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  • ruRussian
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00:00:02
Hello everyone, for those who are on my channel
00:00:04
for the first time, I immediately want to say that I don’t know how to
00:00:07
sing, in any case, I’m doing it
00:00:09
unprofessionally and they make the video
00:00:12
primarily on your initiative, yes, I don’t know
00:00:14
how to sing, but I know how to teach, and if
00:00:18
you’re just starting out, you’re planning to start
00:00:20
singing to learn this is a complex vocal
00:00:23
art, then this video will be for you
00:00:25
Tony, just to say invaluable not
00:00:28
to say how I will try to cover in
00:00:32
it everything you need to know at first and at the same time
00:00:35
make it as
00:00:36
accessible as possible as usual, I immediately want to
00:00:38
outline a lesson plan for those who are
00:00:41
clearly not beginners so that they can understand
00:00:43
whether they should watch this video at all
00:00:45
or immediately press off
00:00:47
what we are going to talk about today,
00:00:48
firstly, it’s
00:00:50
about notes because if you go beyond notes,
00:00:52
then everything else doesn’t matter, and
00:00:53
secondly, it’s about what it is for headlights
00:00:56
mental breathing penny on a support singing with
00:00:59
your belly in general how the singing
00:01:03
sound is formed and what it means all these years of
00:01:04
intricate speech patterns have not given
00:01:07
third we will talk about registers soup
00:01:10
tonya about what it is about natural
00:01:13
singing in a speech position and how not to
00:01:16
push yourself mock and understand
00:01:18
your timbre, its pros and cons, and in the end
00:01:21
we’ll talk about what a vocal mask is like according to the vowels
00:01:24
and about
00:01:27
exercises for vocals, of course, to
00:01:30
relax the cords, well, let’s start, you know
00:01:33
that I’m very happy with the guitar and learning to play the
00:01:35
guitar without affecting the vocals in principle,
00:01:38
it is impossible because a guitarist who
00:01:40
cannot sing at all does not have any
00:01:42
part of musical and rhythmic
00:01:44
thinking, it turns out that he crams all the musical moves
00:01:47
into some worked out
00:01:51
mechanical actions with you,
00:01:52
mechanical muscle memory, he crams all the
00:01:54
rhythmic patterns
00:01:56
on his motor skills, this is the
00:01:59
problem of most self-taught people who
00:02:01
begin without a teacher, the whole
00:02:04
point of the training process is
00:02:06
that they have opened the tablature and are trying to
00:02:08
reproduce the tab with their own hands, that is,
00:02:11
I train only the performing
00:02:13
arts, in fact, these are different from the
00:02:14
guitarist, this is a musician who plays the
00:02:16
guitar in general in his own voice, these are the
00:02:19
very first basic musical
00:02:21
instruments which everyone should master
00:02:24
even if you are a drummer if you want
00:02:26
to be a musician you must be able to sing at least
00:02:30
somehow know the basic rules and
00:02:32
canons because one way or another if you
00:02:34
work in professional music you
00:02:36
work on vocals vocals are the main
00:02:39
instrument of everything we do musicians
00:02:41
this is an accompaniment this is clear interesting
00:02:44
perhaps technically complex beautiful
00:02:47
professional but accompaniment for
00:02:49
most listeners
00:02:50
if you want to have money,
00:02:52
some kind of profit and for the music to live it
00:02:55
must revolve around professional
00:02:56
activity the basis is the price of profit then you
00:02:59
must understand that everything you do is
00:03:01
done for vocals,
00:03:02
that is, besides the fact that one way or another you will
00:03:04
not get around in Akko, he is not on stage, not
00:03:07
on recording, but also during the rehearsal
00:03:09
process, her voice vocals are such an
00:03:12
international language for all
00:03:13
musicians,
00:03:14
that is, I may not be able to play the
00:03:16
saxophone over people some kind of
00:03:18
accordion, but I can sing a melody at least
00:03:21
approximately from the notes, play the theme,
00:03:23
say the key and sing the melody, and
00:03:25
this will already be enough for many people to
00:03:27
understand what is required of them,
00:03:30
what kind of arrangement should be made,
00:03:31
agree, it is much easier when you
00:03:33
can communicate via notes rather than
00:03:35
bringing printouts of tabs or a
00:03:37
laptop or sending out 7 in advance everyone
00:03:39
will be here again without any
00:03:41
moment creativity to teach something damask steel
00:03:43
to come and play them this is not
00:03:46
music this is not creativity this is exactly
00:03:50
performing art you are making
00:03:52
yourself robots but now let’s move on
00:03:54
specifically already croaked, the first thing you
00:03:56
need to understand is that this voice is the
00:03:59
same musical instrument as all the
00:04:00
others if you work as a guitar pro, I do
00:04:02
n’t know in any other
00:04:05
working distance or a sequencer for
00:04:07
cubists I don’t know udacity futures the voice of the
00:04:10
generation is also necessary for complete
00:04:13
writing compositions is
00:04:15
usually done in the version of keyboards
00:04:17
or wind instruments, the fact is that the problem of
00:04:20
most beginning musicians is
00:04:23
that when they hit the guitar
00:04:25
or
00:04:26
the keys begin to play a garbage guitar
00:04:29
and the problem of guitarists is that they try
00:04:31
first of all to catch the pitch of the voice
00:04:33
such a pitch that it merges with music
00:04:36
to catch the main well, the tonic, let's say we
00:04:39
play the chord am c and a m.f.
00:04:43
and of all these chords, don’t think about it, women’s
00:04:46
toys are vocal, we are trying
00:04:47
to catch one note that is suitable
00:04:49
for all these years, let’s say this is the note G,
00:04:52
it can sound along with all
00:04:56
these open salaries, the
00:04:57
simplest banal ones and all the beginner
00:05:00
guys, they first of all try to
00:05:02
hit specifically in the music, that is, their
00:05:04
task is to blend in with the fact that they
00:05:07
play in a fight; this is a fundamentally wrong
00:05:10
formulation of that very task; the thing is
00:05:14
that vocals,
00:05:16
as I already said, are the same
00:05:18
instrument and the same requirements are placed on it,
00:05:20
so every syllable of your word
00:05:23
is in fact, freedom is a fret, or a
00:05:27
key is a fret on a guitar, a key on keys
00:05:30
on a piano, an instrument, an instrument, oh yes,
00:05:32
accordingly, each word has its own
00:05:35
pitch, it’s like the notes have their own duration,
00:05:38
and when you sing a
00:05:40
musical phrase, literally almost
00:05:43
every syllable has its own note and
00:05:46
Before you sing this musical
00:05:48
phrase, this continuation, you must clearly
00:05:50
understand at what height
00:05:51
each syllable is located in its composition. It happens that
00:05:55
several syllables are on the same
00:05:58
note in the same year. This happens and in guitar
00:06:00
music there is nothing surprising,
00:06:02
but in general you must understand that the
00:06:04
requirement here it is absolutely the same
00:06:06
to observe both the pitch and the duration, it is necessary to
00:06:08
exactly the duration of 8 is it
00:06:11
4 first of all we need to understand
00:06:13
vocally people of course at first verse
00:06:16
verse to parse completely note by note
00:06:18
this is a super task so at least I
00:06:21
personally how do I do my carpet video
00:06:23
amateur sing and once per month, so I
00:06:24
immediately record it on video, I run at least the
00:06:27
main vocal theme of some kind,
00:06:29
this is the chorus, as a rule, and I select it on the
00:06:31
keys of a musical instrument.
00:06:34
Now I’ll try to demonstrate this to you
00:06:36
with an example, well,
00:06:38
at least something in general, in front of you now is an
00:06:41
ordinary synthesizer I I took it for
00:06:42
clarity to explain to you how
00:06:45
it all goes roughly, well, it won’t be
00:06:47
perfect, but quickly I
00:06:49
introduced myself to the beginning guitarists,
00:06:51
I drove Russian about cockades, I was given DDT 1
00:06:54
link, I didn’t listen to the original, but
00:06:58
I see here gd em c
00:07:01
how the guys are in general songs are selected
00:07:02
first do all this sleep the bass
00:07:04
line that is according to the tonic of the chord in this
00:07:07
case it is on G
00:07:10
something not the
00:07:12
father
00:07:14
after the name
00:07:17
now we need to select the vocal
00:07:18
vocal it doesn’t work out somewhere that I’ll
00:07:28
take what you have I’m with
00:07:36
everything
00:07:39
and what you
00:07:43
what you have
00:07:44
I'm like this,
00:07:47
somehow I picked up this line,
00:07:49
it looks like a stain, in fact, guys,
00:07:51
perfect pitch, I'm about to scold now,
00:07:53
now I'm probably listening to the original, I can't
00:07:55
get the original right away, the hospital vidos
00:07:57
will start copyright, so it'll be something
00:07:59
like this, we'll even pick
00:08:01
exactly the vocal the line is now closer to the
00:08:02
ground all the songs that you will take, well,
00:08:05
almost all of you will take songs
00:08:07
to begin with for analysis, these will be songs from
00:08:09
ours there 92000 [ __ ] simple standard ones
00:08:12
our Russians live like rocker songs
00:08:14
with a very simple set of notes the fact is that
00:08:17
almost all they are written through a chord from
00:08:19
zero to major and, accordingly, all
00:08:23
these songs are suitable for penny at home fat with legs
00:08:26
or is it amine he and oh em c
00:08:29
I eat these are such ubiquitous chords also well,
00:08:31
yes it happens to learn to
00:08:34
sing gets all the songs where sakura c
00:08:37
In general, almost all the lessons of the songs are enough to
00:08:39
learn to sing, they play out
00:08:41
all the notes that are in this very
00:08:43
chord, what is the major scale and
00:08:47
why is it the most popular, the most
00:08:48
popular thing is that it is 7 steps,
00:08:51
seven notes in a row to which it is located
00:08:54
so they just don’t hit on whole
00:08:56
notes on pure notes, that is, in this case, on
00:08:59
how, only on white keys in a row, that
00:09:02
is, by singing at home the fat scale chord c,
00:09:04
we can even sing
00:09:07
again to
00:09:10
further, everything is repeated again, this is how
00:09:15
music works, that is, seven notes
00:09:17
were repeated at the next pitch on the
00:09:19
next article on the next one from father I am
00:09:20
only Aktau the next octave if you are an
00:09:23
ordinary guy, it’s most likely a baritone
00:09:25
of this most common timbre among
00:09:27
guys and therefore, without any special volumes of any
00:09:31
vocal abilities, you first need to
00:09:32
learn to sing, just sparkle with this
00:09:38
and the top house
00:09:40
scientists to die you don’t even really need a language
00:09:42
because you will mostly sing
00:09:43
these simple songs that are played in a
00:09:45
pure way but there without any confusion in the world
00:09:50
who will finally participate further, it’s better
00:09:54
to practice on a vowel and then I’ll explain
00:09:57
that is, no no no no no no no no no no
00:10:03
how all this looks on a guitar
00:10:05
because, well, not everyone has a house and a synthesizer,
00:10:06
of course, here the water itself is DDT up to something
00:10:22
like this, you picked all this up,
00:10:24
our such a super selection of tanks,
00:10:26
where here I am the yacht itself, the magic one, the same
00:10:29
scale in C major, you just remember the floors up to
00:10:32
3 5 7 5 strings and then 4 3 5 7 and 4 5
00:10:41
third of the country, this is what
00:10:48
you need to learn to sing these seven notes
00:10:51
and, in principle, when you select a
00:10:53
vocal line, you again
00:10:54
need to select among these seven notes, this
00:10:56
makes the task much easier and this does not
00:10:58
mean that vocals are a difficult matter,
00:11:00
you can choose any vocal part, but
00:11:03
you live there at first, yes, but with
00:11:05
examples I would like to understand melodics
00:11:07
that there are melodics in general, the standard
00:11:09
range of a
00:11:10
singer’s voice is two octaves, that is, in
00:11:13
theory, we can sing at me at the lowest
00:11:16
but we have at least the first string, but
00:11:22
for me this is [ __ ] up, it’s strained,
00:11:24
and in this range and I don’t sing, you need to be able to
00:11:26
sing, or it’s
00:11:34
essentially the same scale, but it’s better
00:11:36
from yes yes yes,
00:11:40
please try it with Adam itself,
00:11:46
not difficult in this range will
00:11:48
pick up your vocal line, everything with the
00:11:50
notes tied is now more
00:11:52
significant, and by the way, if we talk about
00:11:54
rock musicians, most of them
00:11:56
are limited to within one octave,
00:11:58
I don’t have now what they can’t
00:12:00
take higher or lower throughout the entire range,
00:12:02
no, just exactly in itself, with 1
00:12:04
part, the vocalist’s feature is his
00:12:08
best timbre and is usually based
00:12:10
precisely within one octave and
00:12:13
this is where the whole emphasis is placed in the first
00:12:16
naturally compositions, but now
00:12:17
let’s talk about singing sounds, how
00:12:19
they are formed in general, they have a
00:12:21
certain component, let’s in
00:12:23
order to make it clearer, first we will
00:12:25
try to consider it acceptable to
00:12:26
speak with you
00:12:29
louder no matter how we try to do it
00:12:34
loudly receives verses we will try to smoothly
00:12:36
add vocal cords
00:12:41
vibration warriors appear before
00:12:42
and quite immediately it appears we
00:12:45
cannot control straight quietly quietly if
00:12:47
there is a strong flow of air we add
00:12:49
vibrations, a loud sound is obtained, that is,
00:12:51
this is a dependent component and from what the
00:12:54
singing sound is actually formed, the
00:12:55
first is breathing, this is the flow of
00:12:58
air, what you will need to work with, the second
00:13:02
is our vocal ligamentous apparatus, yes,
00:13:04
these are our over fabulous things of which you
00:13:06
turn is actually a formant vowels,
00:13:09
they are done with the lips and tongue, and the
00:13:12
main frequency oscillatory system
00:13:13
is located exactly there, and the third is
00:13:16
our exhaust, this is our kind, our lips, our
00:13:19
vocal mask is also a very
00:13:21
individual thing, in fact,
00:13:24
which should help, not that there,
00:13:29
most likely even direct it to
00:13:31
liberate what we use the entire
00:13:32
vocal apparatus to ensure that the vocal cords
00:13:34
do not in any way interfere with the sound coming out
00:13:36
and create a certain shape and
00:13:38
jaw internal reflector so that the sound
00:13:41
is as voluminous or
00:13:43
beautiful as possible. Staging the correct sound
00:13:45
is very serious and without at least a
00:13:47
familiar singer it is a very risky business
00:13:49
because I personally made all
00:13:51
possible mistakes that
00:13:53
could be made
00:13:54
from the very corrected without a teacher,
00:13:57
I came to them myself sooner or later due to
00:13:59
certain circumstances or
00:14:00
they were not pointed out by people who were already singing, again,
00:14:03
many guys, including me,
00:14:06
start singing incorrectly,
00:14:08
they think that this is their individuality
00:14:10
thinks that he doesn’t look so cool
00:14:12
in the end, as a woman, explain to you what
00:14:15
this all leads to, imagine that
00:14:18
athletes have such an exercise, the
00:14:19
deadlift, where you just need to approach the
00:14:21
barbell and tear it off the floor, so
00:14:23
if without training, without preparation, without
00:14:26
technique, you can come up and take this barbell and
00:14:28
bend your back with your whole
00:14:31
body and tear it off the ground, well, even 100
00:14:33
kilograms without preparation is easy
00:14:35
if you come up to do it using the technique, God forbid
00:14:38
you will be able to tear more rockets, it
00:14:40
’s unlikely you’ll get up, you’ll
00:14:42
sit at the very bottom and push with your legs
00:14:45
directly on your back, of course,
00:14:48
when I tried to sing normally too, not
00:14:50
on the ligaments, it seemed to me that this garbage was hoarsely
00:14:52
quiet on the connection, somehow louder
00:14:55
and louder and seemingly more charismatic, but
00:14:58
what’s the difference and why do you still need to
00:15:02
sing correctly and they are like that you think it’s
00:15:04
cool, the thing is that this is a
00:15:06
crooked back, traces of a crooked technique, you
00:15:09
will reach 130 140 kilos 150 then yours from
00:15:12
captivity will break, you will earn yourself
00:15:14
a hernia and all of them are good, the same with
00:15:17
music on the ligaments, you can sing loudly for
00:15:20
10 minutes 15 minutes but if you’re tired,
00:15:22
I’ll take a hard day and generally several,
00:15:24
and if you need to drink away the concert, and if there’s a
00:15:26
tour and there’s a 2-hour concert every day
00:15:29
and even rehearsals, even rehearsals will
00:15:32
be very difficult, in the end you
00:15:33
’ve earned yourself, well, not a hernia, but the lymph nodes
00:15:35
may have
00:15:36
some kind of inflammation ligaments, but if
00:15:39
you practice using the technique of
00:15:42
chopping the zuko, then in
00:15:44
two or three years your body will overtake
00:15:46
this incorrect technique several times,
00:15:48
while you will remain absolutely
00:15:50
healthy and will actually be able to use
00:15:53
your vocals for their intended purpose and sing other
00:15:56
concerts and record since you can
00:15:59
sing ours for a long time, you can give concerts and you
00:16:01
can make recordings, there are 2 main
00:16:02
components and plus
00:16:07
it’s always for a reason, you did it
00:16:09
right, it’s more musical, it
00:16:10
fits better into the mix, so
00:16:12
sound production correctly is very important, so let’s
00:16:15
start with how
00:16:17
sound production is generally done in the first place try
00:16:19
to make a sharp exhalation with such a
00:16:23
sound, but don’t be afraid just like that and
00:16:26
do it, notice that you subsequently
00:16:30
open your mouth wide and the air goes
00:16:33
straight through the ties, add it, this
00:16:37
movement would seem to be a stupid basis in
00:16:39
whom you should not make
00:16:41
a barrier for yourself first, as if trying to do
00:16:44
ligaments at a certain height and then
00:16:47
explode into it with a stream of air at
00:16:49
first, and it will also turn out very
00:16:52
flat, very thin, not really
00:16:55
musical, not round, but quite
00:16:57
loud because you are breaking through the
00:17:00
ligaments, in general, you need to learn how to do the
00:17:02
first thing and then add to it the sounds are
00:17:10
precisely keeping the position of the ligament in a
00:17:13
relaxed form, how to understand what to
00:17:15
go on the ligaments on, firstly, you can
00:17:16
give any vocalist a pasush as you sing,
00:17:18
he will immediately tell you whether you do it on the
00:17:20
ligaments or on the so-called field,
00:17:24
any vocalist sings and is pleasant to the ear
00:17:26
while he is a poet, it’s easy just by the sound, he
00:17:28
can strain, it can be hard for you,
00:17:30
you can lose consciousness even during
00:17:33
vocal lessons when singing long phrases,
00:17:35
for example, but you should sound easy
00:17:40
to withstand, and therefore the problem of
00:17:44
many beginners who want to sing
00:17:45
high, by the way, is like that of guitarists
00:17:48
play quickly vocalist have time to go high the
00:17:50
fact that they are strained if you are just
00:17:53
starting to develop your vocal
00:17:54
apparatus, high notes will come much easier for you
00:17:57
if you weaken the outflow of air
00:17:59
stop screaming well now let’s
00:18:02
get back to the sound let’s not move away
00:18:04
because the topic is big, it can come true
00:18:06
in general it is important that yours you sound went
00:18:08
forward it hit the teeth
00:18:12
since childhood, one
00:18:14
American teacher has such a school of
00:18:16
singing in a speech position, this means
00:18:20
that our penny is a natural penny, it is
00:18:23
most similar to the speech
00:18:27
position from the natural position of how
00:18:28
we speak, but it’s one thing to speak into a
00:18:31
microphone it’s another thing to speak there while lying
00:18:33
on the bed with the TV, let’s say, you
00:18:37
never know who watches until they are 18, so
00:18:42
if I spoke in chords, which is what I did
00:18:44
before before vocal lessons, then by the
00:18:45
evening I wouldn’t have spoken because
00:18:47
I had a concert
00:18:48
today there were a lot of
00:18:50
speeches at the session for conferences and after
00:18:53
that I also recorded a video blog I had a terrible time
00:18:56
skipping on the left very tired
00:18:57
the secret is simple you have to push the sound
00:19:00
forward exactly forward a lot move away
00:19:02
hit your teeth in this case of a particularly
00:19:05
strong
00:19:06
loss of air a particularly strong attack you
00:19:10
won’t have to scream you can scream, but
00:19:12
with clamped ligaments, if you
00:19:14
try to speak quietly, don’t let the sounds
00:19:16
forward Ryazan will teach him, in the
00:19:20
end it will be quieter, that is, you can
00:19:22
speak calmly while sounding much clearer
00:19:24
and louder, so in and if the speech
00:19:27
position is based on the fact that the sound you need
00:19:29
to let it go ahead for what this sound is needed
00:19:31
and at the beginning because if you immediately
00:19:33
start drinking a vowel
00:19:34
loudly you will get that same effect of clamping
00:19:37
and ligaments and then you will punch
00:19:39
through this clamp try it yourself the most
00:19:44
nasal disgusting sound of wax, this is
00:19:48
the effect of coughing as if when you wallets,
00:19:50
you also first pinch your throat,
00:19:52
then let out sharp air, this
00:19:57
is the singing on the ligaments, the wrong sound
00:20:00
x, it kind of relaxes your ligaments and
00:20:03
makes the very pipe through which you can
00:20:06
safely pass even large
00:20:08
flows of air, the most important thing is a direct
00:20:10
supply of air at the beginning for beginners it
00:20:13
always leaves too much air and
00:20:14
it’s hard to hold it and here we move on to the
00:20:17
support. You’ve often heard what singing is
00:20:19
on
00:20:20
appeared let’s let deaf or mental
00:20:22
breathing what does it mean to sing with your stomach
00:20:25
5 yellow directly you don’t need this line ok
00:20:27
Igor because of the mother there is no pogrom lingu
00:20:29
although this is exactly what figurative meaning
00:20:31
is used in all the holy varnishes
00:20:33
including screening and growling and even their
00:20:35
fry-screaming where through drive all this is
00:20:38
essentially done what does it mean to sing on a
00:20:41
support and what does 5 belly mean where is that
00:20:43
when you cough your abs
00:20:46
tense when you did, your abs
00:20:49
are tense, agree to sing without a
00:20:52
tense abs, you won’t be able to do it, so
00:20:54
your stomach is working, something
00:20:57
like a heating pad filled with water, and from
00:21:01
it, well, or a tube with air comes in,
00:21:04
supplying air or water, you gradually
00:21:07
press and ensure an even a stream
00:21:09
forming air or water does not matter in
00:21:12
this case with the example with a loin
00:21:13
with a heating pad, you give it very much the
00:21:15
more air flow into them you release,
00:21:18
but you
00:21:20
can do it gradually with the help of the abdominal muscles, that is, a
00:21:22
penny on a support
00:21:23
is a gradual singing gradual feed
00:21:26
air is done at the expense of the
00:21:28
abdomen due to these muscles, so
00:21:31
explore the doggy exercise there for
00:21:33
this purpose I use it in order not to lose
00:21:34
consciousness, these muscles develop, that is,
00:21:37
fill the penny on the support, this means a
00:21:39
gradual supply of air using the
00:21:41
abdomen,
00:21:42
that is, how to do the same thing I
00:21:43
I can use it to regulate the
00:21:45
volume and duration accordingly,
00:21:47
that is, take such a side rest and the same
00:21:49
sound
00:21:55
and
00:22:00
a little something, your task is to
00:22:02
learn to do this as smoothly as possible
00:22:04
without jerking, moving between but
00:22:06
even moving between registers
00:22:07
between long phrases and breathing is a
00:22:11
very important thing for a person to talk about
00:22:12
duration, that you must study the
00:22:14
vocal line, you will have to take breaths
00:22:17
in specific places, and even when
00:22:19
learning a song, you must decide in
00:22:21
which places you will do it in the spirit,
00:22:23
all vocalists take loud breaths, even
00:22:26
on recordings, many leave this is the
00:22:27
same thing that subsequently, as he
00:22:29
slides the camera along the upper winding of the
00:22:31
strings, this is natural and there is no need to try to
00:22:34
inhale a little until there is enough air,
00:22:37
but you should not give it right away, try to
00:22:39
delay it as long as possible for this,
00:22:42
certain exercises are passed along
00:22:44
the line, that is, straight then take the
00:22:48
next one, but there you start,
00:22:53
well, and move on from there,
00:22:59
but you are still doing it on the piano, that
00:23:01
is, all these exercises, you have seen them, I am
00:23:03
sure, and they are based on prolonging
00:23:05
your breathing apparatus so that you can
00:23:07
develop the delivery of the
00:23:09
delivery on different notes in height at the same
00:23:11
time do it evenly so that you do
00:23:13
n’t get sagged by different sounds, collect
00:23:16
different vowels, in fact, for complete
00:23:18
beauty, different pitches in the voice are required,
00:23:22
again, I’m moving away from the topic, everything is not
00:23:24
going according to plan, so let’s go back, we’re
00:23:26
surprised that singing on the field is
00:23:30
gradually supplying air singing
00:23:32
breathing diaphragm means you need to breathe
00:23:34
deeply,
00:23:35
beating and do it all with posture, it’s best to
00:23:38
sing standing or sitting upright
00:23:41
because many guys even
00:23:43
come to me to practice guitar and sit down
00:23:44
like that, literally lie down and
00:23:48
say that you can’t
00:23:50
throw it off with his legs yes Of course you can’t, damn it,
00:23:52
because your whole arm is broken, it’s gone
00:23:55
like at home, you’re working on your muzzles, so I
00:23:57
’ll turn on the series and also do the same thing
00:23:59
again to you, if you want success, you need to do it
00:24:01
straight from a sitting position, this means 5 exactly on
00:24:05
the diaphragm, I’m training these muscles, the
00:24:07
breathing apparatus,
00:24:08
how much should I do per day just
00:24:09
like on the guitar for 20-40 minutes, if you
00:24:12
think this is not enough, this is a lot, believe me, the
00:24:15
seeds do exercises, then a
00:24:16
shitload of 40 minutes every day, and that’s why I
00:24:21
cook 20 because sometimes you just
00:24:23
want to slack off for the hell of it, and it seems
00:24:26
like I recently worked out at Samsung for three
00:24:28
days You can work out with her for 40 minutes for a day or 20. You do
00:24:29
n’t have much time or you’re
00:24:31
tired, but if you want to progress,
00:24:33
if you’re just starting to do nothing, you
00:24:35
need to do it in a row. I did
00:24:37
n’t work out while drunk, I worked out to
00:24:39
play my favorite song, but it’s a matter of
00:24:42
exercise in a row to harden the body, and
00:24:45
here I also want to say right away you need
00:24:47
to resolve several possible issues: you do
00:24:50
n’t have to be afraid of your neighbors, you just need to sing to
00:24:53
one wall, that is, until
00:24:55
eleven in the evening and don’t start until 9 in the
00:24:59
morning, the whole thing is done in principle for 20
00:25:02
minutes, they can tolerate 30 minutes and more
00:25:04
you don’t you tolerate
00:25:06
don’t need to here to be shy you need
00:25:08
to overcome your gap and the main
00:25:12
problem is the child of the guys performs
00:25:14
things or they sing too quietly they
00:25:16
are embarrassed they are embarrassed that you hear how they
00:25:18
respect and so on or I’m too
00:25:20
loud and don’t hit the notes I and Kitikha
00:25:23
sang and loudly
00:25:24
try try to catch yourself on
00:25:26
something -something in between
00:25:29
for reference I can say that you should have
00:25:31
the freedom to shout over an acoustic guitar
00:25:33
when playing it with your fingers, but if you
00:25:36
study something like your acoustic
00:25:38
guitars, then I have a
00:25:39
large body before my family, then
00:25:42
the volume is normal
00:25:44
if you play loudly you can’t be heard
00:25:45
to know that speak to yourself under your breath, you are not
00:25:48
singing, and since you speak under your breath,
00:25:50
even to the notes,
00:25:52
this is not singing because there is no
00:25:55
systematic supply of air under
00:25:58
pressure that makes you
00:26:01
come out with a beautiful oven-like sound,
00:26:03
so yes, you can practice on the guitar
00:26:06
to play the din without second problem, everyone needs
00:26:10
to know that your range should be at
00:26:12
least an octave working at least from yes
00:26:15
yes yes because the main note of
00:26:17
the beginning of the taps blows in European music, so to
00:26:21
speak, let's take it and and most
00:26:24
baritones in this timbre 3 you need to drink
00:26:28
on par with the guitar strives for this, that
00:26:31
is, at least get to this notes
00:26:35
upset d that is, it turns out I’ll
00:26:38
clean it and try to sing folk guitars
00:26:42
and practice try loudly they are under
00:26:45
your nose before me not they they you are used to
00:26:48
drinking them and then you will go out you will not save
00:26:51
the loud one lives speech the device
00:26:52
your cords have not reached to work at
00:26:54
such a volume at such a height, that is, I’m
00:26:56
talking about components and independent and
00:26:59
many but you are high Belkin
00:27:01
by forcing why because the voices
00:27:03
the device can’t help but be used to taking quietly
00:27:06
or at medium volume in order to take it even
00:27:08
higher to make the cords fluctuate yet
00:27:10
higher you have to give more
00:27:12
air supply from such a mechanism
00:27:13
you don’t need this yet, but you need to
00:27:15
absorb notes at an
00:27:18
unnecessary volume because
00:27:21
microphones have membranes and they must
00:27:24
move under the supply of sound
00:27:27
waves from you if you speak so quietly
00:27:29
that they do not start to move then
00:27:32
not a single microphone will convey the beauty of your voice and Petya will be quiet, you will be
00:27:35
louder, you will be turned on and again, you do
00:27:38
n’t need to take it, you should sound
00:27:40
musical and easily unreliable, so
00:27:44
if Samara a person positions control these
00:27:45
sounds forward, you need to hit you in the teeth
00:27:47
just like that and so wanting to learn how to
00:27:50
speak now, unfortunately, it doesn’t
00:27:51
really work out for me in many of my videos of
00:27:54
others in I use this technique even in
00:27:57
speech now I can’t because right now I’ve
00:28:00
become really tired,
00:28:02
well, I can show everyone, don’t worry,
00:28:05
so forgive me if I do something you
00:28:08
sing so badly
00:28:11
if we talk about how it’s
00:28:13
better to start learning to sing, scream at the
00:28:16
top of your lungs or quietly, then I would probably still
00:28:21
start doing it quietly so as not to
00:28:23
number anything, God forbid, and
00:28:25
then gradually gain momentum
00:28:27
when I’m the first started drinking correctly
00:28:30
I would have a very quiet and quiet hoarse
00:28:32
tender turned out to be very unpleasant not but
00:28:34
when I sang to my girl she said
00:28:37
prince great much better than you
00:28:39
used to torment your 2007 screamed all over the body
00:28:42
once didn’t sound like it definitely wasn’t
00:28:52
1 here is the community bear in the nose then already started
00:28:55
there and following the problems of vocal
00:29:01
beginners of the direction of the sound, I have
00:29:03
already said that singing and even speaking must
00:29:06
direct the sound forward, but one way or another
00:29:09
everyone sings into the nose, this is an excellent resonator
00:29:13
that acts as a
00:29:14
sound stabilizer; it is much
00:29:16
easier to
00:29:17
balance five notes and going to
00:29:19
keep them is logical, but on a salad from the
00:29:22
same as pennies on bundles it is
00:29:24
very easy to read by ear and it’s not
00:29:28
that it’s not professional, in fact,
00:29:29
it again limits you and it won’t
00:29:32
sound beautifully rich and doesn’t
00:29:34
reveal your timbre completely many
00:29:36
they think that they do not have a beautiful voice, the name
00:29:38
was written at the time that I have a vile
00:29:40
waste of timbre and all because I sang in my nose,
00:29:43
it was not my timbre, how can I check
00:29:44
the ruler you are in my nose, but firstly, you can,
00:29:46
again, ask any singing acquaintance, they will
00:29:48
tell us right away, secondly you can just
00:29:50
take any note, sing it,
00:29:53
sing it and hold your nose with your fingers, if
00:29:56
while singing, holding your nose and counting the sound
00:29:59
changes a lot or it disappears altogether, it
00:30:02
means either in your nose you just blocked the
00:30:04
air outlet, you blocked the sound outlet,
00:30:06
let’s say the same thing with me, take it there
00:30:12
and
00:30:15
in the evening it disappears if I sang this without a
00:30:18
nose lips
00:30:24
and a
00:30:26
to and that
00:30:30
is, it changes a little bit in the fact that
00:30:32
I’m not just not a vocalist and naturally
00:30:36
something goes into the nose anyway and, in
00:30:38
principle, you are allowed to sing in countries
00:30:40
lightly on a salad from for stability
00:30:42
sound countries perego si returns
00:30:43
everything as long as it is beautiful but again everything is
00:30:46
within reason and everyone be vile
00:30:48
because as the new vocalists of the cord, no one will
00:30:51
thank you for this, does not buy that is,
00:30:53
you try to direct
00:30:55
either in the front teeth or even below into the
00:30:57
lower jaw down when it definitely goes
00:31:01
into the nose and how else and the whole thing is
00:31:05
very easy to check, you definitely
00:31:07
need a microphone for training and it should
00:31:09
be at least sm 58 not someone pgs 47
00:31:13
pg 58 pgs 48 won’t work here, or with
00:31:18
emma 57 instrumental at least that
00:31:21
comes across this minimum, it would be better, of
00:31:23
course, to have a more prestigious microphone br speaker
00:31:27
sennheiser, in principle, I don’t need to tell you a
00:31:29
condenser microphone,
00:31:31
even cheap condenser
00:31:33
microphones do an excellent job of this;
00:31:40
thousands of
00:31:42
rubles you just won’t hear the difference in
00:31:44
timbre, you won’t hear how you are growing and you won’t hear
00:31:47
it there on you need to sing,
00:31:49
listen and understand that it sucks, what’s
00:31:52
wrong, why is he singing so
00:31:54
beautifully, but yours is the same ugly thing,
00:31:57
for this you need qualities in a microphone without a
00:31:59
good microphone with feedback is
00:32:00
trained on headphones so that you sing immediately and
00:32:03
hear yourself as you are in the mix, it
00:32:07
is positioned without recording from yourself on an
00:32:10
arc on a tape recorder, now you
00:32:13
won’t learn to drink on a computer, it’s definitely just like
00:32:16
that because you will come to what you
00:32:18
think solder in a different way why
00:32:20
because your voice it passes not
00:32:23
only through the mouth and not only through the mating
00:32:25
at the beginning zones your head and your
00:32:27
skull machine of the nasal passages and
00:32:30
pulled out these resonances and get a
00:32:32
lower and our more pleasant human
00:32:34
fly pace and because the lower the voice,
00:32:37
the actually more pleasant you may
00:32:39
have noticed that for teachers,
00:32:42
even with a high voice, it’s hard to break down
00:32:44
information, but with a low voice with a low
00:32:47
timbre, but it’s pleasant, just the
00:32:49
anatomical human ear; lower,
00:32:52
velvety, thick eyes; well, of course,
00:32:55
applications will come, but in general by nature it is
00:32:58
more pleasant, therefore, what
00:33:00
you connect to is pleasant when you hear
00:33:01
yourself from the side on a voice recorder
00:33:03
on video, your voice seems
00:33:05
unfamiliar to you because those
00:33:07
elements of vibration are missing there, the elements of low
00:33:10
frequencies of Ryazan to the resonator, these are all
00:33:11
you hear a toast from this is all that comes out of your mouth
00:33:13
and this is the problem of many
00:33:16
vocalists is that they cannot sing into a
00:33:18
microphone types I can sing from it
00:33:20
callisto it turns out I can play the
00:33:22
guitar I can sing without a microphone I ca
00:33:24
n’t sing why I can’t because I
00:33:26
hear a voice from the speakers mine and I’m not
00:33:29
used to working with it, again, yes
00:33:31
because I don’t work with
00:33:32
a microphone, that means you’re not a vocalist, you wo
00:33:35
n’t be able to work with it, you won’t be able to
00:33:36
sing at concerts, you won’t be able to
00:33:38
record, you can’t control
00:33:39
what you have goes into the microphone also goes into the
00:33:41
mix, so it would be good to have a
00:33:43
sound box or a microphone with a
00:33:45
headphone output right away since you want to do
00:33:47
vocals, it doesn’t matter how you
00:33:50
sound live, what matters is how you
00:33:52
sound into the microphone, only you
00:33:54
sound in the mix,
00:33:55
they’re like you sing a cappella you have strange
00:33:58
music especially so something may
00:33:59
be hoarse
00:34:00
in the end it will sit in the mix so beautifully
00:34:03
let’s go again as a result of everything I said above, first of all you
00:34:06
need to learn the notes in order to
00:34:09
sing in the notes you just need to at
00:34:11
least learn the notes first I’ll teach the notes of
00:34:14
my wife’s house or A
00:34:15
minor at home with a millstone if you are a
00:34:18
guitarist, learn to sing scales in the main
00:34:20
wholes, but you and this will be enough at
00:34:22
first, just like he learned to
00:34:25
sing purely in notes, you need to learn to sing not
00:34:28
using chords, but strengthening your speech,
00:34:30
stretching the vowel through the speech position
00:34:32
further you should do this on a support,
00:34:35
tensing your abs, inhaling deeply with a
00:34:38
straight posture and gradually releasing the
00:34:41
air with a beautiful sound, look for
00:34:43
the position of the mouth of the lips so that it is beautiful,
00:34:45
also turn up the volume, not due to the
00:34:47
fact that you are shouting here somehow, this is
00:34:49
due to the air supply sharpen the opening of the mouth,
00:34:51
that is, you should
00:34:53
sing on the support in general, otherwise I myself
00:34:56
will move
00:34:57
on, you should adjust the sound forward or
00:34:59
slightly lower, but not into the nose, try to
00:35:01
direct the sound forward, this will be
00:35:03
your main working range, later
00:35:06
we’ll talk about the register, that is, Peter notes
00:35:08
and learn the basic notes will come in handy for you to
00:35:10
practice under it 2 sing on par with a
00:35:14
musical instrument try to be as
00:35:15
loud as possible the whole thing is to sing try to sing
00:35:17
smoothly do it on a support and
00:35:20
guide the servants forward well what else did you
00:35:23
say, well for now let’s move on
00:35:25
to the specifics of what such
00:35:29
registers are the so-called chest
00:35:32
register of the main register, I
00:35:33
actually highlight the middle register, not
00:35:36
me, but in many places it highlights it, how can they be
00:35:39
described? the chest register is the
00:35:41
lowest register when you
00:35:43
direct the sound, as it were, down the resonator to the groin,
00:35:45
since inside these are your lowest
00:35:47
but you, these sounds are low, it’s
00:35:52
all a vibration in the chest,
00:35:53
try it yourself, together with the company, you can
00:35:55
do it further, the middle register, I highlight
00:35:58
what goes forward, the sound comes out directly, release
00:36:00
it forward into the teeth into the microphone and
00:36:03
the main register from whom direct the sound
00:36:05
up here include falsetto is a
00:36:10
register for which a register is not needed, it’s
00:36:12
like a gearbox and your car hangs you
00:36:15
have ever had a car and let’s go out
00:36:17
in it there is a
00:36:20
revolution arrow and for those who don’t know what a
00:36:23
gearbox is we’ll explain you
00:36:26
have a revolution and how by the way on a
00:36:29
bike skype the speed is switched let's say
00:36:31
how on a bike you reach a
00:36:33
certain number of revolutions
00:36:34
your air supply and further to hit a
00:36:37
higher note to hit a
00:36:40
higher speed you need to switch
00:36:41
the sprockets you need to switch
00:36:43
the direction of the voice explosion expect this
00:36:46
you need less
00:36:48
it’s difficult to let in air for a higher note
00:36:52
dos it’s difficult I’ll explain it simpler in general,
00:36:59
registers are certain sections of your
00:37:03
range in height they are superimposed
00:37:06
between oh as soon as you reach the limit in the
00:37:09
chest register to move to the next
00:37:11
heights of the range with greater ease
00:37:13
of singing so that that very lightness is preserved
00:37:16
you need switch the register go to the
00:37:18
front register to the middle register even higher in the
00:37:21
head so as not to scream and shout
00:37:22
high notes forward, do not try to
00:37:24
do this strainedly sing beautifully, thereby
00:37:26
maintaining a balance in volume and you
00:37:28
all sound great sound loud and
00:37:30
agree with yourself equally loud and come to the
00:37:33
main register that is, the chest
00:37:35
register ponies on the bottom middle register
00:37:37
your work pants the main register for
00:37:39
high notes and so this
00:37:43
gearbox is the same thing
00:37:45
for you to slow down but
00:37:47
stick to more height in this
00:37:49
case this height on the car is the speed
00:37:51
we switch them in principle the basics
00:37:55
the task is to learn and sing evenly in any
00:37:57
register at any volume and plan to
00:38:00
move between them; there is also,
00:38:03
in addition to the high-up main register, there
00:38:06
is also falsetto; this is not closing the ligaments; there we
00:38:08
release air through them;
00:38:11
unfortunately, after both sides there is no pneumonia;
00:38:12
this is the second reason, after my diction,
00:38:15
why they are doing vocals, my
00:38:17
falsetto has fallen off, I can’t sing,
00:38:19
but in principle, many of you did this
00:38:22
when there was a mutation of the air, many
00:38:23
slandered the rooster, this is also vanity falsetto,
00:38:26
that is, we just don’t use it, we don’t
00:38:28
close the rural ones, we let the air through,
00:38:30
we try to sing as high as possible and they
00:38:33
just can’t but the falsetto of this field
00:38:36
hears the bright representatives of falsetto this is
00:38:38
the new five he often sings he almost always
00:38:42
therefore the main register and she has a tempo from
00:38:45
high in itself to go siddur voices are
00:38:48
weak and plus it’s easy for us to naturally
00:38:50
go to falsetto the
00:38:52
same fact this is good volume 100
00:38:54
although the range of the bench press is owned by the same
00:38:56
slab from ours and let's give Bilan it's our
00:39:01
vocalist who doesn't have much leg Seryozha camp the
00:39:02
same well quest pistols there I don't
00:39:05
know just doesn't sing so high because of the
00:39:08
wanderers I can't name who
00:39:11
often uses falsetto because
00:39:12
it the specific technique is still
00:39:16
strange and our audience is 35-year-olds, we are
00:39:20
mostly a paying population of 35 years old,
00:39:22
so none of
00:39:24
them Stas Mikhailov sings much, so
00:39:29
falsetto, you understand that you will find higher
00:39:30
notes due to not closing the chords,
00:39:32
if you find out anything, there is even higher
00:39:35
this whistle new register whistle who am I
00:39:37
register called it you can
00:39:39
hear it in girls if they are sharply
00:39:41
frightened this screech in horror films or
00:39:43
in children it is a secular register and you can
00:39:46
achieve just such ultrasonic
00:39:48
heights that the guitar generally no longer even
00:39:50
has the most straight high notes or with the
00:39:53
full register is filled and the
00:39:56
lowest register is the floor of the camp site what is the bass
00:39:58
like well the music the sound is still a growling sound it
00:40:04
allows you to achieve lower sounds
00:40:06
than you can take in bunches as if
00:40:08
you woke up in the morning and make you
00:40:16
separately it is not used as a purchase
00:40:20
to manners it is used as an approach as a
00:40:22
technique, that is, before consonants before
00:40:24
vowels before the eyes, a
00:40:26
slip of the tongue may be such yes and and how
00:40:32
approaches,
00:40:34
in principle, it is also used as an
00:40:38
exercise for relaxing the ligaments, here
00:40:39
primacy helps in general, as well as
00:40:46
transactions, to loosen the ligaments in general in this
00:40:50
lowest range of voice reception then
00:40:52
goes to the chest register, in theory,
00:40:53
the main thing is right away, but we highlight the middle falsetto and the
00:40:55
highest register, the coloring of the system of the
00:40:57
register, with this we understand what a
00:40:59
register is, this is the direction of sound and,
00:41:01
accordingly, part of the range, your
00:41:04
button height, we move on, what is soup,
00:41:06
tone, any sound can be sung just
00:41:09
evenness soup tone and not only on
00:41:11
vocals, but let’s say on wind
00:41:14
instruments, there it is such a hissing,
00:41:16
aspirated overtone, and here with the
00:41:20
master of soup tone, we have the same Bilan,
00:41:22
usually soup tone is used in the
00:41:25
lower parts on any
00:41:27
melodic and beer ones, including in
00:41:29
verses that is, you can have any need to do it
00:41:31
cleanly, or you can have a soup tone, and
00:41:37
that very sound of how it comes from
00:41:39
h
00:41:42
and this is the soup tone, again you can
00:41:44
often hear it on the saxophone, you can
00:41:47
draw the attention of many vocalists at the
00:41:49
grassroots, it sells such a velvet sti
00:41:51
flowability sounds here it is he who is looking, but
00:41:55
I did it to exaggerate so that you can
00:41:56
see the difference between the pure sound and the
00:41:59
ip tone, I often appeared in a tone of
00:42:01
700 embers, this is its outline and from here the
00:42:04
matsu tone and we move on to the timbre and the so-
00:42:06
called forman there the voices can be
00:42:08
roughly divided for two
00:42:10
tempra it is an open, powerful timbre,
00:42:12
beating, punching calls, and that same
00:42:16
melodically killing timer sib icon for
00:42:20
your calls, direct, punching and hoarse,
00:42:22
if you are a rock musician, you would, of course,
00:42:24
prefer to have a punchy
00:42:26
voice, the kind of heart to eye like
00:42:29
Gerard Leto's timbre like this like the house of the
00:42:33
beast to from the group of beasts, including
00:42:36
also quite a punchy course of
00:42:38
how our vocalist
00:42:39
usually has very good voices of the year, both
00:42:43
lows and powerful highs, but it’s just the
00:42:46
same open powerful timbre and in
00:42:49
pop singing, it’s more prevalent
00:42:50
here these here are Lazarevsky Dim
00:42:53
Belanovsky here sip and classics which
00:42:58
of course are much more limited the
00:42:59
only thing
00:43:01
that can be developed with them, including mine is
00:43:02
precisely the vocal mastery of the very
00:43:05
beauty and power they do not differ also
00:43:08
sip and vocal voices can be found at
00:43:10
chester bennington and there the vocalist gets on her
00:43:13
nerves ours because these are high
00:43:16
voices, a certain rule is not
00:43:17
particularly powerful the
00:43:18
taller a person is, by the way, the voice he has is
00:43:21
usually lower and wider in
00:43:22
the throat, and the theme is no more low-end, more
00:43:26
low-end vibrations, so when a
00:43:29
person’s voice is high, it’s a certain sound
00:43:31
at 20 mm, kind of not tambero and the range of the
00:43:34
voice, that is, there is some kind of tenor, it
00:43:36
seems like a castrated tandem, they
00:43:38
call it so, but it allows you to sing
00:43:41
high and it seems that the person was fighting from
00:43:43
April to this, it is very quiet, it is a very quiet
00:43:45
timbre and in fact they have very resin and power,
00:43:47
and again they
00:43:52
are closed a little like glass wool,
00:43:54
well, it’s necessary just like these pillows
00:43:55
compare the singing of the
00:43:58
same one from the group not Russo
00:44:01
ballad weak with penises at a concert
00:44:02
compare the manager then years about a pony will go
00:44:04
about they sing on emotions not inside in the end
00:44:07
at a concert but the range of the power of the voice is
00:44:10
completely a different and open timbre is,
00:44:12
of course, a godsend and you need to work with it; its
00:44:16
big minus is that it is
00:44:19
difficult to give in to
00:44:22
Anakin’s vocals, how come 20
00:44:25
milliwatts of melisma are very difficult for
00:44:28
smooth transitions, while save
00:44:30
us with the weak with a timbre with a tender type it is
00:44:34
much easier to do all sorts of these, but
00:44:36
beer is not me, too, the warmest timbre for you, an
00:44:39
example of his andante,
00:44:42
he is very warm, very weak timbre,
00:44:45
including, well, he sings nothing and, again, this is
00:44:47
only pop singing in his hands, he has
00:44:50
nothing to do with such a voice
00:44:52
we don’t take the academic k yet and the
00:44:54
strange academic someone has two
00:44:56
different hypostases
00:44:57
and learns differently different values
00:44:59
here go to you should make a bet there are
00:45:01
not yet tonal registers the so-
00:45:03
called they used it
00:45:05
Vysotsky uses it sometimes leps then the
00:45:08
darkness of the sheets it seems to be like
00:45:10
uses up to a little to attach the
00:45:13
same technique the last thing we have
00:45:15
left for today is vowel and consonant
00:45:17
dangerous according to diction and vocal
00:45:20
Moscow singing time I immediately want to
00:45:23
remember that now there is a big fashion for the
00:45:25
Americanization of the Russian language in songs,
00:45:29
this infuriates all those who know how to sing
00:45:31
correctly Russian in in the Russian language, that
00:45:33
is, observing all the vowels and consonants
00:45:35
there and all the words of all durations with
00:45:38
clarity, fencing off natural when you can’t
00:45:40
hear such singing, feeling a whirlwind with a
00:45:43
dick in your mouth as they speak, it infuriates them because
00:45:46
they studied precisely within the
00:45:49
framework of the Russian language, which is
00:45:50
quite- it’s still hard, but the one who
00:45:52
took it on his own made the task easier.
00:45:53
Do you want to say the first thing is that of course, well,
00:45:56
I’m doing personal to whom how to drink, it’s still
00:45:58
creativity, especially in the country, maybe not
00:46:00
everyone and there are popular performers in this
00:46:02
to sell a little
00:46:04
and the second thing is that nevertheless with the gifted
00:46:07
vocal abilities of
00:46:09
those who sing on board are not there, so
00:46:11
such vocalists have not earned any authority for themselves,
00:46:14
and subsequently everyone ends up learning 5
00:46:17
exactly pure because it is harder, and
00:46:20
if you are growing up, then you are looking for it to be harder for you
00:46:23
to learn what you are in the foam of
00:46:26
what cool
00:46:27
them 6 it turns out o-o-u a and and
00:46:34
well, it seems like I didn’t forget anything closed
00:46:38
consonants are considered o and
00:46:40
u open are considered a
00:46:43
and not so difficult to read and and and and average
00:46:49
it’s a
00:46:50
damn 5 a b c d e e f z i k l m n y
00:46:57
m p r s t u f x c i for choosing and here is also a
00:47:06
heavy sound for singing and so the sounds are o
00:47:09
u and they are hard for penny therefore for the
00:47:12
development of the speech vocal apparatus it is
00:47:15
better, of course, to use the sound and therefore
00:47:17
drinking the exercise will improve the sounds of
00:47:18
nanana, you need to further eat more iodized
00:47:22
sounds, the so-called e yu I,
00:47:26
as you already understood, this all goes over
00:47:29
again to the same thing e.a.
00:47:31
I am in I and try to drink them exactly as close as possible
00:47:34
to their
00:47:37
original sound, that is, to the
00:47:42
same
00:47:43
and in itself, the share and the short usually
00:47:47
vowed to be cut to a minimum and stretch
00:47:49
on its own, they gave a pure sound, that is, the
00:47:50
sounds at the very actually less cool
00:47:54
further a little different oscillatory
00:47:57
system during them there are specific
00:47:59
oscillatory
00:48:00
numbers before the oscillations in the test round of the
00:48:03
vocal apparatus on the ligament
00:48:05
will not be so driven, I just want to give
00:48:07
you the fact that it is very
00:48:09
individual and there is a general position that you
00:48:12
need to sing to smiles and because it’s
00:48:14
easier to open and give a sound, we need to sing,
00:48:16
we pull it forward, rounding and
00:48:20
giving the maximum volume about beer, I’m the whole
00:48:24
thing, and again also
00:48:27
opening the mouth as much as possible, lowering whose only there are
00:48:29
general recommendations, but for the development of
00:48:32
ti si tu the development of each vowel so that the
00:48:35
beauty catches the timbre of finding
00:48:37
the most optimal position of the lips and
00:48:39
mouth, breathing supply, this is a very
00:48:41
individual matter and normally
00:48:43
teachers will not be so stereotypical for
00:48:45
everyone to lay out general recommendations
00:48:47
further by consonants danger according to
00:48:51
these are explosive consonants like bpt
00:48:54
how they take bts this is the same thing
00:48:59
hissing dangerous looking for tskst suffer, so this is
00:49:04
how to deal with them, firstly, before
00:49:06
using a pop filter, secondly, the hissing
00:49:08
must be reduced as much as possible because
00:49:10
if you then even well, as if the jacket would
00:49:14
say there, but the reverberation effect is alive,
00:49:18
processing any echo will strengthen your hissing ones,
00:49:22
so you just need to shorten them in
00:49:24
case with plosive consonants bpt,
00:49:28
again, you must not work on the clamp, how
00:49:30
can you do it?
00:49:43
issue
00:49:45
according to or in the language when, etc.
00:49:48
you direct you now to smoke your tongue down or up between your teeth and then spit out this letter t with air, you don’t need to spit out anything, the microphone is all off the charts because there is a membrane there, it moves along with our external influence and you need to look at it beautifully with it interact c you have no goal so you perform not b a b even reducing as much as possible b not p p p that is, I first open p and then give the sound p even a little less p p t b now I sing without explosion I put emphasis after all, by eye on which they stand after the consonants, this is how you need to deal with dangerous consonants and train vocal diction, and as usual, the wider you open your mouth, the more sound where you go, again, the more you create a container for the vibration of mercury in Bogacheva’s sound it resonates the richer the more it will be at the exit you can’t drink closed mouth you can’t Peter are clamped so you can’t drink don’t open your mouth all the loud vocalists and the normal number are not all loud at a decent level and even with the word timbre they all still have to open their mouth wide all the time it’s mandatory Is it worth the beautiful sound with this? I think it’s all clear, so let’s repeat once again what we took a long time today and learned and tried to explain to everyone as much as possible what the first thing is, you learn to sing on a support through giving out the sound, you give it forward without again checking yourself in the nose so that nothing goes wrong with correct posture you practice for 20 40 minutes a day driving the scale exercises Kyiv Komi you can find them on any site on YouTube in the scale itself which scale to use C major scale these are the notes on the guitar 3 5 7 3 5 7 and 4 5 on the third string I showed you remember, yes, that is, you can practice the guitar, try to do all this at the volume level of the instrument itself at the volume level of the guitar, do not block it without straining yourself, try to make the longest phrases possible, again, this is all on the field, I train your respiratory system and ligamentous apparatus so that you don’t have to number anything so that you don’t lose your voice because with the right exercise with the right presentation you can talk talk talk and talk and talk and your cords almost don’t get tired if you’re tired one easy exercise weakening drink water for a few minutes break and again in perked up no even there, go drink no more don’t explode agree and maxima open your mouth on vowels be his father use the soup tone develop registers look for your individuality look after your voice and learn learn to sing further further on everyone bye until new videos like and subscribe to the channel I hope it was useful to you a little, maybe spontaneously this whole thing is the first time I’m telling the vocals but I hope you liked it so far

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  • The best quality formats are FullHD (1080p), 2K (1440p), 4K (2160p) and 8K (4320p). The higher the resolution of your screen, the higher the video quality should be. However, there are other factors to consider: download speed, amount of free space, and device performance during playback.

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  • The browser/computer should not freeze completely! If this happens, please report it with a link to the video. Sometimes videos cannot be downloaded directly in a suitable format, so we have added the ability to convert the file to the desired format. In some cases, this process may actively use computer resources.

mobile menu iconHow can I download "НОРМАЛЬНЫЙ УРОК ВОКАЛА ДЛЯ НАЧИНАЮЩИХ!" video to my phone?mobile menu icon

  • You can download a video to your smartphone using the website or the PWA application UDL Lite. It is also possible to send a download link via QR code using the UDL Helper extension.

mobile menu iconHow can I download an audio track (music) to MP3 "НОРМАЛЬНЫЙ УРОК ВОКАЛА ДЛЯ НАЧИНАЮЩИХ!"?mobile menu icon

  • The most convenient way is to use the UDL Client program, which supports converting video to MP3 format. In some cases, MP3 can also be downloaded through the UDL Helper extension.

mobile menu iconHow can I save a frame from a video "НОРМАЛЬНЫЙ УРОК ВОКАЛА ДЛЯ НАЧИНАЮЩИХ!"?mobile menu icon

  • This feature is available in the UDL Helper extension. Make sure that "Show the video snapshot button" is checked in the settings. A camera icon should appear in the lower right corner of the player to the left of the "Settings" icon. When you click on it, the current frame from the video will be saved to your computer in JPEG format.

mobile menu iconWhat's the price of all this stuff?mobile menu icon

  • It costs nothing. Our services are absolutely free for all users. There are no PRO subscriptions, no restrictions on the number or maximum length of downloaded videos.