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Video tags
Subtitles
Russian
00:00:02
yes Vinci 16 was in a wonderful program00:00:04
in all its manifestations,00:00:06
but the 17th version also claims to be00:00:08
called00:00:09
ideal because the blackmagic00:00:11
design company also researches its own and00:00:14
system vector and does everything00:00:15
possible to ensure that you did not00:00:17
leave the confines of their software, that is, they00:00:20
only used da Vinci to draw and did00:00:22
not use additional00:00:23
plug-ins00:00:24
or secondary programs to00:00:26
create effects or to process00:00:27
sound, and you probably won’t00:00:29
ask me Zhenya what you made because both00:00:32
by the name and by the cover and by the00:00:34
timing of it from the video it is already clear00:00:37
that today you and I will learn how00:00:39
to work you da Vinci resort 17 from scratch we will00:00:42
create a project we will set it up we will00:00:45
create a timeline and set it up we will00:00:47
set up the program itself so that it00:00:48
works correctly and saves all the files00:00:51
in the right places and of course we00:00:52
will figure it out masonry that exist in the00:00:54
program, we will analyze their interface, what00:00:56
they are capable of, and of course,00:00:58
we will place the main emphasis on editing, namely00:01:00
how to quickly insert files into the timeline,00:01:02
how to trim them correctly, we will study all the00:01:04
hacks and those that you need that you are00:01:06
accustomed to, let’s say00:01:07
the premiere, then we will move on to00:01:09
let's look at the effects that Da Vinci has, how to00:01:11
use them correctly, how to animate the00:01:12
parameters, flock the frames and download it, and00:01:14
that's all, then we'll move on to working with00:01:16
sound in the fairlight tab, let's see00:01:18
all these mixers00:01:19
where the effects are located, how to set up00:01:21
equalizer compression, then I'll reward Da00:01:24
Vinci like this so that it lags for me as00:01:26
if I were having a premiere and I will show you00:01:28
several ways to optimize your00:01:30
work, all sorts of proxies and caches,00:01:33
media optimality and so on,00:01:34
thanks to which your work will be00:01:36
much more comfortable and in the 17th version of Da00:01:38
Vinci there are so many of these methods that00:01:40
you simply don’t know which one to choose,00:01:42
but of course I will show how they all00:01:44
work and which one will be preferable to00:01:46
choose in a given situation, and in the00:01:49
end we will go to the delivery tab, there00:01:51
we will render our video, I will show00:01:53
all the export settings that may be00:01:55
needed and we will finish with this one00:01:57
today is the plan and the last but a lyrical00:01:59
digression guys such great00:02:01
tutorials on YouTube go well, to put it mildly,00:02:03
not very much in the era, especially00:02:06
on paper, every challenge is, you know,00:02:08
simple and all that,00:02:10
so now it’s really very important for me00:02:12
that you help this video because00:02:14
no one else but you00:02:15
can’t do this, so give00:02:18
a like, write a few good words in00:02:20
the comments, you can share this00:02:22
video with a friend who has been00:02:23
complaining to you for two years now, and what00:02:25
the prime minister offers, so start00:02:27
watching, thank you all very much, and we can00:02:30
start after you installed da00:02:37
Vinci and open it, then you see00:02:39
such a window, but most likely it does00:02:42
n’t appear in this form, but in this one00:02:44
with the road accident section ZIS, what is it and why is00:02:47
it needed, well, roughly speaking, let Vinci go ahead and00:02:49
independently collect all your00:02:51
project files in one place in unlike the00:02:54
same premiere in which these files are stored00:02:56
where you tell them, so you00:02:58
initially create a local accident with which00:03:01
stores your projects, it will be00:03:02
in the root folder, which is created00:03:05
along with the installation of the program, what could00:03:07
be the problem, the problem could be00:03:08
if your system crashes and then you00:03:11
will lose all your project files and00:03:13
information about the stages,00:03:14
and this is very important, so the first thing you00:03:16
need to do is create a new data00:03:19
base that will be located on your00:03:21
external hard drive,00:03:22
here instead of connect, click create,00:03:24
enter exactly that database in00:03:27
English without spaces click location, the00:03:29
explorer is hidden, select any00:03:31
location on the hard drive,00:03:33
now we can close this window and00:03:34
look at this area,00:03:36
here we have a project and all00:03:38
projects can be sorted into folders00:03:40
and created these folders by default, you00:03:42
will have just one here on the idle00:03:43
project which immediately loads00:03:45
RAM and you can00:03:47
open it by simply double-clicking on it00:03:49
right away, they advise you to make folders with all00:03:51
projects, sort them so that you don’t00:03:53
get lost here, it’s organized conveniently00:03:55
because everything is collected in one place and it00:03:57
immediately opens, arrive the program that is00:03:59
from useful features you can open00:04:01
any project without even opening it, just00:04:03
right-click and look at the list00:04:06
of backups and select the one you need to restore the00:04:08
project from it useful useful again,00:04:11
all this information is stored in the database -00:04:13
so I remind you, let’s store it00:04:15
somewhere on an external drive, it’s00:04:17
also here An interesting option00:04:18
called project switching speaker, you00:04:20
turn it on if you want to work on00:04:23
two or more projects at the same time,00:04:24
that is, if you open a project in00:04:27
Premiere, then they are simply stacked in the00:04:28
window in the program monitor; you also see it there00:04:30
on the timeline, but here you need to00:04:33
activate this function after this you00:04:35
will be able to open00:04:36
two or more nokia projects, we do00:04:38
n’t need this now, we go to this project00:04:40
and it opens its own interface in front of us.00:04:42
The program opens for some reason by00:04:43
default on the cat tab, which00:04:45
is responsible for rough editing, but we00:04:47
will return to it later for00:04:48
filmmakers In this issue, you and I will00:04:50
partially discuss fusion, which00:04:52
is an integral part of Da Vinci’s00:04:54
drawing, and essentially fusion is a00:04:57
program for creating all sorts of cool00:04:58
visual effects. I think that00:05:00
most of you like the visual effect,00:05:02
especially when you see them in00:05:04
some kind of movie like transformers and00:05:06
you think, damn, the guys did this00:05:08
cool, how can I do this and run00:05:10
to YouTube, type in someone real and eat00:05:12
and try to do it all with your own hands00:05:14
and you know freshness and Jane, it is not00:05:16
limited to creating only00:05:17
visual effects, it is much more00:05:19
extensive and multifaceted and therefore If you are at00:05:22
least a little interested in this whole00:05:23
process of creating entire worlds from scratch with the00:05:26
help of a griffin, then be sure to follow the link in00:05:28
the description of this video and download00:05:30
our map of all CJ professions there you00:05:33
will learn a lot of new interesting00:05:34
information and also understand what from all00:05:36
this diversity what’s interesting to you personally00:05:38
there, we explained everything in great detail and00:05:41
illustrated it, so with the help of00:05:43
this profession map you can not00:05:45
only understand what they are like,00:05:47
but you will also know what you need to00:05:49
study for them, how much time, what software,00:05:52
where you can find a suitable job and in00:05:53
general how to develop in this and00:05:55
pump up, and by the way, you probably may have00:05:57
noticed that we very actively and quickly00:06:00
came out of New Year’s holiday hibernation,00:06:02
there is a secret that we are in it and not falling into it like this,00:06:05
Obodovsky came out of it, who00:06:08
this Thursday, January 14 at 15:00 will tell00:06:11
you about the coolest trends in editing in00:06:14
2021, the release will be in fiery growth,00:06:17
so take off on YouTube, we will be00:06:20
waiting for you all there on January 14, 1500 this00:06:23
Thursday, and now let's go further to study00:06:26
Da Vinci and before we start00:06:28
sorting out the tab, let's figure out the settings and00:06:30
settings of the program,00:06:32
the settings open when help00:06:33
keyboard shortcut kontrol b Russian00:06:36
important clarification almost all hotkeys and00:06:39
shortcuts of Da Vinci do not work if you have a00:06:41
Russian layout, now I press00:06:42
nothing happens, so for the most00:06:45
part if you work in Da Vinci and00:06:47
make sure that you have00:06:48
English enabled layout and we00:06:50
find ourselves in the system settings section00:06:52
system and user here, in fact, there is not00:06:54
much that needs to be configured, but these00:06:56
settings are very important and let's go00:06:58
in order, we open the first tab00:06:59
memory entropy00:07:00
and here a very important setting is how much00:07:03
RAM is allocated when00:07:05
using da Vinci00:07:06
specifically, you have a division into00:07:08
allocated RAM00:07:10
for all the rice, catch here Vinci, and00:07:13
separately how much00:07:14
maximum RAM can be allocated for fusion,00:07:17
naturally we set it to maximum, but here00:07:20
you are determined by your vidyaha and they say00:07:21
that let’s use vidyaha so that00:07:24
it helps us with processing00:07:25
images let's move on here is also an00:07:28
important media storage tab,00:07:29
it says da Vinci to store all the00:07:32
main files that appear in a00:07:34
specific place, again it is desirable00:07:35
that it be a hard drive and in my case00:07:38
I did not store almost all da Vinci files in00:07:41
one place called da Vinci files here I have00:07:44
all sorts of stella that00:07:46
I do the principles of correction here I have up to the bass my00:07:48
work and here I have backups of00:07:50
projects we will come back to it, let00:07:52
's go further here you can finish and00:07:54
go to the users tab, skip the first tab00:07:56
and go you against cf and00:07:59
loud and here it is very very important00:08:01
settings first life so if what is it00:08:04
roughly speaking yes Vinci saves00:08:06
your every action if this function is00:08:08
enabled and also at the same time you can00:08:11
make standard backups that00:08:13
are made using auto saves and00:08:15
set the time after which this will be00:08:17
done but in my practice the maximum00:08:19
As far as I could roll back, these are two00:08:21
steps no more, even if the program00:08:24
crashed, and here we also have to00:08:26
indicate where the backups of00:08:28
our projects will be saved and let's agree that00:08:30
our backup files will be stored00:08:32
together with the date base00:08:34
so that everything is in one place, then go00:08:36
to the tab editing and here, by00:08:38
default, the start time code will stand for00:08:40
one hour, that is, here the frame is00:08:42
seconds,00:08:43
minutes and hours, and you will have00:08:45
a question when you edit00:08:46
why my arrival is at the beginning00:08:49
of the timeline, but mine shows that it’s already00:08:51
an hour passed, that’s why we00:08:53
take and put a zero here manually and, in00:08:56
principle, we can finish with the system settings,00:08:59
click safe, we go further and further until00:09:03
we add any files here to the00:09:04
project, we need to configure the project itself,00:09:07
press shift 9 for this, or we can00:09:10
click here this gear in the lower00:09:13
right corner and it throws us right away fu00:09:14
master settings we set the00:09:16
project resolution here leave ok full00:09:19
hd set our frame rate well in our case00:09:22
let it be 25 because we00:09:24
usually work in this frame rate further00:09:26
very important settings00:09:28
optima from media and render cache is already00:09:31
in the category of optimizing our editing,00:09:32
which we will talk to you00:09:34
towards the end; I will briefly tell you what00:09:36
we choose here in what resolution and in00:09:38
what quality with what bitrate00:09:41
our proxy media will be created or the00:09:43
optimality of media I will also00:09:45
tell you about them and go to the render cache and I would00:09:48
recommend setting it to quarter00:09:50
because when we create a proxy we00:09:52
do this because everything is terribly laggy for us, it’s00:09:54
not worth going to one-eighth because00:09:56
everything will crumble into pixels00:09:57
for myself, I found00:09:59
one-fourth of the resolution optimal I would actually leave the format as00:10:01
default00:10:03
because 1x in the evenings is an excellent editing codec00:10:06
and here the difference will be mainly only in00:10:08
the bitrate, let's stop at this for now, we00:10:11
will return to this section when we00:10:13
talk about editing optimization and00:10:14
here is also an important setting where it will be00:10:16
stored our forgive our cache files and00:10:20
galore stylus what is grief stiles these are,00:10:23
roughly speaking, screenshots that00:10:25
contain information about the changes during00:10:28
color correction that we make and go00:10:30
to the color tab00:10:31
what and where of these files should be placed,00:10:33
but let's think logically if we00:10:36
we create a proxy file and even if you have a00:10:37
low resolution, then they00:10:40
weigh a lot in editing codecs when we00:10:42
use a proxy, that is, their friend, it00:10:44
is important for us that the program gets00:10:46
quick access to them and the most logical00:10:48
solution would be to place them on00:10:50
internal preferably ssd drives as00:10:53
for Gola Restil costs JP X format files00:10:56
and they weigh, not to say that it’s a lot,00:10:58
not to say that you will do a lot00:11:00
in your work, so you00:11:02
can place them, for example, in the same place as00:11:04
your date base, where your project backups are,00:11:08
in fact, as I did here it’s already on the ssd00:11:10
optional to have it00:11:12
sorted out, let’s go further in00:11:14
general in general, there is one very00:11:16
important setting that if you00:11:19
throw any files into the installation,00:11:21
you won’t be able to include it00:11:23
called on and from timelinks bin how it00:11:25
works when you create any time00:11:28
line, then you automatically have a00:11:30
separate folder appearing here in the list of all folders00:11:32
in which00:11:34
all time lines are automatically added because it00:11:36
often happens that you00:11:38
created all sorts of00:11:40
time lines while in different folders and they remain there and00:11:42
then you try to find them, they are00:11:45
also named the same and it turns out to be00:11:46
complete [ __ ]. Well, in principle, all this is our00:11:49
minimum set of settings that00:11:51
will allow us to mount normally right away and not worry about00:11:54
what we have and where it is, press safe,00:11:56
go to project settings again and00:11:59
go to the preset folder and now so that we do00:12:02
n’t have to do it all manually every time,00:12:03
we can press cfs not00:12:05
save our pressure, that is, I’ll save00:12:08
another 82 just in case and I can00:12:12
just change one setting here while00:12:15
this project is active for me, put it here 400:12:17
channel because but I mostly00:12:18
edit 4k and here save00:12:21
another same project, and now every00:12:24
time I go into da Vinci00:12:25
to create a new project, I will create00:12:27
from these presets, select and00:12:30
press the forehead button so that it becomes00:12:32
active and I will already know for sure that00:12:34
all my proxies that will00:12:36
create00:12:37
will be in one place, all my00:12:39
walls will be in one place,00:12:40
so once done, set up and00:12:43
forget, but I will upload my project which00:12:45
I have already created a preset before and00:12:47
we will start working now Let's make a quick review of the00:12:49
contribution that exists in the program00:12:51
because it all consists of these00:12:53
tabs, the first media, roughly speaking, is our guide,00:12:56
like on a Windows computer,00:12:58
then we have a tab for TV, which is00:13:00
done quickly, a rough edit for00:13:03
someone with serious editing, but they were punished that the00:13:05
next tab will not fit goes in which there00:13:08
is a main editing, a00:13:09
full-fledged editing with masks and other00:13:11
goodies, then we have a magical00:13:14
fusion about which I will say a few00:13:16
words today, then the color tab, which00:13:18
naturally is what they love Da00:13:21
Vinci forests for, that is, a professional00:13:23
color correction tool that gives00:13:24
you simply unrealistic possibilities for00:13:26
this, next comes fairlight, which is often00:13:28
compared to adobe audio, here are00:13:31
full-fledged tools for working with00:13:33
sound, music processing, voices and other things, and a00:13:36
tab for cooking, a kind of00:13:38
media encoder in which you can also00:13:40
create a task to render files00:13:42
separately as clips and, of course, all sorts of00:13:44
presets and local features that I’m talking about00:13:48
also today I’ll tell you with the introduction, we’re00:13:50
finishing00:13:51
and finally moving on to the first tab00:13:53
called media00:13:56
[music]00:13:59
so let’s look at the interface that00:14:02
we have here, we have an explorer00:14:04
exactly the same as windows, we have a00:14:07
viewing window in which00:14:08
previews of ours will appear files we00:14:10
have a media pool of our project, that is,00:14:13
everything that we throw from here to here will00:14:16
be in the project00:14:17
further, we have metadata that00:14:20
shows us information about the added00:14:21
files, we have meters here00:14:23
that shows us sound levels and00:14:25
so on, how it is more convenient to add files00:14:27
is on in fact, there are several ways I have00:14:29
already prepared a folder with several00:14:30
footage that we will00:14:32
use today, it’s called a test, I00:14:34
’ll take it right here and drag it,00:14:38
the file structure that I00:14:39
created appears, we check this is it and an00:14:44
important clarification while we are looking at the files00:14:46
here they are not in in our project00:14:48
they will appear and if we do this like this,00:14:52
if we drag directly00:14:54
here, the file structure00:14:56
will not be saved and will be dragged directly into the00:14:58
files in the master folder, this is inconvenient,00:15:00
so what can we do?00:15:02
We can take and select all the folders and00:15:06
move them to master, he asks00:15:08
to change the framerate no, no need to change, so00:15:10
I keep my entire file00:15:12
structure that I created in advance, or00:15:14
we can do the same in this folder,00:15:16
I’ll show you how, okay, let’s say I didn’t want to00:15:18
add these files, I wanted to see00:15:20
the contents and I can choose file and here00:15:23
it will be displayed to me about the viewing window, I can00:15:26
move the mouse directly over it and it will00:15:28
disappear. I can also do this here00:15:31
using the standard Jekyll spacebar control keys.00:15:34
Also now when I click on this00:15:36
file, metadata appears, it00:15:37
shows me the codec profile fps00:15:40
resolution and I'm looking for information, let's say00:15:43
about poverty00:15:44
scan from stuffy here there are also00:15:47
specifications about the camera if you are working00:15:50
with material from professional cameras00:15:53
then it will be written here and iso and shutter speed00:15:55
and white balance and type of00:15:58
aperture sensor and other parameters and in the00:16:01
technical tab details you will have00:16:03
information about in which houses with sidelocks00:16:06
you filmed this or what00:16:08
views were used you IL-2 para tab00:16:11
from within the framework of this tutorial, I00:16:13
won’t tell you because I’ve already written a00:16:15
whole issue about it, I’ll leave00:16:17
a link here and Yes, I worked in 16 da00:16:20
Vinci 17 account at that time, but there were no00:16:22
supernatural changes in00:16:25
it, so be sure to00:16:27
go look,00:16:28
study, I can briefly tell you that00:16:30
there are very convenient00:16:33
preview tools, that is, you can do, for00:16:35
example, from all the source codes that you have00:16:37
you have00:16:38
one big sausage in all folders and you can just scroll through it,00:16:40
but also a bunch of a bunch of other00:16:42
interesting fun things, but if you00:16:44
suddenly have too many00:16:45
sources or the00:16:47
timing of your project itself is too large, then00:16:50
due to the peculiarities of scaling00:16:53
the timeline of this tab in some then the00:16:56
moment will become very difficult and00:16:58
it will become very fine00:17:00
rough editing there, you can do it, but00:17:03
still, if you have some kind of large00:17:04
serious project, let’s say more than00:17:07
15 minutes, then it’s better, of course, to do everything00:17:10
completely in the edit tab, which we’ll move on to right now00:17:13
[music ]00:17:18
okay, we're in these tabs, let's00:17:21
start with, I'll probably hide these icons00:17:23
because they bother me, I want to00:17:26
have more space above them, I don't go to the00:17:29
workspace section and click show cause you'll go to00:17:32
remove it, you can navigate00:17:35
through these tabs using the shortcut of00:17:36
shift 200:17:38
this is the media floor shift 3 so from chief 4 this00:17:42
goes and so on down the list 5 fusion 600:17:44
color 7 fairlight in 8g or and00:17:47
69 I remind you of the project settings and so00:17:50
we have here the same folder that00:17:53
was in the media this one the folder next we have00:17:57
you your00:17:58
it can be like one so there can be00:18:01
2 of them then we have the inspector00:18:03
inspector00:18:04
this is analogous to the effect controls tab in00:18:07
the premiere,00:18:08
here you will configure every00:18:10
parameter and by the way, if we open it,00:18:13
then we will have this These are the keys00:18:15
that allow us to make two woofers,00:18:18
that is, one source, as you are probably00:18:20
used to doing 2 programs, but for some reason00:18:22
I find this method for myself to be immediately00:18:24
ineffective and always mount it in one00:18:26
yuri, then we have a mixer, no one here00:18:29
shows a pique, you can adjust the00:18:31
volume of the analog audio track00:18:33
mixer in premiere pro and naturally00:18:36
we have the timeline panel itself and00:18:39
since I already said adding powerful files is00:18:40
actually here,00:18:41
so if I remove everything that I added,00:18:44
I can easily take it and move it00:18:48
right here, I remind you if we00:18:50
transfer it here,00:18:51
then we will not save the folder structure;00:18:54
if we transfer it here, it00:18:57
will be saved according to plan; I’ll00:18:59
add one song, but as you can see00:19:01
in the music tab, I don’t have anything,00:19:04
where will I get the song from, but I did this on00:19:07
purpose I made it to show you00:19:08
one interesting feature that makes me00:19:10
very happy yes Vinci Ki initially00:19:12
you will have this show00:19:15
smart dance these are folders that allow00:19:18
you to search for files by keywords but00:19:20
in practice I don’t really00:19:22
use this but when I use another 2000:19:24
tab view and go down right00:19:27
and see here power bank what is it this is a00:19:31
folder that will be00:19:33
automatically00:19:34
visible to you in every created project and here00:19:37
you can put all your assets for all the00:19:39
nodes that you use on an00:19:40
ongoing basis in one folder some00:19:42
transitions graphic dies and00:19:44
use them everywhere00:19:46
have access to them always not tied to the00:19:48
project and I also have a separate folder under this00:19:50
called Father Da Vinci,00:19:52
here I have all the ground themes and which00:19:54
you probably know from our blog and00:19:57
go from render to00:19:59
premiere plus music that00:20:01
was used in x and all sorts of nice things00:20:04
so I just took it and added it here I00:20:06
can go in and do more take the first00:20:10
song I come across and throw it here and00:20:13
now our song appears here and00:20:16
then we need to create a timeline and00:20:17
option two we go into our footage and00:20:20
we We can either really press the button to00:20:23
create a timeline the first item or00:20:25
drag it directly onto the timeline and somehow in00:20:28
practice the second method is much more popular00:20:30
so to speak, so we add he didn’t even00:20:33
tell us that we need to change something and00:20:35
now we have created a timeline and00:20:37
it was created in the very the top folder that we00:20:39
configured you are the project settings for00:20:41
those who work in the premiere and the same thing00:20:43
as sequences, just here the timeline00:20:45
is called timeline they are sequences00:20:47
let's call the corner settings let's start with the00:20:49
right button00:20:50
click on timeline settings and we00:20:53
will have everything gray here because we have00:20:55
this checkbox is turned on, as soon as we00:20:57
press it, all the settings appear,00:20:59
but again, if you initially set a00:21:02
certain frame rate, then00:21:03
you can’t change it00:21:04
and you can’t change it during export,00:21:06
so it’s very important to know in which frame00:21:08
your project will be in, so let’s00:21:10
throw in a song, I’ll00:21:11
throw in the same mouse and let's see how00:21:15
our timeline can be displayed, it's00:21:17
important for us to see this button, let's look at00:21:19
what's here in order, if we00:21:21
click on this button, then we00:21:22
have several optimal ones, that is,00:21:25
here we have another one, for example, from this clip,00:21:29
then from it I have 200:21:31
I have it I can both close and open again and00:21:33
then move between00:21:35
them and so on software and here rex00:21:37
if you start with the right button and00:21:39
add those00:21:40
therefore the track and the subtitles are added here exactly like that,00:21:42
then it will be hidden or00:21:44
appear further, our button displays00:21:46
for showing00:21:48
or not wi form, our audio00:21:50
track will look like this if we00:21:52
turn off the display, then there is an interesting00:21:54
option that shows us in what form we00:21:57
need to show the video series on the timeline,00:21:59
either it will be relevant pictures at the beginning and at00:22:01
the end, or it will be a permanent00:22:05
film strip, that is, we will see directly00:22:07
on the timeline what kind of movement happens in00:22:09
this part is convenient, but when you have a long00:22:11
timeline and you start scrolling these00:22:13
thumbnails, they are loaded and this00:22:15
loads the system very much, so00:22:17
the best option would be this one,00:22:20
or if you have a very thick00:22:22
timeline with a bunch of tracks, then this is yours00:22:25
option 3 but for me the more optimal mode00:22:28
would be this one that shows the00:22:29
starting and ending frame and so how can00:22:32
we add files to the timeline and do00:22:34
it quickly there are two fundamentally different approaches the00:22:37
first is to00:22:39
use two windows in the first we have a00:22:41
source and in the second is our timeline and we00:22:44
can choose like this, choose00:22:47
through the oh and oh00:22:48
input and output points and throw them00:22:51
here directly with the mouse and select the options00:22:53
that Da Vinci offers us, for example, there00:22:55
is an insert, which composes with00:22:57
an offset,00:22:58
there is a removes, which inserts without an00:23:01
offset, rewrites the section, there is00:23:04
also replay which replaces the00:23:06
selected sections of our source with a00:23:08
section of our timeline, we also00:23:11
have fit shoes, this is generally an interesting00:23:13
thing that replaces and stretches in00:23:16
length using slowdown or acceleration00:23:19
in time if there is not enough timing, we00:23:22
also have place on top which00:23:25
puts on the next track there is up and the00:23:27
end which puts it at the end on the same00:23:30
track and we have ripple island wright00:23:34
which removes the piece over which00:23:36
we had play heat and takes and replaces it00:23:39
completely with a new source but00:23:42
for me personally again this is subjective, the00:23:44
second one is more convenient approach when using00:23:46
one in the Jurassic, we will do everything00:23:48
using the move cues and we are slowly approaching the00:23:50
huts, as you understand, if there are no apples and00:23:51
we eat them on that00:23:52
one, but I have in the dug one if I00:23:56
move the mouse over the source00:23:58
in the folder or double-click then I00:24:01
already have the source displayed here and00:24:02
I have nowhere to drag to00:24:05
select the insertion mode, so there is00:24:07
the following hotkey you press f900:24:10
this insertion with an offset f10 this is00:24:14
an overwrite insertion on the same track00:24:17
f11 this is a replacement of a section f12 this is put00:24:22
on the track above, then there are combinations00:24:25
using shift f10 this ripple00:24:29
removes that is, completely removing a piece of the00:24:31
clip, let’s even make00:24:33
some two pieces here so that there are even three,00:24:37
so I take that piece and press00:24:41
shift and at 1000:24:44
this piece completely disappears and is replaced by the new selected00:24:47
6 plus a12 this is placed at the end up00:24:50
and the end00:24:51
it appears at the end of what you00:24:53
will actually use most likely you00:24:55
will definitely use f9 and at 10 you00:25:00
will definitely use shift +00:25:01
e v12 to throw it at the end there you00:25:04
found a funny moment in the blog and want00:25:07
it at the end and put it so that you don’t00:25:09
forget it later when you do the editing with me,00:25:11
and probably this is still another cool00:25:14
thing, that is, in principle, you don’t00:25:15
have to open the source, you’re talking about the00:25:18
viewing window to select the input and00:25:20
output points, you can do it00:25:22
right here here My cursor is going, the00:25:25
red line is highlighted and I can00:25:27
right while my cursor is here,00:25:29
press00:25:30
oh and I have a sulfur vision00:25:32
that means input. and go a little further and00:25:35
click oh00:25:36
and oh my God I’m inserting this piece,00:25:40
it’s very fast and so let’s summarize we00:25:43
have 2 options to use two windows00:25:46
take select a piece here and00:25:48
drag it somewhere here00:25:51
selecting the insertion mode let’s say insert with an00:25:54
offset or the option with one fan00:25:59
and selecting a piece here or here00:26:05
and using the cue move shift 12 let00:26:08
now you may have a question: how can00:26:11
I choose the track on which I will00:26:12
insert my piece,00:26:14
let’s say I have three tracks here, so00:26:17
that’s what we have here for These are00:26:19
the buttons that are called track00:26:21
selector, let’s say if I turn on not00:26:25
the first but the second one, I select the same00:26:27
piece and take the second place for the time,00:26:29
when I press we at 10 there it00:26:32
will be placed on the second track,00:26:33
again I press 3 to 3 track the same most00:26:37
of the audio, or if you want to take it00:26:40
from here, cut it through control x and paste it here,00:26:44
it appears here, but we have the00:26:48
third track selected, why is it inserted here, but00:26:50
because there is such a thing as an00:26:52
auto track selector, how does it work when00:26:55
copying and pasting elements, the insertion00:26:58
will take place on the first track with the00:27:01
auto-track selector turned on, that is,00:27:04
if now I even turn off both the first and the00:27:06
second,00:27:07
now I am left with 3, if I have the00:27:10
first 3 turned on, it will appear on00:27:13
1,00:27:14
but accordingly, if 2 is turned on,00:27:18
3 will appear on 2 because it is the00:27:20
first below is on, that is, even00:27:23
if I had track 4 turned off, now00:27:26
when I copy they are also copied to00:27:28
3 and 4 because they were on top of each00:27:31
other until they mixed it up, which was clear,00:27:33
here the first one is turned off, 2 is turned off, 3 is00:27:37
turned on, so starting from here they will be00:27:39
insert through their counter in the file00:27:42
clips I hope this is clear the same00:27:45
works with audio pieces00:27:46
let's deal with some important00:27:49
hotkeys some may be needed the00:27:51
first is cutting this is the usual00:27:53
cutting of the gait00:27:58
then we will also be interested in cutting to the00:28:00
left and right of the bad ones and yes that's it00:28:04
like this or like this, it’s00:28:06
also important to quickly scale the00:28:09
entire timeline, for example like this, we00:28:12
can also fill the clip directly one frame at a time like00:28:14
this,00:28:16
or if we’ve zoomed in too much00:28:19
and we want to restore the scale and not00:28:22
poke emotionally fit, then we can00:28:24
do this using a walker00:28:25
blades here it is called nickname from00:28:28
razer so we go here and directly00:28:31
type in the name of the razer command and here00:28:34
it is shown,00:28:35
you can assign any convenient key,00:28:38
but from my memory Marse is how I00:28:40
will assign it to 7 then the pendant on the left and00:28:43
right in the example it is set by default00:28:45
on cue00:28:46
and w but here I put it in square00:28:49
brackets and the command is called start00:28:52
play heat00:28:53
and and applied but it is important to understand that00:28:56
there are several of these commands because00:28:59
if you give and look you have00:29:02
resize and i played00:29:03
and ripple n stupid and the same thing with00:29:05
the start and00:29:06
exactly the trimming on the left or right with00:29:09
softening00:29:10
is in the section ripple and place it00:29:13
i start to play with00:29:14
moving the section in the clip one00:29:16
frame to the left and right using the command00:29:18
van frame rate warframe00:29:20
lift is in this section and by default00:29:23
it is on the left arrows or to the right, in00:29:26
my opinion, by silence, then a command that00:29:28
returns the full scale of the timeline and00:29:30
so that all the00:29:32
elements that are on it can be seen at the same time, it00:29:34
is called zoom to feed and is located in the00:29:37
zoom section of the v.yu section. and I have it turned on,00:29:41
we just have the standard plus and00:29:44
minus to increase and decrease the scale of00:29:46
the timeline, zoom in her mouth fit, this is just the00:29:49
same and restore the scale about the00:29:50
viewing window that you intentionally00:29:53
or accidentally changed, what else can be00:29:55
useful, look here there is a00:29:57
ripit button club, but if you select,00:30:00
say, these sections, press play00:30:02
until you exit, then nothing00:30:05
happens, this is a bit of a strange00:30:08
implementation, but here this00:30:09
playback and repeat command is implemented00:30:11
through the standard alt00:30:14
+ lower key combination?00:30:16
on which there is also a slash and . comma,00:30:20
look, I press this command and everything00:30:22
works, it’s here, play in00:30:28
the old00:30:29
and here there is a difference between pressing the00:30:31
backspace key and David, if I press00:30:33
backspace, a hole remains in the fog,00:30:35
if I delete a piece either with the help of before00:30:36
the summer, then I have it with an offset and now00:30:44
Finally, let's move on to the effects and we'll start00:30:46
with the inspector tab because all the00:30:48
main changes happen in00:30:50
it: the basic transform, the increase in the size of the snake at the00:30:53
position, the offset in X on the00:30:56
rotation player, and all these cool stuff,00:30:59
what's not to like about the da Vinci inspector00:31:01
compared to the same effect controls afu00:31:03
premiere because here by default00:31:05
they have crop and stabilizer but let's talk about00:31:09
everything in order so00:31:10
zoom with it everything is clear positions the00:31:13
same in principle there are no differences here00:31:15
not only you also have an additional00:31:17
distortion in perspective peach and I also there00:31:21
are basic flip functions here, that00:31:23
is, you can change the direction directly with00:31:25
one click, it’s also often convenient with00:31:28
specks, everything is clear, the only thing here is that00:31:29
there are software parameters with which it makes00:31:31
your borders softer, any effect00:31:34
can be turned off simply using this00:31:36
slider, there’s a cool thing called a speaker zoom how to00:31:39
use it under this00:31:41
timeline window and we press the key00:31:43
press this key on the arrow00:31:45
select dynamic zoom the00:31:46
red rectangle is the final00:31:49
result green is the initial one so00:31:52
if we want to make a little noise then00:31:55
we can leave it like this and00:31:58
let’s set the zoom in the speaker settings and die out00:32:02
so that it comes smoothly and we look and everything00:32:09
is ready, that is, we can do this right here in00:32:11
two clicks and by the way,00:32:14
you can control all these standard settings00:32:15
right here using00:32:17
visual interaction, that is, if00:32:19
I turn off the zoom speaker and turn on the usual00:32:22
transform then here I can rotate and00:32:25
move and reduce and change the anchor00:32:29
point, that is, I want it to00:32:31
decrease from here, so the composite is the same00:32:35
fall and, roughly speaking, with the00:32:37
overlay mode with the liver, there is also a00:32:40
built-in basic speed controller, but00:32:42
we will separately speed a little later00:32:44
let's talk stabilization here00:32:46
works great by default you are worth perspective00:32:49
mod what is the difference between00:32:51
similarity00:32:52
and translation perspectives let's start with the simplest00:32:55
last on the list translation00:32:57
stabilization translation is used00:32:58
if your camera had movement00:33:01
exclusively along two axes x and y00:33:03
that is in one plane similarity00:33:06
are used if you have camera movement,00:33:08
there is also movement forward00:33:10
backward, zoom and rotation along the axis and perspectives00:33:14
are used if there is a very complex00:33:16
movement like all sorts of panoramas and00:33:19
others when the camera moves along the00:33:21
perspective then of course it is better00:33:23
to use00:33:24
perspectives but naturally with its00:33:25
use the perspective has a greater chance00:33:28
of getting housing imagery is the output,00:33:29
so be very careful, play with this and00:33:32
with the default settings you have00:33:34
set to one, but if you want to00:33:36
stabilize normally and not00:33:37
overdo it, then start with half and00:33:39
if there is not enough, then move forward, this is00:33:42
such an empirical formula,00:33:44
there is another important tab rita man00:33:46
sky link fly process this is how00:33:48
frames will be calculated if there are00:33:50
not enough of them, if for example you00:33:52
slow down the footage it doesn’t have enough00:33:54
frames and so he says you will be00:33:56
counted according to the nearest frame the00:33:58
frames will be mixed or the optics mode flow00:34:00
optical flow works in yes Vinci is the00:34:02
best, but it is very difficult to read by a00:34:04
computer, so be careful, then we are00:34:06
interested in skill and this is how the00:34:08
new ones added at this time00:34:11
and files will behave that they match in00:34:13
resolution and in silence according to the project of these,00:34:16
let's see what we have worth we have00:34:18
skill and image spirit, that is, it00:34:20
will not stretch the image over the entire00:34:23
area of our working frame, but will00:34:26
make sure that it completely fits and00:34:28
nothing is cut off vertically or00:34:30
horizontally,00:34:31
but as soon as we change the full00:34:34
frame scrub skill, then look what happens00:34:37
both we00:34:39
have lost these black areas here, we00:34:41
have configured this for the entire project, so we00:34:43
will return this here and in this00:34:46
section of the inspector we can configure00:34:48
this parameter for each specific00:34:50
section of the clip as soon as I click here00:34:52
feel the same thing will happen00:34:55
next, let's00:34:56
look at the animation Let's say I want to00:34:58
pay a small amount for them on this00:35:00
clip, what am I doing, I become00:35:02
you started it, and let's say not even from the beginning,00:35:05
but from here and clicking on this except00:35:08
this is a typical habitual make frame and00:35:11
it appears for us and we are looking for the second point at00:35:14
which we we want to finish the zoom here,00:35:16
let's say we do a small zoom where00:35:20
we have the ethics frame and because00:35:22
by default in the same premiere they00:35:24
are located immediately next to the00:35:25
effect controls panel00:35:26
here they are in the clip itself on the00:35:29
timeline how can we access them00:35:31
if you we noticed that on this clip, for00:35:33
example, with which there are no changes, there is00:35:35
nothing in the frame pack, but00:35:39
here in the lower right corner two00:35:41
icons appear if we click on the first one with a00:35:44
diamond, we have00:35:45
frames appearing and it is shown which parameter00:35:47
was changed if we click on this then00:35:50
we have curves open and we can00:35:53
do the same thing as effect controls,00:35:55
namely soften or make the00:35:58
frame linear, so we have such a00:36:01
sharp change in scale, we want to00:36:05
make this floating, take it and press00:36:07
this button, bang and they become00:36:11
easy in these out and look at everything is the00:36:18
same and with other transformation effects00:36:20
the jokes start with the speed you00:36:23
can change it in several ways, firstly00:36:25
just press r and it will open the usual00:36:28
window changing the speed, let’s say I’ll00:36:30
speed it up twice so that the change can be seen more clearly00:36:33
and press cinch here it is00:36:37
I fought twice in Taiwan, well,00:36:40
let’s say I want him to immediately00:36:42
pull up the next section of the period after him,00:36:44
I press this checkbox for00:36:47
naturally 200 seconds and the00:36:51
hole collapses perfectly,00:36:54
then there is a river speed option ii00:36:57
free spray if I I select from the frame, then00:37:00
everything that turns into a00:37:02
regular screenshot after exiting, by the way, if I press the00:37:05
shifter, then all the stages00:37:08
will be born in one screenshot, but sit on00:37:11
this screenshot in the place of play harder, what do00:37:14
we have, what else do we have, and what not the00:37:16
kontrol p key, which opens up00:37:18
tools for working with speed, we00:37:20
have these arrows and this00:37:23
menu item here we can set00:37:25
speed change points, let’s00:37:28
add a point here and let’s00:37:31
add a point here and now we can work with each of these00:37:34
sections according to00:37:36
separately, let’s say I want to00:37:37
make an acceleration here at this middle stage,00:37:40
I take it and press 200, then there is a preset right here00:37:45
and here I have it automatically00:37:48
complain if the triangles are close, this00:37:50
means that you have acceleration, if it’s00:37:53
the other way around, then you turn anime00:37:56
yellow just if slowdown there00:37:59
are all sorts of presets00:38:00
that you can play with00:38:02
features revenge and speedrun there are very00:38:05
interesting modes and what about the curves00:38:07
you ask and they are here if00:38:09
we choose Rita does not sleep then we00:38:11
have a more or less clear I and a00:38:12
similar curve with which we can00:38:14
also work as in the example, we can00:38:17
soften the points separately, we can make the00:38:19
output smoother, let’s say, by the way,00:38:21
here you can select any parameters00:38:23
that you00:38:25
changed, let’s animate the zoom and00:38:27
see how changing the parameters00:38:29
works in combination, I make a small00:38:32
zoom, I select only the last point and00:38:34
made there are values and here I have00:38:36
acceleration and here new00:38:39
deceleration, the convenience of these curves is00:38:41
that they can be simultaneously00:38:42
displayed visually and you00:38:44
just need to click on them and you can immediately00:38:46
change the parameters here, drag these00:38:48
points, let’s say with the Shift key held down,00:38:51
if they drag, then the value00:38:53
point will not change the value of00:38:55
the parameter and it will be on the timing00:38:57
on the timeline if I00:38:59
do this without shift then00:39:01
chaos will begin in general, it’s a convenient thing, use00:39:03
something else about the built-in functionality,00:39:05
namely the standard crossfader, I’m talking00:39:08
about transitions through transparency, here they are00:39:12
implemented via control keys t00:39:14
if we want to do a crossfade through both00:39:16
video and audio alter00:39:18
if only for video and00:39:21
ft if only for audio let’s say I’ll00:39:24
link these things right now and now I’ll00:39:28
have a crossfade on the counter t and there and there's00:39:30
alt and video shift and only audio and00:39:33
now let's look into the00:39:35
effects library, there's just a bunch of00:39:38
effects, especially since version 17 we've00:39:41
got very cool built-in dies,00:39:44
expressed Titus, cool all sorts of00:39:47
effect generators like binoculars,00:39:51
let's here life preview the00:39:53
effects of recording all sorts of different cameras here00:39:56
there’s such an overlay, like a drone00:39:58
here from Slark, and so on, in general, there’s really a lot00:40:00
of things you’ll figure out, take a look, but or00:40:03
if you want me to make a00:40:05
video on the effects in da Vinci, you can00:40:07
write about it in the comments, now00:40:08
we’ll look at only the very basics00:40:10
that may be useful, well Naturally,00:40:12
blur lows before you can click on00:40:14
the star and you will have them appear in the00:40:17
favorites section, then we are interested in the00:40:19
titles section and here we have00:40:21
standard text and text +00:40:23
a little later I will explain the difference between00:40:24
them, we have a generator and here we will00:40:27
need solid color regular a piece of00:40:29
something00:40:30
one-color, let’s say red in the00:40:35
effect section we have and a jasmine clip00:40:38
is the same as a jasmine player,00:40:40
just one on one,00:40:42
put it here and put here any00:40:45
effect that you need,00:40:47
let’s say naked blur, and now I have00:40:50
it here lies everywhere here there are00:40:53
especially many effects in the up in00:40:55
a fix section that stylize our footage such00:40:58
as chapter and flowers reflections and so00:41:01
on, but it’s better to add them at the painting stage00:41:04
on the color tab and now let’s talk about00:41:07
text and text + what’s between them the difference is00:41:10
text +00:41:11
this is a fusion element, what does this mean, we00:41:15
can go through the shift of the 5th fusion and00:41:18
it will be displayed for us, we can00:41:20
make any changes pleasing to our soul,00:41:23
for example, put a shadow on00:41:26
some colored one and make it talk, but I’m just using it00:41:30
as an example you see, we can also00:41:32
then apply00:41:33
glow and all this will glow, let’s say00:41:37
the world of sandor, here we have a blue effect00:41:40
only on the shadow and all that, the principle00:41:42
is clear, but we can’t do all this with regular text,00:41:45
if we start at 65, then the00:41:48
footage that will open for an hour lay00:41:50
under this text normal text almost does not00:41:53
lag the text +00:41:55
really lags in Reutov what else is the00:41:57
difference let’s say here you can create00:42:00
several lines and each of them00:42:03
individually customize the font00:42:05
let’s say here I want, let’s say00:42:08
Montserrat is our favorite00:42:10
here general Times of New Rome and I need three00:42:13
lines with different fonts00:42:15
to do this in the text + and I can’t, I’ll00:42:19
put whatever I want, choose, put another00:42:22
cream, it drops all over the text once,00:42:24
in general, if you have some very00:42:25
simple tasks in the text, then it’s better to00:42:28
use plain text, especially00:42:30
that there are such built-in important00:42:32
parameters as let’s say there is a shadow, there is a00:42:34
background that needs to be raised in00:42:37
height so that it starts to appear, that is,00:42:39
you can make your own mini plate here00:42:42
to animate its appearance, remove this00:42:45
rounding, a terrible year, and make it there,00:42:49
relatively speaking, so there’s nothing to lag00:42:51
there will be an outline there as well, there you00:42:54
want to make a price outline,00:42:56
here is the price vodka, yes of course there is text + and00:43:00
here there are more parameters, but you need to00:43:02
spend a sufficient amount of time00:43:04
to learn how to deal with them,00:43:06
of course, if you want to move towards00:43:07
motion on some kind of00:43:09
your own, then you you need to learn00:43:11
to work with text plus right away because00:43:14
all the custom dies that you will00:43:16
make for da Vinci, they will00:43:17
not be done at all in the templates mode,00:43:19
but there is too much here and I00:43:22
will not consider it now; further we00:43:24
have two tabs to consider which within the00:43:26
framework of this tutorial, I won’t be00:43:28
the first, this is fusion with Eugene, I already started to00:43:31
introduce you to it in this issue and00:43:34
I won’t review it for the00:43:35
reason that it is essentially a separate00:43:38
program and once about two years00:43:40
ago it was also called black magic00:43:42
fusion studio and it still exists,00:43:45
it continues00:43:46
to pile up from, but then Back Magic00:43:47
integrated fusion completely you and00:43:49
Vinci00:43:50
with the same practically and full-fledged00:43:52
functionality, what is it, it is a program00:43:55
for compositing, that is, for composing00:43:57
all sorts of complex scenes through all sorts of complex00:44:00
tricky manipulations, fusion is often00:44:02
compared by the author with the effect, but this not a00:44:04
completely correct comparison because you00:44:06
need to compare it with the hatch, also00:44:08
programs for comp sting and the south is a00:44:11
standard in the professional environment and00:44:13
there is a composite of almost all films, that is, they00:44:16
give you 3D models and textures,00:44:18
original footage, footage on greenery, this is00:44:21
all sorts of breadth of scottish tracks, eat and00:44:23
you bring together plus the girls of the majority the00:44:25
correction of all elements so that they00:44:26
urinate and it all turns f100:44:29
photorealistic footage00:44:30
so this is fusion and not uk this program is for00:44:34
compositing and if you have a00:44:35
question about whether you need to study fusion at all00:44:38
when you can immediately study nuke then I00:44:41
will argue with you because that firstly, if00:44:43
you learn fusion, then you will be able00:44:46
to do almost everything inside da Vinci,00:44:47
and secondly, it will be much easier for you to00:44:50
master nuka if you need it,00:44:52
so it’s your choice00:44:53
if you already work in nikka, great00:44:55
when you come to da Vinci drew00:44:57
then you will already have plus or minus a clear00:45:00
tab in which you can00:45:01
work fully because the logic of the work of such00:45:04
new programs is similar if you first00:45:07
study Da Vinci then it will be00:45:09
easier for you to learn nuke the second question that00:45:11
you may have is whether I can00:45:13
if I want to completely switch to da00:45:15
Vinci, replace my fusion after effects,00:45:18
I can tell you that I am currently taking a00:45:20
course on fusion for a long time, I have been studying it and I00:45:23
can say that you will close 99 percent of the tasks00:45:27
and perhaps you will close even those00:45:30
tasks that the author cannot close in00:45:32
general, if you want a release on fusion, then00:45:34
you know where to write and the second tab,00:45:36
which we will also not consider today, is the00:45:38
color tab because but Kamon00:45:41
guys are in our playlist00:45:43
about davinci, by the way, here you will now00:45:45
see just a million videos from00:45:47
me and from It’s not his movie, Dad is a beauty in00:45:50
Da Vinci and you don’t watch them anyway,00:45:52
so if you are00:45:55
interested, look at them in detail and there is00:45:57
about the basic tool00:45:59
and about Gredin about secondary00:46:00
color correction and about working with masks,00:46:02
I have an almost hour-long episode therefore, in00:46:05
this tutorial we will not analyze00:46:06
the light in order to save time, and you don’t have00:46:08
much time, we appreciate you and let’s00:46:11
move on, and then we00:46:12
still have to work with sound in fairlight00:46:15
and final export, and so you can work with00:46:23
sound not only fairlight but and in the00:46:25
edit tab, if you select any00:46:29
part of any clip or just00:46:31
an audio track, then the audio section is activated in your inspector, where you00:46:36
can adjust the volume of the sound, it’s already00:46:39
clear the panorama00:46:41
how far to the left how much to the right the00:46:43
sound will shift if you have00:46:45
an adjustment with the peach tree tonality of voice or00:46:47
music, the equalizer here is good, but of00:46:51
course it’s better to use the file from00:46:53
it, it’s more accurate there, give it all,00:46:55
sometimes that’s enough, but often it’s still00:46:57
not there. You also have a mixer in which00:47:00
you can adjust the volume of the entire track,00:47:01
that is, here’s the first track and the bass is roughly00:47:05
speaking, a master mixer into which00:47:08
all the tracks arrive, that is, you have configured all the00:47:10
tracks individually, let’s say we’ll make00:47:12
another one, you have configured this one to plus 4, this one00:47:16
to minus 12 and then you can use00:47:17
bass to raise them both00:47:19
or lower them. I forgot to say that00:47:22
you can control some parameters00:47:24
directly on the timeline using, first of all,00:47:27
such a vertebra, it is important to00:47:30
notice it and it regulates the volume, there are00:47:33
also starting and ending crossfaders,00:47:35
they are there for both the audio and video parts,00:47:37
and they are available at the ends of the clips00:47:40
using things like this by holding them00:47:43
which we can drag them to the left or00:47:46
to the right,00:47:47
there will be a smooth decay and we can00:47:50
even take a point and adjust the curve00:47:52
of this decay, that is, it will00:47:56
go a little bit and then sharply, or00:47:59
vice versa, it will00:48:01
go slowly and fade out sharply at the end, but let's00:48:05
go to fairlight on shift 7 and as you00:48:08
may have noticed, we00:48:10
only display audio deroche here,00:48:12
yes, we can turn on the display and video00:48:14
parts using the display settings and00:48:17
configure it here, and as00:48:20
you can see, even when minimized, they are immediately00:48:22
displayed, but why is this here if we00:48:24
only work with sound and, as a rule,00:48:26
the timeline, we don’t really need to use it here00:48:28
because you can correct pieces and00:48:29
specific audio tracks in the00:48:33
tab, but what is much more important here are the00:48:35
advanced settings for this sound and00:48:37
they are mostly located in the00:48:40
mixer section. The first inputs for us are not yet00:48:42
interested, then we have00:48:44
effects and by clicking on this button we can00:48:46
see a list of all available, we will of course00:48:49
be interested in reduction, and if we00:48:51
want to work with the voice and it is in the00:48:53
tab, but from reduction how to work with it,00:48:55
there are two options here, either you00:48:57
select a section without a voice, just with00:49:00
noise and press learn in mode - or00:49:05
you just install an auto-special mod,00:49:07
adjust trash folds and just forget00:49:10
about it, roughly speaking,00:49:12
they installed it also, when processing the voice, the00:49:16
dialogue processor can be useful, and there are even00:49:19
presets00:49:21
mail and efim l but again, if you don’t00:49:25
understand all these things, then00:49:27
it’s better not to get rid of this, but to play with the00:49:30
equalizer and00:49:31
compression, but also about effects, we have00:49:34
this checkbox00:49:35
insert and if we turn it off, then these00:49:38
effects will not work for us, we00:49:40
turn them on everything will be simple and let’s move on00:49:42
to the equalizer, again in order to save00:49:43
time, I will not dwell in detail00:49:45
on the equalizer and00:49:47
compression because I have already talked about this in detail00:49:49
in this issue there and00:49:51
about the premieres about da Vinci, but00:49:53
I will tell you the basic principles right now, this is00:49:55
when you are working with the voice, the main00:49:57
task in the equalizer is00:49:59
to find undesirables for purity,00:50:01
identify them and lower their volume, how00:50:04
this is done, well, firstly, you00:50:05
set a frequency limiter from left to right,00:50:07
here, in principle, the highest 5000:50:11
hertz, there is no point in limiting here, in00:50:14
fact, it is possible and00:50:15
do not turn it on further, the work goes on with00:50:17
these main brands, as they are00:50:19
called, we turn it on in this mode and00:50:22
raise it, in order to00:50:24
identify the unwanted frequency, you00:50:26
need to work with it very subtly, and with this we will be00:50:28
helped by the parameters and factors here00:50:31
that will be this00:50:33
narrow down the sample and now we can selectively00:50:35
make a certain frequency louder,00:50:37
we play our voice like this and with00:50:40
this slider we move left to00:50:42
right and look for where the maximum badness will start,00:50:45
as soon as we found a place, let’s00:50:47
take here by hey and lower it as much as00:50:50
we need and can even00:50:52
to expand our smoothness a little,00:50:56
we do the same with the fourth and second and, in00:50:58
principle, further and further compression compression,00:51:01
usually I install compressors which by00:51:03
default, what does it do, it shook the halda,00:51:06
detects everything that is louder -15 decibels00:51:09
caused by this wind and it00:51:12
automatically lowers the volume of these sounds that is,00:51:15
roughly speaking, the compress in this case00:51:17
helps us get rid of the peaks, that is,00:51:19
when I shout, for example, into a buttonhole,00:51:21
for some reason I don’t know, then the compressor and00:51:23
automatically normalizes the whole thing and00:51:26
makes it pleasant for the ear.00:51:27
There is also a limiter, which, as you can see00:51:29
from the graph, cuts off in general, everything above00:51:32
this volume level, we also have00:51:34
an expander or gate that lower the00:51:37
volume of quiet sounds, but again00:51:41
this is a separate topic for study, very00:51:43
capacious, in fact, next we have00:51:44
a panorama, which was also in the inspector,00:51:46
and we have bass bass before in00:51:49
version 16 it was called differently, I don’t00:51:51
remember exactly what, but roughly speaking the output and for us it00:51:55
means bass is where00:51:57
this track is sent to which mixer,00:51:59
so we see we have a track selected00:52:01
and one here is this one on which we have00:52:04
our music track and we00:52:09
can disable this track so that it doesn’t00:52:11
go there, but the trick is that the00:52:14
whole set of our sounds is00:52:17
sent to some base, and in this00:52:19
case, since we only have one bass,00:52:20
it will be sent to 1 base and00:52:23
if you turn off this track, then as you00:52:25
see it plays,00:52:28
but our final output is empty00:52:30
because we excluded if we00:52:32
return it, then everything will start playing,00:52:36
so if you suddenly have no sound in this00:52:40
Vinci, especially if you00:52:41
export a project made in version 1600:52:45
in in the seventeenth, then you may have00:52:47
such a problem, so you need to00:52:48
reassign your channels, you already00:52:51
existing projects to a new base to00:52:55
existing ones, or rather just link to it,00:52:57
and also here there are standard00:52:59
control buttons such as turn off the00:53:01
track, make a track salon here it’s all00:53:04
duplicated, well, button for recording,00:53:07
we don’t need it and so we’re done with the sound00:53:09
and now the00:53:10
most interesting thing will be what to do and if suddenly00:53:14
it was laid and right for me, let’s00:53:16
find out now I’m simulating a situation in00:53:24
which00:53:25
Da Vinci will suffer for me and00:53:27
I’ll do it with help with color correction00:53:29
now skip a little well and we see what00:53:31
this one threw and now you see that my00:53:34
play back is already 15 frames per00:53:36
second they are 25 as it should be, we check00:53:39
here about the same thing so the first00:53:44
thing we can do is turn off all00:53:47
color correction and that’s it fusion effects00:53:49
do it all in one click by00:53:51
pressing the shift d key combinations00:53:54
English as you can see we have a00:53:57
whole crazy icon here and this00:54:00
means that we have all the00:54:01
color correction effects turned off by right00:54:04
clicking we can see what exactly00:54:06
we want and turn it on Well, by default00:54:08
it’s color and fusion and00:54:10
that’s ok, let’s look at the timeline and00:54:12
I have a playbar of 25 frames per second,00:54:14
here I am with a check00:54:15
ok, what other options do we go to the00:54:19
playback section00:54:20
and here is all our magic, these00:54:22
two functions don’t mean that you00:54:25
have a proxy or optima with copper da vinci00:54:28
smart program and says to use00:54:30
them and if they are made and available and when00:54:33
linked so they are00:54:35
always enabled by default and00:54:36
and once you have already made your proxies00:54:39
then you can00:54:40
use these two options move on and00:54:43
here you can get confused in the names, but00:54:45
this function is called timeline proxy00:54:48
mode, what does this mean in fact, this is the same00:54:51
reduction in resolution, and when playing becky and00:54:55
attack,00:54:56
as in the same premiere, only in the00:54:58
premiere it is configured00:54:59
separately, then here it’s all in one00:55:01
click, let’s say the code is destroyed and00:55:04
we look at what we get,00:55:07
we get some grain and we00:55:10
also have a picture for the home that turns out to be00:55:12
absolutely dirty, let’s put it00:55:15
let’s put half of it, and as you can00:55:19
see, it looks tolerable and we00:55:22
already have a playback of 25 frames, although I’m00:55:24
skipping it here frame for some reason, okay, function00:55:26
number three, I don’t want to reduce any00:55:28
resolutions, I want to see everything as it is like this,00:55:31
but so that it is smooth, what do I00:55:33
do, I press the alt key combination00:55:36
f.i.00:55:37
I have this clip in the media pool,00:55:39
then I can make it a proxy or00:55:43
media optimist and also what is the difference00:55:44
between optima with media and a proxy00:55:47
up to version 17, Da Vinci drew in it and the00:55:50
ability to make00:55:52
standard proxies was not implemented, that is, a file and a00:55:54
low permissions in editing codecs00:55:57
that are duplicated simply and you can00:55:59
add them to your editing, as in the00:56:01
premiere,00:56:02
Optimist Media had replacements for this00:56:04
solution and they created many small00:56:07
files of a strange format,00:56:09
not a video format, which you stored00:56:13
in large quantities and in general the trick00:56:15
was that what if you are transferring00:56:17
a project somewhere to another computer or00:56:20
where you are you couldn’t link00:56:22
these optima ide media to your installation00:56:26
it was problematic but in general they00:56:28
worked quickly in this regard there were no questions00:56:30
from version 17 regular00:56:33
proxies appeared to be honest then this option is00:56:35
much more familiar and convenient, so00:56:37
now we will use it and00:56:39
skip the option of creating optimist00:56:41
media, and so again in the media bullets we00:56:44
right-click and select00:56:46
trains proximity00:56:47
and he has already created them for me, what’s the trick,00:56:52
remember we were at the very beginning We set up00:56:54
our project and here we have the00:56:57
proxy location and00:57:00
proxy resolution and format indicated, so00:57:03
let’s see what we have created,00:57:04
it automatically creates subfolders00:57:07
relative to the name of each project and now00:57:10
I have one file with the same00:57:12
name with a resolution of 480 by 270 well yes 1 400:57:19
in 1080p as you can see the resolution has00:57:22
dropped noticeably we can00:57:26
turn it on or off here ask media and00:57:29
as you can see the quality is back we00:57:31
have one more way00:57:33
let's turn off the media proxy and do the00:57:36
next thing we turn on the cache how to00:57:38
turn on the cache on the right button and here00:57:41
there are two ways to render cash cash out put00:57:44
and render cash out put by name, I00:57:46
think it’s clear that color it renders all the00:57:49
notes that were made in the00:57:51
color off tab and dinner it renders not only00:57:54
what was done in fusion the entire00:57:56
campus but it also renders complex codecs like00:57:59
these 205 4 and as many as 250 5 so each00:58:03
has two modes please try00:58:04
not to get confused now it will be important, well,00:58:07
honestly, either it’s turned off or it’s smart00:58:09
or it’s a user, so if it’s set to00:58:12
smart, then it will render everything for you00:58:14
your dies, all your fusion compositions,00:58:17
all some complex elements, effect00:58:20
transitions, and plus, it will00:58:22
render complex codecs like these 205 400:58:25
and these 265, so it’s better to leave the render cache00:58:28
in the user section because if00:58:31
it starts loading all this into the cache, then00:58:35
you just have a computer frozen, but the peculiarity is00:58:37
if it is weak00:58:38
and in user mode you can choose for yourself00:58:39
what to cache and in this case00:58:41
I right-click on this clip00:58:43
and click render cache color output I00:58:47
now have a red stripe appearing here00:58:49
which will gradually become00:58:51
blue as soon as this process is over00:58:54
it means that I and coach Oles have all the00:58:57
color effects that I’m on your side00:58:59
and now let’s see, look,00:59:03
perfect playback 25 frames per second and00:59:05
even better than I had with the xiaomi pro, so00:59:07
we come to the conclusion that of course00:59:10
works best, the only downside is00:59:13
that as soon as you make any00:59:16
changes to your part which was00:59:18
rendered in this case, these are the color00:59:20
effects, as you see the cache goes back to00:59:24
anew, this all of course accumulates,00:59:26
your storage00:59:27
slows down your computer and again choose00:59:30
a way to optimize the installation00:59:31
from the00:59:32
stylish you look at the task and we will00:59:35
consider the last, most radical00:59:37
method when nothing else helps, because00:59:39
there are situations when a set of00:59:42
some files that stand together or00:59:44
one complex file they are simply00:59:46
colored with the entire render when it00:59:48
reaches it, I will delete the bisk so as not to clog up00:59:50
the system after each completed00:59:53
project, it’s better to come here away from the00:59:55
trader cache and select the gender in yours, you00:59:58
didn’t have all this stored on the computer,01:00:00
so we return to our super complex01:00:03
colors, correct a piece of the clip,01:00:05
return all the corrections to it, make sure01:00:08
that we have the01:00:09
maximum quality for everyone and check the play back01:00:12
15 frames per second and dicks in the vestments if01:00:15
nothing helps there version 17 of01:00:18
rice there is such a method01:00:20
called render in place what is it,01:00:24
roughly speaking, we start rendering this01:00:27
particular file and automatically01:00:30
replace it on the timeline now01:00:32
look how it works01:00:33
and here we will need to configure it as well01:00:35
codec format and the type in which it will be01:00:38
output, there is a checkbox to include01:00:40
video effect, this means that all some blurs and01:00:43
which you, in addition to color correction on the01:00:44
spoon for this clip, will also be overcome,01:00:47
in general, everything will be transferred here, I would01:00:50
bet it better right away with another 8001:00:52
progressive and not in the most inferior01:00:55
quality, but somewhere, but that’s it,01:00:58
I click render, a folder appears01:01:00
where I should put it, and by the way, that’s01:01:02
why in my template I have in01:01:06
decline an export under the renders folder,01:01:09
just under this new one feature because01:01:11
it really already saved me when rendering01:01:13
long projects and it’s all wrangler,01:01:16
usually at this stage no matter how complex01:01:19
the file is, nothing more beautiful can happen, that is, it’s a01:01:21
100% lifesaver, here01:01:24
in Andrews it was replaced on the timeline01:01:27
and as you can see the quality of the display is01:01:29
We haven’t changed much, so our file01:01:32
from the trend doesn’t lag, everything is fine,01:01:34
but by the way, it appeared here in our01:01:37
media bullet, we immediately put the passport from here in render01:01:40
as and forget, of course,01:01:43
this method is better to use when01:01:45
you are one hundred percent sure that the change in01:01:48
this piece of the clip there will no longer be either a01:01:50
block or some kind of complex transition, but01:01:53
you understand, but if suddenly you need to make01:01:55
some adjustments, and by the way, if I01:01:58
go here correct here, nothing01:01:59
will happen here, I can’t do anything, I01:02:01
click also right-click on this01:02:03
clip and with this next to the render01:02:06
in place item appeared in compost regina, I01:02:09
click it and I get back the old01:02:12
laggy clip where all my changes are01:02:15
also saved, but again this is a01:02:17
radical measure that should be resorted to only01:02:19
as a last resort in your practice01:02:22
As a rule, it’s enough for me to simply01:02:24
reduce the resolution01:02:26
displayed on the screen, that is, timeline01:02:28
proxy mode; in rare cases, I resort to a01:02:31
render mess when my render cannot01:02:34
pass through a certain section;01:02:35
when I’m already in your final video,01:02:37
it’s the proxy that I practically don’t do; it01:02:40
turned out that way the fact that Da Vinci01:02:42
works well on my build is easier for someone01:02:44
to make a proxy right away, especially if01:02:46
you know that the computer is laggy,01:02:48
weak hardware, an example about and for an accident,01:02:52
so choose a method for yourself, I01:02:54
hope that it turned out to be easy to01:02:55
explain everything, but currently in01:02:58
version 17 yes Vinci to you simply do not have01:03:01
options in which you directly cannot01:03:02
work always one of the01:03:05
methods of optimizing the installation will work01:03:07
one hundred percent and let us move on01:03:10
finally and how in the final tab01:03:12
called shares which is responsible for01:03:14
rent01:03:15
[music]01:03:20
so01:03:21
the finale we are all ready and we01:03:24
move here that we see the01:03:27
first window here and to render settings01:03:30
the settings of our render we will return to them01:03:32
further, as usual in South Africa, then the01:03:35
render queue will also return to it when01:03:38
we add at least one render to the queue and the01:03:40
timeline and display of creeps noclip and01:03:43
we It’s probably better to hide it right away so that they don’t01:03:45
bother us. It01:03:47
can also be useful to immediately01:03:48
scale the weight of the timeline to see01:03:51
what is being rendered and increase the display. Also01:03:54
here we have the choice of rendering the weight of the timeline01:03:56
or rendering and out range,01:03:58
that is, if I put oh here and here01:04:01
and then accordingly I will01:04:03
only render this area and01:04:05
accordingly this will be01:04:07
displayed here in out let's figure out01:04:10
what we need to set in the settings01:04:12
of course at the top we have presets01:04:14
presets for YouTube for vimeo and visible01:04:18
better quality on twitter and I don't recommend these 10 401:04:22
master use01:04:24
these presets because they don’t have the01:04:26
advanced settings that are available in01:04:28
custom mode and let’s look at everything in order01:04:29
here it’s clear the name of our01:04:32
render here the folder in which it will be01:04:34
located01:04:35
we immediately select our project test01:04:38
export safe then we have the choice01:04:41
to control this as a single clip or as01:04:44
separate clips, what's the difference? As you can01:04:46
see, we have a selected area01:04:48
repainted in the stomach mustard color in01:04:51
this mode until the corolla will render01:04:53
each piece of this clip as a01:04:55
separate clip and place them in the selected01:04:58
folder; settings of names that will be01:05:01
assigned by this file01:05:02
are located in the file section here you01:05:05
can choose either a01:05:06
custom name or the name of the01:05:08
source, some suffixes and01:05:10
prefixes, but of course we are interested in01:05:12
rendering the full video, let's continue with01:05:15
the settings, video export here the01:05:17
video settings are important, the format in which we render01:05:20
its codec, as a rule, you will give01:05:22
these 200 64 but there are of course opportunities01:05:25
to do this in a more compensated and01:05:27
or varnish codecs the encoder is probably the most01:05:30
important setting that there is01:05:31
because here either you will01:05:33
give Veron with the help of Vidya or without its01:05:35
help since yes Vinci Riess is01:05:38
generally the software that lives just due to the01:05:40
video memory of your01:05:42
GPU, then please choose01:05:44
here, it’s called video,01:05:47
select the final resolution and01:05:49
frame rate, as I said at the beginning, the01:05:50
frame rate in export cannot be01:05:53
changed,01:05:54
it will always be equal to the value01:05:56
that you set when creating the project,01:05:59
so again you should always know01:06:01
at what framerate01:06:02
you will have the final export, then there is a01:06:04
bitrate setting and01:06:05
you can set it to automatic, but of course01:06:09
it’s better to always have full control over the01:06:10
bitrate, for example, you output to01:06:12
YouTube in 4k, you know in the past you need01:06:14
around 25 20 megabits per second, then we01:06:17
I’m interested in nothing01:06:19
right up to the advanced settings tab and01:06:22
here a very important section begins,01:06:24
in fact we can use all our01:06:26
goodies from the previous section01:06:29
as a render for the final01:06:31
output video and hugging media and01:06:33
proxy media and all the render cache and we can01:06:36
use it, we definitely put01:06:38
checkboxes on01:06:39
force 1 high quality & fast board high01:06:42
quality this means that if you have01:06:45
sources of 1 resolution and the project itself and export of01:06:49
another resolution, for example, you render01:06:51
and 4k render01:06:53
but your sources are 1080, that is, they are01:06:55
essentially stretched, so this checkbox should01:06:57
do this so that, roughly speaking, your01:06:59
image does not become heavily colored with01:07:01
such shelling, and often if you have01:07:04
problems with rendering, then this checkbox is01:07:07
your best friend01:07:08
because you select individual01:07:10
pieces that slow down, you take them,01:07:13
put them in a render cache, wait until it01:07:18
turns blue, come back here and just01:07:22
click this checkbox and this01:07:25
section will just instantly01:07:27
go through on the render now your own,01:07:28
look further, everything is like this and we’ll01:07:30
also leave the subtitle settings here if you01:07:33
use subtitles in the edit tab, then01:07:35
you need to sew them in how they are01:07:37
sewn in,01:07:38
you select the burn format of01:07:40
this video and in fact, everything in the01:07:43
audio tab is usually set to01:07:44
default,01:07:45
so let’s probably use the renderer to01:07:47
see in particular how01:07:49
our machine will cope with this01:07:52
problematic area, considering that we have checked the01:07:55
user render cache checkbox, we click on this01:07:57
final button and the Tatar hole and01:07:59
look what's going on, we haven't started01:08:02
rendering, we've added a queue, if I01:08:05
select, let's say this piece,01:08:07
I'll call it render 2, now I'll add it too,01:08:12
nothing happens because the01:08:13
final button that you have to01:08:15
click on before the view means it's01:08:17
rendering is this button and01:08:18
dependencies What will be rendered will depend on what will be highlighted in the01:08:21
battle queue;01:08:24
if I start only at the first point,01:08:25
which will remind us of our entire timeline, then01:08:28
I will only render this01:08:30
large timeline; if I click on this one, then01:08:33
I will only render the01:08:34
so-called.01:08:35
but if I don’t select anything, then01:08:38
everything will be rendered in turn, starting01:08:40
from the first task, but let’s click01:08:42
only on this one and from the wounds dream and let’s01:08:45
look carefully at the blue area01:08:47
ten ten ten ten ten ten01:08:49
well, that’s all, no dulls in fact01:08:53
and it wasn’t and on this funny trends ren01:08:55
note we are finishing our01:08:57
training today da vinci drew 1701:09:00
but all this is the minimum set of01:09:03
knowledge that will help you right now01:09:05
get off the needle prime ob and try to01:09:08
make at least a couple of projects you da01:09:10
vinci rissov and if I’m being honest with you,01:09:12
my personal task on this channel01:09:13
is, of course, in addition to all the fun engines and01:09:16
cool projects that we constantly01:09:18
organize, so I see my task as01:09:20
popularizing Da Vinci Les01:09:22
among the Russian-speaking audience because01:09:24
I sincerely believe that this software01:09:26
deserves it so that they work in it and there is01:09:29
also something to file, for example, you01:09:31
may be missing some plugins01:09:32
that you are used to working with in other01:09:34
editing programs, but if you look at the01:09:36
overall picture, who actually, in terms of01:09:39
their convenience and optimization, has01:09:40
already galloped off to Vinci Rez 200 hundred thousand01:09:43
billion light years a long time ago of the01:09:44
same prime minister, so be01:09:47
afraid of the new, be sure to try and don’t be01:09:49
upset if something01:09:50
doesn’t work out right away, I understand the program, the new01:09:52
interface is new and all that, but if01:09:55
you’re really sad and melancholy and you’re01:09:56
faced with a complete If you have a misunderstanding,01:09:58
you can write to me01:09:59
in direct message and I will definitely answer all01:10:01
your questions about da Vinci and Rezun, thank you for01:10:04
watching this tutorial. At the end, the01:10:07
so-called Zhenya was with you. see you01:10:11
[music]01:10:25
[music]Description:
Курс по DaVinci Resolve с нуля: https://sabatovsky.com/davinci-resolve | https://clck.ru/showcaptcha?cc=1&mt=9DE3279E246B340243B559B403430BE10750E353F72A3D0781A4890C637F2568F27E2C&retpath=aHR0cHM6Ly9jbGNrLnJ1L1hrQXNGPw%2C%2C_d1047137a01c88151b4df16ae81be68c&t=2/1681797156/69fb09cae277c59b1ceb4c120fc6cc00&u=6a534e00-4f316e78-51fb5a12-5861124e&s=01a0b95d8bd33b46832b22cfe7defd9a Бесплатный пак «Карта всех профессий CG» : https://clck.ru/showcaptcha?cc=1&mt=87091114EB3F44D0F05B1489F22B6DCFEF722C31B914A70012400BB45D3BC34C7645DA&retpath=aHR0cHM6Ly9jbGNrLnJ1L1NtbUdTPw%2C%2C_7367a8d27204fb92e97df74945c2a6b6&t=2/1681797156/22440f67294aa71b2842d4f18ff8bed4&u=1ac6ad76-9772258-a048f8db-20dce249&s=bebbb5bcd154ab54769a1b26003c8242 | https://vfx.sabatovsky.com/cg_map/ Сегодня у нас туториал вселенского масштаба, который должен был увидеть свет! Женя Тен проведёт вас в мир DaVinci Resolve 17 — самой нелагающей и мощной монтажки 2021 года, которая очень быстро набирает популярность благодаря постоянной оптимизации от разработчиков и user-friendly интерфейсу. Мы самым подробнейшим образом разобрали интерфейс и функционал всех вкладок и инструментов Давинчи, которые потребуются тебе при переходе на эту монтажную программу. Начиная с создания датабазы и проекта, добавления файлов и создания таймлайна, и заканчивая монтажом, эффектами, созданием прокси, настройками звука и финальным экспортом видоса. У тебя просто НЕТ варианта НЕ НАУЧИТЬСЯ монтировать в DaVinci Resolve Studio 17 после просмотра этого тутора. Поэтому скорее заваривай кофе, открывай монтажку и учись новому! Таймкоды: 00:00 Интро 02:32 Часть 1. Настройка проекта и программы. Создание датабазы 04:48 Важная информация! 06:28 Настройки DaVinci Resolve 17 09:02 Настройки проекта. Шаблоны 12:49 Краткий обзор вкладок 13:55 Часть 2. Вкладка MEDIA. Библиотека файлов 16:11 О вкладке CUT 17:13 Часть 3. Вкладка EDIT. Монтаж 20:16 Создание таймлайна 21:15 Настройки отображения таймлайна 22:32 Добавление файлов на таймлайн 27:47 Горячие клавиши 30:39 Часть 4. Эффекты, Анимация параметров, Работа с текстом 34:55 Анимация параметров 36:22 Работа со скоростью 39:44 Effects Library 41:06 Работа с текстом. Text и Text+ 43:24 Про вкладки FUSION и COLOR 46:17 Часть 5. Работа со звуком. Вкладка FAIRLIGHT 48:07 Настройка звук в FAIRLIGHT 53:17 Часть 6. Оптимизация монтажа. Proxy, Cache, Render in Place 54:42 Timeline Proxy Mode 55:44 Proxy или Optimized Media? 56:42 Создание Proxy 57:31 Render Cache 1:00:14 Render in Place 1:03:16 Часть 7. Вкладка DELIVER. Экспорт проекта 1:09:00 Выводы ► Нужен крутой продакшн? Тебе сюда - https://clck.ru/showcaptcha?cc=1&mt=C80EC5ACFC4B9F075F1AC973C34BD509BCC787617B71AE85917F7C4047895B20B7043D&retpath=aHR0cHM6Ly9jbGNrLnJ1L3E3eHdEPw%2C%2C_07f76712f492565dbf605bc26e2513d1&t=2/1681797156/963e8a2f45bb0a231f2d1472a2fec385&u=35d4345b-786c7d8e-3f0c132e-d1791a6&s=877cdc3507df28c43c661547b9e33894 А также не забудь заглянуть сюда: ► VKontakte: https://vk.com/khsfilms ► Facebook: https://www.facebook.com/unsupportedbrowser ► Наш instagram: https://www.facebook.com/unsupportedbrowser ► По вопросам сотрудничества: [email protected] Production Music courtesy of Epidemic Sound
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