Download "Мини-фабрика генерации текста в Blender"

Please wait. We're preparing links for easy ad-free video watching and downloading.

Previous video: MAD RABBID 6 / 6 — Бесплатный курс по Blender 3D Next video: Киберпанк Low Poly в Blender 2.8 | Моделирование Cyberpunk - Часть 4 | Уроки на русском

Киберпанк Low Poly в Blender 2.8 | Моделирование Cyberpunk - Часть 4 | Уроки на русском

Киберпанк Low Poly в Blender 2.8 | Моделирование Cyberpunk - Часть 4 | Уроки на русском

Channel: Denis Kozhar

MAD RABBID 6 / 6 — Бесплатный курс по Blender 3D

MAD RABBID 6 / 6 — Бесплатный курс по Blender 3D

Channel: MAD RABBIT

b3d

blender

частицы

урок

cycles

моделирование

материалы

модификаторы

blender3d

анимация

00:00:01

Hello everyone, my name is Artyom and in

00:00:03

today's lesson we will create

00:00:05

this transformation animation ourselves and from a

00:00:07

sphere to text in this lesson we will

00:00:10

model the creation of simple

00:00:12

materials in a union and

00:00:14

we will create the animation data itself using a

00:00:16

particle system and so let's switch to blender and

00:00:22

here the first thing you need to do is

00:00:24

switch to the orthographic display mode,

00:00:27

go to the front view and add the price of the

00:00:30

ivy sphere,

00:00:31

go to the editing mode,

00:00:33

warframe mode, and using the b key,

00:00:37

select here the top part of this

00:00:39

sphere and exactly the same one below and delete

00:00:42

them, as a result you should get the following

00:00:45

object now in the

00:00:47

editing mode we completely select it and

00:00:49

rotate it along the x axis x r x-90 enter everything,

00:00:55

we exit the frame welds, we return to the

00:00:57

object mode, this is how we got

00:01:00

the object and now on the modifiers tab

00:01:03

we need to add 2 modifiers

00:01:05

before that, make sure that on the

00:01:07

scenes tab you have

00:01:08

metric units of measurement because

00:01:10

I use them so it will be easier for you and

00:01:12

first of all we add the solidify modifier

00:01:15

and here we set the thickness to 20

00:01:18

centimeters, you can simply enter 0.2 and

00:01:21

after that we add the

00:01:23

subdivision surfaces modifier level 2 and of

00:01:27

course the meaning of the united everyone got the following

00:01:30

form and now again we go into

00:01:33

editing mode and to give rigidity to

00:01:36

these extreme corners we add a

00:01:38

controller here along the cut with the added

00:01:41

edge and set it here we can

00:01:44

set the exact

00:01:46

value on the toolbar I will use minus 0 point

00:01:48

eight for this edge

00:01:50

and exactly the same on the reverse side

00:01:52

here it’s just 0.8 so we have them

00:01:57

at the same distance on both

00:02:00

sides they end up with the next

00:02:03

object now we need to

00:02:05

duplicate it and make it smaller press

00:02:08

shift d right mouse button and now with

00:02:12

0.78

00:02:13

their enter so we created a

00:02:15

smaller copy inside of this object,

00:02:18

now we select our external object again,

00:02:21

go to the right view,

00:02:23

edit mode and here

00:02:25

we switch to the edge selection mode.

00:02:28

Now we also use the b key

00:02:31

to select here the four lines of ours earlier. This is what the

00:02:34

selection should look like

00:02:37

using control a and either here in the

00:02:39

select menu here it is

00:02:41

inverted, we invert the selection and

00:02:44

thus delete everything except this part

00:02:47

x-bass with in object mode now we also

00:02:52

need to stiffen the

00:02:53

resulting object here at the edges it is

00:02:56

already there we need to add a

00:02:58

controller to the top as well as an edge I will also

00:03:02

use factor 08 here at the top and

00:03:06

here -08 below, everyone received the following

00:03:13

forms and now we need to duplicate it three more

00:03:16

times and rotate our 3d

00:03:19

cursor is in the center of the coordinate axis,

00:03:21

we set it as a

00:03:24

rotation point, completely select these

00:03:26

objects in edit mode, press

00:03:29

shift d right mouse button and now

00:03:32

rotate along the y axis y 90 enter and

00:03:38

continue shift dr y 90

00:03:42

enter shig-r

00:03:45

eric and 90 enter after we

00:03:50

have duplicated all these objects 33 times and it

00:03:53

turns out we completely select the

00:03:56

entire object again and rotate it along the y axis by 45

00:03:59

degrees r y 45 enter we got everything the

00:04:05

final form we return to object

00:04:08

mode and here we return the center of rotation

00:04:10

shoot the cursor at the mid on point now

00:04:14

add a plane to the scene that will

00:04:16

act as a floor and set up the

00:04:18

lighting add a plane

00:04:20

increase it a hundred times one hundred enter and

00:04:24

lower it along the z axis

00:04:26

jay-z 1, 1 control z minus 1 integer jay z

00:04:34

minus 1.1 andrew yes just like that we go to the

00:04:41

materials tab here we create a new

00:04:43

material for the plane with default settings

00:04:44

and just call it flo

00:04:47

we won’t use it anymore and

00:04:50

now we have three d cursor in in the

00:04:53

center we add a lamp of the point type here,

00:04:58

let's immediately set it up here says

00:05:01

set it equal to one and

00:05:06

set the page parameters to equal thousands

00:05:10

Now we will place this lamp and also

00:05:13

create a duplicate of it and place it We

00:05:15

go to the front view

00:05:18

here we have 3 cells we raise along the

00:05:21

z axis by 3 cells, I hold down the

00:05:23

contour key to enable snapping to the grid, I

00:05:26

also shift it by 3

00:05:28

here to the left, look at the view on the right, top view,

00:05:33

let's see the warframe three and in front 3

00:05:38

is excellent and now we will duplicate

00:05:41

this lamp,

00:05:42

press shift d, shift it along the z axis

00:05:47

one cell down, now move on in the

00:05:49

view on the right

00:05:50

we shift it by 4 cells here to the

00:05:53

side

00:05:54

look at the top view here 4 view on the right 4

00:05:59

and in the front view they should be

00:06:01

located like this now

00:06:02

we return to solid mode in the end we

00:06:05

should get the following result one

00:06:06

lamp here near our object higher

00:06:08

and the second here here it will illuminate

00:06:11

the text that we will now

00:06:12

add, but before adding

00:06:16

the text, let’s immediately set up the

00:06:17

materials for our object and so

00:06:20

select its outer part here,

00:06:22

click new, live this material,

00:06:25

immediately make up it will be green,

00:06:27

let me be here I’ll add another

00:06:30

kno3 of David to the top and here we’ll turn on the

00:06:36

display mode, render

00:06:39

it is, and here we’ll switch to the

00:06:42

node editor and let’s set up

00:06:44

the material right away for the shader diffuse,

00:06:47

you can try setting the color, we

00:06:50

’ll use the light 5f b6 and 20 and

00:06:56

here’s a green one, add a mix fader

00:06:59

and shader autumn we connect here at the bottom

00:07:06

the roughness is set for anger to

00:07:09

0.02 and as a mixing factor

00:07:13

we connect the player weight the output of the face

00:07:17

and the value is set to 0.15 that's

00:07:21

all, such a simple material,

00:07:24

now we select the inner part,

00:07:28

assign the green material to it as well and

00:07:30

create a copy of it we press

00:07:33

two here, we can call it something else

00:07:36

orange, here we just need

00:07:40

to change its color f and and 3 0 enter that's

00:07:50

it, we're done with setting up

00:07:52

materials and now we can

00:07:54

return to our usual see here 3d

00:07:56

view window,

00:07:58

I think this part can be closed and

00:08:02

now let’s start adding text and

00:08:06

so our cursor is always in the

00:08:09

center of the coordinate axis,

00:08:11

we add text here and now we

00:08:15

begin to rotate and move it r x-90

00:08:19

and enter now rotate r z minus 90 and

00:08:25

enter and now we shift g and y minus 1

00:08:30

enter jay z minus 1 whole 0 7 hundredths

00:08:37

enter now let’s give our inscription

00:08:40

thickness, for this we will go to the

00:08:42

text tab and here we

00:08:44

will set the extrusion parameter to 0.1 and after that we can

00:08:48

change the inscription I will write blender here

00:08:51

and after we have already positioned it

00:08:58

and changed you can increase it a little with

00:09:01

1.5 enter now it looks like it

00:09:06

should now I’ll look

00:09:10

at the animation again let me return it here I’ll

00:09:12

rewind it you see our inscription

00:09:16

was created using the warframe modifier

00:09:18

if we now add this

00:09:21

modifier for this inscription

00:09:23

then in -first, we first need

00:09:25

to convert it into a mouse, then of course we

00:09:27

will do it by pressing alt + c and selecting mesh

00:09:30

from course text all now we have our

00:09:33

object and this is what it looks like in

00:09:36

edit mode as you can see there are a lot of

00:09:37

triangles here there are literally

00:09:40

several of them if we add for such a

00:09:42

mish, the warframe modifier is

00:09:46

checked, and in sickness

00:09:47

you see the result differs significantly

00:09:50

from what is here in the final

00:09:52

result, so that there is a more

00:09:54

uniform distribution of polygons, we

00:09:56

also need to add

00:09:57

the strap modifier here, we add it, we

00:10:01

place it above the warframe modifier,

00:10:03

here we uncheck point to delete

00:10:06

unconnected parts of the mash and the up 3d parameter

00:10:10

is increased to 6, now if you

00:10:14

look at it, let’s look at the left view,

00:10:16

now we get

00:10:19

this inscription that you see here on the

00:10:21

final result,

00:10:24

here the saving parameters are set to the

00:10:26

default value 0 integer 0.02

00:10:29

what I also said a tick from the item I

00:10:32

infect bottom we remove and now we can

00:10:35

start setting up the particle system

00:10:39

before we start creating a

00:10:41

particle system we need to add one more

00:10:44

object this again we will have a sphere

00:10:45

we add all the time in the center of the

00:10:48

coordinate axis and reduce rs 0 ,4 enter and

00:10:54

for this sphere we will set up the

00:10:56

particle system,

00:10:57

go to the particle system tab,

00:10:59

click new here the settings will be at a

00:11:03

minimum first we don’t

00:11:04

need to indicate the number of particles we

00:11:06

will have ten thousand then we

00:11:10

need to set the normal parameter to

00:11:12

zero if the parameter here is above zero

00:11:15

our particles will fly away from our

00:11:17

sphere to the sides if it is 0 they

00:11:19

will remain in the same place where they

00:11:20

appeared and also here below in the

00:11:24

feel great menu

00:11:25

we remove gravity so that it does not

00:11:26

affect our particles and they do not

00:11:29

fall down in this way

00:11:31

10 thousand of our particles will simply appear

00:11:33

and remain on this sphere, and

00:11:37

here we also need to add an

00:11:38

outliner window, as always, I don’t have one, here is

00:11:41

our sphere, we don’t need it on the render,

00:11:44

not here in window 3 by David and hidden

00:11:46

from view from window 3 David from the final

00:11:49

render and here

00:11:50

the name is also changeable I write here spheres

00:11:54

start as you can see here we have several

00:11:59

spheres in the scene we will now

00:12:01

use it when creating 2

00:12:03

particle systems and to make it easier to find

00:12:05

we have changed the names for it here

00:12:09

because but here liner can be reduced for now,

00:12:12

now select our text and create a

00:12:16

new particle system for it, here we

00:12:20

also set the number of particles

00:12:21

equal to 10 thousand so that they

00:12:23

match ours since we

00:12:26

use modifiers for the text here, we

00:12:29

need to check the views modifiers item here

00:12:30

so that everything is like this

00:12:32

you also need to immediately here in the rave menu,

00:12:37

more precisely in the feel great menu, select

00:12:39

our gravity completely and here mini

00:12:42

physics, mark the item kate and now we

00:12:46

will configure the keys of our animation,

00:12:49

so we create 1 and here we

00:12:51

indicate our sphere as an object, sphere start

00:12:54

now we create the second key and as

00:12:57

an object we indicate our text everything now

00:13:00

now I’ll add a timeline here to the window we’ll

00:13:02

see what we got in the end I

00:13:05

press play before I pressed early let’s

00:13:09

go back here I also forgot

00:13:12

here we have the beginning of the appearance of particles the end and

00:13:14

the time of their life these parameters are for us also

00:13:17

don’t Dima adjust now, as you can see,

00:13:20

they have already started appearing right

00:13:21

away, we need them to appear

00:13:23

on the seventieth frame, they end up

00:13:26

appearing on the hundredth and the

00:13:29

lifetime for these particles is 140 frames, that’s all,

00:13:31

and now we will watch it all,

00:13:33

so the first frame of the play until 70,

00:13:37

nothing happens for us, then they

00:13:40

begin to appear and begin

00:13:43

to move towards our inscription,

00:13:45

you see here they have such a little chaos

00:13:47

and until frame 200 40 they

00:13:50

all gather on our inscription so that

00:13:54

this does not happen, we are here

00:13:56

add another key frame,

00:13:59

lift it up, place it

00:14:01

between the first two

00:14:02

and here again indicate the start sphere and

00:14:04

now look at the

00:14:07

result, press play again,

00:14:09

they appear at the seventieth and at

00:14:16

140 they begin to move towards

00:14:18

our inscription and that

00:14:22

scattering in sides that were

00:14:24

originally in this way we have

00:14:26

them move from the start sphere object

00:14:29

to the start sphere object and from there they

00:14:32

then move to the inscription now

00:14:35

to see not these points but

00:14:38

actually the particles from which

00:14:39

this inscription will be built we need

00:14:41

and select go to the

00:14:43

modifiers tab and here we add another

00:14:45

exploit modifier and here we

00:14:47

just need to uncheck the

00:14:49

unborn item so that we don’t see these particles

00:14:52

until they appear in the scene,

00:14:54

let’s look at the result again, now

00:15:00

they appear as particles of our text

00:15:07

and this is how they are now transformed into

00:15:09

our inscription is

00:15:17

then there and now we move on to the

00:15:20

third part of this lesson, now we

00:15:22

will create the

00:15:24

animation itself for this, also in the center of the coordinate axis

00:15:28

we add again and vesti.ru this is the

00:15:30

last probably all the faith in this

00:15:32

lesson and reduce it from 0.5

00:15:36

ender let's add a

00:15:39

subdivision surface modifier

00:15:40

and smooth shading for it to smooth it out,

00:15:45

also immediately on the material tab you can

00:15:47

assign a makeup material to it and now

00:15:51

we need to animate it, we now

00:15:53

move to frame 70 and here

00:15:57

we set a key frame for it in the

00:15:59

center of the

00:16:00

oh location coordinate axis scale now move to

00:16:04

frame 30 moving along the y axis g

00:16:09

Eric -2 enter and again set the

00:16:13

locations key frame Kyle and now move

00:16:16

to the first frame move along the z axis

00:16:20

jay-z 2 enter and key frame

00:16:25

locations Kyle everything now look at the

00:16:28

result it is lowered and

00:16:31

moves in our direct, that is, we

00:16:34

created the animation, as you can see,

00:16:36

we simply created it in the opposite direction already at the

00:16:38

destination point and

00:16:40

showed the movement of our sphere in reverse. Now

00:16:43

we will animate the size of this sphere, let’s

00:16:45

move here to frame 140, halve it

00:16:52

from 0.5 and set the key frame and

00:16:57

its cash in spain, so our

00:17:01

sphere, after it comes inside here,

00:17:03

will decrease after some time and

00:17:05

thus create the effect as if

00:17:08

these very fragments were created from it, but then

00:17:11

the fragments, as you can see, leave this

00:17:13

object

00:17:14

and our sphere is here in a reduced size form,

00:17:15

it remains here for us, and then we

00:17:18

no longer need it, so we need to

00:17:20

hide it, for this we will go to the one hundred

00:17:22

and thirty-seventh frame, and here on the one hundred and

00:17:25

thirty-seventh, and here in the outliner window

00:17:28

we find this sphere,

00:17:31

set key frames for it for the

00:17:32

parameters of these visibility in window 3

00:17:35

David and visibility on the render

00:17:37

oh I click here and here after that we

00:17:40

go to the one hundred and thirty-eighth frame I

00:17:42

turn off the key and the visibility and

00:17:45

set again and key frames all now we are

00:17:48

watching the animation again our sphere has gone down and

00:17:51

has decreased in size

00:17:53

our particles have flown and after

00:17:55

they fly out, our sphere is no longer here

00:17:59

and now we will animate the

00:18:02

object itself, select the object sphere 001 and

00:18:06

go to frame 70.

00:18:09

Here I will open the properties panel, expand the

00:18:13

transform menu and here we need to

00:18:15

set key frames for inversion,

00:18:17

I right-click mouse select the

00:18:20

first item insert cue frames

00:18:22

now we move to frame 140

00:18:27

rotation along the z axis I will leave it equal to 720

00:18:31

degrees and set the key

00:18:33

frame again and for all insert cue frames

00:18:36

we look at the result the sphere has entered this

00:18:41

object begins to rotate and then

00:18:45

we have our animation happening

00:18:47

and now we animate the last

00:18:50

object, select the outer part, it’s

00:18:52

just a sphere, also go to frame 70

00:18:55

and also set a key

00:18:57

frame here for all rotation values,

00:19:00

go to 140 and change x, set it to

00:19:04

minus 720 and

00:19:08

set the y parameter to 360, set the key frame

00:19:15

and let’s see Let's

00:19:18

look at the entire animation, the sphere has entered,

00:19:23

both of these objects now begin

00:19:25

to rotate and after that the particles

00:19:31

fly out and are transformed into the inscription, and

00:19:34

we will also animate the

00:19:36

movement of the inscription itself,

00:19:37

but it will generally just be like

00:19:40

this, we have done that,

00:19:43

let's now animate the

00:19:45

inscription itself and so let's move to frame 260,

00:19:48

here now we'll enlarge it a little, select

00:19:51

our inscription and set

00:19:54

the frame oh location for it, so now we'll go

00:19:57

to frame 300, shift the inscription j y minus

00:20:03

6 and enter and also the location key frame

00:20:06

if your inscription is suddenly longer

00:20:09

than the inscription blender or in short,

00:20:12

you may have to shift it to a

00:20:13

different distance, but that’s not the point here, the

00:20:15

fact is that the inscription at the end of

00:20:17

our animation simply leaves our frame, and this is how we

00:20:21

will have the animation, we will

00:20:24

immediately increase it to 300 frames, the

00:20:26

duration of this animation is 300

00:20:28

frames and now it will

00:20:31

look completely like this and you will render the

00:20:32

same amount accordingly, so

00:20:35

let’s go back to 260 so that we can

00:20:37

see everything and now I’ll add the camera to the scene,

00:20:41

add it to the world using control alt 0,

00:20:44

go to the view from the camera and now we’ll

00:20:47

adjust the view as I’m on

00:20:51

frame 260, I have

00:20:54

the text completely formed here, I see everything, I

00:20:56

can now set the camera as I need it all,

00:21:00

we have it all, now all the animations will be

00:21:03

clearly visible, and after we

00:21:05

’ve set up the camera, now all that’s left to do is

00:21:07

set up our render to perform

00:21:10

the final visualization here

00:21:12

you set the resolution you need in the

00:21:16

output menu, select the folder where

00:21:18

to save and the video file format right away or

00:21:22

create the initial animation in

00:21:23

pictures

00:21:25

samples I for the final visualization

00:21:27

which I showed you at the beginning of the lesson

00:21:29

used only 50 cents

00:21:31

the result of course is noisy well there

00:21:34

was no waiting it makes no sense, so you can

00:21:36

set it to 50, you can set it to 100,

00:21:38

but I don’t think you need a lot here, and as

00:21:41

usual, the indirect clamp parameters can

00:21:43

be increased to one to avoid the

00:21:44

appearance of these white pixels.

00:21:47

Well, in principle, we have already increased all the animations

00:21:50

to 300 frames, here the frame rate

00:21:52

can be increased to twenty-five

00:21:54

for example,

00:21:55

then you will clearly have four seconds,

00:21:57

100 frames, the whole animation will be 12

00:22:00

seconds, and then you press the key, they are

00:22:02

smaller upon completion, be sure

00:22:05

to share your result in

00:22:07

the comments or where you will see

00:22:09

this lesson, and that’s all I have here today,

00:22:12

thank you everyone and see you in the next lessons

Description:

В данном уроке мы создадим трансформацию одного объекта (сферы) в другой (надпись) с помощью частиц. В процессе выполнения данного урока мы будем моделировать, создавать материалы и анимировать движения объектов в сцене. _____________________________________________ ► Мой ПК: Core i5-4670K, 16 GB DDR3, GTX 970. ► Источник урока: https://www.youtube.com/watch?v=n4_0nNZSWdw _____________________________________________ Больше уроков, а также моделей и материалов: https://blender3d.com.ua/ https://store.blender3d.com.ua/

Preparing download options

Popular

HD video

Only sound

All

* — If the video is playing in a new tab, go to it, then right-click on the video and select "Save video as..."

** — Link intended for online playback in specialized players

Questions about downloading video

How can I download "Мини-фабрика генерации текста в Blender" video?

http://unidownloader.com/ website is the best way to download a video or a separate audio track if you want to do without installing programs and extensions.
The UDL Helper extension is a convenient button that is seamlessly integrated into YouTube, Instagram and OK.ru sites for fast content download.
UDL Client program (for Windows) is the most powerful solution that supports more than 900 websites, social networks and video hosting sites, as well as any video quality that is available in the source.
UDL Lite is a really convenient way to access a website from your mobile device. With its help, you can easily download videos directly to your smartphone.

Which format of "Мини-фабрика генерации текста в Blender" video should I choose?

The best quality formats are FullHD (1080p), 2K (1440p), 4K (2160p) and 8K (4320p). The higher the resolution of your screen, the higher the video quality should be. However, there are other factors to consider: download speed, amount of free space, and device performance during playback.

Why does my computer freeze when loading a "Мини-фабрика генерации текста в Blender" video?

The browser/computer should not freeze completely! If this happens, please report it with a link to the video. Sometimes videos cannot be downloaded directly in a suitable format, so we have added the ability to convert the file to the desired format. In some cases, this process may actively use computer resources.

How can I download "Мини-фабрика генерации текста в Blender" video to my phone?

You can download a video to your smartphone using the website or the PWA application UDL Lite. It is also possible to send a download link via QR code using the UDL Helper extension.

How can I download an audio track (music) to MP3 "Мини-фабрика генерации текста в Blender"?

The most convenient way is to use the UDL Client program, which supports converting video to MP3 format. In some cases, MP3 can also be downloaded through the UDL Helper extension.

How can I save a frame from a video "Мини-фабрика генерации текста в Blender"?

This feature is available in the UDL Helper extension. Make sure that "Show the video snapshot button" is checked in the settings. A camera icon should appear in the lower right corner of the player to the left of the "Settings" icon. When you click on it, the current frame from the video will be saved to your computer in JPEG format.

What's the price of all this stuff?

It costs nothing. Our services are absolutely free for all users. There are no PRO subscriptions, no restrictions on the number or maximum length of downloaded videos.