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Video tags
Subtitles
Russian
00:00:03
Olga Peretyatko was born on May 20,00:00:07
1982 in St. Petersburg,00:00:09
began her musical career at the age of 15,00:00:11
became a member of the children's choir of the00:00:12
Mariinsky Theater00:00:14
Olga graduated with honors from the music00:00:16
school at the00:00:18
Rimsky-Korsakov Conservatory and the University of00:00:20
Culture and Arts and then entered the00:00:22
Higher School of Music in Berlin,00:00:24
the singer became better at many00:00:26
international competitions, among them the opera00:00:28
I am who organizes Placido Domingo00:00:30
in this competition she took second place00:00:33
Olga Peretyatko worked with such00:00:35
conductors as Daniel Barenboim Richard00:00:38
Banning and Alberta Jet d'eau00:00:40
in December 2011 Peretyatko sang a00:00:43
duet with Jose Carreras during his00:00:45
Christmas concert in Moscow00:00:47
in the same year, her first solo00:00:49
album was released, The Beauty of Singing with arias from the operas of00:00:51
Rossini Verdi and Donizetti, the second album of the00:00:54
singer Arabesque was released in the summer of 2013,00:00:57
hello Olga, special day for you,00:01:02
thank you for agreeing to meet00:01:04
us in this wonderful stuck00:01:06
library in in the very center of Moscow in the00:01:08
Baltschug Kempinski hotels how00:01:10
sunny is Moscow in general not sunny00:01:13
Moscow how often do you appear00:01:15
here on business or not on business00:01:21
year as well as00:01:23
time allows of course immediately home and00:01:26
I specifically try to organize00:01:27
concerts as many as possible so that you00:01:29
appear more often because that it’s so easy00:01:30
to come there’s no time at all, I’ve00:01:34
now taken a three-week vacation for myself once in four years,00:01:38
relatively vacation, because there’s a00:01:40
lot to learn, for example, this00:01:42
tankred, which we’re about to sing in00:01:45
the morning, a long and complex amine edit game is00:01:48
so bloody, but that’s how it’s sea at00:01:53
sea on a sunbed we store00:01:55
everything like this, we don’t have any rest, unfortunately00:01:58
you need to constantly learn something,00:02:00
constantly call someone, answer00:02:02
some million letters, it’s all a00:02:04
headache, you00:02:06
need to leave, aka leave, turn off your00:02:09
phones, don’t take the computer, leave00:02:11
social life and leave for a week or00:02:14
two to turn off the head of this to India,00:02:17
I can go no, well, some kind of scar, do00:02:22
yoga, but do you know such practices, for00:02:24
example, be silent 10 days of silence is00:02:27
brilliant for a singer, this is given for anyone,00:02:30
not only for a singer, by the way, how much00:02:32
will climb from within me I think this is a very00:02:35
strong practice of the series I want to do this,00:02:38
how much do you have a00:02:40
calendar planned until the 17th year until what 2018,00:02:45
well, four years, so this is the president of00:02:48
Russia, you know, I always joke, you00:02:51
want to make God laugh, tell them the plan00:02:53
for the future, you don’t know how tomorrow will be in00:02:56
general life will turn out but let's00:02:58
hope that everything will be fine there will be peace00:02:59
in the world and everyone will go to the opera00:03:03
but for now it's 2018 I already know 3400:03:07
projects that will be done00:03:08
regardless of what kind of00:03:10
force majeure circumstances this is what you00:03:12
think00:03:13
if there was a choice of what to do either00:03:15
live for today and spontaneously don’t00:03:18
understand what will happen tomorrow, or like this,00:03:20
when in the next four years you00:03:21
understand perfectly well what you have when00:03:23
when you can snatch a vacation when you can’t00:03:26
how interesting you need to combine it, I00:03:29
think because it’s such a00:03:33
folded structure you need it I I will I know00:03:36
what I will do more revenge I know what I00:03:38
will do in a year and a half it is necessary to00:03:40
organize yourself very somehow to give you00:03:42
away when I am a family children I am not yet00:03:44
when children it is00:03:46
felt even more strongly you really need to be a manager of00:03:51
some kind of absolutely brilliant00:03:53
organization because it’s all about00:03:55
organizing time, there’s no time, but you also need to00:03:58
organize it all somehow and enjoy00:03:59
every day, but how else is it because00:04:02
we live here and now and we need to00:04:04
somehow arrange our life so that it’s00:04:06
fun and the wrong word00:04:10
is why an excellent table for grain in front of the00:04:14
interesting thing, they just said that00:04:17
for an opera singer, the word kai00:04:20
somehow doesn’t sound out loud, there is still a00:04:22
certain00:04:24
image of what an opera singer should be,00:04:28
but you need to correspond00:04:29
I’m not anyone I’m not saying about compliance with00:04:32
the status, for example, now I was preparing00:04:34
so that the Kremlin and behind you need something00:04:36
suitable in color,00:04:40
you need to somehow stay within the framework no, but with00:04:43
the language in general, you know the problem00:04:45
because sometimes there really is a00:04:47
linguistic block, not only in00:04:48
Russian in Russian something that is very00:04:50
I speak little, I write, I read00:04:51
and I communicate very little because the00:04:54
Italian repertoire is accordingly the00:04:56
team every time Italian sdd we00:04:59
speak Italian here with the singers00:05:01
in Italian00:05:02
with everyone else in English I00:05:04
heard that you know five languages I speak a00:05:06
little bit of French I say but this is still00:05:08
their level, that is, that is, it00:05:10
turns out Russian English and00:05:11
Italian German and French but00:05:13
a little bit yes yes because French00:05:15
but not necessary once some project in00:05:17
French for a kilo France that I00:05:19
drank a lot in France but not at French00:05:21
grand opera but it will be but I will now00:05:24
have00:05:25
Rigoletto there the Italian language the German00:05:27
director00:05:28
again there will be no French there well00:05:32
everything will come when it needs to once there was00:05:35
such a funny story taxi driver 6 am00:05:38
even earlier at 4 am voice if for00:05:42
2010 1100:05:45
in airport pit called the airport meter after00:05:48
another report of reports stuck so00:05:50
tantra 20 from each other so I understand00:05:53
what and where we are and why we are here and then00:05:55
suddenly spoke in French so00:05:57
with gas obscenities he understands that I’m now about00:06:00
to miss the plane and all the00:06:01
estimates are for you came and he somehow managed to go00:06:04
there on the left and right sides and there he was driving00:06:07
very quickly and we managed to run, he00:06:09
ran after me from whom you know that if00:06:11
we’re not late now they won’t pay00:06:12
it’s like a picture at 5 in the morning a singer with a00:06:16
suitcase we’re running The00:06:18
taxi driver left the car behind me, we ran to some kind of00:06:21
barrier and after which it was impossible, I00:06:22
understand that I seem to have time there,00:06:24
we give back quickly such money, I run further,00:06:26
horror, that is, the film taxi was filmed like00:06:29
your real story, for example, it00:06:31
was necessary in the taiga and for 7 minus 3 0 to 3 st00:06:34
your flight in addition to a certain00:06:37
lifestyle status of not only a stage star but00:06:41
also a certain socialite into which00:06:44
opera singers turn, how00:06:48
much do you have to direct yourself in00:06:52
accordance with these changes or does00:06:56
this happen absolutely spontaneously00:06:58
spontaneously and naturally that is, I don’t00:07:00
notice, well, yes, you need to be00:07:03
appropriate to the situation because, for00:07:05
example, I don’t know, my stylists are not there,00:07:10
but of course you need to hire someone,00:07:12
probably, well, like00:07:14
us, we have a concert and after00:07:18
the concert there is some kind of event at which we00:07:21
usually some prime minister and00:07:22
sponsors and so on, well, you are beautiful there,00:07:25
everything is fine, you need to smile00:07:28
and communicate with them, always be very nice, yes,00:07:30
you know, I like to come in jeans,00:07:33
surprise everyone, heels, jeans,00:07:35
leather jacket, but still, in tails, well, you00:07:41
have to break I need stereotypes in general, I don’t00:07:43
like stereotypes in anything, in nothing, all00:07:47
these rules were created by someone, why they00:07:49
were created is not clear to anyone at all, you00:07:51
should always look for your own path00:07:54
because following someone is, of course, good,00:07:56
learning from other people’s mistakes is great, but00:07:58
cloning is perfect it’s impossible this00:08:01
applies to the repertoire of the style of the00:08:04
places where you perform, but in my case you00:08:08
always need to look for your door and your00:08:11
doors, if you seem to be doing the right thing,00:08:13
I chose the right00:08:15
moral profession, then you00:08:17
will find your door, you know, when00:08:19
you meet a lot of people who00:08:23
start crying. there are so many talents and some people are00:08:26
making their way out there, it’s unclear who, but00:08:30
here we sit and we have nothing and00:08:34
no one notices us, so do something00:08:35
because there were00:08:37
resumes for theaters for agents, do00:08:40
something00:08:41
that I don’t work of course how This is00:08:44
something they will recognize from you at the initial00:08:47
stage, you just need to bang your head against the00:08:49
wall from time to time, yes, I remember very well00:08:51
how it was very difficult at the beginning, but I00:08:54
just won’t repeat this figure of 10 euros a week, but I00:08:58
won’t eat anything because of the money there wasn’t00:09:01
and you immediately become such an enthusiast and00:09:04
you start organizing concerts yourself00:09:07
because if not you, then who will and then she’s00:09:11
drunk in Italian, little by little they00:09:13
start to recognize you and invite you, but how00:09:15
else can there be a confusion with the halls?00:09:19
I wanted to say that I00:09:21
wake up, say my eyes and think where am I00:09:24
who is jealous, drink some water and for 30 seconds00:09:28
you think where am I because the00:09:31
hotel rooms are always about the same00:09:32
where I go, you know, you always have to00:09:36
have some kind of constant for someone, this is00:09:39
not for a teddy bear, yes, they carry00:09:41
a pillow with them, well, what is it that they make your home00:09:43
feel like home, by the way, yes, this00:09:46
part of the profession you need to feel at00:09:48
home everywhere00:09:49
because such adaptability00:09:53
must be present00:09:55
for seida, I don’t know where home is because00:09:58
I have in Berlin we have an apartment in a00:10:00
balloon apartment now we are in Kozara, they also00:10:02
did renovations there at sea00:10:03
summer residence I don’t know00:10:08
because now I left I will return home in00:10:12
December I will return home this is where00:10:16
but in December I will return no this to Germany00:10:19
but in Germany I’ll be back in Italy right00:10:22
now right after the balloon for two00:10:24
days, then I’ll fly to the next concerts and00:10:26
but the suitcase is my home before I need to somehow00:10:29
manage to stuff my life into 2300:10:32
kilograms, I get it and an00:10:35
additional suitcase for another 20. The question is00:10:40
a little ticklish you didn’t get00:10:44
to you the conversations didn’t get through, but I00:10:48
heard a lot of comparisons of you,00:10:51
prices are not required, both in voice and in external00:10:58
appearance, attractiveness, external beauty,00:11:00
which is combined with the height of hunger,00:11:02
voice and type, just type, such a hoof,00:11:06
I want to say these words, so I love, I00:11:08
couldn’t because of the situation, so very00:11:10
mundane good type tell me00:11:12
how annoying these conversations about00:11:14
comparison are and irritate lei00:11:16
at first they were annoying now absolutely not00:11:20
but they are already comparing and I’m sick of someone00:11:22
new general generation he the00:11:25
new generation is already coming up to me in00:11:28
Munich singers from the academy are talking about and it’s not always like that for00:11:31
you it looks like hello wolf enter00:11:33
the club00:11:36
about always comparing everyone to someone, you00:11:40
need to write something if there is00:11:42
nothing else to write about you need a00:11:44
color similar to someone or for example00:11:47
Catherine Zeta-Jones this is another option00:11:49
for who they always look like, everyone tells me about it,00:11:51
as if it’s just that now there00:11:53
are already judges, by the way, according to legend, I didn’t think00:11:55
about the type as you say, you think you’re going to die,00:11:58
but how else can it be that everything is00:12:02
not obituary for anything, it’s great,00:12:04
let them say no no, but this is necessary00:12:06
just be completely philosophical, come on,00:12:09
stop constantly comparing spam, but00:12:11
that there is some kind of00:12:13
marketing bombardment going on and the pr is like that, of00:12:16
course, and that’s why everyone hears it and we00:12:19
don’t demand it, and that’s why naturally there is a00:12:21
singer from Russia there is St. Petersburg blueberry00:12:24
2, it’s not demanded, it’s great and but at first00:12:29
I somehow think, Lord, when will00:12:31
the bus stop being allowed in at all, as if with00:12:33
age I’m getting younger, everything00:12:39
is perceived as something more smoothed out,00:12:42
some kind of Buddhist approach,00:12:45
experience appears, experience, yes, that’s why I don’t00:12:51
know, now I’ll try to enjoy00:12:54
every day00:12:58
with you there was a wonderful debut at the Teatro00:13:01
alla Scala in Milan and namely the role of00:13:05
Marfa, if I’m not mistaken, and the Tsar’s bride,00:13:08
why the opera that was staged by00:13:11
Dmitry Chernikov, such a combination is00:13:14
absolutely a mixture of Russian and00:13:17
Italian culture, since00:13:20
one Italian symbol was caressed by the symbol,00:13:23
even three Russian ones turned out, namely the00:13:25
Tsar’s bride you and Chernyakov how much00:13:31
this union happened,00:13:35
in your opinion it was an interesting experience in00:13:38
general I really like it when the director00:13:42
makes you think and00:13:44
have to do it all the time you can00:13:47
speak poorly well you hear a completely00:13:50
radical opposite opinion this is00:13:52
great finally we are not talking about00:13:54
football both Perrys,00:13:57
let passions boil, this is a00:13:59
return to where it all began,00:14:01
that opera in the nineteenth00:14:03
century of us there was pop culture00:14:05
because you there wanted to communicate in the00:14:07
theater to solve your problems, the way out of course00:14:11
is that we try not to00:14:15
leave far from this ideal it returns to this00:14:17
and I think that this is a very00:14:19
positive positive development, the00:14:23
perception of the00:14:25
German public and the Italian one was completely different, of00:14:27
course, because the Germans were accustomed to the fact that there was00:14:30
no video, that’s all, that’s all, there was no00:14:34
one there, no head, no toilets00:14:37
there none of these things that00:14:38
usually a German is constantly present,00:14:42
not to mention there, if you weren’t raped at all,00:14:44
we are00:14:46
considered a great success, but now00:14:50
today there is a section and nervousness and this is00:14:52
always some kind of thing, why00:14:55
let’s ask now, how would I have00:14:58
already reached that moment when you00:15:00
say, why can you talk about it with the00:15:02
director when he is in front of00:15:04
you, that is, you can discuss before00:15:07
communicate, but also with everyone, yes, and if I am00:15:11
convinced there,00:15:12
if I am much ready, if not, then I00:15:16
will not do this with ours who were00:15:18
such moments when the question why, although it00:15:21
arose no, he initially told us everything about the00:15:24
whole concept, we all really00:15:26
liked it because in the food and in the end it00:15:29
turned out so it’s so00:15:32
close to you and weighs this virtual world00:15:35
of puppets, all these games manipulation of00:15:39
consciousness, it’s all so close00:15:41
that you are leaving the theater of Odessa residents in00:15:44
Berlin, there were a lot of young00:15:45
people who came out, they stood and00:15:47
waited to talk, who were00:15:51
on fire, we left the performance with the feeling00:15:53
that right here, nearby, this is right00:15:55
now before, I’m talking about Berlin in00:16:00
Italy, too, a lot of people drank there of00:16:02
course very much book but it was00:16:05
such a little bit I think they will always be00:16:09
like the singers no00:16:10
we are all lucky because but we00:16:13
tried very hard of course the music you are Russian they00:16:15
don’t really know they all are they00:16:17
Italian music is always intimidating00:16:20
no matter who sings00:16:22
necessarily what it won’t be because he also00:16:24
sees a ritual like what Milan has,00:16:27
they have such a ritual, that is, everyone00:16:29
knows how to play football and everyone knows how to play 3 on00:16:32
the stage of La Scala,00:16:33
well that’s why it’s better than what I saw and it’s not00:16:37
accepted, it’s not an argument they are00:16:39
accepted they bought it they00:16:41
paid for the tickets for the spectrum if they can00:16:43
express their displeasure as you do, well,00:16:46
such a national sport, you00:16:48
have to get used to it, that you go ahead, you need to00:16:54
know what the rules of the game are, and I really,00:16:57
really, in principle, isn’t it really time, of00:16:58
course, I got injured there between in the00:17:03
third act, this it fell beautifully between the00:17:05
scenery, ripping it off almost00:17:08
to the bones, I sang it by the way, during the00:17:10
broadcast I was in Berlin in Berlin yes00:17:13
yes yes I went out to bow lame there00:17:16
just happened an incident00:17:18
one colleague decided to go out for some reason 1 and00:17:21
we repeat the new one with Chernikov, everything is very00:17:24
rehearsed, that is, we know how, what,00:17:26
when, where everything, including the bottle, of course,00:17:29
everything is not there, by the way, mine was00:17:32
rehearsed, yes, no, what is it,00:17:35
Barenboim is stuck, so that’s what I’m00:17:39
submitting, because everything happens exactly the00:17:41
same as before at every rehearsal there00:17:43
ten since we did all this, this house00:17:45
is moving away together and the technicians are a little00:17:48
stairs away from you faster, I’m00:17:53
scraping myself off with this ode, everything is just like that, and the00:17:55
bones are screaming a lot,00:17:58
and I need to change my whole00:18:00
costume and wig00:18:02
makeup for a minute and a half, it’s painfully00:18:05
scary and then I need make it my00:18:07
singing scene of madness and it didn’t hurt00:18:11
at all, but it’s always like that, your00:18:13
head may hurt there, your leg, your hand on stage,00:18:15
nothing hurts because the adrenaline is00:18:17
so charged, well, now00:18:20
I have signs of blueberries, in our drama theater,00:18:27
everything is just a director and that’s it he is the king and00:18:30
god are you listening to him what what where everything is00:18:32
staged in the performance in opera and ballet everything is00:18:36
a little different because there is this00:18:38
division of powers between the director00:18:41
and conductor, it happens all the time and00:18:45
my question is still, who the hell is00:18:48
more important the composer hf he should00:18:52
be a composer and singers00:18:54
and everyone else they create in general, in00:18:59
principle, such teamwork, that is,00:19:01
you cannot, you can perfectly00:19:03
rehearse there 24 hours a day, tire out the00:19:06
singers so that everyone gets sick, the end and00:19:08
then will you be 5 times 3 in 3 minutes00:19:10
before the premiere with a different cast,00:19:12
someone needs this, no, that is,00:19:14
you know very well, this is a very complex work,00:19:17
you need to think about every little detail, you need to00:19:20
create such special ones,00:19:21
create working conditions for everyone for the00:19:24
choir, for the artists, moreover, for the mimance,00:19:27
create a schedule so that no one00:19:30
expects from 4 hours because there a brilliant00:19:32
idea arose, let's recode, but00:19:35
this almost never happens, of course,00:19:37
well, ideally, the boss is a composer, but00:19:40
I don't know the fingers of one00:19:42
hand are enough for Perry to list those00:19:45
opera performers who are known and00:19:48
who are well-known letters netrebko00:19:52
Khibla Gerzmava Maria Gulegina00:19:56
Hvorostovsky is no longer available to anyone,00:20:00
well, there really should be stars, here are the00:20:02
stars who can be called stars, but00:20:04
no one else with ballet, the00:20:07
situation is different, but now, almost as I see everything, there is still00:20:10
some kind of movement00:20:12
forward because it’s an00:20:14
absolutely wonderful campaign, which is already in its00:20:16
second year, in my opinion there are broadcasts of the00:20:19
best performances of the best opera00:20:20
performances metropolitan opera00:20:22
New York Moscow cinemas00:20:24
when you come without the opportunity to00:20:26
naturally be in New York you00:20:28
come a wonderful time very00:20:30
comfortable you sit in the auditorium and on the00:20:32
huge screen you watch, listen to00:20:34
the opera and see it all you feel that00:20:36
some kind of shift is taking place, that after all,00:20:38
the attitude towards opera in Russia is changing00:20:41
and opera is ceasing to be such a00:20:43
useless genre for some in the whole world, it’s00:20:47
already like I already said, the rise well,00:20:50
about stardom, you know someone just00:20:53
doesn’t want to because it puts a00:20:56
very big responsibility on you, you are00:20:59
already being discussed not from the point of view of a good00:21:02
girl but a star, but show00:21:04
this every time under this oppression there it00:21:06
looks like on stage it must always00:21:07
correspond no matter how you00:21:09
feel, God forbid you cancel it all00:21:11
sick the operation on the ligaments was immediately buried there00:21:16
and they look at you stupid, you need to00:21:20
be prepared for this, these are such nerves and00:21:24
very strong you need to have00:21:25
regarding the broadcast, we are all very00:21:29
grateful that something is very good, the00:21:30
audience in Moscow in general in all cities of00:21:34
the world are very grateful this start of00:21:36
business, both theaters would really not00:21:40
support this, but now they had such00:21:42
a scandal that they wanted to00:21:45
bargain there for a very long time00:21:46
with the trade unions, it was under threat, in principle, the00:21:50
season on it wanted not to open, but00:21:53
now they somehow agreed there that00:21:56
they agreed so here is one of the00:21:59
points of the negative points against eating00:22:02
it would be just these in the broadcast00:22:04
they say that oh the broadcast takes the audience away00:22:09
from the theater that is, they just go for 1000:22:11
dollars to the cinema they are in they are the00:22:15
metropolitan himself well there it is also a jump of00:22:18
course of course but and doesn’t show in00:22:21
New York that, in principle, in the00:22:25
surrounding area, too, I wouldn’t show in00:22:27
Jesus’ place the manager’s life, I00:22:29
saw it’s difficult Angeles, put on a scarf for me to00:22:32
fly to New York, it’s far away, but00:22:34
you see, before there was such a thing, fly00:22:36
far away, he’s good, we’ll buy00:22:38
some extra time we’ll find it before we fly, but00:22:41
now there’s no such thing because there’s a00:22:43
broadcast, it’s so ambiguous, and more simply,00:22:45
astrantia blooms, everything doesn’t matter what00:22:49
quality, but everyone should have00:22:50
a broadcast, of course,00:22:52
and that’s good, that’s good, but that’s00:22:56
the only thing, of course, for us,00:22:57
for singers, for performers, it00:22:59
imposes again such a burden on you00:23:02
so that you can’t abstract yourself,00:23:04
you can’t abstract yourself from the cameras,00:23:06
and oh my God, now his left tonsils00:23:09
have appeared in October, ours, some00:23:11
completely unthinkable things that00:23:14
you shouldn’t think about on stage, it’s00:23:16
distracting, it’s scary if it’s stealing from00:23:18
broadcasts I’ve already gotten used to it somehow, but00:23:20
with00:23:21
video broadcasts you become like a tin00:23:24
soldier, that is, you can expect freedom there,00:23:26
so talk to your colleagues and00:23:28
dramatic artists and they’ll explain how to00:23:30
feel about it, but the holes00:23:31
turn out like a movie, they don’t sing,00:23:34
unfortunately they’re not like that specifics you00:23:36
breathe there you need which sides are not00:23:39
shown there in profile it’s better not00:23:41
to show that we breathe it’s all very00:23:43
visible there we have such suits so that they00:23:46
will be all like this and yes and we00:23:50
still need to get used to it we will find we need to still00:23:52
work00:23:54
this is different a completely different art00:23:57
because everything there is of course a microphone you00:23:59
think about how not to spit there because00:24:00
when I know in Italy they are a little00:24:02
lazy00:24:04
they take this microphone from here00:24:06
and usually in France for example they have00:24:09
very good recordings here or broadcast in the00:24:12
USA I take a mental microphone there and00:24:14
hang it up and the acoustic ones are fine, the acoustics00:24:17
and here they don’t take it only if you00:24:19
turned away somewhere and went somewhere you can’t hear it00:24:20
in Italy, but they take everything from00:24:23
this, that is, what can be heard is heard all these00:24:27
according to which you spit because00:24:28
you you work for several thousand00:24:30
people, they are on the microphone and you breathe while the00:24:32
locomotive is with these in no way you can’t fight, you00:24:35
just need to00:24:37
work it out forget because listen,00:24:39
God, I’m trying to say what, but it’s00:24:44
like it’s easier to do it, but it’s not00:24:47
easier, it hasn’t become easier, it’s just take00:24:49
this microphone and write off everything from it00:24:50
all00:24:51
this Russian festival and everyone00:24:53
talked about it every year let's00:24:55
hang up the microphone no it's too late because00:24:58
why00:25:00
Olga thank you very much I immediately00:25:05
promise you that after the group as a result of our00:25:08
conversations00:25:09
if in 2 years we I’ll meet you, I wo00:25:11
n’t throw myself on your neck, I haven’t got into your00:25:15
pike, but at the first00:25:20
opportunity, of course, I’ll gladly gladly wo00:25:22
n’t come up to00:25:24
see with my own eyes your00:25:27
skill and enjoy your talents,00:25:30
we gave you at least to be with pleasure I’ll00:25:32
come with pleasure thank you00:25:34
very much and that iron00:25:38
steel character that you have in which they00:25:40
also say that it feels like it’s00:25:43
great this is great thank you very much00:25:45
thank youDescription:
Ольга Перетятько отвечает на вопросы о творчестве и жизни. — Подписывайтесь на официальный YouTube-канал Ольги Перетятько! @OlgaPeretyatkoOfficial Официальный сайт сопрано Ольги Перетятько: https://www.olgaperetyatko.com/ Instagram: https://www.facebook.com/unsupportedbrowser Facebook: https://www.facebook.com/unsupportedbrowser ВКонтакте, официальное сообщество: https://vk.com/olgaperetyatkosoprano Телеграм-канал Ольги Перетятько «Дыши! Next level» https://t.me/dyshinextlevel Ольга Перетятько: Living the Dream — LiveJournal: https://olgaperetyatko.livejournal.com/
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