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00:00:04

hello here she is Bozhkova friends glad to

00:00:07

welcome everyone in this lesson

00:00:10

today we will draw in such a

00:00:12

beautiful sketch of cabbage

00:00:14

let’s quickly tell you what

00:00:16

materials we will need and we will start the

00:00:18

lesson the

00:00:19

first thing is watercolor paper my

00:00:21

friends 200 grams per meter

00:00:24

watercolor paper, I took the 5th format and

00:00:27

cut it a little on the side and I

00:00:30

got a square like this, you can

00:00:32

take a square like mine, or take a 5th

00:00:36

format and draw either horizontally or

00:00:39

vertically, then this is an ordinary hard

00:00:42

soft pencil, in the lesson I will

00:00:44

draw with a soft pencil so that you

00:00:46

it was better to see a

00:00:48

white gel pen for working out

00:00:51

the details, absolutely any pen and

00:00:54

linar, I have a waterproof one like this,

00:00:57

you can take a black gel pen, but

00:01:00

it usually flows from water, then I

00:01:02

recommend first doing the main

00:01:04

fills with watercolors, and that is, drawing

00:01:07

the work completely in color and already then

00:01:09

add a stroke, then two brushes

00:01:12

must have a sharp tip,

00:01:14

I have the first squirrel four and kolinsky,

00:01:18

you can use synthetics, you can take an

00:01:21

imitation kolinsky, that is, absolutely any

00:01:23

two brushes, large and small with a

00:01:26

sharp tip,

00:01:28

then watercolor, too, any that you

00:01:32

have in stock,

00:01:33

I have a ceramic palette you can take

00:01:35

plastic napkins to blot the

00:01:37

moisture, masking tape so that we can

00:01:40

secure the work of the table surface

00:01:42

with plastic or adhesive

00:01:45

and of course a container with water, that’s all,

00:01:49

let’s quickly start drawing

00:01:51

first of all, we need to secure our

00:01:53

leaf with masking tape to the

00:01:56

table, I turn the leaf over with a rough one

00:01:59

sides down, I cut the masking tape into

00:02:02

strips like this and simply roll

00:02:06

them into a tube and secure them 4 in the end,

00:02:14

this step can be done before you

00:02:17

start painting with watercolors or right away

00:02:20

with me and press

00:02:24

our piece of paper well

00:02:25

now prepare the pencils friends,

00:02:28

I take a soft pencil so that you it was

00:02:30

better to see, choose hard, soft so that

00:02:32

you can carefully

00:02:35

touch the sheet and your pencil

00:02:36

was barely noticeable and also an eraser or a

00:02:39

kneader, let's take a close look at the

00:02:42

trail we have such a beautiful

00:02:43

cabbage and first we need to

00:02:47

make something like this in the center of the sheet draw the stripes

00:02:50

up to see the center, how we

00:02:54

do this, we take it, put a notch at the top,

00:02:57

measure the right and left sides with a pencil

00:03:00

so that they are approximately

00:03:02

the same, move these measurements down and

00:03:04

draw a line of symmetry,

00:03:08

we draw this line in exactly the same way, only we already

00:03:09

make the measurements on the right and left shown

00:03:13

I have already done this in advance and in the center we

00:03:17

draw a samp head of cabbage, to begin with, a

00:03:19

regular circle to draw the

00:03:21

circle more evenly, and again

00:03:23

we can put some serifs here,

00:03:26

take it before, make a measurer, transfer it, and

00:03:29

put a serif here here and

00:03:33

here you don’t need to make a head of cabbage too much

00:03:37

big, well,

00:03:41

we should get approximately this kind of circle, and

00:03:43

again, we should draw too evenly; we

00:03:46

don’t need to draw anything; we’re ready; now

00:03:50

we’ll outline where the leaves go;

00:03:53

look, from this circle, at the top,

00:03:56

there’s some kind of leaf,

00:03:59

drawn in completely uneven lines; then we’ll draw it on the

00:04:02

left side there is also some beautiful

00:04:04

leaf marked

00:04:07

next

00:04:11

look with wavy lines I

00:04:13

depict leaves here this leaf

00:04:17

can be taken right there to the edge of the sheet

00:04:20

so there is some leaf at the top and

00:04:23

you can also take it to the edge of the sheet so they

00:04:27

also drew some hint of

00:04:30

the leaf can be designated as finished here and

00:04:34

here we have drawn an

00:04:37

ornament like this, then

00:04:41

we also have to divide our circle into

00:04:43

some parts, well, first of all, we see a

00:04:46

good leaf right here below, this is what

00:04:48

I designate it like this, is it uneven

00:04:52

here

00:04:53

then I see here, in some beautiful

00:04:56

little gateway, I’ll also

00:04:58

draw a line like this, so the next stage is

00:05:05

a leaf here and another leaf somewhere in

00:05:08

this part, you can roughly

00:05:10

focus on just these

00:05:12

lines of symmetry, since I draw the

00:05:15

lines themselves where we have cabbage leaves

00:05:18

ready, this is the drawing we get

00:05:21

next, friends, look, we take one

00:05:24

leaf and draw a collar on it, what does

00:05:27

this mean, that is, we take it and, as it were,

00:05:31

make this leaf look like a natural one, I draw

00:05:34

these other lines along the edges

00:05:42

somewhere I’m doing more somewhere smaller and

00:05:45

going a little beyond the circle, look,

00:05:48

that is, I have the swing itself, it’s

00:05:50

somewhere here, we’ve

00:05:54

depicted it, we’re also drawing some kind of

00:05:57

gateway here so that it’s

00:06:01

more interesting, here it’s also ready to

00:06:06

draw up to the cabbage and here

00:06:08

look, we draw a collar as if in the

00:06:11

upper part, that is, here it goes beyond the

00:06:14

edge of the

00:06:15

face of the cabbage and here we enter ready, that

00:06:20

is, you and I have a collar that seems to go

00:06:24

straight beyond the border,

00:06:25

and here the line also makes it more interesting, it’s

00:06:30

ready, so now we’ve drawn it

00:06:36

with a pencil I need to note

00:06:39

the veins with you, look, also very

00:06:41

interesting, the veins you and I have are

00:06:43

now working only with the center,

00:06:45

look, this leaf

00:06:48

has a main vein somewhere here in the center

00:06:51

here, then the next leaf here,

00:06:54

necessarily in the shape of the leaf, somewhere there

00:06:57

too draw out about the vein here, the

00:07:00

central one was drawn and now from the

00:07:04

central veins we need to bring out

00:07:06

such small ones, well, firstly, at the central

00:07:09

vein, it has

00:07:11

an expansion going down here like this, not much friends

00:07:14

here, of course, don’t overdo it, then

00:07:17

we’ll make it not as thin as possible and

00:07:20

just add it with a pencil in different

00:07:23

directions there are these branches here and here and here and

00:07:27

there you can also

00:07:32

add these branches too, genius, that is,

00:07:34

we drew lines on her too,

00:07:36

added a few here here like this, ready to

00:07:42

do it now in a pencil,

00:07:45

you can then immediately draw it with a liner

00:07:49

now let’s move on to the large leaves

00:07:52

look, of course, they don’t have such obvious

00:07:55

undercuts of as we see here,

00:07:57

but you can also add them yourself to make it

00:07:59

more interesting, for example, I want to

00:08:02

add 2 companies each somewhere here, a

00:08:04

small one here, that is, we draw

00:08:09

a underside and not all over the sheet, but just

00:08:12

select some areas here,

00:08:14

let’s say, I want to draw a really nice,

00:08:17

big chin in the same way with a

00:08:21

wave, it’s ready here, maybe

00:08:24

here somewhere like this, on some leaves

00:08:29

you don’t have to draw 2 mouths, but only a

00:08:33

couple of pieces like this, it’s ready and in the same way

00:08:37

we mark the main veins, they are a little

00:08:41

bit wider until they fully expand towards the

00:08:43

center and the main vein, we add

00:08:46

small ones,

00:08:47

let's quickly draw in a pencil

00:08:50

all these veins

00:08:54

[music]

00:09:01

I prepare a black liner, I have it

00:09:04

waterproof, I remind you that Valinor flows from

00:09:06

water, you can first work out the

00:09:08

drawing with watercolors and then add

00:09:10

a winding and look I

00:09:13

roll the nag into a sausage in this way and

00:09:15

roll it a little on the sheet to remove the

00:09:18

top layer of the pencil,

00:09:20

but at the same time my work will be clearly

00:09:23

visible. I do this so as not to

00:09:26

drag it along the sheet and not create excess

00:09:29

dirt if you also drew

00:09:32

very, very With such a bright pencil

00:09:34

you can do exactly the same life hack

00:09:38

and take a long one,

00:09:40

friends, it’s very important for us to work

00:09:43

freely enough, that is, the hand

00:09:45

is relaxed and we will draw living lines,

00:09:48

let’s start from the center, let’s draw our

00:09:51

circle,

00:09:53

so I’ll draw 2 mouths wpa 2 mouths,

00:09:57

of course I’m creating now such a

00:10:00

curly edge as much as possible, I do it all in waves,

00:10:04

so somewhere evenly, isn’t it up to

00:10:08

and again at the collar, but such a

00:10:11

maximum

00:10:13

curly edge is ready, let’s circle

00:10:16

the center of the cabbage

00:10:21

and now we need to go through the veins

00:10:28

of the wash, we draw in the same way, we take the trace around the lived

00:10:30

Kulyana I put a little

00:10:33

on the side so that the lines are but the maximum

00:10:35

such free intermittents are declared

00:10:37

then I add the side ones somewhere

00:10:40

I can also add thicknesses wishes

00:10:43

based on the reference if we have

00:10:45

the maximum visible these thicknesses of China I

00:10:47

also add them as a rule I added the

00:10:51

thickness here below Closer to the

00:10:53

main thing here are the veins and

00:10:56

now look, I’m adding the smallest

00:11:00

thinnest ones, of course I do

00:11:04

n’t draw any additional strokes until the

00:11:07

line is

00:11:08

drawn once so it’s ready and

00:11:14

thus we work out all the veins,

00:11:20

now we move on to the leaf, here we also

00:11:24

relax our hand as much as possible and

00:11:26

draw the leaves let’s use the

00:11:29

example of one leaf, I’ll show you in more

00:11:31

detail, draw all the rest

00:11:33

yourself, so take the first

00:11:36

leaf, look at it, we again draw the

00:11:40

main contour like this, as

00:11:42

uneven as possible, straight with small

00:11:47

waves like this, don’t pay attention to the

00:11:52

2nd mouth,

00:11:55

draw like this now add here

00:12:00

we also outline the collar

00:12:02

as unevenly as possible here and here

00:12:07

we added it so now let’s draw about the vein in

00:12:13

exactly the same way as in the central cochin

00:12:17

we did it here we add it somewhere

00:12:20

too I gave the puppies just a

00:12:24

line next to it I put it look at the line I have

00:12:26

You draw such free Travis as much as possible and

00:12:29

draw thin single lines,

00:12:38

look now at the foxes.

00:12:43

we need to firstly secure the

00:12:45

main shadow, the shadow is coming, look

00:12:47

somewhere in the depths, so I put

00:12:50

the liner on its side and here, right on top of

00:12:54

our entire drawing, for up to a year,

00:12:56

a little under the hatch, as if under the main

00:13:00

Kochenov, yes, we have a shadow there So in this

00:13:03

way, when you see this shadow down here,

00:13:05

you can also draw some shadow here, you’re

00:13:08

ready to add

00:13:11

a shadow, now look where we have

00:13:13

a gateway, here we also have

00:13:16

additional strokes, some

00:13:18

shadow areas until the light falls on us

00:13:23

from above, and where -on the left and above here,

00:13:27

so here we definitely have the shadows

00:13:30

under the chin, their main ones, I draw them

00:13:32

in these kind of

00:13:33

recesses, you don’t need to go too deep,

00:13:36

of course, here

00:13:39

we’ve drawn them lightly, look, and if there are

00:13:42

any, they have some kind of winding lines like this

00:13:44

you can add a stripe here,

00:13:47

as if to show that the leaf

00:13:49

is wrapped there, here you can also

00:13:53

show a stripe there, the leaf is wrapped up,

00:13:55

well, some other moment, let me

00:13:58

show you here and the leaf

00:14:01

is wrapped there,

00:14:02

here you can also add shadows like this,

00:14:08

we drew it also don’t forget to

00:14:11

add small touches here here, yes, that is, we have a

00:14:15

falling shadow here, I

00:14:18

stroke the ipad a little, relaxed my hand and the strokes are

00:14:21

so free, they can even slightly

00:14:25

overlap some of our lines,

00:14:27

we just need to show the falling shadow

00:14:31

like this here, then this corner is also

00:14:34

in the shadow a little -a little bit, too, 4 dicks

00:14:38

here and here,

00:14:42

so somewhere here, too, the shadow comes

00:14:46

mainly from the leaves, and we already have shadows

00:14:49

falling from the top leaves on the bottom,

00:14:52

just like that, they showed it a little, so don’t forget

00:14:57

about the shadow, again here, too, it can be on

00:15:00

the gate somewhere- then add an

00:15:03

additional stroke, friends, here,

00:15:08

if the leaf can be wrapped,

00:15:10

you can do it like this, look at a

00:15:11

small corner like this, they added the

00:15:14

leaf wrapped, so here again there is a shadow, and this is

00:15:18

how we work out all

00:15:21

our leaves,

00:15:23

that is, in fact, there is nothing

00:15:25

complicated here; we outlined the main outline

00:15:28

let me quickly show you the

00:15:31

example of this leaf, with such

00:15:34

twisting movements as possible, we

00:15:37

traced the outline, of course we look at the

00:15:41

reference, maybe there are some bends you are

00:15:44

interested in and come across, look here, there is such a

00:15:46

beautiful bend too, and you can

00:15:48

add it like this, as if a leaf was added there

00:15:50

for returned and here in exactly the same way, then

00:15:53

we add a collar, the main outline,

00:15:57

then a collar, then about the vein at

00:16:03

the base, we make it wider and

00:16:07

from the main vein we draw lines in

00:16:12

different directions here, here we extend

00:16:17

many, many, look how many cabbage has

00:16:21

these interesting veins here,

00:16:26

as if you you draw branches and near the tree

00:16:30

and I add a little shadow here,

00:16:38

such a shadow is falling and I don’t forget about the

00:16:44

shadows on

00:16:46

such curly areas and

00:16:54

all friends, in fact there is nothing

00:16:57

complicated, let’s work on all the

00:17:00

cabbage like this

00:17:03

[music]

00:17:15

we prepared a watercolor

00:17:16

but before With this, we definitely need to

00:17:18

completely remove the entire pencil from the work,

00:17:20

as soon as we have finished tracing the watercolor,

00:17:23

we moisten it with some water, prepare it for

00:17:25

work and start filling in color,

00:17:28

friends, we will start with the first main

00:17:31

fill, take lemon color and

00:17:35

green, we will have such light

00:17:40

areas you can add a shade of ocher for

00:17:44

picturesqueness here and let's

00:17:48

get started, take lemon and sugar, mix

00:17:50

and pour straight head of cabbage

00:17:54

here completely with such a light

00:17:57

shade somewhere you can

00:17:59

add more yellow somewhere more ocher and now I

00:18:03

gradually introduce green here right

00:18:05

down straight I fill in we are not afraid where

00:18:08

we have shading there are the main shadows so

00:18:11

there will be more green color like this

00:18:14

then again I take the yellow one here so

00:18:19

then again more green into the green I

00:18:23

start adding

00:18:24

ultramarine to make it darker this

00:18:28

batch is cold look at the light since we have it

00:18:31

falling from the top left so install they

00:18:34

won’t go on the right side and

00:18:37

wash away the water again, take more yellow somewhere here,

00:18:39

add

00:18:42

more green to the illuminated areas somewhere, yes, you

00:18:46

can use ocher and look,

00:18:50

we take our drawing to the edge of the sheet, you can

00:18:53

go beyond the boundaries, yes, this is

00:18:56

how

00:18:57

we took it away only added the main shadows, yes,

00:19:01

that is,

00:19:02

ultramarine and green like this at the top,

00:19:07

here too there is a shadow, look there, it’s a really

00:19:10

good shadow,

00:19:12

I add then again I take the lemon one, I take the

00:19:16

green one and use some water like this to wash away the

00:19:20

excess moisture on a napkin,

00:19:22

you can talk about stamps in this illuminated area,

00:19:26

I have a u10 collar it’s so light

00:19:28

and under it there’s a shadow again, so I’m

00:19:31

putting green and blue here, so this is

00:19:37

our very first fill of this kind, so

00:19:41

we’re not drawing anything

00:19:45

yellow here again, I’m taking it with some water like this

00:19:48

to the edge of the sheet, I’m blurring it again, I’m

00:19:51

taking it here from here, I’ll draw it here

00:19:56

green with ultramarine, so I’ll wash it with some water,

00:20:02

I’ll add some yellow

00:20:05

and move it to the edge of the leaf, and at the top, the

00:20:12

same thing, where there’s more shadow, I’ll add

00:20:17

a little blue one, and the distant leaf is also

00:20:21

taken away into the shadows with such quick, quick

00:20:28

movements, without drawing anything yet,

00:20:31

all friends, now it’s a very important point,

00:20:34

really very probably the most important thing is that we

00:20:36

need to leave this drawing until it

00:20:39

dries completely, here I’ll also

00:20:41

add this blue shadow over the wet one,

00:20:46

and then we’ll

00:20:49

work out the details, the watercolor is

00:20:53

completely dry and we can take a

00:20:56

small brush, I’ll take a kolinsky and

00:20:59

we’ll do it with you draw the details first

00:21:02

we need to add ours to let the volume

00:21:05

what we do we take green I mix

00:21:10

on the palette I take ultramarine here

00:21:14

I mix it you can add

00:21:18

emerald here too the cabbage will have a very beautiful

00:21:21

shade and these are the three

00:21:26

colors we will use it

00:21:32

ready and we'll start with green with

00:21:36

ultramarine and go through the main

00:21:39

shadows, look, we have

00:21:41

a collar and under it we have a shadow like this, a

00:21:46

spot like this, I draw a little skin from the

00:21:50

floor, squeeze out the brush and use water like

00:21:54

this, starting to blur it then

00:21:57

completely I rinse it completely and just like that they

00:22:00

blur it out until it’s transparent,

00:22:02

see immediately the volume appears, I take the

00:22:05

next shadow from us again, somewhere

00:22:08

here comes the shadow, I rinse it, you can blot it on

00:22:12

a napkin, and I do this

00:22:16

shading with some water, rinse

00:22:21

it, I blot it, so I take the next shadow

00:22:29

again and fill it in from us the main shadows

00:22:33

go right here along the circumference,

00:22:36

and under each leaf

00:22:39

in general, friends, in watercolor we have

00:22:42

this rule: light on dark dark

00:22:44

on light, this is necessary so that

00:22:47

we have such a better volume in watercolor with

00:22:50

we just take and analyze it we have a

00:22:52

light gateway under it there is a shadow

00:22:56

drawn again we look at where

00:23:00

the light side next to us the shadow will go and

00:23:03

thus we will draw all the volumes so I

00:23:08

take it the color will darken now

00:23:11

ultramarine just you know this one is more

00:23:13

blue and here we

00:23:17

will draw a good stump and again with some water just like that it’s

00:23:19

ready for robbery the

00:23:24

main shadows come from the right side

00:23:27

since we have light falling from above on the left,

00:23:30

so we again take ultramarine with

00:23:33

green

00:23:34

with a drop of emerald here and here

00:23:37

we draw a good straight shadow, look

00:23:40

how saturated it is and friends, here

00:23:43

we draw a very strong straight shadow, draw

00:23:47

it well like this below let’s blur it out and we have a head of cabbage in

00:23:51

the center, look, it immediately starts

00:23:53

to stand out, that is, light on dark,

00:23:55

here dark on light again, I take

00:23:58

ultramarine with green and look here,

00:24:02

too, I’ll draw such a really saturated shadow,

00:24:06

and look if it’s on

00:24:09

the swing

00:24:10

and here on the leaf we need to

00:24:12

analyze where the shadow is darker, we have a

00:24:15

darker shadow right here on the leaf,

00:24:17

so now we compact it well, compacted it, rinsed it a little, blot off the

00:24:23

excess moisture and just like that

00:24:26

with a brush it will wash it out, but rinse it,

00:24:29

blot it

00:24:30

and until it’s so transparent, it’s ready,

00:24:34

I take the next section, also dark,

00:24:39

here I’ll fill it under the leaf, look

00:24:43

too I fill in the shadows, I fill

00:24:50

them in stripes

00:24:52

and blur them, that is, the main thing is to feel, yes,

00:24:57

this pattern is dark on light,

00:24:59

light on the theme and friends, look,

00:25:03

we also have a gateway and they go, but they, too,

00:25:06

should stand out, so I’ll

00:25:08

make a shadow under them, but I’ll make it not so

00:25:10

dark that is, you know, I’ll

00:25:12

fill it with a little bit of translucent paint

00:25:14

and blur it out a little just to highlight

00:25:18

this light collar and so that it’s

00:25:21

also on a dark background like this, that

00:25:23

is, in terms of tone, the paint

00:25:26

here will go a little lighter,

00:25:29

we’ve drawn it and I’d like to add something else here

00:25:32

there are two mouths each with a small shadow,

00:25:34

I’ll put a spot just like that and leave it,

00:25:38

look here there’s also a light collar

00:25:41

and we need to draw a leaf under it

00:25:44

from the shadow, we have it

00:25:45

wrapped up very beautifully, so

00:25:48

here too there’s a shadow that’s not too

00:25:51

dark, I’ve already added a little bit of it I lightened this

00:25:53

shadow and again, in exactly the same way, I put a spot,

00:25:57

I blur it, that is, the pattern is the

00:26:00

same, they put a spot, they washed it out with

00:26:03

some water, look, it already seems to me very

00:26:07

cool, our cabbage looks to me, it

00:26:09

looks very, very cool, it turns out

00:26:11

so, and here you also need to draw a

00:26:16

shadow, put a dark stroke,

00:26:20

I’ll take an emerald one I rinse it and

00:26:27

wash it with a little water, look at all the distant

00:26:33

leaves, we don’t draw as carefully

00:26:35

as we do in the middle of the head of cabbage here,

00:26:39

of course, we work on everything as much as possible, all all the shadows, I work on

00:26:41

here only a little bit,

00:26:44

that is, since we have these leaves

00:26:46

in the distance, we can only do them a little bit like

00:26:49

this here they are separated from each other, that is, there are too

00:26:52

bright shadows there, too, there is

00:26:54

no need to draw a

00:26:59

small shadow here, too, to separate

00:27:01

these leaves from each other, I will strip and blend

00:27:04

the color, and I will also go through some

00:27:09

areas where we have

00:27:11

the leaves right here here they wrap up, I’ll

00:27:15

put a shadow here, I’ll wash them out, look at

00:27:19

the muddy leaves, they’re wrapping up once again,

00:27:21

I’ll repeat that I’m making the paint a little

00:27:23

lighter and there’s just a dark shadow right here

00:27:26

in the middle,

00:27:27

I think that you can also look at the references,

00:27:30

even if you close your eyes a little and

00:27:33

look, yeah as far as the shadow there, it is

00:27:36

slightly lighter,

00:27:39

so here, too, there is some kind of shadow of shadows, and

00:27:44

here I also want to

00:27:49

add on the leaf to separate the

00:27:54

light collar from the dark leaf,

00:27:58

ready to look, friends, you and I

00:28:01

have such light veins on the cabbage, of

00:28:06

course, the best way is to highlight them

00:28:10

using a white gel pen, I

00:28:13

suggest you just add a

00:28:15

small volume to them, that is, we will not

00:28:17

highlight them completely now, just outline them with a white pen,

00:28:20

even shade them a little,

00:28:23

highlight them a little, draw a shadow

00:28:26

side, I take green with

00:28:29

ultramarine and the leaves

00:28:32

must be dry like that as my head of

00:28:34

cabbage has dried up in the middle, I’ll start with it, I’ll

00:28:37

do it right here on the little finger and

00:28:40

with the tip of the brush I’ll

00:28:41

outline the very basic

00:28:45

veins like this and then with a white pen we’ll

00:28:52

also add highlights,

00:28:54

so it’s important here it’s important to outline very

00:28:58

tonic very carefully, very carefully. barely touching

00:29:00

the paper, look like this, yes, you and I have

00:29:04

a vein that stands out, the color

00:29:07

should be

00:29:08

but not too dark, that is, the

00:29:10

watercolor should be enough like this diluted with water

00:29:14

and you and I will draw all

00:29:17

the veins, well, let's go through everything and

00:29:20

work on each leaf

00:29:24

[music]

00:29:35

ready friends finished, I think that already

00:29:39

at this stage we can leave the work in watercolor,

00:29:42

I think it turned out very

00:29:44

cool, it’s voluminous but at the same time

00:29:46

light and fast cabbage, wait for it to

00:29:49

dry completely, prepare a white

00:29:51

pen and complete the details with you after

00:29:54

drying, we take white pens and

00:29:56

begin to work out the details and

00:29:58

we’ll start again from the center, to begin with, we’ll trace the

00:30:03

outline of our

00:30:06

round ball here to separate it from the shadow,

00:30:11

look at the same volume right away, it’s a little

00:30:15

too bright, the pen can be

00:30:18

twirled with a finger or a napkin,

00:30:25

traced and added such a small outline is

00:30:32

ready and now we’ll work out the

00:30:36

veins, the veins can’t be straight be afraid

00:30:39

and go straight through all the areas

00:30:42

and highlight them so that you and I don’t have

00:30:44

a little shine, add volume to the check of

00:30:48

our cabbage, the veins also have volume,

00:30:52

friends, that is, yes, our

00:30:53

vein has such a volume, so I

00:30:56

draw the light on the very left side on the right

00:30:58

we have a shadow, why because on the left,

00:31:00

like sprouts, the main light falls so

00:31:03

here I’ll draw thin veins

00:31:07

here, too, we don’t sit for a long time, we work

00:31:10

fast enough, so here we could also

00:31:14

draw the main shadow on the top

00:31:16

and add small veins, done here, just like that,

00:31:20

we’ll add highlights to the top and

00:31:26

we’ll draw some branches here,

00:31:30

ready to go, if somewhere in an unnecessary place,

00:31:33

watercolor can be used like this, with a pen, dig

00:31:35

this place, add hatches, add

00:31:38

here, too, I’ll separate the collar from the shadow,

00:31:42

draw a line, go to the leaf, well,

00:31:45

take the top leaf of it, here,

00:31:46

too, from

00:31:47

the left, I’ll draw light, look again at the

00:31:50

falling light on the spring and

00:31:53

I outline

00:31:55

the black one sometimes, that is, in fact, we

00:31:58

just outline with a white pen

00:32:00

all those places that we drew, so

00:32:04

here too, I’ll highlight some areas

00:32:07

for the strokes, I’ll highlight them again, here I

00:32:10

take the collar and here

00:32:13

you can even draw the strokes so ready

00:32:24

added and in this way we work through

00:32:27

all the leaves friends

00:32:31

[music]

00:32:42

friends this is the result we get

00:32:46

the leaf is detached from the table only

00:32:48

after it has completely dried then we

00:32:51

won’t have any leaves or more precisely it won’t

00:32:53

warp if the leaf is

00:32:56

a little bad you can put it

00:32:58

friends, post your works on

00:33:01

Instagram under the hashtag draw with Anna

00:33:04

Bozhkova and I will definitely post all the

00:33:06

works in stories,

00:33:07

I wish you pleasant creativity and

00:33:10

see you again bye bye

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