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как нарисовать грушу
уроки рисования
как рисовать акварелью
уроки рисования для начинающих
уроки рисования для детей
как рисовать аниме
как рисовать лицо
как нарисовать
как нарисовать наруто легко
скетчинг для начинающих
скетчинг маркерами
как нарисовать девушку
как красиво нарисовать
как сделать
handmade
хендмейд
уроки рисования с нуля
для детей
как рисовать грушу
how to draw pear
как нарисовать грушу для детей
видео уроки рисования
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  • ruRussian
Download
00:00:01
[music]
00:00:08
what we need for the work:
00:00:10
watercolor thick paper of A5 size,
00:00:13
I have this tablet from the Velvet
00:00:16
Kiss Palace, I really really like this
00:00:17
paper, it’s thick and it makes
00:00:20
very bright postcards; we also
00:00:23
need a pencil; for
00:00:25
me it’s just automatic; the main thing is
00:00:28
that the pencil is hard so that it doesn’t
00:00:30
stain the paper too much, we also
00:00:32
need an eraser or I have a kneaded one
00:00:34
from Faber Castle, it’s soft like plasticine and does
00:00:37
n’t spoil the paper, we
00:00:40
also need paints, I have a
00:00:43
set of sonnet 24 colors, they are very, very high
00:00:47
quality and inexpensive, I advise all
00:00:49
beginners to have such paints, we will need them a
00:00:52
palette for mixing colors and napkins
00:00:54
to wipe off paints and a jar for water,
00:00:57
everything for work we will need thin
00:00:59
black liners, I have these from Malevich,
00:01:02
size 02 and a German company,
00:01:06
size 101, the main thing is that the lines are
00:01:09
waterproof and do not spread from the water,
00:01:14
we will also need a brush and I have this is
00:01:17
also Malevich size 1 3 and 4, you can just
00:01:21
use a synthetic brush size
00:01:23
four and we will need a white pen,
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you can use any white pen,
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mine is Brauberg,
00:01:32
so today we will draw just
00:01:34
such a juicy yellow pear in autumn,
00:01:37
for starters we will need, as usual
00:01:41
to find the middle of the sheet, I draw a
00:01:42
vertical line and a horizontal one by
00:01:45
eye, but at the same time I measure with a pencil the
00:01:48
distance from the edge of the sheet to the line on the right
00:01:51
and left; this distance is lying on the body on whom
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and from below from above, it will also be possible to
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measure with a pencil, so we will find
00:01:58
the middle of the foxes.
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according to the composition, our pear should be
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in the middle of this sheet of ours, also from
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below, I mark by distance where I
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will have the end of the pear located not from our
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pear, this is essentially a flattened ball,
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so from the bottom border we deal with the end of
00:02:19
crushei to the middle of the sheet we draw
00:02:22
such a slightly slightly flattened one ball and
00:02:28
draw the tip of the top of our
00:02:31
pear.
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Now I will remove all the extra lines of
00:02:42
construction that we outlined with an eraser.
00:02:46
By the way, this is a nag, it is soft and does not
00:02:48
damage the paper. I advise you
00:02:50
to use it instead of an eraser, and I will also
00:02:53
outline a little stronger than the pear so that
00:02:56
you can see it better.
00:03:08
Now we will work on it. details
00:03:12
let's add a twig and a
00:03:14
leaf
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so we found it. this is an elongated rhombus,
00:03:27
now I outline it like
00:03:31
this and 1 1 1 the edge of the sheet
00:03:34
is wrapped up, now
00:03:36
I’ll outline it too, it kind of turns inward for
00:03:39
us and we’ll also outline the points of the
00:03:49
edge of the leaf, I’ll make it with a light wavy
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line,
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so we’ll start tracing I'll
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start with a twig,
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our pear is smooth, so
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try not to take your hand off the leaf
00:04:15
when you trace the pear itself, the line
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should be even,
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it shouldn't shake or be interrupted,
00:04:23
but our leaf is the opposite, we try to
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draw a light wavy line with a light movement of the hand.
00:04:31
should shake you a little and
00:04:35
just as easily we outline the veins, we do
00:04:38
n’t put pressure on the liner with just a light, light
00:04:40
movement,
00:04:43
now I’ll also add the stem of the texture of the
00:04:46
pear, we’ll add dots of all sorts of loops
00:04:50
of circles and
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also here below we see where the
00:04:56
pear stands on the surface, in contact
00:04:58
with the surface there there is a shadow so we
00:05:02
dropped steam a little bit this line in the evenings and you can
00:05:07
erase all
00:05:08
our lines with a pencil
00:05:31
now I also decided to add an inscription
00:05:32
so that we get a full-fledged
00:05:34
postcard, I will have an inscription in
00:05:36
English you can add any
00:05:38
inscription you want, you can just do it
00:05:41
on the Internet type the
00:05:42
lettering alphabet and there
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choose any inscription just write it
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with this font
00:05:52
I have this inscription shine septem bo
00:05:55
sweet September since it’s September
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and it’s just time to pick pears
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[music]
00:06:13
[music]
00:06:28
[music]
00:06:29
so we are now getting down to the most
00:06:32
difficult part parts are our watercolors, we immediately
00:06:35
look at the references where the lightest
00:06:37
section of our group where the darkest
00:06:39
connects we have black in the middle
00:06:41
white and
00:06:43
well the light and the darkest is our shadow on the bottom right
00:06:45
and now we need to
00:06:47
prepare a mixture of all the colors 1 from us is
00:06:50
bright yellow I have this Hansa lemon color,
00:06:53
then we will need a bright orange
00:06:55
color,
00:06:56
also
00:06:58
English red, that is, this is a
00:07:00
brick color, orange, muted
00:07:03
red orange,
00:07:04
we will also need a warm
00:07:07
brown shade,
00:07:10
so I’m mixing it now and
00:07:12
adding a little bit of
00:07:16
orange color there so that the color is like this
00:07:19
warm water and we will also need
00:07:21
paint for our shadow, this is my
00:07:25
favorite mixture, it is dark purple and
00:07:28
natural sienna,
00:07:29
or you can add ocher and you get a
00:07:31
very, very beautiful shade for the shadows
00:07:35
since we will be working raw, it is
00:07:39
necessary that all the colors are already
00:07:42
We were ready on the palette to
00:07:45
add to our brown, I added
00:07:48
a little green and so now we
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wet our entire pear very well with some
00:07:54
water and first begin to cover it with the
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lightest color, this is yellow, we
00:08:00
don’t touch our black in the middle, that’s where
00:08:03
we use black for references, so light,
00:08:06
I take white we don’t touch it
00:08:10
now we only go around it
00:08:13
with some water
00:08:27
so we moistened it very well and we
00:08:30
start covering the beginnings with yellow
00:08:33
in our pear
00:08:34
around the black we don’t touch I already I already
00:08:38
said
00:08:39
we’ll try to work quickly because the
00:08:42
paper is drying out
00:08:43
and we still need to have time to add other
00:08:45
colors
00:08:48
so I cover the whole pear with yellow
00:08:51
except for our black and
00:08:53
so we went with the yellow color
00:08:56
all over the pear now I
00:08:58
rinse the brush very well and squeeze and on a napkin and
00:09:00
removing a little the edges of the black I blur them so
00:09:04
that there are no clear boundaries then I
00:09:07
take brown our color and I start
00:09:09
adding instead of shadows on the sides, I immediately
00:09:13
take English red and add it from below
00:09:16
because we
00:09:18
have a little bit of orange color on the bottom and on the right side of the
00:09:21
pear,
00:09:22
well, I continue to add shadows now I’ll
00:09:26
add orange color to the pear,
00:09:34
let’s immediately add a shadow under our
00:09:37
pear since it lies on the
00:09:39
surface and the light of the surface and gives
00:09:42
a shadow,
00:09:43
so our pear will look more voluminous,
00:09:46
so we add our darkest batch
00:09:49
directly to the bottom of the pears there and wash it
00:09:52
with water,
00:09:54
now we will move on to our orange
00:09:57
part on top of the pear,
00:09:59
do not forget all the colors we
00:10:02
we put it on wet, that is, our paper
00:10:04
should be damp and we blur all the borders with a
00:10:07
clean brush, rinse this brush,
00:10:09
wring out the napkin and
00:10:12
blur the borders if there are any
00:10:14
clear ones, that is, all our colors should
00:10:16
smoothly flow into each other,
00:10:19
now I’m adding somewhere greenish
00:10:21
greenish color and of course you can
00:10:23
add a number of your colors and make it
00:10:25
brighter,
00:10:27
the main thing is don’t be afraid to experiment
00:10:33
now you can just observe and with
00:10:36
what I’m doing I’ll just add
00:10:38
brightness to our colors now and
00:10:41
blur the boundaries of
00:10:46
our brown I’ll add a little
00:10:49
greenish ocher and we’ll add shadows
00:10:53
to make our pear look more
00:10:55
voluminous,
00:11:01
don’t be afraid to make the pear brighter
00:11:04
somewhere, you can add more orange,
00:11:06
you can add more red, you can
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even add pink there, the main thing is to
00:11:12
maintain the volume of our pears, that is, the most
00:11:15
important thing is to preserve the highlights and the
00:11:18
darkest places of our pears
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here, on top of the pear, we
00:11:31
also see, as it were, the brightest place, we
00:11:34
must also preserve it,
00:11:46
now I want to add a little
00:11:48
texture to the pear, there are different dots on it,
00:11:51
so I add a little
00:11:53
sepia and right now I
00:11:56
’m doing something like this right in the raw small sprays
00:12:00
with a brush, it is desirable that the brush is
00:12:02
small and synthetic then there will be
00:12:04
small little dots and in the wet
00:12:08
they will still spread out and with the same color I
00:12:10
immediately add color to our branches with
00:12:13
brown, I will also add that a little
00:12:16
darker brown color is a little
00:12:18
purple and just like that from the edge on the
00:12:21
right there on the seam . and a little darker, that
00:12:24
is, we will add volumes by making it
00:12:26
darker on the right,
00:12:38
we will make our shadow brighter, we directly take
00:12:41
this dark dark batch and apply it and immediately
00:12:44
rinse the brush and blur the
00:12:46
boundaries
00:12:47
with paint and with the same color I will also add a
00:12:49
stronger pear shadow in the raw,
00:12:54
all these shadows will add volumes to
00:12:58
our pears so don’t be afraid to put
00:13:00
more shadows also here on top we’ll
00:13:04
add
00:13:18
so it’s time now to paint over our
00:13:21
leaf so we’ll now
00:13:24
add a little grass
00:13:26
green
00:13:27
light green to our yellow ones and
00:13:29
we’ll also add grass green to our dark purple batch
00:13:32
so that it’s dark dark green
00:13:34
so our forester, we will start painting with a
00:13:37
diluted light yellow color,
00:13:41
we cover our entire leaf except for the
00:13:43
folded edge, we don’t touch our edge
00:13:46
there, we add grass
00:13:49
green with a little
00:13:51
light movements and immediately add
00:13:54
shadows, you are the darkest part of the leaf at the
00:13:57
very edge, right inside there
00:13:59
will be and we’re not afraid to add
00:14:01
our darkest green color right there.
00:14:18
Now I’ll mix
00:14:21
our green purple and grass
00:14:24
green even more darkly to make our shadows on
00:14:26
the leaf even brighter and the volume is not
00:14:39
and
00:14:42
let’s paint over our edge light,
00:14:46
that is, it’s literally a light light
00:14:48
yellow we we go around the edge
00:14:52
wrapped up, well, if suddenly dark paint
00:14:55
gets on our edge, then we take it,
00:14:58
rinse the brush well, wring out
00:15:00
the napkin very well and with such a semi-dry brush
00:15:03
we go through and remove all the excess paint,
00:15:09
so our pear is already dry and now
00:15:12
we will add a second layer, we will
00:15:14
add more more brightness and volume of
00:15:17
our pear, I’m now making a large batch
00:15:20
of green grass and ocher,
00:15:24
just more ocher, that is, it
00:15:26
should be such a yellow green color, and
00:15:29
now we’ll add
00:15:31
brightness to our pears directly,
00:15:33
now directly with paint, that’s the day we have
00:15:36
shadows, I’ll directly smear this green color and I
00:15:38
immediately
00:15:39
rinse the brush and
00:15:42
wipe it with a napkin and
00:15:43
soften the borders of our pears, I blur it out a little with
00:15:47
water,
00:15:55
that is, when we work on a dry surface,
00:15:57
we wash away the edges of the paint
00:16:00
with water somewhere, I’ll add even brighter orange,
00:16:06
don’t forget our black, we don’t touch it so that the
00:16:11
volume is preserved
00:16:50
to For our green one, I’ll add more
00:16:52
purple and more ocher to make the
00:16:55
color darker, and I also want to make
00:16:58
our shadow stronger on the right,
00:17:02
since we now have damp paper there, the
00:17:05
paint will lie well and spread, we’re
00:17:08
not afraid to add a brighter color there
00:17:21
if suddenly you’ve gone to the border with paint
00:17:26
pears, you can kind of fix it,
00:17:29
just rinse the brush
00:17:31
very well, squeeze it out on a
00:17:34
napkin and go through, and where there is
00:17:37
excess paint, to clean the paper, I’ll
00:17:43
also take a little net or
00:17:45
dark brown and add
00:17:48
more of it here as well as all sorts of dots
00:17:51
at once a pear and
00:17:57
I also really like the
00:17:59
different splashes on the card, so I’ll add more of these
00:18:03
brown splashes around the pear,
00:18:32
you can also add splashes of other colors
00:18:35
that we used in our
00:18:37
work, for example, orange
00:18:40
or yellow,
00:18:52
by the way, if you take a
00:18:54
larger brush and add more water, it
00:18:56
will turn out very similar beautiful spots
00:18:58
of paint I really really like the work,
00:19:07
I had a payl here, the paint
00:19:12
got too much paint on the piece of paper,
00:19:15
but I just take it with a clean brush, wash it out with some
00:19:18
water and immediately blot it with a napkin
00:19:20
and clean everything well, and
00:19:23
the main thing is to do it right away, otherwise the paint
00:19:25
will be absorbed into the paper
00:19:38
so we finished our watercolor and now
00:19:41
we’ll just finalize the Venus a little and with a
00:19:44
white pen and details and so I’ll outline
00:19:47
the leaf immediately lived the glasses here where
00:19:50
we have a shadow there maybe even a thicker liner to
00:19:52
outline the twig with a little thicker, be sure to
00:19:55
outline the twig there with
00:19:58
her children a little thicker and I’m still at the bottom where yes, but I’ll
00:20:02
also make the pears a little brighter with a cleaner and
00:20:05
add more dots. Now we take a
00:20:08
white pen, be sure to outline our
00:20:10
edge of the leaf and add a little about the
00:20:13
veins, but in fact, everything is done with a slight movement
00:20:16
of the hand, and if your pen is very very
00:20:20
dense, it’s bright
00:20:23
I’ll just tone down the color a little with my finger, I’ll also add some
00:20:26
volume on the left side of the branch and I’ll
00:20:29
refine our black a little bit and add a
00:20:33
little more white dots and wash it out with my
00:20:35
finger.
00:20:51
Also, if you’ve got some extra
00:20:54
paint somewhere outside the borders of the leader, you can easily
00:20:56
fix it all with a white pen, just
00:20:58
paint over these plots
00:21:20
and so we got such a juicy pear in
00:21:23
autumn, it will be very nice
00:21:27
to give such a card to someone
00:21:28
unfamiliar and if you liked our
00:21:31
lesson, be sure to subscribe to our
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channel, like it and we are waiting for you in
00:21:35
our next lessons
00:21:40
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