Download "#8 Автомобильные шины, Simple Deform, Subdiv и гидрант в Blender"

Please wait. We're preparing links for easy ad-free video watching and downloading.

Previous video: 3 Different Quick Effective TEXTURING TECHNIQUES - Hunting Knife - Blender 2.8 Next video: How to Retopologize a Head, Clean and Simple in Blender in 2.5 Minutes

How to Retopologize a Head, Clean and Simple in Blender in 2.5 Minutes

How to Retopologize a Head, Clean and Simple in Blender in 2.5 Minutes

Channel: PixelicaCG

3 Different Quick Effective TEXTURING TECHNIQUES - Hunting Knife - Blender 2.8

3 Different Quick Effective TEXTURING TECHNIQUES - Hunting Knife - Blender 2.8

Channel: Grant Abbitt

Amazing 3D Blender VFX Liquid Smoke & Fire Training Course | Start Learning Now!

Amazing 3D Blender VFX Liquid Smoke & Fire Training Course | Start Learning Now!

Channel: 3DTudor

Blender Избушка ► 1.6. Введение. Блендер: структурная организация

Blender Избушка ► 1.6. Введение. Блендер: структурная организация

Channel: Andrey Sokolov

Create a Realistic Forest Landscape In 10 Minutes (Blender 2.8 Tutorial)

Create a Realistic Forest Landscape In 10 Minutes (Blender 2.8 Tutorial)

Channel: pinkpocketTV

Alien Loader Bay in Blender 3.3 - 3D Modeling Process | Polygon Runway

Alien Loader Bay in Blender 3.3 - 3D Modeling Process | Polygon Runway

Channel: Polygon Runway

78. Работа с материалами Arnold. Курс Maya для начинающих. Урок №78

78. Работа с материалами Arnold. Курс Maya для начинающих. Урок №78

Channel: Milan Burg

Blender Tutorial - How To Make Female Long Hair [Part 03]

Blender Tutorial - How To Make Female Long Hair [Part 03]

Channel: Anèésh Arts

Realistic Low Poly Rocks | Beginners Baking | part 5 | Painting | Blender 2.8

Realistic Low Poly Rocks | Beginners Baking | part 5 | Painting | Blender 2.8

Channel: Grant Abbitt

5 HOURS CHILL LOFI Hip-Hop Music Mix 2018

5 HOURS CHILL LOFI Hip-Hop Music Mix 2018

Channel: Studio X

Blender

блендер

3D

3д

советы

Рендер

render

моделирование

моделинг

свет

текстуры

light

texture

substance

painter

uv

шейдинг

tutorial

blender tutorial

blender 2.8

b3d

beginner

3d modeling

how to

eevee

blender 2.9

урок

tips

vfx

low poly

realistic

ноды

lesson

блендер 3д

blender 2.9 tutorial

blender уроки на русском

3d illustration

blender уроки

2d

learn

model

для начинающих

blender modeling

how to blender

3d tutorial

do it yourself

3d graphics

blender для новичков

madrabbit

bestblendercourse

blender

00:00:02

Hello everyone, my name is mothra view and

00:00:06

lately I’ve been feeling a little uneasy, but the

00:00:08

thing is that for several

00:00:10

months now I’ve been haunted by the

00:00:13

number 228 every day, I see it when I receive a

00:00:16

taxi bill, when I study the statistics of

00:00:19

our marketing campaigns, when I read

00:00:23

stupid gossip to relieve my

00:00:24

brain a little when I see how many

00:00:27

views I have on my channel

00:00:29

when I update my home appliances

00:00:32

when I’m stuck in a traffic jam before my dear

00:00:35

subscribers and the capital, this is what traffic jams

00:00:38

in Samara look like, well, I see that number even

00:00:42

when I’m already starting to think, it’s like

00:00:45

a psychologist and I was it’s not clear why and

00:00:48

most importantly for what

00:00:50

where 228 and where am I the only thing I’m

00:00:54

rushing for is a blender and as far as I know

00:00:57

in our country they don’t charge for a blender under this

00:00:59

article, at least until

00:01:01

everything fell into place when I could

00:01:04

get caught up in a video lasting 2

00:01:06

hours 28 minutes, who would have thought in

00:01:10

which the author I respect,

00:01:11

inspired by the content that I released

00:01:13

about working with mesh topology earlier, also

00:01:16

began to follow the mesh and classic

00:01:18

modeling at the time of recording, this video

00:01:21

for some reason disappeared from the public

00:01:23

domain, but I hope it will definitely

00:01:25

return but until this happens, I

00:01:27

want to give the author of the youtube channels a

00:01:30

couple more days on the topic of what content

00:01:32

can be made using topology, in the end, no matter what

00:01:34

anyone says, but the ability to work

00:01:37

with a grid is the basis without which

00:01:39

to do nothing in 3d, my students have already

00:01:42

managed to fully To the extent that you can enjoy

00:01:44

the possibilities that classical

00:01:46

modeling provides, for example, now on your screen is

00:01:48

not some downloaded model from the

00:01:50

Internet, but made by a completely

00:01:52

independent person from my course, of

00:01:54

whom I am very proud. Well, since the cylinder is an

00:01:57

ideal example for learning, let’s

00:01:59

look at another very important situation

00:02:01

with which you You will certainly plunge into the task

00:02:03

when trying to model a car wheel

00:02:05

or a hydrant; when you look at such

00:02:08

an object, sometimes you don’t understand what

00:02:10

part to start the

00:02:12

modeling process with. Logic dictates that from below,

00:02:15

like, behind the model of the base, then you

00:02:17

smoothly move up, the general shape

00:02:20

seems to hint that there are no special

00:02:21

difficulties here. it won’t be a cylinder even in

00:02:24

Africa, but those who watched

00:02:26

my previous lessons know very well that

00:02:28

in this part we need to use

00:02:30

the optimal number of polygons to

00:02:32

adequately connect the vertical

00:02:34

main cylinder and the protruding

00:02:36

horizontal ones, of which there are as many as three, and

00:02:39

if now you don’t understand what I said

00:02:41

then I strongly advise you

00:02:42

to reconsider this lesson, and if you

00:02:45

understand this, I think you understand perfectly well

00:02:46

that it is logical to start the process of modeling such forms

00:02:49

not from the base, but from that

00:02:51

part, we will need the maximum

00:02:54

number of polygons in order to

00:02:56

reliably convey the form, and

00:02:58

we have this part here it has as many as

00:03:01

thirty-six vertices, well, if you don’t

00:03:03

have superpowers, you obviously

00:03:05

can’t know at the start how many

00:03:07

vertices you need to assign to the ellipse

00:03:10

so that they are enough to model such a

00:03:12

shape, which means creating such a shape from

00:03:15

primitives like an ellipse or a cylinder is not an

00:03:17

option After all, I remind you that we don’t know

00:03:20

exactly how many vertices they need, and

00:03:22

working from the topology for each

00:03:24

repeating detail is a waste of

00:03:25

time, it’s much more logical to model one of the

00:03:28

repeating elements

00:03:30

and then multiply them, bend them into a

00:03:32

limbic shape, how to multiply we already

00:03:34

know, the modifier and ray help us with this,

00:03:37

but to drive the physical form,

00:03:39

we need to turn to the

00:03:41

simple deform modifier, but that’s what we’ll

00:03:44

talk about now. The first thing you need to know about

00:03:47

this modifier is that,

00:03:48

despite its name, it’s not

00:03:50

simple at all, at least when you first

00:03:53

try to work with it, the second thing it

00:03:56

twists an object in the positive

00:03:57

side of the coordinate axes, that is, plus x

00:04:00

plus y and plus z, in order to understand where the

00:04:04

positive side of the coordinate axis is located,

00:04:06

it is enough to create a dummy object

00:04:10

to increase its size and now we

00:04:13

see that plus z and here plus x there and

00:04:17

plus y respectively there everything that

00:04:20

is located on the opposite side, that

00:04:22

is, here is Weeks here with Eric and here this

00:04:26

is the negative side,

00:04:29

you can very easily verify this if you create,

00:04:31

for example, a cube, open the side panel and

00:04:33

move the cube I move g y here as we do

00:04:38

these coordinates are positive here it is

00:04:40

negative and finally the third thing you

00:04:43

need to know about this modifier is

00:04:46

that the selected axis in its settings is

00:04:48

not the same axis in the direction in which it

00:04:51

will bend our object. I

00:04:54

honestly admit when I studied the principle of operation of

00:04:56

this modifier of this information,

00:04:58

my brain melted a little, but there is nothing

00:05:00

complicated here, you just need to

00:05:02

figure it out and do it Notes to ourselves, this is what

00:05:04

we will do now, press shift and the mouse

00:05:07

and create a plain,

00:05:09

throw a modifier and ray on it to

00:05:11

create several copies, it will be enough for us to

00:05:13

6 then now throw a simple deform into the

00:05:17

cata and

00:05:19

select the band operating mode because

00:05:21

we need to twist our array of objects,

00:05:23

as it were into a ring or a cylinder now

00:05:26

nothing happens let's try

00:05:28

to switch between different axes

00:05:31

y similarly nothing happens z is already

00:05:35

happening q it's twisted let's give an angle

00:05:37

let's say 45 let it be at least like this and we

00:05:41

see that twisting occurs but not

00:05:44

exactly what we need we need

00:05:46

so that our objects standing from copies of the

00:05:49

rectangle were twisted over there to

00:05:51

form a metric shape so

00:05:53

the first thing we need to do is

00:05:55

expand our array of objects to us r

00:05:58

x-90 second we need to make sure that the

00:06:02

origin axes of our object are aligned

00:06:04

with the global axes, that is, its

00:06:07

y axis is where y is located

00:06:10

here on our dummy object that

00:06:12

we insert in order to be equal, for

00:06:15

this we turn on the display of the origin and

00:06:17

now we see that it is not aligned now,

00:06:19

well, with the exception of x, that is, x

00:06:21

corresponds to the global axes and y language

00:06:24

is shifted,

00:06:26

to correct the situation, press

00:06:27

control app and here we select the rotation item,

00:06:30

now everything is ok, now we can

00:06:33

turn on this defeat by the modifier again and

00:06:35

we see that the bending now occurs

00:06:38

exactly as we need it, however, do not

00:06:41

rush to rejoice because we have not yet

00:06:43

had time to figure out how exactly

00:06:45

this modifier works, so I will

00:06:47

temporarily hide it and now let’s turn to

00:06:50

the theory, bending occurs relative to the

00:06:53

extreme points of the object, that is, in order

00:06:55

to get a cylinder from this array of rectangles,

00:06:57

you need to tell the program

00:06:59

so that it perceives

00:07:02

this and this one as extreme points and twists them accordingly.

00:07:06

Now the same thing

00:07:07

happens here, twisted we

00:07:11

get the color of the extreme point

00:07:13

is calculated relative to the origin point,

00:07:16

that is, if now in the mode where

00:07:18

the impact occurs only on the

00:07:20

origin point, I move it along the x axis Jakes,

00:07:23

you will see different results,

00:07:25

different in this case, it is obtained

00:07:28

only relative to where

00:07:29

our cylinder is positioned, that

00:07:33

is, if I put the origin point here,

00:07:34

we have Stalin and it twists

00:07:36

here, if the origin point is shifted

00:07:39

somewhere here, well, approximately to the

00:07:41

center of the array by eye, plus minus, I

00:07:44

’ll put this here, then accordingly, we have it

00:07:47

twisted from the center of our array, but

00:07:50

this is clearly not the same moment that can

00:07:52

cause inconvenience when working with this

00:07:54

modifier, what difference does it make where

00:07:55

our final cylinder will be positioned

00:07:57

here or here and

00:08:00

we got only one cylinder earlier I mentioned that the

00:08:02

axis relative to which

00:08:04

our object is twisted is not the same if what is

00:08:07

selected here if we you will need to

00:08:09

twist an object that stands on

00:08:11

the surface not with its base, but with

00:08:13

this round part, like a car wheel, then

00:08:16

when we turn our cylinder r x-90 and

00:08:19

apply control a rotation,

00:08:22

we will get this result,

00:08:24

since if we made the wheel

00:08:26

on we need to how to turn it object and

00:08:28

apply transformations by rotation for

00:08:31

further work, this means that in

00:08:33

this case we first need to

00:08:34

apply all the modifiers and only then

00:08:37

apply transformations by rotation and

00:08:39

this decision definitely has the right to

00:08:41

life, but you must agree that it would be much more convenient to

00:08:43

do this without dancing with a tambourine and for

00:08:46

this we need to understand by what principle

00:08:48

the modifiers bend our object, but for

00:08:51

this, as always, let’s turn to examples:

00:08:53

when we bend our object along the z axis, then

00:08:56

it bends in the direction of the

00:08:58

positive y axis and, accordingly,

00:09:01

if we want to get a cylinder that

00:09:03

stands on the surface with its base

00:09:05

this option is for us if we want

00:09:08

our cylinder to stand on the surface

00:09:10

not with its base but with its rounded

00:09:12

part, as was the case with the wheel, in

00:09:15

this case we use the Eric axis and

00:09:18

when using the y axis we have

00:09:21

twisting in the direction of the positive

00:09:23

x axis, that is here, and accordingly, the

00:09:26

turn of our object should be

00:09:28

such that its extreme point is precisely

00:09:31

twisted along the x axis,

00:09:34

and the last option is if we want

00:09:37

the twisting to occur according to the

00:09:40

same type but not in the direction of the x axis and in the

00:09:42

direction of the y axis, more precisely the positive

00:09:45

y axis, then we use the x axis here, the

00:09:48

exception happens here and now

00:09:52

let's summarize when we select the

00:09:54

simple deform modifier z axis this

00:09:56

means that twisting occurs in the

00:09:58

direction of the positive y axis

00:10:01

when we select the y axis this means that

00:10:05

twisting occurs in the direction of the

00:10:07

positive x axis

00:10:09

and, accordingly, when we select the

00:10:11

x axis, the modifier then the twisting

00:10:14

occurs relative to the positive

00:10:16

y axis, the analogy with shish kebab and barbecue

00:10:18

which was told in this video when

00:10:21

he explained how rotation occurs more precisely

00:10:23

relative to which axes

00:10:25

has never been as relevant as in the example of the work of the

00:10:27

simple deform modifier and the last

00:10:29

thing you need to know about this defecation is

00:10:31

that we also have the opportunity to

00:10:33

reorient the axes, now our object

00:10:36

is rotated and if we apply a

00:10:38

transformation by rotation,

00:10:40

we will get something that is not what we wanted, as we

00:10:43

discussed earlier, we can apply a

00:10:45

modifier so that everything is ok, well,

00:10:47

let’s say we don’t want to apply the

00:10:49

modifier to us are needed in order to

00:10:51

preserve a certain procedurality of work,

00:10:53

and in order to do this, we can

00:10:55

specify opposite the origin item so that the

00:10:57

program takes origin for this object

00:11:00

not as the object itself, but let’s say from this from the

00:11:03

dummy that we created earlier if

00:11:05

we now just pipette it into this

00:11:07

object then we will have the very thing we

00:11:10

wanted to avoid, so first we need to

00:11:12

reorient

00:11:13

the axes of this dummy so that they are in the

00:11:16

same direction as origin, but of

00:11:18

this object we

00:11:20

select the dummy object,

00:11:23

rotate r

00:11:25

x-90

00:11:27

now we have object y on top z

00:11:32

opposite the y axis and the dummy,

00:11:36

we indicate the same thing here with a pipette, I apply the dummy

00:11:40

and

00:11:41

now when we press control a

00:11:43

rotation, nothing

00:11:46

changes accordingly, we maintain the procedurality and

00:11:48

this is exactly what we wanted to achieve, and the

00:11:51

most important thing at this stage is not

00:11:53

to do two things the first one is not to accidentally

00:11:55

delete our dummy object and the second one is

00:11:59

not to accidentally click on the cross here,

00:12:01

I hope now the modifier 7 board forum

00:12:04

has become more simple for you than deform,

00:12:07

but if not, then it’s time for practice.

00:12:09

Now we have to model this

00:12:12

part of the hydrant, let’s go to the front view

00:12:14

shift and match reference, select reference,

00:12:18

which comes with this lesson, it has

00:12:20

transparency keys, lower the

00:12:23

check mark here with the front of the front of the newspapers and

00:12:26

align it along the x axis,

00:12:29

put a lock and

00:12:32

first create one of these parts

00:12:34

shift and between plain, expand it to us r

00:12:39

x-90

00:12:41

editing mode

00:12:42

lift up and scale from x and z

00:12:49

to the bottom point here to here

00:12:52

add a central weight control-r

00:12:56

select you will get a silver font with cursor

00:12:59

to select from

00:13:01

exit the stairs editing mode

00:13:03

temporarily hide so that the

00:13:05

mesh circle shift does not interfere with us create a

00:13:09

circle for it select 8 vertices and

00:13:12

we’ll expand it r x-90, then we’ll

00:13:16

connect the reference again and scale the

00:13:19

resulting circle from

00:13:24

somewhere here to here,

00:13:27

I’ll lift it here jay-z

00:13:30

mode by clocking the work from the top and

00:13:33

let’s do 1 half ix and

00:13:38

select all shift d with the right mouse button

00:13:42

jay-z and expand it

00:13:45

p180

00:13:47

lower it to here juiced

00:13:51

select two vertices f these two vertices f

00:13:56

f I do not remove the selection, press e for x

00:14:00

work, go to object mode,

00:14:02

move this object here fat,

00:14:05

check that everything is normal, then

00:14:08

select our play with Shift and press

00:14:11

control minus to cut it out this

00:14:13

object is from this object,

00:14:16

if when

00:14:18

you press the kontron minus key combination nothing happened,

00:14:20

it means that you forgot to install and

00:14:22

1 was a tool, so be sure to

00:14:24

handle it, but we continue to continue

00:14:26

now, let's apply a painful operation, let's

00:14:29

move on to working with modifiers and

00:14:31

click here on the warm side

00:14:33

we don’t need this element anymore, so we

00:14:35

just use a fraction of it, now we go from

00:14:38

the front to the mouse with this mode

00:14:40

here at home three and let’s use the location of

00:14:42

our objects to select all these

00:14:44

vertices xv and add a mirror modifier

00:14:49

here, put a checkmark in front of the

00:14:51

clipping item and not yet forget now our

00:14:53

task is to get rid of Yangon in this part

00:14:56

and prepare this element for

00:14:58

smoothing, go to the editing mode,

00:15:00

click Russian Consul here we get a point

00:15:04

in the center take a knife and cut c

00:15:07

similarly here control-r we get a

00:15:10

point in the center take a knife and cut

00:15:14

further we need a cut here

00:15:17

we also take the knife from

00:15:21

the back have fun with I'm gonna in this

00:15:24

part connect here

00:15:28

connect here and

00:15:31

make an additional cut here

00:15:33

from this vertex c and here the goal the next

00:15:39

thing we need to do is push it a little

00:15:40

inward and this part

00:15:43

before we do it let's check if

00:15:45

we have double vertices, select everything and press

00:15:48

m buy distance and now we have removed two

00:15:50

extra vertices, now all of them are so we

00:15:53

can continue, select this part

00:15:55

with ice, press f to close, without

00:15:58

removing the compartment, switch to the mode of

00:16:00

working with weights and the

00:16:01

extruder into them and a little bit and

00:16:07

now we’ll throw the modifier on was the

00:16:10

operating mode, select the

00:16:13

editing mode

00:16:15

with the alt and select this bow somersault mouse in this

00:16:19

bow open the right

00:16:22

side menu with the n key Nursultan here

00:16:25

go to the tab oh there and weight time

00:16:27

unit

00:16:30

further we reduce the size of the chamfer

00:16:33

somewhere up to here of the

00:16:36

segments, we set 2 profiles to one and

00:16:40

immediately apply the rotation consul a rotation,

00:16:44

now we add a subdivision, press consul

00:16:46

for you and look at the result

00:16:51

in the original models in this part,

00:16:53

our recess forms

00:16:55

ideal semicircles, or not

00:16:58

quite ideal, but similar extremely

00:17:00

slowly not very much therefore we

00:17:02

need to achieve the same effect on

00:17:04

our model personally, for this I use

00:17:06

the following method: I create a new

00:17:09

circle, unfold it on us,

00:17:12

throw it on a non-subdivision, reduce it

00:17:16

approximately like this, being able to lift it

00:17:19

higher and now I will equalize the proportions

00:17:23

so that everything matches and this part, it

00:17:26

kind of repeats the shape of this circle, plus or minus, I

00:17:30

go to work with this model,

00:17:33

turn on the transparency mode, paying attention to

00:17:36

these vertices begin to move

00:17:39

jay-z,

00:17:44

dip a little, I’ll reduce it a little so that it is

00:17:48

more consistent with what we need

00:17:50

again, I’ll go to this model and league once

00:17:52

again Lisa,

00:17:59

so now I’m

00:18:02

moving this juiced vertex, let’s look

00:18:08

at the result, which is

00:18:12

more or less new, here the angle of us

00:18:15

does not coincide a little, so I select this

00:18:17

vertex and the feat and and

00:18:23

surround in which we use

00:18:25

as a substrate while we temporarily hide the

00:18:27

modifier subdiv was disable the

00:18:29

operating mode of my frame so that this mesh and

00:18:32

let's see what we have inside here

00:18:34

is dry, I see a small problem: we have

00:18:36

this vertex on the body above this one and

00:18:39

we need to equate them, make sure that you have the vertex snapping mode turned on

00:18:41

and there

00:18:43

is a fold opposite the asset item,

00:18:47

go to the editing mode, select

00:18:49

this top jay-z from canton we tie

00:18:52

it here all here now we would connect the hands again to the

00:18:54

subdivision and now we have

00:18:57

a problem that we need

00:19:01

our rounding to end somewhere

00:19:02

here so that it doesn’t continue here

00:19:06

if we return the circle what we see what here the

00:19:08

rounding

00:19:10

ends right here, but our rounding goes

00:19:13

here below and it’s not very cool and it’s precisely because of

00:19:16

this that we get

00:19:17

such an ugly, sloppy shape here, in

00:19:20

order to correct the situation we take the

00:19:22

knife and clamp it now to cut in a

00:19:26

straight line and z of the headquarters, cut through and cut

00:19:29

here

00:19:31

again, select our circle, lower it

00:19:35

a little lower and make it larger so that

00:19:38

its width matches the width of this

00:19:40

in the recess, press from

00:19:44

somewhere to here, raise it higher juiced and

00:19:52

refine the final shape,

00:19:55

select all these vertices lives Let's move, in

00:20:02

principle, the very result that

00:20:04

I wanted to achieve so as not to do a

00:20:07

similar procedure from below, let's

00:20:09

also position our object

00:20:11

vertically here, pressing control-r, I take a

00:20:14

knife and cut the center from the point.

00:20:20

transparency mode,

00:20:22

selecting all these vertices xv, deleting them, I

00:20:26

go again to the mirror modifier and

00:20:29

here I add another z axis, you may be

00:20:33

a little confused by what you see now

00:20:34

on the screen, but don’t be too embarrassed, it’s all about the

00:20:36

origin point, or rather,

00:20:38

in its position, we need to move her here is

00:20:40

this red dot down here,

00:20:43

open this tab here, put

00:20:45

a checkmark in front of origin and

00:20:47

move and jay-z bind here,

00:20:52

uncheck the checkbox,

00:20:55

go out, even we are transparent, now

00:20:57

everything is ok, now let's add modifiers

00:21:00

rey,

00:21:01

number of copies, put plus minus 8 9 for now,

00:21:05

I'll put 9 then maybe now

00:21:09

we see the same problem that

00:21:11

the mace us earlier when working with

00:21:12

modifiers, the mirror appears here,

00:21:15

these gaps they appear behind the subdivisions

00:21:18

because it rounds the corners if you

00:21:20

don’t have any gaps in the key, but they appear

00:21:23

more precisely, the subdivision makes them because it

00:21:25

perceives this this entire shape is not as a

00:21:28

whole, but as a combination of this here, this, this,

00:21:32

this, and they are

00:21:34

not fused with each other, and since they are not fused with each other, then

00:21:37

accordingly, these corners

00:21:39

that are at the junction here, he should

00:21:42

round them, well, to explain it even simpler, then

00:21:45

Here the program shows that we

00:21:47

have two vertices that we need to

00:21:50

merge into one, and since in order to

00:21:52

cast in hell we will have to parse the

00:21:54

modifier and ray, and we don’t want to do this

00:21:57

because we still need to work

00:21:59

with this form, therefore we need to

00:22:01

move the modifier you're about here

00:22:05

to open its settings for the

00:22:07

private subdiv and put

00:22:10

a check in the era modifier opposite the measures

00:22:12

so that we merge them all and now we

00:22:15

no longer have this problem,

00:22:18

we're the last thing we'll do before we throw on the

00:22:21

simple deform modifier,

00:22:23

which doesn't matter simple, at

00:22:25

least there was now also a symbol, let's

00:22:27

check if you still have

00:22:30

Yangon and well, as we can see, we're left, so we'll come and

00:22:34

take our favorite knife in front,

00:22:36

tie ourselves to this top, press the

00:22:39

Tzu clamp through

00:22:43

more and more hijackings, we don't have everything now

00:22:47

ok, the

00:22:50

mirror modifier can also be

00:22:52

applied because we don’t need it anymore,

00:22:54

press

00:22:56

like for the top. distance there

00:23:01

are no extra vertices and now you can

00:23:05

add a simple deform,

00:23:09

here we put the band tab on the

00:23:11

axes

00:23:14

360

00:23:16

simple de forms, we

00:23:18

didn’t have any problems, we have 2 problems

00:23:20

elsewhere, the first is the chamfer here in the

00:23:25

original model, it’s more rounded,

00:23:27

therefore, we need to achieve

00:23:29

this effect go to the editing mode,

00:23:33

select all these faces in order to

00:23:36

select them all very quickly, you can

00:23:37

select any of them, press shift g and

00:23:40

select the Kaplan item and drag them on us

00:23:43

g y

00:23:45

about here,

00:23:47

then go to the mode of working with

00:23:49

edges, press two, select everything and

00:23:53

update the value of the weights so that we do

00:23:56

not use a chamfer anywhere; the second point

00:23:59

is the gap that is formed here

00:24:01

due to the fact that two neighboring vertices are

00:24:03

not merged into one; these double vertices

00:24:05

are formed due to the

00:24:07

simple deform modifier which twists our

00:24:10

cylinder object, and so how we see nothing

00:24:12

has changed, but the point is not that this

00:24:14

modifier is somehow working incorrectly, but

00:24:16

that we have not built the

00:24:18

hierarchy of modifiers correctly, let’s, in order

00:24:21

not to get confused, firstly, I will remove the

00:24:22

bevel modifier because at this

00:24:24

stage we absolutely do not need and Let

00:24:26

's figure out what kind of

00:24:28

hierarchy we have, what is responsible for what and how to

00:24:30

correctly arrange these modifiers

00:24:32

so that they work correctly, and so

00:24:34

first we create copies of our object

00:24:38

using the modifier and ray, then

00:24:42

we need to bend these copies of the cylinder, so

00:24:44

I move the simple deform pruner

00:24:46

here then there is it in second place and

00:24:48

turns on the fermentation further, a little bend in

00:24:52

this place we get double

00:24:53

peaks and we need to solder them to each

00:24:55

other, so I put the weld dictator

00:24:57

higher

00:24:59

and then when we created copies of our

00:25:02

object, when we bent and when we

00:25:05

soldered double vertices to each other, then you

00:25:07

can connect a subdivision and now look at the

00:25:09

result, the

00:25:12

result turned out exactly as I

00:25:15

wanted, so now all that

00:25:16

remains for us is to equate this element

00:25:19

by reference and continue this

00:25:22

part, go to dactyl mode, do not

00:25:24

select all these vertices, raise

00:25:27

them a little higher Josie colors from here

00:25:30

for further work, all these

00:25:31

modifiers except for the one

00:25:33

we need to sort out, so just in

00:25:35

case, we’ll first make a copy of the DVD,

00:25:38

name mine 1.

00:25:41

copies of the basis

00:25:43

let's hide the

00:25:47

original mouse calmly disassemble the

00:25:50

warm and play offline mode tavern don't

00:25:54

select all the vertices mb distance

00:25:57

check the normals everything is ok and now we can

00:26:01

continue switching to the front view editing mode

00:26:04

working with edges with a viola

00:26:07

select this ring and drag it to

00:26:13

here with pouring for now disable

00:26:15

further without removing the selection and z x is hard

00:26:19

down and if at this stage you are a little

00:26:22

off the proportions, then simply

00:26:25

select all these files and press alt c

00:26:27

and

00:26:28

stretch until we

00:26:30

hit the reference y

00:26:37

in this place we have an ideal

00:26:40

semicircle protruding forward

00:26:42

so in order to model

00:26:44

we will use the same

00:26:46

method with substituting an ellipse that I

00:26:49

told you earlier add a bow in the

00:26:51

center by pressing control-r select this

00:26:54

vertex shift with cursor to select from

00:26:58

exit object mode shift and mouse glasses

00:27:00

8 vertices

00:27:03

x90 and scale it

00:27:08

somewhere up to here, navigate by

00:27:11

reference, we don’t need the rating itself anymore,

00:27:13

so we can hide it, go

00:27:15

to our object with alt, select

00:27:19

this bow, press kontrol b and

00:27:22

here we select four segments, and all

00:27:25

that remains for us now is to select

00:27:27

each one separately with a somersault bow and move

00:27:29

everything until it approximately coincides with these

00:27:32

circles

00:27:34

[music]

00:28:07

well, now that everything is ready, you

00:28:10

can finally throw on the bevel modifier,

00:28:11

move it higher, select the operating mode

00:28:14

by weights and place the scaffolding where

00:28:16

it is needed, you need to do it

00:28:19

here,

00:28:20

press n Nursultan put the weight to

00:28:23

one

00:28:24

chamfer size smaller

00:28:27

segments 2 profile unit

00:28:30

further somersault here unit with ice

00:28:34

here alto mouse here unit

00:28:39

connect subdiv look

00:28:43

during this lesson we learned how to work

00:28:45

with the modifier symbol deform At first

00:28:48

this name seemed like

00:28:50

bullying to me, but it’s worth a little

00:28:53

practice and Realizing that there

00:28:55

is nothing wrong with the blender,

00:28:58

there is nothing wrong at all, especially if I

00:29:00

explain to you where it will hurt. As for

00:29:03

the courses here, I can only say one thing,

00:29:05

despite the apparent diversity, in fact, there

00:29:07

are two courses for the blender, the

00:29:10

best and all the others, on this I say

00:29:13

goodbye to you and see you in new videos

00:29:15

[music]

Description:

В этом уроке мы поговорим про особенности моделирования автомобильных шин и гидрантов, изучим модификатор Simple Deform и рассмотрим еще один важный момент про работу с объектами цилиндрической формы ⏳ Если вы хотите, чтобы уроки выходили чаще, не забывайте поддержать нас лайком и подпиской 🦄 Ссылка на референс к уроку для практики: https://t.me/mr_mad_rabbit/2259 Мы подключили беспроцентную рассрочку на наш «Самый лучший курс по Блендеру». Чтобы уточнить условия рассрочки и оформить ее, переходите на сайт курса. 🍩 Сайт курса: https://bestblendercourse.com/ Подписывайся на меня в социальных сетях: 🐕 Вконтакте — https://vk.com/zabeii ✈️ Телеграм — https://t.me/mr_mad_rabbit 💃 Инстаграм — https://www.facebook.com/unsupportedbrowser

Preparing download options

Popular

HD video

Only sound

All

* — If the video is playing in a new tab, go to it, then right-click on the video and select "Save video as..."

** — Link intended for online playback in specialized players

Questions about downloading video

How can I download "#8 Автомобильные шины, Simple Deform, Subdiv и гидрант в Blender" video?

http://unidownloader.com/ website is the best way to download a video or a separate audio track if you want to do without installing programs and extensions.
The UDL Helper extension is a convenient button that is seamlessly integrated into YouTube, Instagram and OK.ru sites for fast content download.
UDL Client program (for Windows) is the most powerful solution that supports more than 900 websites, social networks and video hosting sites, as well as any video quality that is available in the source.
UDL Lite is a really convenient way to access a website from your mobile device. With its help, you can easily download videos directly to your smartphone.

Which format of "#8 Автомобильные шины, Simple Deform, Subdiv и гидрант в Blender" video should I choose?

The best quality formats are FullHD (1080p), 2K (1440p), 4K (2160p) and 8K (4320p). The higher the resolution of your screen, the higher the video quality should be. However, there are other factors to consider: download speed, amount of free space, and device performance during playback.

Why does my computer freeze when loading a "#8 Автомобильные шины, Simple Deform, Subdiv и гидрант в Blender" video?

The browser/computer should not freeze completely! If this happens, please report it with a link to the video. Sometimes videos cannot be downloaded directly in a suitable format, so we have added the ability to convert the file to the desired format. In some cases, this process may actively use computer resources.

How can I download "#8 Автомобильные шины, Simple Deform, Subdiv и гидрант в Blender" video to my phone?

You can download a video to your smartphone using the website or the PWA application UDL Lite. It is also possible to send a download link via QR code using the UDL Helper extension.

How can I download an audio track (music) to MP3 "#8 Автомобильные шины, Simple Deform, Subdiv и гидрант в Blender"?

The most convenient way is to use the UDL Client program, which supports converting video to MP3 format. In some cases, MP3 can also be downloaded through the UDL Helper extension.

How can I save a frame from a video "#8 Автомобильные шины, Simple Deform, Subdiv и гидрант в Blender"?

This feature is available in the UDL Helper extension. Make sure that "Show the video snapshot button" is checked in the settings. A camera icon should appear in the lower right corner of the player to the left of the "Settings" icon. When you click on it, the current frame from the video will be saved to your computer in JPEG format.

What's the price of all this stuff?

It costs nothing. Our services are absolutely free for all users. There are no PRO subscriptions, no restrictions on the number or maximum length of downloaded videos.