Download "Рисуем одуванчики акварелью (Легкий урок) // How to draw dandelions with watercolors"

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Channel: Art Madison

Акварель

акварель

уроки рисования

рисование

как нарисовать

онлайн курсы по рисованию

watercolor

watercolor lessons

drawing

пошаговый урок

how to draw

how to paint

aquacolors

одуванчики

рисунок

dandalion

dandalions

00:00:00

hello to all lovers of watercolor

00:00:02

painting in this lesson I will tell you how to

00:00:05

draw dandelions this is a very

00:00:08

unusual method it will allow you to show your

00:00:11

imagination and each work will be different

00:00:15

from the previous one for this work you will

00:00:18

need watercolor paper I have 50

00:00:22

percent cotton

00:00:24

but I think it’s on cellulose you

00:00:25

will also get a tablet or a glass one, or I

00:00:30

’ll use a regular kitchen mat and

00:00:35

dishes from guests you will need a flute,

00:00:39

preferably if it doesn’t come off, you can

00:00:41

just take a

00:00:43

large squirrel also you will need a

00:00:47

very thin brush of some kind,

00:00:50

in addition to this it’s good if you

00:00:54

have masking liquid

00:00:56

we We will also use it today and

00:00:58

you will also need salt and so we

00:01:02

start as usual with a preliminary

00:01:04

drawing, we will draw 3 dandelions, we will have a

00:01:07

diagonal composition,

00:01:11

we literally

00:01:14

draw just where

00:01:17

the dandelions will be located, you don’t need to draw them as

00:01:19

usual, just outline it for yourself so as not to

00:01:22

lose it, we will draw dandelions on a

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dark background; the

00:01:27

stems will be light, so

00:01:30

I suggest covering the stems with masking

00:01:32

liquid; I have jars of liquid and in order

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not to go there with a brush, I pour a little

00:01:39

masking liquid onto the lid and

00:01:42

take a brush that I don’t mind ruining

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because a little masking

00:01:48

liquid spoils the brushes; I cover the stems

00:01:51

dandelions masking with liquid,

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I also want to cover the core of the dandelions

00:01:57

so that later the

00:01:58

papillomas can be drawn clearly on the

00:02:01

base of the dandelion; I

00:02:05

cover the core tightly with liquid and then the cores

00:02:08

will not go in; such grains,

00:02:11

the grains can not be

00:02:13

completely covered, but simply go over with masks

00:02:18

after the masking liquid

00:02:20

has dried, I prepare paints for background I

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will use ultramarine emerald

00:02:26

or American green in the

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scher-khan art set purple and

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Russian family in the Neva Palette set

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Russian blue it will be approximately a blue

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color but in general it doesn’t matter what

00:02:45

colors you take, you can take more

00:02:47

green for example you can even add

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red brown, what colors did I decide

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to choose? Of course, it’s more convenient to use

00:02:54

paints from a tube because we

00:02:58

will need to cover a large surface and

00:03:00

getting a large amount of

00:03:02

paint from shrimp is not very convenient so that

00:03:06

we don’t have the paper in the process of working, I

00:03:08

will cover it with water on both sides

00:03:12

turn the sheet over, take the flutes and

00:03:16

generously, generously cover the sheet with

00:03:18

water; you need to wet it very well so that

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this sheet is then brought to the tablet

00:03:25

or to the substrate that we use. A

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wooden tablet will not work here

00:03:30

because it absorbs moisture and the paper

00:03:32

will dry quickly by wetting the sheet on one

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side. we turn it over, put it on

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the tablet and cover it from the front side

00:03:44

so that the sheet sticks

00:03:46

to you on that side, it must be very

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well moistened with water, I can see that in

00:03:52

those places where it does not stick, the

00:03:54

paper is a bit dry, so I sometimes

00:03:56

peel off a corner and do it again I cover

00:03:59

this side with water after the

00:04:03

leaf has stuck to the tablet, you can already

00:04:07

cover it with paint, I don’t mix all

00:04:11

the colors together into one mess, I just

00:04:17

take different colors from these different droplets

00:04:22

and I get stripes like this if you

00:04:26

use a thinner brush

00:04:28

then you can just

00:04:32

mix the paint in separate colors already on the sheet,

00:04:35

also do not mix them on the palette, but

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do such a

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non-uniform filling with Jones and also

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added a little black coloring

00:04:47

because I wanted it to be as dark as

00:04:49

possible

00:04:51

but you don’t need to overpay and a completely

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black background of course doesn’t look good

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very beautiful because when it

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dries the color becomes paler, don’t

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skimp on the saturation,

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make your fill as bright as possible,

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don’t be afraid to use a large

00:05:09

amount of paint while the paper is important, I

00:05:14

sprinkle a little salt in the right corner,

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don’t overdo it, and because when

00:05:18

it dries, this part will be lighter and

00:05:25

in general the salt is master- class on traveling

00:05:28

further, I’m saving up for the core of

00:05:31

dandelions with water,

00:05:33

just clean water, keep in mind that the spot

00:05:37

that you put will increase

00:05:40

two to three times, so it’s also an important

00:05:44

device, the shield on, in principle, any effect

00:05:45

will turn out to be interesting.

00:05:49

Another feature of the dandelion is that it

00:05:51

cores bright, then goes dark

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where we have the background shining through and where

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we have dandelion umbrellas there at night

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it becomes bright white light

00:06:02

so sometimes I water and just around the

00:06:06

circumference if there is a large drop of water then

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you can remove it with a napkin then in your

00:06:14

place where the napkin would blot it it

00:06:17

will remain like this light bright spot the water

00:06:22

gives us such soft edges when drying,

00:06:27

I want the effect of these

00:06:30

umbrellas to be like that, so I take salt and

00:06:33

in this place where I walked

00:06:35

water along the edge I sprinkle

00:06:42

salt with salt finely, you can

00:06:45

experiment with different

00:06:46

salts and see what will happen and the

00:06:50

leftovers what I have left is just a little

00:06:52

bit of pouring onto the background after that

00:06:59

you need to let the paper dry and if

00:07:02

it dries longer and naturally

00:07:04

then these water stains will spread out

00:07:07

more

00:07:09

if you want to record the

00:07:13

state of the water and paint that you

00:07:17

have it, it’s better to use it, you

00:07:22

can also add it to the splashes of water

00:07:24

because salt gives such small spots and

00:07:27

drops of water they will

00:07:29

spread more and differ a little from

00:07:31

those spots that salt gives us, I once again

00:07:35

go over the cores of the dandelions with a

00:07:37

napkin so that we have something left there

00:07:40

light spot and after that I dry

00:07:46

everyone’s work after the work has dried, we

00:07:52

remove the masking fluid, you can

00:07:55

do this with your fingers, you can take an eraser and

00:07:58

erase small areas with an eraser,

00:08:00

so I just carefully

00:08:03

remove the masking fluid with my finger, you also need to

00:08:07

brush off the salt so that it does not interfere after

00:08:12

we have removed salt the next

00:08:15

liquid we will start detailed

00:08:19

drawing and two glasses we will start with and

00:08:23

the stems are enough to give a small

00:08:28

volume for color I use yellow and

00:08:32

brown this is in the scher-khan art palette

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several palettes you can use it

00:08:40

on your wife instead of brown they are approximately the same

00:08:43

color as I take which middle one is not

00:08:46

lemon, this one is darker,

00:08:52

we take a thin brush,

00:08:56

we mix this orange brown

00:08:59

shade,

00:09:01

we go through the middle

00:09:05

of the stem, I leave a light

00:09:09

stripe somewhere on both sides, we take more yellow,

00:09:12

where we take more brown or family

00:09:14

on and the border of the stem, the border and stripes

00:09:21

that you drew need to be

00:09:22

blurred a little some water so that it is not

00:09:24

too hard and I take a slightly

00:09:30

darker color and adding volume

00:09:40

you sit down and

00:10:02

the core of the cue use the same yellow

00:10:05

color I first pass yellow spots into a

00:10:10

wet yellow droplet I add sienna

00:10:15

or you can take a little green for

00:10:21

greenery we take the same colors

00:10:26

I had emerald from the palette, but it’s not very

00:10:28

suitable, so I mix a whole lot of yellow,

00:10:30

add a little ale of blue, add

00:10:33

a little sienna,

00:10:34

and with these four shades, adjusting

00:10:37

the shade and walking over the foliage, pay

00:10:44

attention that the leaves turn out so dry, they get

00:10:48

a little confused, you

00:10:50

don’t need to draw everything either with

00:10:55

the precision of a botanical illustration, you

00:10:58

literally need to outline it, first I used a

00:11:04

light tone,

00:11:05

then I added more blue and made a

00:11:09

shadow, you also need to make a shadow at the

00:11:12

base of the core, that is, between

00:11:16

yours

00:11:17

and this yellow center,

00:11:26

then we move on to working on the grains,

00:11:30

these are the places where the dandelion umbrellas begin,

00:11:34

first I mixed such an

00:11:37

orange color, yellow from sienna or with

00:11:41

brown and

00:11:44

such masks, I just went around the

00:11:49

circle, it turns out around the base

00:11:55

somewhere we add more yellow as

00:11:57

always somewhere we work with darker

00:12:00

colors,

00:12:01

this is the first layer for now, we

00:12:03

will then add more shadows,

00:12:08

it looks a little monotonous but already in the first

00:12:14

1 layer in this you need to add a little

00:12:17

different shades around the core so I’ll

00:12:22

arrest the iPhone,

00:12:33

I took a thinner brush, I have

00:12:36

synthetics number three or four, I mix a

00:12:42

darker color, I take blue purple,

00:12:47

add a little black and add

00:12:51

shadows between these grains,

00:12:55

first I go through the base to

00:12:59

separate the core and then between the

00:13:02

orange masks I add such

00:13:05

dark shadows, it is

00:13:09

important for us to separate

00:13:11

the core from the beginning of these

00:13:15

umbrellas, I don’t know what they

00:13:19

are called correctly in a dandelion, similar to

00:13:29

mine already under

00:13:30

the owner and at some point we merged

00:13:33

so I’m

00:13:34

still dark since I showed the shadows more clearly,

00:13:48

now let’s move on to drawing the dandelion itself,

00:13:54

this fluffy part, we need

00:14:01

to draw such a sun from physics around the core,

00:14:06

I took a liner, at first I tried just

00:14:10

applying it to the place,

00:14:14

the video is poorly printed, so

00:14:17

I just started

00:14:22

drawing sticks in the usual way if you don’t have a venus

00:14:27

it’s okay, any

00:14:29

thin brush of

00:14:31

color will do, I take everything from the same palette,

00:14:34

this is blue emerald background color, here

00:14:43

too the process is quite monotonous, you

00:14:47

shouldn’t overdo it with them on the ground, but you also

00:14:49

need to make sure that they are

00:14:52

still visible and not readable, this

00:14:59

way they work on all

00:15:00

the dandelions Next we need to draw the

00:15:07

umbrellas themselves, for this I take an even

00:15:12

thinner brush, in general, the smallest

00:15:14

one you have, you need to take it and with the

00:15:20

same shades of strong purple

00:15:22

green, I paint these umbrellas from

00:15:26

just like feathers or something like

00:15:32

semicircles, and you can

00:15:37

show them from below him a stick under each not under

00:15:43

each under some somewhere

00:15:47

adding more yellow so that I have

00:15:50

blue, mixing with yellow so that there is a

00:15:52

green shade and working on

00:15:56

little by little all the doctors

00:16:05

is it darker or lighter as always, you don’t

00:16:08

need to do everything in one color along the border of

00:16:15

this light halo which

00:16:17

we painted with water, I make

00:16:22

darker, thick

00:16:23

umbrellas so that it can be seen in contrast,

00:16:28

the idea is that the left dandelion is

00:16:31

round and the right 2 lower ones they

00:16:36

will be

00:16:37

incomplete and now, and which we showed with

00:16:41

salt in the upper right corner, it’s

00:16:45

like a part a dandelion that

00:16:47

was torn off by the wind or someone with a house from the

00:16:50

bottom two dandelions, so I

00:16:54

work on the middle dandelion well, the

00:16:57

lower left part of

00:16:59

the lower right part and a little on top,

00:17:06

as you can see, I’m drawing a dandelion not

00:17:09

because the spot that we got in

00:17:13

the place where we dug with water is all -more

00:17:15

or less I adhere to the rather

00:17:18

throw that we drew at the beginning, that

00:17:20

is, we get two of them a little slightly

00:17:23

smaller than the spot that we have, the floor

00:17:25

that we got

00:17:35

came to the smallest bun, I

00:17:38

also work well on the lower part

00:17:41

up, we weaken the umbrellas, these

00:18:02

activities are also quite monotonous, but

00:18:06

if you don’t draw too much and

00:18:09

give your hands freedom, you can

00:18:12

attach it quite quickly, you

00:18:25

can also outline those umbrellas that

00:18:28

have already come off and which we can clearly

00:18:30

see in flight where the salt has corroded us, you

00:18:35

can see the direct direction of movement of these

00:18:38

icons,

00:18:41

you just need emphasize them with a thin

00:18:44

brush, draw in more detail

00:19:00

after we have gone over the dark color,

00:19:05

I add some highlight

00:19:08

accents with light paint, for

00:19:11

this I take

00:19:13

yellow and mix it with white because

00:19:16

just yellow

00:19:18

will not cover the dark background and dark

00:19:21

lines with white, it will be visible that this is a

00:19:24

yellow color, but at the same time it will

00:19:27

fit well on the existing paint and when

00:19:31

it dries it will be brighter

00:19:37

where the greens have merged, you can also

00:19:43

go through the same yellow with white and

00:19:47

make the light areas more noticeable and the

00:19:52

sanity class is lost from not lost

00:19:54

100 you can touch I have a little

00:19:57

attack, one green spot,

00:20:08

in principle, can be left as it is,

00:20:11

but I also wanted to

00:20:14

show in the middle of the dandelion that the

00:20:17

dandelion is actually smaller and that behind it

00:20:20

this spot is not the

00:20:23

dandelion itself, it’s just such an

00:20:24

artistic client, let’s say that’s why I

00:20:26

took

00:20:28

darker paint, thicker brush and along the border of the

00:20:38

dandelion, please go over it with a dark color,

00:20:41

not very tightly, take the paint here and there, and

00:20:46

then the background is quietly taken away,

00:20:49

thereby I emphasize this dandelion in contrast,

00:20:53

its shape. At this point, the work has

00:20:59

come to an end, as you can see, there

00:21:01

is nothing complicated, the effect turned out very good

00:21:03

interesting dandelions are very alive and

00:21:06

give

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