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Channel: AISPIK

ложь историков

историческая парадигма

эрмитаж санкт-петербург

музей эрмитаж

эрмитаж

ковры и гобелены в эрмитаже

что изображено на коврах и гобеленах эрмитажа

тамерлан и баязид

тамерлан пленяет баязида ковер

как выглядел тамерлан

кто такой тамерлан

как выглядел баязид

античный мир

что скрывают изображения на коврах в эрмитаже

история

альтернативная история

олег павлюченко айспик

айспик

aispik

это

прошлый

мир

боги

из

дыма

лучевые

пушки

и

белый

тамерлан

олегпавлюченко

санктпетербург

фальсификацияистории

альтернативнаяистория

факты

загадки

00:00:02

It turns out, upon careful

00:00:04

examination, that quite a large

00:00:07

number of exhibits in various museums around

00:00:09

the world fall out of the official

00:00:12

historical paradigm, clearly showing

00:00:15

that a significant part of what is written in

00:00:18

textbooks, to put it mildly, is not

00:00:21

true,

00:00:22

no exception in this matter, and some

00:00:25

exhibits

00:00:26

on public display in

00:00:29

the Hermitage, which seems to be well known to many, well

00:00:32

why didn’t we all pay attention to this before,

00:00:35

were we really that stupid

00:00:39

or is the

00:00:42

false history of our past so cleverly written, what

00:00:45

do you think, you write your opinion in

00:00:47

the comments under this video and don’t

00:00:49

forget to like the last film,

00:00:52

I already showed an alternative assault on the winter

00:00:55

you all seem to be familiar with

00:00:58

the exhibits before, but upon closer

00:00:59

examination it turned out that they were

00:01:02

made to fit the ergonomics of people whose

00:01:06

height exceeded the height of people of our time

00:01:08

by two or even three times, and in this film

00:01:11

I will show you what the

00:01:14

Mongoloids Virland and the captive actually looked like I

00:01:17

will prove to you, Turk Bayezid, using a

00:01:20

material medium that Nosovsky

00:01:23

and Fomenko are absolutely right. Antiquity is

00:01:26

really a publication of not centuries-old

00:01:29

events on paper sent for a certain

00:01:32

zero year, and with a minus sign,

00:01:35

apparently so that no one would guess, and I will also

00:01:39

show you a real window into that very

00:01:42

medieval antiquity tapestries and

00:01:45

tapestries from the Hermitage convey its image

00:01:48

much more colorfully than numerous

00:01:51

statues and sculptures and so we walk along the

00:01:54

corridors of the main museum of

00:01:56

St. Petersburg, truly one of the

00:01:59

greatest museums in the world,

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finally we reached the

00:02:05

gallery of carpets or so-called tapestries,

00:02:08

here of course there are

00:02:09

tapestries now we Let's look here there is a

00:02:11

very interesting image of ancient

00:02:14

life,

00:02:19

we've just got to that very

00:02:22

interesting carpet Tamerlane captivates

00:02:25

Bayazid, we have a light Bayezid in a

00:02:27

golden cage with a Cossack, it will be reinforced by

00:02:29

Tamerlane himself with his characteristic image of

00:02:32

which there is a lot and with you there is a whole

00:02:34

block there of light Tamerlane not a [ __ ] and

00:02:37

here is a real Tamerlane and here is an interesting

00:02:39

historical myth when a woman’s hem is cut off,

00:02:42

that is, I have not yet been able to

00:02:45

find it, interpret it, this is a big

00:02:47

job, this is known by the way

00:02:48

historically, but you see for yourself a piece of

00:02:51

ancient life Tamerlane accepted Bayazit

00:02:54

just in Asia Minor when seizing the

00:02:56

territory of modern Turkey here you

00:02:58

go, the Turk Bayezid and the invader of Asia

00:03:02

Tamerlane, what they looked like in the left corner of the

00:03:05

top we see this very type of weapon

00:03:09

and behind the micro garage a bunch of cars were burning

00:03:13

even at 2 6 from it there is a flame of

00:03:16

winter there is a flame but we have not seen this anywhere in the

00:03:19

pictures weapons are in the hands of people but there are

00:03:23

Bibles now we will go through the frames but

00:03:25

these are the weapons here to be the

00:03:28

Mongol-Tatar yoke with the white

00:03:30

Tamerlane here is the Turk Bayazid a

00:03:33

fair-haired Cossack here we come Sasha

00:03:36

saw it is called battles again from the same

00:03:38

series of China investment cafe it is 17th century

00:03:41

Brussels not

00:03:42

for something here I saw I see here a

00:03:45

central figure

00:03:48

who is guarded by people with very

00:03:50

interesting weapons weapons

00:03:52

that are on the numbers 7 products not we are just

00:03:55

now starting to guess that she

00:03:57

shot arrows or lines and

00:03:59

we see on the left and right the nearest temple,

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that is, the most armed people are needed not

00:04:05

with swords and spears, but with the headlights of cars,

00:04:08

what is called tires, and here there is an

00:04:10

ordinary fight with knives, here they are, and this is

00:04:12

life you love

00:04:13

here, it’s unclear, some kind of conflict, it’s

00:04:16

like the police are running

00:04:17

to stop it, or what’s more, an interesting

00:04:20

one is older than us, we have a lion again

00:04:23

laptop from one cuirass and the other has a

00:04:26

lion on his head

00:04:29

a little bit

00:04:33

we are from the triumph of the whale and Vespasian, that is,

00:04:37

we have such a very poler and it’s

00:04:40

very interesting the image in the symbolism is all that

00:04:41

can be, that is, we have an eagle here and a

00:04:44

minor key, this is a French manufacture, but it’s

00:04:47

written to come then in Brussels there was a

00:04:50

city actually in France written in the 17th

00:04:53

century, but again a view of antiquity from where, after

00:04:56

two thousand years, this antiquity

00:04:57

is reproduced on tapestries, really

00:05:01

very colorful images of ancient life

00:05:04

are handed down to us by tapestries and tapestries collected

00:05:07

in the Hermitage collection, of course, official

00:05:10

historians dated the production of these

00:05:12

cannes and hand-drawn images in the

00:05:14

Middle Ages, more precisely in the 15th century, they were allegedly

00:05:19

produced by a certain French manufactory,

00:05:22

and for some reason, all the images for their

00:05:26

illustrations of the Brussels carpet

00:05:28

makers were taken from antiquity, which

00:05:31

ended according to the official chronology

00:05:34

more than a thousand years before this 15th century,

00:05:38

look around not only in the Hermitage and

00:05:41

museums of St. Petersburg continuous

00:05:43

swelling the same throughout Europe and

00:05:46

even in America in previous films I have

00:05:50

already shown quite clearly that

00:05:53

just recently in the eighteenth first

00:05:55

half of the nineteenth centuries all those

00:05:58

whom we today call the great Peter

00:06:00

and Catherine Paul the first Alexander and

00:06:04

Nicholas did not worship Christ Apollo,

00:06:07

who, along with his entourage of

00:06:10

Olympian gods and muse, should have been,

00:06:13

according to official history, overthrown by

00:06:16

Christians fifteen centuries before the 18th

00:06:20

century, and so what conclusion can we

00:06:23

draw by

00:06:24

examining these tapestries and

00:06:25

guided by direct life logic,

00:06:29

not paying attention to the various types of

00:06:32

his tasty fictional official

00:06:35

historians of the late 19th and early 20th centuries, I

00:06:39

will also note that these ornate sti were invented according to the

00:06:43

usual cheating scheme of diverting

00:06:46

attention to a lot of insignificant little things,

00:06:49

we are on the sarcophagus of Alexander Nevsky, well,

00:06:52

everyone knows his story about what is now

00:06:54

in our Hermitage, Kirill, what we

00:06:57

see here from everyone we see action,

00:06:59

military operations and in the background, and I

00:07:02

see

00:07:03

palaces with crescents, crescents,

00:07:07

six-pointed stars,

00:07:09

six-pointed stars 6,

00:07:12

but I don’t see a single cross anywhere,

00:07:16

very interesting, you see just the crowns,

00:07:19

these crowns don’t symbolize something,

00:07:21

these four or five crowns that we

00:07:23

see or four karlov crowns titer archi

00:07:25

somewhere plague somewhere these crowns but

00:07:28

they are all different like in playing cards

00:07:31

here they are 4 crowns spilled 34 well with a

00:07:35

crescent ah this is again as many

00:07:37

say this is not the Islamic world they are

00:07:40

Muslims because then everything

00:07:42

appeared much later, this is ancient

00:07:44

times, the last ancient war, these

00:07:46

events are exactly what the

00:07:49

life of Alexander Nevsky dates back to in reality,

00:07:51

and now we see ancient battles going on,

00:07:56

very interesting, but the use of weapons like the

00:07:59

Trojan battle is no longer visible, that is, it’s

00:08:02

just going on -it’s a mess of swords and

00:08:06

spears,

00:08:08

the dating is unclear, but this is not a

00:08:11

Christian sarcophagus, but no one

00:08:13

says that the descendant of Genghis Khan, Alexander

00:08:15

Genghisid Alexander Nevsky, was a

00:08:17

Christian, but the meaning before that old

00:08:20

Vedism is, in principle, visible, that is,

00:08:22

Muslim outfits, modern

00:08:24

Christian outfits, they are all

00:08:25

presented here, well then they are were simply

00:08:28

different warm, that is, this is the separation of a

00:08:30

single Vedism into a religion, after the

00:08:34

flood of ancient times, it absorbed

00:08:37

certain parts of the symbolism, each took

00:08:39

its own, but here you are, there is already the

00:08:42

same connection with the gods, a cup and smoke

00:08:47

called an altar, the soul then

00:08:49

calls it but there is a battle here, but how

00:08:56

real the circus is in fact is unclear because look

00:08:59

here, new elements have been inserted, some kind of

00:09:01

drilling has been inserted, that is, something

00:09:04

has been replaced on it so far, at least and

00:09:07

it is quite large, this sarcophagus,

00:09:10

that is,

00:09:12

a section of it, well, in reality it is more than two meters,

00:09:15

much more there are modern gaming ones you

00:09:19

make to the grave, they don’t

00:09:20

make sarcophagi in slightly

00:09:23

different

00:09:25

sizes, but here we can’t really measure it,

00:09:28

but most likely it’s a giant and it

00:09:30

corresponds to the sarcophagus that we

00:09:33

found in Asia Minor for people 250 tall,

00:09:40

today we can’t definitely

00:09:42

say what kind of medicine there was in

00:09:44

antediluvian times There is

00:09:47

practically no evidence of this, but already the

00:09:49

twentieth century marked itself with the

00:09:52

most serious discoveries in genetics; this

00:09:54

discovery occurred in

00:09:56

1997, Professor Makota Kuru discovered and

00:10:00

described a gene that was named in honor of the

00:10:03

goddess of fate Claude, and today it has been proven

00:10:07

that activation of the Claude A gene can

00:10:11

significantly prolong life and

00:10:12

prevent ischemic osteoporosis

00:10:15

heart disease diabetes stimulate

00:10:18

growth hormone and cerebral circulation

00:10:21

this gene is responsible for many functions but

00:10:25

first of all navy

00:10:27

it is the gene of youth so I baptized it

00:10:30

scientists over the last two decades science

00:10:33

has been trying to find means to increase the

00:10:35

activity that is the expression of this gene

00:10:39

however until now

00:10:41

there has been no such safe means

00:10:44

in September of this year,

00:10:47

another discovery was made;

00:10:50

another scientific research was carried out on synthesis; then in

00:10:53

Moscow, the Federal Research

00:10:55

Center, the fundamental principles

00:10:57

of biotechnology, it

00:10:58

was discovered that synthesis

00:11:01

increases the expression of the fleet youth gene by

00:11:04

almost two times, or more precisely, by as

00:11:07

much as 1 and 9 times; this is a phenomenal

00:11:12

result which on the other hand

00:11:15

explains the powerful beneficial effect of

00:11:17

synthesis on the entire body, which

00:11:21

hundreds of people and doctors talk about on the channel of

00:11:24

this mineral, let me remind you that synthesis

00:11:27

has already five studies: an

00:11:30

increase in the number of stem cells and a

00:11:32

decrease in the activity of enzymes that are

00:11:34

responsible for the development of various diseases

00:11:37

and others scientific works a link to genes

00:11:40

youth glass tosi indesit as well as

00:11:43

other scientific works I will attach in the

00:11:45

description under this video I will also leave a

00:11:48

link to the feedback channel about synthesis ti when

00:11:51

purchasing, use the promo code i speak

00:11:54

which will give you a discount depending on the

00:11:57

amount of synthesis purchased then

00:12:00

one more the trellis of the seven liberal arts

00:12:03

is also called in our country plus and the 18th century, but

00:12:06

this is apparently the last time of

00:12:08

ancient civilization, the last

00:12:09

decade before the ancient flood until the

00:12:11

end of the 17th century and interpretation with

00:12:14

chronological dishes that we see

00:12:17

the seven liberal arts that catches

00:12:19

the eye here is a drawing of the fortress stars

00:12:22

Arabic numerals are visible

00:12:25

although it’s interesting to see the letters of the

00:12:29

maracana astrolabe, the Arabic available

00:12:32

digital values, it turns out that at the end of the

00:12:34

ancient period, Arabic

00:12:36

numerals were used somewhere by women

00:12:38

scientists, apparently download naked, hardened,

00:12:42

this was their fashion, we see, we see a

00:12:44

good enough

00:12:46

globe, what is written on it to say

00:12:50

It’s difficult for me, he’s a planetary system, that

00:12:52

is, they knew neither astronomy, they knew

00:12:55

navigation, cartography, they knew

00:12:58

engineering, and now the star fortress

00:13:00

is planned right then, and then we

00:13:04

’ll look at the top of us with two snakes,

00:13:06

the sting is

00:13:08

very interesting, cool symbolism we

00:13:12

’ll see with you to the lunar one, which I personally am

00:13:14

very

00:13:16

We do

00:13:19

n’t come across small engravings in small quantities, but these twisted

00:13:20

columns are there, I found them all, but they are very

00:13:24

interesting, these columns were in their entirety,

00:13:26

not books of similar ones, exhale, we haven’t seen

00:13:28

the technology, plus it’s generally from above, and

00:13:32

why are all the columns here like that and

00:13:35

then straight and as a child I always

00:13:40

skipped this until you saw the ancient ruins,

00:13:42

my jaw dropped and I did

00:13:46

n’t pay attention to this, I thought the fairy tale was

00:13:47

drawn

00:14:00

[music]

00:14:08

[music]

00:14:12

from a flying whale they knocked down and so why

00:14:15

would a certain French carpet

00:14:18

maker in the 15th century, to paint pictures of

00:14:22

intangible antiquity before, because

00:14:25

heroes already walked around them from their times,

00:14:29

but in accordance with the direct logic of the heroes of

00:14:33

their own times, the

00:14:36

Brussels masters depicted them, so many already

00:14:39

understand the 15th century in modern

00:14:42

chronology was appointed by the Jesuits of Scaliger, we feed the

00:14:46

virus in hindsight and they did

00:14:49

this by composing a new chronology of the dead of

00:14:52

antiquity after a global catastrophe that

00:14:54

happened about three and a half

00:14:56

centuries ago, or according to the modern

00:14:59

chronology invented by them at the end of the

00:15:02

17th century during the ancient

00:15:05

Middle Ages, that is, before the end of the 17th

00:15:08

century, the chronology was completely different about

00:15:11

this my film urgently we we found out what

00:15:14

year it is, the fact that antiquity

00:15:17

is really the Middle Ages,

00:15:19

Nosovsky and Fomenko also calculated, using the

00:15:22

analytical method of statistical

00:15:25

analysis, the duration of the reigns of ancient

00:15:28

and medieval emperors, and this

00:15:30

duration completely overlapped

00:15:33

with each other, but here in the Hermitage we

00:15:36

see one of the clear material

00:15:38

confirmations of

00:15:39

this hypothesis supposedly medieval

00:15:42

Tamerlane, the official dating of

00:15:44

whose life is the 14th century, in exactly the same

00:15:47

ancient clothes and among exactly the same

00:15:50

ancient buildings as the

00:15:53

real ancient heroes familiar to us from other tapestries,

00:15:56

which suggests only one thing, if all of them,

00:16:01

Tamerlane and Bayezid and Hector and Achilles, are

00:16:05

practically contemporaries official

00:16:08

historical data separates them by

00:16:10

almost 2000 years, although the hero of the

00:16:12

Trojan battle on Kurukshetra most

00:16:15

likely lived in the 14th century, of course, again in

00:16:18

terms of modern chronology,

00:16:20

Tamerlane lived a hundred or two hundred years

00:16:23

after them, lived already in the second period

00:16:26

of antiquity, which I call the

00:16:29

Renaissance, and tried again

00:16:32

to unite the disintegrated single world

00:16:34

power of the golden age, and Tamerlane

00:16:37

did this according to my chronological

00:16:39

chart after 1342, that is, that

00:16:43

very Trojan War or global

00:16:45

catastrophe earlier than antiquity, but again this

00:16:48

dating is in terms of modern

00:16:51

chronology,

00:16:52

and the dates indicated

00:16:55

on the trellises by the fifteenth century are apparently counterfeit and

00:16:57

backdated Yes, and Brussels

00:17:00

in antiquity, a century-long period until the end of the

00:17:03

17th century, was not in any France

00:17:06

or in any Belgium because such

00:17:09

countries did not yet exist, but

00:17:11

historians at the turn of the nineteenth and

00:17:13

twentieth centuries could easily

00:17:16

date all these tapestries to ancient

00:17:18

times 2000 years ago and

00:17:20

Tamerlane with a bayonet mount, which

00:17:22

the falsifiers identified as the Middle Ages,

00:17:25

would have simply been hidden in the storage room, but apparently you

00:17:28

got confused and you thought some kind of French

00:17:32

manufactory, for which of course we thank them, and

00:17:35

you and I now clearly imagine

00:17:38

what the [ __ ] Tamerlane and the Turk were like.

00:17:41

Bayezid sour cream found a very interesting

00:17:44

image once in Turkey we studied the

00:17:47

city of Perge and there was a very interesting

00:17:50

fountain of an artificial river and we

00:17:52

assumed that underwater inhabitants went there,

00:17:54

well, in our fantasies, but

00:17:57

really there are a lot of images of

00:17:58

underwater inhabitants of

00:18:00

that very kingdom of Poseidon's brother

00:18:03

Zeus, that's what you see all over the world, that's

00:18:06

it trellis as if it is called winter

00:18:08

1 of 94 trellises seasons of the year here I do

00:18:12

n’t see winter at all what immediately

00:18:14

caught my eye are all these sea

00:18:15

inhabitants who are walking from

00:18:19

below

00:18:21

from above from above, but not sea brides, too,

00:18:24

look here, really

00:18:27

mermaids are depicted together with their son centaurs or

00:18:31

satyrs, this image immediately

00:18:33

reminded me of the sculptural group of the fountain

00:18:36

at the Library of Congress in Washington, this

00:18:38

place is very iconic, there were those

00:18:41

stones pouring on it, the Congress itself, the Capitol,

00:18:44

square steel, here is Washington from your

00:18:47

monument, and these are the only

00:18:48

images that are sculptural,

00:18:50

this is exactly what it is here are the sea inhabitants

00:18:52

the library of congress

00:18:53

the same place and here is the ancient

00:18:57

winter

00:18:59

some guy in a skin with a crown

00:19:02

very strange no snow well of course

00:19:06

there is no snow the Sirin bird and here is the ancient winter

00:19:10

get acquainted

00:19:13

with my new work you can

00:19:16

find it on the website sponsor ru here I

00:19:20

started to understand the distorted history of

00:19:22

humanity from the very beginning from the moment of its

00:19:26

appearance on our planet, in the

00:19:28

presented lectures you will see something that

00:19:31

for many reasons I cannot post on

00:19:34

YouTube on the sponsor’s website, I began to

00:19:37

clarify my hypothesis of the real

00:19:39

past stitched together with the rough threads of

00:19:42

films familiar to you on the I-Speak channel

00:19:45

go to the sponsor's website the link will be

00:19:48

in the description under this video all these

00:19:50

tapestries are about five meters high

00:19:53

they could only be hung in the dwellings

00:19:56

of giants all but not huge her voices

00:19:59

question 2 photographic accuracy from

00:20:03

Konstantin says I can’t even

00:20:05

imagine how this picture could be

00:20:07

rolled out manually this or computers where the

00:20:10

memory block is sunburnt on the

00:20:13

loom, all this information and

00:20:16

it is in knots, but this is impossible from grams

00:20:19

Ivan iii quality is illiterate like

00:20:21

Turkish women or there is no other than Asian women I won’t

00:20:23

do it they can perform the

00:20:24

ornament let’s say manually about scania

00:20:27

which they are given by Ralph views of the

00:20:30

same arno patterns that the pattern

00:20:32

was trained on the picture, is it unrealistic to weave

00:20:35

or is it not a tapestry, is it a real trellis

00:20:37

where the

00:20:38

number of knots per square

00:20:41

centimeter is simply crazy, as in, we did

00:20:45

n’t pay attention in our

00:20:46

research or paid little attention to

00:20:48

fabrics and weaving art in general this is

00:20:51

antique from ancient times, they have a

00:20:54

lot of layers of ancient times, a lot, as it were, but

00:20:57

how the structure is made, the central

00:20:59

image is a frame, then there is a second

00:21:01

image again, a frame inside this

00:21:03

image, a lot of

00:21:06

symbols are encrypted, what the symbolism is encrypted, but

00:21:08

the technology of weaving production, you can

00:21:11

tell him madly that now only we

00:21:13

you can approach it frantically, we see

00:21:15

here on the right side of the weapon which

00:21:18

seems to be ready for use or

00:21:20

was about to be used, firstly mikha is very

00:21:23

strange from which fire is coming fire here is an

00:21:26

interesting fire from the fatherland and we

00:21:27

see fire it is depicted behind all the

00:21:29

violent why is it and yellow-red for and

00:21:31

the color of the flame to determine the temperature of the

00:21:33

minister, when we come out we see the fur is very

00:21:35

large, judging by the picture, some will say

00:21:37

it’s a bagpipe, but I’m not a bagpipe, this is the place, it’s the

00:21:40

fur he has Tishchenko and

00:21:42

stick some kind of wind

00:21:44

device into it, which was also given

00:21:46

some very strong sound, I also make a face, but from

00:21:50

above we have a car, a car of the enemy,

00:21:52

burning arrows, in the

00:21:54

middle it’s generally difficult to say

00:21:56

something so incomprehensible, it looks like the weapon

00:21:58

shown here is actually a weapon from

00:22:00

antiquity, but the most interesting thing to me is that I

00:22:02

still get the impression that in

00:22:04

ancient times they had they didn’t have such

00:22:07

lethal weapons, so they had the Trojan

00:22:09

War, especially with the world of death, this is not

00:22:11

described as described by the central battle of the

00:22:14

Achilles hectare, but when he is a meadow

00:22:16

object, this is actually the decisive

00:22:19

event of the war, and in many old

00:22:23

descriptions, indeed, we see that an

00:22:25

army is gathering, fighting, only two

00:22:26

leaders were given here they

00:22:29

had something similar, maybe through some kind of large

00:22:31

system that suppressed the will

00:22:34

and all the food won, that is, they really

00:22:37

used a sound wave weapon,

00:22:40

it turns out and some kind of really

00:22:43

suppressive psychology of years

00:22:45

disorienting the suppressive city,

00:22:47

so many don’t have armor, but that’s

00:22:50

very interesting image of

00:22:52

Konstantin's wedding before Konstantin will say he accepted

00:22:55

Christianity on his deathbed, this is what everyone

00:22:58

wants in the first Christianity of Ivan

00:22:59

the Terrible, supposedly it was also possible to

00:23:01

have four wives, here is Konstantin's wedding, that

00:23:04

we see two fathers, 2 brides, two hands, that

00:23:07

is, he has a wedding for two at once in the world,

00:23:10

John and if you don’t believe it with your pelvis,

00:23:12

look again, give them such a

00:23:16

thing, the wedding is very correct, I think it’s

00:23:18

just that most of them were removed, they are

00:23:20

depicted with some kind of torch similar to

00:23:22

look, not sasha, to their homeland, not fascism, but

00:23:24

they have an interesting thing, you see they are over the

00:23:27

fire than -they played as if calling up

00:23:30

spirits, you remember at the base of yourself there is a griffin,

00:23:33

griffins, but this hearth itself is an

00:23:36

altar, they called it differently,

00:23:38

they threw something into it and a

00:23:40

spirit appeared from there, that is, direct communication,

00:23:44

which then, that is, I did not need temples

00:23:47

I wrote recognized by the horns here in

00:23:50

the light, I was also surprised how it was that in the palace

00:23:52

there was a fireplace, there was smoke, but here it was for them,

00:23:55

well, that is, and then they set fire to a

00:23:57

small part of something, candles, and

00:24:00

indeed, here the challenge

00:24:02

took place, they took sound vibrations,

00:24:03

vibrations 2 pipes are blowing and apparently the

00:24:06

spirit of an ancestor appeared or a breath of impudence no

00:24:10

well the topic about your brides is very much

00:24:12

what you saw here some people

00:24:16

here don’t even touch the floor I would

00:24:19

tell you that they all don’t touch it no

00:24:21

kneeling yes here is a man flying

00:24:24

father 1 this also flies, is it just like that,

00:24:28

this is definitely flying,

00:24:30

they will tell us on the steps to

00:24:32

invent, there is no need to invent, Grinko

00:24:35

the world is hiding the leg before this does not fly, they will

00:24:38

tell us that they depicted lived in

00:24:41

dynamics, this was the peak, it stops, this one

00:24:43

comes, this one jumps off, the one who is

00:24:48

in flight it’s as if they’re like boots, they’re

00:24:52

not there, so you’ll see them as

00:24:54

oblong and these are all the boots that

00:24:56

we’ve seen flying for a long time with you in

00:24:58

Pavlovsk on a statue of a very complex

00:25:00

design, there’s no sondo sandals, and here it

00:25:03

goes and on we go on, you give this to

00:25:06

your shin,

00:25:08

you deny the fairy tale has become reality for you weapons

00:25:11

in 1 of them the picture here is calling spirits flights

00:25:15

two wives weddings of Constantine and over

00:25:17

there there are people who are apparently being

00:25:21

called, yes, that is, most likely they

00:25:24

were called, this is what they seem to

00:25:27

have below, this is the moral of this page, these are the gods, here

00:25:29

they are, like this the gods have a color, you see

00:25:33

everything is painted about God they are the same color of

00:25:35

gold and they appeared on top under

00:25:38

this one here and you came who

00:25:41

apparently bless or allow this

00:25:44

enemy to take two hands they also have

00:25:46

some interesting

00:25:50

interesting picture there we have a season on the carpet again

00:25:53

golden fleece bait lamb here we have a

00:25:59

defeated dragon, that is, in general, an

00:26:01

interesting fairy tale, how it all

00:26:02

happened, the pyramids are standing, well, apparently

00:26:06

a window into reality as it was in

00:26:09

reality, there is also a

00:26:12

very interesting scene depicted here, this is a small

00:26:14

Achilles, his mother is Fetida, and Fetida appeared to us no matter

00:26:17

how strange and save this

00:26:20

pandion, and that is, she was a sea

00:26:22

goddess and immortal, and now she receives

00:26:26

from Hephaestus the weapon of Achilles, the same shield

00:26:31

that Prince Oleg will nail to the

00:26:34

gates of Constantinople because Achilles is

00:26:36

most likely an interpretation of the

00:26:38

same historical myth, that is, he was Oleg

00:26:40

was struck in the heel by an arrow by

00:26:43

a snake bite and

00:26:45

in our cycle there are three of us, this is clearly visible, that

00:26:49

is, that very

00:26:51

interesting shield reigns now, we saw from

00:26:53

which at the bottom there seem to be 5

00:26:57

headdresses and one

00:27:00

trump card, as if the

00:27:04

shapes themselves are interesting, you will have to

00:27:07

look at the maps on the playing games, this is

00:27:09

all of them, that is, 1 is definitely not there,

00:27:13

maybe this is an ancient form of control

00:27:15

before you were in temporary control of

00:27:17

several forces, that is, after the

00:27:20

Olympic balls, apparently this already

00:27:21

happened and or one of them

00:27:23

received priority, that is, then this our

00:27:26

time is already in the credits, I have now found a very

00:27:28

interesting exhibition where we see the god

00:27:30

Saturn, aka Willis, aka Nicholas

00:27:35

the Wonderworker, that’s

00:27:38

what happened, it means he demanded

00:27:41

constant sacrifices, including babies, and

00:27:44

in these pictures we see the

00:27:46

severed heads of this one a

00:27:49

torturer who

00:27:52

bites small children with some sophisticated

00:27:55

instruments,

00:27:59

but this is one of the pessimistic pictures of the

00:28:02

image; the optimistic picture is

00:28:04

simpler; this is the same ancient altar in

00:28:09

which we will light a fire; this

00:28:12

is the process of a

00:28:13

wave that apparently changes this

00:28:16

fire; this is the manifestation of Saturn in

00:28:20

this smoke that is, what were these

00:28:22

altars for, that is, in ancient times, it

00:28:24

turns out that they called them to communicate with the

00:28:27

highest gods in the form of a hologram in the smoke on

00:28:31

simple physical smokehouses, and then

00:28:34

temples appeared when the conditions changed, it

00:28:37

was already necessary to do all this, as

00:28:38

Alexander Romanov says,

00:28:40

in a much more serious, that is, it

00:28:45

was necessary to build huge temples

00:28:47

that were adapted for

00:28:50

communication again, salame, that is, we have two

00:28:52

types of gods, all in the sky, dick on earth,

00:28:54

this was called Olaf, here the call of the god

00:28:57

Saturn is depicted, I

00:28:59

just remembered purely by chance,

00:29:02

twice you said them, you didn’t get it, to be

00:29:04

honest now the thing is that now there

00:29:06

are also, let’s say, people who perform

00:29:10

certain rituals

00:29:12

exactly with the help of the same absolutely the

00:29:15

same devices, and the key thing

00:29:18

there is not fire and smoke, and

00:29:21

it is the quality and composition of the smoke that determines the

00:29:24

nature of your immersion to connect with

00:29:27

someone who you is needed, but today the plant

00:29:31

mainly produces prohibited and

00:29:33

in very secret various types, but this is the

00:29:36

current, but we won’t talk about this either,

00:29:39

we just thought about it,

00:29:42

most likely another image of the

00:29:45

same thing, that is, again we have a call for

00:29:47

someone of the gods, but here it already looks like

00:29:49

Zeus or Jupiter,

00:29:52

here he is depicted on an eagle with whom

00:29:56

we have some kind of sign of a goat below, but that’s

00:30:00

all Vedic symbolism where the dark and the

00:30:03

light were very intertwined for us and

00:30:05

here a challenge is depicted in a smokehouse in the smoke

00:30:09

the image of the highest god in general for a

00:30:12

certain period of my life until I

00:30:14

saw the ancient ruins and what they

00:30:17

really found there in the Crimea and on the

00:30:20

Taman Peninsula, I treated this

00:30:22

image even while in the Hermitage

00:30:24

as if it were fairy tales, don’t pay attention to them,

00:30:26

but then when I really

00:30:28

understood that such antique ones my

00:30:30

jaw dropped and then my

00:30:32

jaw dropped for the second time here when I

00:30:34

started seeing all this they are rare they are

00:30:37

not really there anywhere but really along with

00:30:40

sculptures and statues of ancient

00:30:42

victories to everyone else this is the

00:30:44

second view from the image of antiquity

00:30:47

which was actually made in the

00:30:50

same period of antiquity which

00:30:51

is really the Middle Ages and which 360

00:30:54

three hundred and eighty years from the moment of its

00:30:56

death

00:30:58

we actually left the Hermitage we are on the

00:31:01

palace square this is St. Petersburg and

00:31:03

we are opening a new direction which

00:31:07

will be called informal history in the

00:31:10

informal capital of Russia a new

00:31:13

movement informal history goodbye

00:31:16

alternative history goodbye real

00:31:18

we will have a new movement and a new tag

00:31:21

informal history homeland

00:31:23

St. Petersburg yes the fact is that St. Petersburg

00:31:26

has always been the homeland of informals here with us

00:31:29

and rockers and everyone

00:31:31

and artistic reigns were born

00:31:34

here just the

00:31:36

famous these eighties

00:31:38

seventies

00:31:39

apartment dwellers then various informal

00:31:42

exhibitions St. Petersburg has always been famous not

00:31:45

for money, but precisely for the very

00:31:48

well-educated population and very

00:31:50

erudite, that is, in St. Petersburg, in principle,

00:31:51

everything was above education, whoever didn’t have

00:31:53

you had five unfinished higher education,

00:31:55

and here all the informal engineering and

00:31:57

all the development of nuclear weapons, but everything

00:32:00

was carried out everyone didn’t work and,

00:32:01

of course, the game was infected by all the informal

00:32:03

musical art movements,

00:32:05

here now an informal

00:32:07

history is emerging, you understand, I kept

00:32:09

saying that today Heyerdahl’s tour would

00:32:10

be called alternatives to the cheeks, you understand,

00:32:14

but

00:32:15

alternativeists are a very broad

00:32:17

concept, we do not deny the official

00:32:19

history, we are just trying to find the fact that

00:32:22

in fact they don’t even hide from us, but the

00:32:25

fact that they themselves simply lost this 100 years

00:32:27

ago, as they say, many of us are now

00:32:30

asking why are you doing this, everything is very

00:32:32

simple, recently

00:32:34

quite a lot of laws have come out that

00:32:36

in fact

00:32:37

our activities, which we occupied, are

00:32:39

always put outside the framework of the law and we

00:32:43

correct it a little now we are

00:32:45

informal history we are

00:32:48

entertainment we do not teach anyone anything and

00:32:51

do not promote anything we are informal in

00:32:55

history informal we have the right to

00:32:57

any opinion and we do not shout that our

00:32:59

opinion is the only correct one what is

00:33:01

informal history it is just

00:33:03

real history that we imagine,

00:33:05

our hypotheses of the arc world are not always the

00:33:08

same and they are not the

00:33:10

ultimate truth, the fact is that we

00:33:12

find something interesting and this

00:33:14

search is our main paradigm,

00:33:17

you understand, we can

00:33:19

teach someone, we can show these milestones but

00:33:21

today, as official history cannot be

00:33:23

recognized as real or alternative,

00:33:25

we will bask, seek, fight, seek,

00:33:29

find and not give up

00:33:30

and look for something interesting, show

00:33:32

you our dear viewers, subscribers, and

00:33:34

we will really want feedback, well,

00:33:37

feedback in the sense of constructive,

00:33:39

they are there some kind of

00:33:41

unconstructive criticism, therefore, friends,

00:33:43

we are this informal movement that

00:33:45

opens St. Petersburg as a principle, all

00:33:47

informal movements we build only a

00:33:49

hypothesis, we do not insist on anything, we are outside

00:33:52

politics,

00:33:53

categorically outside politics, and in

00:33:55

fact, building hypotheses is the

00:33:57

basis of the life of any scientist

00:33:59

researchers are asserting that

00:34:01

this is the only way and this is the informality,

00:34:03

that we are

00:34:05

building a hypothesis, do not insist on anything

00:34:07

and adhere to the middle path, we do not

00:34:10

know what is good and what is bad, like

00:34:13

most of you, we do not know

00:34:15

and do not we can draw a conclusion because we have

00:34:17

no idea how it was and building

00:34:20

some hypotheses, maybe each of

00:34:22

you will draw your own conclusion, but

00:34:24

for now the non-formal movement, born in

00:34:28

St. Petersburg, the

00:34:29

movement of informal history

00:34:31

is beginning its journey

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The best quality formats are FullHD (1080p), 2K (1440p), 4K (2160p) and 8K (4320p). The higher the resolution of your screen, the higher the video quality should be. However, there are other factors to consider: download speed, amount of free space, and device performance during playback.

Why does my computer freeze when loading a "Это ПРОШЛЫЙ МИР! Боги из ДЫМА, Лучевые ПУШКИ и БЕЛЫЙ Тамерлан" video?

The browser/computer should not freeze completely! If this happens, please report it with a link to the video. Sometimes videos cannot be downloaded directly in a suitable format, so we have added the ability to convert the file to the desired format. In some cases, this process may actively use computer resources.

How can I download "Это ПРОШЛЫЙ МИР! Боги из ДЫМА, Лучевые ПУШКИ и БЕЛЫЙ Тамерлан" video to my phone?

You can download a video to your smartphone using the website or the PWA application UDL Lite. It is also possible to send a download link via QR code using the UDL Helper extension.

How can I download an audio track (music) to MP3 "Это ПРОШЛЫЙ МИР! Боги из ДЫМА, Лучевые ПУШКИ и БЕЛЫЙ Тамерлан"?

The most convenient way is to use the UDL Client program, which supports converting video to MP3 format. In some cases, MP3 can also be downloaded through the UDL Helper extension.

How can I save a frame from a video "Это ПРОШЛЫЙ МИР! Боги из ДЫМА, Лучевые ПУШКИ и БЕЛЫЙ Тамерлан"?

This feature is available in the UDL Helper extension. Make sure that "Show the video snapshot button" is checked in the settings. A camera icon should appear in the lower right corner of the player to the left of the "Settings" icon. When you click on it, the current frame from the video will be saved to your computer in JPEG format.

What's the price of all this stuff?

It costs nothing. Our services are absolutely free for all users. There are no PRO subscriptions, no restrictions on the number or maximum length of downloaded videos.