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Channel: Ульяна Ласунова

акварель по мокрому

рисуем акварелью

как рисовать акварелью

акварель для начинающих

акварель

урок рисования

пейзаж

как нарисовать пейзаж

уроки рисования

как нарисовать

живопись

пейзаж акварелью

весенний пейзаж

пейзаж с закатом

нарисовать пейзаж

как нарисовать закат

как нарисовать закат акварелью

watercolor

акварель для начинаюших

акварель для новичков

акварель по сырому

рисование акварелью

акварельные техники

техника акварельной живописи

ульяна ласунова

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will dive into our favorite watercolor

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technique, this is wet painting or as they

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also call wet painting a technique

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that maximally shows all the

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beauty of watercolor paints so it

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works completely due to the charged

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amount of water watercolor

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spreads beautifully beautifully connects 1c with

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another it turns out interesting stretching

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ingredients and this is all done through the

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wet technique, I want to share it, we’ll

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say so, know what attention in

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our today’s lesson so that you

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can feel it, try to create

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a landscape and create new paintings with it

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[music]

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for the lesson, you should go and the

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paper incense burners are tight fasten it or draw it

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in gluing so that the edges do not

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curl up and that we first take a

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pencil and eraser and start making light

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markings; we have some kind of abundance of elements

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that need to be built,

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so we need to first of all

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find the layout of where our land

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stands on the house is that there are hills behind it,

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we find this point,

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I believe that it starts approximately

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in the center on the left side and then goes

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to a narrowing

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[music]

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the house occupies the left side,

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raise it a little

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[music] a

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very unusual architectural solution

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I really liked this house and I haven’t yet

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drawn

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[music] of the

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triangular roof 2 and not all the different ones are

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located differently,

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look here it rises a little

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up and there is a stronger rise

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up and connects the

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inner thickness to and two windows

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[music]

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our roof moves so interestingly to the

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other wing and here there is also a

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triangular part, it’s smaller

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[music]

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here the menu is again up from the line and

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showing the sides

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the house overlaps the bush

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[music]

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behind the house with the same one, we don’t have

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some space on the cliff, so

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we add a

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piece of land there, the shadow of the house on the

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other side they look out

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[music]

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also hysteria and

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find the border where we have a hill

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peeking out

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[music]

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well, the markings are finished now we

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move on to my favorite part tea

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we wet the papers so take a larger brush so

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that the process is uniform and short-lived

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clean water clean brush

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carefully moisten the entire sheet of paper

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should be in a glossy state,

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if you feel that the paper is quickly

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becoming matte, then give it an

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additional layer of water

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[music]

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and I’ll start from the top. I’ll move now,

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choosing colors like yellow and

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orange.

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I’ll take lemon yellow, put in somewhere there

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will be sun in the corner, I’ll try to

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get around the space of the sun,

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picking up the colors gently so as not to go over, I can

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create this state of fog

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[music]

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lightly with these shades I went up the mountain

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and

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easily

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like it better

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[music]

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numbers I take the same yellow colors from

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below, move plans upward,

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there is a stretch that it goes from light to

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dark

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introducing also a little bit of orange spots,

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you can, by the way, while you immediately see

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the flowers, so that on the top it doesn’t

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fly, cover it a little into the zone

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[music]

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we lower the part a little, let it

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calm down, we’ll save it,

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go quietly from above,

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push from below, push, why are

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we left here? midday foggy

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state let's say the white paper will be

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worn out as much as possible by this moment that

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the piece we had was

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illuminated and lightened and the trick needs to be

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left to try from the back but at the same time

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make it through various shades 1

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we have already led a little and the yellow and

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orange that penetrate from the sun and

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in the air in the Crimea so vital now you need to

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add blue, these lilac

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patton blue color and here it’s cold,

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pay attention, it’s not the same kind

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of screen, so who’s on the pigment,

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so everything you have there is turquoise,

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bright blue disappears no, it doesn’t

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fit in cold colors

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we are considering such options as

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ultramarine cobalt chrome help something

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in this steppe you can even take royal

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blue through more linen paint to

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write but the main thing is that she has the will

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she is brother violet you patton exactly

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these words and Lithuania you and I’m telling

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you what after all, it’s not purple, it’s not flashy,

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it’s such a muted blue color,

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what I like about these royal lips or

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mer, you know how ultramarine and

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white are mixed, a similar color, so it doesn’t

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hesitate, but the ultramarine check is a little bit

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similar to each other, I

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like it in the fog they use a lot of

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henbane and shades, this is not necessary and

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it’s great that my desire to bring them

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into my painting, each artist

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treats them differently, the main thing is

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to just understand in what situation,

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using such paints, railing colors are

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not suitable for glaze painting,

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you will endlessly layer something to

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complicate it this immediately eliminates the option of

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how these paints are opaque and

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extinguishing; some colors under them

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will not always shine through particularly richly and brightly, keep in mind they

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work perfectly in a coffin in 1 layer as we

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do now

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[music]

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I tore off a little bit of excess paint around the house and

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am removing

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gently push the brushes through the water and push the color

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up so that it smoothly disappears

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without sharp stripes somewhere before it

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appears

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[music]

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I noticed my hand so it’s the case and this is the case in

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order not to get my sleeve into the wet

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layer, I also poured it out so that I have it here

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space and now I’m already

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doing it on you can still water your hand in the air for

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a long time, we can be in this

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means lowering it to start and you’re

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pressing right up, leaving some kind of

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ugly stain and dirtying your clothes,

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such an interesting maneuver, I turn out

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the forks, it’s already automatic for me, it suits me

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comfortably try it, maybe you’ll

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like it too, the paper is still damp,

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so I carefully begin

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to move on

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the mound

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[music]

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hints of

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[music]

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yellow-blue when it gets into the yellow

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greenery begins to appear

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[music]

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green in principle and I’ll probably

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take it for the background and mix it through

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it 3 marinchik and yellow

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[music]

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[music] the

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peculiarity of the technique is that

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when drying, the color can click a little,

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so if you feel that

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the richness is disappearing, you can introduce

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additional shades,

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again, I still have wet paper,

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all the borders float without problems,

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so I I don’t re-wet it, but it

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will be different for everyone, no, inevitably,

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we are all different, everyone is different,

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so if you feel that

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everything has already gone dry, then leave

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it to dry until the end, don’t torture it, let it

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dry, then when it

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dries well, you can finish it off with a hairdryer

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you can do this, you can moisten and add those shades

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that are missing

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[music] it’s

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not a little dry at the top where the grass is,

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so I lightly use a brush first,

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you can mix green again from

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what we created through yellow and

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blue, you can make the grass richer in the

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way through yellow and green, for example,

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emerald or any other green

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paint as you want to try,

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choose a batch, you

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can use yellow green silo, a large

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palette there is this color

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[music]

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bring it green, I’ll try to add it

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now with a fan brush, you can

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take the right one with a thin one, it’s just faster in the

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form of blades of grass

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why I decided to resort

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We use this because the humidity there is already

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uneven, somewhere the Incas will float,

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getting into a wet spot where it has already dried up,

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there are lint like lint or blades of grass

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like blades of grass,

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and now let’s just

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say so carefully, I’ll wet it out, it turns out to be

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partially added, I’ll

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add additional texture to the

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interfering green, your green is brighter

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[music ]

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you can basically switch to regular brushes,

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showing specially different options,

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we’ll also use orange and

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[music]

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because it’s a little more brown colors,

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I’ll probably take a loaded one, I’ll explore a little bit of

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sonju, I

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’ll run a little bit to darken

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[music] I

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’ll also use a little bit of ultramarine,

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we’ll use this color but then it’s beautiful to

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combine through the same shades, we

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’ll paint a house with you and

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[music]

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I’ll turn to red, I’ll take a cola, I’ll

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start

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introducing lightly in front of the fog

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that Tarzan nko has appeared

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[music]

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[music]

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[music]

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let’s immediately finish off the clearing with flowers

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carefully and cover the top part

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choose orange choose red

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pink colors to

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greet us and

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[music]

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I have a red rose, a miracle raised high,

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caught in the fog so until it’s dry

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you’re looking for a little bit reasonable

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[music]

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and find small pink flowers there,

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incomplete with white, the

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number of flowers is up to you discretion

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as much as you want

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[music]

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and

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such a little life hack if the fog is

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still damaged on it you can’t

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do it anymore, it doesn’t wash away everything is numb

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there already thinly dilute the white and

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cover it up a little this is a technique with oil

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technique

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[music]

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the main thing is to rinse well afterwards It’s

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better to use a brush with soap to

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clean the fiber to the end and move on to the top, it

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seems to me that it’s still a little light,

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then relative to the bottom plan, now

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you can darken it or you can leave it and so I’ll

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start with a house made of grass, I want some thicker

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grass in the foreground,

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why not in the distance

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[music]

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[music]

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[music]

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immediately introduce a slightly blue color

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to show the shadows

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[music]

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and

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[music]

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[music]

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it is now the mixture that was added to the

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ground through the blue and brown color

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anthem

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[music]

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the house should be darker than the background behind it

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[music]

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[music]

00:21:45

now the pencil disappears a little but

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when it dries it will appear again for now

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and I’ll get distracted and add antennae in the foreground

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and there are more yellow and ocher mixed in

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with the green color

00:22:02

[music]

00:22:05

or

00:22:06

[music]

00:22:42

[music] let’s

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immediately add a raise there

00:23:09

[music]

00:23:16

[music]

00:23:33

well, now on the squirrel of the house

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[music]

00:24:01

inshallah,

00:24:05

I’m tearing off the roof from the darkest place

00:24:09

[music]

00:24:37

while the house is drying out and I want great,

00:24:40

almost flowers

00:24:42

when imagining some little things there

00:24:47

[music]

00:25:13

we catch a fence

00:25:20

[music]

00:25:53

not

00:25:55

[music]

00:26:14

ours I already like all sorts of little things

00:26:17

that I would like to put on my

00:26:19

picture the

00:26:20

Christmas trees are visible in the fog so that they

00:26:24

can be felt in the fog don’t forget to

00:26:26

blur the boundaries

00:26:27

[music]

00:27:04

well very good I’m stuck as you can see I’m

00:27:08

already even

00:27:09

relaxed

00:27:11

also in thoughts the flight is gone, you can add

00:27:15

stingy if you want, in principle, the house goes around

00:27:18

the countries for a very long time, everything dries there,

00:27:22

let's try to add the last small details

00:27:27

[music]

00:28:02

beautifully, you can illuminate the outline of the roof

00:28:06

[music]

00:28:35

and

00:28:39

look, I finally want to add

00:28:42

just not the nuance that there was a feeling that the

00:28:44

city was wrapping up I have at least a little bit of a

00:28:48

pretty opinion about the house and do it in the same way with

00:28:51

wet techniques, you need to dry

00:28:53

everything especially where you

00:28:56

drew out the last moments, otherwise they will float,

00:28:59

flow and the contours will disappear, carefully

00:29:02

wet everything at home,

00:29:07

barely touching it

00:29:12

[music]

00:29:21

choose again lilac shades of

00:29:23

pink and rough and

00:29:28

increasing the density we are

00:29:32

not in a hurry at this moment

00:29:36

[music]

00:29:45

[music]

00:30:20

at night the density has gained and the hermitage Christmas trees

00:30:24

have disappeared, you can add

00:30:28

[music] this is where

00:30:50

our picture dries up,

00:30:55

straightens out, all the colors little by little

00:30:58

begin to interact with each other,

00:31:00

it all becomes so matte

00:31:03

three-dimensional we remember the flowers a little, it seems

00:31:07

we add the

00:31:09

main thing, everything behind the house should be

00:31:12

light, even if you, like me, are still

00:31:14

gaining density, don’t overdo it, that there

00:31:17

was a feeling of the thing, that it’s close, it’s

00:31:20

not in the fog, and it’s clear, it’s in front of you, you

00:31:22

can go there completely on the first plan to

00:31:25

sit down and draw some daisies, for

00:31:28

example, and in the distance everything should be so fir-tree

00:31:31

recognizable with an outline reminiscent of

00:31:34

small black nuances and that’s all,

00:31:37

see you in new lessons for now

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❤ Жду вас в Инстаграм, там тоже много интересного! https://www.instagram.com/lasunova_art/ ✔ Загляните в каталог моих Онлайн уроков по акварели https://lasunova.art/ *** Многие века природа служит источником вдохновения для художников. Ее величие и неподдельная красота никого не оставляют равнодушным. Однако задача художника заключается не только в точной передаче пейзажа, но и в попытке уловить настроение, атмосферу места, этим мы и займёмся на уроке. ⁃ Вы познакомитесь с техникой «по-мокрому» ⁃ Узнаете, как сочетать в одной работе разные акварельные приёмы ⁃ Напишем и узнаём основные особенности создания на бумаге тумана, солнечного света и поля с цветами *** ✨ Другие видео про краски и акварель: Акварельные краски https://www.youtube.com/watch?v=yXF9rnStGag 5 техник рисования акварелью https://www.youtube.com/watch?v=0hZcmoU8OYs Маскирующая жидкость https://www.youtube.com/watch?v=zyr13cyn-hI Советы начинающим художникам https://www.youtube.com/watch?v=czVhRhvBSZk Красивые разводы акварелью https://www.youtube.com/watch?v=BGUTA_wfgvI Кисти для акварели https://www.youtube.com/watch?v=CA0jg3mKRM8 Как рисовать архитектуру https://www.youtube.com/watch?v=GhhsRjEr4C8 Как делать наброски https://www.youtube.com/watch?v=h262kQ_fb1c Бумага для акварели https://www.youtube.com/watch?v=8_dRYBwCIlM *** 😘 Я, Ульяна Ласунова, художник-акварелист. Чаще всего мои ученики зовут меня «акварельной феей». Заходите в мой АРТ чат https://lasunova.art/privet Там расписание уроков и трансляций, а так же запись на обучение Жду вас в Инстаграм, там тоже много интересного! https://www.instagram.com/lasunova_art/ *** Возможно вы искали: как нарисовать весенний пейзаж, пейзаж акварелью, весенний пейзаж, мастер класс, красивый пейзаж, пейзаж для начинающих, пейзаж с закатом, как рисовать пейзажи, летний пейзаж, вечерний пейзаж, красивые пейзажи, нарисовать пейзаж, как нарисовать закат, как нарисовать лучи солнца, живопись с нуля, для начинающих художников

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