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Уроки игры на электрогитаре №11 Dolgin School

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ЭТИ ПЕСНИ НА ГИТАРЕ ВСЕ ПОЮТ И ЗНАЮТ!

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00:00:02

[music]

00:00:12

[laughter]

00:00:13

[music]

00:00:25

same [laughter] [music]

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and

00:00:42

hello, I’m just sitting here and playing

00:00:46

the pentatonic scale,

00:00:47

as you noticed, I slightly

00:00:51

changed the position in which the player is

00:00:54

because earlier we studied

00:00:55

C major, well, I told you which, in

00:00:57

principle is and and sounds good

00:00:59

euphonious in a minor key it

00:01:01

looked like this on four

00:01:06

strings like this

00:01:09

well and our village is like this

00:01:14

and we continue to study work out

00:01:19

cultivates not by chance because

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the pentatonic scale is your lifesaver for

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your improvisations your solos you I

00:01:27

assure you that this is so and will be

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so I’ll expand

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my range of playing pentatonic scales a little, so we

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talked about the openwork pentatonic scale,

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now I’m talking about the minor

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pentatonic scale val A minor on the pentatonic scale, in

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principle it’s the same thing, well, it will

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look visually a little

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different, although the notes will be absolutely the

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same so for the first finger we play on the second

00:01:57

string on the third string on the second fret

00:02:01

then after two frets 4 fingers we move

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to the second string 3rd fret and this is the

00:02:12

1st string 3rd fret

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and 5 watts god you

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can play with different fingers as you

00:02:25

noticed they play 1 4 he there the

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first 3 and 1 3

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can be played and brighter with the solid second 4 and 2

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4 it’s as convenient as anyone

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actually these five notes that we

00:02:51

need to practice

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in order to practice at home it would be

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more interesting let’s play on four

00:02:58

strings,

00:02:59

that is, let’s start with the 4th string this this this

00:03:02

applicator on the model this pattern is

00:03:05

from 2nd fret to 4th string it is the same exactly as

00:03:08

on the third string 2nd fret 5 from 2 5 and

00:03:13

cartridge 3 5 3 5

00:03:16

[music] that’s it

00:03:24

it’s just simple without

00:03:28

passing not which we played in

00:03:30

previous exercises but for now, everything

00:03:33

else is ahead, which is why I

00:03:35

said that it is very important to play on that

00:03:39

tunic and diversify your

00:03:41

pentatonic group and because it

00:03:43

really is a lifesaver if

00:03:45

we remove such musical directions

00:03:49

as fusion, some kind of deep jazz and

00:03:53

something like that in principle,

00:03:55

you can play everything else, both rock and pop music and blues,

00:03:59

using only pentatonic scales but

00:04:02

with different recolors of the amide, that is,

00:04:04

passing notes and so on and so

00:04:06

forth, so in principle this is

00:04:08

the only one I don’t know, but 90 percent of

00:04:12

guitarists use

00:04:14

pentatonic scales and music for musicians, if you play

00:04:19

some kind of complex music, what

00:04:21

I have already listed is fusion, some

00:04:22

serious ja avant-garde music itself,

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then of course it’s good to play for

00:04:26

musicians, well, I’ll tell you honestly, musicians are

00:04:29

not a very appreciative audience and they won’t always

00:04:32

listen to you with rapture.

00:04:34

basically, of course, we are musicians, but the

00:04:37

guitarist plays for ordinary people, for

00:04:39

those who listen to music not for the sake of

00:04:43

some educational moments, but

00:04:48

for the sake of having fun and

00:04:52

therefore you need to play more simply, no wonder, no

00:04:57

torture, they are not so that they listen to you,

00:04:59

it burns, he gave of course, very quickly,

00:05:02

and what he played there, no one understood anything,

00:05:03

again, the tonic in this case is

00:05:05

exactly what you need, so it’s not in

00:05:10

vain that we spend so much time

00:05:12

studying the pentatonic scale and we devote so many lessons to

00:05:15

this because

00:05:18

I say again, believe me this is your lifesaver for me,

00:05:21

and so we repeat the pentatonic scale

00:05:24

on four strings in a position

00:05:27

in another position, I

00:05:33

’ll play medvin

00:05:34

[music]

00:05:50

and

00:05:51

then the arrival

00:05:52

[music]

00:06:01

and naturally we shift this exercise from

00:06:04

different but to 1 capture in their eyes if we

00:06:08

started with the second right there the most you can

00:06:10

play is 3

00:06:11

[music]

00:06:16

now

00:06:17

[music]

00:06:21

and so on as far as your fingerboard will allow

00:06:24

when we play in reverse, we play in

00:06:29

reverse order the same thing, the

00:06:30

hardest thing has not come yet give

00:06:33

[music]

00:06:36

and we shift

00:06:40

[laughter] [music] the

00:06:45

principle of our exercise remains

00:06:47

the same unchanged, that is, why

00:06:50

we move these hands back and forth and

00:06:52

walk all over the fingerboard so that

00:06:53

you can be equally comfortable and

00:06:56

familiar with playing these fingering patterns in

00:07:00

any position of the fingerboard, that is, in any

00:07:02

key, no matter what you didn’t play in A

00:07:05

minor or C major for the gift of decoupage

00:07:10

yes no problem because win 1

00:07:18

also from now on essentially that’s all

00:07:21

see you in the next lesson by the

00:07:24

way share these exercises my

00:07:28

videos and with your friends practice

00:07:31

together bye

00:07:33

[music]

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