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Shadows of Doubt

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Ash of Gods: The Way

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The Last Case of Benedict Fox

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Riddles And Sieges

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OTXO

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Dance of Cards

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Voidtrain

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Заключение

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Shadows of Doubt

Ash of Gods: The Way

The Last Case of Benedict Fox

Riddles And Sieges

OTXO

Dance of Cards

Voidtrain

Shadows of Doubt обзор

Ash of Gods: The Way обзор

The Last Case of Benedict Fox обзор

Riddles And Sieges обзор

OTXO обзор

Dance of Cards обзор

Voidtrain обзор

индиигры

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00:00:00

Hello, Dear viewers of the

00:00:03

stopgame.ru portal, the next episode of the

00:00:06

refund program is on air, where we are

00:00:09

reviewing the latest Steam and not only

00:00:13

Steam releases, which have already come up with

00:00:15

nothing particularly original for this

00:00:18

introduction. I Gleb

00:00:20

Meshcheryakov and Ivan Loev are starting

00:00:23

[music]

00:00:26

and around our First today games in

00:00:30

my At least, such an Eagle of mystery has formed in my head

00:00:33

Because I do

00:00:37

n’t remember for sure Where it came from

00:00:40

in my list of games, uh, in order to

00:00:43

potentially Take it for a refund, in my opinion, for the

00:00:45

previous release, I

00:00:48

already looked at it but decided that it’s like

00:00:51

some kind of dirty voxel graphics,

00:00:54

something that’s not very neat, I don’t want to

00:00:57

And before this release, several people

00:01:00

I know well said in the bath

00:01:04

you should definitely check out this

00:01:06

thing because it’s incredibly cool and

00:01:09

that means I’m completely puzzled by what it is

00:01:12

it is so incredibly cool went into the

00:01:15

depths of this very Shadow of Despite the

00:01:19

fact that in general it was only released in early

00:01:21

access for now and therefore all the things

00:01:24

that I will talk about

00:01:26

naturally can be corrected, can

00:01:28

be improved because if we take

00:01:33

precisely the technical part of the execution, then

00:01:35

this direct early access about them accesses

00:01:37

specifically I have a very strange behavior, the

00:01:41

frame rate regularly jumps and

00:01:43

jumps at the same time there are some settings for the

00:01:46

graphics, at least there you can simply

00:01:48

turn off some effects, but they do

00:01:50

n’t change the weather too much No,

00:01:53

that’s okay But the content there lacks a lot of things

00:01:55

with the content everything is much more

00:01:58

interesting because the content in the game is

00:02:01

procedurally generated Well, roughly speaking,

00:02:03

in order to get to the point where

00:02:06

you need to there is an approximately infinite

00:02:08

number of paths because you can,

00:02:11

if you need to in the building you can go to the

00:02:13

Main entrance climb onto the roof of the neighboring

00:02:15

building jump onto the roof of this

00:02:17

building jump onto the balcony through it

00:02:19

there through the door You can go through

00:02:23

the ventilation find the

00:02:25

room all this is limited

00:02:28

solely by your imagination why you

00:02:31

may need to go through some

00:02:33

doors because you work as a private

00:02:35

detective in the world means mysterious

00:02:37

future corporate neo-noir, you

00:02:40

can probably call it that, but it

00:02:44

clearly smacks of noir, it carries

00:02:47

some kind of saxophone, well, it’s night here, it’s constantly

00:02:51

raining here, in general, the time

00:02:54

of day changes, so I suppose you can

00:02:56

be here and, as if during the day, on the street, that’s not the point,

00:02:59

saxophones in The game doesn’t even have a thick

00:03:02

noir atmosphere. When you walk in the

00:03:05

rain in a raincoat, smoke a cigarette and think

00:03:07

about What a cunningly complicated case this is. I

00:03:10

just don’t understand, all this is

00:03:12

not here. But there is a well-developed detective

00:03:15

component. When you come to the

00:03:19

crime scene, you almost have an overabundance of

00:03:24

information. guarantee

00:03:26

because the game honestly generates a huge

00:03:29

amount of all kinds of content that

00:03:31

relates to the relationships of the characters to the

00:03:34

connections of the heroes who live in this

00:03:37

city. That is, the city in which you

00:03:40

play is procedurally generated,

00:03:42

all the buildings that are

00:03:43

there are procedurally generated, all the interiors of all the

00:03:46

apartments that are there,

00:03:48

all the inhabitants are generated who live in these

00:03:51

apartments and for them there are also written down

00:03:54

the type of relationships where a person

00:03:56

works with whom he communicates who is

00:03:58

in his address book from whom he

00:04:00

may have some kind of notes And

00:04:02

when you come to the Crime Scene, of

00:04:04

course you fall into it all What

00:04:07

saves the situation is the fact that there is

00:04:10

this classic detective

00:04:12

board on which you can hang

00:04:15

different clues, connect them with strings,

00:04:17

buttons with which the pieces of paper are attached

00:04:20

so that everything can be

00:04:21

systematized and only the player decides

00:04:26

what information to pin and what

00:04:28

information to ignore, that is, very

00:04:30

quickly if you try don’t let

00:04:33

any information out of your sight at all, you can

00:04:36

simply find yourself buried under

00:04:40

these little notes that say that

00:04:42

this one called this one How much and

00:04:44

this one also owes this one And he also works here and

00:04:47

this company has a huge

00:04:50

amount of all kinds of information And we in general

00:04:53

who are we playing for? This is the first question and the

00:04:55

second question is why would he, relatively speaking,

00:04:58

climb through the ventilation systems about something we

00:05:00

said before? We are playing as a private

00:05:02

detective, and since this is a private

00:05:04

detective, he does not have direct access

00:05:06

to the crime scene, respectively,

00:05:09

most often for in order to search

00:05:11

someone's apartment, you need to

00:05:14

enter illegally; in short, at the moment

00:05:16

I have avery

00:05:17

serious concern. Because I don’t

00:05:19

understand how you can make an exciting

00:05:21

but randomly generated child.

00:05:25

This is

00:05:27

my main problem with Shadow of dawp

00:05:32

because from the point of view detective

00:05:34

story, it doesn’t tell any

00:05:36

detective story, you’re just conducting an

00:05:38

investigation. That is, this is a

00:05:41

detective simulator and not a detective story, like for example,

00:05:44

for cases for a hungry idol. Where you have

00:05:47

each task, which means it contains some kind

00:05:50

of Twist, where everything has some kind of

00:05:53

gradation of complexity, there is

00:05:55

a huge number of things that

00:05:57

tell a

00:05:58

specific story, the emphasis here is on

00:06:02

how you look for a business card in

00:06:05

different tables in order to find

00:06:08

a clue that will connect you with

00:06:11

one character to another and this is a

00:06:15

very shaky moment because that on the

00:06:19

one hand it’s cool You delve

00:06:22

into the Information You build in your head this

00:06:24

picture of what’s really happening but

00:06:26

very quickly I suspect this will turn into a

00:06:29

very mechanical study of the location

00:06:31

when you understand where

00:06:33

business cards can be lying around you will no longer be

00:06:35

engaged in some kind of detective

00:06:39

work revealing some secrets of

00:06:41

some interesting things. And you

00:06:44

will simply mechanically interact with

00:06:48

cardboard decorations because

00:06:51

at the moment the environment in the game is very

00:06:55

artificial people

00:06:57

are drawn very identically, they seem to

00:07:01

move poorly, they do not have any

00:07:03

clearly defined movement schedule

00:07:06

or the like and this hits you very hard on

00:07:10

immersion, you have no atmosphere, all

00:07:12

you have is interaction with

00:07:14

procedural generation algorithms, which as a

00:07:18

result, in my eyes, turns the game

00:07:20

into a good, strong, very interesting but

00:07:23

tech demo, throughout your entire

00:07:25

order I tried to grasp the idea of what

00:07:28

reminds me of external Shadow Soft dapp and

00:07:32

finally realized that I

00:07:35

had an image of the game tier Down in my head about

00:07:38

voxel destruction and this is a very apt

00:07:40

comparison that I also caught myself

00:07:42

because firstly, well, it’s like visually

00:07:44

and there are voxels and there are voxels and like

00:07:48

Strictly speaking, the result looks like a tech demo

00:07:50

and it’s similar to those in a demo, but

00:07:53

it claimed that much more interesting

00:07:56

things were included. Well, starting from

00:07:59

the banal thing, I don’t know about the music and the fact that

00:08:01

in general everything that’s happening has some kind of

00:08:03

global plot that somehow

00:08:05

develops in the process But on the other

00:08:07

hand, Shadows He gave

00:08:10

is still in early access and perhaps a

00:08:13

gorgeous saxophone is just waiting for us ahead,

00:08:16

which will play somewhere There

00:08:18

On the horizon of what is happening, and in this

00:08:21

case the game will suddenly acquire some kind of

00:08:24

noir additional depth and

00:08:26

maybe it will sparkle with some new

00:08:29

colors,

00:08:34

I don’t know. It’s just me or the

00:08:37

developers, but lately I’ve gotten really

00:08:40

tired of DEK builder games

00:08:43

where we collect

00:08:46

cards and play them in different combat

00:08:50

situations, so I was a little upset

00:08:53

when I found out that there’s a new game in the Universe

00:08:57

Ash of Gods will be just a Duck builder, the

00:08:59

first part - This is if, as everyone

00:09:02

says, the domestic versions of Banasaga,

00:09:06

which I dearly love and as for me, and that

00:09:09

in Gats the first, it even

00:09:12

played up Banasaga in some places, some

00:09:15

aspects were executed even better and

00:09:18

seemed more exciting, at

00:09:20

least for me, and here a game is being prepared with the

00:09:23

subtitle “The Way” and is positioning

00:09:25

itself as a full-fledged continuation

00:09:28

since it is some kind of offshoot, which is why I

00:09:31

initially approached the game with skepticism.

00:09:34

However, it showed itself well because it

00:09:38

offers a fresh look at this one.

00:09:42

gathering map and excellent In general,

00:09:45

the approach to the mechanics, which in my opinion is a

00:09:49

big plus, I won’t go

00:09:53

into the intricacies of the plot and tell

00:09:56

you the elor information about the

00:10:00

Shevts Universe, it is quite extensive, but the plot

00:10:03

revolves around the fact that we are preparing a

00:10:06

young man to participate in some

00:10:10

special tournament that is held in the

00:10:13

city

00:10:14

opposite the faction of the enemy

00:10:17

faction and we will promote him there using

00:10:19

such an underground method,

00:10:21

he will pose as a certain young aristocrat, in

00:10:25

this tournament various cool

00:10:28

commanders, adjutants and all sorts of

00:10:31

military cool dudes will participate and thus he

00:10:34

will be able to

00:10:36

neutralize them because the tournament is tough

00:10:39

with real deaths. In general, the

00:10:43

stakes are high and thus, according to the cunning plan of the

00:10:46

Berkanians, we play for the Berkanians, this is a

00:10:49

local faction, therefore, according to the cunning plan. In

00:10:52

general, we will [ __ ] the military power of the enemy in this

00:10:55

way. The games proceed

00:10:58

as follows: we have a set of cards

00:11:00

of ten pieces of combat with certain

00:11:04

wars, each of them has its own

00:11:06

attack and health indicators Well, and some

00:11:09

special passive abilities

00:11:12

that affect the Gameplay, there

00:11:13

are support cards, this includes

00:11:16

items that we can hang on

00:11:18

already used fighters placed on the

00:11:22

playing field and there is also a

00:11:24

spell there which has a massive

00:11:27

impact Well, in one turn we

00:11:29

can play one fighter card and one

00:11:31

support card, while laying out a

00:11:33

fighter card, we put a model of this very

00:11:35

fighter on the field and he this fighter

00:11:39

begins to go to the enemy commander and

00:11:43

this process cannot be stopped they do it

00:11:45

all the time strive to reach the enemy,

00:11:47

this must be kept in mind. Well, they

00:11:49

only stop when they

00:11:50

meet enemy units. And at

00:11:54

that moment this disassembly begins.

00:11:55

Health attack. All this affects

00:11:59

how it does not manifest itself in terms of

00:12:01

movement. The only thing we can

00:12:03

do is move it to the left. or to the right of a

00:12:05

fighter with a certain line and,

00:12:08

accordingly, whoever reached the

00:12:10

commander first dealt him the required amount of

00:12:12

damage and lowered the

00:12:15

commander’s health indicator to zero and won

00:12:17

nothing overall. It would seem tricky but in

00:12:20

fact Well, firstly, the fact that the

00:12:22

fighters themselves have a serious influence

00:12:24

are present on the field and

00:12:26

move directly across it. That is, this is a

00:12:28

card game that

00:12:31

seems to have been crossed a little with chess, and

00:12:33

secondly, uh, the main twist of the whole

00:12:37

showgazeway concept is that here

00:12:40

almost all battles contain

00:12:44

unique conditions, that is, every

00:12:46

battle in the game is direct it was sculpted by hand

00:12:48

and

00:12:50

some additional nuances were made for it, for example, there

00:12:53

may be a battle where there will be a hefty barrier in the middle

00:12:56

that will need to

00:12:58

be broken, and at the same time you have a special

00:13:01

Unit that gives additional

00:13:02

spells and you need to

00:13:04

keep it in the clearing longer to provide

00:13:07

yourself with an advantage over the enemy there may

00:13:09

be some powerful Unit that

00:13:11

needs to be restrained and not allowed to reach

00:13:14

your commander, at the edges of the field there may

00:13:18

be Archers who randomly

00:13:21

send their Arrows to the participants in the battle

00:13:24

and can fly to both you and the

00:13:26

enemy. In general, there were a bunch of all sorts of possible

00:13:29

modifiers is conceived in this game

00:13:31

and as a result, in terms of card gameplay, the result is

00:13:35

something in between the usual

00:13:38

card gameplay. Sorry for the repetition and the

00:13:41

riddles that were in the blackbook, if

00:13:44

anyone played, they understand what we are talking about, something

00:13:47

in between because that same golden

00:13:50

mean is on one side of

00:13:52

the battles do not get boring since they are always

00:13:55

different and on the other hand, they are not

00:13:58

driven into some too rigid framework

00:14:00

when you need to

00:14:03

do a specific set of actions and only then will you win,

00:14:05

here is the collection of your own

00:14:08

deck, tailoring it for yourself you can

00:14:11

use different tactics With all

00:14:13

this, some battles are quite

00:14:16

complex and here the plot unfolds in

00:14:19

the sense that we

00:14:21

must overcome several tournaments before the very

00:14:24

main thing that we strive for within the framework of

00:14:26

these tournaments, fights with the leaders. They

00:14:31

often contain unexpected

00:14:33

turns, quests and so Well, damn it,

00:14:38

some battles on the first try Well, it’s

00:14:39

very difficult to overcome, keep in mind

00:14:42

Although, by the way, there is a difficulty setting and

00:14:44

therefore you can lower it and just If you

00:14:47

want to enjoy the story By the way,

00:14:49

regarding the story, in addition to the card

00:14:51

gameplay, there is a visual novel element.

00:14:54

If you want, the characters communicate, conduct

00:14:58

dialogues and eat the choice in these dialogues

00:15:00

that has an impact on your

00:15:03

progress, while for me this is also a

00:15:05

huge plus: the text and the story are not

00:15:08

annoying, they don’t overwhelm you,

00:15:10

you don’t get bored clicking through

00:15:14

line after line, there’s also no

00:15:16

unnecessary graphomania, everything is very

00:15:19

clear and to the point there is also something special going on

00:15:22

that I also wanted to mention, the music is

00:15:24

still gorgeous, the embroidery of the fathers in the

00:15:27

first part was a wonderful

00:15:28

musical accompaniment, some of it

00:15:30

migrated from the

00:15:32

original. But unfortunately, I didn’t

00:15:35

find it like this. This is a cool animated

00:15:37

screensaver in Redemption, this was the subtitle of the

00:15:40

first game. just a masterpiece

00:15:43

screensaver, but otherwise in audio-

00:15:45

visual terms I can’t get to the bottom of it and

00:15:49

in general the game surprised me and captivated me and I

00:15:53

played for a refund not for an hour and a half but for

00:15:56

five or six and I’m thinking how to stop

00:15:59

[music]

00:16:01

[applause]

00:16:04

move on

00:16:06

Damn I wanted to say from one Noir to

00:16:08

another, then I realized that in general, in

00:16:10

Gats, I’ve never been Noir, because for

00:16:13

Benedict Fox cases, it’s very

00:16:16

obvious that they are inspired by two things:

00:16:18

Noir and this is

00:16:21

some kind of Lovecraftian thing,

00:16:24

I can’t call it like it was in Krokhtian

00:16:27

Horror because the formal game is not at all

00:16:29

trying in Horror, we’re just

00:16:31

in this kind of scenery and

00:16:34

some demon is hanging out with the main character,

00:16:37

who gives him different abilities,

00:16:39

who has small Tentacles, uh,

00:16:42

small relative to what he usually

00:16:44

imagined, uh, in this regard,

00:16:47

Lovecraft But in general, all this is not the essence is so

00:16:51

important because we have before us a mitraiding

00:16:53

in such a way, I don’t know, in the most classical

00:16:57

sense of this word, probably, or in

00:17:00

something very close to the classical

00:17:03

understanding, because we have a huge

00:17:06

world in which the

00:17:10

main character can move in a platform perspective,

00:17:12

there is a huge the number of

00:17:15

branches of places that are inaccessible from the very

00:17:18

beginning, places with which it is not clear what to

00:17:20

do, locks for which there are no keys,

00:17:23

many other typical features of the genre,

00:17:26

and the main character actually

00:17:29

runs around this world,

00:17:31

switches, fights with monsters and

00:17:34

all sorts of bosses in order to

00:17:36

penetrate everything doors behind all the locks

00:17:40

to reveal some secret of your father, which

00:17:43

seems to be hinted at, but as

00:17:46

if they don’t fully do it because the

00:17:48

vision of the game is very skewed, I

00:17:51

got the feeling that I pressed

00:17:53

some kind of skip button, as if they didn’t

00:17:55

explain it who is the main character? No,

00:17:56

where did the demon actually come from?

00:17:59

Partner, nothing he does, nothing for anything,

00:18:02

he tried

00:18:04

his father to come to him and

00:18:07

apparently talk about something, because in

00:18:09

fact, at the moment when the hero gets to him,

00:18:10

he finds his father dead,

00:18:13

goes to his Memories and that’s where it

00:18:15

actually happens All this

00:18:17

psychedelic, slightly

00:18:20

Lovecraftian macabre, we’ll throw

00:18:23

scary words, it all looks

00:18:26

good, like a Lovecraftian feeling

00:18:29

from this game I didn’t want and don’t want it, it’s

00:18:31

like very colorful, very

00:18:34

diverse and cheerful enough

00:18:38

to Well, it was hard to immerse myself in

00:18:41

some kind of Lovecraftian

00:18:43

state when I looked at what darkness

00:18:46

was looking at me, this is Lovecraft for children in

00:18:48

general, and therefore, firstly, it’s pleasant to look at the

00:18:51

game, and secondly, based on all the

00:18:55

trailers, it doesn’t seem to be either it feels

00:18:58

like there is some kind of catch in all of this, but

00:19:00

unfortunately there is a catch, and it’s very much

00:19:04

in the vein that the game Tryndets is so

00:19:08

clumsy. Well, in terms of the fact that the

00:19:10

main character Tryndets is so

00:19:12

clumsy because it’s as if

00:19:14

there is some kind of Input varnish on him

00:19:18

you press the button, after half a second it

00:19:20

only begins to respond to your

00:19:23

press. In addition, all the animations for

00:19:26

this type of genre tied to

00:19:30

some kind of timing on clear platforming

00:19:34

and similar things are slow and because of this

00:19:37

you feel as if there is some kind of relationship between you and the

00:19:41

main character something like a very

00:19:44

jelly wire is located and you

00:19:47

tell him to run to the left and he continues to

00:19:49

run to the right for some time and

00:19:52

only then starts to turn around and

00:19:54

then starts to run to the left while you are

00:19:56

just exploring the world, this is not critical, not

00:19:59

fatal, at least not at the first

00:20:00

levels some

00:20:02

mind-numbing platform tasks

00:20:05

or something like that But as soon as

00:20:08

the battle starts, everything becomes very tight

00:20:12

In short, in your words, it seems that

00:20:14

the developers have shifted their emphasis towards

00:20:17

beautiful animations from convenient control

00:20:20

and this is very strange Well, that is, if

00:20:25

I were playing this game since I’m used to

00:20:27

playing similar

00:20:29

Mi 3.2 they I would suffer and die and I

00:20:33

suffered and died for some time when I

00:20:36

reached the first boss because I

00:20:37

tried to beat him with the usual

00:20:40

tactics for me, like jumping away from the projectiles

00:20:42

that were flying in my face But

00:20:45

Apparently, The last cases Benedict Fox

00:20:47

puts great emphasis on reflection and

00:20:50

on the block because this button is very

00:20:54

convenient, it gives a huge

00:20:57

blocking of this window, while uh,

00:21:00

almost any damage is reflected,

00:21:03

regardless of whether there is someone on the floor

00:21:05

hits or you are thrown stones or shot

00:21:08

or beaten, regardless of the size of the

00:21:11

enemy, if you pressed this button in time the

00:21:13

damage will not arrive everything will be fine

00:21:16

and as soon as I started spamming her I

00:21:20

passed the first boss and then began to

00:21:23

progress well, but this did not fix the

00:21:26

problem that it’s

00:21:31

very painful and unpleasant to move and control the hero here,

00:21:33

and it works very strangely

00:21:35

in the sense that I don’t remember having

00:21:40

encountered this in any game like this, but here it’s as if the jump

00:21:43

consists of three phases, as if there were three

00:21:46

-these are linear phases of the jump and not just some

00:21:48

kind of Parabola, a hyperbola along

00:21:52

which the heroes fly following the law

00:21:54

of physics, he seems to ignore this and I don’t

00:21:56

know how characters in animation can

00:21:59

jump, but there it was done in order

00:22:01

to increase the degree of expression, but here it

00:22:06

is If in a game where I control what the

00:22:09

hero does, it makes it very difficult

00:22:11

to understand, on the contrary, what

00:22:13

is happening at what moment and where

00:22:15

you are And where you are moving and coupled

00:22:17

with the fact that it is generally unclear Which

00:22:20

direction the plot is moving Why is it

00:22:23

happening And what is it trying to say this

00:22:25

seems to give me only one

00:22:29

green light out of three because

00:22:32

we have cool visuals and a normal

00:22:35

audio series to make it pleasant to

00:22:38

watch, pleasant to listen to, but playing it’s

00:22:40

not that fun or enjoyable, there are

00:22:43

a lot of others here, Dmitry two, some

00:22:45

work approximately in the same way, but much more

00:22:48

pleasant and easier to control, even the

00:22:50

Hollow Knight, which I used to reef at one time

00:22:52

Well, due to the fact that I really

00:22:55

didn’t like how jumping with

00:22:57

non-plot content was implemented there, which you

00:23:00

could cling to and say about This is some kind of

00:23:03

cool character I want learn more

00:23:05

about him about his motivation, the world in which he

00:23:08

is, the things that surround him,

00:23:15

somehow we sometimes have vrifants,

00:23:18

let's have a short Intermission and

00:23:21

take a break from all these dynamic,

00:23:24

pompous, rich in terms of production of

00:23:27

games for a small puzzle called

00:23:31

ridles and a

00:23:33

series of pleasant puzzles related to the

00:23:37

placement of siege weapons in order to

00:23:40

get to the main castle to the main

00:23:44

goal, the puzzling essence revolves around

00:23:46

the fact that all siege weapons

00:23:49

presented in the game fire with a

00:23:52

different delay. Well, or in general, in

00:23:54

principle, trebuchets take longer

00:23:57

to work than catapults, rams take longer

00:24:00

to work than trebuchets And ballistae

00:24:02

for example, they only work if

00:24:04

something hits them, and there are your

00:24:07

siege weapons that you place

00:24:10

in the clearing, there are enemy siege weapons

00:24:13

that are placed in advance in the clearing, and

00:24:16

all this needs to be brought into some kind of system so

00:24:20

that one launches another or one

00:24:23

protects from a third or so that it

00:24:27

somehow synergized and, as a result, cleared the

00:24:30

way to some kind of projectile that would hit

00:24:32

exactly that very cherished goal, the problems

00:24:36

sometimes make you think. Although in general the

00:24:39

game is small, in half an hour, maybe

00:24:42

a little more, I completed 20-odd levels And

00:24:46

this seems to be more half of the entire game,

00:24:48

but at the same time, as often happens

00:24:52

with logic games from

00:24:54

single developers, it’s cheap. Well, at the

00:24:58

same time, it feels like it was made with

00:25:00

love, you know, the person really

00:25:03

put his soul into it while making it, taking into account all

00:25:06

these factors, you can take a closer look if

00:25:08

you’re looking for something here's a puzzling

00:25:10

entertainment for yourself for the evening, it

00:25:13

seems to me that riddles and is quite suitable

00:25:17

[music]

00:25:18

[applause]

00:25:21

next we have a game with a strange

00:25:25

name from XO which at first

00:25:29

glance immediately says that this is something

00:25:34

very much inspired by Hotline Miami

00:25:36

and this is true because that the

00:25:38

main character breaks through a level

00:25:42

filled to capacity with opponents and his

00:25:46

task is to kill everyone, and in

00:25:50

short, to kill them, they just find a way out of the

00:25:53

levels to get to him, as in my opinion it

00:25:55

was in Hotline, the plot background in this is

00:25:58

at least Because there is a main character

00:26:01

who is somewhere I was driving with my girlfriend, a

00:26:04

man in a mask was sitting next to him, a man in a mask

00:26:06

took off his mask, the main character put on this

00:26:10

mask for some reason. I found myself on some

00:26:13

shore next to some mansion in the

00:26:18

mansion, in fact, a

00:26:20

huge number of enemies were generated here that

00:26:24

need to be killed and several of them - then there are NPCs

00:26:26

who will help him in the sense of the hero

00:26:29

so that he can achieve his

00:26:32

final goal, they are there with an arsenal, they are watching,

00:26:34

they are giving different drinks, in general,

00:26:37

in short, a standard set. The main difference between the

00:26:40

game and Hotline is that

00:26:43

it is a roguelike because Hotline was

00:26:47

linear, relatively plot-

00:26:49

oriented the project here doesn’t

00:26:51

seem to have a plot at all, you just go

00:26:53

level by level, you kill,

00:26:56

you shoot, you destroy it, and you do it.

00:26:59

This is mainly using firearms

00:27:02

because there are no melee weapons

00:27:05

here, there is a kick and it one-shots. But that’s

00:27:09

actually all it is here, most often it is

00:27:11

not even used for killings in

00:27:14

order to break down doors because the

00:27:16

enemies don’t know how to interact with them in any way,

00:27:18

so it’s like one of the

00:27:21

frequently repeated episodes: you approach the

00:27:23

doors that are knocking down, you turn on

00:27:27

slowmo, which is also here, and just

00:27:30

like in some Hong Kong action movie,

00:27:33

you shoot everyone you see and then

00:27:37

someone else comes running and you

00:27:38

shoot them too and then

00:27:40

repeat everything until the level

00:27:43

is cleared. Another thing that

00:27:45

actually differs here is the fact

00:27:49

that everyone has a certain number of

00:27:52

lives; enemies die in more than one

00:27:54

hit due to weapons, the main character

00:27:56

can withstand a huge amount of

00:27:59

lead in himself and in terms of comparison

00:28:04

with some kind of furious dynamics of Hotline

00:28:07

Miami, I would say that this gives a drawdown

00:28:10

in dynamics because in Hotline you

00:28:13

had to directly measure it, you had to turn

00:28:16

on a lightning-fast reaction, that’s all

00:28:19

the fifth tenth is incredible to analyze And

00:28:22

here you can, simply due to the fact that

00:28:24

you can absorb some

00:28:28

incredible amount of this very damage, fly

00:28:30

anywhere, shoot everyone completely calmly,

00:28:33

but then they

00:28:34

will kill you anyway because there is no in this game. You

00:28:38

should not absorb damage because there is no

00:28:40

normal healers In general, if you

00:28:43

behave unbridledly, you will be

00:28:45

punished because, in fact, there are a

00:28:48

huge number of enemies and they

00:28:50

shoot very accurately, they react very quickly to

00:28:53

your appearance in their field of vision, this

00:28:56

sets a certain dynamics for

00:28:58

what is happening Well, and besides, there is no

00:29:00

opportunity to replay one and the same

00:29:03

level here is like in any

00:29:04

normal bagel, as soon as you die

00:29:06

you roll back to the

00:29:08

very beginning and there are

00:29:10

quite a lot of levels here and between them you

00:29:12

heal, in my opinion, by a certain percentage of

00:29:15

your maximum HP and not so that

00:29:18

the bar fills up completely the main thing

00:29:22

that disappointed me in

00:29:24

otx O this music Because the music in

00:29:29

Hotline Miami was cool Not because

00:29:30

it did vroom-vroom but because it

00:29:34

constantly built some kind of

00:29:37

global dynamics, it either died down, then

00:29:41

it became louder and everything

00:29:44

else fit perfectly In response to

00:29:46

what is happening on the screen in otx O, the music

00:29:51

just makes a monotonous breath of dysh-thousand-dysh,

00:29:55

it gets a little boring. And in fact,

00:29:58

quite quickly, which is why I

00:30:01

turned it off, but here we come to an

00:30:04

interesting conclusion,

00:30:06

which is a little contradictory in the bath

00:30:09

as as if from the last issue which

00:30:12

re-fandid a game that is similar to Caesar

00:30:15

because everything good that is in

00:30:17

this game was already in Caesar 100 came out

00:30:20

strange because with the exception of

00:30:25

Rauglikov's structure and

00:30:27

slow motion I cannot say that there

00:30:31

is anything here we haven’t seen it before,

00:30:34

and if I remember correctly, the

00:30:37

same slow motion was for example in Hong Kong

00:30:40

masacre game, which is also top down, also

00:30:43

about some kind of

00:30:45

cinematic shootouts with a

00:30:47

top view and which you refanded, in my opinion,

00:30:50

at one time and which I too the refund was

00:30:53

by the way, yes, because I remember that

00:30:55

I had some kind of gag with it, but

00:30:57

specifically 100x Oh, everything turned out

00:31:02

fine for me. I play the game normally. I

00:31:04

enjoy it. Despite the

00:31:07

fact that I can name a large number of

00:31:10

which -the obvious inspirations that are

00:31:12

present here and it’s not that there are a lot of

00:31:15

unique solutions and

00:31:18

black and white

00:31:21

accents, it’s not that something incredible

00:31:24

has never been seen, but on the one hand it’s not that

00:31:27

hackneyed, there aren’t many games

00:31:30

like this And secondly I thought that

00:31:34

despite the fact that we had Hotline

00:31:37

Miami, there weren’t many games that

00:31:40

were trying to parody it, they did it like they

00:31:43

understood what they were doing and that’s why

00:31:46

I wouldn’t refad XO, which I

00:31:50

actually don’t intend to do, I

00:31:52

can’t help but note that it is written that

00:31:54

it reads from XO as very so apparently

00:31:58

this is some kind of non-English language uh I was

00:32:00

just curious What

00:32:02

the Title could mean but I never found the information

00:32:04

inside the game they say that so uh in

00:32:08

some language the wolf sounds good that we

00:32:11

this was found out

00:32:12

[music]

00:32:16

as far as I understand, the next game

00:32:19

I got acquainted with. It’s called

00:32:20

Dance of Cards. It’s like the previous one. My

00:32:24

game ridle sensich was created by one

00:32:27

person, but here, of course, you can already

00:32:30

feel that perhaps this is some kind of

00:32:32

Magnum opus of this figure because

00:32:35

you can already feel scale and

00:32:38

solidity is felt Dance of Cards is an

00:32:42

adventure narrative game

00:32:45

crossed with poker and

00:32:48

gambling in general. We act as a

00:32:51

young magician who

00:32:53

participates in a show program. And this

00:32:56

show program at some point decided to

00:32:59

move overseas to the New World from Europe

00:33:03

in order to arrange a tour there, they

00:33:06

find themselves on a liner and on this liner they

00:33:09

begin. Apparently I haven’t really had time to

00:33:13

intensify these events yet, but

00:33:16

some mysterious mysterious events of a

00:33:20

criminal or thriller plan begin, in

00:33:23

general, they will need to survive there for seven days

00:33:25

and all this is associated with

00:33:29

poker games, that is, as you can guess,

00:33:30

high stakes, someone will be constantly

00:33:33

minus at the same time, these poker

00:33:36

evenings are framed by various

00:33:38

various events, you can walk around the

00:33:41

ship, communicate, be distracted by some

00:33:44

other activity, stumble upon

00:33:47

some events, you can find

00:33:49

objects, and so on further and so on and so

00:33:51

on In terms of mood and to a greater extent

00:33:54

graphically, all this reminds me of

00:33:57

undertale, also kind of tacky,

00:34:00

a little skewed to some children’s

00:34:04

drawings in paint, graphics and the mood

00:34:08

reigns with a certain sad lyrical humor

00:34:11

or something like that some kind of

00:34:14

tragic Irony or something Moreover,

00:34:17

Undertale was partly a role-playing game

00:34:21

and Dance of Cards is also partly a role-playing

00:34:23

game because the character has

00:34:25

leveling up, the character has both

00:34:29

active and passive skills, he can carry

00:34:31

items in the inventory that can

00:34:33

influence its characteristics

00:34:35

In general, all this is there and this whole

00:34:38

story has its own influence during

00:34:41

poker games here, poker is not easy with a

00:34:45

peppercorn. That is, you can try

00:34:47

to cheat there, have an additional

00:34:50

influence on the game, you can change cards there,

00:34:52

piss off your opponents. In general, there are a

00:34:55

lot of different tricks. Some of these

00:34:58

skills they are, I would say, annoying and

00:35:01

somewhat strange. For example, I played

00:35:06

poker with a dude who used the

00:35:08

antif skill and it worked very strangely

00:35:10

because I am like that now there

00:35:13

will be a little terminology for those who are good

00:35:15

at poker, I apologize to those who are not

00:35:18

good at it, I just want to explain In general,

00:35:21

I have ace 10 in my hands. I make a move

00:35:24

preflop. This guy uses anti-bleed and

00:35:28

it works. The game thinks that with an ace

00:35:30

and ten I should have folded in the small blind. For

00:35:33

some reason, she thought

00:35:36

that I didn’t have a strong

00:35:37

hand and blamed me. in bluffing and like

00:35:40

this Well, several similar situations arose

00:35:42

during the game, there are just

00:35:45

annoying things in the sense that

00:35:47

some opponents constantly

00:35:49

spawn with a certain skill, there is a

00:35:52

girl who constantly steals his chips, they

00:35:54

need to steal them and steal steal And

00:35:56

steal And Well, it’s just boring but in in

00:35:59

general, you can come to terms with all this, it does

00:36:01

n’t have such a strong and not so critical

00:36:02

effect, what I didn’t like even more is

00:36:05

that each player

00:36:08

has a certain style of play and, in

00:36:12

theory, he should strictly follow it someone

00:36:16

loves me Bluff again someone- then he likes to

00:36:19

constantly attack and make raises, someone

00:36:23

on the contrary, then you play both checks and

00:36:26

calls, and if you don’t play as

00:36:30

befits this character, and here you

00:36:33

can play not only for the main character, but for

00:36:35

different characters, that is, the team is like this, so

00:36:36

if you are not playing as

00:36:39

befits a particular character, the game

00:36:41

will punish you, it will drive the

00:36:43

character into stress, he will reach the point of

00:36:47

panic at these moments, you may lose

00:36:49

control over the situation. In a panic,

00:36:51

because the character there begins to show

00:36:52

his cards, begins to discard them there in

00:36:55

general all sorts of things happen and this is Well,

00:36:57

strange In my opinion, because it

00:36:59

feels like the author loves poker and he

00:37:03

wanted to make an original, interesting

00:37:06

game with poker But these moments are

00:37:10

classic poker Gameplay, they

00:37:13

destroy that is, all sorts of things with

00:37:17

changing cards there or with some

00:37:19

I still understand cheating, but this is what you

00:37:21

should follow only certain

00:37:23

tactics. I think this is a big hindrance, and

00:37:26

other gambling games are also

00:37:29

thoroughly developed or they just

00:37:31

exist and you can spend a couple of minutes on them

00:37:34

and then continue for an hour and a half playing

00:37:36

poker, the second option because that poker

00:37:39

is the main thing and various additional

00:37:41

entertainment is just to distract me

00:37:45

so far I have met with a lot of cars and more

00:37:48

less mostly here Yes,

00:37:50

I also see everything about poker on almost all the footage with

00:37:53

games, next to it there is a stage on which

00:37:56

musicians stand above which the

00:37:58

subtitles of their songs are displayed This is an excellent In my

00:38:03

opinion, the artistic moment of the author's

00:38:05

decision is even partly justified from the plot point

00:38:08

of view that at the moment when

00:38:10

you play poker there is a

00:38:12

musical ensemble nearby that performs

00:38:14

songs,

00:38:15

even in the prologue that took place you

00:38:18

ended up in the room of a casino security guard. But

00:38:21

it’s like a kind of room for

00:38:23

conclusions and at the same time they detained not

00:38:26

only you, but also this

00:38:27

musical ensemble and when you were playing with this

00:38:29

guard, he was like, come on, hit

00:38:32

us with something and they start playing, and that

00:38:35

is, you are playing in his little room and

00:38:37

this one is standing next to him the musical

00:38:39

group that accompanies your game is

00:38:41

cool, it’s just made, the music is really really

00:38:43

high-quality Despite the fact

00:38:46

that it’s well, I would say it’s middling, but at the same time

00:38:54

it’s very coolly done. Well, for the rest I imagine that this will all turn into a final refand and this is not a refand But I’m

00:38:57

honest I’ll say I’m a little upset because of

00:39:00

this notorious style of play

00:39:03

that gets attached to certain

00:39:06

characters. It seems to me that there are too

00:39:08

many of these role-playing details and

00:39:12

little frills that the author has wrapped up in the poker

00:39:15

concept. Well, he should have left two-thirds

00:39:18

of what he came up with I think it

00:39:21

would be better because it slightly

00:39:22

blurs the very essence of poker, but obviously

00:39:26

the game was made for poker fans and this,

00:39:29

by the way, is also probably a problem because because of

00:39:30

this the game has a very narrow audience. In the

00:39:35

future, many will leave it

00:39:38

behind. It’s a pity because the game

00:39:41

original interesting and worthy of

00:39:44

attention Therefore, if you are not indifferent

00:39:46

not only to indie games but also to poker, there is no

00:39:50

doubt about it, check it out

00:39:52

[music]

00:39:53

[applause]

00:39:56

train howls, the game is very strange

00:40:00

Because you look at the trailers, you look

00:40:05

at the screenshots and something happens there there are

00:40:08

some crowds of enemies, there are some

00:40:11

giant monsters, parallel trains,

00:40:13

which means they are passing by your train,

00:40:16

which is traveling through the void, which actually

00:40:19

sets the name of the game, practically None

00:40:22

of this in an hour and a half, the classic

00:40:26

framework of Riffandr’s introduction, I didn’t

00:40:28

see saw a lot of the void through

00:40:31

which Mine was traveling train Well, at the

00:40:34

moment, strictly speaking, this is Rubber that

00:40:37

has undergone one improvement, in my opinion. Which

00:40:40

means, what is it in general, where do they start from here?

00:40:44

Where do they go and how do they pass? A certain

00:40:47

Soviet engineer in some Soviet

00:40:49

years, that means, went somewhere there for

00:40:52

shift work, saw what -then he

00:40:54

followed the tracks and got into the Other World, now

00:40:57

he has a trolley, some notes from

00:40:59

some scientist, and that means an endless

00:41:02

road ahead along which he travels

00:41:04

for no apparent reason. Well, he is tied to this trolley with a

00:41:06

cord like from rubber, he

00:41:09

can’t fly far while it is

00:41:11

in this hole, there are stops at them, you can

00:41:14

go any distance, but

00:41:16

nevertheless, at first glance, everything is

00:41:18

simple, there are tires, there is a road, a trolley

00:41:20

rides along the road around the road,

00:41:24

various kinds of resources are hanging in the air, which

00:41:25

can then be used for this purpose. to

00:41:29

study some new things, discover

00:41:32

new technologies, and so on and so on,

00:41:35

and well, as if regularly, according to my calculations, about

00:41:40

once every 20-30 minutes you arrive at

00:41:43

some kind of giant space

00:41:46

railway station where you can

00:41:49

do something - there’s something plot-related there at the

00:41:51

first station, in my opinion, the hero finds

00:41:53

a gun at the second there are already enemies

00:41:57

with whom you can shoot, and so

00:42:00

on, it’s all very good and

00:42:03

nice looking, the setting is like this,

00:42:08

railways hanging in the void when there are some

00:42:11

scraps around It’s not clear what’s where - there are

00:42:13

some columns far away, which means some

00:42:16

incomprehensible monsters somewhere on the verge of

00:42:18

perception, there in the fog they

00:42:21

are moving their tentacles and it’s as if

00:42:24

they are creating this Lovecraftian

00:42:25

effect and well, as if on a regular basis, all this is

00:42:28

somehow still a little bit - it changes a little there,

00:42:30

you pass by some I don’t know

00:42:32

hanging ruins, uh, and other things. Besides, there are

00:42:36

some inhabitants whining everywhere, the

00:42:39

inhabitants, at first they’re just some

00:42:41

small fish, like, well, I’d like

00:42:44

to call them fish because they

00:42:46

seem to be they fly and swim, but it’s clear

00:42:49

that there is weightlessness and we are not talking about

00:42:53

water, but just some animals, then

00:42:56

there is some dangerous shark that

00:42:58

can periodically fall asleep on the hero’s

00:43:01

ass if he

00:43:03

leans out from his platform for a long time. But the main

00:43:07

strangeness is that

00:43:09

the craft the system is in no way

00:43:12

tied to what is happening on

00:43:14

the screen, as it were. At first, purely by

00:43:18

inertia, on some

00:43:20

survival reflexes, I flew around the trolley

00:43:23

honestly collecting iron, wood, some kind of

00:43:27

chemicals, organics, ice in order to

00:43:31

craft some boxes so that I

00:43:33

could go there putting together these same resources

00:43:35

means workbenches of the smelter,

00:43:38

which are needed in order to

00:43:40

process some more complex

00:43:42

composite materials, which are then

00:43:45

required to build new

00:43:47

workbenches on which you will then

00:43:49

build even more complex

00:43:51

complex materials. And when I realized

00:43:53

that, as it were, first of all, I’m doing what

00:43:57

I was doing at the trading post, only the trading post

00:44:00

was fun because I was

00:44:03

automating these processes. And here I

00:44:05

have to put everything with my hands everywhere,

00:44:08

collect it, shift it, and it also comes

00:44:11

from some workbenches; in short, not all

00:44:13

materials can be unloaded there in

00:44:15

batches. and sometimes you open the next

00:44:19

thing and it says something like it’s impossible to

00:44:21

continue production because there are

00:44:23

so many things lying on the

00:44:26

exit plane and there’s only one thing lying there

00:44:29

and it was just a nightmare and the

00:44:32

second is an even stranger consciousness. I

00:44:36

realized that this is not at all tied

00:44:38

to the type to what is happening on the screen in the

00:44:42

same way that, as if in a normal

00:44:44

survivalist, when you find yourself in

00:44:47

this mysterious new unknown world,

00:44:49

you have a problem of hunger You have

00:44:52

problems there are cold For example, you have a

00:44:54

problem that

00:44:56

you cannot move somewhere from starting

00:44:59

point because there are some dangerous

00:45:01

conditions there and you first need to craft

00:45:02

a weapon, for example, in order to poke

00:45:05

around somewhere because there you will have to

00:45:07

kill Wolves, here all the crafting doesn’t give

00:45:10

me any protection from the environment,

00:45:14

which doesn’t even try to attack me somehow - then to be

00:45:15

aggressive until the

00:45:18

first appearance of this kind of

00:45:21

animal floating from afar, I don’t craft

00:45:24

like food because I just pick up

00:45:27

organic matter and ice and consume them, and I don’t

00:45:31

craft some kind of armored plates for the train

00:45:33

because they are not needed, I don’t I’m crafting

00:45:35

some new weapon because I

00:45:37

have a pistol with an infinite

00:45:39

number of cartridges and in short, when I

00:45:42

realized this, I had so

00:45:44

many questions. Well, that is, if

00:45:46

it were a hook, let’s assume for the first

00:45:49

half hour of the game that you just launched it

00:45:53

you look from right to left like this Oh what kind are

00:45:56

here and as if to start

00:45:59

introducing you into the world Show you look like

00:46:01

this they collect resources here Here you have

00:46:04

a revolver, shoot at all sorts of

00:46:06

small local inhabitants get used to

00:46:09

local shooting Realize that there are

00:46:12

new people here and here you go we are introducing you into the

00:46:15

world. Now you have this

00:46:17

number of mechanics for which you

00:46:18

are responsible, working with them through

00:46:21

Crafting the collected resources, actual

00:46:24

ingenuity and the rest. But apparently,

00:46:26

for an hour and a half I could

00:46:29

simply press the pedal of the trolley to the

00:46:32

floor and accelerate forward and I wasn’t in any danger at all,

00:46:34

either I did something wrong for an hour and a half and

00:46:37

some kind of

00:46:39

Trigger didn’t work, uh, like you went through

00:46:42

conditional training Now let’s

00:46:43

start playing, or the game has some

00:46:46

very strange, very drawn out

00:46:48

game design sometime during the

00:46:50

first two hours you don’t see anything at all

00:46:52

and only then apparently

00:46:56

something starts because Looking at the trailer

00:46:58

I have a lot of questions, how many hours do I have to

00:47:01

travel to these interesting hefty

00:47:03

monsters, these people in terrible

00:47:07

red power armor and to other

00:47:10

interesting adventures

00:47:12

because I didn’t see anything of this during my timing

00:47:16

and it’s very strange. Well, apparently not

00:47:19

only for you, given the mixed

00:47:21

nature of the Steam reviews. However, in my

00:47:25

final defense, I’ll still say that Voytrain

00:47:28

is still in early access and

00:47:32

perhaps now, as if having received

00:47:35

such feedback, the developers

00:47:38

will think about it and maybe they will correct something,

00:47:42

somehow speed up the dynamics of what is happening

00:47:44

if this is required. Although it is possible that is exactly

00:47:47

what they were trying to achieve and the point is that

00:47:50

you first

00:47:51

need three or four hours there endure

00:47:54

monotonous boredom and then you begin to

00:47:58

enjoy how everything

00:48:00

around you begins to move to life, but this is

00:48:04

all hypothetical And this is all in the future in the

00:48:06

present we have such a very

00:48:09

visually seemingly attractive

00:48:11

project But how filled with

00:48:15

content it is very difficult to judge from the first

00:48:18

hours games

00:48:24

and that's all for us today, everything is as

00:48:27

usual. Thank you for your attention and

00:48:30

Andrei Maestro Berestov for his help with the

00:48:33

editing. Moreover, now he has

00:48:36

completely taken on this task. Previously, I

00:48:38

initially did the sound and Andrei put in the footage.

00:48:42

Now all the editing is on him And

00:48:44

I hope he didn’t swear at us much, cutting out

00:48:47

spoiled takes. And finally,

00:48:49

it remains only to remind us that do not

00:48:52

forget to send us

00:48:54

suggestions for games in the comments that may be

00:48:56

included in the next issue of the refund. And that’s

00:48:59

all, good luck to everyone and happily bye

00:49:05

[music]

Description:

Процедурно-сгенерированный неокорпоративный нуар, карточно-шахматное продолжение Ash of Gods, лавкрафтоидвания, осадно-разрушительные загадки, чёрно-белая пародия на Hotline: Miami, трибьют покеру под соусом Undertale и поезд, преодолевающий пустоту по рельсам. Игры выпуска: — Shadows of Doubt ( https://stopgame.ru/game/shadows_of_doubt ); — Ash of Gods: The Way ( https://stopgame.ru/game/ash_of_gods_the_way ); — The Last Case of Benedict Fox ( https://stopgame.ru/game/the_last_case_of_benedict_fox ); — Riddles And Sieges; — OTXO ( https://stopgame.ru/game/otxo ); — Dance of Cards; — Voidtrain ( https://stopgame.ru/game/voidtrain ). • Комментарии и обсуждения — https://stopgame.ru/show/134291/ischem_horoshie_igry • Ещё больше об играх — https://www.youtube.com/StopGameRu/StopGame-SUB 00:00 — Вступление 00:26 — Shadows of Doubt 08:34 — Ash of Gods: The Way 16:02 — The Last Case of Benedict Fox 23:15 — Riddles And Sieges 25:20 — OTXO 32:15 — Dance of Cards 39:55 — Voidtrain 48:23 — Заключение *** 📧 Вопросы по рекламе: [email protected] 💥 Поддержка StopGame: https://boosty.to/stopgame Расписание стримов — https://stopgame.ru/live_schedule Прямые трансляции на Twitch — https://www.twitch.tv/stopgameru/ Футболки от StopGame — https://shop.stopgame.ru/ Дзен - https://dzen.ru/stopgame BK — https://vk.com/stopgameru Discord — https://discord.com/invite/stopgameru Steam — https://steamcommunity.com/groups/stopgamecommunity Facebook — https://www.facebook.com/unsupportedbrowser Twitter — https://twitter.com/stopgameru Telegram (дайджест) — https://t.me/stopgameru Telegram (новости) - https://t.me/stopgamenews Instagram — https://www.facebook.com/unsupportedbrowser

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