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Video tags
Subtitles
Russian
00:00:04
Hello everyone, you have entered a music school00:00:07
at home, self-taught, here we are learning00:00:09
to play the guitar, but not grasshoppers and not00:00:12
zeros, and the topic of our lesson today00:00:15
will be called triads, it is00:00:17
based on the two previous topics00:00:19
that we have studied, that is, notes and00:00:21
musical intervals where -there will be00:00:23
links here and of course I recommend00:00:25
looking at them first speaking of musical00:00:27
intervals, we took some kind of sound00:00:30
note tonic for example and then00:00:32
put it aside and the stable musical gift of the00:00:34
shaft, let’s say in a fifth if we are talking about00:00:36
rock music there it is the most popular00:00:38
further you just moved the first sound and then00:00:40
steadily moved 2, we could00:00:43
also add another sound for volume,00:00:45
but both of them were added only for volume, the00:00:47
same thing happens in metal00:00:49
teams when the second guitarist did not hit00:00:51
and he played the same as the first00:00:54
performing the function of just compacting the sound,00:00:56
all this is done only to achieve00:00:59
volume and a denser sound, but the music is00:01:01
not your composition,00:01:03
so they don’t become triads, this is where00:01:06
music begins, this is the main00:01:08
musical element not only in00:01:09
modern music, but also historical00:01:12
triads allow the vocalist00:01:15
to determine that he needs to sing to the00:01:17
accompaniment of the triad tells00:01:19
you what word the song will play,00:01:22
the triad allows you to determine the00:01:24
tonality of the major minor00:01:26
composition and the stylistic00:01:29
direction, and it was the triads that00:01:31
your friend showed you for the first time while picking at the00:01:34
neck of the guitar00:01:35
and mdm prices, that is, it is so large-scale a00:01:38
broad and not complicated question, as usual,00:01:40
which every musician needs to know,00:01:42
and today we will try to00:01:44
dot all the i’s in this question, let’s00:01:47
start00:01:56
as usual with the definition of a00:01:58
triad, this is a cat, consisting of three00:02:01
sounds located potency, then we know00:02:05
that there are two types of thirds: minor00:02:08
and major third and open our00:02:11
notes, there are two00:02:13
simple diagrams sketched there, these are three strings and between00:02:18
them the fruits00:02:19
up to the 4th vlad, I depicted here in this00:02:22
case it will be enough for us, so we00:02:24
first draw the first diagram, this is00:02:28
probably like this in green, I will draw the00:02:32
tonic in red and from we draw a third on it, we00:02:44
know that this interval is called a00:02:46
major one, here we have the beginning00:02:48
with the fretboard, then from this pepper we put00:02:52
another one aside00:02:53
and we get three sounds located under00:02:59
the bodies, first the major third then00:03:01
the minor third, then the second option we00:03:04
take the tonic00:03:05
and postpone not the minor third first,00:03:10
but then from the minor third we set aside a00:03:15
large pension,00:03:19
that is, a triad is a combination of two00:03:22
thirds consecutive in this case on00:03:25
3 strings, we can play them as00:03:27
sequentially as we can pull all three00:03:30
strings together, the combination of first00:03:33
major then minor third00:03:36
is called a major prism than or00:03:39
major 3 sounds remember we with you they00:03:42
drew such a column where they listed00:03:44
all the names of musical intervals and00:03:46
at first insisted on00:03:48
their abbreviation there in 3-5 yes this is the00:03:52
very abbreviated name of intervals in00:03:55
music theory you will never come across00:03:57
sums and formulas written big father and00:04:01
plus small trc small plus big search00:04:03
screws and so on, however, we00:04:05
need this, so the major third00:04:08
is written as b3,00:04:10
that is, we remember the 3rd musical interval00:04:13
in the order b3 and in this case we00:04:20
add another m 3 plus m 3 to it,00:04:24
that is, the data of the triad, this chord00:04:27
has the formula major third00:04:29
plus minor third in this case we00:04:33
get the formula m300:04:36
minor third plus adding to it a00:04:40
major pepper two types of00:04:45
major triads the first is called major 300:04:49
we sound a major triad and write00:04:52
ourselves down on the right in the notes00:04:57
and the second is called a minor triad00:05:13
as many have already guessed there is00:05:16
nothing complicated here major triad00:05:18
because the first third is a major00:05:21
third, this is a major third, and millions of triads00:05:24
because the first main tc is the00:05:26
defining sound, this is our little and00:05:29
minor to minor triad,00:05:32
I’ll try to depict for you how it will all look on the guitar,00:05:35
because even by the sound00:05:39
they don’t immediately allow us to get confused In the first00:05:43
case, in absolutely any place, we take00:05:45
it and from whom, first a large calf00:05:49
then a minor00:05:54
major chord, first a small one then a00:05:58
major chord,00:06:02
you see, the minor sound immediately began to00:06:05
predominate and immediately the melody became negatively00:06:09
more evil, the melody was saturated,00:06:14
so the thing is that no matter how we00:06:17
talk and didn’t grasp the triads among themselves,00:06:19
as a result, the height between the00:06:24
lowest tooth and the highest fits00:06:26
into a fifth why this is important, I’ll explain to you now00:06:29
in this case b3 look we00:06:34
have the formula accordingly b3 this is two00:06:36
tones plus one and a half tones 1 watt less than00:06:41
us is clamped yes well done and in this00:06:44
case we have the formula one and a half tone to00:06:48
plus 2 tons one way or another we get00:06:52
three and a half tons that is one way or00:06:55
another we come to the fifth this is our00:06:58
obligatory ton the 5th degree of the fifth00:07:00
well and the fifth that is we could00:07:04
could press this sound relative to this00:07:06
here through a fifth, but we have the00:07:09
next string 2 terts occupied,00:07:11
so we moved it here, this is nothing more00:07:15
than a fifth from this sound, further 100 it00:07:18
should also be said that these are two main00:07:20
triads, but there are also00:07:23
additional triads, they are less often00:07:27
used in music, but they are used00:07:30
therefore also worthy of our attention, we00:07:35
draw two more diagrams, I erase you, draw00:07:37
again, of course, so00:07:44
we draw combinations with you, first00:07:50
2 large tations and then 2 small peppers, you00:08:02
will have to finish drawing00:08:07
2 small ones, you are the goal in this case, the shape you00:08:13
naturally turns out b300:08:16
plus b3 and here meter plus p3 and this00:08:23
we get increased by this robe of tea00:08:26
increased triads and this decreased00:08:30
triads the thing is that speaking about the00:08:37
main ones why they are basic and00:08:40
triads as well as the main00:08:42
musical intervals we got00:08:47
consonance and that is we got00:08:50
favorable sounds but increased and00:08:53
decreased triad is a00:08:55
dissonance at the point we ourselves talked about00:08:56
musical intervals00:08:57
there is a common one who is often00:08:59
used which is used less often00:09:01
common more musical yes,00:09:03
as we have already seen for ourselves and00:09:05
accordingly, but00:09:07
if we played the increased one00:09:12
or we won the decreased one00:09:16
here in this case we have it turns out00:09:19
distance therefore they are less often used in00:09:21
music but they have their own functional00:09:23
purpose we are glad we will definitely talk to you00:09:26
later and here naturally you00:09:29
can show me Ilya that you are us in00:09:31
Paris and again for years playing the guitar00:09:33
never put it down 3 sounds I played00:09:36
normal the rims there were quien00:09:38
pierda there wasn’t at least according to the00:09:41
rules of all sorts there not for00:09:43
and where they can meet although this00:09:45
was caught I want to help remind and so that’s why00:09:47
I drew this00:09:49
diagram of the neck let’s take an00:09:51
ordinary house with you burn00:09:55
and the usual with a criminal purpose and we will draw00:09:59
it with you on this diagram you do00:10:02
n’t need to draw, but I will explain with the00:10:05
help and and we draw we clamp the00:10:10
second side on the first fret00:10:11
and we clamp the fifth fret on the third fret and the00:10:21
second fret from it 4 strings here is the standard00:10:24
diagram of a thug chord c00:10:26
what we see we know that the chord00:10:29
is called from the note from which it begins with the00:10:33
tonic floor as and musical intervals00:10:34
in this case the tonic is the third fret00:10:36
note c yes we have under the macro c00:10:40
from it we go further our major00:10:44
major third is00:10:45
therefore the c chord we have is major and not00:10:48
minute, it’s not cm00:10:49
and the c chord would be minor cm and so c was00:10:53
given that asv and we gave sec an empty string00:10:56
to an empty string through a minor third, that00:11:00
is, the basis of this chord00:11:02
is the same triad major00:11:05
triad whom you and I00:11:07
drew before we can take absolutely00:11:11
absolutely any court at the base of its00:11:14
standard code it will be a third of any00:11:18
kind let's take 5 from the thieves let's00:11:21
start with the thieves let's take the00:11:29
acura tl yes and m dmc how does he00:11:33
get us then the same here we have00:11:36
then here we have and here we have what we00:11:43
see in this case in this case we00:11:46
see what is around behind the cao m means the00:11:48
main note00:11:49
is the note and here it is yes here the main thing we00:11:53
start and the cat is this side we00:11:56
we don’t play from her, we track the octave,00:11:59
here he is, octaves, but either he00:12:03
ends up right here and from her first where he goes00:12:06
minor heart00:12:07
why minutes and because on the second00:12:09
string everything is compressed one fret higher, that is, if there00:12:11
was another one we could have here that00:12:14
is, 1 trc we have goes to00:12:15
minor minor given that we met00:12:19
here also this is this sound, otherwise00:12:21
we definitely have a fifth tone, remember that00:12:23
in the end this sounds like it consists of for00:12:25
types 1 pers who determines the major and00:12:28
minor ones will be from the triad and at the end of the00:12:31
menthol tones there is a ready-made house in this00:12:33
case, yes, here it is in notes because00:12:37
so the product is from the empty00:12:39
sixth string and at the end of the bridge that means the00:12:41
empty string is 5 notes, that is,00:12:43
in the end we press the tonic00:12:46
note A from it to them the third which00:12:49
determines major and minor in this00:12:51
case, and in the end, simply adding our00:12:53
fifth volume, we will help with all the open ones,00:12:56
then what else, by the way, notice here00:13:00
we did not compress it from here, but if we did00:13:03
n’t have a m yes, but then something and then we have m00:13:07
accordingly, mine of oak wood00:13:09
and this is a major,00:13:11
then we would have it clamped like this,00:13:14
here it wouldn’t be why because the00:13:17
second string is clamped everything one fret higher00:13:19
and our third is major, it00:13:23
moves here, that is, we can take00:13:25
any chord with you, any I I took now00:13:27
the more complex of everything that00:13:29
had to be moved here, and right away you can00:13:32
check yourself by opening the same thing,00:13:34
our favorite Yandex pictures of thieves00:13:36
chords and figure out which ones they00:13:39
consist of the code and here we come to a very00:13:41
important point, the main thing is not diagrams and not00:13:44
fingerings chords, the main thing is the notes00:13:47
that are included in them and you need to learn from the00:13:50
notes, the fact is that before we00:13:52
found out that the usual chord of any usually00:13:55
court road is most often encountered and in00:13:57
music this is a triad of triads consisting00:14:00
of three sounds or of three notes 3 notes00:14:04
are not the standard diagram that he00:14:06
showed is why you haven’t seen it in00:14:08
your playing, it’s not a diagram, it’s a set of notes and it’s the00:14:11
notes that you need to focus on, it’s the three main notes that00:14:13
determine the00:14:16
composition of the chord and how we will00:14:18
play it, it’s these three main notes that00:14:20
determine whether it’s major or not00:14:23
minor and they include 1 third, which00:14:26
determines all this and the second is another00:14:29
third or fifth of the tonic, the fact is00:14:32
that in music all musical00:14:35
intervals are accepted, all steps are all in harmony in00:14:39
the chord,00:14:41
counted from the tonic and that is why00:14:44
initially turn to today, analyzing00:14:47
code we have a note00:14:50
and to make it00:14:54
smells let's say this note is G to 3 we00:14:57
get G 3 we need to put from it00:15:00
first let's say the third to in00:15:06
this case it's a major third the00:15:09
major note B here you've already learned and00:15:12
from it put the fifth to the screw00:15:16
like this this gives us 3 4 5 watts, well, I00:15:22
think you’ll tell me slap-dash,00:15:24
that is, we still have a G major chord00:15:28
because the trc should consist of three00:15:31
notes, this is this G00:15:33
B rn and let’s clamp it in the00:15:37
thieves positions let's say yes work00:15:41
opposition he will sound us like00:15:43
this I think you all know what00:15:47
we get to sound we run through00:15:49
all 6 strings it sounds sol si rf about ap00:15:53
as I say sol si and again it will sound 300:15:59
ted again sol voila00:16:01
te the very three sounds next, let's00:16:04
put it not in the00:16:07
thug position, but through the beret, that is,00:16:12
we'll press the same thing, but through the bar,00:16:15
how it will output, and the console in the oily00:16:18
case, we'll go to the screw,00:16:23
it goes there, yes, here's our paracord,00:16:26
our genderless chord, why do you like it00:16:28
genderless because it has neither00:16:29
major nor minor accessories00:16:31
because you are not yet involved in the laws00:16:33
of harmony, combination of sounds, resolution, and00:16:37
so on, modulation of other things, you are not00:16:39
interested in tonality, you just00:16:40
play without hollow music, well, conventionally00:16:44
music, one line further, you put00:16:47
the third there, yes there and here we have a00:16:50
bar, I won’t draw bars, but here the00:16:54
index finger goes, this is what a00:16:56
major chord from G looks like, which00:16:59
I think most of you already know and00:17:01
have used, let’s figure out what’s included00:17:03
in it, let’s first find the note G00:17:06
everywhere, the note G is the tonic of C the note G00:17:09
for us is the octave of the tonics the note G00:17:13
for us is the first string actor00:17:14
to tune like 6 3 notes G three00:17:17
takes of one note grade why is this00:17:19
done after that they will bring the full00:17:21
potential of the guitar to learn a00:17:24
richer sound as we ourselves did sincerely00:17:26
you we we add a duplicate note to00:17:28
get just a denser more00:17:30
expanded sound and then we look at what00:17:33
else but you this includes00:17:34
our third note B octave from here here00:17:38
it is note 700:17:41
note this if you add an octave here00:17:44
factor yes then it here it forms our00:17:47
major to tion00:17:48
a and so on this is our fifth tone this is the00:17:51
fifth fret this is the note D00:17:54
almost writes in nature00:17:57
further here what we get we00:18:00
know that the second string is up to 3 500:18:03
3 3 5 to in the end you and I got three00:18:08
G notes in three places we with you we00:18:12
received a fifth, then it is the note D in00:18:14
two places and the note B, so the00:18:17
fingering of the chord who wins c on the00:18:18
guitar is exactly this and was designed specifically00:18:21
for our four fingers when the guitar00:18:23
was created and that is why when talking about the00:18:26
minor00:18:30
we remove our middle finger from here and00:18:35
leave it here such a scheme of the year00:18:41
that we have here00:18:43
appears here this note of the pact and strands with00:18:47
and it actually determined we00:18:50
initially had a minor triad and00:18:52
the chord turns out to be a Jay minor00:18:55
triad of fifths tons that is further00:18:57
since here it will not play us00:18:59
we have pressed higher we we repeat on the guitar and00:19:02
all the sounds without involving any left00:19:04
sounds of triads these are only three notes00:19:07
only three notes that is why all00:19:10
the chords that you heard on the paid ones are00:19:13
interchangeable, that is, the same00:19:16
across G00:19:19
can be played on bars as we have just00:19:20
sketched,00:19:22
but in this case not the00:19:26
functional purpose of the00:19:28
harmony chord changes; the music of the Wally guitar in its00:19:31
part has its own functional00:19:33
purpose; its last resort year; the00:19:35
functional meaning of the year does not change;00:19:39
only the sound of the instrument itself changes00:19:42
because it has slightly different00:19:47
citizens which I will tell you now00:19:50
and now we will try to understand in00:19:52
what is the difference between open okroda00:19:54
or thieves and the same variations, but00:19:57
I will play the sets 2 times 1 the same pattern,00:20:00
first with the usual rounded open ones,00:20:02
then on the bar and explained what the subtleties are00:20:06
with the best, first with the usual ones00:20:24
and now the same set and00:20:44
listen to the open code they are smoother,00:20:48
enveloping and flow more easily00:20:51
from one to another, that is, yes, it’s00:20:53
very simple here, but00:20:57
where in the set the00:21:00
same would seem to be the same00:21:01
notes,00:21:03
and here they are the same,00:21:08
but they are more attacking, which is why00:21:12
open chords, that is, even00:21:16
after my empty00:21:20
is used in the case when you need to00:21:22
express yourself in the mix, that is, to settle00:21:25
into it,00:21:26
they are more preferable in playing in a00:21:28
team where the guitar needs to be emphasized00:21:31
and the accompanying chords are quite right and call either00:21:34
to play ok and full or00:21:37
open, whatever you want to call them -00:21:38
then I’m used to the thieves with my dmc, the thing is00:21:42
that there is no such point that it’s better there is no00:21:46
such thing that it’s necessary to just play on the00:21:47
guitarist only sets sets00:21:50
are played in two cases when it’s convenient to00:21:52
see the mini before00:21:53
learning then the goal is to make modulations00:21:56
other tricks when it’s impossible to play00:21:59
keys with an open chord00:22:00
for example and when you need to make00:22:03
certain accents, emphasis on strong00:22:05
beats that are difficult to show in00:22:08
precisely when playing under the steep and then, well, or00:22:11
when the part from does not know how to play through the00:22:13
delirium quite clearly and harmoniously, that00:22:17
is, the guitarists also used00:22:19
open chords, our prices are at mounted00:22:22
translations through empty strings, but when00:22:24
it is necessary and do it all only by00:22:26
ear and taking into account the experience of the guitarist and00:22:30
his00:22:31
musical flair where and what will00:22:34
sound better, that is, for example, if we00:22:36
had some kind of swinging beat00:22:38
on the violas on the toms on the drums yes, on the00:22:41
bass guitar according to the tonic, that is, there would be00:22:43
a desk, respectively,00:22:48
so primitive, and it would be more logical to00:22:52
play accordingly,00:23:13
hear the race clearly like this even00:23:15
than we won00:23:23
here they sound more smoothly flowing00:23:25
and there is no such00:23:27
sound rocking the water, but the music and00:23:30
drive concert on it it is formed precisely00:23:32
by swinging with the movement when all the waves from the00:23:35
bass guitarist from the guitarists from the00:23:37
drummer and even the iron go00:23:39
rocking rhythmically into the hall, well, I00:23:43
think this is clear, that is, you definitely00:23:46
need to be able to deduce not this and that and00:23:49
it is advisable to think before you00:23:52
play something because we know that00:23:54
any note on the guitar is repeated in00:23:56
different places with notes you can play it here00:23:57
I can play it here play it here and00:24:00
play it here to play it here with her00:24:03
and here here and accordingly everywhere00:24:06
it will have a special shade00:24:10
you can play it not in that octavia, but it’s important00:24:13
to pay attention to the shade somewhere it00:24:15
will be bursting out more calls on the00:24:17
understandable be soft softly it was a little to00:24:21
walk into the mix and naturally on the downbeat00:24:24
on the lead beat it’s better to00:24:26
jump out cut it to some about the00:24:29
needle beat the minor ones can be00:24:31
played and smoothly supporting that the very00:24:34
moment of climax approaching it, that00:24:36
is, this is all the artistic thinking00:24:39
of the musician, well, let's move on further,00:24:42
please draw 4 of these diagrams, this is a00:24:45
full-fledged diagram of the guitar neck, that is,00:24:47
6 horizontal and vertical strings are00:24:50
enough 5 4 and here we will depict00:24:54
with you all possible clamping of the main00:24:57
chords, that is, from 6 strings and I draw and00:25:01
you repeat after me, it doesn’t matter which one, but00:25:03
then we start, we draw the00:25:05
same diagram that you and I00:25:07
just sketched, the00:25:09
tonic of fifths,00:25:15
then, like a fourth, the third goes and00:25:20
we press our barrett00:25:26
and this we will have a00:25:35
smear from 6 strings and we draw from 6 strings,00:25:39
in principle, everything is the same as00:25:41
you and I and we have just also drawn a00:25:44
fifth ton to from it a quart which is00:25:47
actually an octave because we are00:25:49
counting the entire interval to from our tonics00:25:53
and then we have a lamb, we just00:25:56
continue with our first finger, I’ll00:25:58
now show all this and now we draw00:26:00
this diagram of00:26:04
how it all is clamped, here are 5 strings and00:26:06
because it will be inconvenient for us to run00:26:07
with 1 1 1200:26:09
so we draw further town to from it00:26:13
fifth then00:26:15
fourth here we draw a third, but we have the00:26:18
second string 2 and here it is a fret00:26:22
higher, so we press it not here, but right00:26:24
below it00:26:25
and we have the lamb left under on the first00:26:28
string and here we draw the same thing, the00:26:31
tonic minus fifth tons octave from the tonic00:26:36
further than the third here we have it, as it00:26:44
were, here, but due to the fact that the second00:26:46
string + lat it comes out for us, and00:26:50
accordingly we write that this is minus00:26:55
major and minor,00:27:02
so we got a diagram of 400:27:06
main chords which you A400:27:09
fingering is much more accurate blood panel00:27:11
for playing any songs, the thing is that from00:27:13
what note we start, I will repeat, this is the00:27:16
name of the code, if we take this00:27:19
scheme and play it from 6 strings and00:27:23
from the note F, then it will be F F major,00:27:30
we will play from G G G major00:27:32
quality of G- sharp court we can A00:27:36
major yes with it the burn damazhil no henri we can00:27:40
move into the world and we can go further00:27:44
if we take this scheme in minor,00:27:47
we lower it, we remove our middle finger,00:27:49
we play up to and beyond the lamb's caviar,00:27:53
respectively, but so that we don't have to00:27:59
run, let's say we need to play00:28:01
G -major C00:28:05
then C so that00:28:08
this doesn’t happen, but you can simply00:28:12
shift it, that00:28:17
is, down to the down side00:28:20
using the next one with someone, that is, from 500:28:23
countries with 6 of us in this case, it doesn’t play and00:28:25
it turns out that they are also himself and what note do00:28:29
we start with like this we call the edge the media00:28:32
began, otherwise we will have my00:28:35
middle,00:28:37
yes here we have a major,00:28:42
there is confusion all the connections with who00:28:45
that the tongue is spoken,00:28:47
smears 6 strings and exactly from 5 countries and they seem to be00:28:50
very similar in the arrangement of the00:28:52
thirds because the second the string comes out00:28:54
and changes the composition of the00:28:56
fingering from 5 strings and well,00:28:58
guys, there’s no other way because later00:29:01
we have four fingers in total working the upper one is00:29:03
rarely used in music on the00:29:05
guitar on the fingerboard naori strange on the00:29:07
classics then maybe that’s why it’s all00:29:11
thought out as usual for future00:29:19
practice, today will not be due to the fact that00:29:21
almost any popular song that you00:29:24
take will consist of triads00:29:26
and, in principle, yes today you have all already00:29:29
been familiar with the triad my for a long time and00:29:32
played and simply never went into00:29:34
detail the only thing that follows00:29:37
there to clarify that triad is a00:29:39
fundamental musical element and00:29:41
when in subsequent lessons we00:29:43
talk to you about tonalities, harmony,00:29:46
scales and modes, we will always00:29:49
rely on triads, each of our00:29:51
subsequent lessons will be tied to the00:29:53
previous one, operating with what we already know00:29:56
and for example I I decided to show you00:29:59
the device not only on the neck of the guitar,00:30:01
why do we have the 2nd fret on the second string,00:30:04
but also the structure of00:30:06
the keys, since even musical00:30:08
instruments00:30:09
are made taking into account triads and in order to00:30:12
make it convenient to play exactly this main00:30:15
musical00:30:16
chord, I told you so that in this00:30:19
case it will be difficult to play because on a00:30:21
tripod it’s not even on a tripod but on an00:30:24
easel, but I’m telling you that you00:30:26
can always play on the white keys, remember, let’s00:30:28
start on the piano,00:30:35
or there00:30:41
and so on, so the point is that knowing00:30:45
the law number coins, everything is already clear and I,00:30:48
for example, know that at home we00:30:51
studied the 1st 4th and 5th steps of this00:30:55
major triad, the rest are minor, that00:30:58
is, if we take the notes in order,00:30:59
from 1 4 5 I will put aside the major00:31:03
triad and then its minor ones let's00:31:08
play triads with the connector on there, lifting the keys,00:31:10
take the first triads, all three sounds00:31:13
on the keys are pressed like this, this is00:31:16
what they all sound like, so for the00:31:18
first three nights we take plus a00:31:21
semitone to00:31:25
plus tons plus one and a half00:31:27
+ 200:31:30
large dlc two tones before the next one00:31:33
pluto is turned on top one and a half00:31:36
small00:31:38
well, here is the triad first major 100:31:40
Amazon I said 2 therefore minor00:31:42
we rearrange it to it turns out 1 2 2 keys00:31:46
3 beats here we have half a ton 2 200:31:52
first few second major I say that00:31:54
it will be the first 4 5 major let's move on 300:31:59
notes Well, we get one two and00:32:01
a half00:32:03
and then we have a major third 1 2 300:32:06
400:32:08
we go further we come to 4 1 2 3 4 note there00:32:13
should not be a major one on 2 3 400:32:18
major 1 major night major and00:32:20
accordingly minor we go further 500:32:23
they say that again we will have a major00:32:26
1 2 3 4 2 tones, a major third00:32:31
and payback tones, well done, and then00:32:34
we move on, we will have a minor again, all the00:32:36
remaining ones up to00:32:37
one two three and growth inside 4 and so on00:32:41
1 2 3 and 1 2 thousand00:32:44
take that is, you see, even the photo of the drunk is00:32:46
arranged according to the laws of harmony00:32:48
naturally and in such a way that it is convenient for us00:32:51
to play the triad,00:32:52
so today is a very important lesson, don’t00:32:55
look at the fact that you did00:32:57
n’t seem to pay attention to this, your learning is not going anywhere00:33:00
in the future without this,00:33:10
your homework for today will be00:33:13
as usual, consist of two parts,00:33:14
theoretical and practical and00:33:16
theoretical, is that you00:33:18
need to remember the location of the00:33:21
applicator of each of the chords, that is,00:33:24
from each note to at least seven whole notes,00:33:27
you should be able to build both a major and00:33:29
groups and which one is the other way around00:33:31
while in an open position that is, if we00:33:33
take Natulya,00:33:34
then according to the paid ones we build A major and A00:33:37
minor until we get 5,00:33:40
he feels for both C minor and for major the00:33:44
same environment burned00:33:47
mine and here on the corresponding major it is00:33:51
my we have the same and here we need it00:33:58
numbers in major, respectively, all00:34:02
that is, from each of the seven notes you should00:34:04
be able to put an accord00:34:06
if you like grandfather to play + 2,00:34:09
respectively, we have F major, if00:34:12
not, you will see F sharp major in the song, just00:34:14
move your fingers half a ton one fret higher00:34:19
after that you can play, in00:34:22
principle, any composition, any song,00:34:25
scamp, animate to your voice, and00:34:27
whoever already has the sides will play everything to00:34:31
get well, any soul of the company at any00:34:33
party around the fire, and not only the second00:34:36
part of our task for today will be00:34:38
to get rid of00:34:40
perhaps the most popular shortcoming of00:34:42
beginners: pauses between chord changes,00:34:45
be it movies, video games, music00:34:49
or speech; pauses are the most undesirable thing00:34:51
that we can find in our story,00:34:53
and when we play our music to the listener,00:34:56
we immerse him in our story and00:34:59
so as not to prevent him from enjoying the beauty of00:35:02
our playing and also not to interfere with breaking the00:35:04
rhythmic accompaniment to our voice,00:35:06
we must learn to00:35:08
rearrange the chords as painlessly as possible, lubricate the00:35:10
wounds, but also in different positions from different00:35:12
tonics, that’s why I’ll now00:35:14
show you the following simple exercises,00:35:16
we take the fifth and sixth strings on fifth00:35:21
fret to 4000:35:26
and first we play such a move with a knight, that is,00:35:28
we play and the fifth year 5 lats 700:35:34
and back 57500:35:39
now the same with the chords, first00:35:42
we play smear00:35:44
let's00:35:55
or00:35:59
now the same media nanograms into00:36:02
the substrate00:36:12
and00:36:15
now we add more to this00:36:19
major, that is, we play in a major key, we play00:36:22
crosswise,00:36:23
we play first minutes00:36:26
major00:36:32
and00:36:35
take00:36:36
ours,00:36:45
we can dial accordingly to play00:36:52
without problems, yes, what are these two00:36:56
exercises? I00:37:02
don’t put each finger00:37:04
separately, but I put a diagram right away,00:37:07
that is, I have a diagram of three00:37:08
fingers, fingering, and all three00:37:10
fingers they seem to form a00:37:11
backbone between themselves, each of them is00:37:13
aimed at pressing against each00:37:15
other to avoid that disadvantage00:37:18
when a beginner which cannot00:37:19
accommodate three fingers on one on there,00:37:21
respectively, so they gave me this scheme, I00:37:25
rearrange it because when we play00:37:27
a mchord, yes, I rearrange00:37:32
again the fixed scheme of relationships00:37:35
in height between the notes as we00:37:37
imagined, yes the same thing here is00:37:42
absolutely also what we should learn to00:37:43
rearrange exactly the00:37:46
chord fingering within the miner to00:37:49
this is the first bowel movement, that is, there we00:37:51
simply removed the fingering on the series to00:37:56
that is, not one finger is placed00:37:58
each time it will be too long, we00:38:00
will not have time to rhythmically respect it all in00:38:02
the drawing, but we rearrange exactly the patterns we tear off it00:38:06
and imagine a new tonic on a new note00:38:08
but a new chord keeping it in shape the00:38:11
second part of the exercise was00:38:13
to learn how to rearrange first00:38:15
we have00:38:17
minor majors if from 6 strings it’s00:38:21
easy but let’s finger00:38:25
major00:38:26
sad00:38:28
cheerful who is here we will have to00:38:32
rearrange exactly the position of the fingers00:38:38
on and can even be00:38:41
done right like this, what is the difficulty here in reposting00:38:46
a friend,00:38:48
otherwise our middle finger goes00:38:51
to the bottom and these two spheres,00:38:54
yes, but I assure you literally in a week00:38:58
for the next lesson I’ll be doing this for at00:39:00
least 5 10 minutes a day00:39:03
you won’t have any special problems00:39:05
playing00:39:06
zero compositions, that is, after going through00:39:09
today’s set of two exercises,00:39:12
you can really play00:39:13
absolutely any composition, and as I00:39:15
already said, in my opinion at the beginning of the00:39:17
homework, in general this is it while today00:39:21
we are all once again convinced that00:39:23
the theory of music is not difficult, and00:39:25
with the right approach, even an interesting thing00:39:28
is that at the moment our00:39:30
musical community is in00:39:32
such a sad situation that even I, a00:39:34
person without a musical00:39:36
education, can ask my own questions on the00:39:38
way to mastering music theory, graduates of00:39:40
music schools, music colleges00:39:42
with higher education convicts have00:39:44
never received from them clear00:39:46
affirmative answers to00:39:47
points that interest me, what can we say about00:39:49
beginning musical groups, I00:39:52
hope my views will give you a kick to the00:39:54
desire to study music theory,00:39:56
it’s a matter of the fact that music theories are needed so00:39:58
that if you have 20 hours to00:40:01
create your own compositions, you don’t00:40:03
spend 15 of them searching for harmonies,00:40:05
chord placements, inventing dins00:40:08
that were already invented a long time ago for you00:40:10
and the included ones are explained through my lips and00:40:13
other people’s lips so that you of these00:40:17
20 hours they spent on creating00:40:19
harmony, only an hour and half an hour, for the remaining00:40:23
19 they could devote to making00:40:25
your composition the most unique00:40:27
to think about its raja timid thing00:40:29
is that music channels two things 1 this is00:40:32
loot that has been proven in our country for00:40:34
a long time and the second is high-quality00:40:37
unique content, that is, it can be00:40:39
not only unique but also well-00:40:41
implemented, you should00:40:43
spend maximum effort on the quality and00:40:45
uniqueness of the content,00:40:46
they have to come up with it00:40:48
in music theory, you understand this, I00:40:50
hope, and that’s when we will have our00:40:53
own fall out boy own00:40:55
money by Indian force and other new00:40:57
interesting radio operators so guys are00:40:59
young beginners guys and don’t be lazy do00:41:01
n’t watch my video rewind00:41:03
misses the ears watch how inside and00:41:05
out00:41:06
ask questions in the comments to me in a00:41:09
personal message there are links to me on VKontakte00:41:11
yes I always try to answer everyone If00:41:14
possible, take your opinion into account make00:41:16
new videos taking into account your questions for00:41:19
today, put a like under this video00:41:20
if you liked it, it helped,00:41:22
share it, see you next time, see you next00:41:25
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