Download "История Frictional Games. Выпуск 3: SOMA"

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0:00

Введение

0:40

Amnesia: Rebirth

2:10

Сюжет

7:09

Концовки

11:12

Игровой процесс

19:19

SOMA

23:22

Сюжет

30:27

Концовка

38:55

Игровой процесс

45:08

Лучшая игра студии

47:02

Планы на будущее

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stopgame

стопгейм

soma

история soma

сюжет soma

прохождение soma

игровой процесс soma

геймплей soma

анализ soma

история frictional games

история серии amnesia

история amnesia

история amnesia rebirth

самые страшные истории в играх

самые страшные игры

страшные игры

жуткие игры

frictionalgames

amnesia

amnesiarebirth

хоррор

игры

лоев

историясерии

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and here it is, finally, the 3rd and currently final

00:00:09

issue of the history of the history of

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frictional games, in which we will

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finally talk about the game that everyone

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has been waiting for, so requested for the very first

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release, so let's quickly, you

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are at the Sigmaru station in the sense of

00:00:23

stopgame.ru my name is Ivan Loev

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we dive in

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and there’s an unexpected twist right from the start,

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we’ll start today’s episode with a conversation

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about the third part of amnesia to finish

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with games about heroes who are faced with

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memory loss

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and also because I love broken

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chronologies and this has its own logic and

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so I get foals for me Jeannette I will

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continue to call her just amnesia

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sorry amnesia guys was announced

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and released in damned 2020 after 10

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years of waiting

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she you finally got a sequel to the

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game from the studio that gave us the

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streak-raising original in the

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good sense of the expression

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but we were mostly

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disappointed and What’s interesting is that the press

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turned out to be quite favorable to the

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project, how did it happen, what is the

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reason for such dissonance, I can already hear the

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cries of a suitcase from the front rows, well, the

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little Andy studio bribed all the

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gaming journalism, cool theory,

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great, I give it a like and a like,

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more options before the main character of the game is a

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woman, but there is no news here so let’s

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dismiss the same thing, in fact the reason is both

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simpler and more complex at the same time, but in

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order to start talking about it we

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need to figure out what it is

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covered up amnesia of the guys

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tells the story of Anastasia Trianon,

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who in the game is affectionately called the sea,

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together with her husband she goes to an

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excavation in Algeria where their plane crashes

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in the desert some time

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later the heroine comes to her senses and

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realizes that after the fall

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quite a long period of time has passed

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about the events of which she does not remember anything

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in Russia, so now she has to

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figure out where the survivor is

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and whether she survived Someone

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and at the same time find out what actually happened, what

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kind of other world this is, she saw

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before the crash and the problems with the game

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begin literally immediately after the

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end of the 1st cut scene after a short

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walk in the scorching heat to the cave from the

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teens on the heroine they just dumped

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war and peace from different things kind of notes,

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and for Anastasia, these are their authors, these are

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people whom she at least somehow knows, albeit

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superficially, while for the player

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these are just letters on paper, and

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besides, they are not particularly exciting, that is,

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two bad things happen at once; the

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game cheilizes the immersion of a person the

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monitors have what’s happening from the very start and

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it doesn’t give anything in return, no intriguing

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scenery, no mesmerizing music, not at

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least some kind of monster behind you,

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just walk and read on, it becomes

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clear that Nazia from the point of view of

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gameplay is left with amnesia,

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the heroine is still afraid of the dark, so

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If possible, we need to use matches

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and light sources of light around;

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there is also a flashlight, but the oil in it burns at

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some absolutely absurd speed; a

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weapon to fight back with a monster of which

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here, by the way, there are not many in our hands,

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as well as complex mechanics of madness

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or something like that that is,

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rib amnesia is again a walking simulator where

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instead of scaring the person at

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the monitor with the prospect of loading the

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last checkpoint, the authors

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concentrated on scaring

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him with the story itself and its themes, but

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unlike the machines for pigs guys, it still

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has much more in common with the original

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although would be for the reason that the third part

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significantly advances the lore of the series due to

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the story and Rasik, which belonged to

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Alexander of Brandenburg, almost

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half of the game’s running time takes place on the

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territory of the extinct empire of the

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gate builders, so they will explain to us who they are

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and how they opened

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the gates and where they came from twisted

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and what a shadow really is, these explanations are

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not very detailed, in parallel, a

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very tragic story of the

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main character will develop, who at first,

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full of optimism and determination, rushes to

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look for her husband, then remembers that

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shortly before the flight, in fact, she

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became pregnant, then finds her husband dead,

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and then just trying to get out of

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this whole story alive and with a child who is

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developing unnaturally quickly, it turns out that he is faced with the

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difficult choice of giving the baby to the

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ruler of a dying empire or

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resisting her, and here

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the main regulatory mistake happens, the authors give

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the player the right to choose what to do, but

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he has too much on his hands a small

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number of clear answers for making

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some kind of decision,

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the situation in some ways reminds me of the episode

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behind the rift of the eagle,

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one of the most discussed episodes of

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season 1 of the love of death and robots where we don’t

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know whether this woman is a villain or whether her

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intentions are truly altruistic,

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the difficulty is that in the short film,

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if you think carefully, everything falls into

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place even after the finale, but this

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feature of the format is such and amnesia, this

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is a full-fledged work, but by the finale

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we have the following information, they

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tell us that the empress teana,

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because of her selfishness and desires, and at the expense of

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vito and live forever practically ruined her

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own empire, but

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she is not the only one to blame for this, and besides, now she

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repents; they tell us how she

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came to a group of

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people who survived the crash and offered salvation in

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exchange for a newborn child the sea

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because she wanted to become a mother but

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could not herself and because the baby was supposed to be

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born with some mysterious

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disease, but it’s not clear whether she was lying

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or honestly telling us how, having received

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a refusal, she gave everyone water to drink, after which the

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group members gradually began

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to turn into ghoul monsters, and here the

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slippery point is that

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actually She saved all of their

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lives in this way, otherwise everyone would have

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simply died from the heat, and in the end she

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says quite the right things, the

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converted heroine will no longer be able to

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return to a normal life, who

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dreams so much, therefore, on the basis of which coffee

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grounds to make the final decision, it is

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not even very clear to the player Knowing all the endings of the

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game, now I can’t

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formulate this, because if you follow the lead

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of the empress, the child will live from the

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axis and turn into a monster, if you

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kill the empress, everyone will die stupidly,

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and if you run away from it, it all

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just ends with an ellipsis, and this is where I break down

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because with point of view of me the

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narrative, if you look at the story as a

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metaphor, then a lot here

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fits well with the idea that what

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happens in the course of the story is a

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figurative exaggerated experience of coming to

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terms with the death of a child and this is very

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cool in the sense that it’s unusual for horror and damn it’s

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empathic, it’s [ __ ] up how tough when

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This idea first came to my mind where

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directly horinel,

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firstly, this is indicated by the backstory of the

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heroine who flew on an expedition to

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Algeria to distract herself because

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shortly before that her first daughter Alice

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died and everything that is now happening to

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Maria, her sister, and unnaturally

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fast the growth of the development of birth right during the

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course of the game is such a repeated

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experience of a bitter experience, its figurative

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rethinking, and this even

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synchronizes well with the fact that in this

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way the heroine distances herself from everyone

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around her, even from her husband, because such an event

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is a very personal topic, you

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have to experience it yourself in your head

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although damn it’s better not to, of course, but okay,

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secondly, Empress teana,

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if we look at what’s happening from

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this angle, this is death embodied in the

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characters, who lives in a dead

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world full of pain and suffering and which is

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fueled by this pain, let me remind you of this and

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it’s almost literally with

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condensed suffering, but then

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logically, the first ending should be correct,

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with humility, you need to leave

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the child in the kingdom of the dead so that the

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heroine herself can live further in the world of the living,

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but here you are and plug into the world of the living, she does not get into the world of the living

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and remains in the world of the dead

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if you look at this not as a metaphor

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but as for a more literal story about a

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mother who is ready to do anything for the sake of her

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child, then again it confuses me that the

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best ending

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is open without a clear feeling that

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everything will be fine in the future, my daughter

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may be sick, I myself drank some water

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that turns everyone into monsters, we will continue to

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live normally then there is something

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very strange as a result, on the one

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hand, I can’t help but note that

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frictional games chose a very unusual

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theme for horror, but because, as

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they say, fear of the unknown is of course

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cool, but have you ever tried

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specific maternal

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horror and again it works because that

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this is a very real fear, not just

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the fear that in the abstract darkness there

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may be a devil lurking that will prevent you from

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progressing through the game further, but on the other

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hand, this topic seems to have been missed by

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the lord; many things were not explained

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metaphorically in the form or if

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they even had such a goal and impression

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especially after the second playthrough,

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I was left with a few crumpled notes because

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I didn’t understand what the ending was trying to convey to me,

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and on the second playthrough these

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problems only intensified because the

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first time I thought that I might have

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missed something, forgotten because of my excitement, not

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noticed, but no, judging by in all respects, they

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really didn’t live up to it at all,

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that is, it’s felt throughout the game,

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for example, the

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segmentation of the gameplay was done very carelessly,

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I already said at the beginning when they

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dump a whole mountain of notes on you so that you

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get imbued with the characters around this, in

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fact, the authors only push the player

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out of the immersion if you I noticed that in the

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brief retelling of the plots that was

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above,

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almost all the characters were omitted;

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besides, further this does

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not pay off in any way because it does not have

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any tangible plot weight, but

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the problem is not even that, as usual the

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heroine is constantly thrown from the fire into

00:11:50

the fire

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and back for creating emotional

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contrasts, here is a monster chasing you, and

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here is a hop and a quiet place where you can

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take a breath, realize everything that

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happened earlier, read those very

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notes and this is normal, but there are

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practically no transitions between these segments, the atmosphere instantly

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switches at the click of a switch, like the

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light in the room and this is not cool because

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suspense, for good release, needs to be

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built up like a cloud, before

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spewing out thunder and lightning, you need to fly

00:12:24

over the surface of the earth and see enough of

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what people are doing,

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but here sometimes it comes to the point of absurdity

00:12:30

when playing keeps you in suspense,

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running around with monsters somewhere around and then

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you walk into a room and it’s so

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relaxing, have some tea before fresh

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French rolls, it’s

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good to have such a safe

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room somewhere in resident evil, but amnesia is about another horror game,

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trying to get away from the gaming conventions of

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dividing zones into clearly and dangerously safe ones

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and all this, but the main thing The problem with

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the story or beef is that again it all

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happens behind the scenes, by and large, during the

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passage the heroine simply goes from

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point a to point b, constantly stuttering

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but trying to survive, and along the way through

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flashbacks and notes she

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recalls dramatic events that

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happened

00:13:17

before, but this is practically does not change

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the context of the perception of what is happening now,

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not by the player, not by the heroine herself, which is why

00:13:24

the stupor arises, the story

00:13:28

cannot be done because it is simultaneously too

00:13:31

focused on the topic of pregnancy and the

00:13:33

horrors that the heroine has to endure

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and, on the contrary, is unfocused, but

00:13:38

because many side branches are from those

00:13:40

same notes In general,

00:13:43

I have nothing to do with what is happening, although

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there is a certain parallel between

00:13:46

Empress Teana from her deceased empire

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and her child, so it

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turns out that the normative horror of amnesia

00:13:55

works, but somewhat with difficulty, it

00:13:58

has a cool and very humanly

00:14:01

scary theme, but it is expressed not in the most

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successful way

00:14:05

and critically lacking the disclosure of

00:14:07

some supporting threads that you

00:14:09

turned this case into a rope with a powerful

00:14:12

emotional pull because there

00:14:15

is potential on this topic, however, in comparison with

00:14:18

most other modern horror

00:14:20

it is not so little but what does it do in Asia

00:14:24

as an interactive horror film, unfortunately there are not

00:14:28

many mushrooms, in fact there are only three

00:14:30

segments where the heroine meets monsters

00:14:33

for me for a few seconds at the beginning in the fort,

00:14:36

or rather under it, then in the labyrinth and even

00:14:40

closer to the end you are on the world and

00:14:42

dementors appear not literally but the design is

00:14:45

very looks like the

00:14:48

only one that works really well is Ford because right

00:14:50

here there is a clear escalation and build-up,

00:14:53

first the ghouls just scare us with their

00:14:56

sudden appearances, then one of

00:14:59

them openly approaches the heroine, she

00:15:01

escapes from the building and after

00:15:04

a while she realizes that she

00:15:07

will have to return there but the main action

00:15:10

begins after falling down into the lair of

00:15:13

monsters to seek, you have to go through

00:15:15

several unpleasant face-to-face encounters

00:15:18

that will end in a wild chase in

00:15:21

the dark and under water, the rest of the moments are

00:15:26

also quite capable of being creepy, but

00:15:29

one of the main problems, at least

00:15:32

for me, is that everything that

00:15:34

happens is

00:15:36

very choreographed,

00:15:38

every appearance of the monster is scripted,

00:15:41

where it will run out, where it will run at what

00:15:44

moment and how to make it

00:15:46

look beautiful because of this, the

00:15:49

feeling of some kind of interaction with the

00:15:52

scary one was once locked with

00:15:54

him in the same location and it was necessary not

00:15:56

just to survive, but also to find a way out; to put it

00:15:59

simply, linearity and scripting are not

00:16:03

good because already on the second

00:16:04

playthrough you know exactly where to go,

00:16:06

what to eat and where to expect what; in fact,

00:16:10

you begin to predict this even on the

00:16:12

first lap when you understand what

00:16:14

the logic is behind It’s a shame for everyone that

00:16:17

you want to replay the game because

00:16:20

the author undoubtedly did a great job of

00:16:23

at least two things: visuals and

00:16:26

sound episodes in parallel to extinct

00:16:30

miles and this is a real feast for the eyes and

00:16:35

ears that want decadence motives,

00:16:38

I don’t know art deco or something then something like this is

00:16:40

only much more angular in and you

00:16:43

believe in the peacefulness of the scenery at first

00:16:47

sight, unless, of course, you start making noise

00:16:49

about how they have very human

00:16:51

buttons that are responsible for opening doors,

00:16:53

for example, but then the conversation begins

00:16:55

about what if everything looked like

00:16:58

something at all so the players’ balls would

00:17:00

get stuck behind the rollers, but the saddest thing is

00:17:02

that the game has a mechanic for peaking them and the

00:17:06

heroine’s heads, it works in the first

00:17:08

location and obviously they wouldn’t add it for a

00:17:10

couple of minutes, and among the files with

00:17:13

cut content,

00:17:15

enthusiasts have already found a flask for there

00:17:18

should have been more water in the desert,

00:17:23

apparently it was planned that it

00:17:25

would be a large open location where

00:17:27

instead of fire we look into the water for the familiar

00:17:30

principle of survival in amnesia, but a slightly

00:17:33

different context and even a new monster

00:17:35

was supposed to appear similar to the

00:17:37

famous sandworm from dunes but

00:17:39

smaller and in general judging by the art of what

00:17:43

ultimately didn’t get to the game

00:17:46

and the locations that the authors didn’t

00:17:48

get around to designing and monsters, I can

00:17:52

predict two scenarios that explain the

00:17:54

origin of the problems I’m describing, the

00:17:57

first frictional games at some

00:17:59

point decided to stay the right path

00:18:01

of horror to step towards capturing a

00:18:04

wider audience, which is

00:18:06

why the design and monsters

00:18:08

were not too creepy and the approach to

00:18:11

how the game should work as a whole

00:18:13

became more gentle; secondly, there is a feeling

00:18:17

that the third part of

00:18:18

amnesia was originally conceived as too

00:18:21

ambitious, perhaps after success itself

00:18:23

and then thanks to the view, the developers

00:18:26

decided that it was still more important to get into the

00:18:28

timing of the slogan new amnesia 10 years

00:18:31

later than to bring the project to the point

00:18:33

as it was

00:18:35

originally conceived, which is why a huge

00:18:37

amount of content fell under the nose,

00:18:39

perhaps there were some other

00:18:42

fluctuations, perhaps both scenarios took place

00:18:45

because they are not mutually exclusive,

00:18:47

nevertheless, I want to end on a

00:18:50

positive note, despite the fact that in

00:18:53

many ways I scolded am very best the game

00:18:56

turned out to be good, imperfect, yes, but

00:18:59

not bad at all, and I grabbed onto it

00:19:03

for that reason only that five years before

00:19:07

the rebirth, the

00:19:08

studio had already released a game in which it

00:19:11

bypassed many of the mistakes made here,

00:19:15

now it’s time to talk about

00:19:23

new things and the interest around it, the new

00:19:26

project frictional games

00:19:27

began long before the release, because first

00:19:30

the studio in 2013 decided to flirt with

00:19:33

the audience, firstly it launched and

00:19:37

er ji for completing the stages of which the

00:19:40

players were shown short videos of

00:19:43

very mysterious and vague

00:19:45

content; secondly, the public was not

00:19:48

involved in solving puzzles;

00:19:50

they showed a video in which a certain

00:19:53

Imogen gives interacted with

00:19:56

mysterious objects by a robot who

00:19:59

was convinced that he was a person and by a

00:20:01

computer which did not show

00:20:04

clear pictures and the first and main

00:20:07

analogy back then in 2013, which was

00:20:11

on everyone’s minds, frictional games makes its

00:20:14

version from a chain,

00:20:16

but somehow everyone still had it, not scattered,

00:20:19

but collected together in a

00:20:22

centralized way, and then in October there

00:20:25

was an official announcement by the studio,

00:20:28

announced that the action of the new game soma

00:20:31

will take place in the future on a

00:20:33

remote scientific station ipad with two I am

00:20:36

aware that it is pathetic to read correctly,

00:20:38

this word has too emotional

00:20:40

overtones,

00:20:41

I am a cancer, so let it

00:20:43

still be phat ass and

00:20:46

this scientific remoteness for the sake of neutrality of perception we all

00:20:49

took the station as a sign that

00:20:51

frictional games wanted to launch

00:20:53

players into space, then we were shown

00:20:56

several locations that did not

00:20:57

contradict this idea, and when

00:21:01

the teaser came out under the name lambda, they will

00:21:04

never forget how crazy I was

00:21:07

from the moment when I realized that this would

00:21:09

not happen in space

00:21:11

and under water, in short, she turned her

00:21:16

brain over at the announcement stage, and how

00:21:19

she could repeat this trick

00:21:21

later was simply creepy. In general,

00:21:25

then the advertising company followed the

00:21:27

beaten path in 13, we were

00:21:29

shown a gameplay teaser with a strange

00:21:31

switch of brains and a monster in

00:21:33

corridor and similar corridors, no

00:21:36

switching of brains, as a result there will be no switching of brains in the game,

00:21:38

which the authors immediately warned about, a

00:21:40

year later we saw something similar to the

00:21:43

final product, and in 2015 there was

00:21:47

a release and the game instantly became a cult one,

00:21:50

but in narrow circles it is a

00:21:53

sci-fi horror which

00:21:56

could easily be a play adaptation of

00:21:58

some work by Philip K. Dick

00:22:01

because throughout his life

00:22:04

as a writer he was tormented by questions of

00:22:07

self-determination, what we are, why we are,

00:22:11

what is real, which is why many of his works

00:22:14

are characterized by two years,

00:22:17

firstly, we question reality

00:22:20

the reality of events the reality of the hero

00:22:23

the reality of perception the reality of the world of

00:22:26

anything individually or in combination

00:22:28

secondly everything must be very bad

00:22:35

Dick wrote practically Greek tragedies

00:22:38

in a science-fiction shell and sometimes

00:22:41

asked the readers of the program not simple

00:22:43

questions, in general, but they loved and

00:22:46

continue to love his work

00:22:48

itself essentially advances both of these characteristic

00:22:52

techniques as a basis and on them, like on

00:22:55

skis, it funnily rolls players into an abyss of

00:22:58

doubts, just as the matrix did in its time,

00:23:01

probably every generation

00:23:03

has a work like this that breaks

00:23:05

through the reinforced concrete confidence of

00:23:07

people in the unshakable objectivity of

00:23:10

reality, however we

00:23:13

will return to this later and so

00:23:15

what was it about I will try to briefly

00:23:17

retell it but at important points I will

00:23:20

do a logical zoom our days the first thing we

00:23:25

are introduced to is the main character a

00:23:27

young man named Simon

00:23:29

Jarrett who was in a car accident and

00:23:31

now he has something something strange is happening to the brain,

00:23:34

he is invited for an examination, one

00:23:36

doctor is not a charlatan,

00:23:38

to conduct a high-precision scan

00:23:40

of neurons, to understand what the problem is and find a

00:23:43

solution at the appointed time,

00:23:45

Simon arrives at the place, sits in

00:23:48

a chair and it turns out it’s not clear where, that

00:23:56

is, it’s not clear at all, at first she

00:23:59

creates only what he found himself in in a very

00:24:01

technologically advanced place where

00:24:04

a catastrophe or accident occurred, the surroundings clearly

00:24:07

look more advanced than at the beginning of the

00:24:10

21st century,

00:24:11

and an incomprehensible

00:24:14

aggressive robot walks around a little later, the hero

00:24:17

finds himself in an underwater corridor and the crap is

00:24:20

his id because a few minutes

00:24:22

ago he was in Toronto, which is clearly not

00:24:24

under water and then meets another

00:24:27

robot who, like this one from the video,

00:24:30

is convinced that he is an ordinary

00:24:33

person, just lying down,

00:24:35

and here the hero has his first

00:24:37

goal, a certain girl Katherine explains to him

00:24:40

that Simon is at the Epsilon station of the

00:24:42

research complex on Tass 2

00:24:45

and he needs to get there to Lambda where she

00:24:48

will meet him and explain everything, however, before

00:24:52

the hero has time to rejoice, the roof

00:24:54

over his head literally breaks

00:24:56

and the room is flooded with water. Simon, to

00:24:59

his unspeakable surprise, remains

00:25:02

alive, which is characteristic of the player and the hero by this

00:25:05

moment are in complete confusion,

00:25:08

no one understands what is happening

00:25:10

to the person the monitor is trying to predict

00:25:12

how it is possible from the sides to teleport

00:25:15

to the bottom of the ocean, it was played by a sick

00:25:17

imagination or some kind of special

00:25:19

virtual reality, and if not, then what the

00:25:22

hell is going on the

00:25:25

heroes, for now they are more worried about what

00:25:27

is happening at the station,

00:25:28

how he remained alive under water and what in

00:25:31

general What happens to her is that the

00:25:34

game is not in a hurry to answer most of these questions,

00:25:35

she somehow passes by and

00:25:37

reports that, in fact, the future is in the yard

00:25:39

and Simon went for a scan

00:25:41

about 100 years ago, the shock is caused by

00:25:45

another fact, a huge comet fell to the ground

00:25:48

and the entire surface turned into a

00:25:51

scorched wasteland people on Potosi 2 are the

00:25:55

last survivors on the planet and Simon is

00:25:59

also true, he is actually

00:26:02

just a walking deep-sea diving

00:26:03

suit like those that were in the

00:26:05

room where he woke up, he is

00:26:08

informed about this by the same Catherine, who herself

00:26:11

turns out to be somewhat

00:26:13

mechanized but this is not the time to despair

00:26:16

so that humanity has at least

00:26:18

some hope. Katherine

00:26:21

has been developing the ark project in recent years, as planned,

00:26:24

scanned versions of the consciousnesses of the

00:26:26

inhabitants according to TASS should have been

00:26:28

uploaded to a special server that

00:26:30

would later fly into space

00:26:32

away from this hot earth, this is in

00:26:36

idea how close the project is to

00:26:39

completion in practice, in view of the current

00:26:41

state, Madame scientist now has to

00:26:44

find out

00:26:45

Simon and, if necessary, bring the matter

00:26:47

to completion, a big obstacle immediately arises.

00:26:59

under control and monsters and not only

00:27:02

those that the hero saw, it’s all his doing

00:27:05

because even after the end of the world, he, like

00:27:08

any program, stubbornly continues to

00:27:11

follow his directive to preserve the

00:27:13

lives of all the inhabitants of the station, the rest does

00:27:16

n’t bother him,

00:27:17

together Simon and Catherine go on a

00:27:20

trip to the Theta station where the

00:27:22

living quarters are located and where the

00:27:24

scanning took place and remember I

00:27:27

said that everything must be very bad,

00:27:30

what could be worse in this situation, well, for

00:27:34

example, to find out that the people whom

00:27:36

Simon hoped to meet on 3

00:27:39

actually went crazy, most of the

00:27:41

employees decided that after undergoing

00:27:43

the scan it is necessary to commit suicide with

00:27:46

your physical embodiment and in

00:27:49

order not to produce essences, it

00:27:51

turned out that the same consciousness would be both

00:27:53

on the carrier and in the human carcass and

00:27:55

in order to break the connection with the

00:27:57

physical world,

00:27:58

existence in which for them

00:28:00

had already lost all meaning, the movement

00:28:03

took a little Isn’t it a religious turn

00:28:05

also over these two interesting

00:28:07

episodes happened: firstly, Simon scanned

00:28:10

his suit and discovered that

00:28:13

Imogen

00:28:15

Reid’s pipes were hidden inside the same girl from as if from a

00:28:18

chain of rollers; secondly, there is an interesting scene

00:28:21

when, together with Catherine, Simon finds out from

00:28:23

one of the employees password doesn’t matter

00:28:26

what the problem is that this employee

00:28:29

is her 1st channel and not a real person the

00:28:31

episode is curious because at the same time it

00:28:34

somehow reminds us

00:28:35

of the black mirror the pilot pro

00:28:37

Christmas was in a hurry because

00:28:39

strictly speaking we are mocking the scan of a

00:28:42

person’s consciousness but at the same time this is

00:28:44

again in tune with the

00:28:46

breaking of the eagle already mentioned earlier today

00:28:48

because this is a clear demonstration

00:28:50

of how difficult it is for an unprepared

00:28:53

person to give bad news especially

00:28:56

when there is a lot of it and

00:28:57

this scene largely explains

00:29:00

Catherine’s behavior towards Simon,

00:29:02

she has been here for a long time, she knows what

00:29:05

happened and with ground and with the station with

00:29:07

the employees, but so that Simon doesn’t

00:29:10

have a breakdown from the abundance of

00:29:12

this information, she has to be very

00:29:15

careful and dose it out, which is why the

00:29:18

hero constantly has a mistrust of

00:29:20

her and a feeling of being deceived, and then

00:29:24

the finale begins, first at the

00:29:27

Omega station, Simon copies your consciousness into

00:29:29

another body in a deeper-sea

00:29:31

suit, so the heroes

00:29:34

discover the hard way that copying consciousness

00:29:36

is creating a copy, they transfer roughly

00:29:40

speaking, felt the difference between

00:29:42

control c and control x while deciding

00:29:45

what to do with no bias not the top brother the

00:29:49

game trusts the player and Simon after

00:29:52

of this, it descends to the depths, finds

00:29:54

the ark and next to it the last living

00:29:56

person on earth helps him

00:29:59

get rid of the time of physical

00:30:01

existence and launches the remnants of

00:30:05

humanity into space

00:30:10

[music]

00:30:23

insert

00:30:27

on one side the final roar,

00:30:30

which consists in the fact that they will be copied onto the ark,

00:30:32

they will transfer the consciousness of

00:30:34

Simon and this means physically he will be

00:30:36

left to live out his days on the leftovers,

00:30:38

but from 2 it

00:30:40

generates a feeling of total

00:30:42

helplessness and impotence and emotionally

00:30:46

this scene was played very cool, but I

00:30:49

read and heard a huge number of opinions saying

00:30:51

that the final twist doesn’t work, how

00:30:55

can Simon be so stupid and why does

00:30:57

n’t he I understood what would happen at the end

00:30:59

literally an hour before, we were

00:31:01

shown this trick,

00:31:03

and indeed, to be honest, I’m

00:31:07

always a little sad at such moments,

00:31:09

we were shown this trick, both the player and the hero,

00:31:12

when Simon moved into a new

00:31:14

spacesuit

00:31:15

on Omega, they explained to us how

00:31:18

copying works on stations theta and before

00:31:21

this too, they talked about this moment many times,

00:31:23

there is one big thing, but

00:31:26

the player perceived this whole story from a

00:31:29

comfortable chair at a pace convenient for him,

00:31:32

taking breaks to eat, drink, sleep,

00:31:35

think about what was happening on the screen,

00:31:37

quarrel with the neighbors who are loudly

00:31:39

making noise, and Simon’s life is not literally in

00:31:43

a few hours just turned

00:31:47

upside down, he, being a simple

00:31:49

bookseller from Toronto,

00:31:51

teleported a hundred years into the future when

00:31:54

humanity had already become extinct, turned out to be a

00:31:57

revived scuba tank with a female corpse

00:31:59

inside and the last hope of humanity

00:32:02

at the same time, of

00:32:04

course, he is not able to calmly

00:32:07

assimilate information and make forecasts,

00:32:09

of course, he is everything has not yet rebuilt

00:32:12

his thinking on new tracks and is not

00:32:14

used to perceiving his own

00:32:16

consciousness as a file on a computer, and

00:32:19

naturally he still thinks in templates

00:32:21

from his favorite films and books where, at the

00:32:23

end of a difficult journey, people are sure to

00:32:26

get a happy ending, which by the way

00:32:29

is received by his copy in the ark only

00:32:32

here it’s worth asking the question, it’s so

00:32:35

easy this and considering that the satellite in

00:32:37

the long term will be gouged by

00:32:39

meteorites, asteroids, space debris,

00:32:42

or it itself will crash into something larger,

00:32:45

and even if a miracle happens, aliens will pick it up,

00:32:48

what should they do with it, the

00:32:56

story of Soma stays with the players for a long time

00:32:59

after As the final credits end, the

00:33:02

themes raised by the game are not unique,

00:33:05

but they are unusual and fresh enough

00:33:08

to catch on in the players’ brains.

00:33:13

Much has already been said about doubting the reality of reality, and about the

00:33:16

digitization of consciousness, the

00:33:18

problems and questions that arise along with this have also been talked about

00:33:20

long and persistently. artificial

00:33:22

intelligences that get out of control in a

00:33:24

decent society no longer stutter, but

00:33:27

what is important is not what is important is how

00:33:29

well these themes are presented, how tightly

00:33:33

they are woven together and how they mutually

00:33:36

evaluate

00:33:37

and complement each other, the hero’s lack of understanding of

00:33:40

who he is in this new world in

00:33:43

this new a place where he has

00:33:45

neither friends nor relatives left, not at least someone he

00:33:48

knows,

00:33:49

is in perfect harmony with the fact that at first

00:33:52

he does not understand what he is now,

00:33:55

and this harmoniously fits with one

00:33:58

of the central themes of the

00:33:59

game - the plasticity of our consciousness - its

00:34:02

ability to adapt to new

00:34:04

conditions and how our brain successfully

00:34:07

engages in self-deception, this topic, by the way, did

00:34:09

not come from science fiction at all, but from the

00:34:12

real world, because

00:34:14

there is literally such a syndrome,

00:34:16

it was created when a person without an arm

00:34:19

stubbornly believes that his hand is in

00:34:22

place, any logical proposals

00:34:25

to prove it, take her something - with a wave,

00:34:27

he gives out some absurd excuses

00:34:30

and he stubbornly believes in them, and

00:34:33

of course we can talk not only

00:34:34

about any defects in principle, both

00:34:37

physical and psychological,

00:34:40

as if raising this idea to the absolute; the

00:34:42

scriptwriters force the hero at the very

00:34:44

beginning, by inertia, to see his body when

00:34:47

he gets up in the pilot's seat to watch

00:34:50

his hands become covered with a strange black

00:34:52

mass at the moment of the collapse of the dome in the

00:34:54

communications center at epsilon and for exactly the same

00:34:57

reason, the robots at the station absolutely

00:35:00

sincerely consider themselves to be people. In parallel

00:35:02

with this, but

00:35:03

not chronologically, the theme of

00:35:06

how people are developed to the maximum emergency

00:35:08

situation and what could be more

00:35:10

urgent than the end of the world reacting to

00:35:13

what is happening around

00:35:15

because in the course of his journey Simon

00:35:17

finds many diaries and records

00:35:20

telling about how the inhabitants of the

00:35:22

tf2 stations began to behave after the

00:35:25

end of the world and especially after

00:35:28

began the process of absorption of the

00:35:29

complex with the help of a structural gel, they

00:35:34

even dedicated a separate

00:35:36

series of web maps to metro station transmissions to this particular time period in the chronology,

00:35:39

where the name John Reed, already familiar to us, together

00:35:42

with his colleagues, tries to figure out what

00:35:44

she is doing and in the end ends up

00:35:48

where she begins her journey already the main character of the

00:35:50

game - stopgame, these videos

00:35:53

were even translated and look what a

00:35:56

difference it makes where the amnesic guys simply

00:35:59

throw letters at the player, telling

00:36:01

the story of the people who survived the crash,

00:36:03

Soma carefully introduces us to them, makes it

00:36:07

clear what led them where, makes them

00:36:10

feel their confusion, and then

00:36:13

more and shows them on the screen, but the truth is,

00:36:15

if you know that transmissions

00:36:16

exist, thanks to this, the

00:36:20

banal density of events per second of

00:36:23

timing increases, which leads to an increase in the

00:36:25

player’s involvement in what is happening in the

00:36:28

person on the screen trying to understand what

00:36:30

happened to the protagonist, where he

00:36:32

ended up, and here, parallel to you, here’s another people

00:36:35

who tried to survive in this hell and here is

00:36:37

also artificial intelligence that

00:36:39

silently

00:36:40

tries to save everyone from its corner, and you

00:36:43

also need to understand the laws and rules of this

00:36:46

world in general, just have time to crunch your

00:36:48

brains and ask the right questions

00:36:50

because sooner or later the game

00:36:53

will answer them amazingly this is complemented and

00:36:56

strengthened by the way all the characters are

00:36:59

written and played,

00:37:02

frictional games finally look like living emotions have appeared, the

00:37:05

main character has not just found a voice, he

00:37:08

has acquired a personality, he willingly and naturally

00:37:12

reacts to what is happening around

00:37:16

one of the fingers 5th grade

00:37:26

and

00:37:35

sex plus 77

00:37:37

mute

00:37:39

a in moments of calm, he starts understandable and

00:37:42

appropriate conversations about what Yasha has experienced and

00:37:45

how he feels now

00:38:03

than to

00:38:05

kill winter fun to keep you like

00:38:09

your last torrent if and to fight with

00:38:16

everyone I would have raised the dark will tell

00:38:20

he even tries to joke in such conditions

00:38:28

Yuzik wolf directly 5 or people douin in short,

00:38:39

between segments of building tension and

00:38:42

fear, catfish knows how to pause and let the

00:38:46

hero speak out, which is most

00:38:48

useful both for defusing the atmosphere and for

00:38:51

creating a psychological portrait of the hero

00:38:53

in the player’s head, but speaking of fear, the

00:38:56

tension with them is probably the most a

00:39:00

somewhat ambiguous thing is that

00:39:02

she abandoned almost all purely

00:39:04

game mechanics related to

00:39:06

interaction with the world or monsters;

00:39:09

traditionally, the main character does not want and does not

00:39:11

know how to track, but on top of this, Simon is

00:39:15

not afraid of the dark, he can sit in it

00:39:17

for hours, he does not have equipment to

00:39:19

put there items are everything you

00:39:21

need to solve puzzles,

00:39:22

which are still perfectly integrated into the

00:39:25

context of the surrounding world, are always

00:39:27

within walking distance, there are also no

00:39:30

scales of physical and mental health,

00:39:31

and even more for death, the game again does

00:39:36

not punish in any way, it simply rolls the

00:39:37

character back to the last check point

00:39:39

on the other hand, the number of skirmishes with

00:39:41

monsters and their diversity itself

00:39:44

pleases each new creature behaves in a

00:39:47

new way a strange robot rumbles

00:39:50

and walks slowly a

00:39:51

naked man with something on his head feels

00:39:53

if the hero is looking at him and knows how to

00:39:55

teleport, although this is not really

00:39:57

teleportation but rather a distortion

00:39:59

perception

00:40:00

creepy squeak reacts sensitively to sound

00:40:02

so you should crawl next to him and

00:40:04

carefully look at your feet in the location there is

00:40:07

a lot of garbage scattered Khan looking for madam

00:40:10

in which it is a Cthulhu submariner and sees and

00:40:14

hears and is generally not averted each of

00:40:18

these meetings takes place in unique

00:40:20

scenery and sometimes they also

00:40:23

change on the fly because with crackers

00:40:25

in the dark, at first you have to

00:40:27

fumble around the premises of the laboratories and

00:40:29

carefully look at your feet, and then in

00:40:32

their lair where you can’t

00:40:36

see a damn thing at all; fortunately, in the rest of the game the

00:40:38

degree of darkness typical for the studio is reduced

00:40:40

therefore, such situations are an

00:40:43

unpleasant rarity, they are the rules for the

00:40:45

most general problem of hide and seek, well, the

00:40:49

monsters are not very

00:40:51

smart, so no matter how much you want to

00:40:53

savor the interaction with them,

00:40:56

the process becomes mechanical quite quickly,

00:40:57

however, I repeat,

00:41:00

these encounters are varied and direct clashes with the

00:41:02

creatures short enough to

00:41:05

complain about the tediousness of these meetings

00:41:07

or something like that, except for these

00:41:10

bastards, perhaps here it seems to me that

00:41:13

everything was delayed,

00:41:15

on the other hand, I can’t help but note that

00:41:17

the amount is simply surprisingly rich in

00:41:19

characters, let’s skip digging into the fact that

00:41:22

here it’s almost like in a pro and 2017 you can

00:41:24

find all the workers of the station and

00:41:27

trace their history and I’m talking about the fact that

00:41:29

Simon interacts with a lot of people along the way,

00:41:31

actively communicates with

00:41:34

Katherine who accompanies him to the end,

00:41:36

briefly with this cute robot with

00:41:39

other robots with surviving people and the

00:41:41

menu has been turned into what something strange in

00:41:45

general, despite the oppressive situation,

00:41:47

there is no feeling of oppressive loneliness

00:41:51

in the relatively empty and amnesic and

00:41:54

penumbra, it feels like a breath of fresh

00:41:57

air, it gives the world liveliness and

00:42:00

realism, and not everything that you

00:42:03

see on the screen wants to kill you, but this is a

00:42:07

very pleasant variety, and also

00:42:09

thanks to the departure of deep shadows to the background,

00:42:12

it was here that the surroundings began to play with all the colors

00:42:15

in several planes at once,

00:42:18

firstly, once again the pumped-up

00:42:20

home engine and spruce learned

00:42:23

to produce a very acidic picture for 2015, I

00:42:27

hope the entire timing up to this

00:42:29

point highlights this well, and

00:42:31

secondly, by itself the surroundings were very

00:42:34

picturesque and well-developed, whether it was the

00:42:37

interiors of different compartments from

00:42:39

2 to 2 or walks under the water column, this is

00:42:42

actually cool in itself

00:42:45

because the action of the games

00:42:46

would develop under water, the

00:42:49

cat would cry, but here it is also excellent and

00:42:53

stylishly executed thirdly, I will again note the

00:42:56

sound design because everything

00:42:58

in the game makes the ears very pleasant, very

00:43:02

minimalistic but waking up at the

00:43:04

right moments, the music is

00:43:05

as creepy as possible and the

00:43:08

annoying sounds of the monsters in their voices and

00:43:11

movements are annoying, how underwater everything muffles

00:43:13

clicks and other mechanical

00:43:15

tappings, it’s like this everything is put into a

00:43:19

single harmonious mix,

00:43:22

and this is rare now

00:43:23

3 in the end it turns out that she herself

00:43:26

suffers from the same disease as agnosia

00:43:29

and the pixie machine for a video game

00:43:31

horror; there is too little game in it,

00:43:33

that is, interactivity in

00:43:35

interaction with both the world and

00:43:37

its characters inhabiting either

00:43:40

friendly or hostile so we are

00:43:42

again dealing with a walking simulator

00:43:45

but Soma offers a very rich

00:43:49

story-focused horror

00:43:52

adventure with a length of 6-8 hours in which

00:43:55

there is a plot rich in characters and

00:43:57

events that are not afraid to ask

00:43:59

strange and unexpected questions that

00:44:02

have a very dense atmosphere of

00:44:04

hopelessness and skillfully presents

00:44:07

each next royal from the bushes,

00:44:08

turning the brain of the involved player

00:44:10

inside out but at the same time providing him with

00:44:13

all the answers necessary to understand what is

00:44:15

happening; there

00:44:16

is a very original and picturesque

00:44:19

environment;

00:44:26

Fail completely,

00:44:28

and the funny thing is that

00:44:31

this time the cut content no longer

00:44:34

looks like something that would make the game

00:44:36

better. Looking at the art, you can still

00:44:40

argue back and forth about which design of specific

00:44:42

monsters is better, but most of the canceled

00:44:45

concepts, such as an entire faction,

00:44:48

I teleport existing creatures that

00:44:50

would have their own religion of termite mutants in the

00:44:53

service of it is still superfluous, this

00:44:57

cut content, on the contrary, took the focus away

00:45:00

from what was necessary and important for the story or was

00:45:03

simply stalling for time, that’s why it

00:45:06

was cut out

00:45:07

and that’s why at the moment the sum

00:45:11

is the pinnacle of creativity

00:45:14

frictional games studio and at the same time

00:45:15

one of the most interesting

00:45:18

sci-fi horror games of recent

00:45:20

years or not even recent ones and maybe

00:45:23

even not only video games. In many ways, the

00:45:26

history of frictional games was built by

00:45:28

me so as to show how a small

00:45:31

Swedish studio began by

00:45:33

coming up with a cool 3D engine

00:45:35

and is now one of the main

00:45:38

proven suppliers of high-quality

00:45:41

horror games on the market like Espen Umber in

00:45:43

which the darkness worked to the advantage of the unsightly

00:45:46

Kim Model Com gone crazy and the last

00:45:50

amnesia, as for the future, everything is

00:45:53

somewhat vague here on the one hand

00:45:55

frictional games were due to their own

00:45:58

merits Now it is firmly on its feet from a financial point of

00:46:00

view. Not so long ago, the

00:46:03

number of copies sold so far

00:46:05

has exceeded a million, and this is only

00:46:07

while the

00:46:08

Amnesia series was ported to all

00:46:10

current platforms, even a switch for

00:46:13

people who are very scared, the studio

00:46:15

began to introduce an adventure mode.

00:46:18

it looks strange, for example, the

00:46:20

monsters themselves simply stop doing damage,

00:46:23

but at the same time they walk around and grumble at the

00:46:25

mushroom hero; they acted a little more radically;

00:46:28

all clashes with creatures were replaced with

00:46:30

simple ones, one might even say

00:46:32

elementary

00:46:33

riddles;

00:46:38

the game was not conceived like this,

00:46:40

as for the

00:46:43

problems the guys have, I don’t want to believe that

00:46:45

this is not something systemic and not a sign

00:46:48

that the success of Soma is not a natural

00:46:50

accident, but just the opposite, that something

00:46:53

went wrong during the production of amnesia

00:46:55

and the previous 2nd issue The history of

00:46:57

frictional games confirms this;

00:47:00

now the studio

00:47:01

has two new projects in development, the

00:47:03

only thing that is known is that one of them

00:47:06

ended pride production around the time of the release of the series,

00:47:08

and the second one has just begun

00:47:11

its active phase, well, I don’t know about you, but

00:47:14

I’ll be actively waiting new Swedish

00:47:17

horrors,

00:47:18

well, that’s all for today,

00:47:20

make sure you like,

00:47:23

subscribe and ring the bell and

00:47:26

remember, it doesn’t matter if we live in reality

00:47:29

or in a simulation, it’s important to remain human

00:47:32

and see you soon stop

00:47:36

game room

Description:

Третий и последний на данный момент выпуск истории Frictional Games наконец-то посвящён SOMA! И не только ей. Короче, двум лучшим играм студии. 00:00 — Введение 00:40 — Amnesia: Rebirth 02:10 — Сюжет 07:09 — Концовки 11:12 — Игровой процесс 19:19 — SOMA 23:22 — Сюжет 30:27 — Концовка 38:55 — Игровой процесс 45:08 — Лучшая игра студии 47:02 — Планы на будущее • Комментарии и обсуждения — https://stopgame.ru//show/121315/istoriya_frictional_games_vypusk_3_soma • Страница игры — https://stopgame.ru/game/soma • Ещё больше материалов — https://www.youtube.com/user/StopGameRu?sub_confirmation=1 *** Видеоигры на StopGame.ru — https://stopgame.ru Расписание эфиров — https://stopgame.ru/live_schedule Прямые трансляции на Twitch — https://www.twitch.tv/stopgameru/ Наши нарезки — https://www.youtube.com/c/StopKEK Футболки от StopGame — https://shop.stopgame.ru/ Мы в Дзене - https://dzen.ru/stopgame Мы ВКонтакте — https://vk.com/stopgameru Мы в Discord — https://discord.com/invite/wWFuEfeEjF Мы в Steam — https://steamcommunity.com/groups/stopgamecommunity Мы в Facebook — https://www.facebook.com/unsupportedbrowser Мы в Twitter — https://twitter.com/stopgameru Мы в Telegram (дайджест) — https://t.me/stopgameru Мы в Telegram (новости) - https://t.me/stopgamenews Мы в Instagram — https://www.facebook.com/unsupportedbrowser

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