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Russian
00:00:01
Hello everyone, congratulations on the holiday00:00:05
who celebrates00:00:06
days I welcome you to today00:00:09
we are not in work today00:00:13
mode00:00:14
but today we are in communication mode with you00:00:16
hello friends, I'm glad to see you all00:00:18
to greet00:00:19
if paul didn't introduce himself and someone us00:00:21
Pavel Tatyana Zubovo doesn’t know you yet00:00:23
and we will analyze the answers to the questions00:00:26
which you sent us on technology00:00:27
painting00:00:28
so I remind you that the question was sent to us00:00:32
in several different places we have questions00:00:34
put them together and tried a little00:00:37
structure what is in sections00:00:38
managed and first of all before we00:00:41
started00:00:42
small organizational moment00:00:43
please confirm that we are at all00:00:45
apparently audibly will indicate somehow00:00:50
please let's start already00:00:56
slowly00:01:05
great let's go we have a question00:01:10
structured by sections00:01:11
I'll note just in case that00:01:13
wording spelling and punctuation00:01:16
authors completely saved nothing00:01:19
changed from nothing edited00:01:20
section 1 general questions subsection 100:01:26
section 1 underpainting mixing paints00:01:29
so question number one I don’t have time to follow00:01:32
behind your progress of mixing paints that you00:01:34
can you advise00:01:36
you have two options: either pause and00:01:40
reconsider there reduced speed00:01:43
or let's say, for example, to train00:01:46
more more and no more in this case00:01:49
you won't pay close attention00:01:50
with each movement during mixing you00:01:53
you'll just understand what it is00:01:54
did for this for this for this not00:01:56
marking yourself is just the subconscious00:01:59
besides and when you train00:02:02
mix a lot of colors to get different ones00:02:04
different shades will be enough for you00:02:06
hear what I say what color00:02:09
add00:02:10
and why always in classes I explain for00:02:12
why am I adding this shade now?00:02:14
why do I make it darker and lighter and so on00:02:16
furthermore, we understand that this00:02:18
the question always arises for a long time and00:02:21
will most likely you always arise00:02:23
so we have prepared for you now00:02:25
already a large section for our channel00:02:27
where we will be very interesting00:02:30
format using the example of famous paintings00:02:32
show how to mix these or those00:02:34
shades00:02:35
shades of shadows of flowers and so on00:02:38
halftones and everything all in detail00:02:40
version there will be several episodes and00:02:42
separate by topic and general so00:02:45
there will be a lot of interesting things00:02:47
the main thing is the most important advice for this00:02:49
the question is to train more00:02:51
You can even mix your own special ones00:02:53
put up signs so okay let's move on to00:02:56
in general the answer is simple training00:02:58
training training be catchy00:03:00
monitor any processes if with00:03:03
you are just starting this process00:03:04
it’s difficult to get acquainted and then look00:03:07
clear clear clear so the question00:03:11
which still comes first00:03:14
I came here because as a result of my00:03:18
second question00:03:19
question 1 hello, do you need anything?00:03:21
pre-process Chinese00:03:23
canvases on cardboard00:03:24
look at Chinese canvases on cardboard00:03:27
very different if you are a Chinese canvas00:03:30
Are you sure that he is draining oil from you?00:03:33
not glued that everything is very bad with him00:03:36
that is, you are not comfortable working with him then00:03:38
It is advisable to prime it if00:03:42
canvas everything is very bad then I would be with him00:03:44
I just didn't bother and wouldn't00:03:46
buy canvas and you are the company OJSC canvases and00:03:48
already purchased but you are unlikely to purchase00:03:50
industrial scale correct canvases00:03:52
already purchased I would use for00:03:54
training if he's bad is the only thing00:03:56
what can you do without much loss00:03:58
time with Chinese canvas on cardboard00:04:00
already prepared dinner roll is his something00:04:02
Should I prime or not?00:04:05
it's a question of behavior canvas behavior00:04:07
You won’t recognize the canvas, it’s just worth it00:04:08
visually the soil does not drip00:04:12
until you write anything on it you won't00:04:15
learn the following question: how to determine00:04:17
tone of underpainting to make it darker or00:04:20
lighter than the base color00:04:22
if you want to create some kind of common00:04:26
underpainting, that is, to paint over the entire picture00:04:28
one color then you choose neutral00:04:31
the shade it should not be dark not00:04:33
should not be light it will be medium00:04:35
but it is not always necessary to do this00:04:38
not every picture we need is00:04:40
imprimatura we usually do under00:04:43
painted layer immediately divided into00:04:45
dark on light it is red on blue00:04:47
it's yellow and it's just not faster00:04:50
it is always necessary to take and cover the canvas00:04:52
and in some single color, well, now00:04:55
look at the example of this picture00:04:57
I would say that under the painted layer00:05:00
could be done either somehow00:05:03
umber stem or o christov something from00:05:05
section umber or ocher would be00:05:07
optimally how much this layer will be00:05:10
dense absolutely not dense better00:05:12
something so thin and transparent00:05:15
so that we have a common tone like this00:05:17
warm and we'll do the rest00:05:20
on top and all blue and all white apply and general00:05:24
mind sheets and words will give us very good ones00:05:26
warm warm colors if you want00:05:29
break the underpainting on the heels then you for00:05:31
imagine yourself visually like this00:05:33
the picture is like an array of some different00:05:35
color spots maybe even more00:05:37
large spots00:05:38
that is, in her just like that00:05:40
break down into total spots and total 5 into00:05:43
cover with approximately the same tone00:05:46
these are friends in case you are not alone00:05:48
general no general direct tours00:05:50
use it, but this is how we usually do it00:05:52
do the activity immediately, break it down into dark ones00:05:55
to light and to colored here you are now00:05:57
you see what we need to cover initially00:05:59
darker and darker green00:06:02
brown, for example, in this one00:06:05
region he is here and here00:06:07
on the contrary, more brownish red and00:06:10
some areas you see00:06:12
initially can be covered with a heart and00:06:15
for example, somehow more like Christ and00:06:18
we work from dark to light why00:06:21
because if you put volume first00:06:24
a little lighter then this light tone00:06:27
will interfere with the dark and ruin everything00:06:30
but you can always lighten it up00:06:32
will naturally mix and dark00:06:34
but it’s easier to highlight when working, I hope00:06:37
general technique for working underpainting00:06:39
local let's continue00:06:44
How can I replace kraplak paint?00:06:48
you can replace the kraplak with a similar one00:06:51
shade what is kraplak it is raspberry00:06:54
shade red red raspberry00:06:57
cold you can say so you can00:06:59
take a carmen you can take any00:07:01
another kraplak something from the pink section00:07:04
fuchsia maybe you will find some00:07:06
pink shades are darker and cooler00:07:09
which will resemble this shade00:07:12
the main thing is to understand that we can00:07:15
kraplak if we need to do it in general00:07:17
something redder00:07:18
replace with absolutely any red one00:07:20
paint and if we need to get exactly00:07:23
paid cool pink shade00:07:25
then we are obliged to replace it with similar ones00:07:28
some shades you'll see in00:07:30
Manufacturers have a lot of lines00:07:32
all sorts of different crimson specks00:07:35
completely different there are the same feed new00:07:38
paints can all be replaced with this, that is00:07:42
if you want to change something you can just00:07:44
download for example the download and see00:07:47
and what is similar to kraplak or what00:07:49
you can interfere with each other so that00:07:50
get something similar to krathong00:07:52
and everyone has such signs00:07:54
manufacturer they are always there you are them00:07:56
you can have it in electronic form00:07:57
always download open look and00:08:00
make sure to what extent any00:08:02
Are they similar to each other or not?00:08:04
naturally from a living shade it will be00:08:07
slightly different but now00:08:08
Manufacturers are still trying to do00:08:10
such more real live colors and00:08:13
give as similar as possible00:08:15
correct shades in electronic format00:08:18
so quite now in the modern world00:08:20
you can look at the colors and00:08:22
analyze what can be changed for00:08:25
so my account questions in chat questions in00:08:28
chat we will look then we will answer00:08:30
let's deal with the bailiffs00:08:31
questions that we have already prepared and00:08:33
then let's go chat and answer00:08:36
questions so sow a little00:08:37
please be patient and on yours00:08:39
I will definitely answer questions, I will note that00:08:42
you paint I just took from the site00:08:43
manufacturer this particular one00:08:45
coloring illustrative specific from00:08:47
Master Class00:08:48
take from another manufacturer as already00:08:49
said so, question one from Valentina00:08:53
always before writing mapping00:08:56
do underpainting no it doesn’t always depend00:08:58
depending on what style you work in00:08:59
depends on what you write it depends00:09:01
specifically, the pictures are still there00:09:05
It's quite difficult to answer00:09:07
namely abstract, but definitely not always00:09:09
how to learn to correct so as not to00:09:12
spread the dirt see why00:09:13
it turns out to be dirt00:09:14
because you put some kind of paint on00:09:16
the picture then you put it on top of this paint00:09:18
you are trying to make corrections00:09:21
what you put there and mixes with that00:09:24
what was already there, maybe this00:09:26
mix scathed colors which00:09:28
no need to mix at all, it doesn’t work00:09:31
a mixture of several shades that00:09:33
We didn’t plan this at all, maybe00:09:35
will come in handy when working with brushes00:09:38
Do you have a brush? Do you have any finishing touches?00:09:40
dark and light did not mix00:09:41
something else is planned there later00:09:42
moved in, that is, a mixture of large00:09:45
number of uncontrollable shades for you00:09:47
let me warm myself how to learn how to fix it00:09:50
so as not to stir up dirt, well, there are two00:09:53
option first option you check by00:09:54
dried out, you take the second option00:09:58
take off what you wrote to paint00:10:00
not dirty, touch it with your finger, touch it00:10:02
trying to look with a palette knife if00:10:05
doesn’t get carried away with almost anything in common00:10:06
good and overwritten this is general00:10:09
fixing method get something yes00:10:13
is it you way that is now00:10:15
appeared called this method a fix00:10:18
raw and of course the most00:10:20
the obvious way is to fix it00:10:21
messages said to wait until you sit down00:10:23
rewrite on top for later and yes, you too00:10:25
must always understand that the correction00:10:27
it is better to use thicker paint than00:10:30
was found before this00:10:32
so that you don't mix these raw00:10:35
paint again and it didn’t turn out the same00:10:37
the dirtiest you are right now00:10:39
correct and by the way in classes I00:10:41
very often I show how some00:10:43
corrections can even be made00:10:45
probably show more so that there is00:10:48
clearly let's move on00:10:52
composition the process of painting a question00:10:55
first I feel that there is a mistake in00:10:57
composition I don’t understand what’s wrong00:10:58
tell me, let's try to tell you00:11:02
so I uploaded this picture for myself, let's do it00:11:07
let's open your picture, look what you have00:11:13
you here is basically a used moment00:11:15
1 road going into the distance reception moment 200:11:19
this mouse is not very convenient00:11:23
draw these scars on a tablet00:11:26
forgive moment second bright spot00:11:29
moment three attracting attention here00:11:32
this area and also converging lines00:11:37
this is also the moment that us00:11:40
leads somewhere00:11:41
so look what catches your eye00:11:45
always in the picture00:11:46
the look is always attracted by saturated00:11:48
spots let me create a new layer and on00:11:52
I won’t write to it, I won’t write it now00:12:00
talk about balance composition and so on00:12:02
further this is a completely separate topic00:12:05
I’ll write now that the look attracts and00:12:08
so what other doctor00:12:10
1-core that's what the shadows won't be by the way00:12:15
the composition will be dedicated separately00:12:17
webinar where we are very complete how00:12:21
this will be possible during the webinar00:12:22
let's cover this topic so the announcement about00:12:26
this class will be as always in our00:12:28
social networks00:12:29
so don't miss it, let's watch00:12:32
glad to see you and so attracted my attention00:12:34
saturated spots contrasting objects is00:12:36
to simplify it a lot00:12:37
look at what I mean that is00:12:41
we can take the viewer's gaze away00:12:44
line or direction let's look00:12:49
what do you have from this do you have from this00:12:52
there is a saturated spot on the right side00:12:55
bright contrasting spot in the far parts00:13:00
we have this contrasting object00:13:03
carriage here ladies in general you00:13:07
you lose it or I’ll quietly bring it and it turns out00:13:11
1 brightest most contrasting spot00:13:14
where to point and look this way00:13:16
into the distance to the left edge and it seems to appear00:13:20
the question is, what's that bright white thing there?00:13:23
spot there the sun is burning and then you have00:13:26
a very large object in area which00:13:29
much larger area in principle00:13:30
this whole pink house is big00:13:32
area00:13:33
it is much larger in area than here00:13:35
this bit but it's pretty00:13:38
saturated in relation to the rest00:13:39
picture and it turns out that you have a look00:13:41
goes here and there but at the same time00:13:44
Something is bothering you in this part00:13:45
pictures because it's big intense00:13:48
pink spots and then you start to overpower yourself00:13:51
try to take your eyes off this here00:13:53
try to look at it from here00:13:56
details that is you are using here00:13:59
reception at the vision of the viewer's gaze but then00:14:04
the viewer overpowers himself because00:14:06
the look we didn't lead anywhere it led00:14:08
just burnt spots and it starts00:14:10
try to look at the tables00:14:11
it’s worth looking at the details of the carriage00:14:14
in the center in the center and it stands like this00:14:17
that it is right next to these00:14:19
spots and a little bit she's just here00:14:22
gets in the way that is, it is not in equilibrium with00:14:26
side of the picture no matter how trivial it is00:14:28
sounded and slightly spoil the overall feeling00:14:31
so you have a general00:14:33
fragmentation, that is, you don’t have00:14:35
the first law of composition is observed00:14:37
integrity because 1 piece00:14:39
which was led by two pieces of which00:14:41
take separately this is the house pink 3 this00:14:44
carriage I 4 is a bright unaccented00:14:47
Here's a problem with your composition00:14:50
that the picture just falls apart00:14:52
a few pieces and beyond these00:14:55
in a few pieces we begin to follow00:14:56
Well, somehow I also wanted to give you a couple00:15:00
recommendations00:15:01
the white spot that you killed, she's too00:15:03
closer edges to the picture better brevor00:15:06
give a little more to the right00:15:09
the carriage with the horse is also stuck to the edges00:15:12
canvas and bush then enter this carriage00:15:15
further away or in general it is needed somehow00:15:17
move wheels that are directly on00:15:20
the edge of the canvas is not very good00:15:22
the next moment this area is pink00:15:25
first of all very light you it00:15:28
need to make it darker, just a lot darker00:15:30
many many tones if you are all this00:15:33
make it darker then it will be00:15:35
perceive the picture more holistically00:15:37
otherwise it's too bright a spot now00:15:40
right side distracts attention from00:15:42
everything and the main main problem and this is00:15:45
the fact that there is no clear division in the picture00:15:48
what's darkest and what's brightest00:15:50
there are too many details and too much00:15:53
Do you know this hdr effect on photography?00:15:55
here he is right here when we have00:15:57
each area has too much white and00:16:00
black white and black but the general00:16:02
white and black picture it's all broken00:16:04
so we just need to split where y00:16:07
we will be the brightest where will be the brightest00:16:10
dark and understand what the viewer is looking for when00:16:12
looks at this picture must pay attention00:16:14
attention first and then there will be00:16:17
everything is much better including the clouds00:16:19
too much control perry, well, that is, you00:16:22
you need to pay attention to objects on00:16:24
who do you want to draw it no I00:16:26
now I've tightened it up a little bit00:16:27
I love them, but it’s still work here00:16:29
it takes a lot more here and00:16:31
plus too many details about00:16:34
perspective distortions are still not00:16:35
I say this, in principle, is not the main thing here00:16:37
what we even pay attention to as we drive00:16:41
further if the author of the questions is present00:16:44
we have a lesson, subscribe00:16:46
please have we answered the question or00:16:48
no yes yes00:16:52
The next question is what colors can I use?00:16:55
add speech on the shore which is on00:16:56
in the foreground the first question is why00:17:01
what colors can be added to the river?00:17:04
goals you want to achieve why and00:17:07
what ratings should we add if you00:17:09
want to show the depth of space then00:17:11
then we add darker ones00:17:13
if you are interested in specific shades then00:17:16
can be mixed00:17:17
for example ultramarine with brown00:17:19
some shade or even with00:17:22
speckled ocher can be mixed00:17:24
something a little darker when00:17:27
our close-up will be darker00:17:29
far brighter I'm talking about the river now00:17:31
I say then we will have more00:17:33
don't let the depths in the river interfere with the reflection00:17:36
your background does not reflect00:17:37
perfect to the shore but just to the shore00:17:41
some picturesque autumn is also for you00:17:43
f8 and yellow leaves are falling00:17:46
red ones have the same problem as on00:17:48
We don’t have most of the paintings now00:17:50
there's something light here, something dark00:17:53
it's light and dark distributed00:17:55
evenly throughout the picture and like this00:17:57
chaotically scattered, it doesn’t give us volume00:18:00
and space in the picture00:18:01
so the next thing the teachers say is that00:18:05
my work is not a painterly problem00:18:07
reflexes that I often simply fail to00:18:09
I see or don’t know what color they are00:18:11
write I came as I see it’s correct00:18:14
Is it possible to add reflexes to the work?00:18:16
some specific rules are great00:18:18
reflexes of course there are rules and I00:18:22
I would like to tell you that if you have00:18:24
you have problems with your reflexes00:18:27
that the problem is simply not there because00:18:29
reflexes and this is perhaps one of the most00:18:31
simple things that are paintings like this00:18:35
what if the problem is only with reflexes then00:18:37
you will fix this but literally for00:18:38
a few days of the week and so on all00:18:41
very simple what object is nearby00:18:43
there is such a shade and it will be00:18:46
reflect on neighboring objects00:18:48
our reflex occurs only when00:18:50
there is some other one next to the object00:18:52
the object doesn't matter what it is, just if it exists00:18:55
neighboring object then it can give00:18:57
reflexes and00:18:59
if the object is without any surrounding00:19:01
objects and, accordingly, reflex00:19:03
nowhere to come from, look here it is a reflex00:19:05
dense crown00:19:06
that glass of us is registered next to00:19:08
the glass is no and a lie is acceptable00:19:11
the way will be this is an orange I don’t want00:19:13
will understand the varieties of citrus fruits given00:19:15
moment and he gives a bright bright reflex we00:19:19
now we have chosen this one perfectly00:19:22
hypertrophied doremon for you00:19:24
it was more clear, we'll show you later00:19:26
other samples00:19:27
a little further away there is a less saturated one00:19:31
object and also a little further it gives less00:19:33
saturated reflex because glass00:19:35
most likely either glass or something00:19:37
glossy thermal rather ironic00:19:39
well, it doesn’t matter the reflection in it00:19:41
manifested very clearly so look00:19:44
what objects can fight nearby if00:19:47
This is, for example, firewood, the grass is green00:19:48
reflex let's look at an example00:19:51
this is a lot of armor, what kind of reflex00:19:52
but here it is, look here00:19:56
We just have the most picturesque reflexes00:19:58
green table00:20:00
the green table gives this green one00:20:04
reflex here, I'll turn it down a little, you see00:20:07
here he is discarded, they interfered a little00:20:10
green paint which immediately gives us an object00:20:12
I put this one in its place and wrote it down00:20:18
and his surroundings are an example from life00:20:24
photo here is the reflex from grass00:20:27
see the greenish light falls like this00:20:32
the universe is inhabited by no light falling00:20:40
here it is reflected here and gives us00:20:43
see the green reflex on the ball00:20:47
green, if you don't see it, let's be a bully00:20:50
a little saturation, look here00:20:52
new resource see the ball by itself00:20:56
the blue in it reflects the sky in principle00:20:59
this can also be called a reflex00:21:02
conditionally but this is a reflex from the sky and below00:21:04
reflected green green is a reflex00:21:07
from the grass Here's the distribution of reflexes00:21:09
on the object here are the tones00:21:11
cheating will record a reflex00:21:13
objects will all fall into place and there will be00:21:15
look like a big help00:21:18
recommendation from me learn to see00:21:21
reflex to an object using the example of whites00:21:23
objects white most reflective objects00:21:27
they absorb everything around them00:21:29
shades so put white items00:21:31
next to people of color and you in this example00:21:33
very clearly very clearly see you00:21:35
learn to see these reflexes so I00:21:39
I think the answer should be clear again00:21:44
Let me remind you that he answers questions in the chat00:21:45
we will answer after passing all our00:21:48
questions about paint consistency00:21:50
how thick should it be just for00:21:51
gradient just thick enough to00:21:54
it was a convenient size to stir and00:21:56
apply to canvas if you need clear00:22:00
the proportions are fifteen percent00:22:02
sour cream like this liquid more details00:22:08
so I was a beginner and could only purchase00:22:11
your can I participate will not be00:22:13
I kind of understand how to paint with gouache00:22:15
apparently a question about the online marathon which00:22:18
us starts tomorrow and you watch00:22:22
you will be able to understand the general principles of writing00:22:25
everything always works like this00:22:27
lighter darker how to mix this or that00:22:29
color mixing gouache in general00:22:30
similar to the one we produce00:22:32
palettes but some nuances in working with00:22:36
the material will be different we will00:22:38
working with oil the general laws are the same for00:22:42
any painting00:22:43
so you’ll definitely catch the whole thing, but00:22:47
features of working with gouache00:22:49
this is still somewhat different from00:22:51
oil painting that's why you're here00:22:53
you'll need to figure this out on your own00:22:55
I'm interested in figuring it out now00:22:58
volume permissible human body to00:23:01
she was as 3d as possible how to distribute00:23:03
light and shadow is basically the answer00:23:08
it's just very difficult at the same time00:23:12
how volume is determined how it is formed00:23:16
volume volume is formed by light and shadows00:23:18
Here we have a ball for example, I think that's it00:23:21
Have you seen similar pictures of the ball here?00:23:23
the light is falling00:23:25
then this color turns into partial shade00:23:27
this light gives some kind of reflex and so00:23:30
this is exactly the distribution of shadows00:23:33
makes us understand that the object is voluminous00:23:36
an object, for example a ball, here it is a shadow00:23:38
which forms the volume, this is black, this is00:23:43
just a reflex from a light source here00:23:46
he is a reflex from below which forms for us00:23:49
the shape of a ball and precisely transferring everything00:23:51
you can put these moments on canvas00:23:54
respect the volumes of the human body with00:23:59
the human body is exactly the same00:24:00
humanity itself has a body with volume00:24:02
the human body consists of some00:24:03
simple forms, more precisely, it can be divided into00:24:05
simple forms and when transferring these00:24:08
simple forms on canvas you can00:24:10
transmit 3d volume, that is, 3d is actually what00:24:13
this is the transfer of space on a plane with00:24:15
using linear perspective and using00:24:18
light shadows00:24:20
here is the light, here is the shadow and pass it on00:24:27
chiaroscuro transfer them get volume00:24:30
it's exactly the same as with this00:24:34
work light00:24:40
so we removed the light component and00:24:44
we get that, in principle, we have in front of us00:24:46
the same ball but we perform this ball00:24:50
tonally and that's why it turns out00:24:52
volumetric you can still guess that00:24:53
in front of us is an orange00:24:54
but if you just leave00:24:56
inserting color then you won't understand about00:24:59
we wanted to guess, maybe because from00:25:01
such characteristic pimples, but if you00:25:02
leave only the color then you just don't00:25:04
understand that this is an orange00:25:06
that is, volume is conveyed by contrast00:25:09
light and shadow answered the question in more detail00:25:19
within the framework specifically here are the answers to00:25:21
difficult questions to answer so four00:25:26
the question is how to continue working correctly00:25:28
based on the dried picture let's start with00:25:33
answers to question 1 and so are correct00:25:36
answer questions about the dried painting00:25:41
in order to understand how to carry out work on00:25:43
above picture we need first00:25:45
understand how oil paint dries00:25:48
that at the beginning of the paint drying number00:25:50
increases in volume at the end00:25:51
reduced sauce 1 surface00:25:54
drying always depends on the thickness of the layer00:25:57
properties of pigment oil which00:25:59
no thinners used00:26:02
forget the storage conditions00:26:04
continue working on a semi-dry painting00:26:07
are unacceptable under any circumstances because00:26:10
what do you see at the beginning of the drying of the colorful00:26:13
layer increases at the end00:26:15
the change in the volumes of the upper00:26:18
the bottom layer goes at different times00:26:20
since you applied the bottom one first00:26:22
indicated to dry out increased in volume00:26:24
then you apply the top coat which00:26:27
dries completely with something completely different00:26:31
another stage begins drying and00:26:34
it turns out that you have one person00:26:36
For example, decreasing in volume is already the second00:26:38
increase therefore you are experiencing00:26:40
tears in paint layers00:26:42
how to continue working on the map if the layer00:26:47
thin if you wrote in solvent00:26:49
first layer thin thin you can00:26:51
work on top00:26:53
if you wrote in a thicker layer and00:26:55
the paintings began to dry out and formed00:26:58
a thin film over it00:27:01
You can't work, you can just take it off00:27:04
this floor is a dried layer with film00:27:06
just rip it off with a palette knife and00:27:09
rewrite over if you have a picture00:27:12
dried then you use the right one00:27:16
way to destroy the oil film00:27:18
use, for example, town hall varnish00:27:20
why use retouching her varnish they00:27:22
solvent why pure solvent00:27:24
you can’t work through the picture and continue00:27:27
writing because the solvent is completely00:27:30
varnish solvent has no different effect00:27:32
It dissolves our paint and destroys our connections.00:27:35
colorful is destroyed both with binder and00:27:39
you may get the consequences of the problem00:27:40
this is the peeling of subsequent layers00:27:42
cracking we so on big00:27:45
the amount of solvent can00:27:46
promote oil penetration into canvas00:27:49
changing the canvas structure and further00:27:52
problems with this I hope for00:27:55
questions answered this was the first question00:27:58
question 2 if you are in the usa part of the picture was00:28:03
in cold colors and now you need to change00:28:05
to warm tones and at the same time lower00:28:06
a cold layer appears all the time, what with00:28:08
do this recycle pack equal00:28:10
paints if you need to change to more00:28:12
warm data if00:28:15
gradually want to change and gently then00:28:18
one layer second layer third layer00:28:20
thin layers of varnish00:28:23
so simple 3 how to fix lived out of 500:28:28
let's go back here again00:28:34
Let's see what could be the problem with00:28:36
accommodation moment 1 small quantity00:28:39
oils in paints are to the manufacturer00:28:41
second strong dilution of paint with oils00:28:44
this may also be the reason for the wish00:28:46
question ah moment 3 is absence00:28:49
chemical bond between pigments in oil00:28:51
As a result, the oil is separated from00:28:52
we saw the colors a couple of times00:28:55
these paints are mixed at home00:28:59
the paints are mixed so we take the pigment00:29:01
then they dumped half a bottle of oil in there00:29:03
just by eye then like00:29:06
every pigment has the concept of oil00:29:07
containers, mix it all, paint is ready00:29:10
these moments are exaggerated but also serious00:29:13
noticed in this case naturally00:29:18
chemical bond between element mass is not00:29:20
paint oil builds up00:29:21
separated if violated, for example, intent00:29:23
Are there any other chemical containers?00:29:25
processes, we don’t want to go deeper into this now00:29:26
we might collapse00:29:28
and the most common problem with wishes is00:29:31
weak drying of the underlying layers is00:29:35
I just talked about this recently00:29:37
continue working in the painting moment00:29:39
next ones which are not here for some reason00:29:41
entered well, I'll also add low quality00:29:50
reasons what I mean if your00:29:53
the canvas is not glued properly or00:29:57
primed and oil from paints begins00:30:00
go into the canvas in this case shine00:30:05
disappears how to deal with it00:30:08
retouch the painting on top00:30:10
varnish exactly as desired or cover00:30:14
painting with varnish if this finish but if you00:30:16
do you want to continue working or not?00:30:18
cover then treat with retouch varnish00:30:21
what is retouching, not varnish, is it actually00:30:23
a mixture of diluent and solvent in00:30:27
proportions one to one loko loko s00:30:30
take a conditional dammar as a solvent00:30:33
varnish mix it with turpentine or00:30:36
our backs are just not our own now00:30:38
in what scenario is it not used?00:30:39
Dammar varnish mix your doors there00:30:42
one to one 1 2 where 2 and 1 where the second00:30:46
the number is the proportion of solvent and00:30:48
get closed or buy they say00:30:50
lace so lost hanyu I hope answered00:30:53
are we or is there another way to eat raw00:30:56
put a cloth on top and soak it with meat00:30:58
oil only oil cleaned please pay attention00:31:00
attention cleaner we prefer compacted00:31:02
because it dries faster00:31:04
so well it seems like still00:31:09
so what is the writing technique in which00:31:13
the bottom layer of the painting is visible, such as00:31:15
in the works of the following artists00:31:19
if you just want it to be visible from outside00:31:22
layer painting that no special00:31:24
There is no name for this technique, write00:31:27
write everywhere bottom layer I'm very00:31:30
much at all I'm not talking about specific00:31:32
the techniques in which artists work are not00:31:35
I'm just saying that the bottom one is visible00:31:40
layer just cover apply top00:31:42
stands so that the bottom layer is visible00:31:44
there are different ways to do this but00:31:46
we'll stop there00:31:47
probably master classes on00:31:49
look at painting as an option00:31:51
one of the previous classes00:31:53
where we have guns we wrote on the background like00:31:56
since the background was covered with such a transparent00:31:58
paint and00:32:00
either with a rag or, well, preferably everything00:32:02
a rag, of course, not napkins00:32:04
wipe this paint and you can00:32:07
get this interesting effect00:32:09
old times so if you're interested just00:32:11
see how mafon did this question00:32:15
technically or let's make it a second00:32:17
pause, we will answer a question from the chat so that you00:32:20
download, don’t get bored, where do we start in the world?00:32:25
if only there was a website on the account00:32:26
let's start so that I'm here everywhere a lot so00:32:30
let's start giving it on YouTube so so so I bought it00:32:35
canvases are very oil absorbent hall primer00:32:37
primed canvas means it's bad00:32:38
the soil means that we either glue it poorly00:32:41
canvas or poor soil, there are many options00:32:43
you have options with purchased canvas00:32:48
already primed I wouldn’t fight00:32:50
if you have few of them if they are straight00:32:53
really bad use them on00:32:54
exercises if you primed them00:32:57
acrylic primer, for example, on top and that’s it00:32:58
they pull equally but you have nothing to do with them00:33:00
make it better to buy other canvases00:33:02
spend more effort and time but this00:33:04
my personal position00:33:05
you decide the next question good afternoon00:33:08
please tell me if it is necessary before00:33:10
cover the primed canvas with work00:33:12
double oil, etc.00:33:13
no, I need to be more precise, you can, but you don’t need it00:33:17
tell me why, for example00:33:20
if you understand the circuit if you can00:33:22
answer the question why cover and00:33:23
primed canvas with oil double and00:33:25
then or then you need for example00:33:28
some painting techniques involve00:33:30
there is the best brush glide in this00:33:32
In case it's better to smear the paint00:33:35
smearing times better easier00:33:39
applying paint i.e. paint is lighter00:33:41
spread across the canvas in this case00:33:43
can be covered but that's the point00:33:46
cover all your paintings00:33:48
the original oil double and so on00:33:50
further no moreover the first layer in00:33:52
We try not to interfere with the first layer00:33:54
oil is not your nickname and not varnish so in a second00:33:59
We've reached technical issues.00:34:02
I'll switch to look at my thoughts once00:34:09
there are three rules of operation first00:34:11
bold meaning bold, that is, layers00:34:13
located from bottom to top like this below00:34:15
there is the least fat story and00:34:17
solvent then we can top it00:34:19
cover with paint then paint +00:34:21
solvent without oil and then paint +00:34:24
the oil in the middle may also be the varnish itself00:34:27
why is there oil in the lower layers?00:34:31
We try not to use oil, it dries out00:34:33
always slower than varnishes and than00:34:35
solvent and yet with this if you00:34:38
Let's say you write on top what00:34:41
another layer then cover the canvas with oil00:34:43
there's no need for it; it'll get in the way later00:34:46
if you write in one layer then the rule is00:34:47
can be neglected so I hope answered as00:34:53
fix the picture if they accidentally00:34:54
done smash two centimeters look00:34:59
there are ways to glue a piece of canvas00:35:03
the back side as we glue it or00:35:07
tissue paper can be glued00:35:09
just stick it on if it’s very simple00:35:13
pva glue on the back00:35:15
warm iron a little pva glue00:35:18
put a piece of canvas on the back here00:35:21
such a donor and through a cigarette00:35:23
iron the paper with a warm iron here00:35:26
this glued canvas has a little glue00:35:29
run so that it is attached with a warm iron from00:35:31
I mean not hotter by any means00:35:33
if the iron is hot it will damage00:35:35
picture the next question is how to get rid of00:35:38
from clear 10 together in the picture from clear00:35:41
edges the very first and most important00:35:43
The recommendation is to remove all the small ones00:35:46
take the largest brushes00:35:48
tassels and write your name if you will00:35:50
write with large brushes, then you either00:35:52
otherwise you won't be able to make it too small00:35:55
detail which00:35:56
in 90 percent of cases it is not necessary00:35:59
picture and if you feel that everything00:36:02
you've already made the most of this00:36:05
brushes only then you can take a brush00:36:07
smaller and some details00:36:09
write down separate ones, but you’ll just understand00:36:11
that they are not even always and not needed everywhere00:36:13
thus getting rid of a lot00:36:15
number of thin strokes written out, we and00:36:19
basically simple banal advice from cunnilingus00:36:21
write straight lines00:36:23
break the edges a little, tear a little00:36:26
mix and there may be some reflexes00:36:29
make masks that go slightly beyond00:36:31
the shape a little bit here are the clear shapes for us00:36:34
are needed in principle only in objects00:36:36
created by people nowhere else in nature00:36:38
no straight lines and clear shapes after00:36:42
frequent corrections purchased are not glued00:36:45
At home the canvas is sagging, can it be fixed?00:36:49
so the canvas at home is not glued00:36:52
sizing and purchased canvases00:36:53
or the canvas was not glued at all00:36:56
I don’t understand a little here, but there’s sagging00:36:58
canvas, you can fix it simply00:37:00
pulling very carefully00:37:01
pull it onto another stretcher name if00:37:03
you have a modular subframe then this one00:37:05
pull the modular subframe slightly towards00:37:07
shops if the canvas has stretched after00:37:13
sagging then recommends pulling it out00:37:16
on the stretcher and to the stretcher of the taverns00:37:18
make small inserts so that00:37:20
the colorful layer has a clear directional force00:37:22
widen the subframe a little and then narrow it down00:37:26
pull up00:37:29
recommends spraying with a spray bottle but00:37:32
as far as I remember with a spray bottle00:37:35
some technologists splash and00:37:37
I categorically do not recommend ready-made00:37:39
picture because it can lead to00:37:41
peeling of the paint layer but again00:37:45
if you sneezed just a little00:37:47
this is one thing if you have done a lot of zilch and00:37:51
added a lot of water this is how to do that00:37:53
there is no need to eat, but the easiest option is00:37:54
it's easy to pick you up and pull you up00:37:58
pegs like this for canvas on cardboard00:38:00
there is no better thinner00:38:03
thinners that are intended for00:38:05
canvas on cardboard elena h for canvas on00:38:08
the subframe has a thinner for oil00:38:10
painting if you are on such cardboard00:38:12
specially prepared, of course, for00:38:14
oil painting write in oil then00:38:16
use standard thinners00:38:18
which we use for oil00:38:19
painting00:38:23
general recommendations for thinner00:38:26
that the first layer00:38:27
but I already talked about three rules of work00:38:29
revise another 30 general recommendations and00:38:34
naturally a large number00:38:35
thinner is always bad00:38:38
the number of builders I mean00:38:41
so how to cover the picture so that it00:38:44
it took me a long time, a little question00:38:47
than covering the picture so that it lasts00:38:49
remained intact in humid00:38:51
climate the picture is in a house by the sea00:38:53
air humidity is very high00:39:02
I'll find out in a second who it was to me00:39:06
look what the big problem is00:39:10
basically constant humidity for canvas00:39:14
very bad but much worse00:39:17
constant changes in humidity changes00:39:20
humidity causes the canvas00:39:24
reacts to them reacts and can00:39:29
or stretches Lubitsch do push-ups and00:39:31
In this case, cracks appear in the paint00:39:33
layer00:39:34
if the house is located near the sea then00:39:36
you have a problem two problems00:39:39
the first is humidity is important for the canvas00:39:45
not very good for any animated series00:39:48
only the tree is more or less normal00:39:49
does not tolerate humidity well00:39:50
react very poorly to changes and00:39:52
problem 2 is promised by the content contained in00:39:54
air even if you cover the picture00:39:57
paw then in a humid climate it is straight00:39:59
won't live very long be prepared for00:40:01
this is a natural recommendation to cover00:40:06
the picture itself of the paws the moment the second is00:40:09
it is necessary to work on the subframe00:40:11
something against changes in humidity00:40:12
if the picture in the frame is covered with tair but00:40:16
do not forget that the back side00:40:17
you have no way to protect the canvas and the canvas00:40:21
you will still give or shrink00:40:24
or some changes, that is, like this00:40:27
this is how many layers of paint you can have00:40:31
put as much as you like00:40:33
look also Mona Lisa Leonardo yes00:40:35
no one knows the vinci he put there00:40:38
how many microscopic layers of the motherland00:40:40
he carried others with him for years00:40:43
layered layered00:40:47
as much as possible, following the general rules00:40:49
literally three people talked about general rules00:40:51
minutes so hello this is normal00:40:54
if you paint a picture only on00:40:55
thinners yes okay but at the same time00:40:59
do not put thick celine thinner00:41:01
recommended and many times00:41:02
rulers can lead to infiltration00:41:04
oils from paints to canvas canvas will be00:41:09
becomes fragile00:41:10
This is very good00:41:13
is it possible to use a tee for00:41:14
continuation of writing a dried up picture00:41:16
market place00:41:17
no it can't it doesn't make any sense00:41:21
tee includes oil extremely00:41:22
includes varnish and tee heap I imagine00:41:25
just one third of the solvent00:41:28
but we need a solvent and varnish we need oil00:41:32
absolutely not necessary to continue00:41:33
work, that is, you can do it on site but00:41:37
the main thing he won't do is he won't do it to us00:41:38
will dissolve the top layer00:41:40
oil painting on canvas will not soften it00:41:48
varnished three months ago appeared00:41:51
bald surface roughness00:41:52
what can be done in such situations00:41:55
I was talking about the rottenness, reconsider00:41:59
a little earlier the deceased voiced something00:42:01
showed that the house is only dirt00:42:03
we see not loud primed but I00:42:06
told how to correct against00:42:07
stretched canvas E100 I remember correctly00:42:09
then Vladimir asked about the sagging00:42:11
canvas so please show me the pegs00:42:14
patericon pull yourself up canvases00:42:15
someday we'll show it well at hand00:42:18
there is no canvas but we will write something down00:42:20
we'll show you how to write rays of the sun correctly00:42:23
sun glare if we want your technology00:42:25
video we recently had a master class00:42:29
closed but he was very cool00:42:31
[ __ ] this about duck lake00:42:33
transparency about a specific issue00:42:35
look on youtube for sure something00:42:37
There is a main recommendation from me that00:42:40
all highlights are applied only at the last00:42:42
moment and they are applied thick and greasy00:42:44
paint00:42:45
you should apply all the lightest ones00:42:47
areas with thicker paint00:42:50
a layer of suction than everything you've seen before00:42:52
already00:42:53
put paint on the picture then00:42:55
will not blend and your highlights will00:42:58
really burning glowing so00:43:00
please tell me about the pegs00:43:02
which the set with tails does not00:43:03
figured out why it was so new in this way00:43:05
insert them, turn the subframe over00:43:08
there is space on the back side of the subframe00:43:10
for the workshop then schedule00:43:13
we have photos, look here00:43:19
the pegs are inserted with this00:43:22
specially designated places for00:43:23
subframe and then they just00:43:25
selected in more detail differ slightly00:43:27
the canvas stretches better00:43:29
diagonals one pulled 2 pulled00:43:31
so that the divergences are even00:43:33
in this case only four pegs but00:43:35
designed for one canvas 800:43:37
cams because each subframe00:43:40
on both sides there are such cells where and00:43:42
supply both sides if you00:43:44
stand in every corner, that is, it will be00:43:46
only 8 pegs it will be00:43:48
uniform tension and that's it00:43:50
optimal so you can find out which one00:43:54
photoshop resource which states for00:43:56
Russian thank you00:43:57
yes he is one photoshop we kind of a dog him00:44:00
just pay for a monthly license before00:44:02
we use00:44:03
own there is no difference and what something what00:44:05
Russian I use in English00:44:07
because it’s more convenient for me to translate00:44:09
is usually not entirely accurate and00:44:11
so some functions can be simply00:44:14
get confused with them you can work on00:44:16
I'm used to Russian, it's just more convenient for me00:44:18
honestly I am generally unacceptable00:44:21
colleagues somewhere else in the forest and00:44:22
maritime terms00:44:23
this is my personal position, I feel so comfortable00:44:26
which tests for which tasks00:44:28
long pile short place hard00:44:30
long pile short world those hard as00:44:32
choose the right time according to the severity00:44:34
Thank you00:44:36
see the following general recommendations00:44:38
if you do let's start like this00:44:41
oil operating sequences00:44:43
paint works better hard first00:44:45
brushes and over time take everything00:44:48
softer softer most tender and00:44:50
soft brushes have been used for more00:44:53
top layers of paint how to choose in a brush00:44:57
long pile and long or short we00:44:59
but you must understand that it is shorter00:45:01
the pile will be stiffer and longer00:45:03
the pile is softer like this00:45:05
It's nice to choose brushes for tasks, but this00:45:08
smeared throughout the video because in00:45:10
in every video we talk about the test00:45:11
there is a video about brushes, I think already00:45:15
soon it will come out mine like other styles00:45:16
this is what I wrote in picture 3 a month ago00:45:19
the picture has dried up, it's still in00:45:21
in some places the paint shines like00:45:23
get rid of this00:45:24
shiny in the sense of not drying or just00:45:26
shines if it just shines because of its properties00:45:28
you don't need that kind of paint for this00:45:29
getting rid of it is not interesting for childhood00:45:32
It's still dry then wait until it dries00:45:35
There are no other ways to speed it up00:45:37
ways to speed up drying but all of them00:45:38
somehow affect the paint layer00:45:47
place it in the sun and place it on00:45:49
air so let's quickly look to00:45:55
asked questions in the chat and we’ll move on00:45:57
Hello, how to wash your brushes correctly?00:45:59
this is exactly the video00:46:01
we will already have a cream with this name00:46:03
I'll take pictures there in detail soon00:46:06
video on how to care for your brushes00:46:08
wash your brushes properly00:46:10
so the question is what colors categorically00:46:15
You can’t mix it so as not to spoil it00:46:16
I use the picture in particular00:46:17
master class for our group in due time00:46:19
there was a post it was called undesirable00:46:22
mixtures there were signs straight from the master class00:46:25
Not listed on the Nevsky Palette website00:46:28
the desired mixtures they have is free00:46:30
available, go to them directly on00:46:32
download the site and see what they don’t00:46:34
recommend then full question read that00:46:38
many colors themselves give everyone very much00:46:39
undesirable results immediately I'm with00:46:40
thanks time there are some00:46:44
pigments are bad together rockers00:46:47
some pigments are bad together00:46:49
reacts but you have to watch it all00:46:53
specifically for pigments specifically for00:46:55
manufacturers have tables most00:46:58
tables are already outdated because they are00:47:00
pigments are not used at all00:47:02
see current manufacturers00:47:04
master class I already said there is so00:47:07
tell me what colors you prepared00:47:09
borrow which start tomorrow to go00:47:11
it’s darkness on the page and look there already00:47:13
There is00:47:14
canvas on cardboard from sun company and quality00:47:16
fit I haven't met for a long time00:47:19
face to face with canvas on cardboard firm00:47:21
sonnet I unfortunately can’t tell you00:47:23
according to specific manufacturer always00:47:25
it's hard to say because we can00:47:27
talk only about what we use00:47:32
I wrote a duck with you where I can send it00:47:35
photo of me tag00:47:36
and at the moment we are not organizing00:47:39
no methods of accepting work except in00:47:41
contact us we are working on this on the website00:47:44
something will appear soon but for now00:47:46
contact if you want to share00:47:47
if you want to send us yours00:47:49
you can simply send us the final work00:47:52
it won't even be possible to send mail00:47:54
feedback but just if you want00:47:56
we will be very pleased to share00:47:57
see what you have even if we don’t00:48:00
found time to live by this and watch00:48:02
you don’t know what imprimatura is first00:48:05
coating the correct paint layer which00:48:07
they serve you this layer in advance00:48:11
palm tree personally for painting the whole picture00:48:13
if you want to combine the picture00:48:15
in some general tone then you need00:48:17
imprimatura for this lie and palette knife00:48:20
compatible why not steam with you?00:48:24
compatible and simple you must understand00:48:25
why do you need a specific palette knife?00:48:28
because he uses a palette knife to write for example00:48:30
acrylic paints are not very convenient00:48:32
gouache paints as much for you00:48:35
it will be inconvenient just if you need00:48:36
will00:48:37
add some voluminous masks on top00:48:40
literally a little bit, of course you can00:48:42
it can be done but in general it just can00:48:44
throwing a specific form for example00:48:46
look at yourself palette knife any tool00:48:49
palette knife brush finger any thing00:48:53
which is the lid from the cup00:48:56
plastic any any item can be00:48:59
use for applying paint than00:49:02
differs in shape00:49:03
ability to select and give paint00:49:05
and we either by rigidity and so on, that is00:49:09
you need to understand which stroke to come out and00:49:11
apply what you want to do if you00:49:13
understand this for yourself, then use it with00:49:15
gosha, at least with a palette knife, at least in the category00:49:17
use a plastic card to draw as00:49:20
with a large palette knife no difference00:49:22
in principle there is no such thing as a finger00:49:24
the answer is that the gouache has a palette knife00:49:26
incompatible no compatible everything00:49:28
whatever you want, it just won’t be convenient for you00:49:30
the work is not comfortable, but if you just00:49:32
what is needed and really00:49:33
specific things from a palette knife but00:49:35
use nothing, that is, all the colors00:49:37
these are basically liquid binders00:49:40
you can carry a palette knife the only thing with00:49:42
watercolor big doubts that00:49:43
will get it even if you get confused of course00:49:47
Well, naturally it will be completely00:49:49
uncomfortable past poems we are comfortable00:49:51
work with impasto paints00:49:53
Islam00:49:54
tell me how to use it wisely00:49:56
canvases were damaged during training00:49:57
a lot of canvases have accumulated00:49:59
Is it possible to shoot with training pictures?00:50:01
old layer with some solvent00:50:03
or completely cover any00:50:04
plain paint is there any00:50:06
common method for this answer00:50:08
we have already voiced it as standard00:50:10
continuation of work on the painting is00:50:13
coating with retouch varnish and work on top00:50:15
if you power want to write00:50:16
training room training00:50:18
then I think it’s a blasphemous thing to say, well00:50:22
just don't bother and write00:50:23
on top00:50:24
but be prepared for the consequences00:50:26
may peel off but if it's work00:50:28
training and it doesn’t matter to us at all00:50:30
how many years will it last and00:50:32
the following recommendations if you have00:50:34
some complex masks on the previous one00:50:36
picture then sand them with sandpaper00:50:38
paper with sandpaper and on top necessarily00:50:41
Naturally, the debris will need to be wiped away00:50:44
you can even just do it this easy00:50:46
weak with soapy water but natural00:50:48
half half dry cloth half wet00:50:51
semi-dry and then you can write like this00:50:55
let's just have a couple more questions about00:50:57
the rest do not end with excellent00:50:59
transmission in work 7 throughout the entire task according to00:51:01
Gray paint shows through the entire forest00:51:03
we see the course portrait of what was not done00:51:06
so maybe it's better maybe it's necessary00:51:08
it was necessary to make the paint layer thinner00:51:10
used oil paints master class00:51:11
but who knows, our course is still going on00:51:14
send task 7 for analysis yes there00:51:16
Let's see I can't say that00:51:17
guess without seeing your work I’m writing00:51:21
the cat's voice smells like a tee when00:51:23
oil paint has a lot to use00:51:25
as a solvent for today00:51:27
sunflower refined flaxseed00:51:28
food grade white spirit but very similar00:51:31
edible oils under no circumstances00:51:33
painting cannot be used only if00:51:35
you're heaven for the training picture then00:51:37
we don't pay attention to this, but if you00:51:39
write some kind of work in which you00:51:41
do you want her to at least some00:51:43
lived no edible oils are used, they are not00:51:45
cleaned and not sealed sealed oil00:51:48
dries faster than unsealed00:51:50
compacted most dries accordingly00:51:51
slower and edible oils which are in00:51:55
it contains mixtures and so on00:51:59
things that are cleaned when placed in00:52:02
art stores00:52:03
so now I really want to eat too00:52:08
special odorless thinner00:52:09
which you can buy in an art store00:52:11
use them and if you are not at all00:52:13
you can bear these unpleasant smells00:52:16
buy Lenin and artistic oils and00:52:18
you can write on it in one layer when00:52:22
need to work as a thinner and when00:52:24
meaning I voiced three rules of work00:52:28
review the work sequence00:52:31
a little earlier literally if you write in00:52:34
one layer then the general answer will give00:52:37
solvents need to work when you00:52:38
requires faster drying times00:52:40
oil when dry or does not play00:52:42
role either in the country requires more00:52:44
slow and more of the same00:52:46
recommendations if you write in one layer00:52:48
then we use a thinner if we need it00:52:51
write something quicker00:52:54
if you use oil then use oil00:52:57
your paint will stretch and you will be able to00:52:59
make smoother stretch marks so long ago00:53:02
I painted with oil the astronomer porridge is worth00:53:04
It’s worth starting your master classes00:53:05
you will understand in general while drawing00:53:07
get some writing courage00:53:09
work and then to the oil00:53:11
after gouache and switch everything to oil I00:53:14
I think you definitely won’t regret it00:53:16
and it's much more enjoyable in its own way00:53:19
properties of the material and can be achieved00:53:21
much greater effects so00:53:23
try it you will definitely like it00:53:25
so pegs draven canvas with it00:53:29
stretch marks, what to do, don’t hit them like that00:53:32
strongly pegs if you entered pegs a00:53:34
full still not stretched then he mesh00:53:37
pegs are not suitable for this purpose00:53:39
this girlfriend is bad pegs00:53:42
apparently they don't have too sharp a sharp00:53:44
end00:53:45
or you cut this end so that it00:53:47
started from a wider distance well00:53:50
that is, these are the sharp stakes00:53:51
they don't owe us wedges or holes00:53:54
so poorly stretched that it is not00:53:56
pull the peg in this case remove00:53:58
and drag no other ways00:54:02
so let's look at the following questions00:54:09
after another question still in the chat when00:54:13
everything will work out in the world will you have more00:54:15
off-site art travel in Prague00:54:17
for example when everything calms down I think00:54:20
then we'll talk because it's difficult00:54:22
predict something of course something00:54:24
there will be but the question is when because we don't00:54:27
We know when our border will open in the Czech Republic00:54:29
When will anything open in the world?00:54:31
so unfortunately it's very difficult00:54:33
predict so paul, tell me yourself00:54:39
you can write oil, people, it’s yours00:54:41
you can't show them to anyone00:54:45
Is it possible to consider medium grain canvas00:54:48
universal thank you00:54:50
medium grain canvas is universal00:54:53
but in principle, openly look at me00:54:55
dra smooth painting use00:54:57
fine grain canvas mainly for00:54:58
pasty coarse-grained I would say00:55:01
which is rather a little more universal and00:55:03
fine-grained medium-grained too00:55:05
quite bad because what problems and00:55:07
according to the painting style of the canvas video00:55:09
alcohol temporary aging works00:55:11
that is, fine-grained canvas00:55:13
stretches according to the texture of pasty strokes00:55:15
a coarse-grain canvas00:55:19
lead to poor adhesion smooth00:55:21
painting00:55:22
that is, roughly speaking, spent such that00:55:24
built on coarse grained more00:55:27
smooth painting on fine grain if00:55:30
so think about medium grain can't be given00:55:34
clear answer so okay00:55:39
let's answer how durable00:55:41
the picture will be written on paper or00:55:42
cardboard cardboard see00:55:49
cardboard is deformed why increased00:55:51
humidity fluctuations humidity hit00:55:53
water pulp cardboard which is in00:55:56
basically and in the form sold not aversely on00:55:57
reefs opens deformed what is possible00:56:02
make strengthen glue two sheets00:56:05
then prime with wood glue00:56:07
for example, soak in drying oil, prime00:56:10
cover the back side of the cardboard with thin00:56:12
layer of wax00:56:13
turpentine areas moving and buying00:56:15
primed cardboard then look stopudov00:56:17
designed for oil painting00:56:19
because if the soil is intended for00:56:20
you're not the bee bread of your cardboard wing00:56:22
first prime or glue with water00:56:25
gelatin solution so about in00:56:27
paper paper is very, very durable00:56:32
but paper is sensitive to quality00:56:36
there you need good paper good00:56:38
paper is expensive and paper is very00:56:40
it's good to choose moisture if you00:56:42
store paper in good conditions without00:56:44
moisture without moisture access then durability00:56:48
paper very, very high so master class00:56:53
Sonnet Haiti c I mix everything so you can in00:57:00
basically yes I'm the only question00:57:03
look no one will ever tell you00:57:05
like some kind of binder of some kind00:57:07
the manufacturer will subsequently respond00:57:09
like they are some kind of binder00:57:10
manufacturer because manufacturer00:57:12
an incredible amount of specific00:57:14
part-time research00:57:16
no one has ever spent time with each other00:57:18
and is unlikely to be meaningless and so00:57:21
well no one will tell you00:57:23
the answer is clear on this topic, mix it up00:57:25
try your relationship to the bone00:57:28
normal relationship is a good option for00:57:32
in order to work and train00:57:33
learning is very important but it’s easy for us00:57:36
frankly speaking, there is enough time for00:57:38
self-sizing but also00:57:40
I'd like to work with this on my own00:57:42
student years this is very strong00:57:44
got carried away I went to these fabric stores too00:57:47
I also chose the soil of the shaft and fiberboard soil00:57:50
shaft and00:57:51
square read the book advocated but in general00:57:53
or do it in large quantities so that00:57:55
it was to make sense00:57:58
otherwise it just takes time00:57:59
quite a lot for a couple of threes00:58:02
canvases since such actions are performed00:58:04
it makes no sense to a simple person, it is much simpler and00:58:06
It's even cheaper to buy now00:58:08
canvases and work on them so let's move on00:58:13
primed canvases on stretcher sonnet00:58:15
Acrylic primer is three layers necessary?00:58:17
I can't prime it further00:58:19
nothing to say about canvases on a stretcher00:58:21
send00:58:22
regarding whether additional00:58:23
priming the canvas has already been announced00:58:26
if you paint on this canvas, look00:58:29
what absorbs paint when choosing for yourself00:58:32
oil pulls oil if God forbid oil00:58:34
comes on the reverse side00:58:36
this is really bad, it’s necessary00:58:40
always prime recommendations 100:58:43
buy different canvases from different00:58:46
manufacturers try to pee00:58:47
look at which canvas has more paint00:58:50
behaves better on which one is worse and you00:58:53
just draw a conclusion which tails you want00:58:54
buy according to a specific manufacturer00:58:56
hard to tell00:58:57
especially if it is written that for example00:58:59
acrylic primer three layers and that's it for us00:59:01
doesn't mean anything because we don't00:59:03
we know how high quality it is00:59:05
Poor quality sizing also results from this00:59:07
a lot depends therefore quantity00:59:09
soil layers00:59:10
won't tell you anything, buy different ones00:59:13
canvases and see how it works like this00:59:16
stream save save00:59:21
see the known method visually00:59:23
immediately tell whether it is worth priming the canvas00:59:26
this is if the soil is applied like this00:59:29
bald spots that it is visible but if you00:59:31
saw this in the store00:59:32
to see further away from such a canvas00:59:37
good afternoon please tell me how00:59:39
properly prepare fiberboard for drawing00:59:41
sometimes it's very difficult to deal with00:59:42
applying paint makes everything slide off00:59:44
I prime the fiberboard piece with acrylic primer00:59:47
smooth enough and therefore possible00:59:50
example and and primed and on top00:59:52
go through the sandpaper a little to create00:59:57
create some kind of basis for what you can01:00:00
getting hooked is the easiest way01:00:02
so regarding general preparation, here I am01:00:06
opened slide preparation base with01:00:07
look at the wood, you can make it yourself01:00:10
screenshot, you can go to our master class01:00:12
painting technique for people and project detail01:00:14
told and download the presentation there01:00:16
video description01:00:21
I really wanted to draw a picture on hardboard01:00:25
but somehow smooth on one side and on the other01:00:27
another fila covered the dark side01:00:29
I started drawing with white primer three times01:00:31
dark background oil paint does not apply01:00:33
so that there are no divorces, archetypes of the fat woman01:00:35
The same brushes should be placed on the background with the entire letter01:00:36
can you recommend something?01:00:39
you have problems round but smoothly and01:00:41
base therefore paint on it and or01:00:44
slippery ground on smooth ground01:00:46
so the paint just glides over it01:00:47
power ways are smeared01:00:49
go through the initial sandpaper to01:00:51
create some kind of relief or prakriti01:00:53
some layer of bridges of paint to01:00:55
create something for which it would be possible01:00:57
get caught and then therefore the layer is it possible01:00:59
paint will work easier and you can01:01:02
do as follows glue01:01:04
gelatin can be in two layers01:01:06
and then prime with white primer 1 and01:01:09
2 times and then you have paint01:01:11
it won't be absorbed so much01:01:12
you can apply it and if you are already01:01:15
they applied this paint, it’s all already01:01:17
ingrained then someday that moment will come01:01:21
when your surface stops01:01:23
choose oil oil from paint that is01:01:25
It’s not clear how many layers you will need01:01:27
to do this, apply one or two more01:01:30
or three but this moment will come, that is, you01:01:32
you just need to cover it a few times01:01:34
everything is underpainted with the same oil paint01:01:37
and then write on top like this01:01:43
how can you write in oil on paper under01:01:48
canvas 300 so density 30001:01:52
primed with linseed oil is not necessary01:01:55
I could prime it with wounded linseed oil01:01:57
We do not prime the paper with oil.01:01:59
vulnerable oil is not soil at all01:02:01
a completely different thing which01:02:03
intended exclusively for01:02:05
thinning the paint a little with my primer01:02:08
acrylic primer I would show a slide01:02:10
at another presentation to be honest there01:02:12
one word written on the paper01:02:14
prime with acrylic primer you are afraid of them01:02:16
friends, look if you want it for yourself01:02:18
a lot of all papers primed papers01:02:21
cardboard for training01:02:23
do some exercises, do something else01:02:25
tons of caviar, a large number of clouds01:02:27
cardboard just acrylic primer01:02:30
this will be enough for you01:02:31
to train to train and then01:02:34
years next section is it necessary?01:02:39
prime purchased canvases on cardboard01:02:40
if necessary, what did we answer?01:02:43
several times are there any thinners for01:02:45
odorless oil paints are available01:02:47
we would be called a thinner without01:02:49
smell what is in the composition look like this01:02:52
thinner tee contains made up01:02:55
more difficult or it will make it easier to rinse01:02:57
brushes on more difficult varnish are quite sticky and01:03:00
therefore the lacquer vice is still worth the person01:03:03
and it dries much faster than oils and01:03:05
leave sticky marks all over therefore01:03:08
wash the stones out of the body from the toilet and there is no01:03:10
try brushes with varnish when kikis are already01:03:15
was immersed in the tee after that her01:03:18
no need to wash or use laundry01:03:20
soap01:03:21
you just can’t wash a brush like that01:03:23
The brush must be washed in solvent01:03:25
and after you remove all the varnish01:03:28
from a brush it’s only then possible01:03:30
rinse already and for example in some01:03:32
laundry soap01:03:35
Is it necessary before covering the painting?01:03:38
treat it with sensitive varnish01:03:39
oil painting01:03:42
I don't know about which open purifier01:03:45
can painting you say but01:03:47
Remove any desired dust from the dough01:03:49
you don't need to do anything else, you can do it01:03:54
work techniques and posts paint a picture01:03:56
not in one day with breaks of 12 days01:03:58
depending on what pigments you use01:04:00
the town's cabinet will be divided into drying out01:04:02
fast drying slow drying01:04:04
if you use slow ascending01:04:06
pigments and the painting doesn’t have time01:04:07
dry out01:04:08
then in principle it is possible if you write in01:04:10
solvent, this also needs to be looked at01:04:14
everything dries exactly as I said01:04:16
about continuing work on the painting about01:04:18
follower working on a painting01:04:20
if the top is not dry the work cannot be done01:04:22
if you write like this in complex01:04:24
layer and if the next day paint01:04:27
still fresh cheese and not dried out you can01:04:30
keep writing01:04:31
if for example some brown ones01:04:33
the area you have already covered thin01:04:35
thin film and you put it on pi01:04:38
thick layers of paint, no need to paint01:04:40
this is completely unnecessary01:04:42
better wait until the paint dries01:04:44
then think about whether it can be used01:04:47
sunflower oil for paint monsters01:04:49
if the thinner runs out and it dries out01:04:50
is there paint then?01:04:51
is it possible to combine oils and let's get started01:04:54
with the first one, just Dr. Epstein, is it possible?01:04:56
use sunflower oil for01:04:57
oil paints are over01:04:58
the thinner came out in three sections01:05:00
You can't use sunflower oil01:05:02
edible sunflower oil for oilseeds01:05:05
paints01:05:06
I have already voiced why if this is not01:05:08
training picture if you need01:05:10
just try to apply some01:05:12
then straighten the masks with anything if01:05:15
you want a job01:05:17
save it for a while01:05:19
use sunflower oil01:05:21
you can't why you can't use it because01:05:23
that any oil goes through a special01:05:24
processing first, the oil is compacted into01:05:27
Secondly, the oil is felt01:05:28
the sequence is not important to us now01:05:31
compacted oil dries much faster01:05:34
Rodnina and oil as far as I remember01:05:35
dries in about 30 days not compacted01:05:37
compacted oil dries from one to01:05:39
five days01:05:40
day oil sunflower oil dries01:05:44
Unfortunately, I don’t remember right now out of my head.01:05:47
sign sunflower oil first01:05:48
belongs to the section of semi-drying01:05:50
oils, that is, it dries out at times01:05:52
slower the oil divides into drying01:05:55
not drying yet and polos not drying01:05:58
drying oil we use somewhere in01:06:00
lubricants and drying oil01:06:06
we use obscenities in painting because01:06:09
that he is just needed and drying out01:06:11
actually it's not breathing01:06:12
polymerization but this is also not like that01:06:15
edible sunflower oil01:06:17
unpeeled also contains mucus01:06:20
refers to the floor you are dry looking for drying01:06:22
very medone from here you have the next one01:06:24
the question arises in some way then01:06:26
the paint took a very long time to dry and besides01:06:28
this is a large amount of sunflower01:06:29
oil not yet compacted, unrefined01:06:31
will definitely come to yellowing and01:06:33
darkening and if you still have one01:06:36
the case when the thinner runs out01:06:38
something urgently needs to be continued and the picture01:06:40
for you what is not very valuable is not very important01:06:43
yes you can take it and01:06:45
use paint before01:06:47
will be diluted01:06:48
so questions on youtube in chat is it possible01:06:50
cover paintings with oil instead of varnish01:06:52
why does varnish create a protective layer?01:06:55
but a layer of oil does not create anything oily.01:06:58
above the picture and all this is just for you01:07:01
will give exactly the same nothing01:07:03
what can you do with a wet brush on top01:07:05
walk the effect is the same if taxes are like that01:07:09
will it be cramped? is it possible to combine oils and01:07:11
acrylic a thin layer of acrylic if you applied01:07:16
layer an acrylic painting onto an oil painting01:07:19
the top will adhere very poorly01:07:21
because acrylic dries acrylic is01:07:23
example it doesn’t dissolve well therefore01:07:26
the oil on top just won't adhere01:07:30
foreign acrylic manufacturers01:07:33
It is recommended to paint on acrylic with oil01:07:37
only if the acrylic was01:07:38
well diluted with water, that is, I saw01:07:41
the question is whether it can be primed01:07:43
acrylic on canvas oil painting01:07:45
if you're just a pair of wings of some kind01:07:48
conditionally white acrylic paint tightly01:07:50
tight tight01:07:51
without adding a lot of water01:07:53
so that such small ones do not form01:07:54
problem bubbles then you can't01:07:57
adhesion between acrylic and oil01:08:00
layer of oil layer on top of acrylic01:08:04
layer very bad will result01:08:07
to detachment01:08:08
so you can combine it, but for example if01:08:12
dilute acrylic heavily with water then over01:08:13
you can write it down, but I already said it’s like tanks01:08:16
if you prime, just prime01:08:19
cover something with acrylic then write01:08:21
oil, then no, don’t do that, not with that01:08:22
scenario is not recommended and take into account01:08:26
that acrylic primer is not the same at all01:08:28
the best thing about acrylic paint is absolutely01:08:30
different properties exactly the same it's you01:08:34
go to a hardware store01:08:36
buy acrylic paint there or God forbid01:08:39
Lord, cover with water emulsion and01:08:41
canvas and then paint evenly in oil on top01:08:44
the same meaning as it is from what01:08:46
it's mixed up you don't know01:08:48
only the name is common and only that is common01:08:51
that she is white all the properties01:08:54
materials cannot be completely different01:08:56
use in most cases01:08:58
ninety percent of the time if you01:08:59
you don’t clearly understand what you want01:09:01
use no reason to do this01:09:03
not necessary if we took acrylic01:09:06
some kind of soil from a hardware store01:09:07
for walls01:09:08
covered the name of the picture and put it on top01:09:10
Mars be prepared for trouble01:09:13
why be prepared for trouble01:09:15
because no matter how sad it is01:09:18
but not in vain artistically01:09:19
jet material is more expensive because01:09:22
these are completely different technologies01:09:23
the processes are different and applied01:09:25
materials yes something can be changed but with understanding01:09:28
what you do by name if you01:09:31
suddenly you see a hardware store01:09:33
that is also acrylic primer no they are different01:09:36
the name alone doesn't mean things01:09:39
same effect question01:09:43
I would like to buy such a thinner without01:09:44
the smell thank you Larisa very moments01:09:48
very simple answer buy without smell01:09:49
you see just an art store01:09:51
ask odorless thinner ask01:09:53
which ones do you have? For example, we use01:09:56
turpentine is odorless and not01:09:58
If necessary, add oil there if01:10:00
this can be done I really like to write01:10:03
either just tolerate her or01:10:06
double usually together with linseed oil01:10:09
I rarely use tees01:10:11
if it just requires a picture01:10:13
specifically then they use and mostly01:10:15
either turpentine or double is convenient and01:10:18
see which one to buy01:10:21
also really such advice come here01:10:23
ask which one has the weakest smell01:10:27
but be prepared for the fact that if01:10:29
the packaging says that it is to dilute or01:10:31
no smell, this is not always the case01:10:33
odorless thinners that smell01:10:35
a little better but also unpleasant01:10:37
smell you just need to find the one that will01:10:40
there's really no smell here01:10:42
which we use it doesn't smell01:10:44
quite comfortable when working and if01:10:46
you don't like the smell of me but you can01:10:48
write for example on linseed oil01:10:51
pay attention to a very important point01:10:53
absence of smell does not mean absence01:10:56
harmful properties01:10:58
the difference is still solvents are very01:11:00
volatile substances and in most01:11:03
solvents there are such concepts under01:11:05
maximum permissible concentration01:11:06
maximum permissible concentration that o01:11:08
the amount of substance that can01:11:10
be in a certain volume of air01:11:12
no harm to health01:11:14
if you constantly work for us as a creator01:11:16
and if there are open jars nearby, what01:11:18
don't do it, don't do it01:11:21
very good for health in any case01:11:22
even if there is no smell there01:11:25
that work in well ventilated01:11:26
premises and everything will be fine and01:11:28
friends please like us01:11:31
For some reason I watch the video with 223 likes 9401:11:34
let's try to cope with the situation because01:11:37
correctly apply varnish to a painting01:11:39
I read in one source that varnish01:11:40
apply masks from the edges of the edges of the auctions01:11:42
it is written that varnish is poured into the center of the picture and01:11:44
then spreads it all over with a brush01:11:47
picture so just a second01:12:01
varnish coating01:12:03
so first we make sure that it is missing01:12:06
moisture01:12:07
if there is a flag or if suddenly01:12:10
degrease with a damp cloth do this01:12:12
you can't just about this01:12:14
wet pre-treatment01:12:15
We do not work on the local film with a cloth01:12:18
becomes cloudy, cover with dry, clean, warm01:12:20
room01:12:21
varnish horizontally01:12:23
position using bristly climb01:12:25
Spouse's hair is applied broadly01:12:27
movements parallel to the edges of the picture01:12:30
apply a thick film01:12:31
then a thin layer remains after covering the paintings01:12:36
vertically left to dry in01:12:37
in the same room this is important during this period01:12:40
we avoid the influx of moist air and do not01:12:42
we touch the varnish on the film we will touch it01:12:45
clouding so you can cover the cardboard01:12:47
pva glue instead of acrylic primer01:12:50
target places and glue with pva glue01:12:55
It’s not that their soils are different01:12:58
properties too if you want to stick it later01:13:00
It’s better not to draw on top01:13:03
so let's get back to the questions01:13:12
continued work started pictures01:13:14
cutting my own already according to them01:13:16
they talked a lot, work has begun two01:13:19
years ago how to continue correctly01:13:21
finish them one job in thin layers01:13:23
the other one was started pasty in principle01:13:26
it makes no difference if you cover it on top01:13:27
retouch varnish or a mixture of varnish and01:13:29
dilute with solvent one to one01:13:31
1 hum and then continue through01:13:34
wait a while for a while01:13:36
the film is placed the only negative01:13:39
the environment around again in this case stinks01:13:41
and hence the question from youtube, you can01:13:45
Is it possible to paint in oil in a one-room apartment? It seems to me01:13:47
no, you can, but be prepared for the fact that01:13:50
it will smell, that is, all the questions01:13:52
premises all questions about what01:13:55
these are matters of your personal comfort in01:13:57
period of work then indoors is possible01:13:58
check out the action here's the artist01:14:01
artist artist then make a workshop01:14:03
next to you in a one-room apartment01:14:04
no prim katya I wouldn’t do it for anything01:14:08
it won't do any good if you write for01:14:10
yourself periodically then why not just01:14:13
ventilate and one-room apartment register you yours01:14:14
relatives will understand and forgive01:14:19
work like that, painted a picture01:14:24
fourteenth year with oil to the account and01:14:25
writes what needs to be done to continue01:14:27
what to cover look the same marita shny01:14:30
varnish and continue to work wrote on01:14:34
your underpainting master class made her01:14:38
I wrote it correctly, to be honest01:14:42
not a supporter of chasing terms01:14:44
as convenient as you say so, that is01:14:46
write draw the main thing is that we01:14:49
accept it and postpone it for two weeks01:14:52
I managed to finish and when I continued01:14:55
the paint froze and it didn’t work01:14:56
small strokes write how to be I a little01:15:00
I don’t understand the question what kind of paint it is01:15:03
hardened, painted on top and01:15:07
the paint hardened which took two01:15:10
weeks of underpainting had to express01:15:12
right number if you are present in01:15:14
chat somehow01:15:15
specify what exactly did not work out because01:15:18
I just didn’t really understand the question, but now01:15:23
a year ago I started painting a sea picture01:15:26
waves with pasty foam have now appeared01:15:28
time to finish the work and now I see that01:15:30
area of this pasty foam needs needed01:15:33
remove how to do it right01:15:34
thank you if the pasty foam has dried then01:15:39
removing the paint layer unfortunately01:15:42
only mechanically possible01:15:45
you can shoot it correctly you can first01:15:48
apply solvent and then01:15:50
wash it carefully, that is, take it01:15:55
pinin take turpentine and apply it01:15:59
on top of your shameful foam or take01:16:02
a cloth soaked in Pinega dory01:16:04
and carefully and even open the door01:16:06
better01:16:07
just not fibrous, I'm slowly01:16:09
wiping you start cleaning if it doesn’t take01:16:12
use it and remove the kernel using our method01:16:15
conditional acetone and carefully too01:16:19
wipe it with acetone01:16:21
do not use very much01:16:22
recommended because the answer is01:16:24
continues its action even then01:16:26
when it seems like it was removed so01:16:28
still better Panin [ __ ] and you there01:16:30
uses as far as I remember and in general01:16:34
It is not recommended to cook lately01:16:35
using acetone or is there another option01:16:40
rough hard wrong take and01:16:44
remove the skin carefully later01:16:46
wipe so the next question is sometimes in01:16:51
force of circumstances this picture01:16:52
it takes two to three weeks to write01:16:54
in fits and starts how to prepare correctly01:16:56
there are underpaintings for further work01:16:57
moments of underpainting passed for example01:16:59
two to three weeks, is it possible to have a picture?01:17:00
write so fragmentarily and in what01:17:03
dilute your work on such01:17:04
Is it possible to work in fragments on pure01:17:06
solvent or add dammar01:17:07
varnish later and how not to lose oil01:17:09
society color scheme with this01:17:11
letter to prepare for continuation of work01:17:18
a lot has already been said01:17:21
in the upper layers it is better to use more01:17:25
fatty, that is, it’s better, well, that’s it01:17:27
first pure solvent then01:17:28
add varnish then oil01:17:31
the right way not to lose the overall flavor01:17:32
with such a letter, but this is no longer a question01:17:37
technology is already a question exclusively01:17:39
I advise you how you work with color01:17:43
it’s difficult just watch the colors I01:17:47
I honestly don’t know how to advise, look01:17:49
watch out01:17:50
general advice universal is simply not01:17:51
exists since the canvas was removed a long time ago01:17:58
dry the painted picture with oils01:17:59
paint a new one01:18:01
I wouldn't recommend filming at all01:18:03
pass and retouch varnish over and01:18:08
write like this, I’m writing in oils, I’m new to her01:18:14
only 4 works01:18:15
every time I have difficulty01:18:17
applying paint to canvas is somehow difficult01:18:19
the paint looks like it's thick or something01:18:21
wrote on finished headlights primed01:18:23
acrylic on canvas on cardboard I still01:18:25
these are manufacturers such as thinner01:18:27
use but also oil when drying01:18:29
the colors seem to go out even the windows01:18:30
a little of me is those well why the reason01:18:32
stand and logic glen bad canvas and01:18:36
stir in a lot of butter if stirring01:18:38
a lot of oil be prepared for change01:18:40
tone and often yellowing if paint01:18:45
very thick01:18:46
try changing the thinner01:18:48
try an example not linseed oil01:18:49
try writing on application on01:18:51
terpin shadow or on doubles and can01:18:54
dilute a little more to save01:18:59
pencil drawing paper good01:19:01
quality can be stored for a long time and not01:19:05
requires some kind of varnish treatment and more01:19:07
for some reason it will just warp01:19:10
you can place this drawing under glass01:19:11
and it will last you a very long time if you01:19:14
limited access of moisture to paper01:19:16
the paper is very durable and high quality01:19:18
paper itself01:19:25
further01:19:30
then they took it apart01:19:35
because01:19:38
So which subframe is better, rigid or01:19:41
modular purchased canvases will still collapse01:19:43
need to be retightened01:19:44
because I want some skew or some sagging01:19:46
try to make your own01:19:48
ordered universal primer guests01:19:50
I just didn’t quite understand the instructions01:19:52
do you need sizing under it? if up to01:19:54
Is pva suitable and which one is better?01:19:55
I don't know which one to use01:20:02
childhood you ordered just look at01:20:04
the instructions that they write there are necessary01:20:05
need to be glued01:20:07
but in general, for any soil you need, of course01:20:09
sizing: first the canvas is glued01:20:11
and then it is primed which subframe is better01:20:15
rigid or modular is better of course01:20:17
modular because modular gives you01:20:19
more flexibility you can name it01:20:22
tighten it when it starts to sag01:20:24
it will sag, it's just normal01:20:27
properties there's no getting around it01:20:28
in addition there will be large canvases01:20:31
sag more so if you're on01:20:33
large formats write the cake simply or01:20:35
sagging cannot be avoided if you01:20:37
if you use a modular subframe then this01:20:39
gives you the opportunity to tighten up like Lenin01:20:41
and and everything01:20:42
and then there will be no need to pull the singing01:20:45
canvas so it’s definitely here if there is01:20:47
the opportunity to better choose fashionable so01:20:49
let's glue it and if you have canvas01:20:52
already but if you are asking about01:20:54
universal primer then most likely you01:20:57
bought some fabric from which01:21:00
you're working on making them yourself, let's here I am01:21:04
I'll leave the slide on the screen now, I won't01:21:06
read it out as from time we have01:21:09
question on youtube how to do it yourself01:21:11
adhesive primer and glue underneath01:21:13
in the ground with adhesive soil sturgeon up to01:21:15
rabbit sturgeon glue used01:21:19
the concept is only in Russia and it is already01:21:22
goes out of use most often01:21:24
the concept of fish glue is already used01:21:31
let's do the sizing again01:21:34
and for all this, here are the sizing options01:21:38
I'll just show you on the screen now01:21:40
and I won’t read out how to do it01:21:44
the adhesive primer itself, sizing under it01:21:49
I can get these out of my head right now01:21:53
recipe show example about fish glue01:21:55
if you want specific recipes01:22:00
depends already on the preparation of fish glue and01:22:03
other than that, right now we just don’t have the desire to01:22:08
it's a waste of time if you're really interested01:22:09
write to us by email01:22:11
I'll just give you a selection of materials01:22:13
topic above01:22:16
So is there a peculiarity of writing to us?01:22:19
whom the bridge as opposed to the wounded and01:22:20
poppy seed oil and earlier but also this oil01:22:23
drying out01:22:25
the advantage of Markov Maslov is slightly more01:22:29
saturated and there is less room for oil leaks01:22:32
nope, it depends01:22:35
let's not use iodine number either01:22:37
go deeper with poppy seed oil01:22:44
the coefficient is slightly different01:22:45
refraction it will affect us01:22:49
effect on changes in transparency01:22:51
paint layer over time because01:22:54
When aging, the paint layer begins to01:22:56
shine through become more01:22:58
transparent but this is also a completely question01:23:01
separate topics01:23:02
features of writing as such in01:23:05
basically no it's all normal01:23:09
oil normal good drying01:23:11
you can write oil on them so no one can do that01:23:16
so I left the question01:23:21
by sizing I showed the slide01:23:24
look, I thought it was either the soil underneath01:23:26
which doesn’t need sizing, it’s just a little bit01:23:29
different things all the same, if there are any01:23:31
specific uniting everything in myself01:23:35
I don’t know anything specifically, look at01:23:37
for manufacturers this is the last section01:23:41
the question is not to add the last moment01:23:44
I found a video about how to prime01:23:46
map to avoid its deformation and01:23:48
also what to do when the canvas on the map is not01:23:50
deformed even before painting01:23:52
There is no way to break the subframe01:23:54
maybe there are some other options that01:24:00
do with cardboard see cardboard01:24:03
preparing like this, I'll leave it again01:24:06
slide let's not waste time this01:24:09
read it out, take a screenshot or01:24:12
go to our technique master class01:24:14
download the paintings that are on the channel01:24:16
here is a presentation here, this is the very one01:24:19
which we show it to and look01:24:23
here's everything about preparing cardboard and here's how to01:24:29
cardboard for restoration01:24:31
as Alexey asks can you01:24:33
You can write a group of questions by email01:24:35
the only thing is that Alexey I immediately01:24:37
I warn you that we have enough now01:24:39
such a serious threat to the marathon01:24:41
everything else so I ask your questions01:24:43
I'll definitely mention it01:24:45
I will answer them but it may take01:24:46
for a while I think we're just01:24:49
now we'll be friends again if any01:24:50
questions appear, write to us01:24:52
same in the same post where we collect01:24:54
questions and we'll just make another one01:24:57
stream where we will answer new ones01:24:59
questions yes yes yes yes yes or ask in01:25:03
topic in contact or send by email01:25:05
or on youtube we try all 9 if01:25:07
missed it, write somewhere else01:25:10
We are many different people, but let us just01:25:12
according to all sources I can’t collect now01:25:14
I'll send the link to the chat and please01:25:16
then ask if we are in this topic01:25:18
there it is necessary in Sudan if not01:25:20
contact, that is, absolutely problems01:25:21
write by mail01:25:22
just write me an email if you want01:25:25
detailed answer with some recipes01:25:27
with something else so that I just don’t01:25:29
voiced it like this so that he could then01:25:31
don't look in advance just ask before01:25:34
next stream and we'll take it out01:25:37
we will prepare illustrations for it separately01:25:39
Let's prepare some recipes for it and01:25:41
it can be made clearer so the question01:25:47
I want to know the difference between the last one01:25:49
from each other, for example, red kraplak01:25:50
cadmium red just red just01:25:54
red what the first centuries just to01:25:58
there is no red all red some has01:26:00
shade one way or another someone can01:26:03
consider that cadmium red is redder01:26:05
than there are other shades so on but this01:26:07
of course everything is conditional than they are01:26:09
differ01:26:10
if we talk about specific two shades01:26:12
which you wrote then one more01:26:14
cold it's kraplak01:26:15
and one warmer one is cadmium red01:26:17
only in this comparison and what they are01:26:20
differ when they will be used in01:26:22
in general they perform the same functions01:26:24
they make the batch redder but you can do it01:26:27
just make some picture more here01:26:31
such a cold pink one in Kafka01:26:33
In some batches, use warmer ones01:26:35
shades01:26:36
a little more detail on how and in what cases we01:26:38
this is what we use, this is all you need to look at01:26:40
specific examples01:26:41
that's what we do at every01:26:44
absolutely master class and if you01:26:46
notice that in almost every01:26:48
at work I always take01:26:49
at least two shades of basic basic01:26:52
the colors will definitely be cold01:26:54
warm red cold warm blue and01:26:56
yellow accordingly and always me01:26:58
I tell you in what cases where we take it01:27:00
apply01:27:01
I also remind you that we will also have01:27:03
a new section where I will talk01:27:05
how complex colors mix01:27:08
complex shades and there I am too01:27:10
I’ll clearly show you how to use all this01:27:13
specifically for the difference, look here01:27:15
shades, remove two colors, we stand next to each other01:27:19
look at the red kraplak, a little durable01:27:21
more purple take any upload01:27:26
but don’t look at our answers like that01:27:29
that's all for today01:27:36
we'll check your health for some reason01:27:52
how to love painting trees and why have them01:27:55
if you like to write you don't have to write trees01:27:58
you can write something else, write what you want01:28:00
do you like it so the question was how to remove it01:28:02
canvas painting let's get it quickly01:28:05
answering canvas painting sessions like this01:28:07
here you can put it in brackets at the back with any01:28:09
the absolute way you can with a knife you can01:28:12
there is such an anti specially01:28:14
there is a special thing that helps01:28:17
staples rip out come back and and colorful01:28:20
layer outward about the radius01:28:22
there is even a certain amount of folding01:28:24
calculation formula is a separate topic01:28:29
conversation and you can simply store the canvas01:28:33
like this in this format just in01:28:36
roll and forget that the paint layer01:28:40
should stick out so let's check01:28:48
Are you all like that? Still a question: does it smell?01:28:51
finished painting in the drying process yes01:28:53
it smells if you dry it01:28:55
ten paintings in one room 1501:28:58
square meters, it’s natural to smell01:28:59
it will happen that mom don't worry01:29:01
so the picture blows and smells like this01:29:04
you need to be prepared and by the way01:29:07
sent the question everything to give him more01:29:09
I'll read out a few questions01:29:11
what long-term consequences can01:29:13
after many years k may be visible01:29:16
after many years of contact with paints01:29:18
my hands are constantly covered in paint and this01:29:20
harmful, of course nothing useful in01:29:23
this is not what if you have paint and hands01:29:25
permanent colors and what’s more, no01:29:28
nothing useful in the same if you have01:29:29
hands will always be under01:29:31
exposure to varnish solvents and01:29:34
other other things plus don't forget that01:29:36
all pigments in oil paints are like this01:29:38
menace chemical substances that01:29:41
nothing useful for sure if it comes into contact with the skin01:29:43
they won’t bring it if they always use paints01:29:47
wash your hands more often and use others01:29:50
some kind of moisturizing creams, for example01:29:52
and so on with care if you are looking01:29:54
what appears on the hands of some01:29:55
rashes, etc. allergic01:29:58
reaction then stop working and go to01:30:01
doctor so advice from me to all girls and and01:30:05
men also always have at hand01:30:08
there's always one right next to the red ones01:30:10
oil-based moisturizing hand cream01:30:12
and oil is always nearby for me01:30:14
cuticles to always have hands and nails01:30:16
hydrated so it will help us longer01:30:18
keep in good condition that is01:30:21
this is not just an aggressive family, but also01:30:23
nothing useful with constant contact01:30:25
but understand more than anything else01:30:27
There is no need to be scared, naturally, and not you01:30:30
no such severe consequences after01:30:32
days and weeks of writing will not arise I01:30:35
oil work for many many years now01:30:40
how many years, but by the way, a lot of years01:30:42
It’s even hard to say, but nothing yet01:30:45
happened so don't be afraid of the taxi I'm like that01:30:48
Is there an old one on canvas? Is it possible to have one?01:30:51
him to paint a new picture on top or01:30:53
somehow you need to remove the old paint if01:30:55
remove the paint as described01:30:58
Yes, it was great, retouching and speech therapy01:31:00
write if the picture is painted on canvas01:31:03
Christov from the album glue who how and then01:31:05
issue or save standard01:31:08
recommendations cover the top with a protective01:31:10
varnish and that's it and then we fall01:31:13
you can put it on a stretcher01:31:15
you can just put some01:31:17
conventional frame on cardboard like this01:31:26
the entry will be left will be left01:31:29
canvas from an album of gluings only for01:31:31
training depending on what halls tracks01:31:34
whose quality is difficult to say if01:31:36
use good canvases for work01:31:38
if the canvases are ashes as a result of training and01:31:40
look at the canvases and gluing you are not some kind01:31:43
special canvases are just as ordinary01:31:45
normal canvases, besides gluing you01:31:48
you can do it at home from01:31:51
of course long and tedious, inconvenient and01:31:52
It’s not really clear why it’s needed01:31:54
but in general these are the same ordinary canvases and01:31:57
you must understand that they exist either01:31:59
poor quality and either acceptable01:32:01
either good like any other01:32:03
give the rest a link where to throw01:32:08
questions, we’ll give you a link in the chat now01:32:11
I'll throw it off so a little sad to listen to01:32:26
information if it is repeated for example01:32:28
except for the use of edible oil01:32:30
ask, let's not repeat sad01:32:33
don't listen to what else I can recommend01:32:34
maybe an old school paper01:32:36
advise gelatin first and then01:32:39
acrylic primer and gelatin we01:32:42
used for gluing with acrylic01:32:44
we use primer for initial01:32:46
coatings so what others01:32:51
manufacturers can be replaced or01:32:52
exactly like a few liters thanks01:32:54
any manufacturers01:32:56
supply varnish I announced that this is the recipe01:32:58
retouching it will be like this today01:33:03
there was some story about training01:33:05
will not be announced in the program today01:33:07
you don’t talk about training01:33:08
they asked about glazing, this was an example01:33:11
If you didn't ask questions, then she didn't01:33:14
answer01:33:17
these were examples of questions that01:33:19
in principle you can ask us today01:33:21
format is answers to questions first01:33:22
turn to make and master class on warm01:33:27
and in a cold tone01:33:28
and this topic is good so I think01:33:31
We will do a clear example on Tuesday01:33:34
at 1500 Moscow time we will have01:33:38
master class enlightenment in painting topic01:33:41
Let's give special attention to heat and cold01:33:43
attention in general01:33:54
if you have any more questions01:33:56
literally a minute we are waiting for you to01:34:02
voice and so the link where to ask01:34:04
I sent questions on painting techniques to01:34:07
chat where to like where to like01:34:10
I also sent the link, this is our broadcast01:34:12
on the youtube channel friends please not01:34:15
don't forget to subscribe to us01:34:17
useful ones often come out01:34:20
free videos for artists01:34:22
master classes so that's exactly what there is01:34:24
what to look at01:34:25
subscribe don't forget to turn on01:34:27
the bell will not help you01:34:29
skip new videos01:34:30
and of course we will be grateful for01:34:32
reposts so if you repost01:34:34
and there are even more of our videos on the social network01:34:36
artists will see these videos and you will see us01:34:39
will also help attract new students01:34:41
we will be very grateful to our school01:34:45
grandmothers have a lot of linen left01:34:47
new bedding, can I have it?01:34:50
use at least for training01:34:59
Please note the canvas requirement01:35:03
and subframe01:35:06
I don't know what exactly yours looks like01:35:09
I don’t know what kind of fabric weave01:35:13
I know how thick the thread is, but for01:35:15
training can in principle be used01:35:17
anything part of saying exactly01:35:18
for training if you want01:35:21
I went through so much training01:35:24
tries it if you want, at least on paper on paper01:35:25
be just jarring right along the letter01:35:27
from oil but in principle but there will be a lot01:35:31
you'll have to worry about it anyway01:35:34
then the project is to somehow glue it01:35:36
the canvas will then have to be tight01:35:37
prime the text with it and implement it for01:35:40
training is absolutely possible so let's do it01:35:44
let's open the canvas preparation look01:35:46
it will be useful what you think about or01:35:49
stretcher menu and to be honest01:35:52
I don’t think anything, I use wooden ones01:35:54
all the time there's nothing wrong with that01:36:00
I don’t see how to choose a canvas according to GOST01:36:07
according to the guest, no way, but here’s the general01:36:12
requirement please note again01:36:14
I will reveal the general requirement, that is, holes01:36:18
preferably not mixed materials01:36:20
It is desirable that the canvas is uniform01:36:25
without knots and01:36:26
and other reasons the canvas is desirable as01:36:31
talked about different types of painting01:36:32
fine grain smooth painting canvas in01:36:35
mostly not spacious and so on well01:36:38
in general, the selection of canvas is basically everything and01:36:42
Which brushes from which brand do you recommend?01:36:45
for oil painting there have long been many01:36:48
There are good brushes from absolutely different01:36:50
manufacturers, if I speak personally of mine01:36:52
preferences then recently I01:36:54
I really like Raphael's brushes and01:36:57
rosemary brushes and01:36:58
These are high-quality good brushes and they have01:37:01
there are many good ones from other manufacturers01:37:03
There are children and it happens that one01:37:05
the manufacturer has cheap lines from01:37:08
there are mid-price lines01:37:10
ogi and they will all be different so01:37:12
it's hard to answer just like that01:37:14
the answer is that this is the manufacturer01:37:16
good ones, take this one, all the bad ones01:37:18
Do not take it's difficult to do there Alexey thanks01:37:29
so I started painting the picture and wrote 5001:37:33
Almost a month has passed01:37:35
I want to continue the picture has dried in and01:37:37
answered how to get started love01:37:39
until saddened several times and everything is on01:37:46
this seems to be the end of the question01:37:48
so you can do a master class on01:37:49
look at the portraits of the Japs, that's right01:37:52
on youtube to the room fresh fresh01:37:55
lies in the portrait we will still have classes01:37:58
and we will naturally discuss this topic01:37:59
there will be a lot to develop and continue01:38:01
beautiful living faces so wait for everyone01:38:05
will be the question for now01:38:10
finished so thank you all for01:38:14
presence thanks for sending01:38:16
questions, I will remind you once again that as01:38:19
accumulation of questions we will01:38:20
organize some new responses to01:38:23
we will voice questions01:38:26
I hope everyone answered everything today01:38:29
everything was clear so that's it01:38:33
let's grow a connection, let's do it01:38:36
the last one from Valentin didn’t work out01:38:38
for beginners it is better to start writing in01:38:40
small canvases 20 by 30 or more01:38:43
for beginners to paint on canvas01:38:45
I probably wouldn’t recommend 30/2001:38:48
because it is very difficult to write though01:38:50
would be on size01:38:52
the very, very minimum 30 to 40 is if01:38:54
some kind of picture like this01:38:57
small and better to take it anyway01:38:59
folsworth on 50 40 on 60 on such01:39:01
formats will be easier for you but the most01:39:04
minimum let's agree for those01:39:06
who is just starting 30 to 40 no less01:39:09
so where is the registration for April 21st before April 21st01:39:13
recording on the website there are recordings on YouTube01:39:17
channel is already broadcast in the group01:39:19
VKontakte has an announcement, in general, everything01:39:22
anything on all our social networks so01:39:25
do if on purchased canvas on01:39:27
oil appears on the inside and01:39:28
yellow spots appear, this means that01:39:32
or you use a lot of oil in01:39:36
paints or you use again01:39:39
first layer01:39:40
if the first layer is written on large01:39:42
amount of solvent then solvent01:39:44
may promote oil penetration01:39:46
change canvas01:39:48
this is another option and option01:39:51
the third and most likely is not01:39:53
high-quality primer01:39:54
or poor-quality sizing, what to do01:39:56
re-glue and pit primer I with my01:40:01
I wouldn’t re-glue the eternal side01:40:04
purchased canvas I would like to paint it01:40:07
primer if perry primer one01:40:10
two layers01:40:11
doesn't give anything, I just wouldn't go any further01:40:15
I bought this canvas and that’s it, but now01:40:20
let's definitely say goodbye to everyone, thank you for01:40:23
presence and a large number01:40:25
such great comments everyone01:40:28
thank you like and subscribe01:40:30
channel and turn on the bell we will01:40:33
We are glad to see you on new streams and01:40:35
We will answer new questions again01:40:37
asked questions that you can ask us01:40:39
ask in our VKontakte group01:40:41
special topic or send by email01:40:43
everyoneDescription:
❗Онлайн мастер-класс, посвященный технической стороне живописи. Занятие посвящено ответам на ваши вопросы. Вопросы можно присылать на email [email protected] с обязательным указанием темы "Вопрос по технике живописи" или задать в теме Вконтакте: https://vk.com/topic-91848729_40490622 ❓Примеры вопросов: – Что такое разбавитель и какие разбавители можно использовать – Как, когда и каким лаком покрывать картину – Как готовить холст к работе – Как правильно продолжить работу по высохшей картине – Свойства и различия грунтов – Свойства материалов и рекомендуемый порядок работы с ними – Любой свой вопрос, касающийся живописи Внимание! Первая часть мастер-класса: https://www.youtube.com/watch?v=p9RY66ILPZI Мастер-класс бесплатен и пройдет в режиме онлайн 19.04.2020 в 15:00 (Мск). ––––––––––––––––––– Если вам нравятся наши видеоуроки, вы можете поддержать нас финансово любой суммой. Сейчас мы собираем средства на видеокамеру, чтобы наши уроки стали технически еще более качественными. Ссылка на донаты (пожертвования) https://www.donationalerts.com/r/zartschool Либо Яндекс-деньги 410015699620881 Карта Сбербанк 4276540030801611 Карта Альфа-Банк 4154812017915780 PayPal [email protected] Сайт школы ZArtSchool https://zartschool.ru/ При регистрации на сайте вы получаете 6 мастер-классов в подарок! 👉Регистрация по ссылке https://lp.zartschool.ru/cms/system/login Учитесь рисовать с нами! Индивидуальные и групповые занятия по живописи и рисунку. Записаться на занятия в Праге +420737877089 Узнать об индивидуальных онлайн-занятиях из любой точки мира [email protected] Мы в соцсетях: Вконтакте https://vk.com/zartschool Facebook https://www.facebook.com/unsupportedbrowser Instagram https://www.facebook.com/unsupportedbrowser Свои работы по нашим мастер-классам можно выложить в альбом https://vk.com/album-91848729_236488648
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