:29:28
I got a box and they guessed the name there01:29:31
it wasn’t written they said to drink it once a day01:29:33
day to drink01:29:35
I'll assume that this is a nasal tee01:29:39
as an option probably yes so friends01:29:42
Let's sum up the results of the competition like this:01:29:44
we published a post on December 3 at 91301:29:47
updating with you01:29:49
the essence of the competition was a drawing01:29:53
valuable prize among webinar participants01:29:54
crimson sunset all you need to do is01:29:57
only three conditions 1 repost this01:29:59
posts on your wall01:30:01
and now let's sum up who01:30:04
Well done, whoever didn't did it didn't01:30:06
will definitely win01:30:09
the second needs to be fixed in three positions01:30:12
from above or actually01:30:14
you can secure it to yourself01:30:17
follow the link subscribe this is not us01:30:19
we will check and01:30:22
it is advisable not only to repost but also01:30:24
write a text on how to do it now01:30:26
I'll show you here 119 people did it with us01:30:29
repost here's how to do it you just need to01:30:31
some people don't do it right01:30:33
choose on your wall and write here01:30:36
this is the comment I just01:30:38
now I’ll copy what to show you but you01:30:42
so don’t do it better to write on your own than01:30:44
just copy here I copied the text01:30:47
I repost it on my wall and then here it is01:30:50
make up, click share01:30:52
see the recording here now01:30:55
it will be 120 see here01:30:58
that's 120, that's my personal one01:31:02
page what it looks like just me01:31:04
I'll show you this here is my pinned post here01:31:06
this phrase can be fixed like this01:31:09
click click here and pin here01:31:12
you see it's pinned but I'll delete it01:31:15
so friends, let's let you down01:31:18
We will eventually return to this post now01:31:21
this is the post we will conduct with01:31:25
using random01:31:27
so I’m pasting it here right in front of you here01:31:30
there will be three winners and01:31:33
we determine the winner01:31:34
who's already lucky01:31:37
three winners announced now I'll do it01:31:40
screen shot of these winners and we will01:31:43
check01:31:45
did they fulfill the conditions01:31:48
competition01:31:50
so what about Elena Vasilenko01:31:54
Do you need Nazarov's hope?01:31:57
potential winners check Elena01:32:00
Vasilenko01:32:03
1 2 in second place this is our winner01:32:08
Elena Vasilenko congratulations to NATO01:32:11
Nazarovo Zhukova is also in first place as01:32:14
you see congratulations to 2 winners for that01:32:18
is there any hope01:32:24
one-two-three in third place is also ours01:32:27
winner and we congratulate her too01:32:30
liked or well01:32:32
now we01:32:34
we award thousands of bonuses to the winner01:32:37
rubles bonus rubles can be exchanged01:32:40
in a recording lesson from our easel site01:32:43
what dot ru there are like lessons that01:32:45
can be purchased for money or01:32:47
bonus rubles01:32:48
and also a lot of different products01:32:51
for artists brush and paints and01:32:53
varnish thinners tees01:32:56
and canvases, of course, canvases, congratulations01:33:00
congratulations to all the winners01:33:02
especially on the day of the artist doubly01:33:06
congratulations doubly pleasant and01:33:09
we will continue that pebbles01:33:15
look here it works01:33:17
at the same time you get on the palette knife01:33:19
dark paint and light and01:33:24
I'm probably serious here01:33:28
this condition cannot be treated01:33:31
random effect often why01:33:34
palette knife is not accepted because01:33:36
it seems like it’s smeared like that sometimes01:33:40
the state should be that is, close01:33:44
it's just paint stains01:33:47
paints scary paint stains that01:33:49
are lying in a state of retreat01:33:52
horror and it turned out orange plus01:33:55
English red here a little bit01:33:59
something light put something01:34:02
just like that we press it directly onto the canvas01:34:05
palette knife to make it work01:34:09
fragmented state of light and shadow01:34:12
extra ones are always completely calm01:34:14
crashes01:34:17
somewhere there stretches out and gets away01:34:20
palette knife01:34:22
his01:34:23
you just need to really control it01:34:26
case in progress and under no circumstances01:34:28
treat the fact that01:34:30
is happening very seriously close to01:34:33
in the distance01:34:35
if the distance doesn't add up01:34:37
picture then yes failures and if close01:34:40
it seems rude and unnatural01:34:44
distance from you walk and everything worked out on01:34:46
on the contrary, it’s just good one at a time01:34:48
simple reason that01:34:50
rudeness is just for01:34:53
close state far opposite01:34:57
assembles the picture as a whole and01:35:00
the picture simply doesn’t let you in01:35:02
near nothing details says consider01:35:05
look at me from a distance01:35:09
maximum size can be used01:35:11
canvas for this painting to choose from here01:35:14
moments like these seem to have no limits01:35:17
how can you open what is allowed here for01:35:19
This painting will do no more than canvas01:35:22
than 40 to 80 and that's it01:35:28
necessary and I don’t even know them01:35:33
write three by six if there is somewhere01:35:36
hang or if you want to work01:35:38
with this format a dark tone is acceptable01:35:41
a little shadow enhanced it01:35:43
English red01:35:46
something and01:35:48
delaying I will answer quickly what is possible01:35:51
bonus shopping on the easel is very01:35:54
any lesson you liked01:35:56
entries in entries on the site easel point01:35:59
ru there is a lot of data and if you have enough01:36:02
bonus rubles then write to me either01:36:04
Karina is better than Karina right away01:36:06
debiting bonus rubles from you and01:36:08
sends you a link to download this01:36:11
lesson you like and write01:36:14
individually there accordingly there is no01:36:16
sorted white yellow orange slightly01:36:19
it's light here01:36:32
also even brighter01:36:37
vertically down a01:36:39
then with a brush01:36:42
softly-softly01:36:45
I move01:36:48
horizontal01:36:52
high in the sky there are clouds that you can01:36:55
reflect01:36:57
Our clouds are purple01:37:00
respectively01:37:02
mix purple and01:37:05
I added not only pink but also blue01:37:10
by tonality the reflections can be01:37:13
darker than the objects themselves contrast01:37:17
in the foreground we have a higher one01:37:19
Why01:37:29
Chudin01:37:36
horizontal01:37:48
look, I’ll put it back like I did it01:37:51
tassel if01:37:53
to detail this state a little, but01:37:56
again, be careful not01:37:58
abused need to get the feeling01:38:03
small table and01:38:05
it's bright enough01:38:07
contrast state01:38:14
I want to try a little now01:38:18
pinkish orange is still more in01:38:21
one time that side01:38:25
quite dark tone01:38:27
let's see how it will look01:38:30
there is a risk here simply relative to the background01:38:34
make the color darker but it seems01:38:36
ok owen at the knife01:38:45
I carefully use a brush to generalize a little01:38:48
I blur a little bit of brightness and01:38:52
a little bit of it01:38:54
sky01:39:01
a little bit to the side01:39:08
put it on it01:39:09
lighter orange already01:39:13
body orange01:39:26
the horizon is very bright and light01:39:30
it turned out brightly light01:39:33
darken01:39:35
gray purple-pink and01:39:39
hint this part with clouds01:39:45
here in the detail clouds you need to add01:39:51
this cloud initially while Vladimir01:39:54
talked about01:39:56
didn't like the competition01:39:59
I'm trimming the place01:40:03
be sure to evaluate from a distance01:40:05
what happens on the pea canvas01:40:10
red which is pink orange01:40:13
who laid the water I gave them backlight01:40:16
on01:40:17
things in the mountains01:40:22
dark tone well warmer already01:40:25
it turns out01:40:27
outer limit and climb a little01:40:30
even inside01:40:35
slightly catch the color of the sky just to01:40:39
soften contrast01:40:45
And01:40:46
in the distant mountains there is minimal relief01:40:48
let's show this moment to the fullest01:40:50
important01:40:51
the stronger the expressiveness01:40:54
relief lightness of color in the distance01:40:58
subjects they will be closer becomes01:41:00
and we don't need it at all01:41:02
I add English to this color01:41:04
a little red01:41:08
near01:41:11
I’ll raise a little bit more in shape01:41:19
when you constantly sit near work and01:41:21
they don't pay attention to the drawing, that's me01:41:25
and now I’m saying to myself, well, you’re Graham to me01:41:27
no task and copy repeat I don't01:41:30
I'm afraid I'll make a mistake somewhere01:41:32
so it’s not so clear here and01:41:35
state, let's say this is when you sit01:41:38
close and don't pay attention to01:41:41
the correctness of the drawing gradually improves01:41:43
the picture is starting to take shape01:41:47
incomprehensible and01:41:50
again close it seems like everything seems to be01:41:53
ok because we are separate01:41:55
look at the orange object a little01:41:57
adding brightness to colors add to01:42:00
pure form but just a little01:42:05
about this you move away from the picture and it’s creepy01:42:08
creepy all the bright shapes are not01:42:11
relevant01:42:13
so that there is no such impression01:42:16
at the initial stage, utmost attention to01:42:19
this is very, very important for the drawing second01:42:23
moment again the second stage of work01:42:26
nadra model01:42:30
special attention to basic colors not to01:42:34
because what we have in the form of brightness is01:42:38
don't pay attention to brightness01:42:42
pay attention to what these brightnesses are01:42:45
lie, that is, we find shades of color01:42:47
which are under the brightness here right away01:42:51
reflection of the mountain you are very much not01:42:53
enough again in the photo she is clearly not01:42:56
I expressed it anyway01:43:00
show too much english red01:43:03
so I add kraplak and made green01:43:07
again the shade is similar to what01:43:10
was there01:43:13
laying vertically01:43:15
this one can be alternated with light01:43:18
be sure to score all the light and soft01:43:22
horizontal marking01:43:24
it immediately looked more holistic01:43:27
this place is here again with us01:43:29
there are pebbles but also this shore01:43:31
unknown maybe stones maybe algae01:43:34
grow, I don’t even take it one hundred percent01:43:37
says with confidence that this is not01:43:39
Of course you can get closer01:43:42
look at the photo to understand what it is01:43:44
I don’t see this, let’s admit it for ourselves01:43:47
no need to eat anything01:43:51
looks like a scattering of stones or01:43:56
some vegetation on the water's edge01:44:01
laid the dark one because the one01:44:04
lying there is no longer enough01:44:07
places the light on top accordingly01:44:12
how much work there is today in the wild01:44:15
it turns out01:44:19
just glue the mastic palette knife to01:44:22
to the canvas it is both catchy and01:44:28
light and dark paint creates a pockmarked01:44:32
the surface of our reobas is actually there01:44:34
in fact, it doesn’t matter what kind of object it is01:44:36
he is interrupted in the eyes of that light, shadow and01:44:39
there are many, many little children in it01:44:43
so that it’s not too harsh in small details01:44:45
fall just when we're just01:44:50
glue the palette knife to the canvas we create01:44:53
invoice in which it is present01:44:56
light and shadow and all this slightly01:44:59
fragmented but at the same time strong in the eyes01:45:01
doesn't rush later01:45:03
holistically and united just the same01:45:06
thanks to the fact that we are essentially01:45:10
touching the canvas several times to generalize01:45:13
these states you are not here separately01:45:15
expressed lightness separately expressed01:45:17
the darkness of this here had a limit and01:45:21
a little reflection01:45:23
into the blue immediately and bright blue rises01:45:29
it's up to more01:45:31
is clearly felt01:45:39
slightly tilted to the right side based on01:45:42
that we really have a whole perspective01:45:45
I want a little bit of this blue01:45:48
position somewhere here to reflect the sky01:45:51
a little bit here at once01:45:57
it turns out to be more alive01:46:01
cut this darkness01:46:15
probably ours is exactly what you'll get out of it01:46:18
the picture will be difficult to repeat01:46:23
precisely because of the palette knife the English01:46:27
a little red here01:46:34
more for experienced participants01:46:39
added a little bit here01:46:44
whitewash01:46:46
are over01:46:50
Well, Vladimir, slowly now01:46:53
I'll see what happens and01:46:56
let's talk about01:46:58
in our new course it will not be like this01:47:00
palette knife you are not experiencing this01:47:02
we really decided to do something weird today01:47:04
everything will be as usual there01:47:08
usually don't be what usually happens on01:47:12
our teaching lesson01:47:15
sequentially step by step with everyone01:47:19
nuanced white-yellow color you are a miracle01:47:22
still pasty01:47:29
glued a clean palette knife paint and very01:47:33
carefully lowering down what to01:47:35
it's stuck to him stuck to him that's not01:47:37
stick didn't stick01:47:41
after that I'll take it and it's very easy01:47:45
barely touching the brush01:47:48
s2 on01:47:53
I'll go over a little bit of this bright paint01:47:58
the edges were still here01:48:00
without going too far from the center01:48:17
I'll go up a little01:48:20
orange orange in pink and white01:48:52
that is, you already look at what you like and what you don’t01:48:55
I like it with this condition too01:49:00
playing01:49:03
systemicity and coastal relief point01:49:32
Let’s not highlight it too much again01:49:34
this part she doesn't need strong01:49:36
elaboration01:49:40
I'll go and see what happens and then we'll go01:49:43
tell me about the lesson, I'll watch it again01:49:44
I think it can be improved01:49:49
up friends, well let's tell you about01:49:52
new course01:49:53
Now I’ll include the result as we show it01:49:58
beauty to you01:50:00
which bernal course polar night he01:50:04
mini course on this if you want01:50:07
write this story in 5 weeks01:50:10
winter night but at the same time very bright01:50:13
painting from Mars with a seascape and01:50:17
Northern lights interestingly tilted01:50:20
so seaworthy that it's probably a tugboat01:50:22
Dmitry maybe a trawler maybe more01:50:25
fishing trawler for very small01:50:27
looks like some kind of seiner from Dante01:50:31
Liberica will be delivered to the Murmansk region01:50:33
reefs teriberka teriberka dante child01:50:36
right in my opinion or budget guys01:50:38
in general, our Russians asked01:50:42
you will get landscapes01:50:45
mini course polar night starting 1301:50:48
December this time is not 3 weeks again01:50:50
because it's New Year's holidays01:50:52
We will write one main one for 5 weeks01:50:54
there will actually be an additional picture01:50:56
I'll tell you a little later, there will be feedback01:50:59
spiritual communication and the main thing01:51:01
performance very beautiful picture01:51:03
the referent is wonderful so if you01:51:05
really want a beautiful bright one01:51:07
you want to write about winter mood01:51:10
picture of the northern lights and you have01:51:12
questions on how to do it correctly01:51:15
so that it's natural01:51:16
natural and first of all bright01:51:19
then a mini-course called01:51:21
the polar night is just for you like this01:51:25
looks reference photo taken from01:51:27
private archive of Dmitry's student wrote01:51:31
this painting with a knife master class me on01:51:32
actually really hit the spot back then01:51:34
I liked how it turned out and01:51:37
we finally got to the point of implementation01:51:40
this painting video lesson to I invite you01:51:44
if you also like this story01:51:46
the main thing is that you want to master a lot01:51:48
skills01:51:49
artist, then this course is definitely for you01:51:53
like it, it suits us very much01:51:56
I’ll tell you more about bonuses too01:51:59
in detail the first bonus is 1000 bonus01:52:02
rubles to the account for a quick start like me01:52:04
I already said these bonus rubles are possible01:52:07
exchange during the lesson in a recording from our01:52:09
store easels that dot ru is not on01:52:11
brushes and canvases and so on only on01:52:13
lessons that are on our website01:52:16
the second bonus is access to useful01:52:18
module where about 40 have already accumulated01:52:21
video lessons, just like video lessons01:52:24
but they are very useful and there is Dmitry01:52:27
shares all possible opportunities01:52:31
helping moments let's say01:52:33
regarding the light of such clashes01:52:36
or are lucky up to half a liter01:52:41
I think in honor of Artist's Day you can01:52:44
liter01:52:45
in general a very useful model just like that01:52:48
it is called and reflects the whole essence01:52:52
so there’s a set of manuals there too01:52:55
I never considered all the methods in short01:52:58
which we have both in the clouds and in01:53:00
singing both in the light and on the path is very01:53:03
a lot of manuals on all this with you friends01:53:05
let's share01:53:07
join a lesson as a gift for any01:53:10
a picture with night landscapes and there are these01:53:13
there are pictures oh my god01:53:16
they used to be part of01:53:20
courses and now they are separate01:53:23
Albertovich and01:53:25
It's worth going there just for these pictures01:53:28
approximately01:53:30
14 or something, they didn’t choose the paintings directly01:53:33
they were greedy for the artist's day after all01:53:34
And01:53:36
you will receive a bonus, that is, for free, but01:53:39
within the Murmansk package there are two packages01:53:42
we will have these pictures then analysis and everyone01:53:46
stages of writing a bonus picture if01:53:48
you choose the Murmansk package in the same way01:53:50
this whole thing will be five weeks01:53:53
I remind you to write, it’s important, it’s important01:53:56
necessary and it is very valuable because for fur01:54:00
in fact, just the main one01:54:02
our effectiveness is achieved01:54:05
I see the mistakes you make in01:54:07
during the review process we agree that you01:54:10
correct them and end up01:54:12
we achieve maximum results01:54:15
then to edit some questions01:54:19
very important and needed right now01:54:22
moment Mitriy answers them directly01:54:24
analysis takes place online01:54:28
so the fifth bonus and I already said about it01:54:30
a set of manuals you get access to01:54:34
automated course urban and01:54:36
building the king for a long time since here01:54:39
there is a boat just for01:54:41
everyone probably starting this bonus01:54:45
the lesson is just very important because01:54:47
basically allows you to learn correctly01:54:50
sketch not build in this situation01:54:52
ships up on your own namely01:54:55
learn to draw correctly to01:54:57
they weren’t running away in your drawing01:55:00
turned inside out and the like01:55:02
this automated course is available in01:55:05
any package that is in Murmansk that 201:55:07
it's called tiksi and it's straight but consider01:55:10
separate training is really01:55:12
it is important and we recommend everyone to take this course01:55:14
also if you want to learn to write01:55:17
ships not only the ship was valued on01:55:19
many items we have such a thing01:55:21
it's called the special forces chat01:55:24
guys who took our big courses01:55:27
and large courses are where from 4 paintings01:55:30
in this case it is written polar night01:55:31
this is a mini course, there is only one on01:55:33
the main picture and therefore according to01:55:37
results of this course you will not get into01:55:39
special forces chat but if you are already in it01:55:41
you are 10 percent, I remind you01:55:44
any of the packages will help you01:55:47
How will the training work here with us?01:55:50
no changes yet01:55:52
you find yourself in a closed place after payment01:55:54
VKontakte group you get access to01:55:56
bonuses and01:55:58
after that we start on December 13th you and01:56:02
day you are already receiving your first lesson in01:56:04
write within a week, give it back, give a second one01:56:07
lesson well, accordingly the first conversation01:56:09
underpainting01:56:11
Dmitry will sort it out if you have a package01:56:14
Murmansk and then weekly01:56:17
we meet at the debriefing we issue01:56:19
gradually so as not to break the logic and01:56:22
pedagogical methodological skills01:56:25
Dmitry helps you paint pictures01:56:27
plan and not mess up as they say01:56:30
we paint a picture, we communicate in a chat, we bring it to01:56:33
ideal picture so what next01:56:36
results01:56:37
Well, here we are proud of our results01:56:40
students for example Elena Gurova wrote01:56:43
such a picture01:56:44
before we mess with these special forces in the chat01:56:48
among other things, there is a special course like this01:56:50
called that is, it is only for01:56:52
special forces we did such a thing01:56:54
so the prices are very high to get there01:56:58
within the framework of a special course I wrote my own01:57:00
look at the picture or the mountain01:57:02
She turned out beautiful Margu Ilyicheva01:57:06
our special forces officer has already written too01:57:09
painting by Aivazovsky within one01:57:11
from the courses this is, in my opinion, the shore of Yalta or01:57:15
that's what we called her01:57:17
Tatyana Kononova also wrote buy01:57:20
VAZ such a wonderful belt01:57:22
reflect nothing unusual at all and not even01:57:25
marathons I'm not mistaken learned a lesson01:57:28
for a long time01:57:29
I don’t remember anymore but it doesn’t matter what matters01:57:32
what a beautiful picture it turned out to be01:57:35
look at the path here01:57:37
Aivazovsky gives a standing ovation01:57:40
if it helped Dmitry Chernyshov wrote too01:57:43
within the framework of a special course such a wonderful01:57:45
cloudy picture01:57:48
Now I’d like to go to the mountains, okay, I’ll switch to01:57:51
another picture and to which again01:57:54
the mountains are really haunting me01:57:56
Tatyana painted a picture this is red01:57:59
the field is very difficult she wrote this01:58:02
I remember the picture here a lot and01:58:04
constructions and01:58:07
heroine of the ship he will fit perfectly and01:58:10
to build houses like this on01:58:13
there will be no mistakes in this work01:58:16
as simple as they seem, in general we are proud01:58:19
We are sincerely proud of our students01:58:20
Tatyana oh Tamara Kondrashova ours01:58:23
German01:58:25
American Russian01:58:27
what else is there to insulate from the Netherlands?01:58:31
changes and generally really liked it01:58:34
school is currently far from brushes and paints01:58:37
I'm really bored, it's my time01:58:40
I painted this picture as part of the course01:58:42
any frame giving romance yes very much01:58:45
beautiful bright but not overpowered01:58:48
I have a picture as you can see01:58:50
Victoria Rychkova wrote this01:58:54
a very interesting map from the same course01:58:57
or giving radar01:58:59
packages two package we have 101:59:02
the maximum name is Murmansk you01:59:04
paint a picture of your polar night01:59:07
there will be free unlimited access to01:59:09
video lessons within this course with01:59:11
possibility to download01:59:13
weekly reviews01:59:15
writing all the stages on this picture01:59:18
analysis of students' final chat and01:59:21
many, many bonuses01:59:23
manuals access useful module lesson in01:59:27
gift for any picture with night01:59:29
landscapes and analysis of these stages and01:59:32
Also01:59:33
building a ship we have the second package01:59:36
called tiksi for those who don't know01:59:38
Tiksi is actually a port city01:59:42
north even more geographically01:59:45
further north than Murmansk01:59:48
within this package you will write01:59:51
picture of the polar night access to01:59:52
video lessons will be for three months01:59:55
after completing training that is me01:59:58
I remember exactly in my opinion until April and then02:00:01
another hotel02:00:02
2 years approximately like this April analysis02:00:07
the final picture chat is also here you are02:00:11
during the analysis you can only look at that02:00:14
there are your paintings are not understandable but02:00:15
you get a useful training manual module02:00:19
also additionally as we already said02:00:21
we open access to automated02:00:23
course on building a ship for02:00:25
special forces she gets a 10 percent discount02:00:29
that's just the cost of our packages Murmansk 302:00:33
700 for 5 weeks of training package tiksi 202:00:37
700 it costs more independent02:00:40
That's why02:00:41
I also remind you about quick start 100002:00:45
You get bonus rubles if you pay02:00:47
until midnight Moscow time from December 9 to 1002:00:51
they can be exchanged for hands in the site entry02:00:54
schools02:00:55
we are very proud as I already said02:00:58
with the success of our students they win in02:01:01
international competitions02:01:02
All-Russian some industry ones they02:01:06
sell their paintings02:01:10
they even give them some of the pictures here02:01:14
for example, or Elena Pereverzeva and02:01:19
you have overturned in the summer and02:01:22
[music]02:01:23
some paintings were included in a collection of poetry02:01:27
overall very cool02:01:30
so on if you have a shorter one02:01:33
Do you have any questions please ask02:01:35
ask me Dmitry let's start 1302:01:38
December and02:01:41
what else do I want to say, well, more links02:01:44
I'll post it now where you can watch it02:01:47
and join our course directly02:01:49
now everyone is waiting for you on the course02:01:54
Vladimir telling here was the limit02:01:57
so carefully I took one paint02:01:59
I actually added another one a little bit02:02:00
Swedish birch wants this part02:02:04
Again, you can beat it a little02:02:09
sky colors02:02:11
yellow blue and white a little somewhere02:02:16
echoes of these flowers are here for the school02:02:19
let's go with the palette knife of the world, these are like this today02:02:22
a little bit of dts and we'll see how it goes02:02:24
look peaceful here extra02:02:30
vertical and also along the line02:02:34
choose perspectives I want here02:02:37
add a little02:02:39
It's probably more pink here02:02:41
shades again I then have a lot of paint02:02:45
mixing is actually easier because02:02:48
you work with a lot of paint, pink white02:02:52
orange we got here02:02:54
I'm adding here02:03:01
this head since we switched to a palette knife02:03:05
I'll work a little Nastya02:03:09
I can't say that I don't like it this way02:03:12
cares a lot about the palette knife02:03:16
a little bit of turquoise is the same on this side02:03:18
Negro she is present with us02:03:20
however, it can be reflected accordingly02:03:22
and Volodya02:03:29
slightly tilted02:03:31
this way02:03:33
photo a little bit of this situation02:03:35
it happens02:03:36
two sides of02:03:42
more whitish color02:03:45
pink tactics02:03:53
to some extent I'm already fantasizing02:03:56
case regarding reference02:04:04
the battle turns out02:04:15
stirring the soul02:04:31
just a little cloudy02:04:37
By the way, maybe this pink color02:04:40
a little here under02:04:43
put clouds02:04:55
in front of it maybe a little yellowish02:04:59
shade in general02:05:02
process02:05:03
endless especially when you're already02:05:07
stop looking at the photo02:05:09
went here02:05:13
not a fantasy I can’t say what it is02:05:16
fantasy to the fullest extent of the masters must02:05:18
maintain a feeling of naturalness02:05:21
lose it but as for ford02:05:24
some conditions02:05:25
object clouds are already here02:05:29
works fantasy see from look what02:05:33
it turns out02:05:34
not based on this02:05:37
we essentially create02:05:40
maybe a little unusual and branches02:05:45
I hardly work02:05:48
orange02:05:50
yellowish on broken into the clouds I add02:05:53
light will do the same in the upper clouds02:05:57
just a shade more02:06:00
dark tone02:06:04
And02:06:08
here control is only with distance02:06:11
no use looking at what it looks like02:06:13
close because close is just02:06:15
the mask is sometimes completely shapeless02:06:20
sometimes even if honestly annoying02:06:23
close02:06:25
but once at a distance02:06:29
it becomes clear that in general in general02:06:33
the picture is assembled that is not separate and02:06:37
not whole but only with distance02:06:42
save a little on the canvas right away.02:06:49
Duccio02:06:52
I'll try a little here and brightness02:06:55
add02:07:01
still a little white and yellow02:07:04
more dense layer02:07:13
pebble or and so02:07:17
difficult to judge but02:07:21
you can put02:07:23
indigo almost pure on top02:07:28
English red02:07:35
reflection02:07:40
in a thousand tim Nastya02:07:52
look again at what Vladimir looks like02:07:55
questions it drives gorgeous I want to say02:07:58
questions questions near the limb02:08:02
small here is Dmitry yellow you know02:08:05
I'll ask this before02:08:08
they ask so to speak it seems pink02:08:12
in the foreground a little no yes yes02:08:15
You will add Dmitry if you wish02:08:17
paint a picture in the foreground add02:08:19
please be sure to have more pink02:08:22
or touched by the artist Clive02:08:25
here is Alexandra Nikolskaya too02:08:28
asks maybe on the left on the stones too02:08:30
add sun glare02:08:32
I'll probably answer the same thing02:08:36
while cooking, add it, is it possible?02:08:40
Tatyana Akhmetshina means is it possible02:08:43
find out in advance what paints are needed if02:08:45
I need to buy it, I need to go to the regional02:08:47
the center of the car is the same as what you see now02:08:50
on the palette in all master classes in02:08:54
all training master classes in all02:08:56
our open marathon webinars02:08:58
we have the same paint palette02:09:00
almost always the same and not02:09:04
changes, I can’t say it never02:09:06
some period of early02:09:09
master classes there were still being finalized02:09:11
at least the colors were picking up02:09:13
the last two three probably already three years02:09:17
Sienna John and Wrote Need Damn One02:09:21
master class perform i am a from Tomsk02:09:24
English red was not in my opinion if02:09:25
they are alive in our good hall and then yes02:09:29
not not burnt sienna soot gas Sasha02:09:31
even the gas one was so nothing changed02:09:34
and I can already say for sure three years in three02:09:36
year we have released more than 200 already02:09:39
lessons or something like that02:09:43
area longer, even more, probably 200 and02:09:46
almost all of them are on 1 palette02:09:49
only this one we have02:09:52
yeah, I'm watching the chat again friends02:09:56
join our course02:09:58
and you will understand that such a palette is quite02:10:00
enough to write bright and the same02:10:03
the northern lights and the sun and and02:10:08
anything02:10:10
The recording will be available for how long02:10:13
infinite works as long as it exists02:10:15
youtube and02:10:17
VKontakte also asks Lana for the input02:10:20
also via the same link you used02:10:22
now madrov and it will also be available02:10:24
In general, there is a channel for those who haven’t yet02:10:27
knows and watches us on VKontakte there is a channel02:10:30
which is called Dmitry Rose, find it02:10:33
subscribe and there are a lot of lessons there02:10:37
posts are posted, we don’t delete them02:10:41
I don't see any more questions at the moment02:10:46
I sent the link again so you can02:10:49
was to join the bloody mini course02:10:54
I added the pink ones here but02:10:58
me it here them in this you and in this02:11:00
place02:11:12
just look how02:11:15
shades of paint02:11:24
no further just watch watch02:11:27
see what happens to evaluate it02:11:29
state02:11:30
to infinity the most important thing is not to be02:11:35
very biased towards themselves02:11:37
again, I warn you all at once02:11:40
touches the palette knife from one side02:11:42
beautiful on the other hand02:11:44
[music]02:11:46
don't beat yourself up if something doesn't work out02:11:49
palette knife tool random therefore02:11:52
if something didn't work out just like that02:11:54
again this is how it really is02:11:57
I just did it but basically very often02:12:01
sometimes it just gets cleaned up and done02:12:04
according to the new honest why did she do it02:12:08
not what I would like to see so02:12:10
I'll take this place02:12:14
dark tone of affairs and I sing for field experience02:12:18
it is a little generalized, fragmented and02:12:21
you get the same stones like this and like this02:12:25
this is probably possible ad infinitum02:12:28
vary look for something collect02:12:32
something to clean up look02:12:36
what do you want to say today today02:12:39
truly a holiday for artists02:12:41
at least dear friends02:12:44
Almost everyone goes through emotions02:12:46
receipt non-receipt creative02:12:48
suffering02:12:50
creative search and the like02:12:54
this is a normal condition02:12:57
searching for a state of disorder from02:12:59
not receiving a state of joy from that02:13:01
what happened don't be afraid of these emotions02:13:05
be afraid that it won't work out02:13:07
try do02:13:10
gain experience02:13:13
become more attentive more02:13:16
creative more understanding because02:13:19
again, the living environment requires it02:13:21
requires understanding02:13:23
nurturing a look towards her is necessary02:13:27
see what it consists of what02:13:29
colors colors how it moves how it stands on02:13:33
place there similar in this develop02:13:36
I would like to wish you all the best02:13:39
we will broadcast with you02:13:43
Dmitry Rosa school of seascape for02:13:46
chats Vladimir Mikryukov at the video remote control02:13:48
Anastasia all the best dear friends02:13:51
goodbye, happy holidaysDescription:
Приветствую на вебинаре, где мы за один день напишем нежный малиновый сюжет! Вебинар поможет: - разобраться в правильном смешении красок, цветов и оттенков; - освоить технику маринистов и написать воздушные облака и морскую гладь; - научиться правильно выстраивать перспективу на полотне, передавать свет и тень, переливы и блики; - потренироваться в написании нежного волшебного сюжета; - красиво оформить уникальную работу, сделанную своими руками! Эта картина - отличный подарок любимым и близким! Повторяйте за мной и результат Вас порадует. Поделитесь этим видео с другими любителями живописи и морской стихии! Скачайте референс https://disk.yandex.ru/showcaptcha?cc=1&mt=DCAE66C5FD0C4243B5288BAE9A70980B1B843953F25D8480AA0998C9527247A1C80B98E09989D972FFA5162DA23CE147F12C8FED8768E10506041309A985776F9587010BBBA19BBA35B51AD4624DB63B66CC8941E718F430344AAB3711B18985C1D1F0B74015CDAEC7B34C2FBD074B466E70171156D6E542C5CA70620CA58FA3E67524652A69390703BDE12A1E596D4187E94BAF18304F2479953C652C569386040FF57FCE2CB697F0C0CCE08D6C587A0D0AF7EDABB876EBF0F98C7FACE66EFEBB5F9D1E14421B59892A058AFDCCC44236F611D39A8BEE98CAB9954E65&retpath=aHR0cHM6Ly9kaXNrLnlhbmRleC5ydS9pL1BOck9mYkd0dFdidjlRPw%2C%2C_da99fe56e1af4fe5be8a01491e05349d&t=2/1713206671/ede03ce1044a4bc17905a8ddfa984c7e&u=752df920-e1e0f73-6d0cbdeb-64d096e1&s=d32a019d943a4656d59c68f622f858b9 ------------------------------ Приобрести другие уроки и курсы по написанию картин с морским пейзажем можно на нашем новом сайте: https://molbertich.ru/ ------------------------------ Если хотите поддержать Школу морского пейзажа и сделать донат (любую сумму можно перечислить по карте Visa / MasterCard или через Яндекс.Деньги), то сделать это можно по ссылке: https://vk.com/app6177183_-12514400 __________________ - Список необходимых материалов: https://drive.google.com/file/d/1nLTqz2k06Y0bEjLuqyqpkbYAEeKoE4CV/view?usp=sharing - Рекомендации по замене красок в палитре Дмитрия Розы - https://drive.google.com/file/d/1MZbj1wnaY-OpBtsyKjS6GGIn6OoYRRqo/view?usp=sharing - Методичка с упражнениями по работе с тонами (очень пригодится для написания картин в технике гризайли): https://drive.google.com/file/d/1nfU8oK9K7vX4oRV0iqjAnSjI0QudlFYg/view?usp=sharing - Пошаговое руководство "Как нарисовать кучевые облака" https://drive.google.com/file/d/1Nz-HF46FFTQ79hTawr9yaiL5MS4xus1B/view?usp=sharing - Полезная методичка с советами, как написать отражение солнца на воде: https://drive.google.com/file/d/1os2xjMBnkXp0k7xTDwP3R8kHNcR12elK/view?usp=sharing - Рекомендации по написанию морской пены: https://drive.google.com/file/d/1BHf4wRTOMouSLzbnTxN90c1DypjvQCBE/view?usp=sharing _______________ Магазин уроков в записи: https://molbertich.ru/ Наша группа в ВКонтакте: https://vk.com/izomore Подпишитесь на полезную рассылку, чтобы не пропустить новые вебинары: https://vk.com/app5898182_-12514400#s... Дмитрий Роза в Facebook: https://www.facebook.com/unsupportedbrowser Дмитрий Роза в Instagram: https://www.facebook.com/unsupportedbrowser
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