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Channel: TVSmeshariki

Кинопоиск

kinopoisk

кино

фильм

кинокритика

режиссер

скрытый смысл

смысл фильма

обзор фильма

сцена фильма

кинематограф

смешарики

крош

бараш

нюша

лосяш

каркарыч

совунья

новый сезон смешариков

00:00:01

Smeshariki made its debut on

00:00:03

Russian television in 2003 and

00:00:06

immediately won the attention of the young viewer; the

00:00:08

whimsical round-shaped characters, at

00:00:11

first glance, were created only for

00:00:12

children, but managed to remain in the

00:00:15

memory of the adult audience for a long time; what

00:00:18

made the animated series such an important

00:00:20

international phenomenon that is

00:00:21

still is not outdated and the meaning embedded in

00:00:23

it has been preserved and what Smeshariki actually teaches

00:00:26

and why we still

00:00:28

use the phrases Kroshe and Kopatycha

00:00:31

[music] the

00:00:36

debut series of Smeshariki were built

00:00:39

exclusively on the adventures of the Hedgehog and

00:00:40

Krosh, but later their status as the main characters is

00:00:43

noticeable difference unchanged in The cult

00:00:45

animated series has always had one thing: a rejection of the

00:00:47

antagonism of the plot of the series, built on the

00:00:50

interaction of completely different characters

00:00:52

and the search for constructive solutions and

00:00:54

difficult life situations, due attention

00:00:57

was paid to the characteristics of each Smesharik

00:00:59

and in many ways this is what

00:01:01

allowed the series to gather such a wide

00:01:02

audience; each of the superbly

00:01:05

written inhabitants of the valley has a

00:01:06

unique character temperament and

00:01:08

set of values, therefore, the

00:01:12

depressiveness of the poet Barash, in some places, the

00:01:15

caricatured behavior of the capricious, not so

00:01:18

cheerful and hyperactive Krosh,

00:01:20

and Smeshariki differ in age, thanks to

00:01:23

which the conflict of generations is successfully conveyed;

00:01:24

wise characters like Kar

00:01:27

Karych and Sovunya

00:01:28

often guide

00:01:30

those who Marsha and Losyasha Kopatych

00:01:33

love spending time with each other so much,

00:01:35

the only thing that at the moment of 2020 the

00:01:39

representation of female characters began to be perceived differently, this is

00:01:42

most noticeable in the stereotypical

00:01:44

behavior of Nyusha and

00:01:45

they themselves are constantly cleaning other people’s houses

00:01:47

while the rest of the characters are thinking about the great

00:01:50

salon constantly cooking they are already waiting for a

00:01:54

handsome prince and forcing themselves to

00:01:56

achieve; however, in some episodes

00:01:59

Nyusha plays football, the sovunya sets the heat

00:02:02

even for the young, and there is also a whole episode

00:02:04

dedicated to the fight against patriarchy, going

00:02:11

for walks and carrying in her arms so that

00:02:15

she feels helpless

00:02:20

[music]

00:02:22

each episode of Smeshariki can be attributed to a

00:02:25

certain genre, the

00:02:26

series has obviously comedic

00:02:28

episodes and a melodramatic series

00:02:31

dedicated to the relationship between Nyusha and the lamb, or a

00:02:34

heartbreaking story about a sovunya,

00:02:36

her old love, the genre variety

00:02:38

is complemented by detective episodes and even a

00:02:41

thriller, Smeshariki attracts

00:02:47

children and their parents to the screen by what the

00:02:49

creators themselves called

00:02:51

dramatic development events I want to discuss what happened to the

00:02:53

characters within 6 minutes per episode,

00:02:55

paying special

00:02:57

attention to interesting thoughts and aphorisms,

00:02:59

the philosophy contained in Smeshariki. At

00:03:01

first glance, it may seem like another

00:03:03

clever and luring

00:03:05

older audience into the animated series, but if you pay

00:03:07

special attention to the leitmotifs of the episodes,

00:03:09

it becomes clear that the colorful animals

00:03:12

really want talk with

00:03:14

the viewer about important things for more than 200

00:03:17

episodes of the original series Smeshariki

00:03:19

touched on the topics of anxiety about

00:03:21

aging and the finitude of life, the problem of

00:03:24

addiction, religious issues and the

00:03:27

phenomenon of cults, and even examined

00:03:29

eating disorders; in

00:03:32

addition, in the series you can find ideas in the

00:03:34

spirit of solipsism in the episode the creator

00:03:37

Barash decides that the surrounding reality is a

00:03:38

figment of his imagination,

00:03:41

it’s worth closing his eyes

00:03:43

[music]

00:03:47

in the episode, the fatalists of Smeshariki completely

00:03:49

become followers of the movement of the same name,

00:03:51

believing in the inevitability of events and

00:03:53

creating a secret order of fate. The secret

00:04:01

order of fate

00:04:03

devotes a lot of attention to finding their

00:04:06

place in the universe, and the

00:04:08

most famous serious series of

00:04:09

Smeshariki called the meaning of life or

00:04:12

what's the point of

00:04:13

washing your face in the morning to be cheerful and

00:04:17

what's the point of being cheerful in the morning what's

00:04:21

the point of

00:04:22

shaving in the morning at the center of the story is a lamb

00:04:25

who is experiencing an existential

00:04:27

crisis and goes in search of

00:04:28

awareness together with an

00:04:31

authoritative thief he accompanies a

00:04:33

comrade and as a result, redirects his

00:04:35

energy from the search for global meaning to

00:04:37

finding joy in simple things,

00:04:40

and in the episode of the theory of relativity, the

00:04:43

monumental work of Albert Einstein is touched upon,

00:04:44

everything in this world is

00:04:47

relative, this is not a reason to

00:04:49

go crazy, Smeshariki teach

00:04:52

more mundane things, for example In

00:04:54

one of the episodes, the rules

00:04:56

of football are explained to children, and in the episode of the hand,

00:04:59

such a current topic of

00:05:01

personal hygiene is touched upon. Despite all its

00:05:03

focus on a children's audience,

00:05:04

Smeshariki often surprises with rather

00:05:07

adult dramatic decisions.

00:05:09

Not all episodes end with a happy ending,

00:05:11

which is very atypical for children's animation,

00:05:14

for example in episode 2 of the wizard where Nyusha

00:05:16

and Barash acquire superpowers

00:05:18

the story ends with the complete

00:05:20

disappearance of the world and we see the heroes on an

00:05:23

empty white background without the possibility of

00:05:24

returning everything back, even the usual

00:05:27

music on the final credits does not dilute the

00:05:29

degree of despair with its sound and

00:05:31

leaves the young viewer alone with

00:05:33

his thoughts

00:05:36

that - I want to eat, I want

00:05:46

the cartoon has become extremely popular all over the

00:05:48

world, it has been shown in 70 countries and

00:05:51

translated into 13 languages, then I’ll get tired between

00:06:07

my videos, smart and jinsun goods, however,

00:06:10

thanks to the cultural context,

00:06:11

Smeshariki are especially close to the residents of

00:06:13

Russia, in the background you can often see things

00:06:16

familiar to everyone who grew up in a

00:06:17

traditional Russian Soviet family,

00:06:20

war and peace and Dostoevsky on the shelves of

00:06:22

Losyash, branded blue condensed milk in

00:06:24

Nyusha’s kitchen, the

00:06:25

proposed Kopych, in one episode you have

00:06:29

individual little things like a photo in a

00:06:32

frame with the inscription Moscow 80 uk arch of a growl

00:06:34

and a white knitted tablecloth on the table owl

00:06:37

not which is often found in the houses of

00:06:39

our grandmothers, a

00:06:41

cultural code can be traced and in the general

00:06:43

theme of some episodes in one of

00:06:45

the episodes Krosh and the Hedgehog are worried that at

00:06:47

any moment someone could attack and

00:06:48

a war will begin, and a

00:06:56

whole episode is dedicated to the holiday of Maslenitsa,

00:06:57

in addition, Smeshariki quotes

00:06:59

literary classics and in general,

00:07:05

Russian cities are often mentioned with

00:07:06

the words melkor country, there is even a

00:07:11

whole song about the city of Omsk

00:07:15

[music]

00:07:22

music in Smeshariki is certainly

00:07:24

one of the things thanks to which warm

00:07:26

feelings for the animated series are still preserved,

00:07:28

traditional for the genre of songs and

00:07:31

fragments are easily remembered and immediately

00:07:33

get stuck in the head and the rock and roll

00:07:39

style allows the cartoon to stand out against the

00:07:41

backdrop of its Soviet analogues

00:07:44

[music]

00:07:53

Smeshariki is remembered by many for its

00:07:55

signature style of drawing that combines a

00:07:57

separately written background with fairly

00:07:59

simple characters is not

00:08:01

only pleasing to the eye

00:08:02

but makes the cartoon accessible to

00:08:04

children of any age and

00:08:06

can always be understood what emotion

00:08:08

does Smeshariki feel and the simple

00:08:10

images of the characters make them easy

00:08:12

to reproduce in amateur

00:08:14

creativity, the universe itself is

00:08:17

thought out to the smallest detail, if you wish, you can

00:08:19

build a map of the entire world of Smeshariki

00:08:21

and objects appearing in certain

00:08:23

episodes later flash in others,

00:08:25

becoming Easter eggs for the most

00:08:26

attentive viewers,

00:08:27

for example Krosh in one episode a shell for

00:08:30

Nyusha plush from a nose from a knot and in

00:08:32

the future it appears as the

00:08:34

heroine’s favorite toy the pink bench that

00:08:36

Krosh made as a hedgehog in the pilot episode

00:08:38

also flashes more than once and this photo is

00:08:41

a reference to the previously released episode in which

00:08:43

the moose decided that he was a butterfly or the iron

00:08:46

nanny, who somehow caused

00:08:47

trouble for Smeshariki, will later help in a

00:08:50

scientific expedition, just like in the real world,

00:08:52

things are not forgotten and do not disappear

00:08:54

without a trace, the series itself is quite

00:08:56

cinematic, the characters are well

00:08:59

aware that they are in the series, the

00:09:01

creators hint to us about this from the

00:09:03

first seconds when Smeshariki

00:09:05

they build the scenery for the screensaver from scratch,

00:09:07

and Krosh straightens the slightly cluttered

00:09:09

camera in the episodes themselves; the characters often break the

00:09:11

fourth wall, addressing directly the

00:09:13

viewer, who is that lounging in front of

00:09:17

the screen, that we are watching cartoons here; in addition,

00:09:20

in Smeshariki you can find

00:09:22

many purely cinematic techniques, simulating a

00:09:25

real camera with glare from the sun on

00:09:26

lens shooting dialogues with a figure eight hand-held

00:09:31

camera

00:09:32

shooting from the first person match cats

00:09:36

slow mo the techniques unusual for

00:09:40

children's animation do not end there

00:09:41

some series are made in the style of cinema

00:09:43

expressionism begins a quite

00:09:46

obvious episode black and white cinema and

00:09:48

[music]

00:09:55

ending the series muse therapy where the

00:09:58

depressed and broken the state of the moose

00:10:00

is emphasized by the thick fog

00:10:02

[music]

00:10:03

you will try

00:10:08

[music]

00:10:14

the joy of recognition is one of the main

00:10:16

postmodernist techniques and the creators of

00:10:19

Smeshariki play perfectly on this

00:10:20

by adding in the series both references that are clear to everyone

00:10:22

and details that

00:10:26

only a cinephile can notice, for example this

00:10:29

visual quote from Disney's

00:10:30

Snow White some episodes are

00:10:33

ama cult films, for example, the

00:10:36

Marathon Runner series clearly refers to

00:10:38

Forest Gump

00:10:39

and the Hedgehog in the Nebula are obvious even from

00:10:43

the title, a remake of the Hedgehog in the Fog

00:10:46

flashes and just visual quotes,

00:10:48

for example, in the Sandwich series, the

00:10:50

shower scene from Alfred Hitchcock's Psycho is exactly reproduced

00:10:54

in the iron they play out the farewell

00:10:57

gesture of the T800 from the second Terminator scenes in the

00:11:02

episode Diet for Nyusha resembles

00:11:04

textbook shots from American Beauty

00:11:07

Ogrim Barash in the episode Good Evil and

00:11:10

Girls very clearly hints

00:11:13

at the hero Johnny Depp from the Dead Man Jim

00:11:15

Jarmusch all these references are needed not only for in order to

00:11:18

introduce young viewers to

00:11:20

well-known plots or so that adult

00:11:22

viewers do not get bored, proven

00:11:24

visual and dramatic tropes

00:11:26

continue to work in the genre of children's

00:11:27

animation, and numerous references

00:11:29

inscribe Smesharik into the canon of popular

00:11:32

culture over the years

00:11:34

[music]

00:11:37

over the years they have ceased to be

00:11:39

just a children's cartoon

00:11:40

and have given birth to an entire universe with many

00:11:42

loyal fans thanks to its

00:11:45

universality, cinematography and

00:11:47

philosophical depth,

00:11:48

Smeshariki have become cult series

00:11:51

that are interesting to watch and discuss

00:11:53

until now,

00:11:55

as it was today, we definitely won’t forget

00:12:00

[music]

00:12:03

necessary

00:12:04

and

00:12:07

even

Description:

Как «Смешарики» завоевали всемирную популярность? Какие важные темы затрагивает мультсериал? Какие визуальные приемы использовали создатели «Смешариков» и как в мультфильме работает драматургия? И для чего в некоторых сериях можно встретить отсылки к «Красоте по-американски», Альфреду Хичкоку и Джиму Джармушу? К выходу нового сезона «Смешариков» разбираем, как устроен культовый мультсериал. Подарочный код для новых пользователей на 60 дней необходимо активировать до 23 июля 2020 года. Код действителен для пользователей на территории России. Активируйте его здесь – https://hd.kinopoisk.ru/gift?promocode=ELKIIGOLKI Подарочный код подействует, если у вас раньше не было подписки на Яндекс.Плюс или подписок на КиноПоиске. Если отменить подписку в первый месяц, второй месяц отменится автоматически. Условия использования подарочных кодов: https://yandex.ru/legal/kinopoisk_promocodes/ Новый сезон «Смешариков» смотрите на КиноПоиск HD – https://hd.kinopoisk.ru/film/4bcc2ae332cc6fc08376121d37343339/?source=kinopoisk_social_youtube

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