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Download "АВАТАР это КИБЕРПАНК?! | смысл АВАТАР | веб-сериал СПГС эпизод 16"

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Table of contents
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Table of contents

0:00
начало выпуска
0:40
реклама
4:02
вступление
4:31
начало разбора
5:44
почему несправедливо критиковать фильм за плагиат
7:23
"Аватар" не о вторжении США в Ирак
9:07
"Аватар" не о проблемах окружающей среды
11:04
почти все фильмы Кэмерона об одном и том же
12:43
причём тут перенаселение
14:20
в чем главный минус технологий
16:23
почему На'ви отказались от технологического прогресса
20:36
киберпанк в декорациях не киберпанка
22:36
конец разбора
Video tags
|

Video tags

аватар
джеймс кэмерон
скрытый смысл
аватар 2
фильм
фильмы
кино
синдром поиска глубинного смысла
спгс
обзор фильма
смысл фильма
кинокритика
оскар
эпизоды
треш обзор
треш обзор фильма
киберпанк 2077
фильм аватар
avatar
киберпанк
avatar 2
разбор фильма
аватар 2 трейлер
фильмы 2020
Subtitles
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Subtitles

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  • ruRussian
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00:00:18
Sasha go to bed
00:00:20
take Seryoga and quickly to the bedroom it’s already 11
00:00:24
pm it’s
00:00:25
time for us to fall asleep, too, it’s time to sleep seriously
00:00:28
recession together in the bedroom
00:00:34
he went to bed mom said it’s time to eat a
00:00:40
common expression the script is not written,
00:00:42
rewritten,
00:00:43
it means that the production of a
00:00:46
feature-length film script takes place in
00:00:47
several stages, only the first of which
00:00:49
this is, in fact, the pouring of your
00:00:52
thoughts and ideas onto paper, and all
00:00:54
subsequent ones are a thorough polishing of
00:00:58
the material obtained as a result of pure creativity; in a fit of
00:01:00
inspiration, you dashed off 180 pages of the future one
00:01:03
and a half hour film, despite the fact that one
00:01:05
page should be equal to 1 minute of
00:01:06
tap time and then you sit and
00:01:08
you check whether what you
00:01:09
came up with works, whether the potential viewer will understand the
00:01:11
idea that you wanted to put into your
00:01:13
story, if at first you
00:01:15
can still shoot off the extra ones
00:01:17
yourself, at some stage this
00:01:19
becomes impossible, at least because of
00:01:21
your involvement as the author, you are
00:01:23
simply sorry will throw out this or that
00:01:25
dialogue or an entire scene even
00:01:26
if they are really not needed for
00:01:29
the story; in this case, you
00:01:30
involve a professional in the work; it is
00:01:32
best to contact someone who
00:01:35
is not related to the film or even
00:01:38
perhaps does not know you to
00:01:39
avoid this option that the script
00:01:42
will be approved or blocked not for
00:01:45
professional reasons, but for example
00:01:47
because of a good attitude towards you or the
00:01:49
desire to start filming as quickly as possible,
00:01:51
and also if the resource allows you to better not
00:01:54
contact another screenwriter, as if
00:01:57
therefore the script sticks did not resist
00:01:58
there is such a thing as professional
00:02:01
jealousy few even though they argue with
00:02:04
it they dig just to
00:02:05
get to the bottom of it you need
00:02:07
to show your script to the editor
00:02:09
yes he doesn’t always read the script to the end
00:02:12
but he knows exactly what details
00:02:14
to pay special attention to
00:02:15
because their presence or absence determines
00:02:18
whether the story works correctly, this
00:02:21
technique came into the stack scenario and into the
00:02:23
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00:02:25
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00:02:27
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00:02:28
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00:02:30
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00:02:32
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00:02:34
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00:02:35
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00:02:36
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00:02:38
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00:02:40
separate area of ​​software engineering;
00:02:41
today, not a single product enters the field, be
00:02:44
it an online
00:02:45
computer game or a mobile
00:02:46
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00:02:48
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00:02:50
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00:02:52
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00:02:54
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00:03:11
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00:03:12
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00:03:58
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00:04:03
[music]
00:04:04
shelving, we need it, it’s too late, what do you
00:04:10
want me I’ll tell you a fairy tale,
00:04:13
let me tell you a fairy tale about the big
00:04:16
blue people who lived on the distant
00:04:18
planet Pandora and about the stupid white people
00:04:20
who misunderstood this film,
00:04:23
look, it means that a long time ago, a
00:04:27
disabled uncle without a leg
00:04:28
lost his twin brother, only a
00:04:31
blind man could not have noticed that the plot of the avatar is
00:04:33
soft speaking, it resembles the canonical
00:04:34
story about Pocahontas,
00:04:35
if in short, in 1607, the British
00:04:42
caught John Smith, one of the founders of the British colony of Jamestown on the territory of modern Virginia,
00:04:44
and were about to pierce his skull, but at the
00:04:46
last moment he was saved from death by the
00:04:47
12-year-old daughter of the leader of a local tribe, the
00:04:49
girl named Smith their chosen one
00:04:51
and that same evening they and each other, well,
00:04:53
you understand, with the help of Pocahontas, John Smith
00:04:56
began to learn about the culture of the aborigines and
00:04:57
this in turn contributed to
00:04:59
more or less establishing relations between the
00:05:00
colonists and the Indians, although soon
00:05:02
John Smith set sail for Europe, which the
00:05:04
colonists took advantage of
00:05:06
Pocahontas prisoners demanded a huge ransom from her father
00:05:08
without waiting for the
00:05:09
return of her beloved Pocahontas
00:05:11
to stop the conflict that flared up with renewed
00:05:13
vigor after her abduction
00:05:15
marries another colonist John Rolfe
00:05:17
with whom she goes to England where she
00:05:18
becomes a real socialite
00:05:20
it seems, well, in fact, yes, but
00:05:22
in the end avatar its main character Jake
00:05:24
Sully remains with his beloved,
00:05:26
abandoning not only his historical
00:05:28
homeland but also his own nature and in the
00:05:30
real story of Pocahontas, not in the
00:05:33
Walt Disney cartoon based on her, not in the little-known
00:05:35
Terrence Malick masterpiece film in the new
00:05:37
world, there is no such happy ending
00:05:39
at first glance this is a completely
00:05:41
unimportant detail, but in fact it
00:05:43
changes a lot when criticizing avatar for plagiarism,
00:05:45
let's take into account three points
00:05:47
the first James Cameron is a living classic of
00:05:49
cinema on his account the first two
00:05:51
terms tarot aliens abyss titanic besides
00:05:53
the fact that each of these films is well for
00:05:55
with the exception of the first terminator, it won an
00:05:57
Oscar in the category for best
00:05:58
visual effects, that is, a person
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develops cinema primarily as an
00:06:01
attraction, but they are all simple and
00:06:04
universal stories wrapped in a
00:06:05
complex, technically advanced package,
00:06:07
take the same Titanic, unless before this
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film in any other work
00:06:11
featured the same love
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triangle - a rich man with his not-
00:06:14
satisfied fiancée and a poor guy
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in whom this fiancée
00:06:17
is, and in many places, but this does not mean
00:06:19
that the camera stole the plot of the titanic of a
00:06:20
particular work; the
00:06:21
second moment is that Robert McKim has a
00:06:24
million-dollar story; that of John
00:06:25
pipe in the anatomy of history, you can
00:06:27
read that structural diversity
00:06:28
is a very poor thing, roughly speaking, there is a
00:06:30
limited number of plot matrix,
00:06:32
most of the stories that seem fresh from a
00:06:34
structural point of view
00:06:35
are only modifications of already
00:06:37
existing schemes, and third, almost everyone
00:06:39
noticed that the avatar is similar to Pocahontas,
00:06:41
but very few people know about the fact that
00:06:43
Tarantino's Mad Dogs, bullet for bullet,
00:06:44
copies the Hong Kong action movie City on Fire of
00:06:46
1987, although Tarantino himself does not
00:06:49
hide this; the essence is that the director took an
00:06:51
already existing plot, repeated it in
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his film,
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but imbued it with relatively fresh ideas,
00:06:55
giving the work a new meaning; this is how
00:06:57
postmodernism works, people in
00:06:59
features the author and artist strives
00:07:01
not to understand the world but to interpret it
00:07:03
in this way and in all
00:07:05
his films Tarantino is engaged in rethinking already
00:07:06
existing elements of culture.
00:07:08
Cameron in Avatar does the same, but it was not for nothing that he took the
00:07:10
structure of the
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story of Pocahontas as a basis,
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he found in it the foundations for his
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own statement that did not
00:07:16
work would be so effective apart from
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the story about Pocahontas, all that
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remains is to figure out what
00:07:21
this statement is about, many noticed in the avatar of
00:07:23
allusions to the action of the US government in
00:07:25
relation to different regimes in the Middle
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East and not only that and the
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improvised American flag behind
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the back in Jake’s speech and phrases
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I was a soldier and dreamed of bringing peace to people,
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sooner or later
00:07:39
water will wake up and the comparison of the natural
00:07:41
fossil on Pandora with oil and the
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actual reference to the colonization of the
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American continent is quite
00:07:46
obvious that the appearance of the inhabitants of Pandora is
00:07:48
not just based on the
00:07:50
stereotypical image of the Indians, this is a direct
00:07:52
hint that it was like then in the 17th century,
00:07:54
Europeans brought down all their powerful
00:07:56
aborigines primarily for the sake of gold,
00:07:58
and today in the twenty-first century they are
00:08:00
doing the same thing elsewhere in the world
00:08:02
for the sake of oil, but the
00:08:04
fact that avatars were released simultaneously
00:08:06
with the storm lord is one of the the main
00:08:08
American films about the war in Iraq,
00:08:10
authored by his ex-wife, camera on Catherine
00:08:12
Bigelow, in fact, he won the Avatar
00:08:14
Oscar race; all this
00:08:15
together makes us think
00:08:17
that both tarots are criticism of the camera on
00:08:19
US foreign policy, which,
00:08:20
despite numerous changes in course,
00:08:22
in fact has been changing for hundreds of years and is
00:08:24
unlikely to change in the twenty-third
00:08:25
century when the Americans attack the selection of
00:08:27
NATO radio Neumann, at least for the
00:08:29
reason that as a nation, Americans are the
00:08:31
descendants of Europeans, the leadership of lice have a
00:08:32
similar policy towards the
00:08:34
Indians, despite the fact that all these
00:08:36
references and Easter eggs and really take
00:08:38
place in the film, it is unlikely that the cameras would have spent
00:08:40
so much time,
00:08:42
money and effort on such a statement, he wanted his film to
00:08:44
go down in history because
00:08:46
he paid so much attention to the technical side of the
00:08:48
issue, the avatar should have had a
00:08:50
reason to enter this very history as before
00:08:52
it was made by the first sound film, the first
00:08:54
color film, and so on, the statement
00:08:56
that makes the camera an innovator must
00:08:58
be more global than banal criticism of the
00:09:00
government of one’s own country, it
00:09:02
should be forever and therefore not a canning
00:09:04
tour, why is it then that some of the viewers and
00:09:07
critics paid attention to the
00:09:09
film’s reflection of problems The environment
00:09:12
was also mentioned by the Pulitzer Prize winner, the
00:09:13
outstanding American film critic
00:09:15
Roger Ibert, and reviewed in the New York
00:09:17
Times by Jim Hoberman and Polina Gribovskaya
00:09:19
from Interfax. Confirmation of this
00:09:21
already popular opinion can be found in the
00:09:23
Australian cartoon of 1992
00:09:25
Fern Valley, the plot of which is also strongly
00:09:27
reminiscent of what is happening in atari, in
00:09:29
particular, the cartoon is about the
00:09:31
harm deforestation has on all of humanity,
00:09:33
because in its plot, an
00:09:36
evil spirit is imprisoned in one of the trees cut down by bulldozers,
00:09:38
capable of destroying everything around us, we can
00:09:40
hear notes of this philosophy in
00:09:42
Jake’s monologue at the sacred tree and there
00:09:44
you play with you
00:09:46
look into her memory and you will see ours there
00:09:52
is no greenery there
00:09:55
they killed their mother and here to do the
00:09:59
same but as in the story of Pocahontas
00:10:01
the main character of the valley of ferns
00:10:03
part because this turns out to be
00:10:05
the only way to protect Lesotho from
00:10:07
further deforestation without sending the
00:10:09
man who loved cephei back to his world the goal is
00:10:11
to convey to other people the true
00:10:12
meaning of everything that happened, the main characters
00:10:14
question the usefulness of everything they
00:10:16
have achieved, and in the avatar I repeat
00:10:18
the ending, happy Jake, having betrayed his own,
00:10:20
remains with his beloved, this means that
00:10:23
if he flies away from Pandora or, for example,
00:10:25
the camera dies, but it will not be possible to correctly
00:10:27
convey his message to the viewer thought, therefore,
00:10:29
those who say that Avatar is a
00:10:31
film about protecting the environment are wrong, as are
00:10:34
those who actually say that this is a
00:10:35
film that criticizes the American
00:10:38
government, which is constantly invading
00:10:40
different countries, such as Iraq and Iran or
00:10:42
Afghanistan,
00:10:43
but to understand what Avatar is about, it’s
00:10:45
necessary here analyze not
00:10:47
separately from other films of James
00:10:50
Cameron within the framework of his entire filmography,
00:10:53
then a deeper meaning appears are you
00:10:57
not going to sleep yet, maybe I'm alive,
00:11:01
okay, listen further to the tale James
00:11:04
Cameron is a very consistent director if you
00:11:06
exclude Piranha 2 from his filmography,
00:11:08
his directorial debut
00:11:10
and the true lie that he shot in
00:11:12
ninety-four to relax
00:11:13
in front of the Titanic, you can discover that all
00:11:15
his films are shot on the same topic in the
00:11:18
dilogy about the Terminator, the company Cyber
00:11:20
Dayan Systems, commissioned by the
00:11:21
US Department of Defense, creates a skynet
00:11:23
supercomputer endowed with artificial
00:11:24
intelligence to manage the
00:11:26
missile defense system of nuclear
00:11:28
weapons forces USA
00:11:29
it was this computer that started a war of
00:11:31
machines against people in foreign corporations in
00:11:33
l and you to not at the cost of the life of an entire
00:11:35
human colony and then from a number of
00:11:37
military personnel aimed at saving it
00:11:39
plans to capture an
00:11:40
individual of xenomorphs to create with its
00:11:42
help a biological weapon in the abyss of a
00:11:44
confrontation between nuclear powers the
00:11:46
alien race has reached its apogee in the form of
00:11:49
humanity exterminating itself
00:11:51
causing a global natural cataclysm
00:11:52
capable of destroying most of it
00:11:55
in order to prevent further
00:11:56
militarization in the Titanic one and a half thousand passengers of the
00:11:59
giraffe liner became victims of
00:12:00
rash actions of representatives of the
00:12:02
paid starline company, which built the
00:12:04
largest passenger ship in the world at that time
00:12:06
but did not pay due attention
00:12:08
to its design features, who
00:12:09
sent it sailing in violation of
00:12:12
current forms of safety on the water and
00:12:13
tried to set a speed record,
00:12:15
relying on the experience of the captain, the dexterity of the
00:12:17
crews, the technical characteristics of
00:12:19
the liner and an incompletely reliable
00:12:20
weather forecast, that is, the story of each of the
00:12:23
mentioned tapes is spinning one way or another
00:12:25
around the development of technology James Cameron is the
00:12:27
main driver of Hollywood in
00:12:29
regards to the development of technology, none of the
00:12:31
above films were made
00:12:33
without the use of an invented and
00:12:35
patented camera technology
00:12:36
that did not exist before it, but at the
00:12:39
same time from the film the film James Cameron
00:12:41
criticizes the process of technology development and
00:12:43
now attention avatar the film opens with
00:12:45
shots of the city of the future in which
00:12:47
Jake Sully lives, the concept is reminiscent of the introduction of
00:12:49
Ridley Scott from Blade Runner or
00:12:51
Mommy Gun from Ghost in the Shell and both of
00:12:54
these works are what is right
00:12:56
cyberpunk cyberpunk is a genre of science
00:12:58
fiction reflecting the decline of
00:12:59
human culture against the backdrop of
00:13:01
technological progress in the
00:13:02
computer era at
00:13:03
the end of the frame the camera rises high
00:13:05
above the crowd and we see one of the main
00:13:06
problems of the future overpopulation,
00:13:08
analyzing what is further said in the
00:13:10
film, I am trying to understand the deep connection
00:13:13
between the forest and the
00:13:15
clan, she says the flows of energy
00:13:19
that permeate everything around, the energy
00:13:23
is given for a while and one day it will have to
00:13:26
to return it, you can make a reasonable
00:13:28
assumption that it is the development of
00:13:29
technology that is the cause of
00:13:30
overpopulation, why are technologies needed at all?
00:13:32
any technology carries,
00:13:34
among other things, one of the most important
00:13:36
functions of simplifying a person’s life,
00:13:38
improving the level of his comfort; technologies
00:13:41
either help us make less
00:13:43
effort to achieve certain goals
00:13:44
or equalize our chances of survival
00:13:46
in this world compared to the period of their
00:13:48
absence in the wild there are no problems of
00:13:50
overpopulation, it’s all about the
00:13:52
natural cycle of life, nature
00:13:54
itself controls, so to
00:13:55
speak, the average permissible
00:13:57
size of a particular population so as
00:13:59
not to be burdened with both
00:14:01
existence and not to be interrupted at the same time the course of
00:14:02
evolution is
00:14:03
strong, devouring the weak, man,
00:14:06
endowing himself with technology, goes against
00:14:08
this principle and takes power over the
00:14:10
control of the size of his population into
00:14:12
his own hands; technologies help save
00:14:14
the lives of weak individuals blocking the development of
00:14:16
evolution, which in the wild
00:14:17
would be impossible, hence overpopulation,
00:14:20
while there are two ways to equalize the chances of the
00:14:22
strong with the weak the first is depriving the
00:14:24
strong of his advantage pay
00:14:26
attention to the fight in the bar that
00:14:28
Jake starts the first thing he does
00:14:29
is pull out a chair from under the bully so that he
00:14:32
ends up on the floor in a lying position in
00:14:34
this perspective his chances of winning the
00:14:35
fights become an equal chance Jacob 2
00:14:38
this is an endowment the weak have the advantages of
00:14:40
the strong, look at what the
00:14:42
exoskeletons are,
00:14:43
with the help of which the earth does not fight
00:14:45
against navi, the main thing is that they
00:14:47
increase the size of the fighter, making him the
00:14:49
same as an aborigine of the cameras, he points to
00:14:51
this scene in which Jake,
00:14:53
having only found himself in the body of the avatar, leaves the
00:14:54
laboratory and almost collides with such an
00:14:56
exoskeleton, the avatar itself is also a
00:14:59
technology, an improved analogue of the exoskeleton,
00:15:01
putting on his jake acquires not only
00:15:03
the size of the enemy, but also his agility,
00:15:05
speed, moreover, he gets a chance to
00:15:07
ingratiate himself with the enemy, which gives
00:15:09
him an undeniable advantage over him and,
00:15:11
like any technology, is aimed at
00:15:13
improving quality in the life of the one who uses it,
00:15:15
it carries within itself one negative
00:15:17
charge; having mastered it and then having lost it,
00:15:19
a person becomes much weaker than
00:15:21
he was before he possessed it. The presence of
00:15:23
technology dulls in a person the
00:15:25
feeling of the need to be
00:15:26
with us, since technology gives him the strength to
00:15:29
listen to him
00:15:30
in low gravity. the muscles are to hell and
00:15:34
he’s like a plate and Pandora has a short conversation with rags
00:15:41
and now look at what
00:15:43
Jake has turned into while using
00:15:44
the avatar and the weight you lose that other body and
00:15:49
you need to take care of this Jack carefully
00:15:53
take care of the technology that makes him
00:15:54
feel strong but forgets
00:15:56
to do the same in relation to his
00:15:58
now unnecessary arms and legs, for which
00:16:01
technology literally disappears every day, the
00:16:02
weak point of earthlings and navi know about this,
00:16:05
they take advantage of this final battle
00:16:07
by luring people with their weapons to
00:16:09
where part of the technology simply
00:16:11
ceases work we know these mountains we
00:16:14
fly here you fly
00:16:16
they don’t their instruments don’t work here
00:16:19
rockets don’t work Of course you can
00:16:23
try to object to this thesis
00:16:24
by citing the fact that the Navi themselves
00:16:26
use various gadgets such as
00:16:28
bows and arrows to equalize their chances
00:16:30
in relation to wild animals on Pandora
00:16:32
but look, for example, at how the
00:16:34
screen is tamed, this is a one-on-
00:16:36
one fight on equal terms, from
00:16:38
Jake's additional means there is only something like a
00:16:40
navi sling, they avoid using technology
00:16:43
as much as possible, we
00:16:45
could try to give them medicine
00:16:48
education on the road achoo, they love
00:16:52
dirt and this position has a logic,
00:16:54
pay attention, find
00:16:56
wanted to kill Jake at their first
00:16:57
meeting, but didn’t do it
00:16:59
because she received the sign at a and b
00:17:01
grace scientist, she’s trying to figure out
00:17:03
how he works, he treats her not
00:17:06
as a deity, but as a natural
00:17:07
analogous to the Internet, this is a
00:17:11
global network, which everyone newer has
00:17:13
access to, but for na’vi it ​​doesn’t matter
00:17:15
how it’s structured, because they don’t go into these
00:17:18
details, since ignorance of what
00:17:20
it is technically doesn’t
00:17:22
prevent them from living from floating mountains,
00:17:24
so what’s the
00:17:27
cross? some kind of magnetic levitation did not explain
00:17:31
because it powers a
00:17:33
superconductor or something like that,
00:17:35
in short, I don’t understand anything about it, the fact that
00:17:38
Jake doesn’t understand how
00:17:40
floating mountains hold up and prevents him from deftly
00:17:43
climbing them, and that’s the whole
00:17:44
philosophy in appearance What makes them strong is the
00:17:47
connection with the planet on which they live;
00:17:48
animals helped them defeat people; they do
00:17:51
not try to find out how this
00:17:53
connection works; replacing knowledge with faith and science with
00:17:55
spirituality; if you know how the
00:17:57
process works technically, the temptation appears to
00:18:00
control it, and attempts to control
00:18:01
nature lead to a break in what is naturally
00:18:03
established in it. connections on
00:18:05
unconsciously deprive themselves of the opportunity to
00:18:07
evolve in terms of
00:18:08
technology so as not to deprive themselves of the strength
00:18:11
that is given to them by nature; bones are
00:18:13
strengthened with natural carbon
00:18:15
fiber; they are very difficult to kill; a person is
00:18:19
built differently; he develops technologies
00:18:21
so as not to be dependent on nature, without
00:18:23
noticing that he is becoming
00:18:25
dependent from technology the na'vi don't
00:18:27
understand this and think it's madness,
00:18:28
just listen to what your mother says, find
00:18:30
ri when you meet Jake, learn the
00:18:34
Sunnah well and we'll see if your madness can be cured,
00:18:40
what if that's not what she means, Jake
00:18:43
went to Pandora for money, his
00:18:44
goal is to cure his legs Of course, if you have
00:18:48
money, I’ll cure your back, it’s not a problem to say that with
00:18:50
this promise to return their legs,
00:18:52
Jake is bribed and uses him as a
00:18:54
scout. My son, I don’t abandon my own,
00:18:57
do what I say, and when you return
00:19:00
home you’ll be able to walk on your own
00:19:04
legs again. Jake’s entire film indicates that
00:19:06
this is an avatar only a spacesuit in which
00:19:08
he spends time among the Na'vi and the
00:19:09
real Jay who is lying in the block is
00:19:11
sitting in a wheelchair to accept this
00:19:13
Jack is very hard everything has changed it seems
00:19:18
that the real world is there and this is all a bad
00:19:20
dream
00:19:21
meanwhile find or indicate to him
00:19:23
that a person is not a body but a soul you
00:19:25
sat on foxes there is no fear so when
00:19:32
navi confess their love to each other they
00:19:34
say I see you they I love you
00:19:36
this means that they can look
00:19:38
deeper right into the soul to find does Jake know that a
00:19:40
person's avatar is his exoskeleton but
00:19:42
she fell in love with Jake’s soul,
00:19:44
this forms the crisis of the main character, he
00:19:46
can get his human legs but
00:19:48
lose love or stay with his beloved
00:19:50
by abandoning human nature and
00:19:53
also helps him make a choice once he
00:19:54
finds a carved one about what a
00:19:56
jeep is technically will pour on
00:19:58
this and chooses him means he shouldn’t
00:20:00
bother with the technical side of
00:20:02
the question who he is, a man Kalinova, it doesn’t
00:20:04
matter that his soul remains pure and
00:20:07
this can only be done by breaking away
00:20:09
from technology Jake doesn’t know how the
00:20:11
relocation of the soul from body to body works,
00:20:12
but he believes that it is possible and
00:20:14
therefore he takes this step, by the way, not because there
00:20:16
is no other way out, he may well
00:20:18
continue to live, so to speak, a double
00:20:20
life after the death of Kvari tea, not
00:20:21
the expulsion of the colonists, this is
00:20:23
no longer threatened by avatar, a film about the fact that
00:20:25
technology provides our comfort and
00:20:27
equalizes our chances in relation to to each
00:20:29
other, other species or nature make
00:20:31
us disabled because they deprive us of
00:20:33
the need to be strong in their
00:20:34
absence,
00:20:35
very conditionally, but this is cyberpunk in
00:20:37
the scenery of cyberpunk, even the conflict
00:20:39
that torments the main character from the inside is the
00:20:41
same as in Blade Runner and
00:20:43
Ghosts in the Shell, am I a person or not
00:20:45
this question can only be answered by
00:20:47
correctly answering the question what is a
00:20:49
person, but more on that another time, but for now
00:20:51
all of James Cameron’s work
00:20:53
is devoted to one topic: the danger to
00:20:55
humanity as a biological species,
00:20:57
the development of technology, he is skeptical
00:20:58
about scientists, making them
00:21:01
antagonists of stories, as was the case in
00:21:02
strangers are the cause of the disaster, as in the
00:21:04
Terminator,
00:21:05
even in Avatar, he throws an unambiguous stone into their garden,
00:21:06
in general, now
00:21:11
I’m like
00:21:16
scientists, because if you think about it, some scientists
00:21:19
on Pandora, some project Avatar, none
00:21:21
of what was shown in the film
00:21:22
would have happened without their man in the camp
00:21:24
the enemy quo rich could not destroy the
00:21:26
village of navi
00:21:27
and his garrison would suffer colossal
00:21:29
losses, this is the eternally relevant statement
00:21:31
that James Cameron made in the film
00:21:33
Avatar the crown of his film career, trying to
00:21:36
understand how our
00:21:37
planet works, science allows a person to
00:21:39
break away from his nature, kills
00:21:41
what is commonly called spirituality, and this will
00:21:44
exponentially lead to the fact that a
00:21:45
person will lose his natural strength and
00:21:47
will be as close as possible to his
00:21:49
destruction as a species, and the main thing
00:21:51
to understand here is that we are not talking about the fact that science is
00:21:53
evil, we are talking about the desire to know
00:21:56
how the world around us works and to adjust it
00:21:57
thanks to this knowledge for themselves is
00:21:59
unnatural
00:22:00
in appearance they know about this person no it is
00:22:03
very difficult for a person to accept this and
00:22:05
refuse it since his entire
00:22:07
existence is already built around
00:22:09
technology they have not tried to teach heavenly
00:22:12
people it is difficult to fill the thicket which is
00:22:15
half
00:22:16
if you want the conclusion that Cameron makes
00:22:18
in the avatar is radically opposite
00:22:20
to the one who does a lot in
00:22:22
interstellar, if there the only thing that can
00:22:24
save a person is science, then here
00:22:26
the only thing that can save
00:22:27
humanity is the rejection of science in favor of
00:22:30
spirituality and life according to the laws of nature
00:22:32
without knowledge of how and why they are
00:22:34
structured
00:22:36
in the late simply

Description:

Зарегистрироваться на интенсив «Тестирование ПО» в GeekBrains: https://gb.ru/courses/1208 АРХИВ Несмотря на то, что большинство этого не замечает, "Аватар" (2009) Джеймса Кэмерона с Сэмом Уортингтоном и Зои Салдана в главных ролях - одно из самых главных кинопроизведений постмодерна. Своим трёхчасовым техническим шедевром режиссёр делает громкое высказывание о том, куда развитие технического прогресса может привести человечество, и его прогноз неутешителен. Вот, о чём фильм, десять лет остававшийся самым кассовым в истории кино, и вот, почему следует осторожнее высказываться о сюжетных заимствованиях в нём. 00:00 начало выпуска 00:40 реклама 04:02 вступление 04:31 начало разбора 05:44 почему несправедливо критиковать фильм за плагиат 07:23 "Аватар" не о вторжении США в Ирак 09:07 "Аватар" не о проблемах окружающей среды 11:04 почти все фильмы Кэмерона об одном и том же 12:43 причём тут перенаселение 14:20 в чем главный минус технологий 16:23 почему На'ви отказались от технологического прогресса 20:36 киберпанк в декорациях не киберпанка 22:36 конец разбора СПГС - новый проект от создателей веб-сериала "Меня зовут Ally". Мы попробовали объединить форматы веб-сериала и кинообзора. В центре истории сценарист-неудачник, которому нормально жить мешают его знания о кинематографе и желание козырнуть ими. Каждый эпизод посвящён разбору одного культового фильма, истинный смысл которого большинство людей, как нам кажется, понимают неправильно. Наше сообщество vkontakte - https://vk.com/sosmall Наш Instagram - https://www.facebook.com/unsupportedbrowser

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