Download "Хороший звук в домашних условиях"

"videoThumbnail Хороший звук в домашних условиях

Выравнивание дабл треков с помощью VocALign в CUBASE 5

Выравнивание дабл треков с помощью VocALign в CUBASE 5

Channel: Звук в деталях

Тюнинг вокала в ReaTune - Эффекты и плагины в REAPER

Тюнинг вокала в ReaTune - Эффекты и плагины в REAPER

Channel: REAPER Russia

ЛЕЕРИНГ ВОКАЛА / ЧТО ТАКОЕ ДАБЛЫ / КАК СДЕЛАТЬ ЗАПАДНОЕ ЗВУЧАНИЕ

ЛЕЕРИНГ ВОКАЛА / ЧТО ТАКОЕ ДАБЛЫ / КАК СДЕЛАТЬ ЗАПАДНОЕ ЗВУЧАНИЕ

Channel: Haruki

КАК ПРАВИЛЬНО ЗАПИСАТЬ ГОЛОС ЧТОБЫ ЗВУЧАЛО КРУТО! Как пишут на студиях звукозаписи звезд?

КАК ПРАВИЛЬНО ЗАПИСАТЬ ГОЛОС ЧТОБЫ ЗВУЧАЛО КРУТО! Как пишут на студиях звукозаписи звезд?

Channel: Александр Radiotechnica Власов

Вокал и вокальные эффекты. Сведение и мастеринг в Cubase Pro (Видео 6)

Вокал и вокальные эффекты. Сведение и мастеринг в Cubase Pro (Видео 6)

Channel: Yorshoff Mix

10 плагинов для отличного микса | Всё для сведения

10 плагинов для отличного микса | Всё для сведения

Channel: Академия Сонграйтинга

звукозапись

студия

домашняя студия

хороший звук

звук

сведение

мастеринг

запись рэпа

сведение рэпа

запись хип-хопа

сведение хип-хопа

звукарь

звукорежиссер

микрофон

звукарь бомбит

орионов

сведение для чайников

обучение звукозаписи

война громкостей

запись звука

запись дома

домашняя звукозапись

звукооператор

кубейс

cubase

VST

чистка голоса

обработка голоса

обработка вокала

запись вокала

студийный микрофон

студийные мониторы

FL

Фрути лупс

00:00:02

he made my songs, mix them up so that it’s from

00:00:09

and so that you’re [ __ ], don’t

00:00:11

be lazy, please don’t be lazy, and everything will be fine

00:00:14

with us, he

00:00:19

[ __ ] loves to start a debate on the

00:00:22

topic of how to get a normal sound,

00:00:25

here’s how to get a commercial sound at

00:00:29

home, and so on, here’s how

00:00:32

well, considering that after all, everyone and

00:00:35

carriers of the so-called Russian type of

00:00:37

thinking, we are all looking for something to save on

00:00:41

all the time there for a year, I’ll buy a more expensive microphone, I’ll buy a shitty one,

00:00:43

I’ll buy

00:00:45

some speakers there, well, I mean,

00:00:47

the monitors are normal, but I’ll be in a

00:00:50

shitty microphone on everyone no, well,

00:00:52

in short, you understand, and

00:00:55

because of this stupid trait, we have

00:00:58

young performers, as it were, young

00:01:00

sound engineers constantly have

00:01:02

the question of how to get a good sound, they are

00:01:04

constantly pouring [ __ ] into their ears like you

00:01:06

about this, that’s what it depends on

00:01:09

good sound and [ __ ]

00:01:11

absolutely everything if you record on

00:01:15

crap equipment you sound like it

00:01:17

was recorded on crap equipment if

00:01:19

you are driven by a [ __ ] sound engineer whose two

00:01:22

ears are fused together then it will

00:01:25

sound like that for you there are no important

00:01:28

unimportant aspects here it all depends from everything I

00:01:31

don’t know, I have young

00:01:32

performers recording who is Anton and how

00:01:35

old is he, 17 maybe 18, but under strict

00:01:40

control if I don’t give them just

00:01:42

[ __ ], that is, I don’t give them a shitty

00:01:44

minus to describe, I don’t let them perform badly,

00:01:49

we write [ __ ] here I am them not even tuning,

00:01:51

trying to write until it

00:01:54

hits the note, I’m a mega-active type guy

00:01:58

and accept his uniqueness and then they

00:02:00

run with force, dance in places loops

00:02:02

move words and cul this apple is

00:02:06

definitely carried away by gravity

00:02:13

engine engine and

00:02:16

[music]

00:02:19

it’s special not like in any cunning

00:02:22

way without nullifying there are no

00:02:24

secret techniques then does it

00:02:28

just sound because she was [ __ ]

00:02:30

from the beginning

00:02:33

I often see that people have a dick because

00:02:35

this is frank in the head I don’t know

00:02:38

I have one performer but he is my

00:02:41

client,

00:02:42

talented with good

00:02:45

voice data, generally

00:02:47

promising, that is, being at a fairly

00:02:50

high level as a performer, he

00:02:52

brings gavi not just [ __ ],

00:02:55

some cons, 128 kilobits per second

00:02:57

sounds like [ __ ], in short, and a total fiasco,

00:03:07

but

00:03:08

I can talk about you its empty

00:03:10

axis

00:03:15

life to which

00:03:19

was its own game

00:03:21

axis us ourselves

00:03:23

I’m trying to tell me

00:03:26

go and

00:03:28

after all

00:03:31

[music]

00:03:34

if you move a little away from your own words and

00:03:37

do some kind of, well, I don’t know, rating there

00:03:40

things that you know like the

00:03:43

top 100 things on the Internet that affect the sound of

00:03:45

your recording,

00:03:46

okay, if you do this kind of crap, then it’s

00:03:49

top to look something like this, the

00:03:51

very first thing that affects the sound is

00:03:55

minus if minus the songs are [ __ ]

00:03:57

automatically, but you won’t do anything, it’s

00:04:01

clear that now it’s like the public

00:04:04

is eating the songs the previous minuses recorded later,

00:04:06

and then I have sub-projects, if the minus is

00:04:10

completely rubbish or it was written by some kind of

00:04:12

[ __ ], I don’t know, but the songs from this

00:04:14

will absolutely not work out further in the

00:04:17

performance if the vocalist

00:04:20

performs lousy, if he has no delivery, if he does

00:04:22

n’t feel either way what he sings if he

00:04:25

doesn’t experience any emotions no

00:04:27

mixing will help it will be [ __ ] further

00:04:30

if the sound engineer is crooked find well okay

00:04:34

not so then if the sound engineer

00:04:36

hopes that some kind of

00:04:39

harsh microphone sound or

00:04:42

some kind of loud sound will be corrected at the

00:04:44

mixing stage then he's [ __ ] wrong the sound

00:04:46

should be straight away [ __ ] up at all immediately

00:04:49

not mixed the song should sound

00:04:50

awesome and consciously kymco felt boots

00:04:53

up to 50 at what distance the new items

00:04:56

and at least let us you don't smoke me

00:04:59

when he accepts me live round

00:05:01

Viking it hurts a lot in this sled mapri

00:05:03

canadians

00:05:04

jerry sundae MC during the collection of stoma then

00:05:07

do then like blue bombed but the fall

00:05:09

change these cupid

00:05:10

and mixed I should sound just as

00:05:12

awesome but just more like you don’t know

00:05:14

more than 1 downloaded more transparent or something

00:05:18

hitmane guests kensen not 20 she change

00:05:22

the registration min you are

00:05:23

a fact, a proven fact, and with gases, am yourself, by

00:05:26

submitting any water vapor, photos, drink,

00:05:28

hang up acetate gas,

00:05:31

mobile process, more than 7 victories, the garden boil, there is,

00:05:33

well, rambi

00:05:34

to the sun, letters, we are at the recording stage,

00:05:39

try your best to immediately

00:05:41

sound good, put a microphone, it sounds

00:05:44

crappy, change it, put another

00:05:45

microphone if there is no other microphone,

00:05:47

place it at an angle, turn it at 45

00:05:50

degrees, I don’t know the card, let the vocalist

00:05:54

move a meter away if you have normal

00:05:55

noise insulation, in principle, it’s acceptable

00:05:57

returning to the cons com forgot the most

00:05:59

important thing, it’s much preferable that the

00:06:01

backing track was a project separately bass there are

00:06:03

separate drums separate leads and so on

00:06:06

further, if something in your minus is bothering you,

00:06:08

some sent is interfering with your voice, then

00:06:10

can you always thread it on the site or

00:06:12

just turn it down if you have a minus already

00:06:14

mixed, and especially if it’s also from

00:06:16

Masteron and there’s nothing you can do about it

00:06:18

now further the crooked sound engineer is

00:06:25

nowhere without this the crooked

00:06:27

sound engineer certainly influences the

00:06:29

sound quality

00:06:32

eternal emptiness loyalty to the places he gave me at

00:06:36

this beautiful dawn wants to rule

00:06:40

black with her I don’t want to forget for me we are

00:06:43

like light but if your project sounds

00:06:48

awesome and you gave it to a bad

00:06:50

sound engineer he it will

00:06:52

still sound awesome, but it’s like

00:06:55

we’re mixing it with a bad sound engineer, it’s very

00:06:58

difficult to understand, but I’ve seen this

00:06:59

happen when really high-

00:07:01

quality recorded projects were mixed by

00:07:03

some [ __ ] on

00:07:05

microlab speakers, and you can hear that the vocalist

00:07:07

is cool, we’re an instrumentalist so

00:07:10

competent, but it sounds how [ __ ] homely you are,

00:07:13

well, in general, try to

00:07:15

avoid this. The sound guy should be a sound guy, that

00:07:18

is, if the experience of working there I don’t know is less than

00:07:20

five years, then [ __ ] him, let them mix rap

00:07:22

in the basement, crap equipment,

00:07:25

and crap equipment certainly affects the

00:07:28

sound, but not as strong as you

00:07:31

think I’m talking to you through a microphone,

00:07:33

that is, another ruble,

00:07:37

you heard a difference of 30 times, yes, it’s clear

00:07:42

that the company certainly won’t work, but with the

00:07:44

berangere c1 microphone, then we and so on

00:07:47

and so forth,

00:07:48

but let’s say in the right hands, even

00:07:53

cheap equipment can sound like

00:07:56

then, in principle, within the framework of

00:07:59

some kind of underground, it can

00:08:01

sound atmospheric, it can sound

00:08:03

right,

00:08:05

we rush about si si si

00:08:12

wipe yourself off the news

00:08:15

ok

00:08:16

and in fact

00:08:19

I am your perpetual motion machine

00:08:24

[music]

00:08:26

crappy sounding room is not set up and is not the

00:08:29

right size lined with egg

00:08:33

cartons there I am I don’t know, it’s not the point, it’s important,

00:08:35

in short, here you can’t differentiate between

00:08:38

its influence on the recording or there, during the mixing,

00:08:40

it will influence both this and that on the

00:08:41

recording because there will be [ __ ]

00:08:43

reverberations like they are with standing

00:08:45

waves in the recording of which you can’t filter them somewhere

00:08:47

especially It’s nice when

00:08:49

the resonance is somewhere in the region of up to 1000

00:08:51

hertz, where in the voice the most useful frequency is

00:08:54

still the room hums at a lower level, this is class,

00:08:56

and when mixing everything is the same, you

00:08:58

will hear the wrong amount

00:09:00

of you because the corners will hum, you,

00:09:04

that is, your pictures bytes and distorted

00:09:06

there and the only way out is either to mix at

00:09:08

low volume, but this never

00:09:09

works because most likely

00:09:12

you are working on some cheap

00:09:15

berangere or

00:09:17

yamaha monitors, some 5 inch, well, in short, the

00:09:22

room is very important the room is just,

00:09:25

well, the room is straight rooms, the

00:09:28

general principle is that of course in

00:09:31

sound recording it cannot be said that the balalaika is in skillful

00:09:32

hands and the balalaika is in skillful hands,

00:09:36

provided that the

00:09:39

balalaika is in a prepared

00:09:41

room made of normal

00:09:43

wood and it is played in a normal way,

00:09:45

as if in skillful hands thirdly,

00:09:49

they are for me, I watch reviews of all sorts of well-known

00:09:53

cloud rappers and so on, here’s

00:09:55

my studio, I have a [ __ ] laptop,

00:09:58

I have some kind of

00:09:59

weird microphone, well, even if it’s not from early on, it

00:10:02

doesn’t matter, but my rooms here are

00:10:05

not lined with anything with two bass

00:10:07

traps there is a yamaha ns hirise it is worth a

00:10:11

yamaha ns 10 here I unstick it by connecting

00:10:14

the amplifier from the car there from some kind

00:10:16

and here are the types and now I’ll teach you how to

00:10:20

mix it in five minutes and it’s [ __ ] awesome for him it

00:10:23

rolls he achieved some kind of

00:10:25

acceptable sound he’s all grabbed onto it and

00:10:27

is holding on, but you

00:10:33

probably don’t want it that way, but it’s clear that if

00:10:37

you adapt to the conditions of the room there, I don’t

00:10:39

know, for soundproofing purposes, wrap

00:10:42

some kind of plague around your head and on the microphone,

00:10:44

you can get out of the situation like you I do

00:10:46

n’t tell her anything, for this you need to be able to listen,

00:10:50

I have such a friend, he does

00:10:53

n’t understand absolutely anything at all, but in terms of

00:10:55

his 0 0 theoretical basis,

00:10:59

in terms of sound recording and so on, but

00:11:01

he’s always trying to settle scores

00:11:04

and tunnels and he’s on the steering wheel his id, in principle, is

00:11:06

such a sound that I come somewhere after

00:11:08

my work, I listen and normally

00:11:11

you open it and there is [ __ ] up reverberation in the

00:11:15

heart without drive, it’s just a double

00:11:18

channel created, in short, well, it’s just that

00:11:22

the person got the hang of it, as if he did the arc as best he could,

00:11:25

but he did it and it sounds

00:11:28

because he apparently somehow

00:11:31

imagines the result in his head if you don’t have

00:11:33

this, if you are still more of an engineer,

00:11:35

learn the math part, learn the layer, just

00:11:40

be prepared to work because if

00:11:43

you don’t work, if you rely

00:11:45

on mixing in five minutes if you want to

00:11:48

save money on some aspects here,

00:11:52

but it doesn’t work like that, either you

00:11:55

work hard, study and learn the theory,

00:11:58

create the necessary conditions for yourself,

00:11:59

work calmly,

00:12:01

or you are a

00:12:02

natural prodigy and so on for

00:12:04

you and it just works out easily and in in

00:12:08

general, you don’t need advice to you, she

00:12:09

will come to you, that is, listen to

00:12:12

some kind of pin sada, what is

00:12:16

his name, such a curly sound guy, a

00:12:18

world famous pin sada, in my opinion, it

00:12:20

doesn’t matter, you look at his device, the

00:12:25

software, the method is

00:12:27

one of those it’s a strange drug addiction, it’s

00:12:33

just that somehow he’s built something about the tools for something

00:12:36

incomprehensible, he

00:12:40

sometimes demonstrates some

00:12:42

changes, but I don’t understand, I haven’t even

00:12:46

heard, that is, here the person is right

00:12:50

above completely and completely creatively clear,

00:12:52

he’s not very clear he thinks about the technical

00:12:55

component, he just hears, he just

00:12:57

understands, it’s given to him, there are people who

00:12:59

understand how the engine works in a

00:13:01

car and I need this sign, where is

00:13:03

the connecting rod, where is the hydraulic compensator, they don’t

00:13:05

need it, they just understand, there are the

00:13:09

same sound recordings, that is, their type andy

00:13:13

vax

00:13:14

or vox vax he argues for his every action,

00:13:19

well, here it’s

00:13:21

possible that a conflict between frequencies

00:13:23

arises here, a resonance arises, that is, a person with

00:13:25

technical skills, I don’t know how

00:13:27

creatively he can

00:13:30

compete there, I don’t know the bird’s system,

00:13:34

the video tutorial I’m looking at is not the point it’s important,

00:13:36

by the way, I watch his video tutorials, but here it’s the

00:13:39

technical component,

00:13:46

you have crap equipment, you don’t have

00:13:48

ready-made rooms,

00:13:51

[ __ ] movie, you don’t want to go to the phoniator so they can

00:13:54

give you a voice, that is, you have

00:13:56

everything on the shelf and it’s simple and you’re like, yes,

00:13:59

I will famous there, then

00:14:01

you will never be on par with

00:14:03

some European performer,

00:14:05

who approaches the process so I do

00:14:08

n’t know, found some investors

00:14:11

there, concluded agreements with those who

00:14:13

make strings, who make guitars, so

00:14:16

I went to 20 background from aram there he set

00:14:19

himself a voice, and here he is,

00:14:22

like a bang, work, work, work,

00:14:24

work, and the videos are he there on YouTube or are you,

00:14:27

his lights are all set correctly,

00:14:30

you will never be on par with such a

00:14:32

person because patience and work will

00:14:33

grind everything down

00:14:34

and somewhere, I don’t know, abroad in

00:14:38

Europe, people understand perfectly well that

00:14:40

if you want to be famous, if you

00:14:42

want to have some kind of opportunity

00:14:44

that will be carried out by producing a

00:14:47

high-quality product of high-quality

00:14:48

content, for this you need to work, but here

00:14:51

we are like kittens we look at all sorts of

00:14:53

their jarahs and so on, why the [ __ ] is

00:14:56

he a dumbass, he could do it and I could, but he’s

00:14:59

not a dumbass, yes, it’s an image, it’s just an

00:15:02

image, well, let’s put it this way, even though there were

00:15:06

such precedents, they said something like that

00:15:08

in their own way time, youtube allowed

00:15:12

complete nonentities who don’t

00:15:14

know how to become popular there and so on,

00:15:16

but yes, perhaps this happened, but you just

00:15:19

[ __ ] eyes, these are all

00:15:23

little baby people there, and so on, by the way, there’s nothing

00:15:25

against them,

00:15:26

they have

00:15:29

some producers they have whole

00:15:32

teams there, that is, in

00:15:38

some rented premises, they have

00:15:40

creative directors sitting there, thinking about

00:15:43

some ideas, where the [ __ ] are you going with

00:15:45

yours there, I don’t know, now I don’t know,

00:15:50

I’ll go outside to I’ll film a video on my phone of

00:15:52

how I [ __ ] some politicians in the mouth

00:15:55

and I’ll become popular, don’t [ __ ], no,

00:15:59

it’s all work, there’s no freebie, and even

00:16:03

if it happens.

00:16:05

for those who don’t know who they want to

00:16:08

look at, but there are such people, of course,

00:16:10

whom they want to look at,

00:16:13

and even among bloggers there are,

00:16:16

well, some individuals who do

00:16:18

n’t seem to do anything special, so it’s

00:16:21

interesting to look at them, although who knows, maybe

00:16:23

it’s all the same... then the fruits there are

00:16:26

production then I now, of course,

00:16:27

remind myself of some of this paranoid

00:16:31

vodka who is like all the popular

00:16:36

YouTubers are in a conspiracy,

00:16:39

in fact they don’t live as they write on

00:16:43

their blogs,

00:16:44

well, I don’t know, in short, it doesn’t concern me much at all,

00:16:47

he made songs

00:16:49

to mix it was [ __ ] up and for you to be [ __ ] up, don’t be

00:16:52

lazy, please don’t be lazy, and

00:16:54

everything will be fine until the night, in principle, I

00:16:57

told you everything, in short, Alexander Larionov was there with you,

00:16:58

call, write,

00:17:01

subscribe, like, what else

00:17:05

should you do, subscribe,

00:17:07

dislike, in general, bye

00:17:09

[music]

Description:

Древнее видео, с которого все началось ---------------------------------------------------------------------------------- ДОНАТ: https://new.donatepay.ru/@zvukarbombit СБЕР: 4817 7600 6328 8488 (ток в комментах ничего не пишите) PayPal: [email protected] ДЛЯ КОММЕРЧЕСКИХ ПРЕДЛОЖЕНИЙ: [email protected] ИНСТА: zvukar_bombit

Preparing download options

Popular

HD video

Only sound

All

* — If the video is playing in a new tab, go to it, then right-click on the video and select "Save video as..."

** — Link intended for online playback in specialized players

Questions about downloading video

How can I download "Хороший звук в домашних условиях" video?

http://unidownloader.com/ website is the best way to download a video or a separate audio track if you want to do without installing programs and extensions.
The UDL Helper extension is a convenient button that is seamlessly integrated into YouTube, Instagram and OK.ru sites for fast content download.
UDL Client program (for Windows) is the most powerful solution that supports more than 900 websites, social networks and video hosting sites, as well as any video quality that is available in the source.
UDL Lite is a really convenient way to access a website from your mobile device. With its help, you can easily download videos directly to your smartphone.

Which format of "Хороший звук в домашних условиях" video should I choose?

The best quality formats are FullHD (1080p), 2K (1440p), 4K (2160p) and 8K (4320p). The higher the resolution of your screen, the higher the video quality should be. However, there are other factors to consider: download speed, amount of free space, and device performance during playback.

Why does my computer freeze when loading a "Хороший звук в домашних условиях" video?

The browser/computer should not freeze completely! If this happens, please report it with a link to the video. Sometimes videos cannot be downloaded directly in a suitable format, so we have added the ability to convert the file to the desired format. In some cases, this process may actively use computer resources.

How can I download "Хороший звук в домашних условиях" video to my phone?

You can download a video to your smartphone using the website or the PWA application UDL Lite. It is also possible to send a download link via QR code using the UDL Helper extension.

How can I download an audio track (music) to MP3 "Хороший звук в домашних условиях"?

The most convenient way is to use the UDL Client program, which supports converting video to MP3 format. In some cases, MP3 can also be downloaded through the UDL Helper extension.

How can I save a frame from a video "Хороший звук в домашних условиях"?

This feature is available in the UDL Helper extension. Make sure that "Show the video snapshot button" is checked in the settings. A camera icon should appear in the lower right corner of the player to the left of the "Settings" icon. When you click on it, the current frame from the video will be saved to your computer in JPEG format.

What's the price of all this stuff?

It costs nothing. Our services are absolutely free for all users. There are no PRO subscriptions, no restrictions on the number or maximum length of downloaded videos.