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Video tags
Subtitles
Russian
00:00:00
[music]00:00:09
[music]00:00:29
good evening my name is Sergei Olegovich00:00:32
Snezhkin, I was born in00:00:35
1954, I am a stage director, a00:00:39
people's artist, a representative of the management of the00:00:43
St. Petersburg organization of the Union of00:00:45
Artists of Russia, in general, there is00:00:47
St. Petersburg, I00:00:48
was born into the family of a military doctor, my00:00:52
family was generally a doctor, but my mother was all my00:00:56
life worked on Leningrad00:00:57
television as an assistant director, my00:00:59
precious grandmother also worked for more than sixty00:01:03
years as an assistant at the00:01:06
Leningrad studio of popular science00:01:09
films that no longer exist, which00:01:12
were sold like a lot to00:01:16
our God-saved country, perhaps00:01:20
this is all for a start, now if you have00:01:22
questions, I’ll be happy to00:01:24
try them answer00:01:30
city olegovich what is the meaning of the movie, have you all00:01:34
read the great novel by Ilf and Petrov, do00:01:39
you remember Ostap Bender complained that00:01:42
he acts as a fakir extremely rarely because00:01:44
he is usually asked two questions, are00:01:48
you non-Jews and what is the meaning of life,00:01:53
as for Jewry, obviously a quarter, my00:01:56
grandmother’s name is called Maria K on Grachev00:01:59
Kantorovich as for the meaning of life and00:02:02
cinema, the meaning of cinema is that you watched it, there00:02:06
are no other meanings, and then this is the goal of the00:02:12
entire culture of all the great Russian00:02:14
literature of the theater of music and so on,00:02:17
this is the improvement of human00:02:20
quality, this is a legitimate struggle00:02:23
that does not stop for a second,00:02:27
sometimes culture loses in this fight,00:02:29
sometimes it wins, but this00:02:33
fight continues all the time, Kenobi00:02:36
has no spectators, like a song without an accordion, like00:02:39
the Soviet sang, wonderful songs, this is an00:02:43
amazing relationship between the00:02:45
consumer soskin, he is called00:02:48
product content, I am categorically00:02:52
against this, he is the growth of such vocabulary and00:02:54
we will call it that the consumer of this00:02:57
content of the product and the quality of this00:03:01
product, and here everything is very complicated00:03:04
because 8 does not mean if there is a huge number of00:03:07
consumers, then this automatically00:03:08
means that this content, this product is00:03:11
of high quality, it is not like cinema, a00:03:15
durable product, like literature,00:03:19
good for decades or centuries, but00:03:24
when did this00:03:25
happen It’s a sad circumstance00:03:28
that nowadays cinema is reduced to the00:03:31
philosophy of a condom, the president of the00:03:33
philosophy of a condom00:03:35
is simple, it’s disposable00:03:37
without using it several times, it’s00:03:41
now called a weekend, a weekend, translated00:03:44
into Russian, Saturday, Sunday, this00:03:47
movie is made on Saturday and Sunday,00:03:50
not on Monday, not on Tuesday, not on00:03:53
January, not on May on Saturday on00:03:55
Sunday this does not mean that there should not00:03:58
be such a one-off, one-day movie,00:04:01
but the purpose is art 2 with in00:04:06
the middle this is a component of culture this is00:04:09
forever this lives with itself I am the result of the00:04:15
product including cinema and like00:04:19
many people of my age I ate it ate00:04:24
drank slept in it, basked in it, ran away from classes to00:04:28
watch it for 10 kopecks, I remember00:04:32
how I watched Parajanov's color of pomegranate, I00:04:34
was the only viewer, cinema00:04:36
barricades, 10 kopecks, this is the Taj Mahal00:04:40
art that fell on me like a00:04:42
concrete slab with jam, renunciation from until00:04:44
now, this is me woven from there00:04:46
like many Americans of different generations,00:04:50
American cinema was the head there and00:04:53
when Italian cinema was great,00:04:55
which is now no longer00:04:58
derived from the great Italian00:04:59
character and created it, and so on and so00:05:03
forth, and you ask00:05:06
what the meaning of cinema is in this, probably Syria00:05:10
.00:05:16
and why are you doing cinema? My00:05:19
parents divorced,00:05:21
I was 3 years old, and00:05:24
besides my mother, my00:05:26
grandfathers were involved in my upbringing. I’ll tell you,00:05:30
of course, and my grandmother, these were characters, these00:05:36
were people, this was the generation, they were,00:05:41
first of all, incredibly beautiful, these are00:05:44
our rooks, as far as they are, they consist of two snowflakes and00:05:47
from they are all from the same village the village00:05:51
is called the skin panel of the Cherdaklinsky00:05:54
district of the Simbirsk province, that is,00:05:56
Ulyanov and there00:05:58
it can be determined by my face there00:06:01
we didn’t go Bashkirs and Tatars and that’s why I00:06:04
all have such a wide nose and00:06:07
snezhkin and and the Grachevs are the opposite of this Volga00:06:11
Balakovo they length of faces and with thick eyebrows, gray eyes,00:06:16
very handsome, incredibly proud with such00:06:20
vocabulary with such a culture00:06:23
that charged me like an injection to00:06:25
my entire self, you ask why I bring a00:06:28
movie, when I write a script, I00:06:30
especially need to invent nothing at this time, I00:06:33
come up with a plot and text and character and00:06:36
provisions this is all this is all embedded in00:06:39
me since childhood they were they were00:06:41
it was generations it was my grandfather00:06:45
you scratch Grachev throughout the blockade he led the00:06:49
department of the hospital00:06:50
which was first located at the00:06:52
Astoria Hotel and then in the corridor of the famous00:06:54
Leningrad University the building of00:06:56
twelve colleges that there is a two-00:06:58
kilometer corridor waiting or three, everything00:07:00
was standing in beds, his department was a00:07:02
division of dystrophics, they began to arrive in the00:07:06
winter of 41, dystrophy is an irreversible00:07:09
process the00:07:10
body does not accept food, it00:07:12
came from the front, these were not besieged00:07:14
residents, soldiers,00:07:17
he even managed to publish a book about it,00:07:21
my second grandfather was an engineer, he had an00:07:24
observation post if anyone in00:07:26
the city saw the modernist00:07:27
constructive ska publication of the Kirov00:07:29
executive committee on the fable, she had an00:07:31
observation post and a communication point, we are00:07:34
all trying to pin down the communists, the00:07:36
victims, the fighters,00:07:38
these were Russian people, some kind of fool, I am00:07:41
idiotic, I still managed to00:07:43
beat the Russians into this people for some reason - then there00:07:46
you will be communists you with this you are00:07:48
apparently comfortable there and this was an00:07:50
all-encompassing absolutely class00:07:54
human quality00:07:56
this optimism came from from the00:07:59
deepest folk tradition they all00:08:02
understood everything they knew about Soviet00:08:06
power and ask for its vicissitudes that00:08:08
befell them in their lives I managed to00:08:11
evacuate my mother, my uncle, my grandmother, all the00:08:15
blockade rules and only the00:08:17
food certificates of00:08:18
her husband, my grandfather, as officers, saved me. By the way,00:08:24
she was an incredible beauty,00:08:26
incredible, I can’t tell you how lucky my grandfather was, she was00:08:31
such a proud woman, and out of pride they00:08:34
divorced after the war, everyone was proud of the00:08:38
guards of the country with the culture itself,00:08:44
sloppiness, song creativity, the00:08:48
devil knows that it was absolutely happiness, they00:08:51
lived meagerly and there was happiness, I am00:08:57
a witness, my childhood was00:08:58
absolutely happy because they were happy00:09:01
because they knew what life was,00:09:04
cost, value, well, how am I after00:09:08
such communication with such people I00:09:11
had to throw it out somehow convey to00:09:12
others this is my pleasure00:09:15
love for them and for the people their side00:09:20
eg the rogue00:09:21
we are an achievement somehow better00:09:23
cinema tools grandmother Maria00:09:27
carried me by the hand took me to the Academy of00:09:30
Arts I studied secondary art since the fifth grade there00:09:32
were only 2 schools in the00:09:34
Soviet Union in our country named after Repin in00:09:36
Moscow named after Surikov00:09:38
and what are art schools from the00:09:39
Academy of Arts a three-story building00:09:42
the size of a modern 12-story building00:09:45
ceilings 9 meters00:09:47
imagine a school toilet 9 meters00:09:50
up like a hall now it’s like an apartment00:09:54
150 and two toilets and by the walls are painted00:10:00
sharply, the entire teaching staff of the00:10:04
art school in the nude00:10:06
dances years kurenku 1 year all the00:10:09
teachers went bellelli immediately00:10:11
resumed from the very and gray00:10:14
graphic painters and theater artists significant00:10:16
all graduated from this school and the00:10:20
deceased Glazunov probably know so he is also from00:10:23
this school and Shemyakin is also from this school,00:10:25
etc. and so on.00:10:27
and from there it gave the eyes there were 1200:10:32
people in classes I didn’t know with such a school00:10:34
uniform I didn’t know and there they pumped up the history of00:10:38
art of painting with drawings with atmosphere and00:10:42
from there I00:10:44
more or less00:10:46
began to figure it out and it was also important that there00:10:48
was a cinema nearby, it was called00:10:50
a cinema for us showed a silent movie00:10:53
to do all this place family like this it00:10:55
all pushes out like this no it turns out00:10:59
Vasya if I tell my00:11:02
biographies then this is exactly how you00:11:11
managed to avoid medical school00:11:13
thank you yes my grandfather graduated from the00:11:17
Military Medical Academy named after Sergei00:11:20
Mironovich Kirov my father graduated from the00:11:22
Sergei Mironov Military Medical Academy,00:11:25
shocking00:11:26
grandfather with a gold medal, father with a gold medal00:11:31
when I went into surgery for the first time at the00:11:35
Military Medical Academy, then after00:11:39
the operation I went down there,00:11:42
leaning on a stick, there were00:11:44
newsstands, there were memorial00:11:49
white marble plaques where gold there were00:11:52
gold medalists from the day of its00:11:54
foundation00:11:55
grandfather father great aunt thousand his on the00:12:01
butt was a dentist hackwork you at home00:12:05
earned money it was not an archaic00:12:08
apparatus that was driven by a pedal00:12:12
cast iron like Singer sewing machines00:12:14
only such protection prices are topped up and00:12:17
accordingly you can imagine00:12:19
the number of revolutions which gave out this00:12:22
torture machine,00:12:24
so the patients screamed, who00:12:27
came to a private appointment and paid money00:12:29
and so that the neighbors would not hear and00:12:32
knock where they should, my00:12:34
grandfather put the record on the player at00:12:37
full volume, this means this is00:12:39
my whole childhood in the disgrace of another00:12:41
tormented one,00:12:42
it will be some kind of jazz record - some00:12:45
Duke Ellington00:12:46
games there is a horse-drawn circus the most00:12:49
interesting thing in my childhood is that my00:12:51
grandfather has more than a large00:12:55
Soviet encyclopedia00:12:57
these are the books called the experience of00:13:02
Soviet military medicine during the00:13:05
Great Patriotic War, these are about00:13:08
20 volumes and there were very primitive00:13:11
engravings and photographs of them not00:13:13
very interesting for a child, for example,00:13:15
Private Petrov,00:13:17
who was hit by a German mine in his hand,00:13:21
pierced it and got stuck, unexploded,00:13:24
and photographs from Private Petrov, he had00:13:26
fascist ones, but this was not included in this00:13:30
because, accordingly, the surgeons who00:13:33
operated at any moment could00:13:34
take off along with Private Petrov,00:13:37
etc. .d. and so on. it was all scary,00:13:39
apparently somehow in childhood they were overfed with00:13:42
all this medical texts and sowing, and00:13:47
all my grandfather’s friends were doctors, graduates of the00:13:49
military medical academy,00:13:53
somehow the thought never even occurred to me00:13:54
about00:13:55
and00:13:57
I was never a mother to my parents not a grandmother on this, not00:13:59
for example, I think I think I know myself and00:14:03
my character, this is better for the sick,00:14:11
every child has his first00:14:14
meeting with his future profession, maybe an00:14:16
unconscious meeting00:14:17
as skins collided, you thank you, I00:14:21
told you when I imagined that my mother00:14:23
was an assistant at the studio television00:14:26
grandmother of a popular science studio,00:14:29
respectively, this profession00:14:32
involves00:14:33
easy acquaintance with a huge number of00:14:36
friends, both fickle and casual,00:14:40
including from childhood I knew00:14:42
such a classic, for example, of Russian00:14:45
cinema as Vladimir00:14:47
Vengerov,00:14:49
he was a completely unique00:14:52
person, directors, one of the few students of00:14:55
Sergei Mikhailovich00:14:56
Eisenstein they were friends this is the00:15:02
doorman Mikhail such00:15:03
and Vladimir Vengerov he made a lot of00:15:07
films but the most piercing ones are not incredible00:15:10
this is what he did based on the works of a00:15:13
great now forgotten writer where00:15:19
according to a new one for example a great painting I00:15:23
affirm this a workers’ village great this is the00:15:27
man who filmed the Baltic sky00:15:29
which loved loved everything that Lev00:15:34
Nikolaevich Tolstoy wrote, had two film adaptations00:15:37
1 with the great Simon, a living corpse 2 with00:15:40
a glass, I can’t say that00:15:44
I met a lot, but we grew up with his son,00:15:46
he wet him a little and just like that00:15:49
we hung out between families if you ask the00:15:51
akimat for graphic impressions here they are,00:15:54
including these00:15:56
from him, I remember him and am grateful, I can’t00:15:59
say what he taught me, but these are00:16:01
examples from childhood and behavioral, this is the00:16:04
atmosphere, yes, of course there00:16:07
was one elephant here, why did they go00:16:16
to Moscow to study, I went to Moscow to study00:16:18
because that in the Soviet Union there was only00:16:20
1 pint graphic arts university, it was called the00:16:23
All-Union State Knocks00:16:25
of Photography and was located in Moscow. There were no other00:16:28
educational institutions that trained00:16:30
directors for cinema. Now00:16:33
every basement is here00:16:35
and the bottom here is where the so-called00:16:39
directors are trained, that’s why our cinema is such a00:16:41
basement then it’s there was a gus there00:16:48
taught00:16:49
mustache table per Georgy Nikolaevich given00:16:56
Sergeevich Bondarchuk you what is it like a00:16:59
foreign steamship was walking along the boom, first00:17:03
the smell of expensive tobacco in waves and it had00:17:07
not even arrived at VDNKh already half of Moscow00:17:10
then some expensive cologne on00:17:13
which we didn’t even know how it00:17:15
was called the second wave00:17:17
and then the black one appeared and that00:17:20
foreign00:17:21
gray mane pipe jacket damn it00:17:27
which you can’t get for any amount of pants you00:17:32
it was a long time ago00:17:33
it was conducted and honest I am the ruler00:17:38
Gerasim and Veliki Roman Carmen already every00:17:41
hero of socialist labor the starry sky everything and most00:17:48
the main thing was the incredible atmosphere, it00:17:51
was creative, everyone looked so that you don’t do everything,00:17:55
all these heroes of socialist labor went to all the shows,00:17:58
any00:18:00
student’s children’s room, practically in essence it’s00:18:03
what’s happening on the site or 1 topic00:18:05
they all watched and these were people who00:18:08
will be like us were engaged in their00:18:10
understanding then looked spent time on this00:18:15
discussed these were and00:18:19
what were the legendary people who00:18:25
taught ancient literature00:18:26
Bakhmutsky foreign literature Olga00:18:30
Igorevna Ilyinskaya daughter of Ilyinsky00:18:33
or our great this is not completed even00:18:36
not in kinship the question of what what00:18:39
quality fine art such a00:18:43
legendary Tretyakov etc. and so on.00:18:46
you know, you had to be just the last00:18:50
animal so as not to come out as a00:18:52
director, it’s just that my conscience didn’t00:18:54
allow it after those efforts of those relationships sing the00:18:57
atmosphere that I laid myself out somehow00:18:59
so impossible00:19:11
Rolan Bykov agreed to star in your00:19:13
debut film why did I when I started00:19:16
making my debut I was assigned to00:19:19
the state00:19:21
you finished the distribution from here and the state00:19:23
sent you from there to where you thought it was00:19:26
necessary, respectively, from Leningrad00:19:28
I was sent to the cinema, subjective and there for00:19:30
four years I was without work00:19:32
at all without any because I00:19:34
worked for two months as an assistant for Averbakh,00:19:36
two months for Herman and for this my00:19:40
Ossetian quarry came into00:19:42
decline after that, for example, after zexus00:19:44
two months, I was with German, who was unwell,00:19:46
among almost ten years, I was not the only one, for00:19:49
example, dinar and successful Nasonova, the00:19:53
author of wonderful films, including the00:19:56
boys,00:19:57
the key without the right to transfer was also four00:20:00
years without work, Sasha Rogozhkin by00:20:03
Alexandra Rogozhkin author of the00:20:05
cuckoo features of the national hunt00:20:09
fishing00:20:11
exactly why because the film studios00:20:14
made 20 full-length films00:20:16
per year and there were 60 full-time production directors, that’s00:20:19
all mathematics and00:20:25
God knows what would have happened to me if at00:20:28
that time the party and the government did not00:20:31
publish a manifesto on working with creative00:20:34
youth, which is why the00:20:35
entire union union debut was organized and we00:20:38
got the opportunity to imitate everything00:20:39
completely, including me, who00:20:42
wrote the script and on the battleship they did not give the00:20:46
group the start of production, they gave the00:20:48
group me as production designer was00:20:50
marcin I seem to be Gauchman Sverdlov these are all the00:20:53
people I call this this this this these are00:20:57
whole worlds00:21:01
this is not this to tell00:21:04
at least his martini gold00:21:05
he is not light it is also necessary these00:21:07
three three gears and 6 points in the act00:21:11
this is the minimum this production designer of00:21:15
such films as in the fire there is no00:21:17
ford, and from the second Solovyov’s film00:21:22
where everyone jumps and the white rose is the00:21:26
Vita emblem, accidents of many, many, many,00:21:29
many, and the character was super, he found the greasy00:21:34
white cap that he had, it’s00:21:37
just like a skullcap Uzbek, she was00:21:40
this size and00:21:41
how she stayed on her head,00:21:45
I don’t know, all the time under the fly and he00:21:49
was a besieged child, he had00:21:50
such a nervous tic,00:21:53
here in this jacket pocket there is a small00:21:56
open newspaper,00:21:58
and here in a plastic bag a piece of00:22:00
herring is a snack and he told me that00:22:03
when I read the script, I consulted with00:22:06
him because they offered Lebedev00:22:09
People's Artist to someone else, he said,00:22:12
let me call the video and the video there is00:22:15
normal, really cool, and he called00:22:19
Anton another round, he moved,00:22:22
he was hanging out at that time between00:22:24
[music]00:22:26
at the expense of Leningrad and Moscow, I came,00:22:29
read the script immediately, gave my consent and00:22:32
then I completed this filming period, I00:22:35
once again finished VGIK at work with him from the00:22:41
jackdaw on top, I received a second higher00:22:43
education00:22:45
rand, aka the bulls of Paris, and in Leningrad I00:22:48
always filmed the same luxury room in00:22:51
Aurora in this very place in history, sorry,00:22:55
every evening after the shooting he wrote me00:22:58
letters, he analyzed every shooting00:23:00
day, every day, my mistakes, my achievements,00:23:05
working with an actor, working with a cameraman,00:23:08
he says they didn’t save it, it was00:23:10
five forests each, he wasn’t too lazy for everyone God's00:23:16
day and further this came out in our00:23:20
many years of many years of many years of00:23:22
many years of communication with him which I did not00:23:25
need and which helped me a lot00:23:27
as as as as simply as a growing00:23:30
director and I love him passionately, he is a00:23:33
unique huge absolutely talent00:23:38
with huge misconceptions with huge00:23:42
achievements in this figures00:23:50
Sergei Olegovich your film 8 700:23:53
Petrograd gavroche comes with a title00:23:55
dedicated to the October Revolution and in00:23:57
1988 you are making a film00:23:59
chips on a regional scale00:24:01
where, as you said, you yourself are burying00:24:03
the Komsomol tell me what happened to you in00:24:06
a year and how to understand these changes in00:24:08
views thank you flies separately cutlets separately,00:24:13
you know this saying, it was the theme00:24:16
that hung on it, the film remembers 15,00:24:19
no one took it, there was a monument, it stood at the00:24:23
intersection of Pioneer Street,00:24:26
Red Cadet Street, and on this monument00:24:28
it was written that in one thousand00:24:31
nine hundred and seventeen, from this00:24:33
place, revolutionary working sailors00:24:36
shot from an artillery gun at the00:24:39
cadet school and the shells were00:24:42
brought to them by the young, which means the young children of00:24:46
Peter the Graces and several of them died that’s00:24:50
all based on this, it means there wasn’t00:24:53
even a script it was a theme raise the00:24:55
state gave money after the debut and00:24:58
on the battleship salon we’ll get bykov00:24:59
artistic director00:25:01
2 creative unification of them or a symbol00:25:04
3 in total Viktor Ivanovich00:25:06
three you say the author of the great film is new00:25:09
and not like in war the00:25:10
old walls of such a dashing action movie00:25:12
Dauria and in general a very interesting00:25:15
director of a person student of Roma00:25:16
Mikhailovich it’s in the middle of the workshop they didn’t00:25:19
teach with Andrei Sergeevich I’ll turn it off00:25:22
he looked at the pictures he offered me this00:25:26
this is all so that this whole00:25:28
inscription this was and00:25:30
as if a reason for doing this I00:25:34
together with my friend began00:25:36
to work on the script of which I found out I00:25:41
found out that the planet of revolution in the city of00:25:45
St. Petersburg Petrograd and doctors in general00:25:50
was the Ministry of Public00:25:54
Charity not contempt contempt00:25:57
follow to help, that is, in another way it00:26:02
was called the department of Empress Maria00:26:04
Feodorovna, which looked after00:26:06
all the wretched orphans in Russia and so on, in00:26:11
140 orphanages in the city of Petrograd, we00:26:16
took addresses from the archives, we went to all the00:26:19
addresses in each of these00:26:22
buildings specially built by the damned tsarism00:26:25
there was an orphanage in each there was a functioning00:26:29
orphanage, but what shocked us was we00:26:33
tried to find out the further fate of these00:26:36
orphans, there is not a single document, we00:26:39
approximately counted 140 houses, there00:26:43
were an average of 200 and 400 people00:26:47
multiplied and how many of you disappeared from children's souls00:26:50
victims of the revolution non-existence and actually on the00:26:55
basis of this we made this story about an00:26:58
orphanage where there was only one teacher left, he was00:27:06
played by genesys lebedev, people's artist of the00:27:08
ussr prime minister ddt, and a janitor, a tatar, he was00:27:12
played by the great actor adolf ilin, the father of00:27:15
today's wonderful actors or other00:27:17
two brothers, that's actually what we did about this00:27:20
when they were abandoned there are00:27:23
20 orphans there, that's how they00:27:26
ended up on the street and how they ended up00:27:28
on the street, there was a rumor that now they will00:27:30
take the winter palace of00:27:32
units for all the treasures and they will00:27:34
run there at night in order to be in time for this division,00:27:39
this was our story00:27:41
and this was the picture of the anniversary the great00:27:44
October socialist revolution,00:27:45
precisely as one, two orders for and then00:27:49
after that, after this picture,00:27:51
the same Viktor Ivanovich offered me00:27:54
a story which was kept for five years by the main00:27:57
screenwriting colleagues from the studios who, too,00:27:58
no one took it,00:27:59
this was a search for a great chip on a regional00:28:01
scale and they took it according to hygienic00:28:04
reasons, no one wanted to go through the Komsomol,00:28:06
it wasn’t interesting to film it, and I was, I00:28:10
felt that it was just my duty, I00:28:12
felt there were all all the00:28:16
possibilities for what for the human00:28:19
drama, this very main00:28:21
character of the first secretary00:28:23
of the human drama was deployed, and then what kind of00:28:26
drama is this and by00:28:27
the way, my Kenta graphic career was rejected by me,00:28:32
there were three collapsed00:28:34
successes that will never00:28:36
befall me again, these are chips of a regional scale,00:28:38
this country watched all excitedly, it was00:28:42
hysterical, unfortunately, it was not a movie, it was a00:28:45
political one, but I myself saw here a00:28:49
cinema with 3000 seats around which00:28:52
many times just like that, a line like a00:28:56
rope, a bay of a sea rope, it was a00:28:59
political act throughout the country from00:29:02
Vladivostok to Kaliningrad,00:29:04
a year ago I worked shooting a big00:29:06
picture of Kazakhstan and the uprising, which means00:29:11
I had a meeting with a big00:29:17
leader, and there such a new capital00:29:20
was built like our building of twelve00:29:22
colleges the whole ministry is busy, they00:29:25
are done by Nursultan, we promise Nazarbayev’s00:29:28
mobile means this is the case and a00:29:31
pedestrian bridge will be stretched over the street that00:29:33
goes to the Senate and I was just walking to the Senate00:29:36
to get my fill and one noble man embraced me00:29:39
and a Kazakh senator was walking towards me,00:29:41
such an elderly Cossack, they00:29:44
said hello and this one means the man00:29:49
introducing me to the rocks is the director of an emergency on a00:29:52
regional scale and I saw hatred in the eyes of00:29:55
this senator,00:29:57
that is, I quickly figured out that he was a00:29:59
Komsomol worker who had made00:30:01
a career, now he is a senator and so on I00:30:03
walked unusually satisfied00:30:06
they hate it, it means they remember it, it means they got it,00:30:16
but that’s how they got there politically00:30:18
artistically, although I think that this00:30:20
picture is00:30:22
still not bad 2 I had such a00:30:27
landslide absolutely, bury me00:30:29
behind the baseboard,00:30:30
everyone went to look why because everyone00:30:33
read this book several times and00:30:36
people rushed to look at the correspondence of what they00:30:38
read and the pleasure they experienced and the00:30:41
fact that appointed in fact and the third00:30:44
was a previous series which, according to the00:30:46
ratings, took over the case, I remember very well in00:30:49
Moscow the first place, of course there, first of all,00:30:52
it was Sergei Kayumovich Shakurov00:30:56
from he is a great actor and so on, and so on, and00:31:00
yet I was the director there, so00:31:02
that’s actually You can’t achieve more than this,00:31:05
this isn’t calculated by this, these00:31:10
audience successes,00:31:12
but even now it’s not that I00:31:13
had such 3 in my career 3 out of 300:31:16
in general, I think that a director who is not00:31:22
known, who is not heard of in the world, who is00:31:25
not watched, is not a director, this means a00:31:28
career you didn’t succeed, how did you do it, but00:31:32
I don’t know, it means you didn’t make anyone happy, you didn’t00:31:35
offend anyone with your art,00:31:37
you didn’t help anyone’s life, you didn’t make them00:31:40
cry, they were indignant, how could00:31:43
you not know your face, we must00:31:46
connect your last name with the feelings00:31:49
that these people experienced in the cinema hall in the00:31:53
dark at the TV you should know00:31:59
this is part of the horror and profession of the00:32:08
pictures that you shoot, they come out00:32:11
very timely, for example, the tape doesn’t00:32:14
come back, I won’t let it see the light, it’s a00:32:17
pure coincidence and00:32:19
or not, I called the right place and for the00:32:22
premiere00:32:23
I was right at this time when I started00:32:26
making the picture made peace with German00:32:29
Alekseevich and, accordingly, with his00:32:31
wife Carmalita, I once came to00:32:33
the film, everything was still a nervous00:32:35
adjustment back and forth, idiocy, everyone was00:32:39
excited, kirkened,00:32:42
democracy was in danger, freedom on the00:32:46
barricades, the left breast was naked, everything was00:32:49
embarrassing to choose, but I came to the studio of the00:32:53
rocks I got an idea, so I’m walking along00:32:56
Kamennoostrovsky and the film studio00:32:58
is located on Kamennoostrovsky Prospekt,00:32:59
building 10a,00:33:03
against the wall of the neighboring house they stand like this,00:33:05
German Karmalita Aronovich 3 lip HIV and00:33:10
it’s easier to search them with German soldiers, we’re00:33:13
writing a script I went to Repino00:33:15
don’t patronymic sat down and what you’re not writing00:33:19
then I called an editor friend and00:33:21
said listen to the00:33:22
gip, you can from when this, well, now it should00:33:25
appear somewhere to do it and he found the00:33:28
side searches, they called Kabakov, it turned00:33:31
out that he is not a writer at all, they00:33:33
live on algiz, a person from Kiev, etc. and00:33:35
so on.00:33:36
some kind of dystopian story in00:33:39
Maine and so on, in short,00:33:41
we shot this film, we shot it for a long time, it was00:33:45
difficult because everything00:33:49
was all in search, this is a rare case in my00:33:51
career when I was looking right on the set00:33:54
because it’s not true must be00:33:56
absolutely ready their very moment when00:33:59
we finished the movie the editors-in-chief called me at five o’clock in the00:34:03
morning and the00:34:05
studios of the film Miller Hollande very00:34:07
wife was looking for Serezha at 5 am turn on00:34:10
the TV and I didn’t ask why we were having00:34:13
a coup and I turned it on and the general who was talking sat there00:34:18
where to go how to go means I started00:34:23
going to the show,00:34:25
there were all those directors, all the cameramen,00:34:31
all the scriptwriters, everyone was drunk with fear,00:34:33
everyone was sitting in the director’s office,00:34:37
they were taken there by order of the military00:34:39
command, which means00:34:42
a photocopier, and Alekseevich German came in,00:34:46
looked at all this and said I wanted00:34:48
everyone to warn you, I am very afraid of pain and00:34:51
after the first blow to the face I will hand over you00:34:53
all and like hell00:34:56
everyone thought that everything was not so bad and in00:34:59
the evening of that day German phoned00:35:02
Sobchak and Sobchak gave the order00:35:04
to show the picture on TV00:35:06
we went to Leningrad television00:35:08
there there was a barricade of00:35:09
some city crazy people from the decks00:35:14
they were guarding00:35:16
democracy no less crazy means00:35:19
destroyed by age before we made them00:35:21
sandwiches00:35:22
I remember some democrat he had a00:35:24
large piece of sausage hanging from his family when00:35:28
he leaned over in the car to check who was there00:35:30
and we showed this picture some kind of00:35:33
unique case like this, they’re all a couple and00:35:36
I don’t see this picture, that’s actually00:35:38
the bestseller00:35:45
Sergei Olegovich, I want00:35:47
to talk a little about the00:35:49
Brezhnev series, please tell me how you00:35:51
feel about the opposition to the power of the00:35:55
intelligentsia and what do you think about the00:35:58
conversations in the kitchen of the model 75 of the 50s00:36:02
one day they called me and00:36:05
offered me the old ones I went to Moscow to00:36:12
see Valentine at night Chernukha00:36:14
with whom I have been friends and since the first00:36:16
year of VGIK this is the author of the script for example00:36:19
Moscow does not believe in tears00:36:20
one wrote the scripts at the request of00:36:23
People's Artist Yevgeny Matveev00:36:26
who for some reason immediately wanted to play00:36:28
Brezhnev but Matveev died and the script was00:36:31
written, the script for the ball is weak, not things00:36:34
on tinochka who is there, everything is something there, but00:36:36
somehow it didn’t work out, it was00:36:38
completely rewritten and we00:36:42
started production and then went on to00:36:44
acting, I try, I always spend a very00:36:47
long and very thorough acting00:36:49
wire even if I know the actors and have worked with him for a long time,00:36:52
I still invited him in the00:36:54
first place because we in cinema are00:36:56
deprived of the rehearsal process and00:36:58
every time it’s a new role you00:37:00
can’t use the actor’s role, you will00:37:04
always lose, you must always look for00:37:07
him, and a talented actor is always he is00:37:10
reborn as some kind of come out of me,00:37:13
for example, I worked a lot with Konstantin00:37:15
Khabensky, but every time we00:37:17
come some new new new00:37:20
circumstance00:37:21
he he and like other actors with00:37:24
whom I prefer to work00:37:26
always amazes and pleases and frightens me00:37:31
because they are capable of changing their00:37:35
acting, every time it’s a00:37:37
discovery, it’s absolutely happiness for me, and in00:37:41
this case, this summer they00:37:44
spent six months doing these auditions,00:37:45
whoever we tried on00:37:47
Brezhnev, it was00:37:49
Bogdan the mortar and they brought00:37:54
our handsome, good actor from America00:37:57
nakhapetova and so we were all leaning towards the00:38:01
mortar00:38:02
stronger the number of cows were invited to the00:38:04
video alone for Chazov’s episode he arrived00:38:07
and everyone tried out we said goodbye00:38:11
very nice with dignity you knew each other00:38:13
before but I remember his bad look00:38:17
when he left all the way to me the palace well00:38:19
how Tatar saber in00:38:21
half and it began operators assistants00:38:26
and make-up artists costume designers their buzzing flies00:38:29
must try Sergei Kayum still need to00:38:32
try which one he is like this he00:38:35
does artistic gymnastics not00:38:36
belly nothing like he will be this ruin00:38:39
rhino of a reverse elderly man00:38:41
but since this slurry was no longer becoming00:38:43
unbearable they called again since there00:38:46
wasn’t much makeup, it looked like it was glue00:38:47
guys, it wasn’t screwed up, it seems you didn’t00:38:51
see it, a young, fresh,00:38:56
strong, very friendly man with00:39:00
glued-on eyebrows comes in, stands with his00:39:02
back in the corner of the scenery, after 5 minutes00:39:07
they turn around00:39:10
180 years old ruin,00:39:13
toad monster,00:39:17
once again it would be without grin and here I00:39:21
realized what the Russian acting school is00:39:26
Stanislavsky00:39:27
in the hut which I didn’t see, I was needed there it00:39:30
was it was every single day I have00:39:33
never seen such an attitude like this00:39:38
even though I worked I have such an00:39:44
attitude this is not a role this is a brilliant00:39:49
act this is the most important thing the meaning of00:39:52
filling all this, of course, is a myth00:39:55
that they created for him of course it doesn’t have00:39:58
I didn’t have the happiness you know Leonidovich00:40:00
the former personally I live in the time everyone turned on the00:40:03
TV I saw but it was a man00:40:05
the joke is absolutely closed jokes yes00:40:07
everyone came they will take it very much from the inside I00:40:09
studied and factory worked00:40:13
between institutes every day 3-400:40:16
incredibly funny jokes about Leonid00:40:19
Ilyich it was the Soviet system 7 we didn’t know anything about00:40:22
them why they cry, what they like,00:40:27
what they eat, we didn’t know, yes, I met, I00:40:30
try to be responsible, I met with a00:40:33
gentleman who did they write speeches00:40:36
then the ambassador of Israel there is00:40:38
now called speechwriters it was00:40:40
a hand like a brigade of Shakhnazars father00:40:43
Karen Georgich a fallen amazing00:40:46
such a person but we did about the person00:40:50
on whom all this flat00:40:54
bars and bad literature strived00:40:57
he sought the tribute sought so it was00:41:01
created the system she chose with a fiery00:41:04
finger you00:41:05
him her and he walked after the era the era00:41:10
walked with him but we did something else00:41:12
that when a person begins to climb00:41:14
there on this jama lunar power with00:41:18
every step he loses his00:41:21
loved ones faith love trust and when he00:41:26
finally ends up there Arctic streets00:41:29
there is nothing there and it’s already impossible to go down, it’s00:41:34
slippery, you can crash, we weren’t talking about this00:41:38
drama, we weren’t talking about any00:41:41
system here, like any other one, look at the cretins00:41:45
that the British Parliament is now making up,00:41:48
look at these terrible people, the00:41:51
American Senate, this old woman,00:41:53
Izergil, smiley00:41:54
jaw, what are you doing? Do you think there is00:41:59
some fundamental difference between00:42:00
them and us, therefore, what you said to the00:42:04
intelligentsia, the authorities should give this00:42:06
government peace and if there are intelligentsia,00:42:09
also leave00:42:10
it like this,00:42:19
how to understand your phrase, cinema should00:42:22
not be a director’s, but an author’s, and on00:42:26
the set you are a dictator and a democrat on the00:42:28
set there is no such thing as00:42:30
democracy gear forests that Stonogov00:42:33
[music]00:42:34
with the rank of the creator this is although before him00:42:39
before the war the main director of the BDT00:42:42
was for a short time see butterflies so about all sorts of00:42:44
cases he argued that the theater of this00:42:49
dictatorship is the only place where00:42:52
democracy is impossible this dictatorship of00:42:54
one person, the main director and the whole00:42:58
history of our great repertory00:43:00
theatre, the great repertory theater which they00:43:03
now want to replace with this [ __ ] how is00:43:06
it pronounced which enterprise I00:43:08
still can’t pronounce it like here00:43:10
she is and over and over again starting to make a00:43:15
picture one way or another you invite young00:43:18
actors whom you don’t know and you never tire of00:43:20
being amazed that these institutions00:43:26
continue to produce high-quality00:43:29
artists, actors and actresses,00:43:31
but this is all great, it’s due to00:43:36
the repertoire, well, I completely agree with the repertoire of the theater of this00:43:38
dictatorship is the sun the00:43:42
corner from my beloved as soon as the corpse00:43:45
begins, it also happened to me I haven’t been to00:43:49
Moscow for a long time and then I came, I had an00:43:52
acting audition, I arrived at the wife of the Taganka hotel,00:43:56
I watched all the performances when I was a00:44:00
student at VGIK, I wish I had watts00:44:03
and had tickets for all the performances,00:44:06
I watched it all after and almost00:44:11
cried when I saw it these ruins some kind of00:44:13
barbecue side00:44:15
this this repertoire is rotten I00:44:19
thought it was worth it it was worth it no matter00:44:24
how loved he was this was his00:44:28
theater you had no right there was nothing00:44:32
whatever he did theaters and cinema of this00:44:36
dictatorship you don’t believe there sitting behind the00:44:39
monitor of the intelligentsia00:44:41
mentally there I suffered still outlines00:44:46
because this overcoming you must00:44:49
overcome assistants circumstances00:44:51
lack of money in the thief producer weather00:44:55
all this is yours this is your trade the gypsies00:45:04
gave the impression that a00:45:08
very, very strong person is very00:45:11
strong these are all your answers00:45:15
but they don’t reach the heart that much, it’s00:45:17
just that sometimes you don’t even want to cry00:45:21
from everything,00:45:23
but the question is you said that00:45:26
bow down to the plowshares of us bulls00:45:29
and his stepson wrote a book, bury00:45:32
me behind the plinth, Pavel Sanaev,00:45:35
please tell me when this film00:45:37
came out because there was a lot of negativity00:45:39
and00:45:40
a flurry of dissatisfaction about this00:45:42
film, what do you think of this00:45:46
film?00:46:04
Shukshina00:46:08
some 28 with a wonderful00:46:10
St. Petersburg actor Konstantinova00:46:13
district, well, we found this very00:46:17
tick there with six-year-old00:46:19
Sasha Drobitko in I’m talking about the result00:46:22
and I’m talking about the process that makes00:46:25
me happy when I spend quite a long time with such00:46:29
quality people, actors, artists00:46:32
time, I’m00:46:36
happy and the result, yes, it’s already there and00:46:40
there are some I don’t own a computer and00:46:42
my youngest son writes me out there, dear,00:46:46
dear, a proclamation00:46:47
to burn in hell is given to you, and so on, then they00:46:49
are in my archive, you know what a00:46:52
thing the book was written for itself and about00:46:55
full of love and more00:46:57
to myself, and I leaked a movie about my grandmother00:47:01
and from the very beginning when I wrote the script I00:47:03
wrote about her, I still didn’t know whether it would be00:47:06
Kryukova, whether there would be another actress on00:47:08
there too, she tried the force of wearing us, she him and00:47:12
Fedoseeva-Shukshina and organs on Ziganshina,00:47:16
which we had from the parent Komsomol00:47:18
play a dramatization, well, of course, this00:47:23
Svetlana Nikolaevna00:47:25
Tsar Toad in which it was obvious to00:47:30
everyone and of course this this huge swarm, there was00:47:33
just a discrepancy in this, so people00:47:35
were, I think, somewhat00:47:37
disappointed that this is sweetness00:47:40
inherent in some of this literature she00:47:42
completely left there conscious of him00:47:45
all like this and left this drama00:47:48
forced please tell me why after00:47:56
modern or relatively00:47:58
modern material you took for00:48:00
Bugakov what is Bulgakov00:48:03
in Bulgakov’s novel mikholap she that of the White00:48:07
Guard Doctor Trubin says to his00:48:09
comrade that he was for us, the university00:48:11
is a groan, this is a monologue of which Aginsky00:48:14
believes, I want to tell you that for00:48:17
us Bulgakov, that for us it was all00:48:20
together, protest and art and absurdity and00:48:24
modernism and truth, and having closed everything for some00:48:29
time, Bulgakov reigned supreme in00:48:34
my life. sadly, when I was00:48:36
sitting at the table in the restaurant of the central00:48:38
house of cinema, there was a director sitting there, or00:48:43
our angel Klimov, already drunk and00:48:49
telling each other how and why they were00:48:57
not allowed to stage The Master and Margarita, I00:49:00
sat the whole evening listening to this00:49:02
tragic monologue, which directors are00:49:08
so when I they called 20000:49:11
about me, yes, I didn’t live my life in vain, another00:49:15
thing was whether I had a conflict with00:49:18
the producers, I wanted it, no one is00:49:22
interested in these are your difficulties and it’s a shame00:49:25
to endure them because it’s not the00:49:28
viewer’s business to know, so the00:49:30
day before you, I don’t know, got sick and other things,00:49:33
I think for myself that I have succeeded if00:49:37
I am offered this kind of00:49:38
responsibility and such things, I have succeeded, am00:49:41
I happy right now, if I did not00:49:46
live up to Bulgakov, I will grieve00:49:48
until the end of my days, but I had a chance, they didn’t00:49:52
entrust him, that’s what I wanted, I wanted to00:49:57
these people these Islamic Chervinsky Elena the00:50:02
golden-haired doctor turbines Nikolka and so00:50:05
on I wanted them to become just00:50:09
members of the family of those people who watched00:50:11
this so that the viewer would be bent why there00:50:14
are no people of this quality around him why he00:50:18
can never love a woman what00:50:21
men from ruby why he never a00:50:24
scoundrel of this level will not betray, played by the00:50:26
great actor Chernevich and Igor00:50:28
Stanislaw than from the city of St. Petersburg from the00:50:31
theater. I’m proud that I managed, together with00:50:35
the producers, I managed to achieve that Evgeny00:50:39
Dyatlov00:50:40
plays Myshlaevsky and sings it himself, everyone is00:50:44
sleeping and he hired them for his money, they00:50:47
put on this, all these opera arias, I00:50:50
think they’re brilliant in general, and here’s00:50:53
what I can do to say about00:50:56
this matter00:51:03
your quote we were friends, quarreled and were00:51:07
friends again with Alexei German, what reigned and00:51:11
united you, well, in general, it’s difficult to find a person in00:51:15
cinema, squadron German00:51:17
didn’t quarrel, he was a complex person,00:51:19
it’s difficult to find in cinema and a person00:51:22
about whom you could say00:51:24
simple simple or as my mother used to say,00:51:27
grays are like fireman's pants00:51:29
in cinema, now they exist,00:51:31
but then in Soviet times there were no simple ones, everything00:51:35
was complex, and German in the nomination for the most00:51:40
difficult to integra physical was always in the first00:51:43
place, this is his fate and history with his00:51:49
father and some care as a director00:51:54
because that it was very difficult for him to make his way not00:51:58
through the bureaucracy, through himself, it was very00:52:02
difficult to search, he was very smart, he00:52:06
understood a lot of things around him, and the00:52:10
filmmakers knew the value of everyone,00:52:14
but all his life he tried to set a00:52:16
price for himself and it was very difficult00:52:19
relationships with colleagues, for00:52:20
example, for a long time he did not die00:52:23
greeted although he was friends00:52:25
not spilling to the side than such a00:52:28
director in general cinema as a medium is00:52:32
very complex unkindly00:52:35
too different tasks too different00:52:37
people too many passions not the same as00:52:41
now on the television screen but00:52:44
much much more significant more tragic under the00:52:48
Soviet regime this is a fact00:52:53
director-producer in terms of the number of00:52:55
deaths among directors, installers,00:52:59
this profession was in second place after the00:53:01
test pilot, quite a lot in terms of heart attacks, no00:53:10
matter what you do, people will compare00:53:13
and often in favor of previous film adaptations,00:53:15
and what prompted you to follow investigator Tikhonov to the shooting00:53:20
prompted me, again, to00:53:23
the producer, a phone call, I barely00:53:26
remember00:53:27
the work of the Weiner brothers although two00:53:32
years before that I began to write a script,00:53:33
again commissioned for a film adaptation of their00:53:38
story and winding a stone on the green grass00:53:42
of this story my house and Solomon such00:53:45
actors the theater on the Malaya Bronnaya was called00:53:48
the State Jewish Theater it was00:53:49
directed by Mikhail among finally his00:53:51
death in Minsk from a truck00:53:53
40 what -that year, actually, it wasn’t00:53:56
ordered, I wrote two episodes, something00:53:59
broke about this, and there they00:54:00
again returned me for the night with a glider,00:54:03
this and detectives are obvious, I re-read some so-00:54:06
so literature, I’ll tell you, but this is the00:54:10
70s, Cafe Lyra here in Moscow how00:54:17
Mikhail Olegovich Efremov was held there, two cocktails were served there,00:54:21
1 was called Money Chablis itself00:54:24
and the second was from anxiety and this is her stribog00:54:28
long hair these all sorts of types here are the black00:54:33
marketers swindlers love from wanted00:54:38
bell-bottoms00:54:40
again I lived there for 65 years I lived then00:54:44
I wanted all this00:54:46
and when, again, there were long auditions and00:54:49
Mikhalevich was approved,00:54:51
wonderful, beloved by us and the00:54:54
rest of the office, we00:54:55
did it with great pleasure,00:55:05
dear Sergei Olegovich, everyone knows00:55:07
today about the confrontation between the00:55:09
director and the producer, what is the problem and00:55:12
who wins in the end, the radius is00:55:16
why the movie is in this state00:55:19
because the producer wins, I love it on this00:55:22
occasion, tells a wonderful00:55:23
story many, many years ago, still00:55:24
voices and shackle, I came home from gekko in the00:55:26
summer on vacation and was visiting and was00:55:29
late grease summer white nights00:55:34
foundry avenue foundry The avenue00:55:37
is unique in that all our bridges are00:55:39
like this, and the Liteiny Bridge has00:55:43
spans that open 1 and I myself have a complete feeling that the00:55:46
Liteiny Avenue has risen up and is going into00:55:50
the sky in general, if you’re foaming a lot there and that00:55:53
’s why the contract can be grabbed and I walked, I00:55:56
understand what I need there up to the arch of00:55:58
four somewhere there and suddenly00:56:02
our famous Kenta graphic00:56:04
composer Viktor Lebedev comes out from around the corner,00:56:06
he wrote music in the bushes with a film, one00:56:09
notices the other better before the composer is00:56:11
very drunk who sees me and my00:56:13
friend where to listen00:56:15
I have long wanted to have you ask this is why the00:56:22
Mariinsky Opera and Ballet Theater named after00:56:25
Sergei Mironovich Kirov00:56:27
and the Izhora Metallurgical Plant is not00:56:31
named after Pyotr Ilyich Tchaikovsky and00:56:35
weaving came from there I can be called the00:56:39
Shah of Persia please but I00:56:41
will not lead Persia why00:56:43
because I am not afraid and not a Persian and why in00:56:48
In cinema, you can call a producer a00:56:50
person who is looking for four years ago,00:56:52
he sold vodka and is not shy about it and00:56:55
tells and now he is a producer of00:56:57
the lack of culture the greed of the Khanate discussion00:57:02
is all the producers of the state chose the00:57:05
model of producer cinema who00:57:07
advised this to the kingdom whispered but00:57:09
if you chose a practical cinema model00:57:12
let's give us royalties,00:57:16
let's Hollywood, let's pay there, that00:57:19
is, they gave producers who are given00:57:22
money for unknown reasons, and what00:57:26
else do you know, the state allocates00:57:29
huge amounts of money every year for00:57:33
cinema, this money reaches00:57:35
anyone except cinema,00:57:37
this is how it is, and all this is called00:57:42
production until we stop this debauchery00:57:46
and burn it out of us,00:57:49
the producer can only be the state00:57:53
because it’s his money, that is, ours, it’s00:57:56
important now00:58:04
your wife is a costume designer, but you’re00:58:07
working on finding out, please tell me00:58:09
why he asked me, I answered that00:58:17
I still want to live in the sleigh I don’t like it, but00:58:20
recently we worked there, we00:58:23
made a huge picture together in a huge00:58:26
Kazakhstan, I didn’t work before00:58:28
because the children were small, I00:58:30
understood perfectly well, it was a completely utilitarian00:58:32
relationship because I couldn’t help but let her00:58:34
go, I know that the house and the children and all the00:58:38
main groups I didn’t let go, well, how is this00:58:42
so then I let go of my wife, the rest of00:58:44
him also has00:58:45
a child and this one has a child, so we, by00:58:49
mutual agreement, didn’t work,00:58:51
she worked as live directors who00:58:53
I let go and I didn’t, now that the00:58:56
children are grown, I00:58:58
actually have three children, a daughter and two sons,00:59:00
two granddaughters and a grandson, the plot is now00:59:09
freer,00:59:16
very large, I will repeat it again, like00:59:18
a spell,00:59:19
we live for you, we work for you, and00:59:24
without you I am nothing, and you are all very different,00:59:28
everyone is different, so00:59:32
cinema is a universal song and you have to manage to do00:59:35
so00:59:39
Everyone, the voiceless and those00:59:43
who are deaf, could compose this song, and so on, this is a00:59:45
universal song, so I’m always glad to00:59:48
see you and grateful, thank you00:59:51
[applause]Description:
Сергей Снежкин. Линия жизни 🔹Подписаться на канал Культура: https://www.youtube.com/channel/UCik7MxUtSXXfT-f_78cQRfQ?sub_confirmation=1 🔹Все выпуски подряд: https://www.youtube.com/playlist?list=PL66DIGaegedpYptAQS7f5RZKNpUzQ6G52 "Я – результат, продукт, в том числе кинематографа". Он мог бы стать медиком в третьем поколении, но вместо этого выбрал своей профессией кино. Он закончил ВГИК и снял полтора десятка фильмов, но считает, что в его кинематографической карьере было три обвальных успеха, которые больше никогда его не постигнут. Режиссер фильмов "ЧП районного масштаба", "Похороните меня за плинтусом" и сериала "Брежнев" – народный артист России Сергей Снежкин. 🔹 🔹 🔹 Ток-шоу. В этом проекте перед зрителями предстают известные деятели культуры и искусства, герои рубежа XX – XXI веков, которые боролись за право выразить себя, бросали вызов привычным представлениям об искусстве, шли против течения, следуя своей линии жизни. Рассказы наших героев можно прочитать в журнале Story. Руководитель программы: Ирина Благоверова Шеф-редактор: Анна Овчинникова Редактор: Евгения Ханкина Режиссер: Ольга Тутушкина Ассистент режиссера: Екатерина Пронина Оператор-постановщик: Евгений Филиппов Художник по свету: Иван Виноградов Продюсер: Рифат Фятяхотдинов Передача – лауреат премии ТЭФИ-2006 в номинации "Программа об искусстве (цикл)". 🔹 🔹 🔹 🔹 🔹 🔹 Другие передачи телеканала: ▫️ 2 Верник 2 https://www.youtube.com/playlist?list=PL66DIGaegedpMmSrBnBIzMCg7YpTl97MN ▫️ Агора https://www.youtube.com/playlist?list=PL66DIGaegedoTZjKax2Fr17xho09ugY_Q ▫️ ACADEMIA https://www.youtube.com/playlist?list=PL66DIGaegedrxKWN-xQohVgl_AdYmttku ▫️ Белая студия https://www.youtube.com/playlist?list=PL66DIGaegedouaL0HYtkFhzP68wfrWVJ0 ▫️ Ближний круг https://www.youtube.com/playlist?list=PL66DIGaegedruiCHzSW8oOvyZTIh5JCNK ▫️ Большая Опера https://www.youtube.com/playlist?list=PL66DIGaegedrHsu72wjxN3dSUxy2p4cMY ▫️ Большой балет https://www.youtube.com/playlist?list=PL66DIGaegedra1Pshzfn56_bV44KQ7fG- ▫️ Бродвей. История в лицах и танцах https://www.youtube.com/playlist?list=PL66DIGaegedp6jO55LKLaUIxIrmf_82MC ▫️ Главная роль https://www.youtube.com/playlist?list=PL66DIGaegedpxXdMXXiOBrdF3OOFMk_He ▫️ Документальные фильмы https://www.youtube.com/playlist?list=PL66DIGaegedoIohTkfmfVFCXxUIX_2qQk ▫️ Игра в бисер https://www.youtube.com/playlist?list=PL66DIGaegedq6S9AoaC5yTG3ZHcI4cwxP ▫️ Концерты https://www.youtube.com/playlist?list=PL66DIGaegedqJ5zHy4FMYRFEez9ejuse6 ▫️ Легенды мирового кино https://www.youtube.com/playlist?list=PL66DIGaegedqPqZGs0SYwMHtMfI3DKP08 ▫️ Мы - грамотеи! https://www.youtube.com/playlist?list=PL66DIGaegedpJDBbaD2knwM9d3yd2QNbO ▫️ Наблюдатель https://www.youtube.com/playlist?list=PL66DIGaegedqZHvAD146yYV5Fj_JbHy41 ▫️ Новости культуры https://www.youtube.com/playlist?list=PL66DIGaegedqKHOK2FY3ODnjVEjpsFO0d ▫️ Пешком... https://www.youtube.com/playlist?list=PL66DIGaegedpZljXE6XIyEusIZheJDjbZ ▫️ Полиглот https://www.youtube.com/playlist?list=PL66DIGaegedpPPa_Vet4KhyyYHdsEE7ku ▫️ Правила жизни https://www.youtube.com/playlist?list=PL66DIGaegedo7TxLE4xEZws_qD_9GQzrM ▫️ Романтика романса https://www.youtube.com/playlist?list=PL66DIGaegedpClWHzBVX5a5DHmAj3VwTw ▫️ Россия, любовь моя! https://www.youtube.com/playlist?list=PL66DIGaegedqT2RceHB-h6n1SNp1X7uIc ▫️ Сати. Нескучная классика https://www.youtube.com/playlist?list=PL66DIGaegedrNlKpNxD48yhCB_g65R-MR ▫️ Смехоностальгия https://www.youtube.com/playlist?list=PL66DIGaegedphHWj1sSKlFFew9-AphqTX ▫️ Цвет времени https://www.youtube.com/playlist?list=PL66DIGaegedqFzngqeiQVJZaifu0rde08 ▫️ Энигма https://www.youtube.com/playlist?list=PL66DIGaegedoZpreN1KF3axtyleml81F_ 🔹 🔹 🔹 ▫️ Событие дня https://www.youtube.com/playlist?list=PL66DIGaegedoyUGbu5ECvtHYafeoOzjS3
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