Download "Вебинар Ольги Базановой - "Иван Айвазовский". Пишем маслом"

"videoThumbnail Вебинар Ольги Базановой - "Иван Айвазовский". Пишем маслом

Lilac oil painting #art #painting #acrylicpainting #oilpainting #lilac

Lilac oil painting #art #painting #acrylicpainting #oilpainting #lilac

Channel: Vugar Mamedov ART

How to draw a Winter landscape with a sunset for beginners|how to draw a sunset #how to draw

How to draw a Winter landscape with a sunset for beginners|how to draw a sunset #how to draw

Channel: Ruslan Yuriev Art

ХУДОЖНИК И ПОРТФОЛИО: советы и подсказки

ХУДОЖНИК И ПОРТФОЛИО: советы и подсказки

Channel: CG Speak

Как нарисовать руки акварелью//How to draw hands with watercolor

Как нарисовать руки акварелью//How to draw hands with watercolor

white grapes белый виноград vugar mamedov

white grapes белый виноград vugar mamedov

Channel: Vugar Mamedov ART

Вебинар по живописи от Ольги Базановой - "Лев". Пишем маслом

Вебинар по живописи от Ольги Базановой - "Лев". Пишем маслом

Channel: Ольга Базанова

Курс "Копирование Старых мастеров"

Курс "Копирование Старых мастеров"

Channel: Igor Saharov

ПОЛНЫЙ видео-урок "Девушка в полотенце". Художник Игорь Сахаров

ПОЛНЫЙ видео-урок "Девушка в полотенце". Художник Игорь Сахаров

Channel: Igor Saharov

Как нарисовать персонажа в движении. Основы анимации.

Как нарисовать персонажа в движении. Основы анимации.

Channel: CG Speak

художник

краски

масло

холст

холстмасло

картина

живопись

обучение

курсыпоживописи

курсы

мастеркласс

кисти

айвазовский

шишкин

реализм

академизм

интервью

искусство

курсы по живописи

обучение живописи

курсы рисования

рисование

живопись для начинающих

как научиться рисовать

учимся рисовать

холст масло

00:00:01

[music]

00:00:44

[applause]

00:01:04

[music]

00:02:16

in

00:02:18

[applause]

00:02:37

[music]

00:03:52

[applause]

00:04:11

[music]

00:05:25

[applause]

00:05:45

[music]

00:06:11

a

00:06:15

[music]

00:06:59

[applause]

00:07:18

[music]

00:08:32

[applause]

00:08:52

[music]

00:10:06

[applause]

00:10:26

[music]

00:11:40

[applause]

00:11:59

[music]

00:13:11

and

00:13:13

[applause]

00:13:33

[music]

00:14:47

[applause]

00:15:06

[music]

00:16:11

hello dear friends in raw we are with

00:16:14

you Olga Bazanova article of a living

00:16:17

grain of sand Bazanova here behind the scenes there is

00:16:21

Tanyusha daniels so we are now waiting for

00:16:26

your pluses, can you hear

00:16:30

can you see me, this canvas, can

00:16:34

you see the colors, if you don’t see

00:16:37

the colors and the canvas, put minus

00:16:41

pluses, pluses are you here what cities are you from

00:16:46

who are I from St. Petersburg Samara hello

00:16:55

Serbia super screensaver thank you I

00:17:12

didn’t do this before Chisinau Tanyusha prompts

00:17:21

put it minus who can't hear us Czech Republic

00:17:32

I'm Moscow Kirov Togliatti Moscow Kirov

00:17:37

Latvia but in Linden it was more than once oh no

00:17:42

Linden once Frida was a hot key

00:17:46

cool in general it sounds so good hot

00:17:49

key

00:17:50

and in winter it sounds so good Brussels

00:17:56

and you have water in the hot key I'm switching off

00:18:01

Lily always there are hot Novosibirsk

00:18:06

Novosibirsk was many times in Minsk

00:18:11

many times you had such a cool

00:18:14

water park Lebyazhiy

00:18:17

Italy great Dubai

00:18:40

Arkhangelsk hello everything before Portugal

00:18:47

was in Portugal Lisbon q sports everything is

00:18:54

super great but that means dear

00:18:57

friends I’ll tell you right away

00:19:00

probably what we’ll do today

00:19:02

Today we will paint a picture of an

00:19:04

amazing artist and Vazovsky with the

00:19:06

soul of such an artist who painted the

00:19:09

beautiful sea and nature has not been written

00:19:12

about you, he wrote it from his memories. Today we will

00:19:16

start with a picture for you, there will be in the middle

00:19:19

and at the end there will be gifts for those who are with us,

00:19:24

please stay with us because

00:19:27

everyone ok tore reposted, you can

00:19:29

participate with your repost and you

00:19:34

will get the opportunity to win and win

00:19:39

99 webinars for

00:19:42

Aivazovsky where we will write and wave 9 of

00:19:45

him and two more paintings I don’t remember

00:19:48

the name of four paintings of all of

00:19:50

Aivazovsky this will be held in 9

00:19:54

webinars so here are all I’m just

00:19:57

calling you to these webinars and also reposts,

00:20:03

those who do can be happy

00:20:07

whoever wins and wins, also

00:20:11

one more moment will be played out here, these are

00:20:13

such beautiful brooches,

00:20:15

they are made to order, their limited

00:20:20

quantity is 5, those who bought the basic package

00:20:24

will receive these beautiful 2 brooches, you see,

00:20:27

they were made to order by hand, they made a small

00:20:30

number of copies, so let’s

00:20:33

move on to painting, look, we have

00:20:37

the most beauty now, look, you

00:20:39

will have eyes to enter so you, this is very

00:20:42

convenient when you print 2 or 3

00:20:45

pictures, then you get the opportunity

00:20:47

to mix colors directly on one picture

00:20:50

add to the picture to see what color we

00:20:52

start with what I will outline

00:20:55

this time with cadmium red cadmium red

00:21:01

in solvent I will outline the

00:21:04

horizon line the horizon line is

00:21:07

this time a quarter of practically

00:21:11

the canvas, maybe a little bit higher than a

00:21:16

quarter but basically almost a quarter

00:21:18

of the canvas, if we divide the canvas into exactly

00:21:22

three parts vertically, then we will get

00:21:26

a part of the ship, this is part of the stern,

00:21:31

excuse the word, it will turn out that we have a

00:21:34

line here parallel to the

00:21:38

horizon line, even if our ships

00:21:41

are deployed from above, we

00:21:43

will not be able to observe it, I’m just pointing out that where we have and where

00:21:46

it will be at a slight inclination

00:21:49

what kind of masts we have and what and where is just

00:21:53

an outline so that you understand where to

00:21:56

put us color spots and light spots

00:21:58

in the background there is a slightly mountainous

00:22:01

landscape and we see such a beautiful bay

00:22:07

if you pay attention you will see that that’s it

00:22:10

the ship is here and almost

00:22:15

sunflower our path, which

00:22:18

the sun is shifted to the right a little, I’ll now

00:22:21

definitely indicate this with my finger, right

00:22:24

here I’ll take it, I’ll indicate

00:22:28

I haven’t started writing yet and you already know the

00:22:30

colors of the paints all hands are below the middle of the

00:22:38

canvas, we have the sun below the

00:22:43

middle of the canvas and swiss, respectively,

00:22:46

where- then centimeters

00:22:48

centimeters 3 from the boat the canvas size is

00:22:57

50 to 70 paints presented

00:23:00

titanium white cadmium lemon

00:23:03

cadmium yellow light cadmium red

00:23:05

light kraplak pink what else do

00:23:10

we have mars brown dark green

00:23:14

function blue photo of India before you

00:23:16

can additionally take

00:23:17

sky blue but if you you don’t have it, you

00:23:19

can mix it,

00:23:21

mix blue fc with titanium white

00:23:23

and add one part one hundredth green

00:23:27

facet like this, mine down whitened Komi and

00:23:33

it turns out that in this place where

00:23:35

our

00:23:36

light ends our wave

00:23:40

I also mark boats that are

00:23:44

almost parallel to the line

00:23:46

there are 2 horizons

00:23:48

and they also protrude on a third of

00:23:54

the canvas on a third a third of the canvas

00:23:58

vertically we look we move on to

00:24:00

painting I take a large large brush

00:24:06

flying photographs

00:24:09

and now I dip a large large brush

00:24:15

in a solvent solvent I use

00:24:17

pinin 4

00:24:19

or you can take any other

00:24:21

solvent thinner You can

00:24:24

also use a thinner if you don’t have it,

00:24:27

you have an allergic reaction to

00:24:29

something, you can take

00:24:32

refined sunflower vegetable oil, you can even

00:24:36

take, of course, wonderful

00:24:42

linseed oil, that’s how I apply

00:24:47

the shade, like a solvent, literally

00:24:52

white, the next thing I’ll do is I

00:24:55

’ll take the yellow one lemon and

00:24:58

a little yellow light and about the cut

00:25:02

around our sun now I’m working with a

00:25:06

synthetic brush I’ll make a

00:25:10

gradient like this transition of color the gradient is also

00:25:14

done with the fingers using the

00:25:17

hand with a

00:25:20

thin thin layer of the

00:25:27

following paint I take a denser

00:25:31

yellow color for now this is bright and for now

00:25:34

this yellow so far

00:25:41

I don’t add any additional shades, the next thing I

00:25:45

start adding is cadmium red

00:25:49

along with yellow paint, cadmium red

00:25:55

to the yellow paint I add

00:25:58

and of course a large amount of white

00:26:11

at first I don’t go close to the sun I

00:26:16

cover everything even under our boat it’s

00:26:19

barely there

00:26:22

will be visible barely visible cadmium red yellow

00:26:32

wiped away the excess paint removed the cadmium

00:26:37

red like this I throw

00:26:43

cadmium red and yellow onto the canvas

00:26:48

a small amount of paint a barely

00:26:52

noticeable amount of paint so that it can be

00:26:55

smoothly shaded now I have a

00:26:59

little thing falling off here I’ll

00:27:01

attach another one as - that’s why

00:27:14

we so smoothly shade

00:27:23

this paint with a thin thin layer, the paint

00:27:27

should not flow,

00:27:29

this is important if the paint leaks,

00:27:32

then the picture will not be so beautiful,

00:27:35

so be careful so that the paint does not

00:27:39

flow, you will need to learn how to

00:27:41

massage the canvas,

00:27:43

that is, you will have to do this

00:27:45

quite a lot now I wipe the

00:27:47

brush and carefully create this

00:27:50

gradient, that is, the transition gradient is a

00:27:53

transition from one color to another, what works for me is a

00:28:03

construction brush, which

00:28:05

was bought in a regular hardware store,

00:28:08

this time even this brush

00:28:10

was taken from both stores,

00:28:13

so they are a little bit as if there is no advertisement,

00:28:17

no advertisement, and at the bottom there is a little bit of an orange

00:28:21

tint that will smoothly transition

00:28:25

into red with white, so pink and

00:28:32

at the top I am working with pink and white

00:28:36

from such pink specks, pink

00:28:39

maybe and white, smooth shading

00:28:45

should be smooth, smooth shading,

00:28:49

this is the color we need experience transition

00:28:51

transition flag, as they say, with a blue

00:28:54

tint because the speckles

00:28:56

serve as a clean transition from warm to

00:29:00

cold tint, so it’s very easy

00:29:03

to make this smooth transition to

00:29:06

then get clean paint,

00:29:09

even if we don’t see the speckle in this

00:29:12

place, it will help us a lot.

00:29:19

I’m

00:29:24

cleaning up,

00:29:26

but still continue a little, so

00:29:29

working with our beautiful paintings is

00:29:33

just the beginning, such a smooth transition,

00:29:39

if your canvas massage takes more

00:29:42

time, it’s okay, the next thing

00:29:44

we can take is to take either heaven on

00:29:47

blue or blue fc here at

00:29:49

your discretion then yes, you can take

00:29:52

the sky on blue and mix a little bit in there, this is

00:29:55

the shade that we have around

00:29:59

as you see, we now approach the

00:30:02

opposite way from blue, we smoothly transition with

00:30:07

only a very small amount of

00:30:09

paint, we go down a little,

00:30:21

creating a smooth gradient, the transition from

00:30:25

one color to another to the right to the top, I

00:30:29

[ __ ] too I work with blue shades with

00:30:39

color shading,

00:30:45

your shading will be done there is the right

00:30:49

synthetic this time the brush is soft

00:30:53

soft with a soft badge it is very important to

00:30:58

do this with a small brush but it’s

00:31:01

just very difficult so do

00:31:04

it like this I add a little green to the blue

00:31:08

runway sky blue I’ll take it off

00:31:18

I added a

00:31:19

small amount of green vc like this,

00:31:24

I blend it

00:31:25

smoothly with that speck of pink that I

00:31:30

added the base in advance, as you can see, I

00:31:37

made almost

00:31:43

30 more movements to shade this paint,

00:31:47

if you did it by accident, 100

00:31:50

is not scary, the main thing is that you won’t rub it all the way to the hole, that’s it

00:31:54

it will be good the

00:31:56

next stage, I wash the brush

00:32:00

now and I will touch these clouds a

00:32:04

little later, but first I have to outline

00:32:09

where we have what with the clouds

00:32:11

these clouds are on the right I will be

00:32:14

later

00:32:15

I have napkins that

00:32:16

jump out all together they are a guide and we

00:32:19

want to participate too don’t talk

00:32:23

with napkins

00:32:24

here, these little renegades are

00:32:26

small, like clouds, and from above,

00:32:32

at a distance, exactly the middle of the canvas is

00:32:37

exactly the middle, if we divide

00:32:40

the canvas into two parts,

00:32:41

then we will see a cloud, I rub a little under it,

00:32:46

maybe it’s important to

00:32:49

then take white and a little yellow

00:32:53

paint

00:32:55

and make a small spot like this, you

00:32:59

can do it with a brush, you can do it

00:33:01

with a third finger, this is important, you can do it with a second finger, I

00:33:09

’ll add a little orange with a light

00:33:18

shade

00:33:24

and now I’ll take a solvent, this

00:33:31

yellow color, and I’ll do this, you know, there’s an unevenness on the

00:33:34

cloud itself, a slight

00:33:41

unevenness, and this unevenness can be placed in

00:33:50

blue - green pc can be turquoise for me that

00:33:56

green pc can be turquoise just like that

00:34:01

a few shades of

00:34:05

pieces about such clouds

00:34:17

also here on this side there are several

00:34:20

small and small clouds

00:34:22

that also go in the direction like this

00:34:25

movement that is, it is important

00:34:27

to arrange the clouds like this so that

00:34:29

we should have these clouds

00:34:32

in perspective, that is, all the lines that are

00:34:34

parallel to each other but not parallel to the

00:34:36

horizon converge to a point, the

00:34:41

next thing I wanted to show is that

00:34:43

we have these clouds, it is

00:34:46

exactly a quarter of the canvas vertically and

00:34:53

just a little above the middle by a centimeter to

00:34:58

literally above the middle horizontally

00:35:01

this is this cloud that we will have

00:35:05

bright saturated to it I will add

00:35:08

a little more red shades such as

00:35:11

cadmium red and

00:35:14

I no longer plan to rub paint under it since it is

00:35:17

far from color and here white shades are not

00:35:21

required, all the movements of cumulus clouds

00:35:26

we do smoothly and softly and here the

00:35:30

same softly smoothly we work with the cloud, you

00:35:38

can also take yellow and white and

00:35:43

gently

00:35:51

twist the brush like this, the more you twist it,

00:35:55

the more it gives off paint

00:35:59

when it gives off paint from all sides

00:36:02

it turns out to be more convenient to work with and I take

00:36:05

pink now in small small

00:36:08

quantities there is absolutely no place for white

00:36:17

ivory color can be used except for the

00:36:20

sun itself

00:36:22

the sun itself will have to be done through

00:36:25

white

00:36:36

some points on the cloud itself are also

00:36:39

visible we also see a gap in this

00:36:49

place from the cloud two clouds Once

00:36:55

they parted and

00:36:57

you can see the sun’s ray,

00:37:14

I slightly reduce the amount of the

00:37:21

solar disk, that is, a

00:37:25

little bit of it is here with a plus of

00:37:28

like a little bit of cadmium red and

00:37:35

white we put it here together with the

00:37:38

yellow paint on top in a small

00:37:42

amount, the most important condition for the

00:37:45

painting to come out we take a little bit of paint

00:37:48

so little that literally it

00:37:51

fits just a little on the canvas, on this side

00:37:55

the sky is also orange, the next thing I take

00:38:03

is blue and pink and here we get a

00:38:09

more complex color and paint I take very

00:38:13

little,

00:38:14

it’s almost invisible here's a

00:38:18

little bit of paint in a small amount,

00:38:23

just completely so that it doesn't look

00:38:26

pasty, if you have too much paint you

00:38:29

can always remove it with a palette knife, this is a

00:38:34

device that looks like a spatula, it looks like a

00:38:36

construction knife, so you can use it to

00:38:39

remove it right here, specifically on this

00:38:42

side, I add the same thing through a little

00:38:44

blue right here is the shade of

00:38:59

a cloud,

00:39:03

yes, you can use Neapolitan

00:39:10

yellow field paint, you can

00:39:14

use any paint, in general, the main thing is

00:39:18

to create a tonal gradient, that is, so

00:39:21

that later we have from light to

00:39:24

dark, then it will work out in any

00:39:26

case, even if you use completely different

00:39:28

colors, you can

00:39:30

use the color that is closer to you, the one you

00:39:32

like best, absolutely

00:39:35

calmly use such other

00:39:38

shades pinkish reddish

00:39:48

a little on our very point

00:39:51

we place it on the left side starting to

00:39:54

work green PC with whitewash

00:39:57

imagine blue this is just such a

00:40:01

bright shade

00:40:02

that we will now shade into the

00:40:07

clouds

00:40:18

and add pink specks with white,

00:40:21

kraplak pink and green pc

00:40:24

create very pure shades; these are 2

00:40:28

obviously cold colors that, when

00:40:30

mixed, give a beautiful sulfur bluish,

00:40:37

so it’s more visible, but I’ll

00:40:39

remove the palette a little bit so that you can see

00:40:42

the shade, as I said, the transition color is

00:40:49

always kraplak, it gives purity

00:41:04

purer light shades,

00:41:08

we’ll finish all this a little bit later, now let’s

00:41:10

move on to the next stage, the next

00:41:16

stage, here we can continue

00:41:19

to register our beautiful

00:41:26

little

00:41:28

dot here, we’ll write it through yellow through

00:41:31

white through and before it led

00:41:39

something was written there in the background for

00:41:42

our our next moment

00:41:47

somewhere maybe here I'll also mark it a little bit with

00:41:50

white. We’ll still work

00:41:58

now, let’s move on to the next stage,

00:42:00

here we need to add a little pink,

00:42:02

since our bottom plan goes behind the light,

00:42:08

this one comes from above, I want to add

00:42:11

a little pink, then the

00:42:19

ninth shaft in the online master class in

00:42:22

these in our series, of course it will

00:42:25

be written in three lessons, three lessons

00:42:28

completely detailing the spots, first

00:42:34

then first the spots then the second layer the

00:42:36

third layer that’s all we will have the ninth

00:42:39

wave wave

00:42:40

and two more paintings by

00:42:53

Zdarova Zdarova Zdarova Feodosia to

00:42:57

very much Aivazovsky is represented there more

00:43:00

strongly than, for example, he is represented in

00:43:04

other museums but in The

00:43:06

ninth shaft and the wave are very beautifully presented in the Russian museum,

00:43:10

that’s why I want them, well,

00:43:14

almost from life, but no, I said yes, you

00:43:27

can use Neapolitan tones, you

00:43:36

see how well done we are, you have

00:43:42

another yacht there for public access.

00:43:46

I’m still some kind of bird, here’s another

00:43:49

small little piece of the absolute

00:43:54

sky and I’m moving down an hour, I’m going to apply it, don’t be

00:43:57

patient, I’m on stray, do everything down,

00:43:59

go to the bottom,

00:44:00

well, I’ll start with blue vc blue

00:44:05

shades like these bright

00:44:08

brightest shades with a small amount of

00:44:11

paint

00:44:13

with small ones, I carefully

00:44:16

throw it in like this and add it, even imagine a

00:44:20

color like indigo, indigo I add it

00:44:27

in this color and of course blue

00:44:32

pc

00:44:37

and on this side, too, a little quieter

00:44:45

here, a little in the church, I wash the brush

00:44:49

green now I take facies green pc

00:44:57

green pc for shading

00:45:09

in

00:45:12

and here straight to our beautiful path

00:45:17

which will be further depicted in this

00:45:21

color green pc

00:45:47

lion in order to become a famous

00:45:49

good artist you must first of all

00:45:52

paint pictures and it is not always an artist from a

00:45:57

university who graduated higher and received an

00:46:00

art education who is engaged in

00:46:02

painting, you must agree, it is not always a person

00:46:05

who graduated from engineering received

00:46:08

or director's station as a director or

00:46:11

engineer, that is, but there are a

00:46:17

lot of examples of this, so you

00:46:22

can learn nothing in studios, but

00:46:26

for this you first need a rig and

00:46:28

regularity of yours, that is, you must

00:46:32

love your job, you must love

00:46:35

painting, devote yourself completely to it and

00:46:40

if you have a need and a

00:46:44

need to earn money, then you will do your

00:46:47

best to make sure that you get

00:46:50

good results, and if you try, the more you try to

00:46:53

get

00:46:55

good results, the more successful you will be in

00:46:57

selling accordingly, it all depends

00:47:02

on you,

00:47:03

well, nothing else

00:47:13

when you shouldn’t, because I

00:47:22

laid the pink kraplak if I hadn’t

00:47:24

laid the pink kraplak here

00:47:26

in advance about collecting on with white, you will then

00:47:29

rewind, look, then I would have a

00:47:32

green sky, emerald green, you can

00:47:40

replace the green pc

00:47:48

to the green pc in the sea and I’m taking it now

00:47:54

kraplak pink with white

00:47:56

and carefully make this transition from

00:48:00

green through pink yeah to the right in an hour

00:48:11

through pink

00:48:28

rocked glasses so small with a small

00:48:31

small amplitude I put a little bit

00:48:34

and in the foreground I will add a

00:48:38

little yellowish shades with red

00:48:42

even with cadmium

00:48:45

this will give such a brownish greenish

00:48:50

and we need green pc blue photo

00:49:02

in small quantities

00:49:06

this is the story and shade the

00:49:14

paint the next piece now for now we've

00:49:19

done this here now let's move on to

00:49:22

writing the edge I take brown and

00:49:27

add cadmium red this is mars

00:49:30

brown I also add indigo on

00:49:36

the edge and a little speck of pink

00:49:44

these are the complex shades obtained

00:49:48

through brown and red

00:50:09

oh thank you very much

00:50:11

what is the name Lyuba

00:50:17

Bair thank you very much sorry if we

00:50:22

pronounced the last name incorrectly and I

00:50:27

repeat I will repeat here cadmium red

00:50:32

brown look this is a brush I have

00:50:35

number 18 but you will take a smaller one so it’s

00:50:38

more convenient to work when the brush is a little

00:50:40

smaller and I’m now marking out these

00:50:43

boats

00:50:45

I just did and now the underpainting you

00:50:49

saw a small amount of paint

00:50:51

underpainting

00:50:52

and here there are a little yellowish shades

00:51:04

yes here the blue photo is used

00:51:08

used be careful here and the

00:51:10

blue facies green photo is used

00:51:12

that is, if you thought that there was only

00:51:15

one to get a there is no pasibka without nature,

00:51:28

so Aivazovsky could make

00:51:35

sketches etudes from life,

00:51:37

like my voice, pressed down, lowers

00:51:43

because I saw a small thin

00:51:46

brush, no one took it and no fords, dear

00:51:48

friends, I’ll take this my car is there

00:52:03

in the background please tell me there is

00:52:04

a city or something oh thank you for the warm oh

00:52:25

oh thank you art class this is probably from

00:52:29

Yekaterinburg

00:52:31

no

00:52:43

look dear friends I am starting to

00:52:46

intensify the sensations light and call

00:52:50

Svetlanochka here the

00:52:53

picture below asks for this is

00:52:56

my reflex

00:52:59

the microphone hasn’t fallen yellow again and it’s almost on the

00:53:03

bottom 5

00:53:06

only

00:53:14

I add a little bit of white and yellow, but

00:53:18

look, the main thing is that the whites are

00:53:20

closer here because generalization is a

00:53:23

very convenient thing if we make a

00:53:27

paste of the barrels if we make the whites

00:53:30

we had them everywhere, and then

00:53:33

everything will turn out to be convex. The

00:53:34

main light source, we can

00:53:37

lose a lot of solvent by doing this.

00:53:41

I’m taking a lot of solvent now.

00:53:55

oh

00:53:58

great Svetlana Shishkina

00:54:04

I take the solvent I prepare myself a mixture

00:54:07

of white and solvent you know it’s

00:54:10

like sour cream without a thickener

00:54:13

now it’s like it’s hard to find it without a

00:54:16

thickener like this sour cream without a

00:54:18

thickener I whitened with glasses carefully

00:54:22

at first I whitened with glasses the color still

00:54:25

sticks we make such small light ones

00:54:29

I rocked the glasses, I also add yellow and

00:54:36

carefully add yellow here and there, I also

00:54:42

take the [ __ ] with white

00:54:43

and put small little dots of

00:54:47

highlights, you can even do them with the back of

00:54:50

a brush

00:54:59

and then combine these freckles for now

00:55:08

only with honey.

00:55:19

how much I take risks

00:55:25

I have been drawing since kindergarten, like all of you,

00:55:31

we all draw throughout our childhood in

00:55:35

kindergartens, then in schools we all draw,

00:55:39

and then I began to enter an art

00:55:43

school at the age of 11, it was an art

00:55:47

school named after Sviridov,

00:55:50

although the musician was named after Asfir

00:55:53

of this I played the cello, first

00:56:12

carefully we make such small

00:56:17

glasses, without covering the shadows,

00:56:20

a question until master classes are still alive, we have

00:56:30

them in St. Petersburg,

00:56:33

sometimes in Moscow, but less often, and in

00:56:37

St. Petersburg we will have a master

00:56:39

class November 3, 4, held near the Vyborgskaya metro station

00:56:47

I don’t remember the photo of Mendeleev’s in a private message, we’ll send it to anyone

00:56:52

who wants it,

00:56:54

you can use it from life, ice nature, of course, live,

00:56:57

you can have the same on the seaside, we’ll wait for these

00:57:02

points about angel glasses, hello, huge, for

00:57:13

how long will we not

00:57:16

change, I ask for the veins myself, we’ll

00:57:21

clarify

00:57:30

who I’m working with now, cool Yes, Mr.

00:57:42

Obviousness,

00:57:48

until November 29, the price tag remains on

00:57:54

the price until now, you’ve got it mixed up here, you’ve got it mixed up,

00:58:00

and

00:58:04

in general, we need to do the light here along

00:58:07

the line, and the rest can be hours to

00:58:15

write up

00:58:23

so neatly, neatly, I

00:58:26

’m working with a synthetic brush that’s not the

00:58:28

thinnest I’m working, I don’t even know how you like it

00:58:36

tell guess kill

00:58:40

guess who I work I can give

00:58:47

a hint now it’s in your eyes who you

00:58:58

work and there are some other options

00:59:06

besides the fact that I’m an artist suddenly

00:59:17

appeared like this neatly oh small little

00:59:23

things like that and these

00:59:26

sharp

00:59:28

little waves we’re just outlining the brushes

00:59:32

that As you can see, they don’t even take the coloring,

00:59:34

what I have left of the central

00:59:37

part, and then I stretch it out

00:59:44

a little bit. Now I take the white with the green

00:59:47

pc and add where I wanted

00:59:54

all these little thin details,

01:00:02

in fact, I want to ask,

01:00:04

maybe there I have a thin brush

01:00:06

lying there now, let's see suddenly a miracle

01:00:12

happened and I have a very thin one,

01:00:17

it's all green and blue marks

01:00:22

in that treasured drawers if you don't have one, you don't

01:00:29

really need it, I didn't really want to talk about tass from

01:00:37

fantasy nc spoke in German

01:00:44

aha

01:00:45

the picture will be calm gondolier on the sea

01:00:50

at night wave and the ninth wave can I

01:00:54

show you a hint, you’ll just really

01:00:56

have fun at all no these are the pictures

01:01:05

that you and I will paint Mike,

01:01:15

forgive me this is normal when I have

01:01:18

paint for a lecture

01:01:20

save the cans on my face like this

01:01:28

neat neat neat does

01:01:30

n’t seem like anything else with a skirt

01:01:31

[laughter]

01:01:37

we have a fun one, just a fun master class, we did

01:01:47

n’t get it at all delicious,

01:01:50

just fun, just like that, carefully

01:01:55

move the brush with the long edge up to

01:02:00

yours with a long handle, that is, I

01:02:03

carefully shade the

01:02:05

main points like this, but they are all done in

01:02:08

large quantities solvent, this is

01:02:11

important because if there is a

01:02:13

small amount of solvent, the paint

01:02:16

will not apply as well, it will apply

01:02:19

too pasty, and if it goes on

01:02:21

pasty, then accordingly you will have a

01:02:24

thick layer of paint and then you will not draw

01:02:27

highlights, so the whole sea is painted with a

01:02:29

very small amount of paint

01:02:32

please there is a luminous wave here,

01:02:38

I’ll add this

01:02:40

green light one so that the wave is

01:02:44

backlit with backlight, the wave

01:02:50

is neat like this and goes here, that

01:02:55

is, I’m making these glasses, we need to

01:02:59

identify that here we have a light wave,

01:03:05

we also identify by the amount of

01:03:09

glare

01:03:28

why did I tell you that Vazovsky also

01:03:31

painted from life, but imagine that he

01:03:34

made a lot of sketches from life

01:03:37

and then all the main paintings

01:03:39

are composed and only then

01:03:42

painted according to his memories and skills,

01:03:46

and if he painted the ninth wave from life,

01:03:49

I think most likely he would help these

01:03:52

people, but he would be tougher than everyone else; I definitely

01:03:55

wouldn’t paint their nature and would most likely

01:03:58

save them.

01:04:20

If you have too light a wave coming at you,

01:04:24

then it’s better to start with this light

01:04:27

spot and darken everything else. In general, in

01:04:29

oil painting everything is done from the dark

01:04:31

but as you can see, if you have a

01:04:35

gradient, that is, such a

01:04:36

glowing one, like the sun I have now, then

01:04:40

accordingly, I first had to

01:04:42

make the sun so that it would shine until it

01:04:45

went out, although many artists I can

01:04:48

say from my experience and modern ones, I

01:04:52

took more food and as if at different

01:04:57

times artists, especially men, like

01:05:00

to darken and then lighten, but for me

01:05:03

this is a slight loss of color, that is, I

01:05:06

feel the color is lost a little and this is

01:05:10

visible to me, maybe it’s not visible to someone but it’s

01:05:12

not visible when the color is lost, I

01:05:14

want it purer so I like

01:05:20

to use pure colors,

01:05:23

especially if we are working with red

01:05:26

shades, then from my experience I can

01:05:30

say that often

01:05:32

artists mix kraplak and ignore

01:05:36

cadmium

01:05:37

light, but it’s mostly male

01:05:39

artists for some reason who do this and I see

01:05:43

that the color is not right for me, for example he’s

01:05:46

a little different this doesn’t relate to

01:05:48

Aivazovsky Aivazovsky everything is fine with

01:05:50

the colors he had here, but

01:05:54

modern artists and not only

01:05:56

modern ones sometimes don’t read

01:05:59

a little bit of some shade and then I

01:06:02

worry about him for the picture that I can’t

01:06:07

see that color which I want is this foam

01:06:13

running onto the coast, there are only 3 of

01:06:19

these running waves and they are written

01:06:24

through shades of greenish bluish

01:06:28

and white, but not very active, as you

01:06:31

remember, the most active white ones are

01:06:35

here, I’ll also take a little

01:06:39

yellow red, this can be done even with

01:06:42

your fingers on the edge of your hand and you can do the same

01:06:47

with a napkin, it will be a little bit like the

01:06:50

feeling of sand, the unevenness of the roughness of

01:06:55

Aivazovsky, there are often such unevenness

01:06:58

and roughness on the canvas in the painting, it’s

01:07:02

very cool, the paintings come out more lively from this, the

01:07:04

next moment I’m still going to

01:07:09

paint this piece, these are

01:07:12

such thin running waves running,

01:07:18

right now I’ll take a thin brush, I’ll take more

01:07:20

solvent and white with

01:07:23

pink specks didn’t mean I’m throwing on

01:07:29

more obvious

01:07:30

waves like this, and now I’ll take a brush,

01:07:39

maybe a dry

01:07:41

construction brush, I’ll even take it and carefully

01:07:44

smooth out

01:07:45

the excess, here I’ve got a wave, I

01:07:53

want to mark it here with lighter

01:07:56

paint you see just the highlighting of one

01:07:58

of the waves and I’ll add a little green pc white,

01:08:08

look it will look like the water

01:08:10

is glowing, but in this place

01:08:13

the wave went without slats, just on

01:08:30

plywood, I mean on the nada-a-and from the

01:08:44

nureke slats you can use it completely

01:08:47

calmly, the main thing is to dock them

01:08:50

because when you make a large format,

01:08:52

which was the format 150 by 200, then you

01:08:57

need transverse slats, otherwise your

01:09:00

subframe will guide you, and specifically for

01:09:04

this design you will need now,

01:09:06

I will count 2 meters, half a meter every

01:09:10

three slats, this will work out

01:09:19

in the middle, you will need to make three

01:09:21

river and across it, make two slats cross-

01:09:25

on-cross,

01:09:26

that is, you need to make a strong

01:09:28

strong structure when it doesn’t work,

01:09:32

otherwise it will distort everything and it won’t be

01:09:37

right, it’s not necessary, but it doesn’t work very well, but the

01:09:44

waves are almost invisible in the shape of the warbler’s movement

01:09:49

and please don’t use it

01:09:51

white almost use some kind of

01:09:54

light paint but don’t

01:09:56

actively use white because if you

01:09:58

are too active in the shadows with white it

01:10:01

will work unnaturally

01:10:04

you need to use white only on the very

01:10:08

highlights here sky blue just

01:10:13

here you can see the [ __ ]

01:10:17

as you see the sides all the sides you can

01:10:21

just blend it carefully

01:10:24

smoothly take it like this and remove the

01:10:27

excess a little bit again take a little bit

01:10:32

of white and so carefully some little toe

01:10:35

here think about

01:10:38

green here it’s greener and so I

01:10:40

’ll add a little yellow to

01:10:41

green pc and highlight

01:10:45

this wave wave with illumination of Chikoy's

01:10:52

office on the shoulder

01:10:53

here I'll add a little greenery

01:11:02

like this to add

01:11:08

more highlights to the edge of the wreath in the middle now there will be

01:11:14

the following

01:11:15

I will continue to work with downloaded the glasses

01:11:18

rocked the glasses these are like bending the checks I'm

01:11:23

doing them very slowly now you can

01:11:25

see what I'm doing they are not very

01:11:32

large and with a slight deflection, a

01:11:35

slight deflection, I made a little bit of some kind of pumping

01:11:39

glasses there, I took a construction brush

01:11:41

cleanly and just like that I generalized them a little,

01:11:43

they remained there with

01:11:45

the main brush, almost don’t press, if

01:11:49

you don’t press, you will get

01:11:50

what you need and some that are necessary which

01:11:53

we really need closer to the

01:11:56

center on the left side,

01:11:58

especially with backlighting, they can be

01:12:00

dedicated in this way so that

01:12:04

on top of a large amount of

01:12:06

solvent, thinly and thinly make a

01:12:09

small backlight, take a yellow

01:12:16

rose wreath and whitewash

01:12:29

neatly in the middle, along the very

01:12:34

central part,

01:12:37

the brush should be clean each

01:12:40

movement is honed with a clean brush, that

01:12:43

is, it is important to use only pure white in

01:12:48

a solvent, again also clean, please

01:12:51

note that these are already central highlights,

01:12:54

they like to

01:13:21

explain cleanliness more,

01:13:24

yes, I rocked the glasses from the light ones from the

01:13:28

glare, little by little on the side I make

01:13:31

small little chaises, so I’m

01:13:38

literally from the central one the parts where

01:13:40

the white is leaving a little more yellow short

01:13:44

short strokes, if we

01:13:47

see and you will see that they are laid out in just

01:13:49

such thin thin pieces

01:13:54

and in small dots, that is, it is very important

01:13:58

to make such droplets of dots, I am delving

01:14:01

into this place specifically so that I can

01:14:03

show you and explain

01:14:06

this one longer moment because here it is

01:14:08

important that there is white paint in the middle,

01:14:12

then a little more yellow and then

01:14:15

more pink

01:14:18

with a gradient, that is, we

01:14:21

make a gradient here like a gradient, we work with a

01:14:24

gradient and in water we gradually move from light shades to

01:14:32

dark ones,

01:14:41

we do everything with a large amount of

01:14:43

solvent the central masks can

01:14:49

have a longer shape

01:14:52

and move slightly away and not to the side and

01:14:54

turn into a small dot comma

01:14:58

: you know, that is, small little

01:15:05

smears

01:15:07

that, when moving to the side,

01:15:10

move away from the central composition and

01:15:13

turn into highlights, small highlights on

01:15:17

the water, these are small little

01:15:23

burning

01:15:24

thin pancakes in height and size, these

01:15:28

highlights are about 2 millimeters each, they are

01:15:33

small pinpoints, here in general there are

01:15:35

mollusks a millimeter in size, a bunch of millimeters

01:15:39

on the right side, the next piece is this, a

01:15:43

solvent from a friend, I

01:15:46

take any heavenly one and, of course, I carefully

01:15:51

throw the failed scallop over the tops carelessly

01:15:57

under this diagonal, in contrast to the

01:16:01

wave itself, you see disorderly movements

01:16:05

that chaotically create some kind of

01:16:09

pattern on the wave,

01:16:20

there is always a nearby 2 brush

01:16:23

that will remove all unnecessary on the right

01:16:27

side, also sky blue white

01:16:31

that creates the feeling of small ripples of

01:16:34

turnips that almost overlap here

01:16:38

that is, we don’t see a specifically

01:16:41

expressed wave, but we see an alternation

01:16:44

of these frogs,

01:16:47

as soon as we saw them, we also

01:16:51

removed the excess under the next stage, here we have

01:16:53

a wave coming and I want it here, then with a thread I take

01:16:58

blue face indigo and even green pc

01:17:02

to enhance this feeling

01:17:05

on wave and so about our

01:17:10

line like this, you see literally a little bit on this

01:17:17

side, also a little bit, and

01:17:21

I shade this line, but it should be a

01:17:23

small small amount of paint,

01:17:25

then it will work, that is, if you

01:17:27

have a small amount of practice, then

01:17:29

this will all be done calmly.

01:17:33

so neatly neatly

01:17:36

shaded all the movements remained all the

01:17:42

pieces are visible

01:17:46

sky blue just a little more a couple of

01:17:52

waves a couple of movements

01:18:00

a little foam foam this is voluntary

01:18:04

you know the hand movement is light

01:18:11

which on the one hand looks like a

01:18:13

cobweb

01:18:14

and on the other hand it is more careless

01:18:21

here subscribe Aivazovsky right away

01:18:25

fit in political sand famously

01:18:37

respected VAZ next pink

01:18:43

pink and whitewash a little here

01:18:52

next I will now depict this our

01:18:56

coastline here I take

01:18:58

cadmium red and neatly

01:19:02

neatly from the middle of the boat

01:19:07

almost

01:19:08

until then to our almost sun I create a

01:19:13

coastline it should be dim,

01:19:19

not very visible, and I add cadmium and

01:19:23

a little yellow to highlight it here

01:19:27

in this place and highlight it behind the boats,

01:19:30

thereby giving the direction of movement,

01:19:34

I also add cadmium there,

01:19:38

which refracts here very beautifully, the

01:19:40

next ones I take brown and indigo and just

01:19:44

like that, carefully with a cloth I create the

01:19:47

texture of stones for the rag, I don’t collect it

01:19:52

with a pompom and you know about such a

01:19:57

grandmother, that is, a rag like this, the

01:20:01

more folds on it, the better I

01:20:04

add red and yellow cadmium and a little

01:20:07

red and yellow cadmium here, as if a

01:20:11

reflection of the sky on such a beautiful

01:20:15

surface that next I take

01:20:18

brown and indigo and I trace some of the

01:20:20

pebbles below, I get

01:20:23

shadows,

01:20:30

money baubles, and now carefully and in

01:20:41

the shadow like this, I

01:20:46

twitched the brush a little like this, like this, now I

01:20:49

take yellow with Komi white and here

01:20:53

a little yellow with several whites a

01:20:57

few pebbles, well, literally

01:20:58

a little bit, they are of a smaller size, it

01:21:02

sounds smaller in size,

01:21:12

so the next thing I take is a light color,

01:21:16

it’s cadmium red and yellow and white, and

01:21:20

just like that, carefully on the very edge of the

01:21:22

boat at the far end, and like that, I gently

01:21:25

shade this boat smoothly,

01:21:28

then I take brown and indigo and

01:21:31

a little bit on this boat, then I’ll convey the

01:21:34

feeling of a piece of wood tackle with a

01:21:37

bolt, I take brown black kraplak and

01:21:41

on the boat that we have closer, I’ll also

01:21:46

add this color like this, imagine

01:21:49

the boat is standing on something not on the shore and it

01:21:53

may have some kind of support these

01:21:56

boats want to be launched, most

01:22:00

likely this is how they stand on some kind of

01:22:03

supports so as not to spoil their bottom, and

01:22:07

this is probably just

01:22:12

an assumption, I add

01:22:16

a little blue and white and just

01:22:20

touching it with a construction brush, by the way,

01:22:23

Aivazovsky painted with huge brushes

01:22:25

so we, he would allow us to

01:22:28

do this, I add a little

01:22:32

disorder in the movement of cadmium red

01:22:36

yellow and a little bleached the dirty ones from me with a

01:22:41

brush, I took a

01:22:43

cleaner brush, it will also add here the

01:22:47

sensation of the sun on our water and there will be a

01:22:53

feeling of translucent

01:22:55

yellow and white pebbles

01:23:11

like that yellow white

01:23:16

neat ratings

01:23:19

cadmium red here on the convex

01:23:23

part of the boat you know like a boat here in

01:23:26

this place the convex can be made like this

01:23:29

adidas because inside the strip they

01:23:34

will already reveal the boat fourth just

01:23:37

combine here it has some kind of

01:23:40

boat wing I don’t know I don’t understand boats

01:23:43

next I and here we have a little more on

01:23:47

the left, this is taken with blue in c and you can

01:23:52

add in with indigo and white, well,

01:23:56

you know a little bit of a grayish bluish

01:23:58

tint, this is the mountain itself, there are literally

01:24:03

a few movements on it to convey the

01:24:06

feeling of such a well-shaped and

01:24:11

interesting uneven

01:24:19

I’m moving to the boat that we will have

01:24:22

here is a boat, or rather, I take a

01:24:25

little bit of brown and

01:24:28

indigo and just like that, first the

01:24:32

first layer, the main thing is not to make a

01:24:35

huge ship

01:24:36

because we don’t need a huge one, it’s

01:24:38

literally not long, pay

01:24:41

attention to this because when we

01:24:43

we turn the ship away from us, the tone

01:24:45

becomes short and the main thing is don’t

01:24:47

do it, please, at an angle, this is

01:24:49

also very important because if

01:24:51

you do it at an angle, you will break

01:24:53

the perspective since

01:24:55

everything that we have is towards the horizon line, it does not have

01:24:59

slopes, it stops working with

01:25:01

perspective everything that is close to the

01:25:03

horizon line, it becomes

01:25:05

parallel to the horizon line, it’s like

01:25:09

constructing perspective in such

01:25:11

a way that on the horizon line everything

01:25:13

turns into the same indifferent

01:25:16

emoticons,

01:25:17

well, it’s like everything above is smiling

01:25:28

somewhere, that is, the beginning is

01:25:30

watching VKontakte live broadcast

01:25:33

she on our YouTube and I’m not talking about it,

01:25:37

you can register using the link and

01:25:40

come and see the whole webinar

01:25:43

in such excellent quality and watch

01:25:47

the recording so I invite everyone to

01:25:50

participate, I

01:25:53

have it on our page and in the group there

01:25:56

is Olga Bazanova’s painting studio like this

01:25:59

you have

01:26:00

now posted right on YouTube and

01:26:05

then you can watch the recordings, here

01:26:09

I add green pc and here I

01:26:12

added a little green pc now I

01:26:16

take white with blue, look, no

01:26:19

pure white in the shadow areas,

01:26:22

never put it straight, remember this rule, the

01:26:25

golden rule, don’t put

01:26:28

this paint I add blue like a shadow

01:26:32

from a boat, because if we pay

01:26:35

attention, he’s not all of him, but he’s kind of

01:26:38

quicksand, so here we

01:26:41

carefully add him with glasses

01:26:46

like this, rocked with glasses, this is how I shake him with

01:26:49

a brush with the addition of green vc, remove the

01:26:53

excess paint like this, carefully

01:26:56

remove it, add it a little more whitewash you

01:27:00

remember how to get away from green vc

01:27:02

harmless yes you need to take

01:27:06

pink kraplak and on white as with

01:27:12

pink kraplak neatly

01:27:19

pink kraplak

01:27:26

blue pc you can even take a little

01:27:31

chic a little indigo it won’t make it any worse

01:27:35

there is also some kind of green

01:27:39

wave not for bright ones, I’m the only one, here you can

01:27:45

make a small little comb on it

01:27:49

and shade everything else

01:27:57

smoothly,

01:27:58

again you can use a pink speck

01:28:00

because it’s a neutral color and won’t

01:28:02

create

01:28:03

too much, I’ll now take a thin

01:28:06

brush because we’ve

01:28:08

already outlined the main details, now I’ll take a

01:28:11

thin brush and with a thin brush like

01:28:14

this, a little bit of

01:28:17

eliminator and yes, yes,

01:28:28

look, if you paint in layers, then

01:28:32

you can, of course, use the first

01:28:36

layer of paint should be thinner than 2, according to

01:28:39

your choice, you can make it thin,

01:28:42

you can make it not thin, this is

01:28:45

completely your own choice, that is,

01:28:49

you can write and impasto there is any

01:28:52

painting based on the first underpainting,

01:28:56

it depends on who you like, for example, I

01:28:59

sometimes like to use three layers of paint, that

01:29:03

is, I like when there are three layers of paint,

01:29:06

we will do the next webinars, these are

01:29:10

master classes like the wave

01:29:13

and the ninth wave, and there the first layer

01:29:18

is the underpainting this is a thin use of

01:29:20

paint, a very very thin layer of only

01:29:23

stains, the second layer is also thin and the

01:29:26

third is already using impasto

01:29:30

and therefore this is my favorite option for

01:29:33

painting pictures, it’s neat, it’s

01:29:39

like this boat, it’s like a little in

01:29:41

the fog, so I

01:29:44

shade it smoothly so

01:29:46

that it’s not bright it should be

01:29:50

a little subdued the following I take the

01:29:52

red one a little brown

01:29:58

and like this neatly neatly yes

01:30:01

where does this line go there

01:30:03

now I’ll look above the middle here

01:30:09

somewhere here at a slight slight

01:30:14

inclination

01:30:21

the mast and 2 masts to get even

01:30:30

masts you can take the husband time sheet for other

01:30:33

stacks, draw an even line through the husband,

01:30:36

you can also place your hand like this

01:30:38

and your hand will also help you give support, or you

01:30:45

can put your little finger on the canvas, well then

01:30:47

you can spoil the first layer of paint,

01:30:49

that is, accidentally touch it with a dirty

01:30:52

finger and this will also be a waste again and

01:30:57

now I’m just working with a long-range plan,

01:31:00

it’s almost invisible, we’ll draw out the pieces,

01:31:04

just the details,

01:31:14

thin lines, and you can also take at least

01:31:18

a ruler, the main thing is that you have a good

01:31:21

result, so if you accidentally took

01:31:25

a ruler, no one will notice much here, it’s

01:31:34

very beautiful, we’re probably even doing it like

01:31:38

this, made it higher, it’s

01:31:42

beautiful, it’s a flag, I haven’t seen such

01:31:49

long vlogs, the final one, ok,

01:31:53

it’s a long flag, it’s kind of beautiful,

01:31:56

it shows that the wind is

01:32:00

now I’ll be a shipwright, I’ll

01:32:04

carefully try to see

01:32:09

to make out all the details, it’s come out

01:32:14

in the middle,

01:32:25

here’s the main drawing to

01:32:28

get a picture a close mast, however,

01:32:32

the other one is easier, of course, to take and draw

01:32:37

first on a piece of paper everything planned

01:32:41

to understand how the formation is done to

01:32:44

see everything

01:32:55

here, such an interesting flag, in my opinion, this is

01:33:00

the flag of our fleet, well, who wants which one,

01:33:05

if someone wants to read the American one,

01:33:08

of course you can do it like that, but imagine

01:33:12

surprise and a little VAZovsky then the

01:33:24

size of the canvas is 50 to 70 and the number of

01:33:28

brushes we have,

01:33:29

the smaller you take, the thinner the brush the

01:33:32

better, except for construction brushes I

01:33:34

use brush number 18 number 8 and

01:33:38

number 1

01:33:46

Van Gogh starry night no we are not going to

01:33:50

I have already written it already

01:34:00

was it was it was

01:34:02

if you want van gogh starry night

01:34:04

come to a live class and paint from

01:34:09

life oh from nature photographs

01:34:17

bring with you a painting from life to paint

01:34:19

yes who registered

01:34:27

for the master class all the material checks will be sent

01:34:31

to the mail

01:34:32

and you already have a look at in the mail, everything

01:34:35

is there and the colors are there, the size of the canvas is all there and

01:34:44

under the video there is on YouTube yes now it

01:34:50

will be a minute and there will be

01:35:02

such detailing here, some of the

01:35:07

urine

01:35:08

they are a little crumbling please do not

01:35:14

use black paint and red, that is,

01:35:19

do everything only in such muted

01:35:22

tones soft, not bright shades, but

01:35:29

muted by some, so I even

01:35:34

wipe the brush and carefully remove the excess paint

01:35:54

with a large amount of

01:35:56

solvent, a

01:36:49

little red and brown, nothing

01:36:51

more

01:36:54

red and brown,

01:37:20

now I take the light areas, on the contrary, a

01:37:23

lighter color is almost white and

01:37:29

carefully throw the paint there where I

01:37:33

need to lighten it up,

01:37:41

for example, I want to make it a little

01:37:46

softer, in some place here,

01:37:48

I’ll carefully wipe off this paint,

01:37:52

I’ll take a

01:37:54

pure yellowish color, and once again

01:38:15

carefully with clean hands, the

01:38:22

drier your surface is, the

01:38:25

more solvent you need, so I

01:38:28

I’m adding right now, well, a bit too much

01:38:30

solvent because I

01:38:32

really have a very dry,

01:38:36

dry canvas paint that has already managed to somehow

01:38:40

settle and be absorbed in literally an hour,

01:38:43

now I’ve been painting on it for half an hour

01:38:47

and adding more

01:38:49

solvent, so what now and these are the

01:38:57

details already

01:38:59

we think that we will depict little people here

01:39:03

and make our wonderful moment with

01:39:11

gifts until we

01:39:14

know who is the winner who is

01:39:19

lucky today I just can’t wait, it’s always so

01:39:24

interesting and exciting to find out who

01:39:26

won and if someone you know

01:39:30

wins you are so happy

01:39:56

like that little one the box here

01:40:02

can also be drawn in detail,

01:40:09

you can have such a liner there, such a brush

01:40:14

made of thin, thin,

01:40:17

some people call the liner why, but they

01:40:20

call it so differently, a very

01:40:25

convenient thin brush with a long

01:40:27

edge, I also want to add a

01:40:34

small sail here, forgive me and

01:40:36

VAZ, dear and of course it’s

01:40:42

interesting, such an accent is made in red,

01:40:45

there is a red rash on this side

01:40:48

and there must also be something

01:40:50

red, this here

01:40:55

will balance it out with this red one with this

01:40:58

red

01:41:11

flag I’ll

01:41:22

add a little more syndication to the water

01:41:35

everywhere and check if everything is filled

01:41:38

Marishka

01:41:53

seems to be filled in

01:42:01

and the little men are here the little

01:42:04

white

01:42:07

man the white man will do the white man

01:42:09

through the white-blue

01:42:14

first the white blue shade this is his

01:42:18

white shirt

01:42:19

after that I take the white paint

01:42:24

carefully put it on his shoulder now I

01:42:30

put a lot of solvent so the

01:42:32

paint runs too much like this

01:42:34

neatly in a solvent, the shoulder

01:42:37

is made with the addition of cadmium red,

01:42:40

now imagine, but it was more white,

01:42:43

of course, since our light is warm, everything is

01:42:46

everywhere, in such

01:42:49

an assessment of opposite tones, here his

01:42:54

little head is human and and the little head is

01:42:58

reddish-brown, but I

01:43:00

added black and the face through the addition of a

01:43:04

small amount of white and cadmium

01:43:07

red, that is, a tanned face, we also

01:43:14

see an unbuttoned shirt and

01:43:19

he is holding something with his hands, maybe it’s not this, but a

01:43:24

goldfish should definitely be a Pushkin fairy tale,

01:43:38

goldfish, you know, 9 of these fish and the

01:43:52

second person is hiding here, I wouldn’t

01:43:58

do it on a copy the

01:44:00

second person who we have girls is

01:44:03

the one that rocks the boat

01:44:08

then everything on I launches what kind of me I am I

01:44:12

don’t see this person well in the

01:44:15

pictures and we won’t register him I do

01:44:19

n’t see this little invisible man I can’t see him I can have this

01:44:25

partner let's start the drawing of

01:44:34

our prizes and I will repeat once again everyone

01:44:41

who has time to join us and buy a

01:44:47

basic package will receive just such a

01:44:50

gift and a brooch and

01:44:53

1 2 2 brooches this is a brush and a palette

01:44:57

made and they are only from the order for a little

01:44:59

it is only handmade and they were made to order

01:45:04

for you

01:45:12

and we also have three winners there

01:45:15

will be now which now we are now

01:45:19

and we will find out who reposted which from us

01:45:23

and accordingly could win

01:45:28

9 webinars we are playing a

01:45:36

series of master classes by Aivazovsky

01:45:40

where the ninth wave will be written

01:45:46

some kind of moonlight night, well, I’ll spoil it for you,

01:45:50

now I’ll tell you how strong the gondoliers are

01:45:53

on the sea at night and the calm, these pictures

01:45:59

we are the ninth wave, I said the wave of the gondoliers on the

01:46:02

sea at night and the calm, these

01:46:06

pictures we will paint with you the ninth wave and the

01:46:11

wave we will write by three classes of

01:46:16

three of our webinars where each piece will have detail,

01:46:21

otherwise we won’t be

01:46:24

able to make it easy,

01:46:29

so we’ll make it easy for you piece by

01:46:33

piece, I apply light colors

01:46:38

a little bit lighter, but as I

01:46:41

said, only the lightest,

01:46:43

only the lightest in this place right now I’m waiting for

01:46:50

questions and I’m ready for the drawing of our

01:46:54

prize about underpainting I’m practicing underpainting with us

01:47:03

right now using the alla

01:47:05

prima technique done in one lesson to

01:47:08

do it in an hour and a half it’s using the

01:47:11

alla prima technique but when will we

01:47:13

paint the wave and to write the ninth wave, then these

01:47:19

paintings will be made from the underpainting

01:47:22

in full, or rather the son, directly

01:47:25

in kind, because the underpainting is

01:47:28

made for certain spots a little differently,

01:47:31

sometimes an imprimatura will be used here

01:47:33

and

01:47:35

this is almost the same underpainting, only

01:47:38

there is a small difference, the imprimatura

01:47:39

can be different, unlike the underpainting

01:47:42

Yes, yes, yes, what kind of oil do I have,

01:48:17

solvent, solvent, and there is

01:48:22

no solvent to dissolve in the kidneys; solvent,

01:48:26

jar; I don’t have ordinary

01:48:29

disposable cups for whose yoga

01:48:33

or coffee is sold in any store; I

01:48:37

just used my oil can before; I

01:48:39

can say that this is not a very

01:48:42

rewarding task. oil can you have seen

01:48:45

what size oil cans this is how you will know how to

01:48:48

paint miniatures so when you paint

01:48:52

large canvases I assure you that

01:48:54

professional artists do not use

01:48:56

small olive glasses because

01:48:58

they will simply run out of solvent at the

01:49:01

very first magician and they will put brushes in an oil can

01:49:05

unless he writes very smooth and

01:49:09

soft so anything can happen, but I

01:49:12

still like to use large jars

01:49:16

to use and large

01:49:17

brushes too,

01:49:28

my bookshelf will record a master class

01:49:33

planned, but it will most likely

01:49:37

be even a living child

01:49:40

so you can participate and even

01:49:45

yes alive master class live webinar

01:49:48

in which this is possible and you can do it without

01:49:52

bread I’ve already had fish, but

01:50:07

come live I think we’ll

01:50:10

sign up for you and ordinary fisherman, yes I think we’ll

01:50:13

sign up fisherman, it’s not a question, just a

01:50:18

matter of time, which will be a little later if you

01:50:21

wait there will be some fish for you here in

01:50:30

the spring or what is there toxic

01:50:33

oil paints can you

01:50:35

touch it oil paints are non-toxic

01:50:42

if you don’t chew them they are

01:50:47

generally excellent you can work with your hands you can write to

01:50:49

pregnant women not pregnant and

01:50:53

children you can write and touch

01:50:56

You can also use your hands, they are non-toxic and

01:51:00

the only thing you can’t do is eat them, well, it

01:51:04

would be advisable not to eat them, because

01:51:07

poisoning is possible, a girl in a yellow

01:51:19

dress,

01:51:21

and yes, her face is burnt, and I see a little bit,

01:51:27

exactly, exactly, and what she’s holding

01:51:30

is red, and there’s a red one, look,

01:51:33

burnt man on the beach, by the way, we

01:51:36

are going to Sochi, I

01:51:37

invite everyone to Sochi, we are going from June 1

01:51:41

to June 14, two groups will be 7 for 7

01:51:46

days, each group will be for 4, we have plein air, I

01:51:50

invite everyone, but there may also be

01:51:54

someone to join for 2 2 weeks, this does

01:51:57

not mean that we will force you to paint

01:51:59

eight paintings, you can paint 4 and

01:52:01

then just stay with us and watch the

01:52:03

whole process, we will paint mountains from

01:52:06

life,

01:52:07

we will paint the sea from life with a palette knife,

01:52:10

not with a palette knife, this happens every

01:52:12

year for us and this one year, too, we are planning to

01:52:15

come like this, yes, you can write everything to Tatyana good, that’s

01:52:20

all I’ll write on this topic,

01:52:28

this master class will be available a lot

01:52:32

and I think that all the time, yes, while the Internet is

01:52:40

almighty, there is youtube, yes, yes, ours I’ll post the

01:52:58

series Alice in Wonderland

01:53:00

only if I repeat repeat yes yes yes

01:53:06

yes yes yes I think that we will write of course

01:53:10

and especially since I have a lot of experience in

01:53:12

writing already like the Cheshire cat and

01:53:15

Alice in Wonderland all the series

01:53:18

and I have the mad hatter I

01:53:22

love him and

01:53:24

I have the white queen I have

01:53:29

a lot of things and a cat, I have a son, he didn’t

01:53:33

give it to him, there’s nowhere for him to put it away, it’s hanging from him,

01:53:37

I put the first layer of paint on very

01:53:54

little, very, very small amount

01:53:57

of paint, if you saw how I

01:53:59

shade it, it’s almost weightless, the

01:54:03

first layer and so the second layer

01:54:05

goes on very easy and the second layer I

01:54:08

use a little more solvent

01:54:10

if I need to apply something and if I

01:54:13

need to put some element in then I

01:54:16

wash it with a damp cloth with a regular damp

01:54:19

cloth, wash that piece and then the

01:54:22

layers don’t mix,

01:54:27

we’re talking in September and Sochi in June

01:54:39

and to me, of course, I invite you to the future of

01:54:43

Sochi 2019, imagine, it’s not that

01:54:48

I want to say that you are giving away how

01:54:50

late you are, we had such a wonderful trip, not

01:54:54

I invite everyone who is, as it were, but there is

01:54:57

with a limited number, it is desirable

01:55:00

that there be no more than twenty people

01:55:01

each group has 10 people and then we

01:55:04

will paint a wonderful picture, we were

01:55:06

managed by a large number of

01:55:09

people this year, but I would still like to make sure

01:55:11

that we are comfortable and comfortable and that

01:55:14

everyone has everything at least

01:55:16

beautiful beautiful Sochi

01:55:18

so everyone’s name is invited to Paris

01:55:23

Eye harm in Europe Germany Belgium I

01:55:30

can say that come to us, maybe we

01:55:34

will have it in Italy, maybe it’s

01:55:37

planned, maybe Florence

01:55:41

for now, I definitely can’t

01:55:44

guarantee you we don’t have such

01:55:49

data yet, later we will find out in the near

01:55:55

future whether there will be lessons in Moscow in the near

01:56:00

future there may be November dash December

01:56:14

proshin how to sign up write to Tatyana

01:56:17

about all the master classes I’ll tell you everything I’ll

01:56:19

answer all your questions yes

01:56:23

Tatyana good describe she will answer I’m

01:56:30

just having fun I’m in a hurry

01:56:31

even I don’t know I’m doing it just like that I'm

01:56:34

talking to you offtopic a little bit of

01:56:36

something small elements one-time

01:56:38

tenka belov tenya Badensky motifs with

01:56:44

chickens

01:56:45

with chickens you can write them in real life

01:56:50

crusts we

01:56:56

all start before we start the draw now

01:57:04

let's

01:57:25

but how do we start 2 sailors okay

01:57:33

now I'll write 2 marik

01:57:36

after the draw let's go start

01:57:40

attention let's go who wins

01:57:57

if there is no winner

01:58:11

again and one more time

01:58:20

Natalya Kashubina was Natalya Kashubina

01:58:24

you respond here let

01:58:44

's next let's all three at the

01:58:49

start Vanya

01:58:50

had to Lyudmila Lyudmila Shpalinskaya

01:59:03

Lyudmila Shpalinskaya the

01:59:06

second winner for now let's wait for

01:59:11

Lyudmila to get in touch because that

01:59:14

this is very important if we get in touch

01:59:16

we get a gift that’s absolutely

01:59:20

awesome if we don’t get in

01:59:23

touch then we’ll play Perry once

01:59:27

and for what there’s something there’s something

01:59:43

next and to the start two and a half 2

01:59:51

and three quarters

02:00:00

to the start attention let's go

02:00:12

Tatyana Naumova Tatyana Naumova Tatyana

02:00:16

Naumova we are waiting for news from you now

02:00:33

we are waiting for news Natalya write to us on

02:00:44

VKontakte the link will be

02:01:00

asked we are playing 9 webinars

02:01:06

on

02:01:07

Aivazovsky this is the ninth wave wave

02:01:11

gondolier at night somewhere and

02:01:14

calm at sea night at sea gondolier

02:01:22

at sea at night and calm

02:01:46

when there's a pitching on the sea, well, what are we waiting for now, have

02:01:51

our winners appeared with us yet,

02:01:56

are they with us,

02:01:57

and for now I'll add a little shade to the

02:02:02

dot, have our winners appeared, winners,

02:02:47

drink the winners, and now I

02:02:50

'll add a little orange up

02:02:53

here to the dot, I'm waiting until the format of the ninth

02:03:02

shaft is big

02:03:05

there in my opinion, in the metro area, we have

02:03:10

70 paloma centimeters,

02:03:24

large format meter, all materials

02:03:27

will be indicated by colleagues and the canvases themselves, the size of

02:03:30

the canvases, you will get everything from the link 50 by

02:03:36

70 50 by 70 format, but what we are

02:03:46

writing now is 50 by 70 to not two

02:03:55

people respond, so we will now do the

02:03:58

next draw, the ninth wave is 70 to 100,

02:04:04

as I said, everything is correct, but the

02:04:12

next people who will win,

02:04:15

let's start, let's start, attention, march

02:04:27

[music]

02:04:29

Valentina as for Valentina Gusarova

02:04:36

Naumova, please respond, maybe

02:04:40

you are with us and you can win if you

02:04:45

are with us now

02:04:57

Valentina Gusarova Naumova

02:05:04

I hope to wait with us

02:05:18

while

02:05:22

our children were with us, was it good

02:05:26

Natalya Kashubina with us Lyudmila Shpa

02:05:31

Linskaya Tatyana Naumova now Valentina

02:05:41

Gusarova Naumova

02:05:42

oh how I am three winners 1 this is Perry

02:05:55

the voter of what some winner

02:06:00

did not respond, we are now waiting again for who

02:06:04

will respond

02:06:05

from these our winners and who

02:06:11

will respond there are

02:06:12

only three winners those who do not

02:06:17

respond I repeat until those

02:06:27

who responded win live

02:06:37

lucky winner 2 until

02:06:39

further we are looking for the lucky ones we start at the

02:06:41

start two and a half then three of you

02:06:46

quarter what camera are you with Lilliputian

02:06:52

am the started cool respond Danil

02:07:21

cool congratulations I'll have to paint

02:07:26

four pictures Danil this is like how to

02:07:38

even explain the villages you use

02:07:50

he just repos did it too he's not a

02:07:54

fake just did a repost so

02:07:58

now we'll redo it

02:08:02

here at the start attention march be stunned

02:08:18

angelica do we have a fox angelica

02:08:21

congratulations just congratulations

02:08:24

please angelica you need to write what is

02:08:30

here that I am that look what is unclear

02:08:41

what needs to be done repost

02:08:42

should have been in contact from our

02:08:44

group this is the top pinned post

02:08:53

we are doing there now in giveaways here we are

02:08:57

showing it and you can hear and everyone hears

02:09:02

that even for now,

02:09:03

otherwise I’ll repeat, well, so I

02:09:19

imagine pomegranate yes, but if you lived

02:09:25

please where did you live to respond,

02:09:32

it’s important to notice those who don’t respond now

02:09:40

unfortunately we need to right now right

02:09:48

now we respond and receive a gift for those

02:09:53

who now with us I’m just not audible I’ll

02:09:59

come closer dear friends when the post

02:10:02

needed to be made in contact this is the

02:10:04

top entry in the group

02:10:07

Bazanova River Painting Studio now Daniil

02:10:10

duplicated it in our chat

02:10:12

you can see and it was necessary to repost there the

02:10:15

one who participated and made repost and is

02:10:18

now present at the online master

02:10:21

class, this is great, he has

02:10:25

the opportunity to win access to a series of

02:10:28

online master classes on Aivazovsky

02:10:31

where 4 wonderful paintings by Perry will be written,

02:10:48

another one doesn’t matter to me, we have three

02:10:51

winners, so we will do it again and again

02:10:55

Angelika

02:11:00

Lesovaya she she wrote to us in the chat, where did she

02:11:03

go, maybe for Chuck and lived with you

02:11:09

played

02:11:10

please write to us on the palette

02:11:13

they say the girl is generally chic, but

02:11:24

who is this until what date until what

02:11:35

date prices are saved until the 14th until

02:11:43

October 14 prices are saved not riposte are you

02:11:54

ready for the drawing 1 2 3

02:12:05

Tasha Strict

02:12:08

Tasha Strict I have a feeling that she

02:12:11

was somewhere TV presenter

02:12:19

Dasha Strict

02:12:27

asked for larger clouds to show them

02:12:32

write Tasha Strict clouds I paint

02:12:40

thinly and thinly with a small amount of paint

02:12:44

I remove the entire previous paint layer

02:12:48

if it interferes with my distribution the paint is

02:12:51

usually applied in a medium tone, then a

02:12:54

lighter one is applied on top where

02:12:59

we need light and a darker one where

02:13:02

we don’t need the color, for example, a

02:13:05

darker one, I round out the cloud and

02:13:09

carefully shade the color,

02:13:12

put a very small amount of paint,

02:13:15

then it turns out really correctly

02:13:17

and beautifully found Tasha strict cheers

02:13:23

congratulations, you won and it will be

02:13:33

a year for Tatyana to write about how in contacts there is a

02:13:46

contact up to 14 and this entry will

02:13:55

always be available so you watch it

02:14:01

as many times as you want, you’ll want to watch it many

02:14:06

times watch it many times

02:14:08

again many, many times and

02:14:14

not yet It is absolutely necessary to clarify in general that those

02:14:19

who are from the studio team of the five base

02:14:21

they do not participate, we are doing my boss

02:14:25

so that more people know if suddenly

02:14:35

because they will receive these webinars they

02:14:38

can watch the link, you can

02:14:49

see what 3

02:15:07

I sing to what here we go

02:15:14

who

02:15:22

when- then

02:15:26

but on Chervinskaya but she is Shcherbinskaya

02:15:31

please respond please respond

02:15:48

where

02:15:51

the chair and the teeth are excellent so exactly exactly

02:15:55

the chair from let him sit here that is 2 fish

02:15:58

to the fishermen and there yes hey sailor

02:16:03

you swam for too long

02:16:15

cross Pam Andreevsky to called

02:16:44

right I’m waiting, waiting for someone to respond will

02:16:48

he respond someone maybe angela platoon

02:16:54

chariot fox

02:16:55

she defeated Jail, get distracted

02:17:06

so what else can you do, yes, I don’t

02:17:09

know, I really feel like I’m losing, and

02:17:13

you wanted another little man before, and from Belarus,

02:17:20

just like from Russia, it’s bought by

02:17:22

lamp, there’s an international link

02:17:25

and you can buy it and from Belarus there are

02:17:28

no problems at all from other countries, Belarus is not a

02:17:30

problem, especially for those

02:17:38

who are from Belarus, you can do what to

02:17:42

buy, just like for Russia, you can have

02:17:50

no idea where he didn’t

02:18:00

go, what are you doing with the solvent and

02:18:09

why didn’t he go, what’s wrong

02:18:16

next there are only three of us need to

02:18:24

repost please distract yourself until ready

02:18:30

1 2 3

02:18:37

started Gravina Pirogova Galina Pirogova

02:18:40

please write to us Galina

02:18:51

write to us Colin check please

02:18:53

write

02:19:07

and also from Crimea to pay as in this is

02:19:14

not a question at all also to pay there is a

02:19:17

link there yes how to pay Angela

02:19:24

wrote yes here angela we

02:19:28

are closing the competition angelochka you won a

02:19:31

series of webinars

02:19:37

congratulations you can write

02:19:43

good to Tatyana in contact it was an untranslatable

02:19:54

play on words I will put you know what happened to the

02:19:58

fisherman you know now I can

02:20:03

say that many will

02:20:04

criticize me but forgive me my dears

02:20:07

I will put a woman to him I’ll put it next to her

02:20:13

so that she’s facing him, I’ll just

02:20:19

make it the same color,

02:20:22

pay turquoise so that it

02:20:26

matches and in the picture, and you know,

02:20:31

I’ll make her a brunette, she’s

02:20:38

facing him, and the hairs are here, that is, we have a

02:20:42

place for hard workers, it’s such a wi-fi

02:20:44

romance

02:20:58

Well, I’m even right here, there’s some kind of

02:21:00

incomprehensible stick floating around, I’m also depicting

02:21:06

this stick, but I’ll repeat it again, the

02:21:11

first five who will connect to the

02:21:14

standard package will receive it, oh, sorry,

02:21:18

excuse me, now this was superfluous to the

02:21:21

basic package, the basic one, this is where

02:21:24

they’ll get this, the basic one once under

02:21:29

he will raise these

02:21:31

brooches 2 nours at once, that is, everyone

02:21:35

will receive 2 brooches who is the first

02:21:37

to connect there 5 bro cones

02:21:41

are played out

02:21:53

so well, what else can I do here, what can

02:21:55

I do here, just sit here with you

02:21:58

on the way to an ever-closer plan of the eyebrows I I'll

02:22:10

move him away, look closer, I

02:22:14

can also say that here you can see

02:22:17

a little bit of the horizon line, a

02:22:23

woman on a ship approached, well, how could he

02:22:29

propose to her 'this really

02:22:30

makes kaid let's go for a ride then then

02:22:36

what is there such a song with songs

02:22:42

and this group is on-on

02:22:47

op op op op op let's go for a ride count

02:22:54

where people are asking for more people you know you can

02:23:02

do like a Chinese group with a guide

02:23:05

that is even then the whole coast

02:23:08

will be I went when I was on vacation somehow I

02:23:11

posted all the photos and

02:23:14

came up with something so beautiful place and they

02:23:16

even started writing to me that Royce is so

02:23:18

beautiful, we’ll probably go there too,

02:23:21

this place is wonderful, I say wait,

02:23:24

to take these photos, I

02:23:26

had to wait

02:23:27

for each photo for half an hour so that

02:23:30

100 Chinese residents would disperse so it

02:23:33

looks like I could take a photo of this beautiful

02:23:35

place, so it’s like there

02:23:37

was a photo it’s deceptive, so what kind of

02:23:41

people are you on our

02:23:50

boat there is no hunter needed, in general, that’s

02:23:59

all there is to it, I think we should

02:24:01

call it a night, go to bed, congratulations to all the

02:24:04

winners, I also invite you to take

02:24:09

part in such a grandiose

02:24:12

project, in fact, this time the whole thing is

02:24:15

so serial, you can say real

02:24:19

master classes webinars where a

02:24:24

lot of

02:24:25

classical techniques and

02:24:27

techniques will be used, this is of course also the

02:24:31

imprimatur of underpainting, someone also calls the

02:24:36

second part this is the writing

02:24:39

of detail and the third this is with the addition of

02:24:42

clarifications and impasto painting,

02:24:46

perhaps in some places that

02:24:49

I invite everyone to this

02:24:52

such I I think that this gum is grandiose,

02:24:56

with

02:24:58

enormous material, huge interesting ones

02:25:01

that you can not only look at, but

02:25:05

also write about, so now

02:25:10

we’ll show you

02:25:11

the link, it will show you guys, now you’ll all

02:25:14

see what’s planned, how much

02:25:18

scale

02:25:43

the dough is already visible, yes, yes, you know, they

02:26:00

lie exactly the same,

02:26:01

yes, here so they stand here, they are not

02:26:05

raised up, they just look like that in perspective,

02:26:09

in fact they are not raised up, they stand

02:26:12

on some ledges that do not allow the

02:26:16

boat to float away, as I understand it, if there is a

02:26:19

scion, they also do not allow them to be scratched or

02:26:23

damaged, but it seems to me something like this

02:26:26

so here we are seeing just

02:26:30

some kind of coaster

02:26:47

with any crazy as a moment

02:26:49

thank you very much well done thank you very much what a

02:26:55

super thank you to everyone always

02:27:03

I think that everyone will succeed

02:27:06

join our serial

02:27:10

webinars now on the topic now here

02:27:17

I have number 11 number one or whether measures and

02:27:32

here is some kind of second flag I’ll put in a

02:27:35

small one I’ll have fun until

02:27:39

you know or flutter something else this is

02:27:42

such a game anymore

02:27:45

sometimes the picture is completed and you’re

02:27:47

still doing something here although you don’t have to

02:27:52

do it

02:28:12

very beautifully thank you and review

02:28:22

Well, in general, good luck to everyone in writing

02:28:26

such a picture, I hope that this will not

02:28:30

make it difficult for you, especially if you

02:28:32

prescribe the glow a little dryly,

02:28:35

then there will be no problems in communication,

02:28:37

as you saw, the technique is very interesting,

02:28:41

it’s enough to follow it correctly so

02:28:43

that everyone can if will follow

02:28:45

clear instructions

02:31:09

[music]

02:31:20

[applause]

02:31:39

[music]

02:32:54

[applause]

02:33:13

[music]

02:33:38

and

02:33:44

[music]

02:34:27

[applause]

02:34:47

[music]

02:35:59

about

02:36:01

[applause]

02:36:20

[music]

02:37:34

[applause]

02:37:54

[music]

Description:

Наш сайт - http://gosdiplomsy.com/vse-specialnosti/ Уроки по отдельным картинам - http://gosdiplomsy.com/vse-specialnosti/ Группа вк - https://vk.com/bazanovaolgaart Instagram - https://www.facebook.com/unsupportedbrowser Ссылка на материалы - https://yadi.sk/showcaptcha?cc=1&mt=BA56F0F49C54584B3B0B65A3644E9B95425C394613F5FE92CECB1180495F795C5CF5E4D65347708B1DF163D5B2D33ABADB42A4DDAAF8986AFCFE1BE30100CF5ABD0A0F1BC5A673729834FFC2CEB8C4C8AD5D6255622DEEC36E7D02876280E43ACF12419B732D68118A36810649DFB65DF60CD1062FBF33431BFC9E915C179593B1765EEFCADF0061FD5843CF895FE86A410ED04B3A21A21C257F6F4C63855126599541B600B560EEE05CC7C4AD8789439F9AD61A9A8370ED14639B8C8060258B8F6BB74045B86701B1DF089162DF3FC84D46AEA38A26FEE392C33E0B25&retpath=aHR0cHM6Ly95YWRpLnNrL2QvT2ZKQ3Y0b0JfMGo2ZlE__e14d71d24974ab5f48b0eff2276c4b93&t=2/1717563531/baf9caf1302aebac3fd4f8593f71feca&u=c13aaf8e-a94d410f-b6239f57-a59a38f3&s=6d454decdb51042b067f6149eea383bb Автор: Иван Айвазовский

Preparing download options

Popular

HD video

Only sound

All

* — If the video is playing in a new tab, go to it, then right-click on the video and select "Save video as..."

** — Link intended for online playback in specialized players

Questions about downloading video

How can I download "Вебинар Ольги Базановой - "Иван Айвазовский". Пишем маслом" video?

http://unidownloader.com/ website is the best way to download a video or a separate audio track if you want to do without installing programs and extensions.
The UDL Helper extension is a convenient button that is seamlessly integrated into YouTube, Instagram and OK.ru sites for fast content download.
UDL Client program (for Windows) is the most powerful solution that supports more than 900 websites, social networks and video hosting sites, as well as any video quality that is available in the source.
UDL Lite is a really convenient way to access a website from your mobile device. With its help, you can easily download videos directly to your smartphone.

Which format of "Вебинар Ольги Базановой - "Иван Айвазовский". Пишем маслом" video should I choose?

The best quality formats are FullHD (1080p), 2K (1440p), 4K (2160p) and 8K (4320p). The higher the resolution of your screen, the higher the video quality should be. However, there are other factors to consider: download speed, amount of free space, and device performance during playback.

Why does my computer freeze when loading a "Вебинар Ольги Базановой - "Иван Айвазовский". Пишем маслом" video?

The browser/computer should not freeze completely! If this happens, please report it with a link to the video. Sometimes videos cannot be downloaded directly in a suitable format, so we have added the ability to convert the file to the desired format. In some cases, this process may actively use computer resources.

How can I download "Вебинар Ольги Базановой - "Иван Айвазовский". Пишем маслом" video to my phone?

You can download a video to your smartphone using the website or the PWA application UDL Lite. It is also possible to send a download link via QR code using the UDL Helper extension.

How can I download an audio track (music) to MP3 "Вебинар Ольги Базановой - "Иван Айвазовский". Пишем маслом"?

The most convenient way is to use the UDL Client program, which supports converting video to MP3 format. In some cases, MP3 can also be downloaded through the UDL Helper extension.

How can I save a frame from a video "Вебинар Ольги Базановой - "Иван Айвазовский". Пишем маслом"?

This feature is available in the UDL Helper extension. Make sure that "Show the video snapshot button" is checked in the settings. A camera icon should appear in the lower right corner of the player to the left of the "Settings" icon. When you click on it, the current frame from the video will be saved to your computer in JPEG format.

What's the price of all this stuff?

It costs nothing. Our services are absolutely free for all users. There are no PRO subscriptions, no restrictions on the number or maximum length of downloaded videos.