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Russian
00:01:50
The girl's body was found north
of Copacabana Beach this morning.00:01:54
No papers, no identification,
I think she was a foreigner.00:01:58
Captain Poletti believes that
we should turn the case over to Interpol,00:02:02
Bureau number 19.00:02:06
It's a shame, always the same story.00:02:09
For the one who ends like this,
ten more new ones occur.00:02:12
There are too many
naive people in the world.00:02:50
Your attention, please,
passengers from Flight 34.00:02:56
Here are the passports,
and here are the working permits.00:03:01
All in perfect order.00:03:04
-Eve, I have a confession to make.
-Yes.00:03:08
When I told you I'd done a bit of flying,
well, that wasn't strictly the truth.00:03:13
I've never been in an airplane
before in my life,00:03:16
but I wanted to pretend I had because,
well, you've flown so much00:03:20
that I felt silly so I lied a little.00:03:24
I simply assumed that everybody
in the world had flown but me00:03:28
so I lied a little myself.00:03:31
Mademoiselle Elise LeFevre.00:03:41
-Agostino.
-Senorita Lena Agostino.00:03:51
-Richardson.
-Ms. Emily Richardson.00:04:02
-Voorhees.
-Ms. Connie Voorhees from Rotterdam00:04:11
-Ullmann.
-Ms. Eve Ullmann.00:04:18
Thank you.00:04:22
All right, girls, here we go.00:04:23
Madam Lansowa is expecting us
for tea at the villa.00:04:26
What about our luggage, M. Albert?00:04:28
Everything has been arranged,
it'll be in your rooms before you are.00:04:31
You're so wonderful,
sometimes I wish I were 20 years older.00:04:36
Let's go, come on.00:05:25
Oh, yes, definitely.00:05:27
The young ladies worked
very hard in Paris.00:05:30
I'm sure when they'll model for you,00:05:33
you'll agree there are
no more graceful mannequins00:05:36
in the whole world.00:05:38
Surely, and your rooms,
are they nice and comfortable?00:05:42
They are the most
beautiful rooms I've ever seen.00:05:45
I don't think I'll ever get used to mine.00:05:47
We, here in Villa Braganza,
have the largest fashion house00:05:50
in all Latin America.00:05:51
Instead of giving silly little
fashion shows for housewives00:05:55
who during an entire season
may buy half a dozen dresses,00:05:58
our showings offer buyers
from all over the continent00:06:02
who order by the hundreds.00:06:04
Now, just a few words
on the subject of your private life.00:06:08
You'll meet a good many
rich and cultured people.00:06:11
So that you form associations
that are your best interests,00:06:14
I suggest you let me
choose your friends at first.00:06:17
All right, girls, let's go.00:06:20
An hour's nap
will do wonders for your eyes.00:06:43
-Constantia.
-Good evening, Jaime.00:06:45
It's a shame Pasquale didn't bet.00:06:48
What bet?00:06:49
That tonight you'd be here, Senor Coltos,
to see M. Albert's latest importations.00:06:53
Oh, by the way,
I have a friend arriving tonight.00:06:57
A young American who's working
in a mine for me in Margosa.00:07:00
This will be his first taste
of civilization in many months.00:07:03
I wish it to be pleasant for him.00:07:05
His name is Lanning, Richard Lanning.00:07:07
I'll bring him to your table,
Senor Coltos.00:07:22
Yes, I was thinking of that.00:07:24
We are very beautiful here,
but there are also many beautiful girls00:07:27
who sell fish heads
in the market of Santo Tomas.00:07:31
The difference lies in our Madam Lansowa.00:07:34
She only permits us
to see the finest of gentlemen.00:07:36
She's very strict about such things,
but if you please her, who knows?00:07:42
Did you hear?00:07:45
-Surprised?
-I expected it.00:07:49
All right, are you ready?00:07:51
Emily, Connie, Christina.00:07:55
Now, smile naturally, and just be relaxed.00:08:37
-Coltos, you old no-good.
-Yes, sit down.00:08:39
-This must be Mr. Lanning.
-Yes, Pasquale, thank you.00:08:43
-Hey, you look just a little under.
-I know, tomorrow I'll be a little over.00:08:47
-You're an hour late, what kept you?
-I ran into my old buddy from Seabees.00:08:52
We got the testing capacity to see
if we're good as we used to be.00:08:55
-Were you?
-No, I'm afraid not.00:08:57
One bottle of champagne
between us and we were kaput.00:09:00
-Cheers, isn't that what all say nowadays?
-Cheers.00:09:04
Cheers,
it's a silly thing to say, isn't it?00:09:08
-Hey, what goes on here, anyway?
-Fashion show.00:09:12
-What?
-A fashion show.00:09:15
You mean to tell me that I fought
and died for six months in a jungle00:09:19
and my first night back
you bring me to a fashion show?00:09:21
-Relax, you may get to like it.
-Cheers, I'm at a fashion show.00:09:44
See that little one's kind of cute.00:09:53
We'll see if she can join us.00:09:54
Hey, now, wait a second, take it easy,
this is my first night in town, remember?00:09:58
I don't want to spend the whole time
talking to a clotheshorse.00:10:02
Perhaps you'll find things around here
more interesting than you think.00:10:18
May I introduce you?00:10:20
This is Senorita Eva Ullmann,
and this is Senorita Elise LeFevre.00:10:24
Jaime Coltos,
and this is surely Mr. Lanning.00:10:27
How do you do?
Want to join us?00:10:29
They'll be very happy to, I'm sure.00:10:49
-None for me, if you please.
-Oh, nonsense, my dear, here.00:10:58
Are you the Mr. Coltos
I've heard so much about.00:11:01
I mean the…00:11:02
Tycoon is the word
you are thinking of my dear.00:11:05
-Tycoon?
-Yes, tycoon, big man.00:11:09
You take Coltos here.00:11:11
When he stays in Rio,
he lives at his own hotel.00:11:14
When he wants to see a movie,
just goes to his own theater,00:11:17
and anything he has to say,
he publishes it in his paper.00:11:20
I see, you must be
a very big tycoon, Mr. Coltos.00:11:23
Oh, yes,
nicest tycoon I ever worked for.00:11:27
-Cheers, tycoon.
-Cheers.00:11:32
-Would you care to dance, my dear?
-I would love to.00:11:35
-Will you excuse us, please?
-Quite sure.00:11:39
The place is loaded with tycoons.00:11:42
Well, cheers.00:11:48
Don't you know when somebody says cheers,
you're supposed to drink?00:11:52
It's very bad form not to,
very bad form.00:11:54
I'm sorry to disappoint you,
but I don't drink on short acquaintances.00:11:59
Well, just how long
an acquaintance do you drink on?00:12:02
I really have no flat rule about it
and actually, I'm not thirsty tonight.00:12:06
There must be some kind
of a rule about it.00:12:08
I mean, three months acquaintance,
a year, five years, ten.00:12:12
If it really troubles you,
I'll take a sip now.00:12:15
Cheers.00:12:29
Again, you'll have to excuse us,
we've decided to dine together.00:12:33
-Of course, perfectly all right.
-See you tomorrow.00:12:43
-I beg your pardon?
-I just said, oh.00:12:47
Listen, it's much better
alone anyway, it's cozier.00:12:50
-Come on, have another drink.
-No, thank you.00:12:54
Tell me, Mr. Lanning,
are you really a buyer?00:12:59
-I beg your pardon?
-I said are you really a buyer?00:13:04
-Well, I certainly am.
-You don't seem like one at all.00:13:10
-No, why not?00:13:12
I don't know,
you're just different from most, I guess.00:13:16
Yes, I guess you see a lot of them, huh?00:13:18
I haven't really yet,
but I presume I will.00:13:21
You see, I'm quite new here.00:13:23
I've worked in Europe,
and I was trained in Paris.00:13:26
Trained in Paris, huh,
well, well, well.00:13:30
Do you buy for a firm
or just for yourself?00:13:34
No.00:13:35
I mean that it's not for a firm,
just for myself, me.00:13:41
Have you seen anything
that you like tonight?00:13:44
Yes, you.00:13:48
-Beg your pardon?00:13:49
You asked me if I saw anything
I like tonight and I said yes, you.00:13:54
Come on, baby, let's get out,
I'm over at the Plaza.00:13:56
There's a wonderful bar
and they got the best band in town.00:13:59
I'm afraid
I must have said something stupid00:14:02
to have given you
such an impression, forgive me.00:14:05
Good night, Mr. Lanning.00:14:08
Hey, wait a minute.00:14:46
-What are you doing here?
-What am I doing here?00:14:49
I just want to know
what's wrong with me.00:14:52
Have I got two heads?00:14:53
Leave my room at once.00:14:56
-If you don't get out of here, I'll…
-You'll what?00:15:01
I'll break this over your head.00:15:04
Okay, let's see you try it, hey.00:15:27
Eve, open up, it's me, Connie.00:15:33
-Mr. Lanning, what's happened?
-What has happened, ma'am?00:15:38
Well, I have been launched,
I have been sent down the ways.00:15:41
I've enough on board
to float a battleship,00:15:44
and I am full steam away from here.00:15:46
No, what's that?00:15:48
Well that, ma'am,
happens to be blood.00:15:52
Mr. Lanning,
please allow me to call a cab for you.00:15:55
No, thank you, ma'am.
I wish no more truck with you.00:15:58
Mr. Lanning, I have a favor to ask.00:16:01
I promise you nothing,
but go ahead and ask me anyway.00:16:05
-Don't tell anyone about this.
-That, I can promise you.00:16:10
This is not something about
which I care to brag.00:16:13
Goodnight.00:16:22
-Who is it?
-Madam Lansowa.00:16:32
Fraulein Ullman,
this goes for you too.00:16:35
When I introduce you to a gentleman,
I insist you extend him every courtesy.00:16:39
Remember that in future.00:16:41
I'm here as a model and nothing else.00:16:44
If you wish your gentleman drunks
to be entertained, do it yourself.00:16:49
Who took care
of your training expenses in Paris.00:16:52
I think we paid them, didn't we?00:16:54
In the bargain,
you were given a two-year contract,00:16:56
paying you a higher salary
than any model in Paris ever dreamt of.00:17:04
-Now, do we finally understand each other?
-Connie and I are leaving in the morning.00:17:10
-Albert.
-Yes.00:17:13
My dear Eve,
that would be very difficult.00:17:16
I have your passports
so you have no identity.00:17:19
I have your working permits
so you can work nowhere else.00:17:23
Finally, you've got no money
to go back home.00:17:25
Then we will go to the police.00:17:27
Maybe we'll go to the police
to enforce a contract00:17:30
which you signed
and to collect the money.00:17:32
We advanced you
for training and transportation.00:17:35
You see, it's double-edged business
to go to the police.00:18:09
Connie.00:18:10
What's the matter?
Why aren't you ready?00:18:15
-Eve, I'm afraid.
-Listen, the whole house is asleep.00:18:19
I could see the gate isn't guarded,
who's to stop us?00:18:22
Why don't you phone the police
and see what happens?00:18:25
I tried, those are only house phones.00:18:28
Look, they practically dared us.00:18:30
I got the address of the police
and consulate from the phone book.00:18:33
We have no papers.00:18:35
All these people are bluffing.00:18:37
Come on,
hurry up and get dressed.00:19:29
You see, it was easy.00:20:37
Senorita,
what makes you so sure00:20:38
that these young ladies
are being held against their own will?00:20:42
Would I come to you if we weren't?00:20:44
We're like prisoners, I tell you.00:20:46
-You're a German, aren't you?
-Yes.00:20:48
Would you mind
showing me your papers, please?00:20:50
I don't have them,
that's a part of their scheme.00:20:54
The hold they have on us.00:21:13
Police.00:21:15
-Whom do you wish to see?
-Madam Lansowa.00:21:18
You'll find her in the salon,
this way, please.00:21:28
Elise, I want you to finish
your turn tonight right at this spot.00:21:31
This evening, the biggest buyer
from Buenos Aires will sit here.00:21:35
Once more.00:21:38
Dear child,
what has happened to you?00:21:41
Why didn't you take
the sedative I gave you?00:21:43
I'm Dr. Perez,
this lady has been under my care.00:21:45
You wish to see Madam Lansowa,
over here.00:21:49
You are not well, child,
you must get some rest.00:21:52
I've never seen you before in my life.00:21:54
-Where have you been?
-I called the police.00:21:58
The police, but what for?00:22:00
Aren't you going to back me up?00:22:02
It's so silly,
I have nothing to complain of.00:22:04
-I have nothing to tell the police.
-Fantastic, poor child.00:22:09
This is the man who has my papers.00:22:11
I certainly do,
for your own protection.00:22:15
I also have your contract,
which you want to break now.00:22:18
I must say you've chosen a very vicious
and stupid way of doing it.00:22:23
If you want to leave here, okay,00:22:25
but why ruin
the good name of this establishment?00:22:27
Monsieur Albert, don't chastise her,
she has been under severe nervous strain.00:22:31
Suppose we ask the other young ladies
if they will confirm her accusation?00:22:36
Certainly, why not?00:22:38
These gentlemen are police officers.00:22:40
They say that Fraulein Ullman
has filed a complaint00:22:42
that you, young ladies,
are being held against your will00:22:45
and that you are not models at all.00:22:48
That you are hired to satisfy the whims00:22:51
of wealthy men who come here,
is that true?00:22:55
-Christina?
-Certainly not, madam00:22:57
Lena?00:23:01
No, madam, it isn't true.00:23:04
Emily and Elise,
you came here at the same time as Eva.00:23:07
-Is there any truth in what she says?
-No, madam.00:23:09
I knew she was sick,
but I didn't know she was crazy.00:23:12
They are lying,
they are afraid to tell the truth.00:23:15
There's another girl who will confirm
what I've said, Connie Voorhees.00:23:19
She's at the Dutch consulate now.00:23:20
Would one of you gentlemen
care to call the consulate?00:23:23
-May I?
-This way, please.00:23:30
It's rather serious,
the long trip, the change of climate.00:23:35
She had a temperature when she arrived.00:23:39
Are you sure?00:23:42
Thank you.00:23:49
No one named Connie Voorhees
entered the consulate today.00:23:52
Then something happened to her.00:23:53
Senorita, please
come with me for a moment.00:24:01
Senorita, it appears you're mistaken.00:24:04
If some client has made
a proposal that is offensive,00:24:07
there is no reason to conclude
about the entire establishment.00:24:10
-Then you think I'm making this up?
-We've never received protest about here.00:24:14
I'd suggest if you don't wish
to remain here,00:24:17
that you get your papers
from Monsieur Albert00:24:19
and settle this quarrel
about your contract.00:24:21
You must remember
that you are an alien00:24:23
and subject
to arrest without identification.00:24:25
You mean you're leaving me here?00:24:27
You may stay or go,
but you'd better get your papers.00:24:30
-Good day, senorita,
our apologies, madam.00:24:33
Good day.00:24:40
-Give me my passport, please.
-All right, if you insist.00:24:46
Aren't you concerned
about your friend Connie?00:24:48
-Where is she?
-Do you want to see her?00:24:51
-Of course.
-Come on.00:25:06
We had to reason with her.00:25:07
Afterwards, she needed a sedative.00:25:12
Not now, you may talk to her later.00:25:15
She will be returned to her room
when she awakens.00:25:19
It was all your fault,
and so stupid running off to the police.00:25:23
-You must be an idiot.
-Maybe I was.00:25:26
Here, I can save money
for a dowry when I go home.00:25:29
Or marry some rich man, if I'm lucky.00:25:31
-Madam Lansowa is kind--
-Kind, you call this being kind?00:25:37
I'm as sorry for Connie as anybody else,00:25:39
but I'm going to see
that a thing like this won't happen to me.00:25:44
A body was discovered in the bay,
day before yesterday.00:25:47
The body of a girl,
I'm told that she used to be a model here.00:25:51
That's why I prefer not to complain.00:25:55
Here you are.00:25:56
They're waiting for you
in the dressing rooms.00:26:00
This whole affair is most unfortunate.00:26:04
Well, you're feeling a little better.00:26:10
I'm quite positive
we'll get along perfectly in the future.00:26:13
-Goodnight.
-Goodnight.00:26:17
-It's no use, we'll never get away, never.
-We've got to, there's bound to be a way.00:26:23
This is a civilized country,
there must be someone we can go to.00:26:26
And perhaps
be washed ashore in the bay.00:26:30
We are so alone.00:26:32
If I just knew one person in Rio, anyone.00:26:34
The only person you ever met,
you hit over the head with a water bottle.00:26:38
The American, what was his name?00:26:42
Lanning, Richard Lanning.00:26:43
I don't think you made
a very good impression on him.00:26:46
The Americans always play this show
for the sake of a woman.00:26:49
I've seen it often in the movies.00:26:52
Besides, he was quite nice.00:26:54
He told me that he was staying
at the Palace Hotel.00:26:59
How will you get there?00:27:02
Don't worry, I'll get there.00:27:43
Fraulein Ullman, Senor Bolano.00:27:56
You really have never seen
Rio at night before?00:27:59
I've only been here for two days00:28:01
How fortunate for me then
to be the first to show it to you.00:28:04
From the towers of my villa,
you'll see the lights00:28:07
sparkle across the bay
like a diamond necklace.00:28:10
I'm sure it must be lovely.00:28:14
Let's not wait,
take me there now.00:28:18
Certainly, I'll be delighted.00:28:27
-Leaving so soon, Senor Bolano?
-Yes, Pasquale.00:28:30
-Is the young lady going with you?
-Naturally, why not?00:28:33
That's all right, Bolanos,
but perhaps the young lady00:28:36
would like to speak
to Madam Lansowa before leaving.00:28:39
Nonsense, Pasquale, come along.00:29:07
Senor Bolanos,
could we stop at the Palace Hotel first?00:29:11
I'm dying to see it.00:29:13
My dear child,00:29:14
what has the palace to offer
that my villa has not?00:29:17
It's just that I've heard
so much about it.00:29:19
They have a wonderful band,
the best orchestra in town.00:29:23
All right, if you really insist,
Palace Hotel.00:29:37
-Senor Bolanos.
-Good evening.00:29:40
This way, please?00:29:52
-May I select something for you?
-If you please.00:30:03
-Will you excuse me for a moment?
-Of course.00:30:54
Oh no you don't, kid,
not you again.00:30:56
Let me in, please let me in,
they're after me.00:30:59
What?00:31:04
What is this,
what do you mean?00:31:06
They're following me to take me back.00:31:08
You're the only one
I'd think of to come to see.00:31:11
Take it easy, I don't get all this.00:31:13
Look here, sit down.00:31:15
Now, let's start right
from the beginning, huh?00:31:17
Just a moment, please,
just want to be on the safe side.00:31:20
I have a little date tonight
and I want to show up nice and dry.00:31:24
Last night
was a terrible misunderstanding.00:31:27
I'm awfully sorry, but--00:31:28
I know, I am too, now look,
I'm in a hurry, so let's cut it short.00:31:32
You were about to say?00:31:33
I know you are not going to believe this.00:31:35
I'm terribly sorry to bother you,
but Connie and I went to the police today.00:31:40
She went to the consulate,
only she didn't get there.00:31:43
-I went to the police.
-Hold it, settle down.00:31:47
One of us is mixed up,
let's start all over again.00:31:49
This time, nice and slow, huh?00:31:51
All right, the whole thing started
when I saw an ad in the Dusseldorf paper,00:31:57
an ad about models, that is,
I answered it and…00:32:04
None of the other girls
would back you up,00:32:07
not even one?00:32:08
Only Connie,
but they had beaten and locked her up.00:32:12
I may be the biggest fool
but I'm beginning to believe you again.00:32:16
-Why should I fool you?
-I don't know but I've been fooled before.00:32:21
Now, let's see.00:32:22
First thing we'll do is figure out
a safe place for you to stay tonight.00:32:26
That means you sleep here.00:32:28
I think it'd be better
if I registered and took another room.00:32:31
Oh, no, not in Brazil.00:32:34
You have to have papers
to register in a hotel here00:32:36
and papers, you no got.00:32:38
I see.00:32:43
Don't worry, you'll be all right.00:32:46
The water bottle's right there
so you'll have it to swing with.00:32:49
Besides, like I said,
I got a date tonight.00:32:59
-You rang for me, senor.
-I didn't ring for anybody.00:33:02
This is room 318, isn't it?
I'm the house detective.00:33:07
I've been asked to investigate a report.00:33:09
-What report?
-Of a young lady in your room, senor.00:33:13
-I don't know what you're talking about.
-I've been asked to investigate, apologies00:33:17
It's a mistake,
there's no young lady here.00:33:19
Of course, senor, I've no reason
to doubt you except that, well, you see.00:33:26
Oh, you mean her?
You see, that's my cousin.00:33:31
This hotel isn't anti-cousin, is it?00:33:35
Well, the rule is not too clear.00:33:37
Nice to take an interest, though,
thanks a lot, good night.00:33:45
Your two friends must've paid him
to find out if you were still up here.00:33:49
Look, after I leave, I don't want you
to open that door for anybody, okay?00:33:53
Excuse me.00:33:56
Hello?00:33:58
Oh, hello, honey.00:33:59
Look, I got held up for just a moment.00:34:01
Hold everything, I'll be right over.00:34:04
Okay, baby, bye.00:34:09
Where do you pick the fine time
to get in trouble, cousin?00:34:12
My first date in six months,
and I'm hearing--00:34:16
We got too much business tonight.00:34:19
Hello, Coltos, I thought
you were upcountry at the Faccenda.00:34:24
Oh, you are?00:34:30
Flooded?
Did Garza say that?00:34:35
Coltos, I don't get it.00:34:37
I left that equipment there
in perfect shape.00:34:41
I just got in town.00:34:42
You want me to turn around
and go back?00:34:47
Okay, I guess so.00:34:52
All right, leaving right away, goodbye.00:34:55
How'd you like that.00:34:56
Six months of that mine,
I barely get the time and she floods.00:34:59
-You have to leave?
-Yes.00:35:09
You know something,
I was just thinking.00:35:11
This may work out better for you
than it does for me.00:35:14
You see, Coltos is my boss
and he carries a lot of weight.00:35:18
I'll drop you off at his Faccenda,
let him take it from there.00:35:21
Where's the Faccenda?00:35:23
It's about 150 miles inland,
right on the way.00:35:25
We'll get there about early morning.00:35:28
This senor Coltos,00:35:30
isn't he the man
who brought you to the villa?00:35:33
Yes, that doesn't mean
he knew what the real setup was.00:35:35
This Mr. Coltos happens to be
a respectable gent.00:35:38
-You're sure he can help me?
-You've tried the police.00:35:41
They didn't believe you,
so why not try Mr. Big?00:35:43
Look, Coltos is a guy00:35:44
who can pick up a phone and tell off
some cabinet minister or something.00:35:48
What about your date,
hadn't you better call her?00:35:51
No, now or six months from now,
she'll be just as angry.00:35:54
How do you like
that cockeyed pumping system?00:35:57
Talk about bad timing, shall we go?00:36:01
Yes.00:36:06
-This way out.
-Through the window?00:36:09
Yes, there's a fire escape,
I can pay my bills some other time.00:36:13
Those two bird dog friends
are probably waiting out front,00:36:16
and I've had enough trouble
for one evening.00:36:18
After you.00:36:27
Careful.00:36:46
-Dusseldorf, huh?
-I beg your pardon?00:36:50
You said you come from Dusseldorf?00:36:52
-Yes.
-I was stationed there for a while in '45.00:36:57
-You were a soldier?
-I was with the engineers.00:37:00
-We were trying to clean the place up.
-I remember that.00:37:03
Those big machines knocking walls down
and pushing them away,00:37:07
and all the Americans with candies.00:37:10
You remember the candy bars?00:37:13
We might have met,
it isn't a very big town.00:37:16
I doubt it,
I was only 11 years old.00:37:20
Eleven, what are you trying to do,
make me out to be an old man?00:37:24
No, but you are older
than you were in 1945.00:37:29
I guess that's right.00:37:32
We're getting into the real jungle now,
a little swamp from here on.00:37:43
-Hey, look.00:37:46
-Are there many of them around here?00:37:49
They don't hold still for a count,
but I'd say about roughly a million.00:37:56
You better try to get some rest,
we still have a long way to go.00:38:00
I am a little sleepy.00:38:37
-Where are we?
-On a ferry.00:38:40
There aren't many bridges
in this part of the world.00:39:21
-Getting hungry?
-I'm starved.00:39:23
We'll have breakfast pretty soon.00:39:25
The Faccenda is only about
30 minutes from here.00:40:04
It's incredible to think
that such a thing could happen in Rio.00:40:07
-It's happening,
look at her, she's scared stiff.00:40:10
Oh, I'm sure of it.00:40:12
I'm ashamed that such things
are going on in my country.00:40:15
-Can you do anything about it?
-Of course I can.00:40:18
If necessary, I can go to this…
What did you say his name was?00:40:21
Monsieur Albert.00:40:23
I can go to this fellow
and buy your papers.00:40:25
People of that kind
are sensitive to money.00:40:27
-I haven't any money, Senor Coltos.
-You leave that to me.00:40:31
Don't worry about the dough,
I told you he's loaded.00:40:33
If you must go to any expense,
I intend to pay you back00:40:37
as soon as I get another job.00:40:39
Don't mention it.00:40:41
Meanwhile, you must stay here
at Sao Pedro as my guest.00:40:45
It's the only place you're safe.00:40:46
These guys aren't kidding, Coltos,
they play rough.00:40:49
So do I.00:40:50
We've armed guards here,
you've nothing to worry about.00:40:53
He's okay,
I told you he'd come through.00:40:56
This just arrived.00:41:03
I'll take care of it later.00:41:07
Rick, you've been traveling all night.00:41:10
I know, that silly mine of yours,
what happened up there?00:41:14
I wouldn't know,
I didn't install the pumps.00:41:17
That's fair enough.00:41:18
Well, I guess I'll see you
when I get the mine dried out.00:41:22
Maybe that won't be possible,
maybe I will be back in Germany by then.00:41:28
That's right.00:41:30
-You shouldn't have left there
in the first place.00:41:32
-I'll go to the car with you.
-Okay.00:41:34
-Thanks a lot Coltos, for everything.00:41:36
I'll check in when I know
what's wrong with that mine.00:41:39
Good luck.00:41:57
-Who is she?
-I don't know, his cousin, I guess.00:42:01
Seriously, it's very strange,
he didn't introduce her.00:42:04
Maybe she's a graduate
of Madam Lansowa's school.00:42:08
Look, Coltos is no saint,
he's filthy rich, he's a bachelor,00:42:12
and he likes
to collect beautiful things.00:42:19
-A new guest?
-Yes, and a very lovely one.00:42:27
I don't know any other way
to say it except, thank you.00:42:31
All in a day's work.00:42:33
When you go back to Dusseldorf,
don't answer any ads.00:42:36
I won't,00:42:37
and I'm really sorry I hurt you.00:42:40
Oh, it will probably leave a scar.00:42:45
Something to remember you by.00:42:51
-Goodbye.
-Goodbye.00:43:12
You must be tired, my dear.00:43:15
Yes.00:43:18
Come into the house.00:43:19
You need to change too,
I'll have some clothes sent to your room.00:43:33
-Yes?
-May I come in?00:43:36
-Senor Coltos?
-Yes, I have some good news for you.00:43:40
Do come in.00:43:46
-Wow, you look charming.
-Thank you.00:43:49
I've just had a telephone call
with our friend Monsieur Albert.00:43:53
You have?00:43:54
He's willing to turn your papers to me.00:43:56
My lawyers in Rio
will have them sometime tomorrow.00:43:59
That's wonderful,
you don't know how grateful I am.00:44:01
Well, it's a pleasure.00:44:04
-What did you find out about Connie?
-Connie?00:44:07
Yes, Connie.00:44:08
-What's wrong?
-She seems to have changed her mind.00:44:13
-She prefers to stay where she is.
-I can't believe that.00:44:17
I tell you, she doesn't want our help.00:44:20
Please tell me exactly
what she said to you.00:44:23
Well, I told her I'd arrange
to secure your papers00:44:27
and would do the same for her.00:44:29
She said she didn't want them.00:44:31
She had no desire
to ever go back to Germany again.00:44:34
-She's never been in Germany.
-Her home is in Holland.00:44:38
Holland, Germany,
what difference does it make?00:44:41
The point is
she prefers to stay where she is.00:44:46
-Why do you look at me like that?
-Because I don't believe you.00:44:51
I'm very sorry,
I must go back to Rio right away.00:44:54
If you're thinking of leaving,
I have no way of accommodating you.00:44:58
You mean you'll stop me from leaving?00:45:02
On the contrary, but we're surrounded
by swamps and jungle.00:45:06
You know what that means,
crocodiles, snakes.00:45:10
However, you're perfectly
free to go whenever you wish.00:45:13
Meanwhile, we dine at 9:00.00:45:24
She isn't in her room,
she isn't anywhere.00:45:26
How do you know?00:45:27
We searched the house,
outbuildings, and grounds.00:45:30
She's not to be found, Senor Caltos.00:45:33
She may have gone to the mine.00:45:35
How could she have,
she doesn't know where the mine is.00:45:44
There's no hurry,
why bother driving to the mine tonight?00:45:47
Let's stop at my place,
I have good wine in the cellar.00:45:49
I'm for it.00:45:50
All right, turn off
the next road to the left.00:47:24
Hi Lanning,
where do you think you're going?00:47:27
To Madalona to pick up supplies.00:47:29
You've got a flooded mine,
pumps don't work, you're in charge,00:47:32
and you just take off
to Madalona for a box of groceries?00:47:35
The mine's okay, the pumps are splendid.00:47:39
Didn't you call Coltos and tell him
the pumps were out of order?00:47:42
I haven't talked to Coltos since you left,
besides, the mine's dry.00:47:45
He told me you said
the mine's flooded, that's why I'm here.00:47:48
-I didn't call, the mine isn't flooded.
-What goes on, then?00:47:52
I don't know.00:47:53
If Coltos told you that,
he had a reason.00:47:55
Why would he send me
on this wild goose chase?00:47:58
First vacation I've had in six months.00:48:01
First he introduces me to this girl
and she looks me up at the hotel,00:48:06
and all of a sudden he calls.00:48:08
-Now, what girl?
-Never mind.00:48:12
-Forget the groceries till I get back.
-Okay.00:48:14
If Coltos took measures
to get you back to the mine--00:48:17
Mr. Coltos better have a reason
for spoiling my holiday in Rio00:48:20
or else he's going to lose
one good mining engineer.00:50:28
When I saw Garza,
I knew a thing's wrong00:50:30
but after what you said,
I'm beginning to see things more clearly.00:50:34
You said it yourself,
Coltos is such an influential man.00:50:38
What can we do?00:50:40
Drive to Rio
and go to the international police.00:50:43
That's what we'll do.00:50:52
Hello, anybody home?00:51:06
Yes, senor.00:51:07
-When is the next ferry leaving?
-In the morning, senor.00:51:10
Wait, there should be one every hour.00:51:12
Yes, senor,
except when the ferry is broken.00:51:15
Today, she's broken.00:51:18
In the morning, she will be fixed again.00:51:21
-Is there any other way to get across?
-Well, you can swim.00:51:26
Is there a good inn
around here anywhere?00:51:28
Yes, the very fine Inn
of Sao Barku on the plaza, senor.00:51:36
If anything more is wished,
I sleep at the end of the hall.00:51:40
Please do not shout when you need me.00:51:42
I must be shaken soundly
so others are not disturbed.00:51:45
-Okay, do you have another lamp?
-Yes, but there's no oil in it.00:51:52
-Here, thank you very much, good night.
-With your permission.00:51:55
Good night00:51:58
That door leads to the street,
that means you sleep here.00:52:06
All the comforts of home.00:52:09
It's a very romantic place,
I like it better than the Faccenda.00:52:14
Look, if you hear anything
that bothers you00:52:17
or if one tries to get in
and I don't hear it, yell.00:52:20
I don't care if it's a false alarm,
just yell your head off like a Comanche.00:52:23
-Comanche?
-That's an Indian, never mind, just yell.00:52:28
If I don't get here in time,
just swing this.00:52:32
Little heavier than you're used to
but I think you can handle it.00:52:35
I'm sure I can.00:52:39
I guess that's about all,
sleep well.00:52:43
I will, and you too.00:52:46
You must be tired after all that driving.00:52:48
-I'm used to it.00:52:51
-Goodnight.
-Goodnight.00:54:22
-Eve.
-Yes?00:54:26
Mind if I come in a minute?00:54:27
-Can't you sleep?
-Pretty soon.00:54:31
I was wondering,00:54:32
what makes a kid like you leave home
and move across the world?00:54:35
-You ought to have known better.
-I'm not a kid, I'm 20.00:54:39
Twenty is still a kid,
Dusseldorf's a nice town.00:54:43
Why did you have
to leave and get in all this trouble?00:54:46
Haven't you got a family?00:54:49
My mother died
and my father was killed in the war.00:54:53
I had nobody so I came here.00:54:55
Wasn't there anyone who could tell you
and didn't you have any boyfriends?00:54:59
No.00:55:00
No?
Nice girl like you, young and pretty.00:55:05
-You are pretty, you know?
-There are lots of pretty girls.00:55:09
I'll bet anything
I saw you while in Dusseldorf.00:55:12
I used to give candy bars
to lots of little kids,00:55:15
boys and girls,
eight, nine, ten, eleven.00:55:17
-How do you know you weren't one of them?
-It's possible.00:55:20
Of course, it is.00:55:21
The first time I saw you in Rio,00:55:23
I thought there was something
familiar about that face.00:55:26
People don't change that much.00:55:28
Once that map's laid out, it stays there.00:55:30
I'm almost sure I saw you,
you were about so high and very pretty.00:55:36
-No, that isn't possible.
-Why not?00:55:41
Because I wasn't pretty, I had freckles.00:55:44
-Freckles?
-Yes, freckles.00:55:47
Lots of freckles,
all over the face and the neck.00:55:54
Well, it was a nice try anyway, wasn't it?00:55:58
It was a beautiful time.00:56:01
-Goodnight.
-Goodnight.00:56:22
-Eve?
-Yes.00:56:25
I got it.00:56:29
I do remember you.00:56:30
It's funny how you can forget things,
but there was this one little kid,00:56:33
a scrawny little girl
with blond hair I used to give candy to.00:56:37
Talk about freckles,00:56:38
I remember saying that's
the frecklest little kid I ever saw.00:56:42
What's so funny?00:56:44
I didn't have any freckles,
I was really quite nice looking.00:56:48
Nice looking, I know I saw you.00:56:52
This little girl was about 11 years old.00:56:55
She had curly blonde hair,
her eyebrows kind of thick,00:57:00
brown eyes and a funny little knob
on the end of her nose00:57:04
and a mole right
under her chin,00:57:07
and her lips,00:57:09
well, it's kind of hard
to describe her lips.00:57:21
-Goodnight.
-Goodnight.00:57:26
You have a wonderful memory,
but the mole came later.00:57:30
-Much later.
-Later, huh?00:57:34
I thought so, that mole
was the only thing that threw me.00:58:44
-It's wearing off.
-Get her a ball quickly.00:58:53
-Another little gift from Senor Coltos.
-Another one?00:58:57
Why does he pick my boat?
Why?00:58:59
I'm not here to argue with you.00:59:01
Manuel, put her in cabin seven.00:59:15
Where are you taking me?
What are you doing?00:59:18
Be quiet if you know what's good for you.00:59:43
-Connie.
-No, don't look at me.00:59:48
-Go away and don't look at me.
-What have they done to you?00:59:59
Eve.01:00:03
Eve?01:00:39
-Hey, when did the last ferry leave?
-Hello, senor, the ferry is broken.01:00:44
You mean nobody could cross
the river all night?01:00:46
Except by swimming, senor,01:00:48
which is most inconvenient
because of the alligators.01:00:52
We live in hope that the ferry
will be fixed in God's time.01:01:11
Where is she, Coltos?
Where is she?01:01:13
Take your hands off me, we'll talk.01:01:18
Well, what is it?01:01:20
Last night, Eve and I stayed
at Port Guadeloupe.01:01:23
This morning she was gone.01:01:25
The answer I want out
is who took her and where.01:01:27
I haven't the faintest idea.01:01:30
If I were to guess,
it would be that she's in Rio now.01:01:32
The ferry broke down last night,
guess again.01:01:34
Now that eliminates Rio,
where do you think she is?01:01:38
-Where your men took her, probably here.
-Why speak about my men taking her?01:01:42
You're the big shot,
that's why I came right here.01:01:44
That's so ridiculous,
I'm not even going to get angry.01:01:47
What basis do you have for such a charge
except the ravings of a neurotic girl?01:01:51
Maybe I'm neurotic too.01:01:53
Maybe I didn't see your friend,
Pasquale, who works for Lansowa,01:01:56
How come he's here?
Coincidence?01:01:58
On the contrary, I sent for him.01:02:01
Here's some more incriminating evidence.01:02:03
Come in, please.01:02:09
Here are two others
from the Villa Braganza.01:02:12
What's the game?01:02:14
After what happened yesterday,
I wasn't satisfied with what Pasquale said01:02:17
so I sent for Madam Lansowa
and Monsieur Albert.01:02:21
They flew down from Rio with
a police inspector who's already returned.01:02:25
Now, why have I gone to all this trouble?01:02:28
Because I'd undertaken
a certain responsibility for your Eve.01:02:32
After noting her peculiar behavior,
I felt I owed it to myself and to you01:02:36
to find out everything I could about her.01:02:38
-Just what did you find out?
-Nothing.01:02:41
As to her present whereabouts,
we're in the dark.01:02:44
Let's just say that one of us is, huh?01:02:46
If you're still thinking
I've her hidden here,01:02:49
you're perfectly free to search the place.01:02:52
Don't you think I'm not going to, mister.01:03:01
Eve?01:03:06
Eve?01:03:14
Eve?01:03:21
-You're hunting the girl?
-Yes.01:03:23
They put her aboard the river boat
last night at Porto Guadeloupe.01:03:27
The boat docks tonight at Corocana.01:03:29
-How far away is that?
-Almost 300 kilometers.01:03:33
-What kind of a boat is it?
-A pleasure boat for the coffee workers.01:03:37
Coltos owns a fleet of them.01:03:39
They go up and down the river
and they have entertainment aboard.01:03:44
Why do you tell me this?01:03:46
Someday, when he's completely weary of me,
he'll send me to the riverboats,01:03:51
but we've talked enough,
get out of here before they kill you.01:03:55
Thanks.01:04:19
He got through the gates.01:04:24
Let her go.01:04:27
If Lanning gets
to the police with that girl,01:04:29
her proof will put the lid on us.01:04:31
I'm quite aware of that,
you two return to Rio.01:04:34
Better close Villa Braganza
for a few days, just in case.01:04:37
Take the girls on a holiday.01:04:39
Pasquale, help Fernando get the car ready,
we're off to Corocana.01:04:43
-What about her?
-We'll take her with us.01:04:50
Since your interest in riverboats
is so overwhelming,01:04:54
you welcome the opportunity
of living on one.01:05:05
Emanuel, keep the crew circulating
through the crowd tonight.01:05:11
Remember what happened
the last time we landed here.01:05:16
-Better bring the girls up.
-All right, Captain.01:05:23
Come on, let's go,
hurry up, girls.01:05:36
What are you waiting for?
Didn't I tell you to change?01:05:42
Now, come on, you.01:05:44
You stay here.01:06:09
Well, what do you think?01:06:10
Probably no better place
in the world for trouble.01:06:13
-Afraid to go?
-After you.01:07:27
You and Fernando go aboard.
Give this note to Lobos.01:07:30
He'll turn the girl over to you.01:07:32
-Then?
-Get rid of her.01:07:34
-And the American?
-He knows too much by now.01:07:38
If he's on board and finds the girl,
we've no choice.01:07:41
A pleasure.01:07:43
- And this one?
-You can take her on board later.01:07:46
We wait here.01:07:58
I give up,
it's just like dancing with a sleepwalker.01:08:11
You are Connie, aren't you?
Where is Eve, do you know?01:08:15
I'm a friend of Eve, Dick Lanning.01:08:18
If Eve's here,
she must have told you about me.01:08:32
Bad business.01:08:35
All right, don't make any noise,
Cabin Seven.01:08:39
Here's the key.01:08:41
Why does Mr. Coltos
always give me the tough ones?01:08:50
Follow me, hurry up.01:08:53
I'm trying to help you,
they're coming for you.01:09:08
This is a good place to hide.01:09:10
If they catch you, they'll kill you.01:09:12
Don't hide in the pantry,
you might be caught.01:09:14
I have to go on deck,
but I'll be back as soon as I can.01:09:35
Tell Lobos she's gone.01:09:36
-I'll search the ship.
-Okay.01:09:48
Honestly, the Yankee,
remember the water bottle?01:09:51
She clocked me on the noggin.01:09:53
Sure, you remember,
I'm the guy she clobbered.01:09:55
It's you.01:09:57
I didn't believe Eve
when she said you'd search for us.01:10:00
Now we're cooking,
where is she?01:10:02
Locked in her cabin,
but that guard won't let you go below.01:10:09
-He just let that guy go past.
-He's one of the crew.01:10:18
I have a message to be delivered,
could you use 100 cruceros?01:10:22
-Yes, I can use them.
-Here it is, and here's the message.01:10:27
Take it to the bartender
at the Cantina, Miraflores.01:10:30
-You know where that is?
-Yes.01:10:32
As soon as he receives it
he'll give you another 100.01:10:35
Hurry, now.01:10:40
Only one thing to do.01:10:41
You've got to get this guard in a hassle
so Connie and I can slip below.01:10:45
-Yes, but he looks pretty tough.
-Don't beat him, just slug him.01:10:49
Accuse him of stealing your wallet,
keep the goon occupied.01:11:12
Hey, give me back my wallet.01:11:14
-What are you talking about?
-What am I talking about?01:11:17
This big of a bandit just stole my wallet.01:11:19
-What are you talking about?
-Here it is.01:11:22
They're always robbing us,
these river rats.01:11:54
She couldn't have escaped,
they must have taken her.01:11:58
Is there a way to the deck
beside the way we came?01:12:01
-No.
-She must be down here somewhere.01:12:05
You try those cabins, I'll try these.01:12:15
Eve.01:12:22
Eve.01:12:26
-Eve?
-Connie.01:13:01
Connie.01:13:06
Find Eve before Pasquale.01:13:29
Dick!01:14:01
That was a close one, cousin,
are you all right?01:14:04
-What about Connie?
-He got her.01:14:08
-She was trying to help me find you.
-She's dead?01:14:17
Right now, you've got
to think about yourself.01:14:19
We're not out of this thing yet.01:14:22
-Come on, stay right where you are.
-Dick, that's the man.01:14:33
Dick, no, this is the man who helped me.01:14:44
You are friends?01:14:45
I'm trying to get her off here,
who are you?01:14:47
Emanuel Carvalho,
Brazilian security police on special duty.01:14:51
I'm on board for two months,01:14:53
trying to find a witness
who wouldn't be afraid to testify.01:14:56
This young lady seemed a good possibility.01:14:59
Naturally, I wish to protect her.01:15:00
I'm glad to have you aboard,
what's the next move?01:15:03
We must get ashore.01:15:04
There's a man in a Buick
I'm very anxious to see.01:15:07
-A guy named Coltos?
-You know him?01:15:09
-I sure do, lead on.
-First senorita, my gun.01:15:20
Hey, get your foot out of my face,
I'm not angry at anyone.01:15:49
Antonio, Pedro.01:15:55
Garza, stay with her.01:16:05
Are you crazy, you fool?01:16:14
I take it you wish to discuss
something with me, Dick?01:16:16
-Yes, Coltos, I did.
-Very well.01:16:20
Perhaps you could ask this man
to give us a few moments in private.01:16:23
He's an employee of yours.01:16:25
He's been working on your riverboat
for about two months now.01:16:29
Senor Coltos, I'd like you to meet
Lieutenant Carvalho of Security Police.01:16:34
Lieutenant, may I have
just a moment before you handcuff him?01:16:38
I wouldn't like to see it, Mr. Lanning.01:16:44
Hey, no more fights, please,
I've had enough of fighting.01:16:48
You're magnificent.01:16:49
I asked you for a diversion,
and you gave me a riot.01:16:52
It was nothing.01:16:54
I suppose this is the young lady
that caused us so much trouble.01:16:57
Yes.
Eve, this is Antonio Garza.01:16:59
-He works for me up at the mine.
-Used to work for you.01:17:05
Looks like we're both out of a job now.01:17:11
-Oh no, you don't.
-Why not?01:17:16
-You might find another want ad.
-Mr. Lanning, two tickets: Rio, New York.01:17:21
-The bus to the airport's waiting outside.
-Thank you very much.01:17:25
Let's go, cousin.Description:
Их сердца были так высоко в облаках... Они никогда не знали, что их ноги были в грязи! Мелодрама о молодых европейских моделях, отправленных в Южную Америку для использования мошенниками. Оригинальное название: Mannequins für Rio (1954) AKA; Они были так молоды Оригинальная черно-белая версия https://www.youtube.com/watch?v=dGxdxV5zdGw Режиссер: Курт Нойманн В ролях: Скотт Брэди, Джоанна Мац, Рэймонд Бёрр Жанры: Цветная классика, Криминал, Драма, Мистика, Триллер краткое содержание: Загадочное убийство на пляже Копакабана приводит к международным интригам, недоразумениям на светском собрании, разочарованиям и страхам модели, рассказу о событиях и потенциальных угрозах, извинениям и сообщениям о пропавшем без вести, хороших новостях для сеньора Колтоса, подозрениях и сломанном пароме , Прошлые разговоры и пропавшая девушка, обвинения, улики и план побега Главы ССС: 0:00:00 Полнометражный фильм 01:21 🌊 На северной стороне пляжа Копакабана нашли тело молодой девушки, предположительно, она была иностранкой. Дело может быть передано в Интерпол. 07:13 Показ мод 09:58: 😳 Разговор между несколькими людьми происходит на вечеринке, возникают недопонимания и напряженность 14:37 ...или что? 16:16 Мадам. Lansowa-Пенни падает 23:42: 🔎 Человек рассказывает череду событий, связанных с недоразумением и потенциальной угрозой. 31:51: 🔍 Человек извиняется за прерывание и сообщает слушателю, что обратился в полицию и консульство после того, как пропала некая Конни. 0:41:51 Гость Рэймонда Бёрра 0:51:56 Перед сном 1:01:47: 🔎 Мужчина обвиняет кого-то в сокрытии девушки и приводит доказательства, в том числе местонахождение лодки, на которой везут девушку. 1:10:41: 💼 Составлен план отвлечь охранника, чтобы Конни смогла сбежать, @CultCinemaClassics
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