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00:00:04
texture it's like the bumblebee add it00:00:07
to our spotlight we're going to number00:00:09
one we're gonna take this little guy00:00:11
standing in front of a window and are00:00:12
gonna drop that opacity down we're gonna00:00:14
scale it down just a little bit position00:00:15
them here and we'll use this to keep us00:00:19
honest so now we can go into let's start00:00:22
with we'll keep it simple going to start00:00:26
with a polymesh3d dragged on my cam is00:00:28
going to edit mode I'm gonna go down00:00:29
here to initialize we're gonna do a cue00:00:31
sphere again just really simple sphere00:00:34
here I have my floor turned on so we can00:00:36
see where Z forward is so if we turn on00:00:40
X symmetry this is that across the00:00:42
x-axis so if I subdivide this up a00:00:44
little bit you can see you know if I00:00:47
make this into a stick shift C to turn00:00:49
off spotlight here if we have this as a00:00:51
little face this is what I want to have00:00:54
facing forward here so we'll just start00:00:57
there and they'll do Z to turn spotlight00:01:00
back on and also if I want to like snap00:01:04
back to this camera view what I'm going00:01:05
to do is go over here to movie go to00:01:07
timeline show and we'll just show this00:01:09
timeline so I can start adding adding a00:01:14
little bit in there so we've got our00:01:15
head here let's go ahead and pull this00:01:17
down smooth this out so this will be the00:01:19
first part and you know what we don't00:01:20
need we'll go to subdivision level now00:01:24
you know we'll keep it at 3 but will00:01:25
delete lower so I don't want00:01:27
subdivisions just yet we're just using00:01:28
this to kind of block out our mesh hit W00:01:30
hold down control drag that straight00:01:32
back we'll go ahead and scale this up00:01:34
and we can rotate it back using our00:01:37
gizmo and I'll go ahead and shift smooth00:01:39
this like so and then hit W hold down00:01:48
control drag out another copy here and I00:01:51
don't know the B parts necessarily it's00:01:53
been a while since I've learned about00:01:56
bees in school but let's say like thorax00:01:58
abdomen head for these other parts here00:02:03
you know what I kind of like the sphere00:02:07
we're starting out with we can just do00:02:08
like a bi brush insert go to insert mesh00:02:10
primitives and grab any of these oh00:02:11
there's a poly sphere right in here well00:02:13
just use that got the poly sphere let me just00:02:16
pull that out so now we're on the leg00:02:17
here and we can scale this out a bit00:02:20
let's turn on local symmetry so we're00:02:22
scaling across that local axis here and00:02:24
we can rotate this down and loops back00:02:29
let's move that back and then again00:02:32
we'll drag out a copy of this thing I'll00:02:35
smooth this down and that'll be his00:02:37
little leg here and then these little00:02:40
leg pieces we'll figure out for this00:02:45
front leg if we turn on poly frame here00:02:47
we gonna see these legs right here are00:02:49
their own polygroup so I can just hit W00:02:51
ctrl tap those and then we can just00:02:54
control drag out those is a copy and you00:02:57
know what before we do that when it00:02:58
starts doing weird stuff like that just00:03:00
do a quick geometry modify topology00:03:02
mirror and weld and that'll fix that00:03:05
right up00:03:06
so now control drag this out and I am00:03:10
gonna change my view in just a second00:03:12
because I'm sure this is turning into00:03:13
something ridiculous for my other views00:03:16
here so let's go ahead and rotate this00:03:18
this way area we've got our leg here now00:03:22
to snap back to that view I didn't save00:03:23
it so what I need to do is reposition my00:03:26
body here and if I'm fairly happy with00:03:29
this positioning I can just click up00:03:32
here in my timeline and then no matter00:03:33
what I do I can hit the back arrow and00:03:35
that just basically slides this timer or00:03:38
this little timeline to that first dot00:03:41
so I can go if I had multiple references00:03:44
up here in my spotlight I could save a00:03:45
safe with view here say the view here00:03:48
save a view here and then I can just use00:03:51
my arrow keys to snap between the00:03:54
different views or I can just go up here00:03:56
and I can just slide it in between if I00:03:59
don't want am I going to drag them off00:04:00
so I can always snap back to that view00:04:03
and now I can reposition this arm just a00:04:06
little bit here so we'll go ahead and00:04:11
spin this up a little bit let's move00:04:15
this down and then let's go ahead and00:04:19
hold down control I'm gonna go to mask00:04:20
lasso I'm gonna mask out this little00:04:22
bottom part here invert that mask by00:04:24
control tapping and we'll scale this00:04:26
and a little bit and then out good00:04:33
enough we've got our be blocked out and00:04:37
so now as we can see on my reference I00:04:40
was a little bit these things went a00:04:42
little bit wonky so what I'm gonna do is00:04:44
go into polygroups here and we'll do a00:04:47
quick auto groups and that's gonna give00:04:49
us anything that's not vert welded where00:04:52
we at I don't know I don't even know00:04:53
where it is in there I'm just gonna go00:04:54
to my custom menu here Auto groups and00:04:56
then we'll do a quick mirror and weld so00:04:59
now what I can do is I can at W I can00:05:01
control tap any of these poly groups00:05:03
here and now we can go through here and00:05:04
make this look a little bit better so00:05:08
obviously these things should be00:05:09
touching here and out of that now that I00:05:14
have poly groups here I can also go to00:05:15
my move brush go in here to auto masking00:05:23
and then you can see we have masked my00:05:25
poly groups I can crank that up to 10000:05:26
and now I can just go through here you00:05:28
can also instead of doing masked by00:05:30
polygroups you can turn on topological00:05:31
and then anything that's not vert welded00:05:33
and the first one you touch will be the00:05:35
only one that it kind of modifies so00:05:38
either way I'll go ahead and do mess00:05:40
with all the groups I will do shift Z to00:05:42
bring my spotlight back but snap our00:05:44
camera back and now we can just very00:05:46
quickly go through here and match all00:05:49
these bubbly little fat parts and then00:05:54
we can go through here we can make sure00:05:55
like okay these things can't be sticking00:05:57
so you're constantly making adjustments00:05:58
in 3d and then snapping back and then00:06:02
checking your reference and this goes00:06:05
for if you're matching a concept or00:06:07
anything else you can always go back and00:06:10
it's just a way to kind of keep yourself00:06:11
honest so now that we have that let's go00:06:15
ahead and start refining a little bit00:06:17
he's mostly going to be covered in fur00:06:20
so I'm not overly concerned about the00:06:24
particulars but we can go ahead and00:06:25
clean them up just a tad and it looks00:06:29
like we're making a very specific type00:06:31
of beat type of B they're kind of all00:06:32
over the place00:06:38
as far as you know it looks like some of00:06:44
them have more segments than others some00:06:45
of them have a little bit chunkier00:06:47
segments and another thing I can do00:06:50
since this is a fairly simple model what00:06:51
I'm gonna do is go here to subtool and00:06:53
we have poly groups on both sides so I'm00:06:55
going to do a quick split group split00:06:57
and now every single one of these will00:07:00
be in its own sub tool so I can just alt00:07:01
click through and select them like that00:07:02
let's do a quick save and we go in our00:07:07
quick save here hold on just a second00:07:10
just in case quick save load that back00:07:17
up there we go a straight quarter and we00:07:28
will reposition that right here okay00:07:30
turn that off cool let me catch up real00:07:35
quick00:07:38
you think Houdini can compete with my00:07:40
max in terms of modeling yeah sure00:07:44
modeling yeah I mean I can do faces00:07:50
extrusions bevels boolean z' I don't00:07:54
know what else I'm kind of modeling I00:07:55
would do you can put things along a path00:07:57
I mean you kind of have to put yourself00:08:00
in the mindset of the node based system00:08:03
but I'm sure there's ways the model00:08:05
around that I don't do a lot of modeling00:08:07
in Houdini but I should probably give it00:08:08
a shot but really for just modeling00:08:12
purposes as long as your modeling00:08:13
package can do00:08:16
that's like cue mesh you can do an00:08:19
extrusion and you can do like a bevel00:08:25
and I think that's usually and I know00:08:30
boolean operation so for example if we00:08:34
go into like bi brush insert boolean00:08:37
here and we'll go ahead and grab this00:08:39
thing go ahead and pull this off we'll00:08:41
go ahead and do a split unmask points00:08:43
will drop this down soak that underneath00:08:46
and it will turn our boolean render so00:08:48
as long as you can do like00:08:50
billions and extrusions and bevels I00:08:55
think it's all I really that's all I00:08:57
ever use so I don't know your mileage00:08:59
may vary but for me most modeling00:09:02
programs nowadays are pretty compatible00:09:06
um cool since people are talking about00:09:13
blender sculpting I want to ask your00:09:14
opinion on the program since the 2.8 up00:09:15
beta is around the corner blender is one00:09:18
of those programs where I've always00:09:20
wanted to use it and I've never had a00:09:22
reason to use it because I've always00:09:24
either had a license for something that00:09:26
I was using in development or I use e00:09:31
brush so I don't really have an opinion00:09:35
at least not an educated one I think00:09:37
it's cool I see a lot of people doing a00:09:39
lot of really cool stuff with it but00:09:41
it's nothing that I've had to use not to00:09:44
say that you can't use it or you00:09:47
shouldn't use it like I said I've seen00:09:50
master Zee on Jerry Perkins if you want00:09:55
to look him up he's got some really cool00:09:56
stuff on blender hard ops hard ops guy00:10:00
let's go ahead and do a split mass00:10:01
points here so again like I said it's00:10:03
one of those things where I wanted to00:10:07
check it out never never could really00:10:11
justify the time to do it given my00:10:14
schedule at the moment but I mean that00:10:19
could all I could all change let's go00:10:20
ahead and rotate this around here so00:10:22
we're gonna go ahead and put in his00:10:23
upper arms and they'll put in his little00:10:25
spindly feet for the spindly feet here00:10:27
let's turn off our light bullying go00:10:28
down about it mode and we'll go back to00:10:32
you know I'll keep it simple00:10:34
we'll make a sphere 3d drag on our camp00:10:38
is going to edit mode I get a poly mesh00:10:40
and we'll go ahead and scale it and00:10:45
we'll go ahead and grab our snake hook00:10:48
which disappeared when I had to move my00:10:53
boy00:10:54
okay be s00:10:57
snake hook then it looks like on here we00:11:00
can also use vector displacement for00:11:01
this if you wanted to I suppose but I'm00:11:03
just gonna do a real quick kind of00:11:06
little feet grabber here looks something00:11:13
like this maybe and it looks like these00:11:17
are we going a standard brush here these00:11:21
are kind of segmented as well so we00:11:23
gonna go ahead and start so dividing00:11:24
this up and using our clay brush let's00:11:25
go ahead and switch over start up00:11:30
material please it's been good and00:11:38
segments these and of course it's not00:11:40
like this is anything beautiful if I00:11:41
wanted to I could spend the time to go00:11:44
through here and make this really sing00:11:47
but what I'm gonna do is okay this is my00:11:49
model here if I want to simplify this I00:11:52
could decimate this down or I can just00:11:54
duplicate this off and if we want00:11:56
something like zremesh half depta size00:11:58
down to zero and we'll let that zremesh00:12:03
just again simplify this geometry so I00:12:05
can use it as an insert mesh brush you00:12:07
know have to but there's no point in00:12:10
throwing a million polygons little foot00:12:12
on your object in most instances cool00:12:19
thanks for showing up to weigh no00:12:22
problem voodoo and why is this taking so00:12:26
long let's escape out of that so we have00:12:30
X let's turn X on00:12:41
let's go ahead and delete that let's00:12:45
figure this out okay so here's my foot00:12:47
or Z forward I'm gonna do a quick mirror00:12:49
and weld here and then we'll do zremesh00:13:01
there we go00:13:03
let's do half half half okay that'll00:13:08
work so we'll call this my foot here and00:13:11
we'll go ahead and scale isn't it a00:13:12
little bit a little thin foot so I'm00:13:13
gonna go here's the bottom of the foot00:13:16
let's say and you know what let's scope00:13:19
that out a little bit00:13:21
hit be great insert mesh new go back to00:13:26
our sculpt here and so at the bottom00:13:31
here you can go ahead and insert a foot00:13:41
and I can match this up with the00:13:42
reference again but for now we'll just00:13:44
kind of stick that on there00:13:53
here and we'll just drag out a copy here00:13:56
we'll spin that around00:13:57
okay so insects have six legs right I00:14:00
think I'm done with those pieces and for00:14:08
this one we'll do another Auto groups00:14:09
mirror and weld group split shifts II go00:14:14
back to our snaps thing here which I00:14:17
think we bumped so we'll go ahead and00:14:18
drag that off and push that on and now00:14:20
we can go through here and we can go00:14:22
okay this arm way too big let's go ahead00:14:24
and mirror it or go to unmask mesh00:14:26
Center and we'll stick this here ish and00:14:31
then this piece here is way too big and00:14:36
then this little hand here should be00:14:39
something like yes00:14:48
that'll work if you want to move all00:14:50
these things at once you can go into00:14:51
your gizmo here and you can turn on this00:14:54
move transpose all selected sub tools00:14:56
and they can hold down ctrl shift and00:14:58
you can go through here and you can like00:14:59
tap all the sub tools you want to move00:15:01
at once and then you can just move them00:15:03
around or what I'm gonna do in this00:15:07
instance is I'm going to do a quick00:15:09
merge visible I'm going to go to this00:15:11
merge sub tool here and now I can just00:15:13
quickly go through here and move move00:15:17
these things around together and we00:15:18
still have masks my polygroups up to a00:15:20
hundred but a few dupes let's do a quick00:15:23
mirror in Weld hit X go across like00:15:25
symmetry here so we can kind of start00:15:28
moving these things around here00:15:39
something like that00:15:44
all right why do you use zremesh versus00:15:49
dynamesh so zremesh is if I want a00:15:52
little bit more control over the00:15:54
geometry and this going through here and00:15:58
getting nice even quads for zremesh and00:16:02
then for dynamesh this would be if I00:16:04
wanted to do say let's do a group split00:16:08
so if I want to start sculpting on this00:16:10
head which I'm going to start doing I'm00:16:11
going to sell them out here and now00:16:13
instead of going through here and like00:16:14
using my clay brush then subdividing and00:16:16
using my clear brush and subdividing and00:16:18
using my clay brush which is fine to do00:16:22
as long as your your geometries I'm00:16:24
going to change too much but do I00:16:25
usually prefer to do is we'll just turn00:16:27
on dynamesh and now we have something I00:16:30
can continue to see update so I'll use00:16:32
zremesh once I'm done doing stuff like I00:16:36
wish I had that back back bottom menu00:16:39
here00:16:40
once I'm done doing stuff like this it's00:16:43
like okay I want to dynamesh this and00:16:45
get all these crazy shapes going and00:16:46
then once I'm done with this I'll00:16:47
zremesh it project the details back and00:16:49
then I have a nice quad match that I can00:16:52
add subdivision history to but I want to00:16:55
do zremesh after I finished making major00:16:59
changes so if I'm just exploring the00:17:00
idea I'll use dynamesh and also remember00:17:03
in 2018 you don't have to use I mean you00:17:06
can use dynamic if you want to but if00:17:08
you want automatic tessellation you can00:17:10
go in here and you can use turn massive00:17:13
a polygroups down to zero you can use00:17:15
sculptures pro mode and you can just00:17:18
dynamically tessellate where you want00:17:21
that detail so you can go through here00:17:22
and while you're sculpting it'll just00:17:25
automatically and again this works with00:17:27
the snake hook brush as well so instead00:17:30
of when we were snake cooking earlier00:17:31
actually you know what let's do b sk o00:17:36
BS sphere so you can see as I pull out00:17:40
it's automatically tessellating and as I00:17:43
pull out through here it's automatically00:17:44
giving me more geometry so when I pull00:17:49
out it just keeps updating the geometry00:17:50
make your brush smaller00:17:52
it'll give you more geometry if you make00:17:54
it bigger and it can be less you can00:17:56
even go in here and smooth and get rid00:17:58
of this stuff on the fly so you can use00:18:00
and you can use it with dynamesh if i00:18:02
dynamesh it all goes back to my original00:18:04
resolution which may not be what you00:18:06
want you can also go into mm-hmm00:18:13
geometry Tessa mate and you can use00:18:16
Tessa mate kind of like a dynamesh Oh00:18:19
another thing what this one is if we say00:18:23
let's go mask pin ctrl W and then we can00:18:29
like mask just as polygroup and then00:18:32
when we use our brush with this and we00:18:35
say I mean you don't have to make00:18:36
polygroup see that was just just to00:18:38
visually show you the difference between00:18:40
these two separate areas here so we can00:18:42
go through here and we can use00:18:45
sculptures Pro so now if we don't00:18:48
dynamesh we can go through here and00:18:50
these things will always be separate00:18:51
meshes hold down shift to smooth we can00:18:55
smooth these two meshes separately and00:18:57
if we hold down our or tap our and then00:18:59
mask out these are always these aren't00:19:01
gonna stick together however if you00:19:04
dynamesh them it's gonna dynamesh them00:19:06
together and stick them together if you00:19:07
don't want to use dynamesh that's where00:19:10
you can go in here to your menu and you00:19:13
can do remesh by Union and let's take00:19:17
off X symmetry so there we go we can say00:19:22
that's fine I'll accept it and now with00:19:25
our remesh by Union has stuck those00:19:29
together so you can use just sculptures00:19:32
pro with remesh by Union instead of00:19:35
dynamesh to kind of get the same result00:19:36
and like I said before you can just hold00:19:39
down shift and you can just obliterate00:19:42
those completely if you want so up to00:19:45
you a lot of different options and if00:19:48
you want more info on that go to my00:19:49
youtube channel and let me double check00:19:52
this real quick00:20:00
okay yeah I go to my YouTube channel go00:20:05
to my playlists sorry and then if you go00:20:12
down to ZBrush 20:18 what's new there's00:20:14
all sorts of goodies in there for00:20:16
sculptress Pro I keep coming I call that00:20:18
sculptors press plus a lot in the videos00:20:20
so I'm I'm meaning sculptors pro just so00:20:25
you know how do you render an image00:20:32
simple just hit this little beep er up00:20:34
in the corner um we might we'll get into00:20:36
rendering I think later in this video if00:20:38
I have enough time alright take it into00:20:41
key shot but we can also do a little bit00:20:42
of ZBrush stuff torn clothing and ZBrush00:20:46
so I have that my streaming topics I'll00:20:50
add it I mean it should be something00:20:58
like I mean there's a lot of different00:21:01
ways you can do that00:21:02
I flip half of the mesh in a sub tool00:21:06
and merge it back so we have a sub tool00:21:10
I want to flip half of a mesh or we have00:21:16
a sub tool here I want to flip half of00:21:19
it I mean you can do whatever you want00:21:21
if you want to take like I want to take00:21:22
this leg only go out of X symmetry00:21:25
isolate it control shift visibility go00:21:27
ahead and split hidden and now this is00:21:29
its own sub tool so you can do a mirror00:21:30
deformation mirror across the X and then00:21:33
you can do whatever you want to and then00:21:35
you can merge those back down so to00:21:38
emerge and if you want to pay the same00:21:40
on the both sides you can go mirror00:21:41
mirror and weld or actually let's turn00:21:43
off Elsa mirror and weld so you can do00:21:49
whatever you want and then use the00:21:50
deformation mirror to get it to the00:21:51
other side as long as your Z forward and00:21:54
we're going across the x-axis let's go00:21:57
ahead and do auto groups mirror and weld00:21:59
and a little delete hidden so okay I00:22:04
think we've got this to a point here00:22:05
let's go ahead hit ctrl W and we'll turn00:22:08
dynamesh back on00:22:11
and we will let's go ahead and sculpt00:22:13
out where the eyeballs are gonna go and00:22:14
we'll go ahead and drag in a sphere00:22:26
something like this and I'm about to do00:22:28
a split mass points let me go ahead and00:22:29
subdivide the sphere up but for one two00:22:31
and if we don't like those polarized00:22:32
caps here all we got to do is we'll00:22:35
again we'll just do a zremesher same00:22:36
data size down to zero and now we've got00:22:39
just nice move Geo all right so on a00:22:45
behead these be eyes kind of bulge out00:22:48
here and then through here it looks like00:22:50
they're a little bit more aggressive00:22:55
looking here and then we can go let's00:22:56
turn off polyframe and again we're not00:22:58
going to spend a whole lot of time00:23:00
detailing this out but if we wanted to00:23:04
it would just be a matter of just00:23:06
looking at your reference making sure it00:23:08
matches and he's got his little00:23:11
mandibles in here which is gonna be00:23:12
covered in fur but if we want to let's00:23:14
go ahead and drop in a sphere and then00:23:19
we'll go ahead and split mass points and00:23:20
then let's turn on el sim so when I00:23:23
don't turn on el sim and I start scaling00:23:25
it goes to the world axis turn on LCM00:23:27
and now we can scale along its local00:23:31
access here and then we can rotate this00:23:33
in little pinchers here now inflate00:23:50
and I could bring in reference for this00:23:52
but I think I was gonna wing it so00:23:53
standard brush smooth this out smooth00:23:57
stronger that'll work00:24:05
and then the antennae we could do it you00:24:08
know let's try something else so I'm00:24:10
gonna go in here I'm gonna do an insert00:24:11
Zee sphere and then with the Z sphere00:24:14
selected I'm going to go hit X go across00:24:15
X symmetry II to scale it down turn on00:24:18
transparency and hit Q and on either00:24:22
side I'm gonna drag out a little Z00:24:24
sphere and then hold down shift as I00:24:26
drag out an Uzi sphere so now I can00:24:30
position a little antennas exactly where00:24:33
I want them this will like come out this00:24:40
will come down there you go so we've got00:24:45
that I can leave in the Z spheres or if00:24:47
I want to I can go all the way down here00:24:48
to adaptive skin if you hit preview or00:24:51
you can see if we hit a that turns on00:24:53
your adaptive skin and it's turning it00:24:55
into a dynamesh mesh if you want you can00:24:58
take dynamesh resolution down to zero00:24:59
and that will just give you quads00:25:00
density down to one I think that'll work00:25:03
let's hit make adaptive skin that's00:25:05
gonna throw that adaptive skin right out00:25:07
here somewhere there it is so now we'll00:25:10
insert that skin z sphere we don't need00:25:12
the Z sphere anymore so go and delete it00:25:13
and we also don't need these inside00:25:15
polygroups so we'll go ahead and say you00:25:16
and you are dead to me00:25:20
and then we'll go back in here there00:25:21
zmodeler brush will do closed convex00:25:23
hole we'll just cap that off ctrl W make00:25:26
it all one polygroup there we go cool00:25:33
now I'm gonna drink okay00:25:40
so let's talk about how we're gonna00:25:42
finish this thing off looking at bumble00:25:46
bees it looks like they've got big pads00:25:49
of fur let me just throw this in here so00:25:52
big pads of fern here and this is just00:25:54
kind of generally fuzzy on some of them00:25:56
it looks like they're more plated on00:25:58
here let's do that one it shouldn't be00:26:00
too difficult so what we can do is we00:26:03
can take this00:26:04
and his thorax looks really tiny00:26:06
compared to the other one so what I'm00:26:07
gonna do00:26:08
looks like he's very front heavy and on00:26:11
a lot of these other ones they're a00:26:13
little bit more balanced or at least you00:26:16
maybe even back heavy here so that could00:26:18
be just a weird piece of reference here00:26:20
if I want to match something else let's00:26:22
go to texture import and you know what00:26:25
let's take this top view go ahead and00:26:27
select that top view position it and00:26:31
we'll snap to our top view here and now00:26:33
we can kind of see if we're compatible00:26:38
here so what I'm gonna do is we'll go00:26:40
ahead and hit alt to go ahead and stick00:26:43
this right in the middle here and I'm00:26:44
gonna make some adjustments executive00:26:48
decision here so here's my I guess my00:26:52
abdomen or thorax I can't remember and00:26:56
then we're gonna put the little butt in00:26:58
here and then from a side view we don't00:27:01
really have one but I can kind of00:27:02
eyeball that and we're gonna go ahead00:27:04
and pull this out to like a little point00:27:06
kind of thing and one thing I've learned00:27:13
is getting your block out right even00:27:16
though it's not real pretty especially00:27:18
when you're doing like hard surface00:27:20
modeling and matching something is keep00:27:22
it as simple and as ugly not as ugly but00:27:25
it's not gonna be real impressive for a00:27:27
while but keep it as simple as you can00:27:30
for as long as you can and get that00:27:31
block out really really tight and then00:27:35
once you start adding details and stuff00:27:38
it just everything just falls into place00:27:39
if you don't do that and you move ahead00:27:41
too quickly00:27:42
you'll probably end up regretting it so00:27:43
I think we're in good shape anything00:27:49
sticking out to me okay so if we wanted00:27:51
to do the plating what we can do is we00:27:54
got our thorax here we want to put like00:27:56
one two maybe split this up into three00:27:58
different plates here I'm going to00:28:00
duplicate this off because always like00:28:01
to go back to my original I'm gonna go00:28:03
back here and we're gonna slice and00:28:05
we're gonna slice this into one to three00:28:12
different parts here and then also we00:28:16
can have the body underneath it looks00:28:18
like it as different plating than the top and we00:28:22
could even skip we can even skip skip00:28:25
the fuzz on here but I think this looks00:28:26
a little bit different than the other00:28:27
one so we'll make it all fuzzy but I do00:28:29
want it kind of layered and plated so I00:28:31
want different polygroups here and on00:28:33
the bottom here it looks like has00:28:34
different first I'm just gonna go00:28:35
through here I'm gonna slice this so now00:28:37
you've got these parts here let's try00:28:39
this let's go to zero measure keep00:28:41
groups on and then do same and zremesh00:28:45
and that'll give me different geometry00:28:48
keeping our poly groups so now it's a00:28:49
little bit cleaner and I think that'll00:28:52
work so now we've got these top plates00:28:55
in these bottom plates and we've got our00:28:56
original underneath that we can use for00:29:00
quality purposes so what I'm gonna do is00:29:02
I'm gonna isolate hold on ctrl shift00:29:05
select rectangle I'm gonna isolate these00:29:07
we're gonna split them off and then for00:29:09
this bottom one here let's do this looks00:29:12
like there's even more plates so I'm00:29:13
gonna say you and you and you and you00:29:19
we're gonna do another zremesh keep00:29:21
groups there we go so this one will have00:29:24
more plates and then this thing here I'm00:29:27
gonna go ahead and we're just going to00:29:29
hold down alt go to the mesh Center and00:29:31
just scale this down so it's inside the00:29:33
plates here so now I've got these things00:29:36
if you want we can try going over here00:29:39
to geometry edge loop and we can do like00:29:41
panel loops to give us some thickness00:29:46
which I think I'll work then this bottom00:29:48
one here will create that thickness up a00:29:50
little bit yeah that'll be fine and then00:29:56
we can go through here with our move00:29:58
brush and we can kind of make these00:30:01
stick in here and then these outside00:30:03
ones here so now not only does that give00:30:07
us a little bit of a panel look insecty00:30:10
look it's also going to allow us to00:30:11
assign different fiber meshes to these00:30:13
different polygroups here and we'll have00:30:16
a little bit more control so also you00:30:19
know what let's do a quick I mean if you00:30:21
want to you can keep these groups here00:30:22
they're kind of useful I don't think00:30:25
I'll necessarily need them and maybe I00:30:29
will hold down shift we're just gonna00:30:31
smooth00:30:32
those corners a little bit and then on00:30:39
this one we'll just push these in and00:30:42
that'll work00:30:43
okay and then this guy will just gonna00:30:46
polypaint I don't I don't see any real00:30:48
panels there I keep calling on panels I00:30:51
don't know where they're cold be panels00:30:56
all right let's turn off our floor and00:30:59
we'll go ahead and scope this out and00:31:04
this head you know what I'm gonna get W00:31:06
I'm gonna hit X to go out of X symmetry00:31:08
hold on alt so I'm gonna go to this mesh00:31:10
center here hold down alt and reset it00:31:12
and then I'm gonna go into move multiple00:31:14
sub tool mode right here and I'm going00:31:16
to say I want all youse guys so I can00:31:23
kind of just move all this stuff out at00:31:24
once I just want to be able to see his00:31:28
head separation a little bit better00:31:30
that'll work turn that off I'll tap this00:31:34
one and we'll go ahead and get that out00:31:37
of his neck a little bit more okay that00:31:40
doesn't bug me quite as much so now00:31:42
let's talk about fur and using fur as00:31:46
something that's sculptable we'll see00:31:50
how well it goes so we'll start with the00:31:55
body here so what we can do is I'm gonna00:31:59
divide this a couple times just to get a00:32:01
little bit more resolution on here and00:32:03
I'm also going to go in here and we're00:32:05
going to poly paint this so we're gonna00:32:07
start with I wonder if I can just drag00:32:11
out no okay here's what I'm gonna do I'm00:32:17
going to go to movie turn off show we're00:32:20
going to grab a plain 3d go into edit00:32:24
mode make polymesh3d we're going to go00:32:28
back into our reference here and we'll00:32:32
use this guy down here hit Z I don't00:32:34
need this B anymore so I'm gonna delete00:32:36
it and then this B we can bring back and00:32:41
what we can do you know what we can00:32:42
actually just apply this image to this00:32:44
plane because all I'm doing is00:32:46
taking color from here so let's do that00:32:47
you can paint what I was going to do is00:32:49
like you can divide up the plane and00:32:52
then you can use your standard brush00:32:53
with RGB turned on and you can just00:32:55
paint that image onto the plane or your00:32:59
poly plane the same size as the chosen00:33:05
texture00:33:13
ooh like a flat color material we can do00:33:17
shift s or go out of edit mode and leave00:33:19
that sitting there and now we can go to00:33:22
back to our model here so now if we want00:33:29
was damn you know I learned these things00:33:37
and then I immediately forget it00:33:38
there's a way to make your text and then00:33:44
go ahead and say I want you to be the00:33:46
yellow part and that's kind of just like00:33:48
a little saddle as long as back here and00:33:52
that's it we're done00:33:53
no I'm just kidding so we've got this00:33:55
here and we need to do fibermesh so if00:33:58
we go down here from here and we can00:34:00
just sample any color we want so that's00:34:02
that's all I was doing00:34:05
we'll go ahead and take this yellow and00:34:08
we'll go ahead and switch to a skin00:34:10
shader for so you've got this one00:34:12
selected we're gonna fill let's see if I00:34:15
remember how to do this text your map00:34:20
and grab the B and then there's a way to00:34:27
alt or fill object I have that set to00:34:31
alt ctrl F and now we can go through00:34:34
here with maybe a darker black and we00:34:37
can say you know that's probably easier00:34:38
just to fill it the black and then00:34:41
sample here00:34:43
ZBrush make your plane the exact same00:34:46
size as your texture reference the same00:34:48
ratio I don't know how to do it but I'm00:34:50
gonna hit control D to subdivide this up00:34:52
and you can just use this texture00:34:55
sitting out here so if I do let's switch00:34:57
to Ramesh and we say preview now we're00:35:00
gonna be getting our fiber mesh here00:35:02
let's see if I'm about to do this00:35:03
modifiers the base here we're gonna do00:35:08
base colorize I don't remember how to do00:35:14
it you know what I'm gonna manually00:35:15
stretch this out so it looks fine now we00:35:18
can do oops looks like I accidentally00:35:24
grab that here so there's a wait and tip00:35:30
colorize and I want that colorize to be00:35:48
the same color as my mesh here so I have00:35:51
it looks like I have the tip down to00:35:52
zero and my base up to one and now it's00:35:55
inheriting the poly paint onto my fiber00:36:01
mesh and if you remember we did this00:36:03
with an anteater and one of my earlier00:36:04
live stream episodes that reminds me let00:36:06
me check some real quick sorry okay so00:36:16
we've got this poly this fiber mesh here00:36:19
and if you just want to like render this00:36:20
out we can switch over to like what do00:36:24
we want to switch over to we can switch00:36:26
over to a hair we had hair mat cap here00:36:32
am I crazy there it is you switch over00:36:34
to a hair or hair too and if we render00:36:39
this with BPR that'll go ahead and00:36:41
render all these little fibers with all00:36:42
the shadows and stuff and give you a00:36:43
nice bumblebee what will be render but00:36:49
this is a little bit dense for what our00:36:51
purposes are going to need so let's go00:36:53
to back to skin shader for and I'm gonna00:36:58
play around these settings right here so00:36:59
the modifiers here under max fibers00:37:01
we're gonna be 3d printing these out00:37:02
we're gonna want these pretty low and00:37:06
also pretty chunky so I'm gonna drop the00:37:08
map map max fibers down and we're gonna00:37:11
go over here to the coverage I'm gonna00:37:12
crank that up and then we're also going00:37:15
to do if you want to really crank it up00:37:18
you can change this width profile and00:37:20
then I give you the full full access to00:37:22
all the coverage here you can also00:37:24
change anything that has a setting you00:37:26
can go in here to variants so this will00:37:28
give you a little bit of variation00:37:29
between these settings and now if we00:37:34
take this one and we can also change our00:37:37
links profile so we made them really fat00:37:38
and they're kind of stumpy which is what00:37:40
this fur is basically but we cranked up00:37:43
our max fibers a little bit or down and00:37:45
then our lengths we can change and00:37:47
you're gonna see it kind of looks like00:37:48
cards if we go in here and BP our render00:37:50
this one you're gonna see it kind of00:37:52
turns into chunky cubes or that's coming00:37:57
in as under your PPR settings you're00:37:59
gonna have it's going to subdivide it so00:38:01
they get a little00:38:02
a bit smoother so they're gonna00:38:03
subdivide it once it's gonna say it's00:38:04
four sides and the radius is one so if00:38:08
we want to increase the side so it's not00:38:10
cubes we can say maybe six sides and00:38:12
then when we VP are into this again now00:38:15
you can see let's go and do this you can00:38:18
see now we have six sided geometry now00:38:20
if you want to actually see that00:38:21
geometry what you can do is I mean if00:38:24
you're just going to render it I would00:38:25
say keep it nice and not you can just00:38:32
use this and then you go to render00:38:34
you're gonna know it's gonna turn into00:38:35
chunky geometry but if you do want to00:38:36
see it you can go up here to this00:38:38
profile and this profile is gonna be00:38:40
kind of like the side slider here so if00:38:42
you change this profile up to save five00:38:44
it's gonna tell you if you just want to00:38:48
render use BPR which is what we just did00:38:49
this is gonna slow down or interaction00:38:52
so if we hit okay now we're gonna get00:38:54
five sided fibers here and then our00:38:58
segments if we crank that up it's going00:39:02
to add more segments so as I lower the00:39:04
segment you're going to see it's only00:39:05
going to be it's gonna stick straight00:39:07
out let's change our length here so we00:39:08
can see that a little bit better length00:39:11
profile so as I make these longer you're00:39:15
gonna see it goes one two three and then00:39:18
as I increase these segments to like six00:39:20
it's gonna go one two three four five00:39:22
six and now we're getting that kind of00:39:24
result00:39:27
another thing we can do profile segments00:39:30
so we can just use that I think and then00:39:34
if we change the length back down so00:39:37
instead of using like a vector00:39:39
displacement you can use this to get00:39:42
just big chunky fur here and also the00:39:46
gravity settings here so the gravity if00:39:48
we crank that down it's just gonna stick00:39:50
out like fur is if you crank it up it's00:39:53
gonna like make them look shaggy00:39:55
so probably the gravity we can just turn00:39:56
down to zero and then we can change our00:40:01
also scale root scale tip it's kind of00:40:03
getting smaller towards the tip if you00:40:05
want that more you can scale the tip00:40:07
down so it kind of goes to a point if00:40:10
you want to less you can always just00:40:11
make that one one and one it'll be the00:40:13
exact same here so00:40:15
then scale that route will say route is00:40:17
one tip we can go ahead and scale out00:40:20
and then our length profile and our00:40:23
coverage you can also change depending00:40:24
on how much of this how it really how00:40:28
much fidelity you want if you think you00:40:31
can get away with 3d printing this it's00:40:32
you can give it a shot if not you can00:40:35
change your max fibers down like way00:40:37
down and then try and crank your00:40:39
coverage up just to kind of fill in00:40:41
those spots and also that length00:40:42
profiles a little long so we can say00:40:46
let's really just kind of dial in our00:40:49
max fibers here so it's kind of a look00:40:52
we're getting so if we like this we can00:40:55
do we can save this into our lightbox if00:40:58
we want because if you go in here to00:40:59
lightbox fibers there's a bunch of00:41:01
presets you can choose from that are00:41:02
really cool if we do the flower if we00:41:04
have enough time we can do the flower00:41:06
and we can use some of those presets but00:41:10
I think that'll be fine yeah I don't00:41:14
work so let's talk about propagating00:41:17
this too the other thing so like I said00:41:19
we can sit save here and we can also do00:41:22
a any of these things you can copy these00:41:24
curves but I don't think it's what we're00:41:25
going to need so we'll call this chunky00:41:31
bumblebee fur and so we can always pull00:41:37
this back in now to go back here to the00:41:39
body these individual segments it looks00:41:44
like it's got yellow yellow and then00:41:46
black and then this is all black on the00:41:48
bottom but it looks like it's more00:41:49
insecty and less fuzzy so we can go00:41:52
ahead and keep that if you're doing like00:41:53
cartoony stuff you can just you know00:41:55
pick and choose your battles of how you00:41:59
want to have this created so let's go00:42:01
ahead and on this one we're going to go00:42:07
ahead and have fiber mesh turned on00:42:08
let's go ahead and open our chunky00:42:11
bumblebee fur and if we want to poly00:42:14
paint this we can just we can sample00:42:15
from here all we got to do is hit see00:42:17
that's another thing too you can drag00:42:18
here and sample or you can just hover00:42:20
over and hit see a little sample so we00:42:22
want to copy this yellowish here we can00:42:25
do that and then we can do00:42:28
Phil and then we can do these colors tip00:42:33
colorize here see preview off preview on00:42:38
there we go I guess you got to go out of00:42:40
preview mode and then if you want to if00:42:42
it's like you know what this is too00:42:43
chunky or it's not chunky enough you can00:42:44
change those settings as needed00:42:46
also on this back one here we know that00:42:49
this let's turn off preview here this00:42:51
one should be black so I'm gonna isolate00:42:52
this we have polygroups here something00:42:54
to do hold down ctrl shift ctrl shift a00:42:56
to grow just this part here and then00:42:59
we'll go ahead and sample this color00:43:01
fill it and now when we bring our00:43:04
preview back those will all be black00:43:06
fuzzies and then this one should still00:43:12
have fiber mesh this one should still00:43:13
have fiber mesh and this one I'm00:43:15
actually going to do max fibers up a00:43:17
little bit and then length profile00:43:20
actually we'll do link profile is fine00:43:23
I'm gonna do this coverage I'm gonna00:43:25
crank this down just a little bit okay00:43:29
um and doing it like dynamic solo on I00:43:34
want to see all of my fiber mush but00:43:37
it's turning them off in between that's00:43:39
okay00:43:41
now where the hair is a little bit00:43:43
sparse ER and again if we're just00:43:44
talking about 3d printing dial in your00:43:45
settings to get you the chunky isten and00:43:48
you know what we'll talk about this so00:43:49
what I can do is I can duplicate this00:43:52
off and we can turn on fiber mesh here00:43:59
and if we just want to turn this into00:44:01
real geometry you can go over here to00:44:03
geometry and you can say well this one00:44:08
isn't this isn't BPR I'm sorry so we're00:44:10
gonna go to fiber mesh here and we're00:44:11
going to say accept wherever that is or00:44:16
it's accept so now we have fiber mesh00:44:19
sitting out here where are we at here00:44:28
here we've accepted this fiber mesh it's00:44:32
going to solo mode here there we go so00:44:36
now we have geometry00:44:41
hit the accept button faster no okay so00:44:45
there we go now we've accepted that now00:44:46
it's real geometry but you can still00:44:48
treat it like fibermesh because you go00:44:49
in a brush groom and now you can do like00:44:52
groom hair toss and you can go through00:44:53
here and you can kind of comb these00:44:55
fibers whichever way you want and it is00:44:57
just geometry here so if you wanted to00:44:59
let go in here with your inflate brush00:45:00
or your smooth brush you can do whatever00:45:02
you want to put this geometry so having00:45:04
said all that what I'm gonna do is now00:45:07
that we have real geometry here oh you00:45:09
know what I'll fix this in a minute00:45:14
what we should do is just put the fur on00:45:16
the outside so we don't have all this00:45:18
inside fur well that looks kind of cool we can fix00:45:21
in a second so I've got this as real00:45:22
geometry here let's go ahead and that's00:45:25
this is the original geometry and now we00:45:27
have separate sub tool for our fur that00:45:29
we can groom was there a cap option in00:45:33
here I don't remember00:45:42
hmmm that's ok let's try this let's do a00:45:45
quick close holes operation now to go00:45:47
ahead and close all of your holes and00:45:48
now we can do I guess that is just00:45:51
geometry so feel free to do whatever00:45:53
you'd like to it and if you want to just00:45:55
dynamesh this together to give it a00:45:56
solid envelope you can go through here00:45:58
and you can dynamesh of course you00:46:00
probably want to crank that resolution00:46:01
up give it a second and we'll go ahead00:46:09
and turn off the poly paint as well so00:46:10
if we turn off poly paint here you're00:46:14
gonna see this is all just one solid00:46:16
envelope here again may not be suitable00:46:20
for 3d printing in fact you know getting00:46:22
all these little spiky fuzzy things 3d00:46:24
printed might be a pain so what we can00:46:26
do is you can say that's another thing00:46:33
too you can groom this back so BG groom00:46:38
lengthen maybe no hair toss you can kind00:46:47
of comb this back it might be kind of a00:46:50
pain what I would do is go ahead and00:46:52
delete that let's go back to our00:46:54
original here and we'll turn poly turn00:46:59
our preview back on I can also do is I'm00:47:01
going to tilt this backwards00:47:09
and so we're kind of this way and I'm00:47:12
going to turn gravity up so now that00:47:16
hair is just kind of flowing backwards00:47:18
and now when you dynamesh this you'll00:47:20
get the illusion of like clumping like00:47:24
so and also to get rid of these insides00:47:26
we can do is we turn off preview we can00:47:28
hold down control shift and we can00:47:29
isolate just these little top sections00:47:32
here from our poly groups and we can00:47:35
hold down control and tap so if just00:47:36
those areas are masked and then when we00:47:39
turn our preview back on now we're just00:47:42
getting hair on those outsides so00:47:44
wherever you have it masked is where00:47:46
your hair will end up cool00:47:58
let me catch up real quick cool thanks00:48:03
showing up d michael about your Gummer00:48:09
over low-res textures is IRA and painter00:48:11
similar to key shot I don't like00:48:14
marmoset very much00:48:15
yeah it should it's very it's similar to00:48:17
key shot key shots a little bit easier00:48:19
and you can do things like translucency00:48:21
and glass a lot easier IRA you kind of00:48:26
got a mess00:48:27
irate you might not even be able to do00:48:29
it it's you can kind of know I'm not00:48:31
sure if you can i rate i worries great00:48:33
for when you're in painter you can just00:48:35
at the irate button and you'll get a00:48:36
very very I guess retraced image it's00:48:42
very good shadows your materials look00:48:44
great but it doesn't have the00:48:46
drag-and-drop material functionality you00:48:48
have to go back into painter and then do00:48:49
your material settings and come back in00:48:50
there I Ray so you might be kind of00:48:53
limited if you wanted to do like liquid00:48:54
or glass in substance painters Irey the00:49:03
that just might be me though there might00:49:05
be a way to do it I'm not quite exactly00:49:07
sure what that is but yeah and you know00:49:09
you can use marmoset so we might go into00:49:10
that hockey for picking the color was00:49:13
see so if you just hover over anything00:49:15
in your scene in fact you can even hover00:49:17
over interface items if you want this00:49:19
pixologic Orange just hit C and then00:49:21
you'll get it or you can just drag from00:49:24
in here anywhere in your interface even00:49:26
over here you can just pick that color00:49:33
cool cool cool00:49:36
alrighty so I got this and we got this00:49:41
so I think we're getting pretty close so00:49:43
I'm gonna take this eyeball here I know00:49:45
it's not pretty but you know if you're00:49:47
doing a bunch of talking I'm hit D for00:49:50
dynamic subdivisions on these objects00:49:52
here and you know what all I'm thinking00:49:53
about it we need to clean this up at all00:49:55
now we're fine let's go ahead and do I'm00:49:59
gonna do a quick zremesh same adaptive00:50:02
size down to zero there we go00:50:05
just because I'm gonna turn off that00:50:06
image00:50:08
all right so for this head really really00:50:10
quickly we can go ahead and polypaint00:50:13
this thing so that I'm gonna sample here00:50:16
and I'm gonna sample black fill sample00:50:19
here and then we can paint in he looks00:50:23
like he's got a little fuzzy orange00:50:24
mohawk so I'm gonna go in here with my00:50:26
standard brush and we're gonna put in00:50:29
just a little bit of here and you can00:50:33
also like I said if we go in here and we00:50:35
turn off poly paint you can see where we00:50:38
want that hair to end up and you can00:50:39
actually use morph targets to dictate00:50:41
your hair length which I know we might00:50:44
talk about but let's say I just want the00:50:46
hair here everything else should be nice00:50:47
shiny insecty so we can say okay this is00:50:50
where I want the hair so we can turn our00:50:53
poly paint back on and then we're gonna00:50:55
go back into our fiber mesh we're gonna00:50:58
open chunky bumblebee fur and then it'll00:51:04
just be in that masked area so and this00:51:08
is nothing too so we've talked about the00:51:10
vector displacement part so let's make00:51:12
this a little bit more a little fuzzier00:51:16
so I'm not the vectors placement we00:51:20
talked about using chunky fur to get you00:51:23
a better 3d printed result like here you00:51:26
know lay them down a little bit and00:51:29
dynamesh them together and smooth it and00:51:31
then I'll give you a quick preview of00:51:33
like chunky farang and again it's what I00:51:36
did for this little cowboy dude that we00:51:40
made for eat 3d for his mustache and as00:51:43
eyebrows but what I'm gonna do now is00:51:47
I'm gonna change these settings so I'm00:51:49
gonna say max fiber is up coverage down00:51:53
and you know what we can even do I00:51:55
wonder if we can do just a BPR you know00:51:57
I want it to be real geo because if we00:51:59
throw us in the key show it on and make00:52:00
sure it translates properly so we'll go00:52:05
ahead and say length profile down let's00:52:08
turn his gravity back to zero here so00:52:11
now we've got this type of fur and we've00:52:16
got max fibers up and our length here so00:52:21
now as we change the length we can change00:52:23
the variance and now we're gonna get the00:52:25
less variance you have the more even is00:52:27
gonna be so if you want to look like00:52:28
shag carpeting turn that down to zero00:52:29
and then the more variance you put in00:52:31
the more natural it kind of looks it's00:52:33
like some are gonna be longer some are00:52:34
gonna be shorter you can kind of dial00:52:37
that in and then we'll go ahead and say00:52:43
save this as bumblebee fur and now again00:52:51
I'll tap back over to here and we can00:52:53
open bumblebee fur and we'll just copy00:52:55
those settings and on this one it looks00:52:57
like we got to crank the next fibers up00:52:58
just a bit and then on this hair here00:53:09
we'll swap that over and this one I'm00:53:14
gonna drink crank the next fibers down00:53:16
so it looks like it is a little bit00:53:18
sparse you know on his little mohawk00:53:19
here and we can also change this we can00:53:22
groom this and make this kind of like00:53:24
much more a lot more variance in here00:53:27
but this is just kind of setting it up00:53:28
um okay so we've got that we've got that00:53:32
we've got this one for the leg hairs00:53:34
here let's go ahead and just quickly00:53:36
sample this and let's make sure okay00:53:41
poly paints turn off Foley so we're00:53:42
gonna fill this with you know let's fill00:53:46
that with black and then this they're00:53:48
kind of oranjee dark brown I'm gonna go00:53:51
ahead and fill this one now to make00:53:54
these a little smoother looking00:54:01
what I'm gonna do is I'm gonna hit I'm00:54:03
not gonna make real subdivisions because00:54:04
I don't need to add all that real00:54:05
geometry I'm gonna hit D on my keyboard00:54:08
and that's going to turn on dynamic00:54:10
subdivision so I can throw this into key00:54:11
shot later and it'll take my dynamic00:54:13
subdivisions in there so I hit D you're00:54:17
gonna see if I'm gonna sell them out00:54:18
here if I do shifty this is what it00:54:20
looks like if I do D that's what a00:54:21
preview of what's gonna look like if I00:54:23
subdivide it this a couple times00:54:24
I'd like to use dynamic subdivisions00:54:27
when at all possible instead of real00:54:31
subdivisions and then even on the00:54:34
antenna up here let's go ahead and00:54:36
sample that black fill and then it we00:54:39
could you know we could make that ten a00:54:42
little bit more accurate but yeah well00:54:45
it's at D and then for the eyeballs here00:54:49
we've already hit D and that'll be a00:54:51
different material but it will be black00:54:52
and then these little chompers here00:54:55
looks like those are also black so we're00:54:59
gonna fill those in and then for the00:55:00
underbody here all that's black and then00:55:03
I've got a little bit this little thing00:55:05
in here look at net D and fill that in00:55:07
tubes and we'll also hit D and D okay so00:55:17
a little bit of prettier here and then00:55:20
on the legs here it looks like on either00:55:24
side let's go ahead and turn off poly00:55:27
paint it has hair back here and then00:55:34
hair back here00:55:39
yeah I think it's gonna hard to tell if00:55:43
it's like a friend Nell effect or they00:55:46
actually do just hit you know what it00:55:48
goes all the way around their legs it's00:55:50
just very sparse so we'll go ahead and00:55:52
say about another preset once we get00:55:53
this figured out00:55:54
so we'll say fibermesh preview and we00:55:58
will say open we'll start with our00:56:00
bumblebee fur and we're gonna change our00:56:03
max fibers way down like this maybe and00:56:08
we're gonna turn that gravity up because00:56:09
these ones are long enough to where the00:56:11
gravity does start affecting them and00:56:14
we'll also maybe change our cover just a00:56:17
little bit yeah all right00:56:22
turn those back on preview on and off so00:56:27
we pick up the color underneath and now00:56:31
on this one the color is actually00:56:32
independent from the leg so what I'm00:56:34
gonna do is this base colorize I'm going00:56:36
to turn the zero and we're gonna just00:56:38
going to select or if I can just choose00:56:43
that orange here and then the tip00:56:46
colorize will do the same and then tip00:56:50
colorize up the one there we go and then00:56:53
base color eyes we're gonna make this a00:56:55
little bit of a darker orange so it's00:56:57
going to go from dark orange to a00:56:58
lighter orange here and we'll change00:57:01
that next I rose up just a little bit00:57:03
okay00:57:04
so we'll save this as leg hair and00:57:10
really quickly we're going to sign it00:57:13
here cut leg hair and then up here00:57:31
yeah okay I think we're close oh we got00:57:35
to do the wings - that'll be fun to00:57:37
render and the rest of this stuff - we00:57:40
can just open leg hair and then I'm00:57:43
gonna change this length profile down00:57:46
and also yeah way down this is kind of00:57:49
just fuzzy00:57:56
I'll tap this one length profile down we00:58:06
can also use nanomesh for something else00:58:09
real quick you know what I wonder if00:58:12
this orange I'm picking up isn't just00:58:18
pollen because it looks like the hairs00:58:21
are actually just that the legs are well00:58:23
they're bounce light is what I'm00:58:25
assuming this is alright let's do this00:58:34
easy enough just going through here alt00:58:36
tapping and filling okay so back to here00:58:42
back back into place at least we got my00:58:45
snake hooks back that's nice alright so00:58:52
back where we started so we've got this00:58:57
here let's go back through and do our00:59:01
fiber mesh so this one we needed to open00:59:11
streaming bumble bee like hair a lot of00:59:16
fires length profile okay we've got this00:59:21
we got this00:59:22
everybody's got hair let's go ahead and00:59:25
convert this hair you know what let's00:59:28
try let's turn on00:59:40
I wonder if there is a so under Z00:59:42
plug-in here there's a actually while00:59:47
I'm working00:59:48
let's go into preferences here and we're00:59:50
gonna go into undo history and we'll do01:00:00
undo history01:00:04
no sorry quick save stupid maximum01:00:08
duration we're gonna crank that up01:00:10
alright so we've got this and we've got01:00:13
this and this one doesn't have any01:00:17
fibers but this one does01:00:26
okay so I think we're good shape now01:00:28
under clean tool master I want to see if01:00:31
it has fiber mesh all hmm01:00:36
one thing we might be able to try let's01:00:38
try this does he repeat it01:00:41
let's do I'm gonna say let's go to our01:00:48
top sub tool here just because I'm01:00:50
nervous I'll go here now we're going to01:00:53
record new and we're going to say except01:01:00
damn let's say always yes let's end that01:01:06
recording and we'll just escape out of01:01:08
that now now that we've gone through01:01:10
that message I want to go here01:01:20
this one now let's that record new01:01:23
accept and record except fibermesh and01:01:31
then we'll do I'm not gonna repeat to01:01:34
all because I don't want to jinx these01:01:37
two right here but I'm gonna show all of01:01:41
the pieces that I want to have fibermesh01:01:45
let's see if this will just work I'm01:01:48
gonna turn off all of these sub tools01:01:49
here that I don't have fiber mesh on01:01:52
just in case I've never done this before01:01:54
I'm hedging my bets it might work it01:01:57
might not okay so now so this one we've01:02:07
already done so now all the rest of01:02:09
these have fiber mesh turned on and I01:02:14
want to go ahead and have except for all01:02:15
the visible ones here so we're gonna say01:02:17
except fiber mesh for visible yeah I01:02:22
guess not I was hoping that would work01:02:25
but it looks like it didn't so let's01:02:27
just go through here manually and we'll01:02:29
say accept and then accept and then01:02:33
accepts and accept accept accept and01:02:40
accept it so now a turn everything back01:02:43
on now I've got a little bumble bee here01:02:46
oops we need to accept this one and like01:02:50
I said before if you want to you can go01:02:51
through here and you can start sculpting01:02:53
out like with snake hook even Oh make01:02:56
sure you have RGB turned off if you01:02:58
don't want to you can you can't go01:02:59
through here and polypaint this so you01:03:02
can use groom you can use lengthen you01:03:04
can use smooth if you want to kind of01:03:05
like taper this down a little bit you01:03:08
can smooth those fibers out go through01:03:12
here and do whatever you'd like and then01:03:14
also yeah if you did want to poly paint01:03:17
this let's go ahead and turn off poly01:03:20
paint for everybody but like the01:03:24
underlying body here I don't necessarily01:03:27
want to poly paint on yeah that's true01:03:30
I guess I can leave that on yeah we'll01:03:32
see how it renders so01:03:34
we got all this here and then yeah if01:03:36
they want to we can go ahead and hold01:03:37
down smooth and we can hold or help yeah01:03:39
hold on shift and then smooth these out01:03:41
if we want to change like the length of01:03:45
these things and another thing we can do01:03:47
is if I alt tap here and we have these01:03:50
little bottom leg parts here we can go01:03:53
to my zmodeler brush01:03:57
let's hit let's do this I'm going to01:04:03
grab my polymesh3d here and I go to B I01:04:05
brush insert primitives01:04:07
we're gonna hit W and I'm going to steal01:04:10
this really simple poly sphere in fact01:04:17
we can even simplify this more maybe if01:04:18
we go to geometry reconstruct yeah so I01:04:21
don't think we need to go down that far01:04:22
but it you can reconstruct this all the01:04:24
way back down to a cube if you wanted to01:04:27
so we've got this here we're gonna use01:04:29
this as our Pollin so now that we've got01:04:32
this just sitting out here now I can go01:04:35
back to my B here and let's do again01:04:42
we've got these legs selected here so01:04:45
let's try this let's go to our nanomesh01:04:48
geometry nanomesh and it'll go we can01:04:51
insert polygon particles on all of these01:04:55
things so if I go in here and I go to my01:04:58
zmodeler brush I hover over a face and I01:05:01
do insert nanomesh on all polygons here01:05:05
and I'm gonna hit em and I'm gonna grab01:05:07
that polymesh3d we made and now I can01:05:09
just pull out little pollen globules on01:05:11
that leg and now we can do random01:05:15
distribution and we can also change the01:05:17
size down a little bit and we can also01:05:21
go in here to like variances just to01:05:24
kind of make this offset variances we01:05:29
right on you worry too much about01:05:34
and then show placement I guess we can01:05:37
leave that on so we can kind of put01:05:39
little pollen globules in here so let's01:05:41
go ahead make those sizes a little bit01:05:42
smaller here and that offset X offset01:05:47
I don't want Y offset doesn't matter z01:05:51
offsets what I'm looking for so I can01:05:52
kind of have it just like sitting in the01:05:54
hair out here you can kind of have01:05:57
little globules here if you're happy01:05:59
with this you can go now this is BPR Gio01:06:01
I believe so you can't go pair to01:06:03
geometry convert BPR to Gio or you can01:06:05
go here to inventory 1/2 mesh so now you01:06:08
can control shift click your pollen01:06:10
globules split those off and we go ahead01:06:13
and fill that colors oops01:06:18
fill that with yellowish or something01:06:20
and now you have like little pollen01:06:22
stuck in his hair okay we've got a bee01:06:27
let's see if we can like BPI render this01:06:30
real quick see what kind of job it does01:06:36
cool yeah so and there's a lot of fur on01:06:45
here so I might take a little bit to01:06:46
render but we'll throw this in the key01:06:47
shot there we go so we get a nice fuzzy01:06:50
little bee this hair back here is a01:06:53
little bit chunky that's okay we can we01:06:57
can figure that out so another thing let's do before we go01:07:01
into key shot is I'm gonna go to texture01:07:04
import we're gonna grab that top view01:07:10
select it I'm gonna hit I says I'm not01:07:12
gonna be sampling any more colors I01:07:13
don't think I'm gonna hit ctrl n to01:07:15
clear my canvas here and we'll go ahead01:07:17
and it's not fade we want to scale okay01:07:26
so I got our bumble bee and we got his01:07:30
little legs and it's Lantana's going now01:07:32
we need wings on here so what I can do01:07:36
is really quickly we'll grab a plane 3d01:07:39
go into edit mode01:07:44
make it a polymesh scale it up and we01:07:48
can do both sides at the same time if we01:07:50
want to we can hit X to go across X01:07:51
symmetry just make sure this is centered01:07:53
and we'll go ahead and subdivide this01:07:54
plane up so we can go in here and we can01:07:57
mask where the wings are and we can do01:08:01
even looks like they've got a couple01:08:03
wings here so we'll do one wing first01:08:04
and then we'll do another wing next so01:08:07
I'm gonna say this is my one wing01:08:09
we're gonna hit ctrl W to make it a01:08:11
polygroup here and I'll just duplicate01:08:13
this plane off hit ctrl W and now we'll01:08:17
do the second wing so we've got a01:08:18
duplicate plane with our little wings on01:08:22
here and we'll hit ctrl W so now I can01:08:27
isolate this right here we can go to01:08:30
delete lower on our subdivision history01:08:32
delete hidden let's go ahead and I want01:08:36
to round out round out those aliased01:08:39
edges here so we're gonna go to masking01:08:41
border let's go ahead and grow that01:08:43
invert that and then we'll go to our01:08:45
deformation menu I'm do polished by01:08:48
features and now again we can really01:08:53
quickly zero mesh half nap to size down01:08:55
to zero and just get really simple01:08:57
geometry for our wings to start with and01:09:00
that'll be the basic shape we'll go back01:09:03
to our lair poly plane here isolate that01:09:04
delete hidden oops01:09:06
delete lower delete hidden and the only01:09:10
reason I'm asking this border and trying01:09:14
to polish this out is just so when it01:09:15
zremesh as it goes a little bit faster01:09:17
and it gives me a little bit of a better01:09:18
result here01:09:27
there we go so we can bring this back01:09:29
and if we want to it's a couple01:09:32
different ways we can get that vein01:09:35
pattern on there we can even hard01:09:38
surface model that and if we wanted to01:09:42
yeah let's do this let's do a sketching01:09:47
so I've got this here let's go ahead and01:09:50
I'm at Z I'm gonna scale this up so we01:09:53
can see what we're doing a little bit01:09:54
better here and I'm just gonna do once I01:09:55
didn't it for now so hold on control01:09:57
shift get rid of that a lot of different ways01:10:01
you can just put this into the texture01:10:03
you can poly paint it on you can poly01:10:05
pay so if I do subdivide this up and01:10:08
again we go to standard brush you know01:10:10
we just want to like paint that on there01:10:12
you can definitely just paint the01:10:15
texture right onto the vertices there01:10:16
but what I'm gonna do instead because I01:10:18
want that to render differently than the01:10:21
wings themselves I'm gonna make that01:10:23
separate geometry so let's look at what01:10:28
we're doing here01:10:29
okay so you've got this here and I'm01:10:31
just gonna I think I'm going to use Z01:10:32
sketch and while we're here let's go01:10:34
ahead and there we go just kind of move01:10:39
this stuff into place here so this wing01:10:41
right here we're going to hide you01:10:43
temporarily okay we've got this and now01:10:50
what we're gonna do is z sketch this01:10:52
pattern on here I think it'll work01:10:54
let's try first I'm gonna do let's just01:10:59
try it so we need to do Z sketching we01:11:03
need to insert a Z sphere and the Z01:11:05
sphere here we can do it across symmetry01:11:07
but since I've only got one wing I'm01:11:09
just gonna scale it down and then go01:11:11
over here to Z sketch go into edit01:11:13
sketch mode and then see if I can't draw01:11:18
zeusie can I draw on a single-sided01:11:26
okay I can but why is it going on -01:11:32
let's turn on all this is flipped no01:11:39
double01:11:45
z sketching edits sketch of course it's01:11:53
going to the other side all right let's01:11:55
try this01:11:56
so with this sketch here let's go to our01:11:58
brush depth and I'm gonna pop this out01:12:04
to the other side ah that'll work01:12:11
no bet that just a little bit more01:12:14
little thing okay so we can Z sketch01:12:20
here let's go back to our reference here01:12:22
I've got our poly plane here so let's go01:12:25
through and just kind of put in where01:12:28
these lines are gonna go and I'm just01:12:29
gonna turn this into geometry later I01:12:32
mean it is turning it emits this is like01:12:35
Z is this how it looks yeah I guess it01:12:41
does make a little crystalline pattern01:12:45
here oh just lost the monitor01:12:56
so again we're just kind of drawing on01:12:58
little thin geometry here oh you know01:13:02
what this probably doesn't belong this01:13:04
goes to the other one aunts line and01:13:06
then right back along here it looks like01:13:09
the wings kind of get a little thicker01:13:11
okay so and also one here we'll make01:13:14
this just kind of a thick blob where it01:13:17
attaches so now as he's sketching you01:13:20
can't hold down shift and you can like01:13:22
smooth these things out if you want more01:13:24
information about Z sketching go to my01:13:25
intro to ZBrush blah blah blah blah so01:13:28
here we have our z sketch here and01:13:30
that's geometry that's sitting right on01:13:33
our plane which is going to be our wing01:13:35
and our wing is going to need a little01:13:39
bit of thickness I don't want to render01:13:40
single sided so what I'm going to do is01:13:42
sew in this front part here is gonna be01:13:44
thicker and then on the back parts gonna01:13:46
be thinner so what I'm gonna do is I'm01:13:48
gonna say you are qmesh polygroup ball01:13:51
we're gonna pull out some thickness here01:13:52
turn off double so we're not01:13:54
accidentally doing anything crazy and01:13:58
then looking at it from the side let's01:14:02
see if we can do a hold on alt go to01:14:05
unmask mesh Center and let's push this01:14:11
towards the front and see if we can't do01:14:15
some sort of taper01:14:26
hmm exactly what I was looking for let's01:14:30
try to former X Y & Z oops X Y & Z01:14:38
resolution down to one and then I'm01:14:40
gonna mask excuse me01:14:43
mask these unmasked just these edges01:14:45
here and now we can scale come on scale01:14:52
this side down so we are going thicker01:14:53
to thinner here and then we will say01:14:56
accept and then go out of solo mode so01:15:01
now I just want to see my Z sketching01:15:02
and I probably have done that thickness01:15:03
before I started Z sketching and let's01:15:05
say my Z sketching here I want this as01:15:09
just geometry here so I'm gonna say just01:15:13
like when we were doing our z spheres if01:15:15
I hit a that's gonna give us a unified01:15:17
mesh so a good unified skin here so I'm01:15:20
gonna say that resolution needs to be up01:15:22
a little bit maybe a lot maybe all the01:15:28
way oh you know what it's still giving01:15:31
me a dynamesh resolution here hmm not01:15:37
down to zero01:15:41
there we go so turn that dynamesh01:15:43
resolution down to zero and now you'll01:15:45
get a slightly better unified skin01:15:47
result so there's our unified skin01:15:51
results and we can go through and change01:15:54
this however we want so I'm gonna say01:15:55
make unified skin I'm gonna go to insert01:16:00
skin z sphere01:16:02
let's turn everything back on let's turn01:16:04
the poly paints back on01:16:12
and so we have our wing here let's01:16:18
really quickly since you've seen that01:16:19
process we can just really quickly burn01:16:21
through this one I'm gonna do the little01:16:24
wing here I'm gonna go out of X symmetry01:16:28
kill that one shift Z we've got this01:16:32
wing here and I think I need to change01:16:39
and if you ever want to just make big01:16:41
changes here and then again go back down01:16:43
to I don't want to go out of that X01:16:46
plane and then you can go back into your01:16:48
deformation polish my features that'll01:16:50
kind of polish everything back and01:16:52
that'll work it's now really quickly01:16:56
append these fear e under these fear01:17:06
scale it down go into our the sketch01:17:10
edit sketch01:17:23
and I'll just put in that little01:17:25
crystalline structure here karat so she01:17:32
could also Dental a black-white image of01:17:34
a wing and using alpha to create 3d yeah01:17:36
you could do that too in fact you could01:17:38
just paint that image you could mask01:17:41
that and extract it as well if you01:17:43
wanted to all right so let's say we are01:17:51
good I'm gonna hit a unified skin01:17:58
resolution up that'll work Nick unified01:18:04
skin it's easier we don't need anymore01:18:09
append01:18:20
all right so now that I've got all these01:18:22
things when I hit ctrl W for all these01:18:25
make sure they all have a single poly01:18:26
group here and then we will do a quick01:18:30
merge visible and we'll throw them into01:18:36
our be scene01:18:55
and we'll go ahead and rotate this01:18:57
around here let's go ahead and mirror01:19:04
that01:19:12
and looks like Randall flip that but01:19:14
okay something like this and the wings01:19:17
dig in somewhere in here and we can01:19:21
actually put a little bend in there but01:19:23
we'll wait until this is all figured out01:19:24
so let's do a quick group split and then01:19:32
for this one this wing is already good01:19:36
this wing we need to go in here and do01:19:38
aq mesh plug your ball I'm going to give01:19:41
this a little bit of thickness well then01:19:42
flip not double flip Aereo01:19:55
and then this one here we'll go ahead01:19:58
and move that up and this one too01:20:07
alrighty and I'm gonna go ahead and01:20:11
dynamesh all this together01:20:14
and we can go in here and let's go ahead01:20:18
and thicken this side up and just to01:20:24
make it a little bit more uniform we can01:20:25
go through here and clip real quick and01:20:33
let's go ahead and do a deformation01:20:34
polish my features let's go to smooth01:20:40
stronger get a little bit of thick to01:20:44
thin on here01:20:56
and we'll inflate this up all right01:21:01
that'll work for now and this one same01:21:04
deal we're gonna alt tap this one let's01:21:08
go into if you want to you can even just01:21:10
inflate all this all at once if you need01:21:12
to I think this will work fine so go01:21:14
ahead and resolution up our dynamesh01:21:16
here if you want to clean up some of01:21:20
this stuff what you can do is you can01:21:22
turn on sculptor's Pro that I'll get rid01:21:24
of those and now I go in here and01:21:26
inflate where you need to along the top01:21:29
and then hold down shift to smooth if01:21:32
you want a taper these ends out a little01:21:34
bit and dynamesh as you go and then01:21:39
again just to make this a little more01:21:41
regular now if you were pulling and01:21:42
extracting from an alpha you wouldn't01:21:44
have to do the clip step but it's not01:21:47
too terrible and then you can go back in01:21:49
here with your standard brush and let's01:21:57
turn on our lazy radius up a little bit01:22:10
and I'm not doing a real b-wing study01:22:13
here so I'm just kind of slapping it in01:22:15
there making it good enough now if I01:22:18
want to give this a little bit of Bend01:22:21
which it kind of looks like it has in01:22:23
these images here I'm going to merge01:22:27
this one hold down shift shoot it to the01:22:29
top hold on this one chef shoot to the01:22:32
top merge it down I'm gonna do a quick01:22:35
mirror mirror and weld oops let's do a01:22:39
quick Marin weld actually before we do a01:22:43
mirror and weld let's go here and let's01:22:46
give it just a little bit of Bend you01:22:47
can go into bend arc and that'll give it01:22:49
an overall Bend if you want a little bit01:22:51
more control let's do a Bend curve and01:22:54
then now what we can do is we can say01:22:57
perversion up or down we'll just keep it01:23:01
pretty simple Bend here put it down a01:23:05
little bit that'll work01:23:09
and then on this one here shoot to the01:23:11
top alt tap shift to shoot it to the top01:23:13
merge it down W01:23:19
and does this have not01:23:25
you01:23:27
you01:23:30
just a little more Geo than I thought I01:23:33
go01:23:38
they accept come on01:23:48
you01:23:54
it's only 80,000 points I wonder why01:23:56
it's choking a little bit okay except01:23:59
and then we can move this big wing01:24:05
let's move the small wing up above the01:24:07
big wing I think I don't know something01:24:13
like that maybe and then we'll go ahead01:24:15
and split the wings off01:24:16
so hold on control shift we're gonna01:24:17
grab this piece here which will shift a01:24:19
split hidden grab this piece here01:24:23
control shift a split hidden we can hit01:24:25
D for our dynamic subdivision smooth01:24:28
those out a little bit and now we can do01:24:33
Marin weld Marin well make sure you01:24:36
don't have Elson turned on Marin wild01:24:39
Erin weld turn on colorize and then all01:24:44
of the rest of that will be handled with01:24:46
key shot materials which we got just01:24:49
enough time yeah I think the benda01:24:54
former was doing something I agree with01:24:56
Dirk Zillah I think the benda former was01:25:00
taxing my computer for some reason okay01:25:05
so we've got this let's go ahead and01:25:08
save it should probably save more often01:25:16
than I am doing and we'll throw this in01:25:18
the quiche our quick so we'll go ahead01:25:19
and render external renderer key shot01:25:24
I'll merge off and I'll have PPR and01:25:29
just a reminder if you want any more01:25:34
information on kind of what we're doing01:25:37
here you can go to my youtube channel if01:25:39
you go to my playlists I know I go fast01:25:42
you don't have to leave a comment about01:25:44
that but what you can do oh if you want01:25:47
to download my my menu for whatever01:25:51
reason you go to my Gumroad page or my01:25:53
cube brush page but here's my playlists01:25:56
you can just download and use that oops01:25:58
hold on01:26:04
let's throw this over there01:26:16
yeah I wonder oh it's too much okay01:26:28
it should be fine I mean it's a lot of01:26:30
polygons don't get me wrong and we can01:26:33
optimize that again like he said like01:26:35
ZBrush said you can you can use BPR01:26:37
settings instead of making it real01:26:39
geometry like we did but I wanted to01:26:41
show you guys the two options hold on01:26:51
yeah skip note man hey let's bring up01:26:58
Camtasia recorder01:27:11
hopefully this doesn't kill my01:27:12
livestream either if it does what are01:27:16
you gonna do01:27:28
okay videos everything's going fine okay01:27:33
and I'm recording this so if anything01:27:35
does happen I can upload a better newer01:27:37
version01:27:50
wait for it and I'm also gonna resize01:27:52
this window so give me a second I forgot01:27:56
my fiber mesh was a little heavy and01:27:58
also when I gave it six sides that was01:28:00
probably overkill what I should have01:28:01
done is kept it at four and then use01:28:04
smooth normals and then also when you do01:28:09
the length if I'm so this is also stupid01:28:12
thing so optimization you know what do01:28:15
you want so when I'm optimizing I think01:28:17
I left the segment's very long so I was01:28:19
showing you like hey you can make the01:28:21
make this really long fiber and then you01:28:23
can make segments to make it curve and01:28:26
then I think I forgot to drop the01:28:28
segments down so Hall are in the chat if01:28:34
again thanks for showing up okay sorry01:28:38
that took so long but optimization you01:28:41
always want to do that do as I say not01:28:43
as I do and pay attention to what you're01:28:46
doing it's a little bit harder when I'm01:28:47
live-streaming for my brain to work 100%01:28:50
but that's something to keep in mind so01:28:53
first thing we can do is we can go over01:28:56
here to our environments and we can say01:28:58
let's do a Excel check roof and then01:29:03
we'll go to our environment here and01:29:05
we'll just do a color backplate and01:29:10
let's go to our materials here and let's01:29:12
Oh lens coated I think we can just use01:29:14
for the wings maybe kind of give it a01:29:18
cool look and then for this other stuff01:29:23
here let's just go to a plastic01:29:31
hard plastic shiny hard plastic black01:29:36
here and we can actually probably just01:29:39
apply this to all of our meshes here and01:29:43
now I'm dragging from here let's go01:29:48
ahead and see if we can't turn off01:29:59
let's assign a material to this fur01:30:01
really quick a hard shiny plastic though01:30:05
we don't do that so I'm going to take01:30:06
this fur material we're gonna go into01:30:08
material graph and we're going to change01:30:11
some settings here for the texture map01:30:13
here we're going to change the01:30:16
brightness and you can also mess around01:30:21
with these settings here let's go ahead01:30:26
and move this over I was i doin oh yeah01:30:33
specular and ambient and roughness you01:30:43
can change I guess we'll just leave and01:30:47
they can change out a little rougher01:30:48
diffuse transmission you can kind of01:30:50
play around with I don't think we'll01:30:53
need to and specular transmission is01:30:55
probably do some crazy stuff yeah you01:30:57
can play around with that a little bit I01:31:04
don't think it's doing too much for me01:31:06
let's keep that up like okay so a little01:31:11
bit better and now that we have that01:31:13
material let's go ahead and rename this01:31:17
to fur now I have a fur material I'm01:31:20
just going to drag and drop that on01:31:26
these different areas01:31:52
Aereo and then on this plastic here01:31:55
we're gonna change that roughness up01:31:56
since he's not that shiny on his skin01:32:01
and on this one we'll just call this bug01:32:06
skin and now bug skin we can drop not as01:32:10
antennae and I price should have modeled01:32:15
that intent a little bit better I01:32:16
apologize01:32:17
here oh you know what so I forgot to hit01:32:22
the dynamic on this one this is okay so01:32:25
what I can do is I can go to my scene01:32:27
view here and we can select this geo and01:32:33
we can go to edit geometry edit normals01:32:37
calculate vertex normals apply and we01:32:40
can just soften those normals instead of01:32:43
going back and so dividing and all that01:32:44
good stuff so I think that's okay oh01:32:48
this one here also needs fur and then01:32:55
we'll do another hard shiny for the eyes01:32:57
and these ones I am gonna keep super01:32:59
glossy these still bugs me a little bit01:33:16
I mean you can keep the roughness down01:33:19
and if you want so you can go into the01:33:20
material graph and you can say let's01:33:23
throw in a texture of like and I'll01:33:27
cellular maybe and we'll throw that into01:33:30
the roughness and then here we can play01:33:39
with the scale a little bit just to kind01:33:44
of break up that surface and also we can01:33:48
change this black to be more rough or01:33:50
less blah rough let's say scale01:34:03
I'm not even sure what native scale I'm01:34:05
working at so that's a little bit01:34:06
rougher ya don't need it anyway01:34:16
also like I said before you can go01:34:18
through here and you can polypaint01:34:20
that let's go ahead and apply bug skin01:34:22
to here and bug skin to here and man01:34:27
depending on the angle those wings look01:34:29
pretty crazy so maybe next time we'll do01:34:33
a flower and we'll set up a whole scene01:34:35
then I'll do a little bit of cleanup on01:34:37
this guy to make him a little bit more01:34:40
presentable but long story short I think01:34:44
that'll work01:34:45
cool okay so yeah if I was going too01:34:48
fast you can check out the video that's01:34:50
gonna be on YouTube and just a bit but01:34:53
thanks for showing everybody hopefully01:34:55
it was somewhat worthwhile I'm gonna try01:34:59
and do the first and last Tuesday and so01:35:01
the first and last Tuesday of every01:35:03
month on pixologic channel here's my01:35:06
pavlovic workshop i'll link you to that01:35:08
if you go to their channel you can look01:35:10
up my workshop and then also on my01:35:14
channel obviously you can go to a01:35:15
playlist or the videos and you'll see01:35:17
the live streams I need to do a little01:35:19
bit of organization and stuff but anyway01:35:23
cool thanks everybody I'm gonna head out01:35:28
and see you all I guess next week cuz01:35:31
that'll be the first so next Tuesday and01:35:33
next Thursday I should be on pixologic01:35:35
on TuesdayDescription:
https://www.youtube.com/channel/UCWiZI2dglzpaCYNnjcejS-Q/playlists https://www.twitch.tv/pavmike https://pavlovich.gumroad.com/ https://cubebrush.co/pavlovich http://3d.cgmasteracademy.com/instructors/michael-pavlovich.html https://www.artstation.com/artist/michaelpavlovich https://sketchfab.com/pavlovich
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