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Literatura liberta
Educação
Bibliotecas populares
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00:00:04
[Music]
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[Applause]
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[Music]
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from
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[Music]
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Good evening, another contraption program is on the air
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Today we will have here a
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thematic Mat that anyone who already knows me knows
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is quite precious mathematics we will
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be talking about Literature and our theme
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is path of literature young people read and
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to mediate this conversation we're going to
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call Celinha here to the studio, please,
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can you put our dear
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Celinha Celinha when I appear in the
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vignette that
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appears, you once again, it's a
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delight to have you here once again to
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this conversation when we built
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this program there was no other person to
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think about, you know, who could be
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mediating it other than you Celinha, who for
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me is a tremendous
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inspiration, so I just want to say
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welcome to this program and leave
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in your hands, okay, let's go, let's go,
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good evening, people. Well, me too, when I
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saw the vignette, I said, look, I
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've been there a few times, right? It's talking about
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literature. It's always good, we've already talked
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about Literature and human rights,
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Literature and periphery of Literature and
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censorship Literature and prison we already had
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a very beautiful program about reading
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in prisons, in short, it's really good, we're talking
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about literature once again and always and
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always and today we have this
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cool theme, right, it's about youth, so
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we put Youth In this conversation it's going to
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be really good, we have three
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very special guests, I'm also going to
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read each one's Bill, a mini mini Bill,
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because we work a lot,
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do a lot of things, and fight all day, just a
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little while in the studio we
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were talking with Bruninho, one of them, I
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'm
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tired because that's how we
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work all day and do a lot of things,
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so I'm going to read here briefly, you know,
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each one's story And then I don't know if
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they're going to appear here on the screen or not,
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but Anyway, so we're going to have Bel
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Santos, I think many of you who
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follow us know Bel, she's a
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well-known figure, she's always around.
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Good evening, Bel, and I tell you that Bel is a
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social educator, coordinator of the
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Brazilian Institute of Studies and
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community support I beac co-manager of the
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Sampa literary network, trainer of young
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reading mediators, she was a postgraduate teacher
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on an incredible course, which was previously
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unheard of in São Paulo, which was literature
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for children and young people, Vera, perhaps
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later Bel will tell me a little more, but
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it was a very innovative, she has a master's degree
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in tourism, a degree in mathematics,
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in fact I love Bel's combination of
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tourism with mathematics, I think it's great
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and she has a specialization in social pedagogy,
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she was the curator of the 11th edition of the São
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Paulo Literature award and was also on the
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curatorial board of two jabuti awards
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number 63 And 64 is that 63rd is so
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difficult to say, right, so it's easier to
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say 63 64 and it's also from the
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curator board of the Municipal Theater Look,
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folks, and among the many awards that
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Bel collects, there's the reading portrait
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of Brazil state of São Paulo for the
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Arts apca diffusion of
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Brazilian literature and the 2021 inspirational person award
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all this is Bel and much more,
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welcome Bel good evening Celinha good
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evening to everyone who will
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accompany us here, it's a joy to
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meet you again, right? We should do
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an exchange of mini BS like this, right?
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In so many special moments in
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literature spaces that it's a great conversation,
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thank you, thank you, and
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after Bel I'm going to call k a k,
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I don't know her, I've never been with her
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so it's a great pleasure here for For the
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first time, K made a point of writing
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here at minib that she is 28 years old, she is
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our youngest here, right? She is a
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social educator with a degree in pedagogy from Feduc, a
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resident of the Far South of the city of São
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Paulo, Grajaú, she is a reading mediator at the
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community library Community,
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sorry paths of Reading linked to
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IB, which I already mentioned in Bi da Abel,
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she has been active for 13 years in promoting
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human rights in
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community roots and strengthening
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education as part of the
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encrespados collective, and she will certainly
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tell us what this
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social organization is led by young
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black educators dedicated to promoting
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anti-racist education in the
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school environment, very welcome, katherin, good
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evening to
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you, good evening Celinha, Thank you very much
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for the presentation, it's a pleasure to be here
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with great people and
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wonderful people and to know a little
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more about your work, it's It's an honor to
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be here, mediating this conversation,
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thank you very much and to everyone,
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thank you very much for listening and you're
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here, right?
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welcome Bruninho who is
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Bruno Souza Araújo but he likes to be
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called Bruninho also little girl
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here aged 28 he also works in the
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social area for 10 years pedagogue also has
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training in Human Rights from Ibac and is
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also part of the network of young
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transformers for democracy da a
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choco works with young people to
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promote a feeling of protagonism and
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leadership and is a co-founder of the same
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collective as katherin o encrespados who
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already wants to know what it is that works in
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training with teachers and
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young people to disseminate
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anti-racist education in the Community library
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paths of Reading where it operates aims to
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promote access to
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literary Reading through actions that encourage
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the critical formation of readers
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using different forms of
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social and cultural languages ​​I didn't say people that
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the bio is extensive these people work
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very hard good evening
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Bruninho Good evening Guys, what an honor and
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happiness to be here with you, I'm
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excited for this conversation, I'm sure it's
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going to be a moment of many exchanges,
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lots of connections, a kiss also to
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everyone who's there in the chat, already saying
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good night and prepare The Dedinhos to
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ask questions and interact a lot with
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us, I'm very honored to be here
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with you,
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very good people, cool, welcome,
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so,
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well, anyone who's been with us knows
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that this is always a good conversation, right,
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we're very open here to our
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guests' speeches. talk about you
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participating in the chat, anyway, the idea is for it
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to be a good conversation, so we
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really want to know what crespados is, how
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the litera Sampa is, how the
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southern outskirts are, anyway, we want to hear
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from them, how It's the life of
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militancy, I'm going to start with a
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question that I'm going to ask the same question
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to all three of them.
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of four themes that have appeared
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in our literary life in the last month or
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a little more than a month, right?
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one one
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one one caught, right, one, a provocation,
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finally, four, four events
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that we had in our literary life in
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the last few months, right, I'm going to start with
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the three bad ones and end with the good one, right, what
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we call a bad event so
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first the censorship of the book by Jeferson
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tenor averse da Pele, which was quite
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controversial, then some secretaries of
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state, right, uh, doing censorship, then
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backtracking, but in the end, it's a
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big question And then again, what is
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censorship, what is freedom? of
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expression What should we read and
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can we read anyway, but this very
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serious censorship of Jeferson tenor's book and
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more recently Juliana Maciel who is the
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mayor of Canoinhas in Santa Catarina
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She recently appeared throwing books
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in the trash saying that it was offensive to the
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family the moral is that those were not
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books that teenagers should read
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and they throw everything in the trash, one a very
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heavy, ugly scene, finally, another scene, another, the
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other difficult and hard event, our
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Governor here in São Paulo, Tarcísio,
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made it say that some classes in the
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state network, not all classes, but some
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classes will be taken through the ch
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GPT application, right, so saying that the application
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would be a better lesson preparer than the
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teachers themselves, so, on the one
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hand, we have these three very
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sad events, right, and the good event right, I mean,
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it was an event that also started very
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hard for all of us, which was the attack on
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poet writer Roseana Murray, right,
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attacked by three pitbulls, I think it
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was also in the news, it was fantastic, a lot of
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people talking about what was incredible about this
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story was the way it came together
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reestablished the strength with which she left the
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hospital and in one of her first texts
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she says that what also helped
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her to come out of the coma, not from
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that whole trauma, was the strength
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of the word, right, so in the first text
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that she publishes in the internet she will
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say about the Office of love of writing the
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word of the writers, right, that it is with this
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strength that she would resume her life and so on,
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anyway, I went a little further but that is it, on the one
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hand, three very
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hard events, right, the three converging on the
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issue of the book of reading the power of the
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word in opposition, right, a writer who
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brings us so powerfully the power
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of the word, the power of the written word, right,
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so much so that a campaign was started L as
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a poet So I would like you to
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start this warm-up by commenting on these
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four events building a bridge,
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finally, the third comment on this,
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of course yes, so I'll go there, I think
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I'm the oldest here in this group,
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there's the youngest and there's the oldest and
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thank you for bringing these
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very
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important facts, I think the We've never
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talked so much about books, readings,
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authors, libraries, as we did at that time,
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Celinha, I think that's an
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interesting thing, the three of us here, Me
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Bruninho and Klin, created in 2010 a
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library inside a cemetery
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talking about life in a place of death and in In
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2010, there were already a lot of people thinking that
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books would no longer have a place in
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people's lives, no one reads younger, they don't read,
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now everyone is on their cell phones and we
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dared to create a library in a place of
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death and maybe, right, everything worked out
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because it existed a distraction about this
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place of Reading books Burned books
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thrown away no one who does this
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is not inaugurating anything in history So the
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books the readers have been persecuted
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on many occasions by
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authoritarian governments but we spent time, you know,
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in democracies or pseudo democracies
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where got distracted thinking it gets rid of the
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nonsense but I think that's what you bring, you know,
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the good news from Rosiana Mon of this
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strength that the word has more people have
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understood that when we take control
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of the word, right Conceição evarista
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Evaristo says when I bite the word
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for Please, I don't
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care if the book is something that
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we need to slowly chew on the
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word until we find ours.
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This is a
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gigantic force and what we have seen
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in that time, right?
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mayor, now that she throws the
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books, this comes from people who haven't
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read what they are criticizing,
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right, the movement that was generated from
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this return, right, from Avesso da
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pele, made it one of the
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best-selling books in the country because it
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also it generated a whole movement of
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people reading the book and saying, look, this is what they
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're saying is
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inappropriate, this is what they're talking about,
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so I think so, I think so, I understand
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that this movement of attacking the culture
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of attacking books is part of of a
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movement an attempt to
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disqualify
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readers from writers and people who
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have realized that now that we have created
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our first libraries in
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our homes we are children of mothers
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who did not have moments of books we
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have How many times have we
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met doctoral students
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with master's degrees in their moments, right,
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defending their dissertations and
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their doctorates,
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thanking the soup for the support, the lap at the house
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that their mothers gave, even though they are not
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readers, these children are inaugurating
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another place and it is the culture that
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provided this, this has given rise to hatred in
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some people who liked things
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as they were so all these
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reactions I read how we are on the
00:16:04
right path these reactions are because
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we chose to bite the bullet
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find our words spread the
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books and we have to continue
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there right there
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how beautiful It's beautiful to bite the word
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too much, right, to chew it, it's
00:16:26
delicious, you want to continue, Bruninho, I
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might have suggested it be the last one, but
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it put me in the circle, let's go, we,
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I think it's always very incredible and
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exciting, you know, to hear Abel talking, right,
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because we remember
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memories and memories of how we
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started this project, right And this process
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in the path of reading, right, I think
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there is this place that goes
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beyond being a story, right, a testimony, right,
00:16:58
of those who experienced it, of those who
00:17:00
experienced it, and how the books have
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occupied such an important space, right, and
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so relevant in our lives, right, like
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finding a Community library, right,
00:17:13
Reading paths inside a cemetery,
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right in this process when I was
00:17:18
finishing high school, it transformed
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my life and I really agree with what
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Bel brings, right? very common, for
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example, at school, you know, from a
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very poor family here in the Far
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South of São Paulo, right, J de Ângela,
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we almost never had access to books,
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right, and the textbooks that
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we had access to at school, school, right,
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when it told about historical periods, it
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always told from a narrative
00:17:50
of the winners, right, no one told about
00:17:52
the oppressed, those who lost, those who
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suffered, so for example, reading me and
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reading the inside of Jeferson Tenório's skin,
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Pedro's story went beyond seeing myself
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in the story was seeing my friends, my
00:18:08
colleagues, the possibilities, also seeing a
00:18:12
story that has a lot of conflicts, a lot of
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obstacles, a lot of violence,
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too, you know, from the everyday world of the
00:18:20
real world, but you also see in the details the
00:18:24
possibilities of the beautiful, right? There's a
00:18:26
very beautiful section right away at the beginning, right,
00:18:29
of the book, which is in a memory, right, Pedro
00:18:34
is remembering his mother who says that
00:18:36
she sees the sea as medicine and that
00:18:39
echoed so much inside me, it still echoes
00:18:42
like nothing else in a book, despite the hardships of
00:18:46
life, despite the obstacles, despite the
00:18:51
scarcity, right? materials we can
00:18:54
find ways to draw other
00:18:57
stories and other possibilities,
00:19:00
especially collective stories and possibilities
00:19:03
because not just a story
00:19:05
about me is a story about people who are
00:19:08
similar to me but also people
00:19:10
who are different, right?
00:19:12
It's different,
00:19:17
so I really agree with Bel, right? I
00:19:19
think it is. We're on the
00:19:22
right path in my adolescence. I remember
00:19:24
my father said, look, you're going to be
00:19:27
late, take your ID, and today we've
00:19:31
seen young people and teenagers, in addition to
00:19:34
hanging out with their children. rgs in the wallet so They
00:19:38
are carrying books, you know, books
00:19:40
are taking up space in their backpacks
00:19:44
in their memories and in their trajectories
00:19:47
So this object is a very
00:19:51
dangerous object for people who want to
00:19:53
maintain the status quo and we have
00:19:55
invested a lot in this place of metaphor
00:19:57
of young people's dreams of building
00:20:00
their own narratives, finding their
00:20:03
own words to describe their
00:20:06
own stories, but
00:20:08
also building collective stories of
00:20:13
transformation. I think stopping here for a
00:20:16
bit and then seeing Kathlein, then
00:20:18
you'll get into the other questions
00:20:20
you brought up that I don't even remember
00:20:23
anymore, thank you Bruninho So you're
00:20:27
super grateful,
00:20:29
it's always very difficult to talk after
00:20:32
Bel and Bruninho, I'm going to apologize
00:20:34
to anyone who listens to me because I'm a
00:20:35
little hoarse but I hope you
00:20:37
can hear me
00:20:39
perfectly It's always good to listen
00:20:41
Bruninho Bel because there is always a
00:20:44
connection between what we actually
00:20:46
experience together that we share
00:20:49
together and in fact literary work is a
00:20:51
collective work, it is not alone, right, and PR
00:20:55
Rosiana, I am sure that she only
00:20:57
managed to have this place of breath
00:21:01
of life this place of hope because
00:21:03
she found not only in literature
00:21:06
but people around her who
00:21:08
also believed in her improvement and my process
00:21:11
within literature It was like this people
00:21:13
who believed that young people,
00:21:16
teenagers and children have freedom,
00:21:19
the right to access Literature and this
00:21:22
access is an access that makes us
00:21:25
immerse ourselves that makes us find
00:21:29
this medicine and as was already said in the chat,
00:21:32
you know, Rosiana gave this
00:21:34
breath because she understands that
00:21:36
diving into literature is important and
00:21:38
I I usually say that my
00:21:40
transformation process with literature was
00:21:43
possible because it overflows me, it
00:21:45
makes me who I am from the place
00:21:48
that it also transforms me, it gave me
00:21:50
the identity I have today, it was
00:21:53
through literature that I recognized myself
00:21:55
as woman black woman woman from the
00:21:57
Periphery a woman who knows now and
00:22:00
who can raise her voice with courage
00:22:03
because literature gave me that because
00:22:05
it was always said that my voice
00:22:08
could not be thrown to the wind that
00:22:11
my word could not be
00:22:13
written on paper because all the time is
00:22:16
limited for us who come from the Periphery,
00:22:18
this is a place of self-confidence, the
00:22:21
Courage of empowerment and of saying who
00:22:24
you are and where you are from and when we
00:22:27
have the courage to go out into the world, write
00:22:30
this too And then There are other people who
00:22:33
join us, like there are
00:22:35
people here in the chat, agreeing with everything
00:22:37
we are saying but also bringing
00:22:39
other references. This means that
00:22:42
we are not in the right place, but it is in
00:22:44
fact the right place, which also bothers you, right, and, and
00:22:47
Conceição bringing a
00:22:50
little bit that Bel brought from this
00:22:51
writer who has also shown us
00:22:54
that it is not too late for us to access some
00:22:57
places, some powers and what
00:23:00
these negative messages show us,
00:23:04
these fake news messages, right, I
00:23:06
went into a little more depth about this
00:23:09
councilor who throws the book First she
00:23:12
says that she would never throw a book
00:23:14
super contradictory because then she throws
00:23:16
one book, two books, if I'm not mistaken,
00:23:18
in the trash So, this contradiction from
00:23:20
someone who probably can't
00:23:22
even research what she's
00:23:25
judging because in reality she just
00:23:28
deposited there, as we already know, a lot of
00:23:31
fake news about a work that
00:23:34
was actually hers because the place where she says
00:23:37
that the federal government was responsible
00:23:39
for sending that collection
00:23:42
was actually from a private initiative,
00:23:45
it was from a private company in which no
00:23:47
longer has control over this project in the
00:23:49
library world and is now in the power of the
00:23:52
city hall, so how much the
00:23:55
issue of fake news is a milestone
00:23:58
within the issue of Democracy, right?
00:24:04
misinformation and literature are dangerous for us, it
00:24:08
also helps us in this place of
00:24:10
critical sense of trying not to fall for bad
00:24:13
information or in that place where everything
00:24:16
that is stated is true and if the person who
00:24:19
judges their own work has failed to
00:24:21
recognize that it is also there's a finger there
00:24:23
because in fact it's not doing a
00:24:25
job with excellence like the periphery
00:24:27
does like the community libraries do
00:24:30
like the book also gives us this support
00:24:32
this support to understand that
00:24:34
we need to go
00:24:36
deeper, it's something we know how to
00:24:39
do a lot well and this place of
00:24:41
self-esteem of knowing how to do Knowing how to
00:24:43
find yourself and knowing that you are on the
00:24:46
right path is a place that bothers me
00:24:49
a lot and will unfortunately continue to
00:24:51
bother me and as much as it seems to be
00:24:54
a hope of mine that I have that
00:24:57
sometimes some people with around me
00:24:59
say wow but you are so poetic I saw
00:25:00
that someone sent here queer which is all
00:25:02
poetry
00:25:03
and in fact I am that person because it was
00:25:06
literature that showed me that it is
00:25:08
possible because it was already given that for
00:25:11
my family we would not have the place
00:25:13
of access to study that we
00:25:15
would not have the place of leisure culture and
00:25:19
today I am one
00:25:21
of the young people in my family who went to
00:25:24
university, so many others came soon
00:25:27
after, it is to be proud and to be
00:25:29
hopeful because whoever taught me this
00:25:31
was Literature and in fact I think
00:25:34
I even leave a message for these
00:25:36
people who keep doing a lot of
00:25:39
stupid things because I think it's stupidity
00:25:41
that is chosen and they choose to produce
00:25:44
so many negative things, which is to talk more
00:25:48
with young people, talk more with the people
00:25:50
who are inside libraries
00:25:51
Mainly
00:25:53
community libraries because we have changed
00:25:55
this trajectory this story and thinking
00:25:58
a lot not only alone we have
00:26:00
also listened to our elders I
00:26:03
think you see rosean muray in the place I
00:26:08
saw the report I followed it a little
00:26:10
see the o shine in her eyes because she
00:26:13
believed that she could indeed get out of
00:26:15
a situation of violence, also in the
00:26:18
place where she could find breath
00:26:20
in life, this is very important,
00:26:22
we find this a lot in literature,
00:26:24
poetry is also the place of Calanto of
00:26:27
welcoming and not only poetry Abel
00:26:30
always brings, right, to his meetings and
00:26:33
teaches us how much
00:26:34
literature is a place in the lap of the house and
00:26:37
the quilombamento because it is this place
00:26:39
that we identify in literature, it
00:26:41
is collective and it is changing and
00:26:44
modifying a lot of our realities
00:26:47
for a little bit
00:26:49
here, cool people, that's cool, well, you
00:26:54
're following us in the chat here, I think that
00:26:56
not only several mentions of Roseana, which I
00:26:59
think everyone was very grateful to
00:27:02
her for her existence, but to you
00:27:05
in the Youth, right, a lot of people writing
00:27:08
that It's good to hear from the youth who trust the
00:27:10
Alfredina guys, young people who
00:27:13
make us hope. So I think that and and and
00:27:18
Renata just asked a question, right?
00:27:27
Keep it, folks, I'm here with the
00:27:30
São Paulo newspaper on October 20,
00:27:33
2021. Do you remember Bel, who was on the
00:27:36
cover of the newspaper that
00:27:38
day,
00:27:41
you were the cover of the newspaper, was it the
00:27:45
day the Library was closed or was it
00:27:48
an attempt to close, right Why did
00:27:51
I rescue this today at Gering and I
00:27:54
kept this cover with great affection
00:27:56
Because for me it was like this again, right,
00:27:58
this on the sad side, the happy side, right, the
00:28:04
news is that the library is evicted from the
00:28:07
cemetery in Parelheiros in São Paulo
00:28:10
to make room to new tombs,
00:28:13
Educator Rafaela Nunes is still there Bel
00:28:16
Yes, Rafa She has just started her
00:28:21
master's degree, she was here on the cover of
00:28:23
that day's page, Educator Rafaela Nunes 23
00:28:27
who, together with other residents of the region,
00:28:30
became the guardian of the books in the
00:28:33
Community library, paths of reading and then
00:28:35
in everyday life there's an almost
00:28:38
full-page article with Rafaela with
00:28:41
you, anyway, guys, I'm sorry to show it like
00:28:44
this, right, I could make a
00:28:46
PowerPoint but I'm not like that,
00:28:49
I'm here with the matter in hand, right?
00:28:52
Eh, but anyway, That day had to
00:28:55
be sad, right, because look at what they
00:28:57
said, they're going to have to close the library
00:28:59
to put tombs, we were in the
00:29:01
pandemic, right? So there was all that
00:29:03
movement, on the other hand, I thought, people,
00:29:05
a whole page talking about that, right?
00:29:08
So that's what the Bel told us in the
00:29:10
first question that there has never been so much talk about
00:29:12
literature, right about reading, maybe
00:29:15
because it was never needed so much?
00:29:26
I kept it with great care all these
00:29:28
years, here I keep everything that comes out of
00:29:31
literature, but also because I wanted to
00:29:33
build a bridge,
00:29:35
and because the library wasn't closed,
00:29:37
you're going to tell us, right, what happened,
00:29:40
but I wanted to ask another
00:29:43
bridge question that you in na na na in the three
00:29:48
considerations you made, the
00:29:50
word school didn't appear, maybe
00:29:53
because we're not at school,
00:29:54
you're not in the classroom, right? But
00:29:56
there's always a lot of teacher S here with
00:29:58
us, right, today I see here's Lu and
00:30:00
Lucinete alfredina is here, right?
00:30:06
Eh, and we know that there is a difference, right?
00:30:09
from the school library, from the
00:30:12
NGO library, from the street library, Lucinete
00:30:16
is here with us, she is a posl
00:30:18
teacher, reading room advisor, she
00:30:19
has been taking the strings to school,
00:30:22
but anyway,
00:30:24
there's a question, right? There are some
00:30:27
differences, how are the books
00:30:29
purchased? How are the books
00:30:31
accessed? I would like you to
00:30:32
comment a little on this. The boys,
00:30:35
if possible, tell us
00:30:38
if they were touched by the school. Look, what a
00:30:40
question. You don't do that from a teacher, right?
00:30:42
We have to say yes
00:30:45
all the time, but I wanted to hear that
00:30:47
difference a little bit, right? And then I could
00:30:49
add it to this story about the library
00:30:52
here in Parelheiros, this beautiful story
00:30:55
here could be. that
00:30:58
I gave one It was clear, it was Bel, yes,
00:31:02
it was, so it's good Oh, so maybe I
00:31:05
can tell my story with school
00:31:07
and then Bel amends it with the paths and
00:31:11
we change like this, eh, how you
00:31:15
introduced us, right, Me and Kathlyn are
00:31:17
pedagogues of Training, right, so even if
00:31:20
we haven't spoken, right, in our
00:31:23
inner speech, school is part of
00:31:25
our DNA, as well, right, it's within
00:31:28
our trajectory of our paths,
00:31:32
right, and I think that school is a space, a
00:31:35
fundamental piece of equipment when we
00:31:37
think about the Constitution of the country and
00:31:39
society, it is not possible to think about the future, it
00:31:43
is not possible to think about democracy, it is not
00:31:46
possible to think about possible paths if
00:31:48
we do not pass the debate on education
00:31:51
and especially on quality public education
00:31:53
if I ask
00:31:56
people here who are in our ears or
00:31:58
for us who are here sharing
00:32:00
this circle Oh tell me four
00:32:03
important and happy memories from your story
00:32:07
I'm sure one will pass through the
00:32:10
School that first little boyfriend
00:32:13
little girlfriend that little group And if I if
00:32:16
I Re-ask the question oh tell me four
00:32:18
moments in your career that were
00:32:20
painfully traumatic, I am
00:32:23
also sure that one of these moments will be
00:32:25
at school, the first contact with
00:32:28
racism and gender prejudice,
00:32:32
so school is this place that
00:32:35
marks us so deeply that it is there that
00:32:38
we need to build solutions
00:32:41
collective and concrete actions for the future that
00:32:44
we desire as a nation as a
00:32:46
country, so I am a great defender of
00:32:49
schools and especially of quality public education.
00:33:01
in the second year of high school at the
00:33:03
end of the second year of high school
00:33:05
then I realized I was a very
00:33:07
intimidated boy, you know, F sat close to the
00:33:11
teacher like this, in the middle of the room and
00:33:12
so on, he almost never raised his hand to
00:33:14
ask a question until one day I knew the
00:33:16
answer I took it and raised my hand he
00:33:19
was talking about soil erosion and pal
00:33:21
eliros is an Environmental Protection area
00:33:23
and right behind the school there was a spout
00:33:26
where boys and girls jumped to get
00:33:28
water swimming Katherine knows that she
00:33:30
also studied at this same school and then
00:33:33
I raised my hand and said ah Teacher
00:33:35
because we won't see
00:33:37
soil erosion happening in practice he
00:33:40
took me out of the room he took me he took me to the
00:33:43
management I was suspended for three
00:33:45
days which I never showed to my father
00:33:47
who otherwise would have been beaten And then I
00:33:50
continued to go to school hidden for three days.
00:33:52
On the second day, the principal saw
00:33:55
that I was staying outside, you know,
00:33:56
I wasn't going in because I
00:33:58
couldn't and punished me where in the
00:34:01
classroom of reading and I spent the rest
00:34:04
of the week in the reading room looking at the
00:34:06
books, you know, the textbooks And then one
00:34:09
day Silvan Chagas, who is from the
00:34:12
reading camilos, right, she says, look, there will be a
00:34:14
reopening of a place where I
00:34:16
work, a library and so on, you don't
00:34:18
want to go, I have nothing to do there, I didn't
00:34:22
have a single bite, I didn't have any money, I
00:34:24
passed by, I got a ride on the bus and
00:34:26
went and there, in this library, I
00:34:28
found a group of young people who, what
00:34:30
my teachers said they
00:34:32
were, being boring, too inquisitive, they
00:34:35
said it was about being empowered and
00:34:37
engaged, I said Oops, there's something
00:34:40
different here in this group.
00:34:50
I didn't understand anything about José Saramago, but I read it there at the
00:34:53
reading club so we could
00:34:55
discuss it later and that mobilized me so much
00:34:58
F ass, look, a group of young people get together
00:35:01
to comment on what's written in a book,
00:35:05
so that's the people I want to
00:35:07
be with, so I think that's it, right? School
00:35:08
also has this potential
00:35:11
to captivate us, move us,
00:35:15
mobilize us, but sometimes it also has the potential
00:35:18
to cause some
00:35:20
obstacles and some traumas, but that's not the only reason
00:35:23
we need to give up and
00:35:25
give up on school. needs
00:35:28
more and more at school so that it becomes what
00:35:30
we believe it
00:35:33
is, which is a democratic place of
00:35:36
access to a culture of coexistence and of
00:35:39
connecting with others. And then just to
00:35:42
finish, I remembered the question you
00:35:44
asked from the previous one about the GPT chat, right,
00:35:47
so I think that's what we, as
00:35:49
defenders of books,
00:35:52
also believe that it is fundamental and important to
00:35:54
become literate, right, we have literacy
00:35:57
for digital media, but in a society,
00:36:00
a world where we are still fighting
00:36:01
for so many basic needs for
00:36:03
rights humans, we need to
00:36:06
bring these discussions together And these
00:36:09
reflections cannot make us think that the
00:36:11
ch eh GBT will replace a teacher in the
00:36:14
classroom when we have
00:36:17
dozens of schools that don't even have a bathroom
00:36:20
that don't even have a math teacher
00:36:22
So I think that This type of proposal is
00:36:26
a type of proposal from people who don't
00:36:28
understand the reality of Brazilian public education.
00:36:30
So I think it's a bit of
00:36:35
that. Wonderful, did you see that Magali
00:36:38
wrote here for you in the series I've never
00:36:40
seen you, I've always
00:36:43
loved you What a
00:36:45
beautiful comment, well Thank you Magali, who continues
00:36:49
Thank you
00:36:51
Magali, let's go, I'll continue Kel Come on, let's go,
00:36:55
that's great, Bruninho,
00:36:58
you took up the question here, right about
00:37:02
this speech, right from the secretary of education
00:37:06
of the state of São Paulo, right from Renato
00:37:08
feder, who has given a lot of attention there? out, right,
00:37:11
because, uh, there were already video classes with
00:37:17
wrong content, right, now this
00:37:21
proposal to organize the class using
00:37:24
chat, something that we have always
00:37:28
defended, right, and have been working on is that every
00:37:33
place is ours, everything has to be used by
00:37:37
us, but that nothing replaces people
00:37:42
nothing replaces exchanges and many
00:37:46
people thought that what we did
00:37:49
when we created the library there
00:37:52
Reading paths was a waste of time every now and
00:37:54
then someone would show up to offer some
00:37:58
work to the library boys
00:38:01
who said gosh, son, stay there sitting around
00:38:03
doing nothing because reading is like Oh, since
00:38:07
you're not doing anything you don't
00:38:09
want to do this work here for me
00:38:10
but who told you that I'm not doing
00:38:12
anything I'm reading and that was stubborn,
00:38:16
we could read in secret but the
00:38:19
We chose to read in the library area
00:38:23
because we wanted to be
00:38:25
seen because we know the importance
00:38:28
of the gesture, right, we know that form is
00:38:32
content in a Territory that didn't have
00:38:35
any library until 2010, being seen
00:38:40
reading could make a very
00:38:43
big change. including young people who went
00:38:45
to school and saw reading only
00:38:48
as a
00:38:50
curricular obligation to see their classmates reading out of turn,
00:38:54
wasting time, spending so much
00:38:57
time reading, we know how
00:39:00
transformative this was, right today when we
00:39:02
see young
00:39:04
readers who it's been emerging so, oh, it's
00:39:09
cool, the chat, everything that exists there is for
00:39:13
us to use artificial intelligence,
00:39:16
now Artificial Intelligence is
00:39:17
built by people, an
00:39:21
unequal, racist, sexist society will
00:39:25
also be reflected in what is called
00:39:28
Artificial Intelligence, if we are
00:39:30
not prepared to learn to read
00:39:34
discuss, we're going to go again, right, live
00:39:38
in that world that Kel brought up in
00:39:40
her speech, in the world of fake news, right, in
00:39:44
which the people themselves, the person is
00:39:46
throwing a book saying that she didn't
00:39:48
play, right, and there are people wanting to believe
00:39:50
that she She didn't play but she herself plays,
00:39:53
so literature is what
00:39:57
we see, there are several experts
00:40:00
saying there's nothing I've managed to
00:40:04
replace this encounter between
00:40:07
people and books, this time that the
00:40:10
book demands of us, before arriving
00:40:13
here, I was with a group in a
00:40:16
reading circle a group of teenagers and
00:40:18
young people discussing the Fran CFC process
00:40:22
we read one book a month from a list
00:40:26
of 50 books books that some authors
00:40:29
recommended to us we called Ana
00:40:32
Maria Gonçalves Luiz C Rogério
00:40:36
Pereira teacher of literature like
00:40:39
Letícia Lenf and reading mediators
00:40:43
like Camila Dias and I, each of us
00:40:47
indicated 10 books to get through the ma
00:40:50
time and we are now finishing the
00:40:53
list of 50 books and today was the day to
00:40:56
read the process
00:40:57
to stay 2 hours me0 Don't read it, right? We already
00:41:00
read it, it was the day to talk about it and
00:41:03
then you hear young people saying Oh my goodness,
00:41:07
this is a metaphor for our life in which we are
00:41:11
born guilty and spend our
00:41:14
entire lives in an encrypted process to
00:41:18
condemn us either way we
00:41:21
are going to die the only way out is to be in the
00:41:25
collective is collective being reading
00:41:29
seeing and saying what we read and
00:41:32
see This is the place of the library
00:41:35
this No chat will give us
00:41:37
no Artificial Intelligence will be
00:41:39
able to solve So the our
00:41:42
relationship with the school, I'm going to pass the
00:41:44
buck to Kell, who can talk about the
00:41:46
curly ones and the super cool work he's
00:41:49
done with the schools, it's our
00:41:53
place, right? We understand that this is an
00:41:55
important place for the collective construction of
00:41:59
construction reading spaces.
00:42:02
a way to read Sharing
00:42:04
our ways as readers,
00:42:07
it's a space where we can have the
00:42:12
best books we know
00:42:14
because we don't need to buy them
00:42:16
individually, we can have a
00:42:20
shared space and build this bridge, right, with
00:42:23
our home being able to bring these books
00:42:26
to me right now It's super messy
00:42:28
because I'm on an eternal project that ended
00:42:30
this Friday so they're not so
00:42:33
organized right now, right now, but
00:42:36
when we start to organize
00:42:37
our personal library and build this
00:42:40
bridge with the school library right,
00:42:43
being able to find this pleasure in
00:42:46
Reading, which is not just a pleasure of
00:42:49
happiness, we left today extremely
00:42:52
distressed with reading Cica, which is
00:42:55
exactly what we are reading an author who
00:42:58
causes
00:43:00
anguish, which is for us to look at the
00:43:04
pitfalls that society he's putting it
00:43:07
to us and literature helping us to
00:43:10
develop solutions. So I think Kel
00:43:14
can tell us how she's been dealing with
00:43:15
the curly children in schools and talk about the
00:43:19
library, right, the day our library
00:43:21
stopped, I saw that le Rosco is there. around
00:43:24
here, she loves this story, she
00:43:27
was already in Parelheiros with us, so
00:43:30
that's why it's
00:43:32
good to talk about the library, to talk about
00:43:35
this place where
00:43:37
we started, but also in this place of
00:43:41
looking at this immensity And then I
00:43:43
remember Galeano a lot, right, in this
00:43:47
child's conversation with his father He was
00:43:49
so amazed by the immensity of the sea and
00:43:52
its beauty that he asked his father for help
00:43:54
so he could help him see
00:43:57
this immensity, help me look, that's what
00:44:00
he asked his father for and that's what the
00:44:03
people all the time as young people asked for
00:44:06
permission to go to schools, I saw that someone
00:44:08
mentioned not needing to ask for
00:44:10
permission in school spaces anymore for
00:44:12
literature to enter, but we
00:44:15
needed to do this for a long time,
00:44:17
sometimes even with some existences, it
00:44:19
ends up happening and on the way to
00:44:21
Reading, she started a very
00:44:23
beautiful process in which I was
00:44:25
also able to identify myself as a social educator.
00:44:27
From then on, my
00:44:29
construction process as a mediator
00:44:32
was also being carried out in
00:44:34
classrooms, right? And the dam school where
00:44:37
we started the process of mediation in
00:44:39
every room at school, we
00:44:42
took the young people out of the day to mediate
00:44:44
for other people because I think that
00:44:46
this place of the mediator or of those who have
00:44:49
contact with access literature is
00:44:51
also to encourage other people to
00:44:53
be able to look at this immensity and
00:44:56
beauty that is literature, the sea, it
00:44:58
also has this diving place that
00:45:00
helps us to become strong, just
00:45:03
as literature also has, it
00:45:04
also feeds the soul and the body and this
00:45:08
trajectory that we were hoping and
00:45:11
believing in in the literary world and we
00:45:13
went deeper
00:45:14
as managers of
00:45:17
community libraries, right, today in the territory
00:45:19
we have five and also with other
00:45:22
collectives that were inspired, so I,
00:45:24
Bruninho, are part of Bruninho, then
00:45:26
he can even be a professor, he's talking more about the
00:45:27
collective, but the collective, it is also born from
00:45:30
this place in the school space, right? They are
00:45:33
young people who are also passionate about the
00:45:37
paths of Reading, and they met with
00:45:39
us for a few moments and asked for our
00:45:42
support so that they could also organize themselves
00:45:44
as a collective at school to
00:45:46
claim their rights and the
00:45:48
collective is in trouble. born from this
00:45:50
perspective today, now after 8 years
00:45:54
Um Tantão Mais Mature, thinking about the
00:45:56
transformative teacher, also about
00:45:58
teachers taking literary mediation
00:46:00
into the classroom and this
00:46:03
crimped project was born that focuses on
00:46:05
affective black literature because
00:46:07
we believe that this place of looking is
00:46:09
also seeing in our children
00:46:12
children who need to be welcomed,
00:46:15
children who need to look and
00:46:17
identify within the literary world in
00:46:19
which for a long time we were
00:46:21
denied this place of identity of
00:46:24
representation in the place of the playful
00:46:26
but the prudish that also moves us that
00:46:28
makes with us See the affectionate side
00:46:30
of being in a family represented
00:46:33
with our colors represented with
00:46:35
our tastes represented with
00:46:38
our smells represented this
00:46:40
literature that we also want to present
00:46:41
to the world and make other
00:46:43
people see the beauty which is
00:46:46
black literature, also
00:46:50
peripheral literature and this collective has been
00:46:54
thinking and asked for the support of the
00:46:56
Reading Pathways to look at the
00:46:58
collection to look at the
00:47:01
methodological way to take training to
00:47:03
teachers because the majority of them are also
00:47:06
from Encrespado collective is made up of
00:47:08
pedagogues as well as the people from the
00:47:11
Community Library Paths of
00:47:13
Reading So it was a combination of a
00:47:15
project that is very beautiful, very beautiful
00:47:17
to see, and we are working in the
00:47:20
territory of Parelheiros, at the
00:47:22
MF Vargem Grande school, we were included on
00:47:25
Saturday, making our strategic plan,
00:47:28
so we have the vision of expanding to
00:47:30
more schools, so our goal is that by the
00:47:32
end of the year we already have four
00:47:35
schools receiving the collective for this
00:47:37
process, not only training, but
00:47:39
also meeting the children
00:47:41
taking this collection, which is a collection,
00:47:43
is also designed not only for the
00:47:46
children but also for the teacher's training process
00:47:48
and the school will have this
00:47:51
collection at the end of this project, right, it
00:47:54
remains at the school. This is a little
00:47:56
bit of the work that the curly man
00:47:58
has done with the schools and then
00:48:03
last week we had a meeting and
00:48:05
I wasn't at the previous one, we
00:48:07
also do an activity route between the
00:48:08
mediators and when I went to get the
00:48:11
record book, right, to record it
00:48:13
because we also record the
00:48:15
impressions from the children and then there was a
00:48:17
question from Bruno that he asked that
00:48:19
it was a dictatorship. So the answers are
00:48:23
wonderful, this collective construction
00:48:25
with the children is even better because there
00:48:28
is no place there to just point out the
00:48:30
error but to build it together, right? So
00:48:32
they said that it was a dictatorship It was when you had
00:48:35
your finger up pointing your finger
00:48:39
at each other and what a dictatorship it was to hit,
00:48:43
so children have a lot to
00:48:46
teach us too and how do we build
00:48:48
this through literature in which
00:48:51
children and young people also have a voice? active is
00:48:54
this place that was born on the path to Reading
00:48:55
and continues to this day within
00:48:58
the territory of Parelheiros. So the
00:49:00
guard bags that go to the Guardians of the
00:49:03
territory, right? After
00:49:05
the library closed, they are bags that
00:49:08
the community receives 10
00:49:10
literary titles and we You can also make this
00:49:12
exchange to be able to talk a
00:49:14
little about what this immensity was or
00:49:16
what these anxieties that literature
00:49:18
caused in each subject in each individual
00:49:21
who received this grant and today we
00:49:24
have a provisional space that is
00:49:25
also this space for exchange for
00:49:27
construction, the neighborhood that is in the
00:49:29
Silveira neighborhood in the territory of Parelheiros,
00:49:32
we still have the
00:49:33
loan process, not in the amount
00:49:36
we had before, but we continue with
00:49:38
our activities Mainly in the
00:49:40
partner spaces, but this project
00:49:42
is so beautiful and I'm really
00:49:45
proud, guys, I'll always speak with
00:49:46
a lot of conviction and always with a lot of
00:49:48
affirmation Because in fact it's a work
00:49:51
that fills not only us with pride
00:49:53
but also the people we've been
00:49:55
listening to over the years, right?
00:49:57
I'm over 13 years old and
00:50:00
yesterday I went to take an Uber and he was talking about
00:50:02
the empowerment that was one of the girls
00:50:04
and then it was a coincidence, right? He says
00:50:07
wow, you're Cidineia's niece but
00:50:09
Cidineia is everywhere, she's at the
00:50:11
city hall, she's at the UBS meeting, she
00:50:13
's at the school meeting and she also
00:50:16
works with you, so you come from
00:50:18
this generation, from this place that
00:50:20
really empowers these young people, eh, and, and
00:50:24
how beautiful it is for us to see
00:50:26
what atura can provide for each
00:50:29
young person for each educator, the teachers, right, so
00:50:32
last week when
00:50:34
we arrived at school, in fact, the
00:50:36
girl at reception went to open the
00:50:38
gate and she looked at me, Bruno and
00:50:39
said, we were already worried, she thought
00:50:41
you wouldn't go coming like this
00:50:43
is a process of arriving with
00:50:45
literature within schools in a place
00:50:48
that they also recognize as a
00:50:49
place that needs to be that is not
00:50:52
just the management or the teacher who is
00:50:54
in the classroom who recognizes these
00:50:56
bodies who also encourages the The
00:50:58
literary world is also the school body and
00:51:01
we have had this concern and it was
00:51:04
something that we learned on the path of
00:51:06
reading, right? How do we look at the
00:51:09
literary process in this place,
00:51:12
which also has a formative process and this
00:51:14
formative process needs have
00:51:16
continuity and the school needs to be
00:51:18
this place of continuity not only
00:51:21
of learning initiatives so for
00:51:24
us it is very important to continue with
00:51:26
this work and have so many
00:51:28
partners so we have the cpcd which
00:51:30
is also in the territory of Parelheiros
00:51:32
which has welcomed our events
00:51:34
we just held in March, saral
00:51:36
women in literature, we have
00:51:39
ongoing activities there with a center of
00:51:41
Excellence in early childhood, so the
00:51:43
work that iba, which is Paths of
00:51:45
Reading, has carried out in the territory
00:51:47
of Parelheiros is an expansion not
00:51:49
only of literary repertoire But
00:51:51
also of leisure culture of democracy
00:51:54
and we are able to know our
00:51:57
rights and it is the rights that we are
00:51:59
able to express in the body in speech in
00:52:02
gesture in meetings and I think it is a
00:52:06
little bit of all of this, so sometimes I
00:52:08
get even a little lost on what to
00:52:10
share because there are a lot of things
00:52:12
we were even talking about this
00:52:13
morning At a meeting we have done
00:52:15
a lot of beautiful things within the
00:52:18
territory and it also needs to be
00:52:21
systematized it needs to be in the world
00:52:24
so that more people can not
00:52:26
just see that it works and that it is very
00:52:29
important but that we also have
00:52:30
mistakes we also have challenges
00:52:33
we also have conflicts and that we
00:52:35
need to be together that we need to
00:52:37
be in dialogue talking about this so
00:52:39
that we can not only to evolve
00:52:41
but also to face these anxieties
00:52:45
these challenges these are difficulties that
00:52:48
appear in the course of our
00:52:52
life, wow, how much beauty, right,
00:52:56
difficult people here, come back to the scene for me to
00:53:00
tie this together, this is pure Beauty, I think
00:53:03
you can follow
00:53:05
exactly how many people via chat Speaking
00:53:08
of the greatness of your speech about
00:53:11
Beauty, I want to highlight here a
00:53:16
speech by Alessandra, she writes here
00:53:19
books cannot just be
00:53:21
pedagogical tools, they are also
00:53:24
aesthetic, ethical, poetic experiences and the expansion
00:53:28
of horizons, this is because of what
00:53:30
we were talking about of censorship, right, and I
00:53:33
highlighted Alessandra's speech here
00:53:36
because it's interesting when
00:53:38
Bel says about the books she was
00:53:40
reading that there was a CFC, right, and Someone
00:53:43
wrote here, well, Kafka is heavy, right, but
00:53:45
Kafka helps you understand Bruno and
00:53:49
Katherin too They talked about
00:53:51
peripheral literature, right, so it's very beautiful,
00:53:55
we see that all this fits, right?
00:54:09
Brazil with Kafka, right, this
00:54:12
idea of ​​always corresponding with
00:54:15
someone who isn't me, but who could
00:54:17
be me, right, this meeting is so
00:54:20
wonderful, so I think this power,
00:54:23
right, and when I mentioned the school a little bit,
00:54:25
which was the last one question
00:54:28
precisely because of the Power, especially that
00:54:32
you have incredible collections, right, precisely
00:54:35
in this collection that Alessandra says that the
00:54:37
book is not just pedagogical, it is aesthetic,
00:54:40
it is about non-comprehension, right, because I
00:54:42
really liked it when Bruno talks like that,
00:54:44
I didn't understand Saramago But not that,
00:54:46
but I liked not understanding it too
00:54:48
because it made me think about it. I understood
00:54:51
a part of it or understood what that
00:54:53
age gave you, right? It's so cool that we
00:54:57
go back to the books of the past
00:54:58
when I pick up the book The First
00:55:00
Crime and Punishment that I I read it, I
00:55:04
had a habit of taking notes and I look back at that
00:55:07
note from when I was 14 years old, I
00:55:09
really didn't understand that book,
00:55:11
I definitely didn't understand it, you know, I thought it was a
00:55:13
very loving book and it
00:55:16
wasn't quite like that, right?
00:55:19
It moves too much and then let me just
00:55:23
comment here I got lost here for a minute
00:55:25
another question that talks about a lot was about
00:55:27
the geography teacher Renata
00:55:30
started here the Geography teacher
00:55:32
saw Bruninho Everyone thinks this way
00:55:34
but which teacher is this who did this
00:55:37
but everyone say it's good because
00:55:39
that's how we gained a reader so it was and
00:55:42
geography teachers who are
00:55:44
listening to us I love you
00:55:47
Okay good AB Bel also one person
00:55:53
had asked for the list of books Super
00:55:56
Gentle here He put the link and Renata
00:55:58
says she also put the link here so I didn't
00:56:02
see it here in the chat but
00:56:05
Renata said she shared it here
00:56:08
so thank you so much I wanted
00:56:12
Bel to comment a little bit now
00:56:14
I'm talking a little more
00:56:16
exclusively with Belel about
00:56:18
Vera's course when I introduced it to Bel
00:56:22
I said that it was a somewhat new course,
00:56:24
postgraduate course in Young
00:56:28
Adult Literature, I don't know if I used the
00:56:30
correct term, if there really is this
00:56:33
idea of ​​originality, I thought it was very
00:56:35
new because of the participants in
00:56:38
the curriculum that the course proposed right,
00:56:40
and Abel was one of the teachers, I
00:56:43
really wanted her to comment on what
00:56:44
this experience was like,
00:56:46
and then I have one more question about
00:56:49
this possible literature meeting. If
00:56:52
we have
00:56:53
time, it could be Bel, can you tell us
00:56:56
what course this is, I can tell you, so there are
00:57:00
two courses there, you know, there's
00:57:03
Verac Cruz's course where I was a teacher for
00:57:06
a few years, I think a few years or
00:57:09
more I stayed there, this
00:57:12
literature course for children and young people with
00:57:15
this opportunity to talk to
00:57:19
teachers
00:57:21
with activists, you know, who are more artivist
00:57:26
of the Free Reading universe,
00:57:30
with people from different areas, right? And there
00:57:33
I worked with reading mediation
00:57:37
Bruninho Kell and other young people were
00:57:41
with me there in Veracruz and but then I want to
00:57:45
tell you a little about the Posse that we have
00:57:47
now with casa
00:57:49
Tombada which is a post-graduate course
00:57:52
to talk about what Kathlyn brings, right,
00:57:55
about Social education highlighted by
00:57:59
literature when K talks about Look at us from
00:58:03
Ibac, right, this organization is
00:58:06
quite old, right, it's already been there for over
00:58:10
40 years working with rights
00:58:13
humans and in Parelheiros we have been there
00:58:16
since 2008 and bringing literature,
00:58:20
cutting out our lines of action
00:58:23
with literature, obviously
00:58:26
with children and young people, with the area of
00:58:31
healthy eating, with
00:58:34
environmental issues, with mental health care
00:58:38
and with communication, and cutting out everything this
00:58:42
with literature, right, a practice of
00:58:44
social education that mobilizes people
00:58:48
through
00:58:49
literature, this is unprecedented, right, it's
00:58:52
a proposal for the second half
00:58:55
of this year
00:58:56
and I think one cool thing Celinha that
00:58:59
I would highlight is the fact that we
00:59:02
always do this in a In an
00:59:05
intergenerational way, in the coordination of this
00:59:07
course, I am Valdirene Rocha, who is
00:59:12
an Educator, and K, who is a young woman who
00:59:16
graduated from the library, so there is always
00:59:19
this opportunity, you know, of these
00:59:22
constructions in a collective way in which we are
00:59:26
involved, right, we never looked
00:59:29
at young people as our target audience.
00:59:33
always treated us like partners in this
00:59:36
construction, right? So, even though we didn't understand
00:59:40
anything, right, sometimes, as Bruninho said, But who is it, right? Who
00:59:43
understands everything? Today we
00:59:45
talked about it, imagine, right? It's
00:59:50
the
00:59:53
fourth or fifth time that I'm reading the
00:59:55
CFCA process and each time is different
00:59:58
because we are different people, so this
01:00:02
place, right? And you also bring this from
01:00:05
your notes on top of the books, right? You've
01:00:08
already read how important this is.
01:00:11
and then we believe that
01:00:13
literature, when it is in the hands, in the
01:00:16
mouth, at the feet of people with different
01:00:19
experiences like mothers, right, we are
01:00:22
talking about, look, it is possible to have a
01:00:26
literary motherhood, we will be born as readers
01:00:29
and who takes care of this motherhood The
01:00:32
whole community, the whole village, has to
01:00:35
take care of this maternity ward and needs to
01:00:37
bring these mothers together. So our action
01:00:40
that calls Born to Read in the best
01:00:43
place to live, it needs
01:00:47
everyone from the community, right, so in this
01:00:50
postgraduate course we come to tell you this is
01:00:53
how we bring it, how
01:00:55
can literature mobilize mothers,
01:00:58
educators, educators, brothers and sisters
01:01:02
for literary motherhood for this
01:01:05
birth of readers,
01:01:08
how can we
01:01:09
bring literature to the care of
01:01:13
our bodies because we say if
01:01:15
we have in a living there is no literature to
01:01:18
sustain us so we bring
01:01:22
literature for the construction of
01:01:24
Food and also for the hearts and
01:01:27
minds, that's what we've been calling
01:01:30
it, you know, this social education and this
01:01:34
mobilization we have this course is
01:01:37
formatted, right, building forms for the
01:01:40
second semester. I hope more people are
01:01:43
interested, at Casa Tombada,
01:01:47
eh. There's more information about the course, and
01:01:51
finally, I wanted to talk a little, right,
01:01:53
about intentionality, right? Our
01:01:56
educators, educators, we know, right?
01:01:59
that education doesn't happen
01:02:03
spontaneously, right? I really like to
01:02:06
think about the issue of food, right?
01:02:09
If we were allowed to, we would grow up eating
01:02:12
sweets, right?
01:02:19
They do it
01:02:22
right, in our food education we
01:02:25
introduce what is healthy and
01:02:28
necessary little by
01:02:30
little with our training, with our
01:02:33
literary nutrition it is no different, so
01:02:36
when we talk, look, we read
01:02:39
peripheral literature, we read the
01:02:41
classics, we read contemporaries,
01:02:43
we read novels, we read poetry, we read microstories, we
01:02:47
read chronicles because we took care of this
01:02:50
literary nutrition when we
01:02:53
created this list that is
01:02:56
available to you in the chat, and we
01:03:00
called Ana Maria Gonçalves and gave
01:03:04
her a slogan, Ana said to we
01:03:07
want you to
01:03:08
nominate authors that we need to read
01:03:12
to get through the bad weather but we
01:03:15
want half of them to be women and we
01:03:18
also want there to be a diversity of
01:03:21
literary genres for C luí C We
01:03:25
asked us we want you to nominate
01:03:28
authors and black and black authors,
01:03:31
black, black, but who have diversity, for
01:03:35
Rogério Pereira, from the newspaper,
01:03:39
we asked, we want you to
01:03:41
nominate only classics, but half of them
01:03:44
are women, because if we don't have the
01:03:47
intention, we always end up reading the
01:03:49
same things, we We can't even
01:03:53
define what our taste is if we
01:03:56
don't try other flavors, we stick to
01:03:59
the one that is safe because we can't even
01:04:01
know what we like,
01:04:04
so I think it's very important for
01:04:06
us to think about that,
01:04:08
right? You heard me, you
01:04:10
heard me more than once say that we
01:04:13
would always need to look at the shelves
01:04:16
of our bookshelves in the
01:04:20
public library, the school library, the
01:04:22
Community library, the
01:04:25
personal library, in any of them and
01:04:28
ask who is not here, who is
01:04:31
missing because it is a loss In view of the
01:04:35
human diversity that we have, we
01:04:37
stop knowing what is being
01:04:40
produced. So I just wanted to bring this
01:04:43
issue of intentionality to
01:04:45
our construction as
01:04:48
readers, which is essential, right, because
01:04:52
only then will we be able to read
01:04:53
everything and define our
01:04:57
tastes, thank you, thank you, Bel,
01:05:01
I even apologize that I had
01:05:04
told you to talk about a
01:05:05
course proposal but it was from Casa Tombada, so I
01:05:08
apologize,
01:05:10
hey, if anyone has any questions about
01:05:13
this course, you want to put it in the chat, but
01:05:15
anyway, Casa Tombada It's easy to find, right?
01:05:36
literary, right?
01:05:58
When children learned
01:06:01
to read, it was so wonderful to learn to read
01:06:05
that these children would write the words they liked on the blackboard, their
01:06:07
parents would spread
01:06:10
some honey there with some cereal and the
01:06:13
children would lick it.
01:06:19
feeding that that would never again
01:06:22
be part of your life
01:06:24
forever, right? So I think
01:06:26
this from Literary Maternity of
01:06:28
Literary Nutrition, Magali also
01:06:30
wrote something that I don't know if it was
01:06:32
here in the video, just in the chat, but about
01:06:35
climate change, right? I think that today
01:06:37
we have in literature, you said, right
01:06:40
Bel, that everything fits and everything has to fit
01:06:42
and there has to be intention and there has to be
01:06:46
diversity, literature has always
01:06:48
talked about everything and today it continues to talk about
01:06:51
everything, so science fiction was already talking about
01:06:54
about climate change, we have
01:06:56
wonderful books about this, about the
01:06:58
issue of gender, about the issue of
01:07:01
blackness, about the issue of
01:07:03
immigrants, about the issue, in short, it's
01:07:07
difficult for us to find a topic that
01:07:08
literature doesn't take care of, right, so
01:07:11
I think this What you talk about the intention
01:07:12
of diversity is very precious, right, and
01:07:15
I think several people are commenting on
01:07:17
this because that's it, right? We can fit everything in, right?
01:07:21
And since we're going to need about
01:07:23
10 lives to start reading a little,
01:07:25
right? teacher when he
01:07:27
gave the list of books for the year we
01:07:28
said But this is desperate there won't be enough
01:07:31
time he said Calm down people We know
01:07:34
that at least 10 years 10 times we
01:07:36
would have to go back to start reading a
01:07:38
little so I think that's also the case It's
01:07:41
good, right? Hey, Alessandra, here I want to
01:07:44
sweeten and lick words, that's right, that's what
01:07:47
I learned in the book A History of
01:07:50
Reading. It tells a lot of different rituals
01:07:52
from different peoples, but they all converged, right?
01:07:55
This idea of ​​the greatness of the Sacred of
01:07:58
learning to read, right? Well, we're
01:08:02
almost at the end, I still wanted to ask
01:08:06
since I'm asking so much, right? For
01:08:09
you to comment on something that, at
01:08:11
least for me, made a lot of sense
01:08:14
lately, I think it was the first time
01:08:16
I voted, I voted for the representatives of the
01:08:20
council of the Municipal Plan in the book of
01:08:22
Reading I think that for the first time we
01:08:25
had one, at least for me, maybe
01:08:27
for those of you who are further ahead,
01:08:31
more in the militancy, no, but a lot of
01:08:35
dissemination of this election, right, the candidates
01:08:37
speaking and so on, these Counselors
01:08:40
of the reading book, why I'm
01:08:42
saying this, right, because when we
01:08:43
talk about what we can do, right,
01:08:46
what things we can do, I think
01:08:48
first of all, this is being a love of reading,
01:08:52
encouraging school, and having a card
01:08:55
from the neighborhood library, right, reading a lot and
01:08:58
reading a lot, participating of all these situations, right,
01:09:01
but knowing that those that the city
01:09:04
has councilors, right, people
01:09:06
closer to us, can be making
01:09:08
a political impact seems so
01:09:11
important to me and it's an election that few
01:09:14
people vote in, just like in the
01:09:15
guardianship council, in the health council, in the council
01:09:18
of Culture So if you could
01:09:22
comment on the council,
01:09:25
if you know the people who were
01:09:26
elected this year, what can you
01:09:28
talk about? Maybe or do you think it's
01:09:31
boring?
01:09:45
We didn't think it was annoying at all, I was
01:09:48
just afraid to open the microphone
01:09:50
first because there was some shouting that I
01:09:52
don't know if you can hear and it's
01:09:55
my neighbor.
01:09:59
shouting
01:10:02
is part of it, that's it, right?
01:10:23
of what was stated, right, it was very difficult And
01:10:26
then starting to understand that
01:10:28
public policy is part of my
01:10:30
existence was very interesting, very
01:10:33
important because this also ended up
01:10:35
becoming my TCC, I talk about the process
01:10:38
of reading mediation in early
01:10:40
childhood with this focus of guaranteeing this
01:10:43
access and for us at Caminhos da
01:10:46
Leitura it was very important for this place
01:10:48
of the word and Power to occupy some
01:10:50
spaces that are often
01:10:53
young people, mainly from the literary network,
01:10:55
Sampa was occupying this place
01:10:57
of discussion, he was also occupying this place
01:11:00
of representation, right, so
01:11:02
we had one of our representatives
01:11:05
in previous years who was a
01:11:08
librarian from one of the
01:11:10
community libraries who was ejac, she was
01:11:13
also part of this council and today we have
01:11:15
Fabiana who is an
01:11:18
acquaintance of Cris Rogério who It's also
01:11:20
part of not only the fight for
01:11:23
this place of research but also for the
01:11:26
libraries, you know, it's a great partner that
01:11:28
comes from Casa Tombada and that has talked
01:11:31
a lot with us so that we're in this
01:11:34
game together. Because we need to join forces,
01:11:37
this is the place of representation for
01:11:39
us who are in the literary world,
01:11:41
especially in
01:11:42
community libraries, is very important to occupy
01:11:45
these places of power because it has always
01:11:48
been said that we shouldn't
01:11:51
also be discussing our
01:11:52
rights and the Municipal Book Plan for
01:11:55
Reading was very important because
01:11:57
not only gives us this place of
01:12:00
responsibility but also allows us to
01:12:02
build together what is in fact
01:12:04
our right. So we do have
01:12:07
some acquaintances, we are
01:12:09
increasingly present and working together with the
01:12:12
people in our network, we didn't
01:12:15
achieve this year to have a person
01:12:17
representing but we have been
01:12:20
following along and also being involved in
01:12:22
decision-making and especially in
01:12:24
discussions
01:12:26
Abel, if you want to complement anything else,
01:12:28
Bruninho is welcome
01:12:31
Ah, I think that's exactly it, I think we
01:12:34
managed it, right, at least there
01:12:38
2013 carry out the public hearings, have
01:12:43
the law ready from these hearings,
01:12:48
be able to set up the council, and
01:12:52
this whole space is also an arid space, right,
01:12:55
because if reading requires us
01:13:00
a while, the reading policy requires
01:13:04
us about three or four times because
01:13:08
we are there, right with many, with many
01:13:11
forces in favor, but also with a series
01:13:15
of demands, let's see the
01:13:18
national written reading policy, right, which
01:13:20
we called the Castilho law, which was
01:13:24
due this Wednesday. Finally, it wo
01:13:28
n't be signed anymore It's going to be more then, all of
01:13:30
this, right? There are many forces
01:13:34
around us, but we can't give up, you know, that
01:13:37
it's a public policy
01:13:42
built by several hands and several voices
01:13:45
in which the entire
01:13:48
creative
01:13:50
mediating chain, everyone is part of it, right?
01:13:54
you can't give up, we talked
01:13:56
here about intentionality, I saw other
01:13:58
messages saying that's it, so
01:14:02
how are we going to
01:14:05
make it a country of
01:14:08
readers if this isn't part of
01:14:11
our political proposals, we in The
01:14:14
library always says, right, that the action of
01:14:18
a library is a literary,
01:14:23
educational, poetic and
01:14:26
political action, anyone who thinks we
01:14:29
're there just spending time, right,
01:14:32
doing nothing, is wrong, anyone who thinks we're
01:14:35
doing nothing, we're there
01:14:37
doing something. project that is poetic that is
01:14:40
political that is Educational that is
01:14:46
transformational I think
01:14:49
that is all that Kly and Bel
01:14:53
brought so I'm not even going to repeat
01:14:55
what they brought here I think that an aspect
01:14:57
that I also consider that we
01:15:00
also consider Fundamental It's important, right, we
01:15:03
heard a lot that young people, right,
01:15:06
that teenagers weren't interested
01:15:08
in politics, and in fact it was the
01:15:11
opposite, right, politics didn't dialogue
01:15:13
and was interested in language because of the
01:15:16
spaces that young people occupy, right, so
01:15:19
I think that an experience that it was very
01:15:21
important to participate in
01:15:25
this construction of the
01:15:26
Municipal Reading Book Plan here in the
01:15:29
municipality was to see how
01:15:32
community libraries strategically
01:15:34
intentionally build space to
01:15:38
talk and exchange ideas with
01:15:40
different actors and actresses. I remember that
01:15:42
a conversation that had a big impact on
01:15:45
Monteira Lobato was a
01:15:47
public hearing that we held with children
01:15:49
where the children had to suggest
01:15:52
things for law and this is often the case
01:15:54
when we build
01:15:56
democratic strategies, right, oh let's build
01:15:58
democratic strategies for participation
01:16:00
at school then ask the young people look for a
01:16:02
pen, look for scissors and think that this
01:16:05
is being democratic Ah, let's see the
01:16:08
children, they make the drawings stick on the
01:16:10
wall and that's it And then the
01:16:14
community libraries, right, in São Paulo they innovated,
01:16:16
folks, let's have a conversation with the
01:16:19
children when we look at the data
01:16:21
they are the biggest patrons of
01:16:23
public libraries when it comes to
01:16:25
community libraries, as we
01:16:26
don't listen to our biggest audience and then the
01:16:29
most innovative and cool ideas that
01:16:32
happened came from them, there is a girl
01:16:35
who suggested look when I go out with
01:16:37
my mother on the weekend on the bus there is
01:16:40
an itinerary where the shopping mall passes Why
01:16:43
not have it where the libraries pass and
01:16:47
this came into play So how do we
01:16:49
also build intentional spaces,
01:16:51
like Bel brought training, well for
01:16:55
participation in political life, right in the
01:16:58
construction of Citizenship and I believe
01:17:00
that the community libraries, you know, have
01:17:03
done a very nice job,
01:17:05
intentional and rooted in these aspects, you know,
01:17:08
of getting reading mediators
01:17:10
to also discuss these other places, you know,
01:17:14
these other disputes that surround us
01:17:17
in our daily lives,
01:17:24
all of us,
01:17:27
too, great people, that's good, I thought
01:17:31
that the question could be boring, right,
01:17:34
because we talk about politics But I
01:17:37
personally care and am
01:17:39
very interested in myself. I was part of the
01:17:41
beginning of this conversation,
01:17:44
I even met with belé a few times at the
01:17:45
cultural center, right, it's been a while and
01:17:49
this proposal for example, I remember
01:17:50
the buses, the bus goes to the
01:17:53
Monte Lobato library, this bus goes to the
01:17:55
Walter Santos public library,
01:17:59
sorry And why Because even if the
01:18:03
person wasn't going to the library
01:18:05
Wow, I didn't know that the Library was
01:18:07
on the route of this bus, right?
01:18:09
We even thought about having
01:18:11
reading agents, so, just like we have
01:18:13
health agents, we can have
01:18:16
reading agents who would go through houses and
01:18:18
talk about reading. Anyway, so I think
01:18:21
these dreams that seem utopian
01:18:23
sometimes, but when we start thinking
01:18:25
about them, we can share these dreams with
01:18:28
other people end up being
01:18:31
confirmed, right, finally consummated and then
01:18:33
Amanda Leite wrote here in the chat that she
01:18:36
also didn't know about this council, the city
01:18:38
has a lot of councils, right? There
01:18:45
was also another one that we voted on a
01:18:47
few days ago, but they are little-known pieces of advice
01:18:50
that we rarely participate in,
01:18:53
but they are important, you know, they are
01:18:55
important for us to be there.
01:19:04
final considerations at the end this
01:19:06
question the last one was so beautiful and you have
01:19:08
already asked so many but
01:19:11
I would still like to say a good night from each of you
01:19:14
then I too prepared one here that
01:19:17
will be repetitive it will be like the
01:19:18
last one but I like doing it
01:19:20
exactly the same So I would like
01:19:23
you to say goodbye, I want you to say
01:19:27
Maria dalgis wrote here
01:19:32
half an hour ago that I didn't know the
01:19:34
contraption so if you're still
01:19:36
around daliz the contraption happens
01:19:38
every Monday, a
01:19:40
wonderful program and on YouTube you can watch
01:19:43
the old programs So come and jig
01:19:47
with us as always, thank you and I'll
01:19:50
move on to Good evening from you later I
01:19:52
have a good evening too
01:19:57
and now it's the order you decide well I
01:20:01
can start I'll just point out that I
01:20:03
saw some questions in the chat About the
01:20:06
course, registration will be reopened,
01:20:09
so there will be more
01:20:12
information about our course soon, but we'll be
01:20:16
notifying you, open it, Instagram, put the
01:20:19
bell there to receive notifications of the
01:20:21
PS communication. We hope that those of you who
01:20:24
are listening to us are also one
01:20:27
of our students who will be there
01:20:28
learning with us but also teaching
01:20:31
us a lot, we are hoping
01:20:33
to welcome each one of you who
01:20:35
were there following us on the chat, I would like to
01:20:37
thank you very much for listening, aunt of each
01:20:40
one who not only kept sending the
01:20:44
the messages congratulating but also
01:20:47
building this very important dialogue here,
01:20:49
I took several prints here
01:20:51
because I thought some
01:20:53
comments that appeared were super important, thank you Celinha
01:20:56
for your very sensitive and loving mediation.
01:21:01
Thank you very much, it was a pleasure to meet you
01:21:03
and I'm here tonight with you and also
01:21:05
contraption for having opened this
01:21:07
opportunity for us to be here talking
01:21:09
a little about this work of Ibac but
01:21:12
also about community libraries and
01:21:14
how this place of literature has changed
01:21:17
and transformed and overflowed each
01:21:19
subject so thank you very much to each
01:21:22
one of you, thank you Bel, thank you too
01:21:25
for being here sharing with me
01:21:27
tonight, a great night for each of
01:21:29
you who listened to
01:21:31
today's meeting, thank you, how beautiful, so I'm going to
01:21:37
go from here, so I also wanted to
01:21:39
thank Celinha for your beautiful mediation,
01:21:43
thank everyone who is at home in
01:21:46
our listening and watching us people
01:21:49
who will listen and watch this video later
01:21:51
so sign us up follow us on
01:21:54
social media any question any
01:21:57
interaction just there
01:21:59
@ba on Instagram send a little message
01:22:02
there there is always someone to
01:22:05
answer you And then I wanted to leave a poem
01:22:07
is actually not an excerpt from a poem, you
01:22:11
know, that Mandela recited it once, then I
01:22:13
saw a very special woman reading it to
01:22:16
another very special woman. Mafo
01:22:19
Dara, who is the president of ib ib, recited
01:22:22
this poem once for the tribute that
01:22:24
She received it at Sesc Taquera and I was
01:22:27
like wow, I want to be like these
01:22:29
women and always when I have
01:22:32
difficult days like this I remember this poem and
01:22:35
it helps me get back on track and I
01:22:38
wanted to give it to each and every one of you,
01:22:41
it says more or less
01:22:43
so our greatest fear is not that
01:22:46
we are
01:22:47
incapable our greatest fear is that we are
01:22:51
powerful beyond measure it is Our light and
01:22:55
not our darkness that frightens us most we
01:22:58
ask ourselves Who am I to
01:23:01
be intelligent, attractive and
01:23:06
talented in fact who are you to
01:23:10
not be everything That playing small doesn't
01:23:13
help the world, it's as we let
01:23:16
our own light shine that we
01:23:19
unconsciously give permission to
01:23:21
other people to do the same and then
01:23:24
shine good night
01:23:29
wow that's the
01:23:34
gang Thank you Bruninho Thank you Kel
01:23:38
Thank you
01:23:39
Celinha Thank you Renata and the whole gang
01:23:42
contraption Who is also there behind the
01:23:46
scenes, right, making this meeting
01:23:48
happen, this meeting of sparkles, right?
01:24:09
built
01:24:11
and being able to share with more
01:24:14
people who have young people, you know, who read and
01:24:18
imagine for me, right? For us at ibac who
01:24:22
have been there in Parelheiros for 16 years and
01:24:26
we have found boys and girls there
01:24:29
who talk like this Will one day I will
01:24:31
be like Kathlin oh, will one day
01:24:34
I'll be like Bruninho and we've
01:24:37
seen it, every time with less time,
01:24:41
boys go from not liking
01:24:45
reading to thinking they don't like reading to
01:24:48
becoming a reader and how this changes
01:24:53
their physical posture your
01:24:58
moving around the city in the neighborhood like This
01:25:02
changes
01:25:03
the voltage of your gaze boys who
01:25:07
sometimes seemed like they were fading, right, we
01:25:11
came out of a pandemic, right, people
01:25:13
who dimmed a lot of shine that discouraged
01:25:18
a lot of people and you see there boys and
01:25:22
girls who you'll find yourself entering, right?
01:25:46
a
01:25:49
reading community that shares, right, that our
01:25:53
literature that our access to reading
01:25:56
is not to build rankings but
01:26:00
to build wheels,
01:26:04
thank you very well, thank you very much, guys,
01:26:09
I'm going to finish the same way I
01:26:12
finished the other time, Renata will say
01:26:14
Wow, but There wasn't anything new, right, but
01:26:18
she'll remember it, but I wanted to, when
01:26:20
Bel went to answer the first question,
01:26:24
I thought she said something so
01:26:26
cool, a discovery like that, she said, there
01:26:28
's nothing new about destroying
01:26:30
books, right, Bel, that's what you said.
01:26:32
there's nothing new And then
01:26:36
next May 10th, now they're going to be done, it's going to be
01:26:41
83 years of this scene here, me with the newspaper
01:26:44
again, I love the old newspaper, right, the
01:26:47
Nazi empire grew out of a bonfire
01:26:50
of books, so there's this scene,
01:26:53
it's 1941, here it says It was on
01:26:58
May 10th, like today in
01:26:59
1941, that a group of
01:27:02
Nazi students piled up and burned
01:27:06
books by Marxist and
01:27:08
left-wing Jewish authors in Berlin, but not only were they here, Don
01:27:11
Kot, they were here, Shakespeare, they were
01:27:14
here,
01:27:15
philosophy books, so I think I I wasn't going to
01:27:18
show this but I thought it was so beautiful that
01:27:20
Bel said it's nothing new to burn
01:27:21
books But we always win, right?
01:27:33
here in 2016 it says that those who
01:27:36
read books have their death rate reduced by 20%,
01:27:39
so that alone is a wonderful reason
01:27:42
for us to read a lot, isn't
01:27:45
it?
01:27:51
a great
01:27:54
pleasure to mediate,
01:27:56
sorry for my way of mediating here,
01:28:01
super grateful to everyone, everyone who
01:28:03
wrote, Renata for the invitation, all the
01:28:06
best,
01:28:09
everyone, I'm not going to end the
01:28:12
program yet, I want to thank
01:28:15
our audience immensely, she was so poetic,
01:28:18
there are so many beautiful things that people
01:28:22
left it here and it was the inspiration for this
01:28:25
Quartet that was here, Celinha is a huge
01:28:27
guest of ours, always to mediate
01:28:29
because she is always wonderful and this
01:28:31
theme had to be
01:28:33
yours, it couldn't be anyone from the
01:28:36
team here Bel Bruninho Kathlyn,
01:28:39
thank you so much for you accept contraption
01:28:41
with us Bruninho has already been with
01:28:42
us here Abel has also been with
01:28:44
us with contraption and Katherine can come
01:28:46
as many times as you want, right
01:28:48
contraption has this collaborative and
01:28:51
cooperative way of producing programs
01:28:53
so come come again Celinha
01:28:55
you can come here every week you
01:28:57
have a captive audience here, right,
01:29:00
everyone becomes a fan and wants to hear more,
01:29:04
eh, I would love to be able to read the comments
01:29:07
But we won't even have that time for
01:29:08
it to be recorded, I want to say that the
01:29:10
links to both the post course as
01:29:15
the list of books is in the description of the
01:29:17
YouTube channel and I'm already taking advantage of it by saying
01:29:19
it is extremely important to like
01:29:22
share make comment there are
01:29:24
our pages because this reaches
01:29:27
other people and today's program has to
01:29:30
reach other people like this and
01:29:32
we don't it can be closed only to this group
01:29:35
of people who like contraptions on
01:29:36
Mondays. This program is good on
01:29:38
Mondays because it gives you a boost, right?
01:29:41
And I need to read an excerpt from a book
01:29:45
that was recommended by Celinha in August
01:29:47
last year, it was on my list of
01:29:50
reading desires so I went to the
01:29:52
Unesp fair that took place a few weeks
01:29:55
ago and as it was on the list I bought it
01:29:57
at the fair and I'm going to read an excerpt
01:30:00
because this issue of
01:30:03
us taking people has to read
01:30:06
diversity I agree Bel Definitely
01:30:08
We even have to read so that we
01:30:10
can find what we
01:30:13
like, right, but when we read something that
01:30:16
we see representation is much
01:30:18
more transformative, I have no doubt about
01:30:20
that, I'm a white woman, I know,
01:30:23
all the books fairy tales But
01:30:25
I think that if I were a
01:30:27
black child my life would have been very
01:30:28
different if princesses weren't
01:30:30
like that, like Snow White and Celinha,
01:30:34
you'll remember that you recommended
01:30:36
this book to me in August last year
01:30:37
so I couldn't reading at that time, I
01:30:39
hadn't even bought letters and I'm already
01:30:42
advanced reading, but for those who
01:30:45
don't know Françoa ega, she was a
01:30:48
person, this writer, she was a
01:30:50
maid in France, she was from
01:30:54
Martinique and she knows about the
01:30:57
existence of Carolina Maria de Jesus
01:30:59
through a newspaper and she falls in love
01:31:02
with Carolina Maria de Jesus and the
01:31:04
existence of Carolina Maria de
01:31:07
Jesus' book encouraged this person to write
01:31:10
so she became a writer because she
01:31:14
looked at Carolina Maria de
01:31:17
Jesus and I'm going to read one one one and she
01:31:20
started writing letters at the same time
01:31:21
as She wrote her own book She
01:31:24
wrote letters to Carolina Carolina
01:31:27
died and I never knew about her existence
01:31:29
and I'm in a dialogue with this writer
01:31:31
because I'm not going to meet her either because
01:31:33
she's also dead but if she If I
01:31:35
could, I would have something to say about
01:31:38
these Bridges they are building, about
01:31:41
Carolina who made my life and
01:31:43
her May 20,
01:31:46
1962 If one day I send you these
01:31:49
lines you will want to know the rest of
01:31:51
my story today at night tell myself What's the point?
01:32:10
I earned 10 Francs in the
01:32:13
afternoon I cleaned four rooms I cleaned two
01:32:15
bathrooms two cupboards I shelled 2 kg
01:32:17
of peas at home only with canned ones I
01:32:21
don't like peeling them and it irritates my
01:32:23
fingertips
01:32:24
but I'm not angry it's the end
01:32:26
of the month and it's Mother's Day with money
01:32:29
I could make a really big cake
01:32:32
Mother's Day is still a party for my
01:32:34
children they took it from my notebooks
01:32:36
Now I have to copy all the
01:32:38
pages again if it hadn't been for you if you hadn't
01:32:42
become my inspiration I would have already
01:32:44
thrown everything away saying from here on
01:32:46
out, writing closes one window and my
01:32:49
thoughts another opens and I see her
01:32:52
bent over in the favela writing on the paper she
01:32:54
had picked up in the trash, I who have the
01:32:57
immense happiness of having a notebook, a
01:32:58
lamp, a very low song coming
01:33:00
from the radio, I think It would be cowardice to drop
01:33:04
everything because a child tore up the pages
01:33:06
of the notebook, all I can do is
01:33:09
start over timidly, I said to those
01:33:12
around me, I'm writing a
01:33:14
book and so
01:33:16
on, Hail Mary, look, I'm listening to you,
01:33:20
I was so thankful. I'm glad I wasn't here
01:33:22
in front of you because I cried, I laughed and I was
01:33:24
enchanted and I'm really hoping
01:33:26
for your existence. I'm a
01:33:29
very grateful person to have brought
01:33:31
people like Bel into my life, who I
01:33:34
have a great admiration for, Bruninho and
01:33:37
Kathlyn, Bruninho, I met you
01:33:38
through a video I don't know if you will
01:33:40
remember a long time ago I saw a
01:33:42
video of you in front of me I took this to
01:33:45
Bahia for young people to watch they were
01:33:48
enchanted do you remember this I think
01:33:50
it was in 2018 and it works well that the world of
01:33:54
technology brings us closer of some
01:33:57
stories from some people, I wanted
01:33:59
to bring this excerpt from the letter, right, that
01:34:02
France wrote to Carolina, I'm
01:34:05
sure other people have
01:34:07
access to our chat, this
01:34:10
contraption of ours, other people will
01:34:11
want to write to Bruninho, other
01:34:13
people will write to k and other
01:34:15
people will write to Bel and
01:34:17
Celinha because you were very
01:34:18
inspiring I just have to thank you come
01:34:22
play with us as many times as you
01:34:24
want I want to say a huge thank you to
01:34:26
those who put up with us for 1 hour and 34
01:34:28
minutes next week we'll be back with
01:34:31
a theme I always love our themes
01:34:33
and get involved, but next week
01:34:36
will also be quite special, we
01:34:38
will be talking about how to discuss this
01:34:40
issue of genders and also deconstruct
01:34:44
this idea of ​​princesses, you know, of
01:34:47
princes in schools. So we will be
01:34:50
bringing this discussion for our
01:34:52
contraption and he has a program
01:34:55
next week's program was an
01:34:56
inspiration from last week when we
01:34:58
talked about
01:35:01
antima and Geralda who watched us
01:35:04
today she gave this idea so gerig
01:35:05
Gonça also works this way
01:35:07
people watch us send right They say a
01:35:10
lot of praise and say I want such a
01:35:12
theme, right this theme could be present
01:35:15
in our program so next week
01:35:17
you are invited, enjoy, share
01:35:20
Lúcio then make cuts and these cuts
01:35:24
also need to be publicized and that's it,
01:35:26
let's end the program otherwise I'm going
01:35:28
far and once again here I want to
01:35:32
hope that we have a year of
01:35:34
lots of cake in our coffee and
01:35:39
very well kisses to all of you,
01:35:42
who knows, maybe soon we'll see each other in
01:35:44
Parelheiros, that's
01:35:47
it, a good night kiss to
01:35:52
everyone, can you? close
01:35:57
[Music]

Description:

Geringonça SP do dia, 22/04/24, convidou a mestre em literatura brasileira Celinha Nascimento para mediar conversa sobre juventude e leitura com Bel Santos, educadora social, coordenadora do Instituto Brasileiro de Estudos e Apoio Comunitário e co-gestora da Rede LiteraSampa; e com os integrantes da Biblioteca Comunitária Caminhos da Leitura Bruninho Souza, pedagogo com formação em direitos humanos, e Ketlin Santos, educadora social, ativista do coletivo Encrespad@s. Linque sobre os cinquenta livros citado por Bel Santos, abaixo https://issuu.com/viracao/docs/viracao_edicao_116 Linque sobre Casa Tombada, abaixo https://cursos.acasatombada.com.br/curso/pos-graduacao-educacao-social

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