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Ревякин Дмитрий
художник Ревякин
предварительный рисунок
рисунок на холсте
рисунок углем
живопись маслом
обучение живописи
портрет маслом
учимся рисовать
портрет рисунок
портрет
рисунок
масляные краски
холст масло
портрет по фотографии
портрет по фото
как нарисовать портрет
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портрет на заказ
картина портрет
портрет монро
как нарисовать мэрилин монро
перевести рисунок
как перевести рисунок
рисунок на холст
холст
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00:00:08
hello, dear colleagues and dear
00:00:10
friends, Rebekah Dmitry
00:00:12
Vladimirovich,
00:00:13
in this video we will talk about a portrait and
00:00:16
how to transfer an image to canvas, or
00:00:20
how to prepare a canvas for
00:00:23
further painting,
00:00:24
but in this video I would like to
00:00:27
reveal the secrets to you; this video is for beginner
00:00:31
artists; I’ll make a reservation right away so that
00:00:36
professionals don’t express their opinions
00:00:38
there, there’s something like that,
00:00:44
I’ll repeat it once again, a video for beginner
00:00:46
artists who, in principle, don’t
00:00:49
know how to draw yet,
00:00:51
namely, build a drawing,
00:00:54
compose it, and so on, and in this
00:00:58
video we’ll talk about a portrait and how to
00:01:01
transfer it linear drawing of the contours of a
00:01:04
human face on canvas
00:01:07
the fact is that any professional can
00:01:13
make a construction by hand from a sketch and draw on
00:01:18
canvas or paper a portrait of the artist,
00:01:21
I mean the one who is
00:01:23
really a professional who
00:01:24
has trained as further this is why it happens
00:01:27
because she has it experience
00:01:29
because there is basic knowledge, not only knowledge of
00:01:31
basic notes, as I already said, experience in
00:01:35
constructing a drawing, he spent 40 plaster
00:01:39
figures and so on, all this took place
00:01:43
somewhere in a university, which is why it turns out that a
00:01:45
person has a skull, he drew it, to
00:01:47
know how his facial muscles are easier What
00:01:51
should a novice artist do who doesn’t
00:01:54
know anything about this at all, that is, he
00:01:57
knows approximately some
00:01:58
proportions, this is such a very muddy
00:02:02
understanding of
00:02:03
where the eyes and lips should be located
00:02:06
and so on, in fact, this is even at the
00:02:11
zero level of knowledge, so novice
00:02:14
artists do not delude yourself if you
00:02:15
think that you know something about portraits,
00:02:21
what should you do? This is how you want to
00:02:24
create
00:02:25
before you want to paint a portrait, a portrait of a
00:02:28
loved one, or a self-portrait, but you
00:02:33
can’t even make a drawing like this,
00:02:36
we’re learning, you can’t make a
00:02:37
preliminary drawing that will be
00:02:39
clear, but in In this regard, I would like to
00:02:43
please you because even in the 17th century
00:02:47
they used
00:02:48
lenses with the help of which they translated
00:02:53
images from nature into drawings, that is, they
00:02:56
actually did this through carbon paper through
00:02:58
carbon paper, they did it only
00:03:00
with the help of lenses all their lives, always at all
00:03:04
times, people translated drawings, many of the
00:03:08
same The method was also used by
00:03:11
Flemish painters when they made
00:03:15
not 1000 hundreds of sketches first and
00:03:19
then to perfection of the face this thing and
00:03:21
then
00:03:22
they transferred the contours of the face to the canvas,
00:03:27
that is, no one just draws
00:03:31
all this either painstaking work or
00:03:35
piri-piri single image contours
00:03:38
faces onto canvas and so on, what are
00:03:43
the ways to transfer the
00:03:44
contours of the face, eyes, good nose, onto
00:03:50
canvas, I will now tell you there are a large
00:03:54
number of different options, so we will
00:03:57
now discuss it all for us before I
00:04:01
move on to this activity,
00:04:06
I will show you, I remind you that
00:04:11
March 24 is approximately 2 4 March at 19:00
00:04:15
on the website painting dotka ru
00:04:17
in the webinar section there will be a master class
00:04:21
in which I will write live
00:04:26
based on this photograph and an image on I
00:04:29
will take and write marilyn monroe,
00:04:32
you can also photograph your loved one from the
00:04:38
same angle of your new
00:04:41
friend or a self-portrait from approximately the
00:04:45
same angle so that the tilt of the head
00:04:46
is approximately such that the turn of
00:04:50
the head is approximately this and we
00:04:53
can if you prepare the canvas and
00:04:56
transfer the drawing to the canvas then we can
00:05:02
try to depict it on March 24th you will make your
00:05:06
drawing your painting make your portrait
00:05:08
and I will make mine make a portrait or
00:05:12
you can just follow me and write this
00:05:14
marilyn monroe
00:05:16
well, this is how I came up with an
00:05:20
action plan, a work plan in which I think
00:05:24
everything will work out, that is, you will have a
00:05:26
high-quality drawing on canvas and,
00:05:29
accordingly, I will help you live and
00:05:33
advise you if you will more often
00:05:35
ask questions what colors how
00:05:38
to apply paint and you try
00:05:41
to draw a portrait with oil
00:05:44
paints, what is good about this principle of work,
00:05:48
this method of work is that you
00:05:53
will definitely make the drawing in proportion and accurately,
00:05:57
you will not have your lips parted
00:06:00
there to one side, the
00:06:01
eyes are one higher than the other below you will simply
00:06:03
transfer to the hall and the second I will help you
00:06:08
like a vase of paints, but only real
00:06:10
painting will be in oil, I will paint, but
00:06:15
you can use watercolor or something like that,
00:06:17
try, I’ll help you, I’ll tell you how to
00:06:20
paint this portrait with
00:06:25
paints, so to speak, yes, that’s in
00:06:28
in reality there will be a painting and
00:06:31
you will get a full-fledged portrait of a
00:06:33
person close to you, I think the speakers have
00:06:37
never done this before, we
00:06:40
’ll try, let’s try and see what
00:06:42
we get, you can also post the results of
00:06:46
photos of your paintings in the
00:06:50
group in the album of my group on VKontakte,
00:06:53
there they are still selecting the
00:06:56
best photos the best
00:06:59
paintings and then there will be another selection and 1
00:07:04
or three people will receive diplomas from
00:07:09
Leonardo’s studio for the best paintings
00:07:12
so far in the album the best paintings in
00:07:16
my opinion are only six works and in the main
00:07:20
album where does it drop all the paintings
00:07:23
there I don’t know about 200 works, but
00:07:27
out of 200 we are working on, we have selected 6 of the
00:07:29
best so far,
00:07:30
but let’s get started, it means 1 meter, so you can
00:07:35
translate the photos, let’s say we take
00:07:40
shaman plain paper, here it is, if you
00:07:45
have a monitor like this,
00:07:48
or a laptop, then you can lean it with your lungs,
00:07:54
very light, so calm
00:07:57
with lines we begin to introduce the nose somewhere
00:08:01
here, the shadows of these lips and with this
00:08:06
drawing you can be sure that the
00:08:11
proportions of the human face are not confused
00:08:15
there, as I already said when constructing by
00:08:19
hand, like a person, when an artist draws by eye, he
00:08:22
must have experience behind
00:08:25
him I have to draw a lot from life,
00:08:27
there are capitals, plaster rosettes, a
00:08:33
human skull, it
00:08:36
all starts with plaster of a cube ball and so on,
00:08:39
and if you don’t have such knowledge, you will
00:08:43
never be able to draw by hand like that, so just like that,
00:08:45
they took it and
00:08:48
translated it simply from a photograph if it in a
00:08:50
digital version and all this if in a
00:08:54
digital version, that is, printing, you do
00:08:56
n’t even need to print out photographs; the second
00:08:59
method of transferring from a photograph is you have a
00:09:07
high-quality photograph, and you don’t
00:09:10
want to
00:09:11
transfer it to plain paper through carbon paper; what do you
00:09:16
need to do for this?
00:09:17
It’s quite thick. the poet
00:09:21
gave them a master class based on this photograph
00:09:24
recently, so we just
00:09:28
put a blank sheet of paper on top like this,
00:09:32
put it on
00:09:34
then take it with glass, you can use it like
00:09:39
this, but you can use it during the day,
00:09:43
the main thing is that there is a son behind the glass,
00:09:46
put it on, turn on the light,
00:09:52
illuminate it and we will you can see if you
00:09:57
turn off the power of the light and it hits your eyes as
00:10:03
places begin to show through and there are apples you probably
00:10:06
see now it’s shining through, but in
00:10:08
fact if you turn off the light it’s a good
00:10:13
backlight and here with a pencil just
00:10:16
enter these apples and so on, it
00:10:20
turns out that the image can be using
00:10:26
this method to transfer to paper, that is,
00:10:29
we can put the paper on top of some kind of monitor
00:10:35
and simply trace the translation with a pencil, or we
00:10:39
can use a photograph up to through glass 200
00:10:44
and the third method is the easiest:
00:10:47
print out the photograph, you have it and
00:10:49
you simply translate through carbon paper
00:10:54
on a blank
00:10:58
sheet of paper, that's why we need a blank sheet of paper, you
00:11:02
can also write with
00:11:06
watercolors on this paper in the future, or
00:11:08
you can use it to transfer from
00:11:12
it to canvas, how to do it, I'll
00:11:15
show you now,
00:11:23
here's what I got, here's me in front of
00:11:26
just from the computer and I
00:11:31
got this
00:11:33
preliminary drawing, this is what it looks like, what
00:11:37
can you do with it now, well,
00:11:38
accordingly, if you used either a
00:11:41
monitor or
00:11:42
glass, it doesn’t matter and a window, then you
00:11:46
get a drawing on paper and those who
00:11:49
write with watercolors
00:11:53
satisfied those, that is, everything is ready on paper
00:11:55
but how to transfer it to canvas, here’s a
00:11:58
canvas on cardboard like this, just
00:12:02
fine-grained for a portrait with a smooth
00:12:07
painting, preferably fine-grained
00:12:12
what I’m doing, look, you can again
00:12:15
resort to carbon paper, that is,
00:12:20
you take regular
00:12:22
carbon paper, lay it down, put
00:12:24
all this stuff on the canvas and trace the contours
00:12:28
and an image appears on the canvas on the canvas,
00:12:33
but in this case there is a possibility
00:12:36
that your canvas will get dirty with
00:12:38
copy paper, if it gets dirty
00:12:41
and you see black loops there so that they can
00:12:45
later be smeared with thinner
00:12:48
and so on,
00:12:51
it will need to be covered with this copy paper
00:12:53
with pure white spirit, just wipe it
00:12:57
with white spirit thinner and that’s all,
00:13:00
nothing more, oil for me with something just
00:13:02
white spirit with pure thinner and this
00:13:06
layer will be fixed and will not be rubbed in the future
00:13:08
when painting, but there is
00:13:13
one more meter without the help of copy
00:13:17
paper,
00:13:24
here we have it image marilyn monroe
00:13:27
water as I said it turned out like this and
00:13:29
turn it over to the other side like this I
00:13:32
take a pencil
00:13:37
4b
00:13:38
well you can have six like it and start
00:13:41
shading like that look now and I’ll show you
00:13:44
shading at what sweeping pace you don’t
00:13:52
need to know much, you just need to
00:13:54
shade how you do it but the
00:13:58
main condition should be that
00:14:03
this lead and this pencil
00:14:07
should fill the entire surface of the sheet,
00:14:11
that is, the entire pencil layer here
00:14:14
should fill the white surface,
00:14:23
moreover, where her eyes are, where
00:14:27
her lips are, here is the model down of
00:14:31
the photograph, it needs to be stronger, stronger
00:14:35
thicker, duplicate it like this and
00:14:43
paint over the tire with
00:14:46
these strokes, I typed it, we’re
00:14:50
a little inconvenient, I
00:14:53
did it quickly with a variable taste, so
00:15:01
I painted it over, and this is what I
00:15:03
got, like this stroke,
00:15:06
then I take the canvas, its front side
00:15:10
is applied to the canvas with this stroke like this
00:15:14
and I just simply translate, take and
00:15:19
press, and everything that Terekhova wear is not
00:15:22
printed on the canvas,
00:15:25
what’s good about this method, it’s good because the
00:15:30
clarity of the lines will also be guessed and you wo
00:15:36
n’t go astray with the proportions; moreover, you
00:15:40
can control your composition,
00:15:44
that is, on paper you can shift
00:15:47
paper to the left or to the right, I’m still talking, I’m
00:15:50
tracing this in a matter of minutes, but of course, if
00:15:54
you need a high-quality portrait, then you
00:15:57
need to try to redraw it very
00:16:01
well, don’t rush now, I’m just
00:16:04
transferring it to canvas for show, and you
00:16:06
please try, prepare
00:16:09
the canvases by March 24, you can
00:16:13
take a photo ask your loved ones
00:16:15
to take a photograph or a loved
00:16:18
one and transfer it
00:16:23
to canvas in this way so that your drawing is already ready
00:16:27
and we can work calmly
00:16:34
without wasting time on the drawing because the drawing is
00:16:39
actually imagined if I
00:16:43
start building the construction live
00:16:47
and you follow me if you repeat, you will
00:16:50
still get confused and will go out of proportion
00:16:52
and so on, that is, there will be mistakes
00:16:55
in this situation, so I circled
00:16:57
the drawing,
00:16:58
everything will be fine and we see that there are barely
00:17:03
perceptible contours like this,
00:17:05
but they are not barely perceptible, they cannot be
00:17:08
seen through the camera so clearly
00:17:09
visible appeared on the canvas, that is, a
00:17:13
print appeared, a print appeared through
00:17:19
this paper, if you contaminated the canvas
00:17:23
too much, but somewhere there with your fingers
00:17:26
you touched
00:17:27
something else with a pencil incorrectly, then
00:17:31
again we cover this hall with a
00:17:33
clean thinner with a clean thinner
00:17:36
and let it dry and then painting is already carried out
00:17:39
on this canvas, these are the methods
00:17:43
and techniques for translating contours for
00:17:47
further painting, and I’ll tell you, I’ll
00:17:50
tell you a secret that modern
00:17:53
portraits are actually drawn like this,
00:17:55
there are artists who don’t build because if there’s a
00:17:58
mistake in the proportions by a millimeter, then the
00:18:02
eyes are somewhere if it moves to the
00:18:04
side, the result will not be what you need and
00:18:09
believe me, the portrait will no longer look like a
00:18:12
person because portraits are important, these
00:18:15
lines can be spent two or three days
00:18:19
on sketches by hand, you can do it yourself;
00:18:27
it’s easy to paint from life, but that’s again
00:18:29
same as an artist, that is, if a person sits and
00:18:33
poses and it’s very easy to
00:18:37
do it from life like this, but if you start to make
00:18:42
this drawing yourself tricky,
00:18:45
then most likely
00:18:47
the proportions will be, and you won’t succeed, it’s
00:18:51
exactly like a person, so
00:18:55
it’s better to translate from a photograph and then
00:18:57
apply a layer of paint and
00:18:59
in the process of painting you need to constantly
00:19:02
monitor the drawing because there
00:19:04
the paint may be a little off by
00:19:06
about 2 millimeters,
00:19:09
there the face expands, their strength is due to
00:19:13
inaccuracy in applying strokes,
00:19:15
so in painting you must take into account
00:19:18
this fact that the drawing in the process of
00:19:22
all work on the portrait must be
00:19:26
controlled by the artist, just know
00:19:29
this, I will repeat once again about the fact that
00:19:32
translating
00:19:33
some people think that this is bad,
00:19:36
some professionals will say what it is, what is
00:19:39
this pop music to translate, but they
00:19:41
themselves may be quietly
00:19:44
translating portraits somewhere you know, but this also
00:19:48
exists, in fact,
00:19:52
there is nothing terrible about it, and as I already said, if
00:19:56
you studied the history of art, look at some
00:19:59
more information, then even such ones in those
00:20:04
days used special lenses, special
00:20:07
measuring instruments,
00:20:09
with the help of which they
00:20:12
literally translated it onto the canvas there
00:20:14
were, of course, no monitors, and
00:20:18
there were no such conditions as we have now, no
00:20:21
photographs,
00:20:22
but
00:20:24
there were such special devices, I can’t
00:20:27
just talk about them now, we need to
00:20:30
quickly show what it is even
00:20:34
earlier if we turn to the history of
00:20:36
art on the traction of the
00:20:38
frame which had the threads
00:20:42
stretched like this like a cross and they put it in a circle, they
00:20:46
fixed it, they fixed the window, and then
00:20:49
they looked through the window at this frame with
00:20:52
threads and projected it onto the sitter there, sitting on the
00:20:57
carcass, and in fact, they redrew the same thing with
00:20:59
contours, unfolded it and made
00:21:03
this ruler on the canvas
00:21:08
with squares then the same thing that in this
00:21:10
frame, that is, the threads there also went in
00:21:12
squares and
00:21:14
in squares and drew the sitter, that is,
00:21:17
this is the same translation, in fact, this is
00:21:22
not a construction, so if we
00:21:25
turn to this matter, then the artists
00:21:28
always translated, you can say even from
00:21:30
life I translated I'm waiting for you, nevertheless,
00:21:36
I'm waiting for you 20 March 24 at 19:00 reminding
00:21:41
the broadcast will close immediately for copyright protection
00:21:46
so as not to download these
00:21:50
master class films, but you can receive
00:21:53
this master class as a gift,
00:21:56
it will be recorded in good quality upon
00:21:59
purchase one of the proposed films
00:22:02
so let's friends prepare canvases
00:22:08
take pictures of your loved ones prepare the canvas for the 24th
00:22:11
transfer this canvas
00:22:13
if you have anything write to me then on VKontakte or
00:22:16
by email I will try to answer if
00:22:18
possible if I have time I will
00:22:20
answer so on the 24th we will use oil
00:22:25
paints if if you want, you can use tempera paints,
00:22:28
you can use acrylics, you can use gouache, you can
00:22:31
even use watercolors,
00:22:33
try to paint this portrait with me,
00:22:38
but if you don’t have close friends and
00:22:41
loved ones whom you would like to
00:22:44
portray, then you can draw marilyn monroe
00:22:47
with me,
00:22:49
you will still have experience and science in any
00:22:52
case, the master class is useful for both
00:22:54
beginners and professionals,
00:22:58
see you friends, I was Kennedy
00:23:01
Vladimirovich

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Подписывайтесь на сайт Ревякина Д.В. и вы сможете узнавать о бесплатных мастер-классах по живописи масляными красками здесь: https://www.k-artina.ru/rasspisanie.php Заказать портрет можно здесь: www. k-artina.ru Подписывайтесь на новости о м-к: https://k-artina.ru/rasspisanie.php Вступайте в группу "Вконтаткте": http://vk.com/club56891432 Вступайте в группу в Фейбуке: https://www.facebook.com/unsupportedbrowser Вступайте в группу в Одноклассниках: https://ok.ru/leonardo2015 О чем видео Как перевести рисунок на холст. Ревякин Д.В. Это видео в котором художник Ревякин рассказывает, как как создается рисунок на холсте, что такое рисунок углем, как перевести рисунок на холст и создать портрет на заказ. Если у вас возникает вопрос, как нарисовать портрет, при этом используя масляные краски, то это видео как раз для вас. На нашем канале грамотное обучение живописи и в приоритете объяснение о технике живопись маслом.

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