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b3d

blender

cycles

цветок

спатифиллум

моделирование

UV-развертка

ноды

материалы

растение

hdr-карта

горшок

стебель

грунт

земля

блендер

урок

идутвук3d

00:00:00

Hello everyone, my name is Artem and in

00:00:02

today's lesson we will create the

00:00:04

spathiphyllum flower ourselves so that the lesson is not

00:00:07

too long, some routine

00:00:09

moments will be missed in it and as I

00:00:11

said at the beginning we will only create a

00:00:13

flower, so the window sill question

00:00:16

is used here as a background for the randir

00:00:18

so let's get started, so first of all, we'll add an

00:00:23

object with a ring to the price; we

00:00:27

'll leave the number of vertices at 32; we'll

00:00:29

switch to the front view in

00:00:31

editing mode and start extracting

00:00:33

the shape of our pot from it; now we

00:00:37

see the normals in the wrong direction; we

00:00:39

recalculate them using control and

00:00:41

immediately reduce the size of the object up to 10

00:00:44

centimeters so that we have the real

00:00:46

scale of our objects, well, 1075 is

00:00:50

enough; we immediately apply

00:00:52

the scale after scaling and

00:00:54

continue working. Now we see that our

00:00:57

grid is too large in the 3D video window; I

00:00:59

also reduce it in the display menu and after

00:01:02

that we will set up clipping in the menu view

00:01:05

parameter start and

00:01:06

adjust the start, set one

00:01:10

centimeter and 100 meters so

00:01:14

the beginning and end of the object

00:01:16

will not be cut off when scaling and

00:01:17

everything will be fine, now we can

00:01:20

return to the pot and continue its

00:01:22

modeling, first close the miss,

00:01:26

scale it and at the end you can create a

00:01:29

new freestyle with using the key, and

00:01:32

now we create the upper part here, all the

00:01:34

same extrusion and scaling,

00:01:37

everything is simple,

00:01:42

now we need to give our

00:01:45

object thickness and subdivide it

00:01:48

using the solidify modifier,

00:01:49

create a thickness, I have metric

00:01:52

units of measurement, as you noticed everywhere,

00:01:54

millimeters are centimeters, and so where is the vision

00:01:57

gray with the mutagen everything is standard here and

00:02:01

now with the help of stiffening ribs

00:02:03

we will transfer, firstly, the rigidity of these

00:02:04

places where we need it and also with their

00:02:07

help it will slightly distort the shape of our arsh,

00:02:09

now we have it perfectly even, such

00:02:12

pots do not exist in nature.

00:02:13

By the way, I have the same flower at home

00:02:16

on the window so I saw his pot,

00:02:19

I have it made of plastic and it is a little

00:02:21

deformed, now we are

00:02:23

randomly selecting on our just

00:02:26

added edges at the top in

00:02:29

approximately a checkerboard pattern, well, as you

00:02:32

can see, I just see them, as it turns out, and

00:02:34

now there are a few of them s I can scale it

00:02:36

outwards or inwards,

00:02:37

I’ll bring them inwards and this way we’ll

00:02:41

get something crumpled so

00:02:43

that it’s better to see, let’s turn on the mat cap,

00:02:48

well, that’s about what I need, everything

00:02:53

with modeling for the bugs, we’ve finished everything

00:02:57

here, everything is fine and now we can

00:02:59

start creating the soil for the excavation

00:03:02

of course, turn it off on the second layer,

00:03:05

create an eevee sphere and immediately reduce the

00:03:08

amount of its vertex by half, after that

00:03:12

we apply smooth shading and using the

00:03:14

display modifier, now we will

00:03:16

shift the vertex of this sphere,

00:03:18

here we set the strength to 01, create a

00:03:21

new texture and go to the

00:03:22

textures tab to configure it here too I will

00:03:26

use the Klaus texture and we simply

00:03:29

reduce the site parameter until

00:03:31

the result satisfies us, this is

00:03:36

approximately what we need and create

00:03:39

four more copies of this object, as you can see,

00:03:43

they are all slightly different from each other,

00:03:48

select all the objects and unite their

00:03:51

group,

00:03:52

call this group rocks we return

00:03:58

to the first layer and here we need to

00:04:00

create an object on which

00:04:02

our particles will be located,

00:04:05

we will use this group and the whole world

00:04:07

as a system of particles if you haven’t guessed it yet,

00:04:10

and here we create a ring object on the first layer of the upper

00:04:12

part of our pot

00:04:14

I fill it with vertices,

00:04:16

subdivided with muse shading and now my

00:04:20

initial ones are positioned in the place we need

00:04:22

and also with the help of

00:04:23

proportional editing I

00:04:25

will create a little depression in the

00:04:27

center of this object

00:04:29

so that the soil particles are

00:04:31

not distributed so evenly on it, again

00:04:33

the depression can be created not only in the

00:04:35

center but somewhere else, but I will limit myself

00:04:38

here to small recesses and that’s all, and

00:04:41

after the object is in the right

00:04:42

place, we create a particle system for it,

00:04:46

go to the tab and press the new key,

00:04:52

type of fairy particle system, number of small

00:04:56

soil particles we will have two thousand and

00:04:58

immediately let's give a name to the

00:05:00

particle system, the first one is called we will have a

00:05:03

rox and for this particle system,

00:05:06

in addition to the quantity,

00:05:08

we will also indicate as a group of the

00:05:10

object in our group and the whole world and

00:05:13

set up the size for them, in addition to the size, we

00:05:19

also need to rotate them,

00:05:21

here we increase the variability of the

00:05:23

size and in the rotation menu we also

00:05:26

randomly set both parameters to the

00:05:28

maximum, so our particles

00:05:30

are placed here as chaotically as possible and

00:05:33

this will be our soil again and now we

00:05:36

will now add a second

00:05:38

particle system, you duplicate the first one and change its

00:05:42

name by filling the rocks with rocks, the difference

00:05:46

from the previous one will be only in the number of

00:05:47

particles

00:05:48

will not be 2000, just 50, and

00:05:52

we will also increase the size of these particles of the

00:05:55

second group by half zero point zero 15

00:05:58

to 0 point 3

00:06:01

hundredths this is what we have and this is

00:06:05

the result we can

00:06:12

look at each group separately

00:06:14

and if you you are not satisfied with the location of

00:06:18

your particles using the seed parameter, you

00:06:20

can change these values, thereby

00:06:23

randomly placing

00:06:25

particles on your object each time,

00:06:26

well, that’s all about setting up the

00:06:29

particle system, now let’s speed up a little

00:06:34

and start modeling the leaf.

00:06:39

flower, it is

00:06:42

also called a spadix, and here I

00:06:46

add a cylinder with 8 vertices and begin to

00:06:49

position it from it, we will

00:06:51

now create the main stem and

00:06:53

increase it upward; we also make sure

00:06:56

to apply the scale so that we have one hundred

00:06:59

percent, that is, one, and raise

00:07:01

this cylinder up approximately to a height of 2

00:07:04

3 pots, here again it doesn’t

00:07:05

matter, then when

00:07:07

the leaves appear, it will all be possible to

00:07:09

adjust all this after we have

00:07:11

raised it, here we create such a

00:07:15

cutout, it is from this that this so-

00:07:17

called cob will grow, and now,

00:07:19

using extrusion by scaling, we

00:07:20

create the top this very sheet of

00:07:24

blanket here we get such a

00:07:26

small boat with curved edges

00:07:30

using the usual movement and

00:07:32

scaling of the vertices we create the desired

00:07:35

shape modifier with a thickness of 0.1

00:07:40

millimeters and subdividing

00:07:42

the surface with embarrassment of course

00:07:45

here we will now add 1 stiffening rib and

00:07:48

also add several edges because

00:07:51

we we won’t distort the data of a straight cylinder;

00:07:53

it is so, in principle, but

00:07:57

still in nature there are no perfectly straight things,

00:08:00

and even this sheet

00:08:01

is slightly distorted, and also the upper part, as you

00:08:05

can see, here we select several

00:08:06

vertices, some we move forward, others backward,

00:08:09

since the sheet is not completely uniform, do

00:08:12

n’t be afraid of it and make it wider;

00:08:17

the top is sharper, so the

00:08:20

tip needs to be raised a little; be

00:08:23

sure to look at the reference at the

00:08:25

moment of modeling this part,

00:08:28

because without it it will be much more difficult for you

00:08:30

to do all this; well, this is actually

00:08:35

how it will look the model of

00:08:37

this leaf is a blanket and we can

00:08:39

move on, now let’s create a

00:08:43

cob for this leaf,

00:08:45

I will now duplicate 8 vertices and select

00:08:49

them into a separate object using the button

00:08:51

and now this object is already from it, we will

00:08:55

continue modeling this is still the same

00:08:56

cylinder that will be located inside

00:08:58

our previous cylinder and here at the top

00:09:02

we need to model a

00:09:04

small thickening for it and the extruder and the

00:09:10

top here we close the top

00:09:12

using the grid fill tool and here we

00:09:14

also subdivide a little ribs, make

00:09:18

it all thicker and add one

00:09:22

stiffening rib here at the bottom and also rotate it a little,

00:09:28

it’s not perfect

00:09:30

it is located exactly, it always leans

00:09:31

somewhere either towards the sun or vice versa from

00:09:33

it and after that we select all the faces

00:09:37

except for the lowest ones and in a

00:09:40

checkerboard order we remove the selection and

00:09:42

everything that is individually selected for the

00:09:44

extruder by it and now we change the center

00:09:47

of rotation to individually jones and so

00:09:50

in this way we scale each selected

00:09:52

polygon, now our cob extends beyond

00:09:56

the sheet, the blanket on the back side,

00:09:58

for this we completely select everything and we

00:10:00

need to rotate it from 1 to

00:10:03

day to the side so that this does not

00:10:04

happen, everything is fine now and

00:10:07

to give additional

00:10:08

variability, now we will add a special

00:10:11

lattice and with With its help, now we

00:10:15

will also distort it a little,

00:10:16

deform it, rotate it, set up

00:10:19

first the dimensions of this lattice,

00:10:21

subdivide it on the appearance tab to

00:10:24

a and select the cob, and then

00:10:26

press the kontrol p with the lattice,

00:10:27

we can immediately add the

00:10:29

likes modifier c and all the

00:10:32

objects we need will now be indicated there we

00:10:35

rotate this lattice, shift it and thus

00:10:37

deform our ball, after that this

00:10:42

lattice can be moved to the second layer

00:10:44

and with this

00:10:46

we have also finished modeling the cob and now

00:10:51

the part that will take you more than one

00:10:53

hour begins, we will now create

00:10:55

all the sheets of this More precisely, how to

00:11:00

create a flower, we will just create one, the

00:11:01

rest you will have to create

00:11:03

yourself, in my case, mine and the

00:11:05

leaf of the flower had six sheets,

00:11:08

I will now show you how I created the first one,

00:11:11

the subsequent ones are created from 1, that is,

00:11:13

we copy mine and just do it differently and

00:11:16

bend 1 the OMS and DMS sheet

00:11:19

subdivides the plane several times both

00:11:22

vertically and horizontally and

00:11:25

initially create a small depression here in the

00:11:27

center; this will be the basis of our

00:11:29

sheet and now we will

00:11:31

place it in the right place;

00:11:33

first we also add

00:11:35

a modifier and they are still the same thickness s01

00:11:38

sapphires and smooth and after

00:11:42

we have placed it here we look at how many

00:11:44

vertices we have here, in my case there are 10 and

00:11:46

here in the editing mode

00:11:47

I add a ring with 10 vertices

00:11:50

this will be our cylinder and now we will

00:11:54

combine those same 10 selected vertices

00:11:57

with this ring we will do this by

00:11:59

selecting where the vertex is by pressing the f key, or

00:12:02

then selecting four vertices at once by pressing the

00:12:04

f key, but I recommend that you

00:12:06

activate the f2 addons for

00:12:08

all help, this is all much simpler, we

00:12:11

can select just two vertices

00:12:13

and press the f key several times and

00:12:15

thus we will hear all of our earlier ones,

00:12:18

now we will recalculate the normals and once again

00:12:22

assign crazy because in

00:12:24

some places it was not activated for us

00:12:26

after we created a new one earlier,

00:12:29

everything, and so we wrapped this

00:12:33

new sheet on top of our previous one, they are

00:12:36

always like this for us grow in a flower, that is,

00:12:38

first one of it is 2

00:12:39

and so we will model them in the

00:12:42

reverse order, I shifted the center of this

00:12:47

object to the center of the 3D cursor,

00:12:49

changed the scale a little and now, using

00:12:51

proportional editing,

00:12:53

select one or the other at the top and

00:12:56

bend this object trying to make from

00:12:59

it, something similar to a leaf is again

00:13:01

necessary when modeling all

00:13:03

these organic parts of our

00:13:05

flower, look at the leaves and flowers in the

00:13:07

reference without them it is very difficult to achieve

00:13:10

something similar to a real flower there

00:13:13

you will see how these sheets bend and

00:13:15

how thick they are Now I’m starting to

00:13:17

bend and raise some of the edges. You

00:13:20

can do this either by

00:13:22

moving the vertices and proportional

00:13:24

editing, or

00:13:25

you can switch to boredom mode.

00:13:28

Do this using standard

00:13:30

brushes.

00:13:32

Here we turn on the mat cap, again it

00:13:34

will be better visible by holding down the controls SDM

00:13:37

depressions without control, we create bulges

00:13:39

in this way, if you have any

00:13:41

sharp places somewhere, you can quickly smooth them out in the twisted mode;

00:13:47

we also need to extend this cylinder to the bottom

00:13:50

and, of course, it must be wider than the

00:13:52

previous one; this is all for the extruder and we will

00:13:57

also add a few additional

00:13:59

ribs in case if

00:14:01

the storytellers need to somehow drag this object away,

00:14:03

well, now let’s take care of this part, here

00:14:06

we have ours crossing each other, we are

00:14:08

setting it all up, well, the position will only be

00:14:12

with the first flower leaf, more precisely,

00:14:14

then I will begin to cross them with the

00:14:16

help of crossing the mice because

00:14:19

this process is quite time-

00:14:21

consuming,

00:14:25

so in this way I created 1

00:14:28

leaf and now I’ll show you what will happen

00:14:31

in the end, after a few hours of

00:14:36

subway work, I

00:14:37

ended up with the next flower, I added

00:14:40

5 more leaves here, so

00:14:42

we see 1 which I just

00:14:44

modeled and this is how the second

00:14:47

leaf comes out of it,

00:14:49

here there is a simple intersection of waves without

00:14:51

any additional actions, exactly

00:14:54

in the same place 3 4 5 6 as you see, they all seem to

00:15:00

organically intertwine each other, in

00:15:02

fact there is no ideal here

00:15:06

This means our topologies intersect each other, but in

00:15:10

this case it’s not critical, you can

00:15:12

afford to

00:15:13

render even from such a distance as it is

00:15:16

now, it doesn’t reveal any shortcomings, and in

00:15:20

general we’re done with modeling and

00:15:22

now we’ll start creating materials for

00:15:24

this flower;

00:15:26

before setting the material, you need to

00:15:28

adjust the color, so first of all, I

00:15:30

went to the hdr on heaven website and here

00:15:34

I found an hdri map for our world on

00:15:38

this site there is a huge number of

00:15:39

high-quality hdr maps, I selected the current one and

00:15:43

downloaded it in 4k resolution, the

00:15:45

size and quality are average, let’s not say so,

00:15:49

after that we return to the blender and

00:15:52

here on the tab of the world we install the

00:15:54

just downloaded map between heaven

00:15:56

for this we add not in Voronin

00:15:59

textures we find our downloaded map

00:16:01

I have it here on the desktop and

00:16:04

loaded

00:16:06

all other settings by default

00:16:08

light intensity one I didn’t do anything else

00:16:11

and now we will mark the background parameters and

00:16:14

turn it on perspective and let's see how it

00:16:16

looks here, let's turn on the

00:16:21

render mode now and see how

00:16:23

it illuminates our object with a standard

00:16:26

white diffuse material, that's all

00:16:29

about lighting and now let's move on to

00:16:31

setting up the materials, we started

00:16:34

modeling the pot and the material is

00:16:36

first set up for it here there is

00:16:38

nothing special to comment on black

00:16:41

defense white moose

00:16:42

mixed using fresnel this is our

00:16:46

pot material and now let’s move on to

00:16:49

setting up the earth material when creating the

00:16:52

earth material we will have the

00:16:54

same logic as when creating the pot material

00:16:56

hyphen and deaf mixed but

00:17:00

we will not have as a diffuse just black

00:17:02

color here we will add a texture but there is only

00:17:05

if we connect and and directly then the

00:17:07

result will not be very good so we

00:17:09

need to pass this texture

00:17:10

through not call a ramp here for the

00:17:13

necessary colorant we use two pallets per

00:17:15

night and one of them is black

00:17:17

it is installed at around 2.7 and the second

00:17:20

time the dark brown is at zero

00:17:23

the result you now see in the

00:17:25

render and after we

00:17:27

skipped the texture but from the shader we connect the

00:17:31

diffuse agreement and mix them

00:17:33

using the outputs aisin

00:17:36

mixing factor 0.01

00:17:38

axis here it’s more for show, but it’s

00:17:41

necessary here, without it the material wo

00:17:43

n’t look the same, and the whole

00:17:46

bunch is essentially the same as on the pot,

00:17:49

only here we use a

00:17:51

procedural texture, but it’s connected

00:17:54

to shader diffuse,

00:17:55

that’s all about setting up the

00:17:58

ground material, here’s the complete one map of nodes and we

00:18:00

move on, a quick search for the texture of the

00:18:03

spathiphyllum leaf did not give any

00:18:05

results, so I took my

00:18:07

own tablet, photographed my

00:18:09

own flower and then

00:18:11

cut out and created

00:18:14

this texture of the leaves of the spathiphyllum flower in a graphic editor,

00:18:16

then using an online service I created

00:18:19

such a map Normals I

00:18:23

will also attach a link to this online service for you in the description of this

00:18:24

video and there, in addition to the normal map,

00:18:27

I created just such a reflection map, they are

00:18:30

far from ideal, firstly because

00:18:32

they cannot be created from one image,

00:18:35

but again for the purposes of our lesson this

00:18:37

will be enough and now you need to

00:18:39

create a scan before you start

00:18:43

to scan you need to create a

00:18:45

new material for the sheet and for the

00:18:47

texture ball you need to specify our texture,

00:18:49

so that we can then

00:18:52

turn on the texture display mode and

00:18:53

see our texture on our sheet

00:18:56

now we are here in in the editing mode,

00:18:58

we mark these edges as a seam and that’s it, I

00:19:01

unfold this object, now we turn

00:19:04

on the mode, this texture expression,

00:19:06

we see the result in window 3 of David and

00:19:08

we begin to edit our development, the part

00:19:11

that is responsible for the stem, we have a

00:19:13

secondary one, we

00:19:14

ourselves need

00:19:15

to place that part of its development

00:19:17

that is responsible for itself sheet here we

00:19:20

will achieve maximum quality

00:19:24

we have, make sure that the center of

00:19:28

the sheet corresponds to the center of our

00:19:30

model,

00:19:32

the resolution here is not the highest

00:19:34

quality, also not very high, but

00:19:37

due to the fact that our size will not be very

00:19:39

close, this will not be visible for this

00:19:42

case the quality of this texture is

00:19:43

quite suitable if you manage to find

00:19:46

higher quality textures this is

00:19:48

only welcome

00:19:50

also due to the fact that we edited

00:19:53

the leaf itself in David's window 3 using

00:19:55

proportional editing 2 or

00:19:57

individual vertices you see our

00:19:59

scan is not quite even so I

00:20:01

also have to edit a little and

00:20:04

after we have unfolded the leaf of the 2nd

00:20:06

part of the stem and when our texture

00:20:09

ends here, we simply move in the

00:20:11

opposite direction,

00:20:13

as I already said, this is how

00:20:16

the development of the stems themselves will be located,

00:20:18

which plays a big role here we

00:20:20

may have stretch marks on the

00:20:21

lining each to a friend, this is not a

00:20:23

fundamental result, in principle it

00:20:25

will be satisfactory, so we look in

00:20:29

window 3 of David, which is holy and it also turned out that

00:20:32

most of the stem will be hidden by other

00:20:35

sheets, so here it makes sense

00:20:37

to focus your attention on the

00:20:39

sheet, here I am now looking here, it is

00:20:41

necessary to edit a little and 90

00:20:45

percent I devote my time

00:20:47

to it and in this mode you

00:20:51

need to do the procedure with the

00:20:53

remaining 5 sheets

00:20:54

and also the main sheet of the blanket, and

00:20:58

so after some time I got the

00:21:01

following result, all my sheets

00:21:04

are unfolded, this is what I unfolded with

00:21:07

you a few minutes ago and now I’ll

00:21:09

show you the unfolding of the following, this

00:21:13

sheet was unfolded into 3 parts and that

00:21:15

also since there were 6 sheets, then in

00:21:20

pairs of 2 they were unfolded on the

00:21:23

same texture,

00:21:24

I unfolded it through yuan

00:21:26

wrap in the project queue from

00:21:28

you and thus placed it here

00:21:31

on the texture of the leaf bedspread and as you can see the result

00:21:34

turned out to be of quite high quality

00:21:37

with the leaf of the bedspread everything was easiest

00:21:40

here there was also one seam and it

00:21:42

unrolled

00:21:44

a whole separate texture was specially created for it

00:21:47

the results now you can also see we are

00:21:50

talking about the stems of

00:21:52

our leaves themselves here the most

00:21:55

stretch marks on the texture

00:21:56

quality here it also leaves

00:21:59

much to be desired, but for these parts of our

00:22:02

flower it also does not have a huge role in the

00:22:05

whole result I am satisfied with it looks not

00:22:08

bad and terrible the construction of the green

00:22:10

beer material will also look quite

00:22:12

good

00:22:14

setting up the material of the flower we will

00:22:16

do using the principles shader

00:22:18

without virgins and first In fact, we connect

00:22:21

our flower texture to it as a

00:22:23

bass color. Now we need to

00:22:25

connect the specular map. It

00:22:28

looks like this:

00:22:30

very bright,

00:22:32

we lower the contrast to 2, so we

00:22:36

make it much darker and

00:22:37

then using nada mas

00:22:39

through multipla and also stronger and darken

00:22:43

and we connect this resulting result

00:22:45

as a specular for

00:22:48

our well, idle principles, and

00:22:50

now I connect it and you will clearly see the

00:22:53

difference with and without a reflection map, and

00:22:57

we also need to connect the

00:22:59

normal texture, here everything is simple, we

00:23:01

connect I actually increased the strength to the normal map node

00:23:04

to two because

00:23:06

the quality is poor and we connect

00:23:09

to the corresponding input of the normal shader of the

00:23:12

principles of idleness, here, upon

00:23:14

closer examination, you can see the difference without a

00:23:16

normal map of Liston smooth

00:23:18

Adam and we connect the bumps of

00:23:22

roughness and irregularities they add

00:23:26

a small amount of realism to our flower

00:23:28

and of course the most important component is

00:23:31

under surface scattering, without it

00:23:34

the leaf will look unnatural and

00:23:37

now we increase it to 0.1 and

00:23:41

then the radius parameter begins to glow

00:23:44

for all 3 components, we reduce it to

00:23:46

0.01 and now now you can once again

00:23:50

evaluate the difference here is the performance of such a lid

00:23:52

under surface scattering and here is what

00:23:55

happens if you remove it that’s all

00:24:02

about setting up this material for the

00:24:06

final rendering I used

00:24:08

2048 samples since we use under

00:24:11

surface scattering the render

00:24:12

turns out to be quite noisy and to

00:24:15

get rid of from this noise, I

00:24:17

checked the noise reduction option on the ember layers tab,

00:24:19

all the settings are by

00:24:21

default, you can not

00:24:24

use this function if you wish, but then you

00:24:25

will have to set the number of samples much higher,

00:24:29

and after all this, all that remains is to

00:24:31

render, for the final

00:24:34

visualization I simulated a simple

00:24:36

window with window sill you now

00:24:38

see the result on the screen you can

00:24:40

use any other interior

00:24:43

exterior

00:24:44

in general here you have complete freedom of

00:24:48

action I hope you liked the lesson

00:24:51

format also as you can see this lesson

00:24:54

turned out to be short only 25

00:24:56

minutes they are an hour and a half or an hour as

00:24:58

usual I will in the future I plan to do

00:25:01

such short informative lessons,

00:25:04

thank you everyone and see you in the next lessons

Description:

► Инстаграм: https://www.facebook.com/unsupportedbrowser ► Текстовые уроки: https://blender3d.com.ua/ ► Книги, курсы и материалы: https://store.blender3d.com.ua/ ► Форум: https://blender3d.com.ua/forum/ ► Мой ПК: Core i5-4670K, 16 GB DDR3, GTX 970. ► Сервис онлайн-генерации карт: http://cpetry.github.io/NormalMap-Online/ ► Текстуры к уроку: https://blender3d.com.ua/wp-content/uploads/2018/03/spathiphyllum.zip В сегодняшнем уроке мы будем создавать спатифиллум в Blender. При создании цветка мы будем моделировать, выполнять UV-развертку, использовать систему частиц и нодов. Урок не сложный, но на его выполнение потребуется время, так как в нем содержится определенное количество рутинной работы.

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