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Любэ - Ты неси меня река│Переложение для гитары + табы

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ПОВТОРИШЬ МЕЛОДИЮ - ЗАБИРАЕШЬ ГИТАРУ | Сыграй На Гитаре Челлендж +ПРАНК

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Осенние листья (Autumn Leaves) | На гитаре | Ноты Табы

Осенние листья (Autumn Leaves) | На гитаре | Ноты Табы

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О. Копенков - "Баллада"

О. Копенков - "Баллада"

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When they asked to play something hot 🔥

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Кино - Группа крови│Fingerstyle guitar solo cover

Кино - Группа крови│Fingerstyle guitar solo cover

Channel: Eiro Nareth

nikita boldyrev

guitar

acoustic guitar

classical guitar

fingerstyle

никита болдырев

гитара

акустическая гитара

классическая гитара

фингерстайл

гитарная школа

школа гитары

уроки игры на гитаре

онлайн курс

видео уроки

гитара для начинающих

гитара с нуля

гитара для новичка

гитарист

гитаристка

аккорды на гитаре

как играть гамму аккордами

гамма

гамма аккордами

chord melody

jazz

chordmelody

нагитаре

аккордынагитаре

школагитары

джазоваягитара

гаммааккордами

урокигитары

какигратьнагитаре

00:00:01

are discussing such an important topic of how to play a

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scale with chords for a tonality, we

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will take E minor, the most guitar

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key, and

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try to explore this issue, the first

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thing we need to do is to see

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E minor in all of it, in this case 4

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appeals why we are on the 4th floor right away we will

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harmonize the seventh

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chord, the scale needs to be seen on the first string,

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we will organize these notes there,

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it will be clear and convenient, and now

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look at our

00:00:36

first one, but then this is me, we can

00:00:40

simply call it open strings, then there are

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notes and this is the

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fingering then goes to

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to see

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such at which the note D

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by the way, to say how such chords appear,

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we choose this or that concept, we

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have a concept for the strings there, for example,

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6432 five four three two and so on, yes,

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this is all a certain arrangement

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of chords and in this case this design is

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tied to the tuned four three two one

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and, accordingly, whenever we

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are on the path of salt on Matisse, we

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especially don’t have any glare how we can actually

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dial the seventh chord itself

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through neighboring countries and from here

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these fingerings appear

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is not some kind of discovery and does not

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even require deductive thinking, that’s all

00:01:30

very well-known things in any textbook,

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they are presented, but as if with those notes

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that we did not touch, we are

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left with 3, this is the note F-sharp, the note A and but

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there, that is, by and large,

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we have already harmonized most of the scale

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and on this question there are a large

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number of answers and now we will study

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one of them - this is a diminished chord, that

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is, for each of these

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notes that is not part of the

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minor type of the root, we substitute

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this fingering and we get

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such a story and with this weapon

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in fact you

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can do a lot to

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organize, well, let’s take for example

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[music] a

00:02:30

famous theme, so you can already

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apply this technique in this way, let’s

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look at the second method and talk a little

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about what kind of minors there are in general,

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and because we have now looked at

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E-minor natural and in general, this

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method is good, first of all, for the

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natural minor; there is also an

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E-minor Dorian, this is the same E-minor,

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but only the sixth degree will be

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raised, what does this mean from the point of

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view of the scale itself, there

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will be a test here, and this is a raised one,

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it actually opens up a little in

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general another arrangement of

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chords that we can use

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here too, but rapa is its

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reflection such a neighbor is F-sharp minor

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yes because if we had a

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natural minor then we have F-sharp minor and if it

00:03:28

weren’t there it would be F-sharp minor is a

00:03:30

lower fifth in

00:03:31

one way, and when we have militarism,

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the final one returns to its place

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and we have a full-fledged exactly the

00:03:41

same minor set, and

00:03:43

here, in general, the scale with chords can be

00:03:47

played using a completely different

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method, all the same notes that

00:03:51

they just entered in the composition of a

00:03:54

non-minor type of cord, we can

00:03:57

harmonize with this very entrance a

00:03:59

minor type of code and we will get

00:04:01

[music] this is the

00:04:08

story to awaken more

00:04:11

modern what the story with learned

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chords is about and

00:04:16

in general is actively used in jazz

00:04:18

music and the most interesting thing is that by

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and large we

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can combine these two methods, that

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is, start for example crushed

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continue through the

00:04:32

adjacent F sharp minor set let's

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summarize what we are today you have become we

00:04:38

have the first option for harmonizing a non-

00:04:40

minor scale

00:04:49

through a diminished chord and through the

00:04:51

adjacent entrance minor heart

00:04:54

[music] of the

00:05:03

following videos we We

00:05:05

will continue our research with you, most interesting,

00:05:07

Dima, using specific examples, see you soon

Description:

В этом видео Никита Болдырев рассматривает 2 вида гармонизации гаммы. Первый - через уменьшенный аккорд. Второй - дорийский метод "через соседний аккорд". Гитарная школа Никиты Болдырева: Сайт: https://boldyrevguitarschool.ru/ ВКонтакте: https://vk.com/fingerstyleschool Инстаграм: https://www.facebook.com/unsupportedbrowser Онлайн-курсы - видео-уроки в высочайшем качестве, доступ 24/7, оплатить и учиться можно из любой страны: 🟢 Перкуссионный фингерстайл (Никита Болдырев) https://boldyrevguitarschool.ru/online/kurs-perkussionny-fingerstyle 🟢 Основы импровизации для начинающих (Никита Болдырев) https://boldyrevguitarschool.ru/online/kurs-osnovy-improvizacii-na-gitare-start 🟢 Гитара. Основы (Никита Болдырев) https://boldyrevguitarschool.ru/online/kurs-gitara-osnovy 🟢 Перкуссионные техники на гитаре (Андрей Аксёнов) https://boldyrevguitarschool.ru/online/kurs-andreya-aksenova 🟢 Теория музыки для гитаристов (Вероника Копытина) http://boldyrevguitarschool.ru/online/kurs-teoriya-dlya-gitaristov-start 🟠 Фингерстайл. Начало (Никита Болдырев) - СКОРО! 🟠 Джазовый вокал (Анастасия Лютова) - СКОРО!

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