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00:00:03

Today we will draw a winter

00:00:07

picture, we most often draw some

00:00:10

characters, if you look at the

00:00:14

YouTube channel, probably 90 percent of

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our lessons are some kind of characters, and

00:00:20

because I prefer to draw

00:00:23

cove characters, here we are today, I decided to

00:00:26

draw something... then with you on a winter theme

00:00:29

it will not be a complex landscape, nature,

00:00:34

which we will then try to

00:00:37

put on a postcard at the end

00:00:40

[music]

00:00:42

we will draw in Illustrator,

00:00:44

illustrator allows us to create

00:00:46

vector graphics, I have one of the

00:00:53

latest, probably now the

00:00:55

penultimate version

00:00:57

of Illustrator is the penultimate one because

00:01:01

literally on the other day some update

00:01:03

came out, I haven’t installed it yet, but

00:01:04

in principle I can say that I have the

00:01:07

latest version of Illustrator,

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those who draw when it’s very cool,

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you probably have some understanding of

00:01:17

color composition and all that,

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especially if you draw traditionally I I’ve

00:01:24

never drawn food traditionally, I

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started and stitched this and draw,

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but let’s start for

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today, basically, in

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my opinion, it’s mostly zeroes and ones, and that is, I

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’ll try to tell something in more detail, so

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I think her

00:01:50

landscapes won’t be very difficult but

00:01:52

we’ll try to make it interesting,

00:01:54

what we need, look, we’ve opened

00:01:57

illustrator, illustrator will

00:02:00

look a little different when you

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open it because everyone can

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customize it for themselves,

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you can, of course, customize it just

00:02:09

like a minion, here you can

00:02:12

look in the window there, pull it out, close it

00:02:14

somewhere- then moving another place is all

00:02:18

not difficult, but if suddenly I

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use some window that you do

00:02:22

n’t see, then please click the

00:02:26

window menu item

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and here, look, there are very, very many

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windows. I can now be seen by those people

00:02:34

whose members there is a check mark, you see

00:02:36

very there are a lot of simply disabled ones that

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I don’t use at all. Illustrator has a

00:02:42

lot of different functions,

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I don’t know what percentage I

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use, maybe 10 percent in the

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best case of functionality, I use

00:02:54

this so that you understand how

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huge it is and what you can do in it

00:03:00

very there is a lot to do, of course, today

00:03:03

we will look at only a small part of it, the

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simplest, what is the difference, let’s

00:03:11

briefly say

00:03:12

vector graphics from raster graphics, I hope

00:03:16

that you know, but probably not

00:03:19

everyone knows, but the main point is that the main

00:03:21

advantage of vector graphics is

00:03:24

that it is scalable, that is if I

00:03:26

draw a circle of

00:03:29

any color, no matter how I

00:03:32

bring it closer, look here brings it closer,

00:03:35

bring it closer, you see, I will

00:03:39

never see

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pixels here, these are these squares

00:03:44

that you see when you are there,

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stretch the picture, the quality is not very good,

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this is the main advantage of you

00:03:56

drew a small picture and then

00:03:59

you can print it on a huge billboard

00:04:01

that pierces 10 by 30 meters, of which there are

00:04:06

such and it’s cool it’s

00:04:13

used in a lot of places both in logos

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and not in printing, in short, almost

00:04:20

everywhere

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when photoshop can

00:04:25

transform all dances with its own functionality

00:04:29

income is a vector, then I’m sure that it will be a

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vector because a vector is ideal, well,

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it’s logical because it can be

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stretched as you like, I promise you, there are

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some questions, ask Sergei, he wo

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n’t voice them, I’ll answer them,

00:04:45

what do we need today from the important windows

00:04:49

we need the lights window is layers,

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but we won’t draw it on one

00:04:56

layer if there was someone there, I’m sure there is one

00:05:01

of you who draws in Photoshop and he knows that in

00:05:04

Photoshop you need to draw, but preferably on the

00:05:07

bottom layer, I don’t draw very often before creating

00:05:09

new ones, so on in Illustrator does

00:05:13

n’t need this because it automatically

00:05:16

creates separate objects, look, I

00:05:19

drew a circle, I have one layer, I’ll

00:05:22

open my layer, I see this circle,

00:05:25

I’m not creating new foliations on the

00:05:27

same layer now, I’m just drawing another square and it’s

00:05:30

also separate for me, that is, in principle

00:05:32

all that if let me see and separate

00:05:34

objects

00:05:36

so

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there is no need to break it into layers in Illustrator if you don’t draw

00:05:44

something very complex there or you don’t

00:05:47

add it, for example, in the days of

00:05:49

sketches, you drew a question like 200

00:05:52

in Illustrator, then of course, most likely you

00:05:54

will put it on a separate layer and that’s not a

00:05:56

fact because all this can be done on

00:05:59

one

00:06:00

here, what we have in Illustrator

00:06:05

very briefly is that we need some

00:06:07

standard geometric objects,

00:06:10

you can see if there

00:06:12

is a small triangle near the icon at the bottom

00:06:14

right, then this means

00:06:17

that there is more adjacent tools,

00:06:20

for example, in simple geometric

00:06:21

objects, if I use the

00:06:24

left mouse button for my wife to use this button, then

00:06:27

I will also have a choice of an ellipse and a

00:06:30

star and line polygons,

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that is, some adjacent tools, all the

00:06:37

tools and simply holding down the left

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mouse button and stretching somewhere to the

00:06:44

side I can create

00:06:47

new objects

00:06:48

if I hold shift while doing this, then I

00:06:51

will have perfectly proportional,

00:06:53

correct objects created, that is,

00:06:55

from holding Shift on the keyboard, I can

00:06:58

draw a perfect circle, I can take not

00:07:01

a rectangle, but if I press shift, I will have

00:07:04

a square, and so on, what else is there we

00:07:07

need we need a dark arrow shortcut

00:07:12

key on the keyboard b I highly advise

00:07:16

everyone to always use the shortcut

00:07:18

keys on the keyboard because it

00:07:20

speeds up your work significantly and it

00:07:24

really turned to a number of work if

00:07:28

we take the dark arrow we can

00:07:31

click on any object in the

00:07:32

pool and just move it, for example, you

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can also select an object

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here on the layer by clicking on

00:07:41

this circle next to it and also

00:07:44

move it, I can rotate objects

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myself with the help of a dark arrow they will impose

00:07:51

on ice the science of a bald man like this arrow

00:07:53

threads cursor change a little I

00:07:55

can rotate if I I'll hold shift

00:07:58

and then I'll rotate it exactly 45

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degrees, so I can stretch it if I

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just pulled the objects by the corner,

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okay, I can change this object,

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how to do this, I select it without a black

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arrow, well, I have a fill color and a

00:08:19

stroke color if I double-click on it

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I will have a color picker

00:08:23

here I can choose some other

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color I can change the stroke thickness

00:08:30

for this I need a line window, you

00:08:32

remember that if you don’t find

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the window here, then you just need to turn

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it on here, here there is a

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stroke thickness, see it can be changed here

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there are some additional

00:08:44

parameters, for example, there is a rounding and so

00:08:47

on, but this is not very important for us today,

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I increased the thickness of the vodka

00:08:52

to show that its color can also

00:08:54

be changed,

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for example, but this is the last one, not

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the last one, okay, what is important to us is

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if I I want this object to

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be on top, yes I can eat it,

00:09:09

just move it in layers

00:09:11

where I need it lower or higher,

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but this is not very convenient, I advise you

00:09:17

to use the

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keyboard shortcuts or right-click

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on this object, there is a menu item here

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arrange and these are the four important

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functions brin that front is to send the

00:09:33

very very top look at these to the

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very very top now I will cancel the function

00:09:39

just an

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action or rather simply by the fact that our

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square on the keyboard

00:09:45

rangers in the back this rules the

00:09:48

very bottom you see from me rings and

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backward is just one level lower than

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range, the brin format is just one level

00:09:58

higher, we just need the

00:10:02

shortcut keys on the keyboard in general, you have the

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key combinations and I have

00:10:07

this, you have this contour shift and ъ this is at the

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very, very top contour shift and their x the

00:10:15

very bottom enter ъ one level higher

00:10:19

and contr.x. one

00:10:22

level lower and the last thing we

00:10:25

need to know is that we are creating in

00:10:28

Illustrator, we are creating it with the help of

00:10:31

these, you can see on the object, we

00:10:34

will take this light arrow,

00:10:36

select it and we can see the points from

00:10:39

which this object is created and

00:10:42

we can them somehow move thereby

00:10:45

transforming the object here there are antennae like

00:10:49

this which we can also somehow

00:10:51

rotate the antennae affects the roundings

00:10:57

so we can change the antennae and so on

00:11:05

let’s basically this is

00:11:08

enough for now, I’ll just show you what the

00:11:11

pro is and we’ll start draw a pen is a

00:11:13

tool that allows you to create

00:11:15

various objects of arbitrary shape,

00:11:20

because even where I click, points are created

00:11:23

and an object is created if I don’t

00:11:28

release the mouse button now and just

00:11:30

pull it up, then

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pull out such a tendril and this means that the

00:11:34

object will be rounded by adjacent

00:11:37

pen tools there is where they

00:11:42

hid the latest versions, why did you

00:11:46

hide it so it’s somewhere here, here the

00:11:50

standard one of the

00:11:57

related tools will be included, there will be a pie with a

00:11:59

plus sign that allows you to add a

00:12:01

dot

00:12:02

and, of course, and therefore edit

00:12:04

or remove. if we don’t need it,

00:12:08

this is what we need, let’s

00:12:12

finally start drawing, we will

00:12:15

use a pen a lot today and

00:12:18

simple geometric objects. What do

00:12:24

I want to draw? I want to draw a small

00:12:28

winter landscape; it will be for me, and it will be a

00:12:32

vertical format for me because

00:12:34

it will be this type of postcard, so I

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’ll take a rectangle and immediately draw a

00:12:43

background background, I’ll just draw a rectangle, as

00:12:47

if on an arbor disk, let’s say so, I

00:12:55

’ll immediately select a color, well, approximately

00:13:00

some winter ones, then I’ll get better,

00:13:06

look, so as not to move the background, and I

00:13:09

’ll always do it now touch it, I

00:13:12

will block it,

00:13:13

how to do this, look, I have it in

00:13:15

the layers, you see, I have an eye in front of my

00:13:18

object and the empty rectangle of the eye

00:13:21

allows me to hide it or show it, that

00:13:23

is, if I click on the eye, it will hide,

00:13:25

if necessary, it will appear again in this place

00:13:27

if I click on it this square, the

00:13:30

date, a lock will appear and, as you can see, it

00:13:33

has blocked it; to remove the lock, you

00:13:36

need to click on the lock now; I

00:13:38

did this so as not to get out,

00:13:44

that is, do not move it where you are to the

00:13:46

side by accident; I will draw

00:13:49

a little to get out of the outline; this is usually

00:13:53

done in Illustrator later it’s all

00:13:55

just hidden in the end by a mask, what will you and I

00:13:58

do next? I want to draw

00:14:01

just some kind of white mound,

00:14:04

of course I can do it like this with a

00:14:08

circle of color, by the way, here

00:14:10

I can change the color in the window here for anyone

00:14:13

else like me who is convenient zoom in and zoom out

00:14:16

I use the shortcut keys

00:14:18

on the keyboard counter mil iskander plus

00:14:22

there are many ways to increase

00:14:24

zoom out but this is what I use,

00:14:28

and for now I suggest you not to

00:14:30

use it either, and then you can

00:14:31

open another one for yourself, but this needs to

00:14:34

be scaled down very much, it’s easier to increase the circle I

00:14:36

will draw, of course, with the help of

00:14:39

a pen,

00:14:40

I’ll put one point and immediately

00:14:42

draw out the antennae and the second.

00:14:49

it will be some kind of snowy someone there,

00:14:54

then we will cut off all the excess here is

00:14:58

one home video, it’s convenient that I draw it and

00:15:03

then I can move it wherever I want

00:15:06

and this is very cool and the second move is now

00:15:11

to distinguish them somehow let’s I

00:15:13

’ll probably tint them right away, I

00:15:16

probably want to tint them a little with

00:15:19

gradients, that is, we can paint an

00:15:22

object with a color or we can paint it with a

00:15:24

gradient, look here is the switch for

00:15:25

its color and here’s the gradient today we’ll

00:15:29

start straight away with gradients, we’ve never done this before,

00:15:32

but at home and you can handle it

00:15:34

and you’ll understand,

00:15:37

look, well, it’s clear that a gradient is a

00:15:40

transition from one color to another, I

00:15:44

need a window to

00:15:45

automatically turn on, I’ll put it here,

00:15:47

I need to change the direction of

00:15:50

the gradient,

00:15:51

for this I have, for example, here’s a

00:15:53

gradient tool, I’ll just drag it out,

00:15:57

well, then I’ve set it up, I need this hill

00:16:00

for this hide this one, you see

00:16:02

now they seem to have such a small volume

00:16:04

appear and of course change the color, how

00:16:08

can I change the color and I can select this

00:16:11

circle, yes, that is, I have a transition

00:16:14

from white to black, of course I don’t

00:16:17

need to black, I only need

00:16:20

someone for example, in this blue

00:16:23

direction she got lost,

00:16:25

or rather, she always does this like this, and like

00:16:29

this, I divided them so that they are a little

00:16:32

different, I can

00:16:35

also paint this mound here, the light of this back one,

00:16:38

for this I will take a pipette and just

00:16:40

poke it at this mound, he took it like this I would

00:16:43

shoot a gradient but in a slightly different

00:16:45

direction, but we can kind of

00:16:48

play with the direction itself as we

00:16:50

want, you can do it as you

00:16:56

like it, so you can move the finish, I

00:17:03

very often end up changing it at the end,

00:17:07

I want to change the shade a little, like this,

00:17:13

in general, the choice of color is

00:17:16

very difficult fiddling around for a long time is a

00:17:19

separate topic today and we won’t

00:17:21

look at it in detail. I sometimes block so

00:17:25

as not to move something, but I don’t

00:17:27

always block everything, but for now it

00:17:30

happened this way because because I

00:17:34

drew it and this is what I most likely do

00:17:37

n’t need to move right now then let’s

00:17:39

move forward with the mission,

00:17:42

let’s draw a Christmas tree,

00:17:47

let’s draw a simple one with a feather,

00:17:51

look, I take a pen and draw a Christmas

00:17:55

tree like this, I’ll have a Christmas tree in parts, for

00:18:03

example, this will be the top

00:18:08

part, and you see, I drew and then

00:18:12

went to correct this point, this one

00:18:15

the point is not necessarily Nolan’s and created

00:18:17

let it be so and the color of the Christmas tree for now I’ll

00:18:25

put it like this then if there’s anything we

00:18:28

can change everything we need some kind of basis

00:18:31

on which we will be guided and

00:18:35

then correct everything let’s

00:18:40

draw another part of the Christmas tree I don’t know you know what

00:18:44

I don’t want to draw a rounding for

00:18:46

some reason, I want it more out of the way or something,

00:18:53

let’s try a style like this, I’ll cancel it, and like

00:19:00

this, let’s just try to

00:19:06

connect it with a triangle like this, in

00:19:10

principle, you can

00:19:12

try to round this part, that is, I’ll add a

00:19:15

point, take a pen with a plus and I’ll add that I

00:19:18

very quickly took the pen and danced because

00:19:20

I used

00:19:21

quick key combinations and it’s just a

00:19:25

plus sign on the keyboard, the

00:19:28

next part of the Christmas tree today I’ll

00:19:34

probably be able to immediately detail who is

00:19:38

not the first time at the webinar, you know that

00:19:42

we are at the end somewhere in the leader and at the end under

00:19:44

we will definitely detail it like this,

00:19:51

this is some kind of outline of the Christmas tree, let’s

00:19:54

save it because whoever was last

00:19:57

time knows that the illustrator

00:20:00

knocked me out at some point and we lost a

00:20:02

small part of the picture due to the fact

00:20:04

that the illustrator themselves creates

00:20:07

some kind of backup copies, but just in

00:20:09

case, it’s better to develop the

00:20:12

habit of saving the Christmas tree there every

00:20:15

minute,

00:20:18

we’ll also tint the Christmas tree with a light

00:20:21

gradient, that is, look at this blue one

00:20:25

here from the color, I’ll

00:20:27

copy it and switch it to a gradient, for example,

00:20:33

or I can probably do it like this I

00:20:36

can’t do it like this, that is, I’ll

00:20:40

click here twice and here’s the code and the one

00:20:42

that I copied and paste here, I’ll also

00:20:45

paste this code, you see I have it

00:20:48

as if from blue to blue, now I

00:20:51

can click on this circle twice and

00:20:53

for example, adjust this color a little to be a

00:20:55

little darker or

00:20:58

lighter

00:20:59

so that there is a slight gradient, the beauty

00:21:03

is that the gradient should be small

00:21:05

here too, I select these parts

00:21:10

with a dropper

00:21:11

just like that, you see, I

00:21:17

need to swap them in places, this is down, I

00:21:20

use shortcut keys on the

00:21:22

keyboard, that’s what I would probably do, maybe I

00:21:26

did a gradient on the contrary, so

00:21:28

[music] the

00:21:31

gradient tool can also be

00:21:33

called up with shortcut keys on the

00:21:35

keyboard, just the letter w,

00:21:40

let’s do it right away, I don’t want to

00:21:45

immediately detail this Christmas tree,

00:21:48

I want these cuts here do it how

00:21:51

I will do it, I’ll just draw an

00:21:54

object like this, and there’s no need to

00:21:59

cut it out from this object, how to

00:22:02

do it, I’ll select two objects for

00:22:05

this, I’ll press the dark arrow one on one,

00:22:08

then I’ll hold shift on the

00:22:10

keyboard and select 2 I’ll go to the

00:22:13

pathfinder window and click on the second button,

00:22:16

which is called minus front, so that

00:22:19

what’s on top is subtracted from what’s

00:22:21

below, look and see, I

00:22:24

cut out this object and got something like

00:22:27

this, a triangle, it’s such a

00:22:30

cute little detail, but it’s very

00:22:34

important because in fact I wanted to

00:22:38

say that all illustrations depend on

00:22:41

all sorts of little things, then I thought that

00:22:44

probably not only illustration in all

00:22:46

life depends on little things, so you

00:22:50

need to pay attention to such little things,

00:22:53

this is important, this is what creates the taste of

00:22:57

everything, this is what will distinguish your

00:23:03

illustration from some kind of primitive, that

00:23:06

is, we are drawing a seemingly simple one; given the

00:23:12

stratification, there is nothing complicated for me, and how

00:23:16

to distinguish a primitive from a nice one, these are the

00:23:18

small details that

00:23:21

will give

00:23:24

me the impression that this is how it looks from an

00:23:28

illustration, for example, a snowball, you see,

00:23:34

today I draw with a mouse, of course you can do this

00:23:38

draw on a tablet too, but I specifically

00:23:40

draw with a mouse to show you that,

00:23:43

in principle, you don’t have to have a tablet,

00:23:47

you can draw illustrations like this and

00:23:51

with a bear we’ll add all

00:23:55

sorts of things like that, I just want to add

00:24:04

details like there’s a snowball

00:24:08

[music]

00:24:10

just like that somewhere although look at

00:24:14

this part we will be masked, well,

00:24:16

maybe it’s not masked, maybe we

00:24:17

’ll move the Christmas tree somewhere to the side, we’re

00:24:23

drawing and not necessarily in the

00:24:25

final place, we won’t draw this one, we wo

00:24:27

n’t draw it on one layer, we can do

00:24:33

it calmly then that’s it move,

00:24:36

look, you see, we

00:24:38

already have such a Christmas tree, it can be collected into

00:24:42

one group, this is a network with many objects,

00:24:45

now with a dark arrow I’ll just highlight

00:24:47

what I need and for example,

00:24:50

right-click here there are group functions,

00:24:52

see what happened

00:24:54

layers I was created group I can

00:24:57

open it and I will see the same objects that

00:25:00

are thousand they have not gone anywhere

00:25:02

the Christmas tree so I can move it I can

00:25:04

enlarge it because I can

00:25:07

transform as you understand yes of any

00:25:09

size

00:25:10

but I will go on to draw what is

00:25:14

important here in the picture I will have there

00:25:17

will be a house, let's draw a

00:25:21

house, it will be simple and generally

00:25:25

just consist of geometric objects, that

00:25:27

is, it will be, let's first

00:25:30

draw the squares, I want to copy

00:25:34

this square and then just

00:25:36

transform it so that this is the second

00:25:38

part of the house,

00:25:40

let's first draw this, I'll

00:25:45

draw the edge I was walking, look, I’ll take

00:25:47

a polygon and now I’m drawing it

00:25:50

and I see that there are too many angles,

00:25:51

to reduce the number of angles, I’ll press

00:25:54

the down arrow on the keyboard to the

00:25:57

number that I seem to need

00:25:59

and it’ll just dock where I need it and I

00:26:02

can zoom in and out, it won’t be there

00:26:07

super detailed you can

00:26:09

draw and super detailed although

00:26:12

you know what you wanted to add

00:26:15

maybe we’ll sketch it out a little after all and

00:26:17

it won’t be ideal like this for

00:26:20

example

00:26:21

and the sidekick can go a little and in

00:26:23

principle then we can generally

00:26:25

and this one here part to draw also a feather here is

00:26:30

part of this we will then correct,

00:26:35

of course, come on in, and this

00:26:38

part here, that is, in principle, this is not the

00:26:41

correct geometry,

00:26:42

I think it will look good now

00:26:45

against all of them there as we need

00:26:48

of course

00:26:49

[music]

00:26:51

let’s now do a little let's paint

00:26:56

this wall right now, I want to leave it

00:27:00

like this, now it's enough that I'll just

00:27:03

know that there is a house there,

00:27:07

move it like this, I select a point simply with the

00:27:11

right arrow and move it, and

00:27:14

here, too, you can move this here,

00:27:19

move these here because

00:27:22

of that that we have such an incorrect

00:27:24

style of conducting it uncertainly can still

00:27:27

do more than it, let’s

00:27:31

leave the house for now and we’ll look further, so

00:27:35

I’ll draw it against the backdrop of the mountains and we’ll have

00:27:38

mountains here that aren’t complicated,

00:27:43

something like this

00:27:44

[music] like

00:27:52

this, for example, but

00:27:57

I’ll lower them to the very bottom and raise them one

00:27:59

level higher, they will suddenly have

00:28:05

some kind of warm shade, why

00:28:09

not, like maybe the sun

00:28:11

is shining on them, so right away in class we

00:28:15

repainted the present of the legs, hey, let’s go there with a

00:28:20

gradient gradient like that that's what you and I did

00:28:24

n't select that object, you must, of

00:28:26

course, select the object when you

00:28:28

change something, let's try something like this,

00:28:33

it won't be very big, it's like

00:28:37

this, of course, I don't like the house, I don't like

00:28:41

the way it looks, I'll delete all this now,

00:28:44

this happens normal for now

00:28:47

I’ll draw just a rectangle in this place where the house will be

00:28:49

and in general I’ll remove it and there’s

00:28:53

no house here yet, this is

00:28:57

normal so you can do it in the right way,

00:29:01

change everything as you like and I

00:29:04

’ll draw some volume with a mountain it will be

00:29:09

some kind such things, for example,

00:29:17

they will be just colors and some kind of like

00:29:22

this, that is, they will have one part

00:29:26

like illuminated,

00:29:27

but the sun is not setting on it or

00:29:32

not, well, in short, there is a light shining on

00:29:36

them, and this, of course, is what

00:29:45

the bed needs so we got

00:29:48

these flora,

00:29:49

if I don’t like something you can

00:29:52

fix it, it’s great that you see objects

00:29:54

can be easily corrected because it’s

00:29:57

not often that you get to draw the first

00:30:00

time what you like, so I very

00:30:06

often change something so for now so

00:30:10

then if anything as I said, we will

00:30:13

add details, but as if to

00:30:16

add a lot of details to the background, it’s probably still

00:30:18

not worth it, we’ll draw

00:30:21

another Christmas tree that will be here,

00:30:26

a little there, so I don’t like to draw

00:30:32

objects halfway, even if they are

00:30:35

partially visible there because that this is precisely

00:30:40

because I like to then

00:30:43

change something, move something somewhere, and

00:30:45

if the object is not drawn, then I seem to be

00:30:50

limiting myself to it in its form and I do

00:30:53

n’t like it, so you can see even the efi

00:30:59

Christmas tree is a little visible there,

00:31:02

y’all I’ll draw it

00:31:04

in full, so let’s have the

00:31:09

same color and just adjust the gradient here

00:31:12

like we have here like this, here we have a

00:31:17

[ __ ] sitting like this and like

00:31:24

this, well here we’ll also draw the white

00:31:28

part,

00:31:31

just use an eyedropper to poke here, for example, the

00:31:36

white part is this let’s group it like this, here’s the

00:31:41

mountain, by the way, we can also

00:31:44

select and group it too, you see

00:31:49

now we just don’t have that many

00:31:51

objects in the layers and it’s easier to navigate them.

00:31:56

I wanted to draw a sun now, you’re here, it seems

00:31:59

like a place for it, then

00:32:02

I thought what kind of sun is with this

00:32:04

side if it glows on this side

00:32:06

we have these little things even take into account

00:32:09

so I want to move

00:32:11

the hills a little now I don’t really like it

00:32:15

for example that I ca

00:32:17

n’t see this hill at all so I want to still

00:32:21

see it

00:32:23

this one you can go a little lower,

00:32:29

or vice versa, at the higher levels, turn it a little,

00:32:31

only then the mountain

00:32:35

needs to be corrected, today we

00:32:47

will have such an interesting style, I think

00:32:51

let’s draw more Christmas trees, for example,

00:32:56

now I’m here, here’s a little bit of a

00:32:58

Christmas tree mixed in, and

00:33:03

enlarge this one altogether and hydrogen I

00:33:07

’ll put a bayonet on someone, I was talking about a Christmas tree, I wanted to

00:33:13

draw a Christmas tree, just like this, a

00:33:16

triangle, for example, with a

00:33:21

gradient color pointing here, I can

00:33:29

look at how to make this point

00:33:31

rounded, I can select and click on

00:33:34

this little thing, you see, antennae have appeared

00:33:35

and now I For example, I can

00:33:38

stretch them out,

00:33:39

but I can move these points and it’s

00:33:46

too much, it’s very rounded, well, that’s

00:33:52

why the distant Christmas tree is not so

00:33:55

detailed, it shouldn’t be like that, here’s the

00:33:59

explanation because the

00:34:03

further away the object is, the

00:34:04

less detail it should have,

00:34:08

I don’t even like how it looks

00:34:09

gradient, so I removed the gradients and

00:34:13

left just the color. How can I copy

00:34:19

this object?

00:34:20

I can use the dark arrow and

00:34:22

hold down the alt key to simply move

00:34:24

the side, so I get an object. I want to plant a

00:34:32

little Christmas tree here on the hill, a little smaller,

00:34:36

I need them there. they were growing

00:34:39

because it’s not very beautiful, some

00:34:43

can run over like this, it seems good, that is, something is

00:34:46

growing there too,

00:34:49

something can grow here too, this

00:34:51

Christmas tree is closer, it can be

00:34:54

detailed a little more, but

00:34:58

let’s leave it a little bit, but then

00:35:01

theoretically I can copy this Christmas tree

00:35:04

and put it here

00:35:07

before because it’s a little empty, I don’t

00:35:10

like the fact that it’s the same and I’ll

00:35:12

definitely change it later, now I

00:35:15

need it more in order to get

00:35:19

some understanding of the composition, so

00:35:23

finally, I’ll start drawing the house again,

00:35:27

it will be the color of the sky, I need the

00:35:33

same object, look, I made an object edit

00:35:36

copies goes posts inflate puts it in the

00:35:39

same place this means we don’t see two

00:35:41

identical rectangles in one place

00:35:43

and this one here I can just do it a little

00:35:46

Let's remove it and try a little,

00:35:51

make this part darker and it wo

00:35:54

n't be any correct, it

00:35:57

will be completely wrong, I

00:36:03

'll draw a triangle again,

00:36:04

stretch it to the size of this color

00:36:11

here, for example, I'll take it and copy it again and

00:36:14

add it here.

00:36:17

and moving it, for example, here, and

00:36:21

I can take this color

00:36:22

dark, you see, I have

00:36:27

a house, and again we have detailed it for now, I

00:36:29

’ll just place it somewhere where it belongs, let’s say, let’s

00:36:44

probably put a Christmas tree next, strangely, like

00:36:48

this, it also looks good for hunters

00:36:51

By the way, I wanted something like this to grow in the house

00:36:56

[music]

00:36:58

where I liked this one even more as a lawyer,

00:37:01

well, let

00:37:05

him drown without perspective, he’s very simple and that’s

00:37:08

because we have such a style, and

00:37:14

because it will be easier in the beginning to start

00:37:17

draw now I want to add some

00:37:21

kind of comfort to this space, of course,

00:37:26

and comfort will be created by the smoke,

00:37:33

it’s just like some kind of standard thing,

00:37:37

imagine some kind of stone there and it’s

00:37:39

warm, that’s great,

00:37:46

but we won’t have it of course, I

00:37:51

drew it roughly, of course I don’t

00:37:54

like the shapes of everyone, we’ll edit it, see how I should

00:37:57

round this piece, I

00:38:01

’ll select that light arrow, highlight this

00:38:04

point, lazy is not a circle, I’m just a

00:38:07

circle, you see the mud and this corner is

00:38:11

rounded

00:38:12

and now I can correct it for example, there is

00:38:18

not enough point here, there are

00:38:22

some standard techniques,

00:38:26

advice on how to place points correctly,

00:38:32

there are many methods, that’s why I say

00:38:36

that here it seems to me that there is no place for a point

00:38:39

because it is easier

00:38:43

to correct and change an object when the points are

00:38:47

placed according to a certain principle, but

00:38:51

we are today Of course, we won’t

00:38:52

consider them, but they exist, and if you

00:38:57

are very interested, you can

00:38:59

google at least these curves,

00:39:03

they are called bezier curves, in

00:39:06

principle, if you write how to create

00:39:11

how to correctly create bezier curves or

00:39:14

place dots on curved sand, then

00:39:16

I think you will find information so this

00:39:23

smoke now I’ll reduce it I want

00:39:26

it to carry more this is the part I’m not

00:39:28

correcting the child on the curve I’m not

00:39:30

correcting because it won’t be visible like

00:39:36

this it will be visible and in principle

00:39:40

this is the part I like this

00:39:43

corner who insulted, but because

00:39:47

here he changes the smoothness a little, it

00:39:51

breaks

00:39:54

a little and here it will have to be corrected

00:39:59

so that this looks simple and

00:40:04

nice, which means that the lines must

00:40:08

be neat, and

00:40:10

that is, very often what looks

00:40:14

simple is

00:40:15

actually created very difficult, but

00:40:19

no one cares I shouldn’t know this because

00:40:23

the impression needs to be conveyed by the lightness of

00:40:26

some kind of mountains, mountains, a little hidden by a

00:40:31

carved lump, I don’t really like them, I’ll

00:40:35

make them smaller, as if I’ll move them without any problems,

00:40:42

okay, let’s detail the

00:40:47

house, of course, I put the house into a

00:40:51

group to edit the group I

00:40:53

need to log in with her for this and I

00:40:56

need to do it twice and I will add very

00:41:02

simple details like

00:41:08

doors,

00:41:09

you see they will even be so

00:41:16

strange in the sense that the

00:41:19

windows are higher than the doors and the house is one-story,

00:41:23

well in this case it’s just in short

00:41:28

specially kept

00:41:30

what was what then something like this is so

00:41:33

strange and here I dragged the same windows with the

00:41:37

alt held down,

00:41:39

changed them a little and now you get this

00:41:43

little strange

00:41:45

house and I’ll draw more of course there is

00:41:51

smoke like this I probably do

00:41:55

n’t like it though For some reason I want this color

00:41:57

darker, although they really want to

00:42:01

introduce a new color, I think I

00:42:04

like it lighter, and I would probably

00:42:12

even

00:42:14

make this one disproportionately longer like this, here you

00:42:17

can smoke it here,

00:42:19

or in general, but tighten it up, you know

00:42:24

what’s ugly here the mountain is

00:42:25

unattractively docked with a volume from the

00:42:29

roof, you need to be sure to keep an eye on such things, you

00:42:32

can do something

00:42:40

sharp like this, what do you see, the thing is not very good and

00:42:44

[music]

00:42:48

this is also not like this, it’s a little

00:42:55

better, although I was from this goodness, in general,

00:42:58

this is a little easier to look like

00:43:04

Now let me draw another point and we

00:43:10

will slowly go into detail.

00:43:14

We can move the small house to control the tank

00:43:19

a little here.

00:43:26

I’ll have something like this

00:43:35

and now I’ll change this point,

00:43:39

thin, I wanted to

00:43:42

draw circles like this on it,

00:43:45

these accidentally touch the mountains, you

00:43:48

can actually block them

00:43:50

so that they stop highlighting for me,

00:43:53

look, I need to cut off the excess

00:43:58

part like you understand how I will do this, I

00:44:02

can select, for example, these parts here

00:44:05

and take a tool

00:44:08

called the neck builder tool,

00:44:09

hold down the viola and press on those extra

00:44:12

pieces, and this is what happens.

00:44:15

To combine it into one object, I

00:44:19

click on the first button in the Fandorin groove,

00:44:21

which is called young,

00:44:23

and you see I got something like this

00:44:26

.

00:44:28

if I don’t like something, I can

00:44:30

change it a little more, don’t forget to remove

00:44:35

the excess, like this, I

00:44:40

like the point better, you can make it smaller and

00:44:44

move it somewhere here, I

00:44:47

like it,

00:44:50

ask here it looked better,

00:44:53

you can generally make it higher will help this

00:44:57

here like this seems good, let’s

00:45:01

now finally mask off this all that’s

00:45:07

superfluous and we’ll finally go

00:45:10

create, you can say the beauty of the mask

00:45:14

will be in the form of

00:45:15

this background, so I’ll copy it,

00:45:19

all this, I’ll select it,

00:45:24

having previously unlocked all the layers, and then I’ll put together a group

00:45:28

I’ll paste this background that I

00:45:32

copied, let’s make it white, it doesn’t matter, it’s

00:45:35

just perfect white, highlighted with this

00:45:37

group, right-click, and here it’s

00:45:41

quite a clipping mask, look,

00:45:44

I’ve hidden everything that I need, if I

00:45:48

go inside, then I’ll press it twice, I

00:45:51

’ll draw as if in here, but if I click on

00:45:55

the side, then again it’s

00:45:58

hidden, you can try, you know how to

00:46:01

do it, if I select the objects, I’ll go

00:46:06

to the transparency window and click

00:46:10

my mask here, then the mask will be of a

00:46:13

slightly different type, and then when I

00:46:16

go inside the group, they won’t

00:46:18

show me this these are the objects that are on

00:46:21

the sides and I can

00:46:24

change what I don’t like, for example,

00:46:27

I don’t want you to have

00:46:30

objects here and like this, here’s the house, I want to

00:46:36

make it smaller, I think it’s too big,

00:46:40

these are these, I can move them, we

00:46:47

can add

00:46:48

it’s like there’s a gradient on the house because mine

00:46:51

but they added everything

00:46:52

but it won’t be particularly visible, it’s better to

00:46:55

add noise and snow to make it

00:47:00

look prettier, let’s

00:47:06

add noise and the foreground to

00:47:09

the back there is a simple option

00:47:13

I think we’ll try today we wo

00:47:16

n’t use it create a

00:47:17

brush and make it a little simpler,

00:47:22

for example, there is an effect called

00:47:25

texture and games, and if we go into it,

00:47:30

we will see this kind of noise and

00:47:32

which we can somehow control here,

00:47:36

select various things for this, we don’t

00:47:41

need anything else, give it here let's look at

00:47:46

the textures, well, we'll probably still use

00:47:49

these

00:47:50

and use them here, let's see what it is here,

00:47:54

but a little differently, for example, we

00:47:57

'll copy this part of the video for me 2 and the

00:48:02

bottom one is the one that's lighter, let's set

00:48:04

the transparency to 0 or the top one, let's

00:48:08

now better set the transparency to

00:48:11

zero then we have it so that it goes from bottom to top,

00:48:13

you see, and this is

00:48:17

exactly

00:48:20

this part we will add something like this

00:48:28

for the sake of show, this

00:48:32

crane can be changed simple, I think we will

00:48:36

change here a lot of all sorts of things

00:48:43

that you can play with,

00:48:46

let's most of our games okay and we can do

00:48:50

it for example muffle it and then

00:48:56

you see, you get these

00:48:57

little noises and I suggest

00:49:02

placing them everywhere, it will take

00:49:05

a little time, but in principle I

00:49:08

think it’s worth it, we can

00:49:11

try if it works, go to

00:49:15

appearance and for example this

00:49:17

operand to this object to move

00:49:19

you see it worked, now I’ll tell you what I

00:49:22

did, I copied this object, then I

00:49:25

went to an object that is not needed, as if to

00:49:28

copy its properties, I went to the window,

00:49:32

you are the first-born, I just grabbed this little thing

00:49:34

and dragged it onto it, so I can prevent it from

00:49:38

happening, I can give it transparency,

00:49:41

here’s a dropper it just won’t

00:49:44

work because if I

00:49:47

just use an eyedropper to copy these colors to

00:49:51

these properties themselves,

00:49:55

then wait,

00:50:02

he doesn’t want this object here, that is, we’ll just copy

00:50:04

this object and

00:50:05

put it in a group, that is, he doesn’t see it

00:50:08

and like this, we’ll move it now we’ll delete it

00:50:15

now, in principle, I’ll do the

00:50:17

same actions,

00:50:18

so if you have a question,

00:50:21

you can’t

00:50:23

give it to Ivan, they’ll ask questions like this, the

00:50:41

guys helped, then look how I

00:51:00

do it, yes, this is how you can

00:51:07

ask ours in a different way and

00:51:11

they are easier to manage, but today for

00:51:18

some reason I wanted

00:51:21

to use this method, in fact, there are still

00:51:26

ways

00:51:30

[music]

00:51:33

that you can do extinguishment, well, there are a lot of

00:51:40

things here, there are various

00:51:44

transition functions, the same blend, well, first of

00:51:48

all, photoshop tailored for

00:51:53

raster graphics and there are some kind of raster

00:51:56

effects,

00:51:59

Illustrator for vector ones and look

00:52:03

how many 10 different tools,

00:52:06

basically word and excel, something like that, yes

00:52:18

[music]

00:52:20

I wanted it to be so good it became

00:52:28

gita textures, so it’s up to compare, as it were, so there are a

00:52:35

lot of different things for everything

00:52:39

effects,

00:52:41

by the way, this is a window, and those who know

00:52:45

Photoshop know

00:52:48

this window too, you are doing something ugly

00:52:51

because these are Photoshop effects, here are the

00:52:58

noises and well, we will also add noise to the sky

00:53:02

and copy the color, it seems to me that the

00:53:17

further you go, the more often there are requirements

00:53:20

that the image should to be a vector and a

00:53:25

vector is an Illustrator, although in Photoshop

00:53:30

you can simply draw a

00:53:31

very large tempo canvas and it

00:53:36

will also be well, and we can, as it were,

00:53:40

transform only the smaller side,

00:53:43

but it will be heavy,

00:53:50

these noises are like I’m stretching them so only

00:53:55

they need to be considered well and now I would

00:54:00

also add a few details on the house

00:54:04

to make it look more interesting, for example, here it is, we

00:54:13

will have it darker,

00:54:20

not much, but a little darker, that is, the

00:54:24

roof can be under the window,

00:54:29

so I’m not in the group, here under the window,

00:54:35

for example, make these, what kind of

00:54:46

salad was there today, this can be

00:54:50

copied

00:54:51

not and this, too, I think I just

00:54:55

brought medals by the way, let’s

00:54:59

also throw some snow on the roof of the house,

00:55:01

for example, this is a cool detail here, here, here,

00:55:13

and like this, it

00:55:28

looks better, what else did I want, and I

00:55:34

also wanted to throw a snowball, of course, and

00:55:37

this will probably be the last one and we’ll go put

00:55:42

it all into the card so

00:55:45

the snowball, I won’t insert objects inside there now,

00:55:48

I’ll just draw

00:55:52

circles, just the circles that are in

00:55:55

the group,

00:55:57

so look, the white circles on our

00:56:01

white background will not be visible on the white snow,

00:56:05

so the circles that will be for

00:56:10

laughs, they will look like this,

00:56:16

take this into account, there’s already a little left, but

00:56:24

these ones on the Christmas trees, of course, it’s better

00:56:27

to make the house white, we won’t cover it up like

00:56:39

this, look, this is how it turned out,

00:56:43

you can also add details,

00:56:47

this is my favorite part, I would add

00:56:52

details, I added them because when I I

00:56:57

started drawing illustrations, we were

00:57:00

drawing, we didn’t know yet, we didn’t know about

00:57:03

flat graphics because back then

00:57:06

everything was not very detailed and

00:57:10

my love for details is obvious, that’s why

00:57:15

I can work in this department for a

00:57:19

very long time, these are the

00:57:24

little things,

00:57:25

but they give life so we

00:57:33

can even add some toys there,

00:57:36

we can add, for example, a

00:57:41

path to the house that goes somewhere

00:57:45

into the forest, here’s the

00:57:53

shape of the walls for now,

00:57:56

I’ll roughly draw something like this, but

00:58:07

not like this, of course, it will be like this,

00:58:09

like a snowball, you see, but

00:58:12

it’s possible to add details like this without getting

00:58:16

into the path now because there’s noise on top of it

00:58:21

now and they’re lying here I need,

00:58:27

of course, I could correct it in a simpler way,

00:58:29

I’ll edit it with a lot of complexity,

00:58:32

let me just draw a straight

00:58:35

line like this, look, a very cool

00:58:37

way, a straight line like this it will be like

00:58:45

this,

00:58:49

it will just be with a stroke and the vodka

00:58:52

will be thicker and towards this edge the

00:58:58

vodka will become thicker. This will

00:59:01

help me, because here I will click the essay twice, then

00:59:05

I can see, enlarge it here here here

00:59:08

and you see a little

00:59:11

here I can, for example, do crushed on the contrary so

00:59:14

that I don’t have to do it all manually like this,

00:59:19

and I’ll probably still

00:59:27

add transparency to it so that it’s not

00:59:30

about poking her eyes, but at the same time it was there

00:59:32

[music]

00:59:34

well,

00:59:38

let’s not do it, otherwise we have time now

00:59:42

I want to insert this into a postcard, you can’t

00:59:47

mouse write some text somewhere,

00:59:50

okay, let’s have no text for now,

00:59:53

look today, I prepared it, I found

00:59:56

this picture, now we’re going to be in

01:00:01

bad shape doing things

01:00:02

like covering up the

01:00:06

extra ones in Photoshop, so we don’t need a bigger brush like that

01:00:15

so I smeared everything I needed,

01:00:22

copied this into this postcard

01:00:24

[music]

01:00:26

now I’ll paste it into photoshop as the

01:00:31

smart object thinks and you see with smear

01:00:36

it copied it all, so I’ll

01:00:39

do it like this, I’ll copy only the rectangle I

01:00:44

’ll paste it in a little something like that well, no,

01:00:49

and although it’s a rectangle, well,

01:00:57

I’ll copy this one, I’ll leave it okay okay and I’ll

01:01:04

transform it a little counter what’s

01:01:08

here and screw

01:01:10

let’s hide mine in shape so

01:01:17

what I want is Crimea let’s then

01:01:19

put it as a neck like a shape like a shape

01:01:28

we won’t be able to do it a little, you know, I’ll

01:01:34

think about how to insert it, I’ll come up with

01:01:38

[music] I

01:01:41

’ll copy it, I’ll put it up and we’ll

01:01:43

transform it as it is

01:01:46

because we’re not having a Photoshop lesson right now,

01:01:54

we’ll just rotate it, we won’t

01:01:58

tint it where something will be wrong

01:02:04

so we can even set up a frame, let’s have a

01:02:09

small frame like this, okay,

01:02:20

now we’ll knit the checks and paint over the finger

01:02:28

so that

01:02:38

the police can’t see the permit, it’s visible, it’s a very

01:02:44

quick presentation, you can download

01:02:48

psd augers, then we wouldn’t have to

01:02:51

cover up all sorts of inscriptions because

01:02:55

usually such mockups glasses, everything is beautiful and

01:02:59

ready, here I, of course, don’t

01:03:04

like this part, so I’m like

01:03:11

this, erasing one two three 4 5 the base

01:03:27

that now it’s visible, this is this, and the mask

01:03:36

will be on this, this will be in this

01:03:39

mode,

01:03:40

and now you can violate this This is the kind

01:03:46

of thing we got, we

01:03:48

can change the brightness here,

01:03:51

adjust it the way we want,

01:03:54

for example, and we can also play

01:03:59

some kind of tape, put on a movie, for example,

01:04:03

and in some mode like screen,

01:04:13

and it

01:04:17

would be like getting a postcard like this for the earth It’s probably a

01:04:20

good idea to insert some text here,

01:04:23

for example, for example, this dot,

01:04:30

move here here, free from the

01:04:34

chuckle,

01:04:44

some text,

01:04:46

happy new year, happy enter correctly and

01:04:53

pushed before this, how is it

01:04:56

written like this

01:04:59

[music]

01:05:08

pick up, of course, the Swedish guy is cute which is

01:05:13

very very important I had a

01:05:16

suitable one somewhere this is lower this beautiful one I

01:05:24

forgot what it’s called I have a problem

01:05:28

remembering the names of fonts

01:05:33

there are so

01:05:39

many beautiful ones well I’m like this of

01:05:44

course some kind of pulled in it’s like this

01:05:50

here it can be two words break oh that

01:05:55

's one word she muscles won't be

01:05:59

more beautiful so-and-so blue well why don't you

01:06:05

want to show me the blue blue color

01:06:10

[music]

01:06:14

this light this is some kind of

01:06:30

dim because it's transparent here's a

01:06:33

hippie and one more word last cool and

01:06:40

blissful and maybe even white it would be more beautiful

01:06:48

here now the main thing is to place it

01:06:51

in a readable way you can see and under this matter

01:06:54

lower the mountains and put a dot here for example

01:06:57

and lower the snowball a little

01:07:05

under the night here and sketch it out a little more so the

01:07:11

snowball will be saved and see

01:07:20

this it worked out and I want to make it white

01:07:22

wine will probably be

01:07:27

expressive here it is, well, something like this

01:07:29

we got it I think

01:07:32

it’s better to survive in normal mode just about

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