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мосфильм

война

великая отечественная

казакевич

солдаты

берлин

Мосфильм

германия

фильм

история

«великая отечественная война»

вов

вторая мировая война

великая отечественная война

союзники

отечественная война

исторические фильмы

военные фильмы

отечественная

Великая отечественная война

Великая Отечественная

лучшие фильмы

карен шахназаров

дорога на берлин

двое в степи

тифлокомментирование

с тифлокомментариями

фильм с тифлокомментариями

в хорошем качестве

военное кино

00:00:02

feature film the road to Berlin

00:00:04

begins made using

00:00:06

computer graphics screensaver of the Mosfilm film studio

00:00:09

shiny as if cast from metal

00:00:12

sculpture of a

00:00:13

worker and a collective farmer in front of it in large

00:00:16

letters the name of the film studio

00:00:17

letters m in capitals other lowercase

00:00:20

white title on a black background

00:00:22

Mosfilm film concern production

00:00:25

company Alexandra Litvinova

00:00:27

title with the heraldic sign double-headed

00:00:30

eagle with three crowns on the chest of an eagle in

00:00:33

the form of a shield text tetra

00:00:34

with the financial support of the Ministry of

00:00:36

Culture of the Russian Federation

00:00:38

the coat of arms of Russia underneath the text the Russian

00:00:41

military historical society

00:00:43

is represented against the background of the steppe

00:00:46

the title of the film appears handwritten as if by hand

00:00:48

underneath it text based on the story by Immanuel

00:00:50

Kazakevich two in the steppe and military

00:00:52

diary of Konstantin Simonov on a white

00:00:55

horse galloping across the steppe a young man in a

00:00:57

lieutenant's uniform

00:00:59

passes carts behind which

00:01:01

women with rakes are walking

00:01:03

starring Yuri Borisov Amir Lykov Pharmacy

00:01:06

producers Alexander Litvinov Karen

00:01:09

Shakhnazarov scriptwriter

00:01:10

Evgeniy nedeche

00:01:15

director Sergei Popov

00:01:17

director of photography Shandor Berke shear

00:01:20

juice

00:01:23

composer novel dormidon the old man

00:01:26

nails up the barn doors with boards,

00:01:28

approaches the one who is becoming, leads on

00:01:31

the cart, women and a little

00:01:33

girl are sitting behind their backs, the belongings waves her

00:01:36

hand under the water, the

00:01:38

old man goes further, walks next to her, sound engineer

00:01:41

Albi Serdyukova, the cart drives out to the

00:01:44

village square, they go dressed in

00:01:46

peasant clothes clothes are loved by the majority

00:01:48

in the hands of baskets and a quiet

00:01:50

come this truck ZIS-5 with an awning

00:01:55

the author of the idea is not the artistic

00:01:56

director Karen Shakhnazarov

00:01:58

from the brick building they take out the

00:02:01

wounded Red Army soldiers on stretchers the

00:02:03

lieutenant rides through the village towards the flow of

00:02:06

people titer southern front 1942 stretchers

00:02:12

with the wounded are placed in the body of a truck

00:02:16

passes by a platoon of infantry, the soldiers are tired and their

00:02:19

concentrated faces are lowered,

00:02:24

the lieutenant takes their heads

00:02:32

over the village at low level, a

00:02:34

German twin-engine bomber

00:02:35

Garnier to 17 rushes by dives

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[music]

00:02:41

Lady Nan jumped off the horse holding him by the

00:02:45

bridle

00:02:46

the bomber drops leaflets,

00:02:49

circling they fall on the empty the square

00:02:53

on the square is littered with baskets

00:02:56

and bales,

00:02:58

two girls are hiding under a cart,

00:03:01

one of them looks up, follows the

00:03:03

retreating bomber

00:03:06

[music]

00:03:10

people return to the square, pick up their

00:03:13

purchases, the lieutenant takes one of the leaflets

00:03:16

on it, the text is commanders and soldiers of the Red

00:03:19

Army, the political instructor is lying in German captivity

00:03:22

you are not tortured or killed, the

00:03:25

Red Army soldiers treat you well,

00:03:27

go to us on the text the coat of arms of the

00:03:29

Third Reich sitting on a wreath with a

00:03:31

swastika, an eagle with spread wings

00:03:34

throws a leaflet, inserts a foot into the stirrup,

00:03:36

why now do these people take him by the shoulder,

00:03:39

why now am I making minced meat out of

00:03:40

legends and changed clothes, leave the lieutenant

00:03:43

pushing him away, save yourself, the Nazis

00:03:46

surrounded us, save yourself, the fallen, wounded, look for,

00:03:50

snatches a rifle from a soldier, why did

00:03:53

the Nazis change clothes, I still

00:03:55

know why they changed clothes, anyone

00:04:01

grabs the throat from under the hand,

00:04:03

blood flows, falls on his head, dirty,

00:04:08

bloody agenda 6, panic,

00:04:10

unkindly scoundrel battalion commander

00:04:12

take it away puts it in a holster on g-1 from the

00:04:15

lieutenant looks at the body and edging live

00:04:17

what turns around the battalion commander is in no way

00:04:19

different from the cinders appointed by a

00:04:21

communications officer 114 9 already salutes there throws away the roll

00:04:27

falling on the future

00:04:29

awkwardly opens the holster takes out the revolver

00:04:34

here it is loaded so definitely stabbed and why didn’t he

00:04:40

shoot cinders with widened eyes

00:04:44

looks at the kombat and he

00:04:47

leaves, two soldiers with red

00:04:49

armbands approach the body, a patrol take him

00:04:52

by the arms, drag him away frozen during the

00:04:57

incident to weave, they go further than

00:04:59

cinders, follows with his gaze the retreating

00:05:02

under the steering wheel, sit in the saddle that night A

00:05:05

heavy KV-2 tank is driving along the road between the houses,

00:05:08

behind it are several T-34s

00:05:16

in front of the building to build crying tents,

00:05:23

the publication comes out with a general and several

00:05:25

officers

00:05:28

will answer personally

00:05:30

Agarkova addresses the young satellite to Do

00:05:33

you know why there are almost no shell craters on the road the

00:05:38

river soup is being cooked on the road chassis don’t bomb it

00:05:41

then they won’t go over it themselves, giving

00:05:44

themselves a hint, he will immediately leave his

00:05:47

divisions and deliver a combat order, but

00:05:49

thousands and even tens of thousands of cinders depend on each of you, he

00:05:50

runs away into

00:06:03

the stable and sits down, finally three horsemen

00:06:11

ride along the foggy night road cinders and a

00:06:14

mustachioed lieutenant riding nearby

00:06:19

that those how to call to shorka

00:06:26

what without the order RSA Sergey I know they didn’t give did

00:06:30

n’t give sxr communication maybe without an

00:06:33

orderly here with the heart manual along the road that is

00:06:36

because

00:06:37

and start laying out further himself now to the right

00:06:40

the riders are moving away across the field loudly

00:06:47

the sky above the horizon

00:06:48

is colored A pink road in the forest is moving along it,

00:06:51

two Agarkov military trucks

00:07:03

drive out onto the road, he is dressed in a

00:07:07

raincoat on his head, Agarkov has a cap, the

00:07:10

soft features of a boyish face

00:07:12

with a seemingly frozen expression of timid

00:07:15

surprise, he moves a few meters behind the

00:07:18

cars, turns his horse around,

00:07:20

rides slowly in the opposite direction, and

00:07:23

stops near burning tank

00:07:25

KV-2

00:07:26

next to the tracks lies the burnt body of

00:07:32

cinders for a long time looks at the body

00:07:34

looks around

00:07:46

launches camera cell day small

00:07:49

village two horses in a harness dragging an

00:07:52

anti-tank gun 50 along the road 40 heel

00:07:55

.

00:08:04

not the captain is looking through binoculars

00:08:07

and you don’t know where 341 what the hell are the

00:08:10

German divisions failing the defense to leave

00:08:12

here deeper and deeper we are digging not at

00:08:15

login liaison officer I have an order I

00:08:17

must deliver to you in the division the captain is

00:08:19

looking intently at Agarkov the

00:08:21

captain has a determined face with wide-

00:08:23

set eyes opens the tablet,

00:08:26

look, we are here and they

00:08:29

were opened here 9 which one needs

00:08:33

to be in this area by and what to

00:08:35

look for with it man of tai I said well, there are

00:08:42

directions there are marks here, bring the

00:08:45

cinders here, the press drives slowly,

00:08:48

looks back at the artillerymen

00:08:51

[music]

00:08:53

near one of the a gap rises

00:08:55

from the forest three heavy tanks tiger

00:09:00

[music]

00:09:05

take positions the gap rises near the

00:09:10

gun with a harness fastened to the

00:09:13

council declaring armor-piercing the

00:09:19

gap rises next to the hole you

00:09:21

horse rears cinders falls to

00:09:30

my

00:09:32

shot of the tiger

00:09:39

agarkov lies in the tall grass between the

00:09:41

tanks and artillery

00:09:46

and I said shot of cheese to the heel

00:09:54

behind the tanks, bending down, the fascist infantry goes

00:10:00

higher, shook the mother, the gap next to the

00:10:06

cannon, the artillerymen,

00:10:09

lying in front of the cannons, fall, the Red Army soldiers are

00:10:11

retreating, a

00:10:18

shot of the tiger, the

00:10:20

captain lies on his side, his face in the were,

00:10:25

blood flows from his ear, slowly raises his

00:10:27

head,

00:10:31

leans on his hands, standing

00:10:34

on the captain's chest, medal for courage, an

00:10:47

elderly soldier shakes Agarkov's shoulder,

00:10:49

he jumps up, runs after everyone, the

00:10:54

captain shoots into the air,

00:11:04

grabs a soldier running next to him by the

00:11:07

chest and hits him in the face,

00:11:11

destroying the nearest house, a tiger drives onto the road, the

00:11:13

captain slowly

00:11:17

turns to him, the

00:11:18

released soldier is scared, Friday and

00:11:20

runs away, the

00:11:24

captain looks at the tank from under his brows a

00:11:27

machine gun burst crosses his chest,

00:11:30

the captain drops to his knees then

00:11:33

falls face down on his back 3 bloody

00:11:36

techno

00:11:40

agarks runs down the village street behind him

00:11:42

falls with his arms thrown up as a soldier

00:11:44

runs out into the street fascist infantrymen

00:11:47

shoot in the backs of the Red Army soldiers cinders

00:11:50

runs in zigzags

00:11:55

here and there the ranks rise

00:11:58

Red Army soldiers fall on the opposite

00:12:02

end of the street, two tanks drive out and throw a

00:12:09

fallen cinder, jumps up, runs in, a

00:12:12

wooden building covered in bluish smoke,

00:12:16

one of the houses is burning

00:12:23

through the not burning part of the house, crushing it, a

00:12:26

tiger passes by, drives out onto the road,

00:12:28

blocking the caterpillar, turns left,

00:12:31

fascist infantrymen occupied the village

00:12:33

square,

00:12:37

they are armed with submachine guns and

00:12:39

rifles

00:12:47

above one of the houses, an

00:12:49

orange-yellow flame rises high in the village, a

00:12:56

column of

00:12:57

Red Army soldiers is moving along the road, the one walking first carries with

00:13:00

us in a case on the exhausted faces of the soldiers,

00:13:02

dirt on the left shoulders diagonally to the

00:13:05

right hip,

00:13:06

shimmer rolls hang on the heads of helmets

00:13:09

and caps, two soldiers carry

00:13:11

disc machine guns

00:13:13

bowed on their shoulders The heads of the soldiers pass by an

00:13:15

old woman standing in front of the gate. The

00:13:18

old woman has a thin, wrinkled face on

00:13:20

her head with a black scarf,

00:13:21

she leans on a stick, heavily shakes

00:13:24

her heads. A spacious room in a wooden

00:13:27

house in one of the corners of the stack of Sparta

00:13:30

portraits are leaning against them, among which is Leo

00:13:32

Tolstoy at the table in front of the blackboard three

00:13:34

officers' surname name patronymic

00:13:35

the interrogation is conducted by mine and as Sergei Leonidovich

00:13:38

age 20 years old

00:13:41

rank Agarkov stands in front of the table personally there

00:13:44

are no belts position of a communications officer

00:13:48

at the headquarters they are mine spill his views

00:13:51

education 10 years to his chemical

00:13:54

through you knew what order you are bringing to the

00:13:56

division question captain of the infantry yes I

00:14:00

’m asking about its contents, did you know

00:14:03

the contents of the order

00:14:06

so exactly then why didn’t you

00:14:08

deliver it to me I couldn’t get through with it

00:14:10

there were tanks there were no need but in German

00:14:15

tanks it’s surprising it probably went behind a

00:14:18

branch I don’t know but I couldn’t help but break through the

00:14:23

major’s thin mustache haircut with a hedgehog on his

00:14:25

broad forehead

00:14:26

he sorts through the papers and who was your father

00:14:29

cinders turns the captain's confused gaze

00:14:31

to the major why he was he is he is an

00:14:35

engineer engineer at a plant in bitter

00:14:38

what the major was looking at from under his brows

00:14:40

swallows puts on the table a sheet of paper with a seal

00:14:44

and the title of the order

00:14:46

We parted with Lieutenant Agarkova near the Pavlovsky farm

00:14:49

when I was collecting the mustachioed Lieutenant Andreev a little on the way in front of the table,

00:14:54

I just thought that it was because of inexperience he has a

00:14:56

wide face, maybe two more red

00:14:58

hair alams, is it possible for 22 years old to get a three-grade

00:15:03

stretch mark with a text, answer calmly and

00:15:05

thoughtfully, and we the orderlies haven’t given a

00:15:09

mustache yet the lieutenant lowers his head,

00:15:11

meeting the gaze of the major,

00:15:13

stretches out along the line of the seated window,

00:15:15

cinders raises his head, still

00:15:17

drifts away, no, next to the division headquarters, there was

00:15:20

pity in the eyes of the secretary of the typist,

00:15:22

nevertheless, at night, the enemy broke through our

00:15:24

defenses in several places at once,

00:15:27

we will act complicated by the loss of communication

00:15:30

with this, in general, the divisions were sent

00:15:32

order for redeployment as for the

00:15:35

341st division, apparently, and lost

00:15:39

in front of the table of elderly infantry colonel on

00:15:41

his chest the Order of the Red Banner

00:15:47

Agarkov turns to the window behind the glass a

00:15:49

boy of about ten his face is

00:15:52

photographically similar to Agarkov's face

00:15:59

the boy runs after the woman after examining the

00:16:03

investigation materials and listening to the

00:16:05

explanations of the

00:16:06

accused and witnesses, the military

00:16:09

tribunal decided for the

00:16:12

cowardice of desertion and betrayal of the oath to

00:16:15

sentence the former lieutenant of the Red

00:16:17

Army, Sergei Leonidovich Agarkov,

00:16:19

according to Article 193, paragraph 2, to

00:16:23

capital punishment by execution,

00:16:27

private, adding, remove the insignia from the convict,

00:16:31

the troika and the secretary stood up, the secretary is

00:16:33

breathing heavily, her gaze is lowered to Agarkova, a

00:16:37

young man approaches soldier zhora bf he has an

00:16:39

imperturbable oriental face deep

00:16:41

carries the cinders hastily tears off the

00:16:44

buttonholes puts them in Zhorabaeva's hand let's go

00:16:48

out the soldier opens the

00:16:51

cellar door come on why are you digging

00:16:54

from the cellar a thin

00:16:56

man in an overcoat climbs out of the cellar along the stairs next to the soldier stands an

00:16:59

officer in his hand a Chanel revolver then with

00:17:01

them, why does she need you? The man slowly

00:17:04

takes off his overcoat under the unworn birch trees and

00:17:06

tunic, oh look, comrade lieutenant,

00:17:10

maybe at the same time, Ogarkov is going to the cellar, followed by

00:17:13

Zhora Baev, his

00:17:16

rifle is aimed at Agarkov; you still have time to put your

00:17:18

hands behind your back; the man folds his

00:17:23

overcoat and puts it on the ground

00:17:28

let's go, let's go, the officer casts a long look

00:17:31

at Agarkov, follows the

00:17:33

competing soldier, the man

00:17:35

moves away towards the forest behind the passages,

00:17:38

jour Abayev easily pushes Agarkov with

00:17:41

the tip of a bayonet, cinders descends into the

00:17:46

cellar, turns around over his head,

00:17:50

the door slams shut,

00:18:02

Agarkov looks around the floor of the dark

00:18:04

cellar, it measures one and a half by two meters

00:18:07

thin rays of light penetrate through the cracks in the

00:18:09

wooden flooring of the gifts, confused,

00:18:14

spinning in place, turning towards the crack

00:18:19

in the door, Jurabek sits on the edge of the door,

00:18:23

pushes the winding into the leaky

00:18:24

right shoe, no need to say,

00:18:30

turns to the door, not on the cinder,

00:18:36

presses his forehead against the crack in the door, and well,

00:18:43

open jour abayev turns away and the hole

00:18:55

stands on the stairs, hits the door with his back,

00:19:00

jumps up, hits the door with his foot,

00:19:02

falls to the floor and has no right, I'm a

00:19:06

Soviet man,

00:19:08

Joe is a slave, and gets up, throws the

00:19:11

rifle belt over his shoulder, the three brothers

00:19:17

cinders, falls to the member of the door and then

00:19:22

lowers his hands onto the stairs and buries himself in

00:19:24

them Zhuravlev's face is sitting on the edge of the door with a

00:19:27

knife, picking at the sole of

00:19:29

the boot that was walking, the secretary is approaching the cellar,

00:19:32

she is green-eyed, thin, tall cap

00:19:35

is pushed to one side, a strand of red hair is

00:19:37

coquettishly laid behind him, it is necessary to steam the

00:19:39

ear of the jurabs, he is raising the rifle, it is worth

00:19:41

going, comrade, if you need me to hand the

00:19:44

convict copies of the verdict, the breeder

00:19:49

is necessary the

00:19:50

breeder has now landed in the village, the

00:19:53

secretary comes closer, the jor of both of them

00:19:56

jerks the shutter,

00:19:57

you don’t know his rifle is pointed

00:19:59

at the secretary,

00:20:00

the breeder needs to, the secretary looks around in confusion,

00:20:06

quickly walks to a nearby oak tree, a

00:20:12

goat is grazing near the oak tree,

00:20:15

the secretary throws the tablet on the grass,

00:20:17

defiantly spreads his arms, sits down,

00:20:22

Agarkov 3rd person looks around

00:20:28

to the oak tree, a

00:20:31

motorcycle with a sidecar

00:20:32

at the wheel drives up and stops, a lean foreman of about 50 is

00:20:40

almost a complete idiot, an idol of

00:20:43

some kind, his own

00:20:46

mother won’t let him through, I’m spilling

00:20:49

Durov, their Zhuravlev stands at attention,

00:20:54

cinders sits on his haunches, raises them,

00:20:57

they will squint very hard, a copy of the verdict,

00:21:02

although live Svetochka sits down on the step of the

00:21:05

stairs and sign please

00:21:07

receive opens the thick notebook they

00:21:10

turn brightly the gift of whom they give him a

00:21:12

chemical pencil without ceasing to

00:21:21

squint cinders signs

00:21:22

returns the pencils Svetochka smiles

00:21:27

Agarkova does listen you don’t

00:21:32

worry puts the notebook away in the tablet there is

00:21:35

still hope because the

00:21:38

military council must approve his statements,

00:21:41

gifts are not allowed, bent over a small

00:21:44

piece of cube of the verdict, I want to

00:21:50

write a letter and send it,

00:21:54

raises his head churi looks at us, the

00:21:56

twig lowers his gaze, negatively

00:22:01

shakes his head to

00:22:03

the condemned, I won’t come with grub because

00:22:06

I thought that it was already or is about to be given by the foreman

00:22:10

Zhorabaeva Nimaev soldier’s bowler hat

00:22:14

you boots they press, but look, otherwise I can

00:22:18

arrange for new ones, they would give

00:22:21

the sentence to be approved by the military

00:22:25

council at army headquarters, you hear, if

00:22:28

anything happens to this person,

00:22:29

answer be you, you see Zherbayev has

00:22:33

some kind of reputation for himself,

00:22:36

he has earned ideas with his joyless behavior,

00:22:38

but his face and Joe his slave in the evening I’ll

00:22:40

bring you a shift there are no emotions take care of the

00:22:42

convict like the apple of your eye I understand he’s going

00:22:45

to the cellar turns around as the

00:22:47

show goes a candle just an hour’s

00:22:51

stage will take and kill from this

00:22:54

let’s light the power on the stroller and

00:22:57

you know I worry about you all the time about the

00:23:01

girls You can’t be here at

00:23:03

war, you know, it’s such a thing that they’ll kill you and won’t

00:23:08

look at the girl

00:23:14

Joe slaves sitting near the cellar

00:23:16

leaning against a

00:23:18

piece of brick wall protruding from the ground, head bowed and

00:23:21

touching the stock of the rifle, eyes

00:23:23

closed

00:23:33

[music]

00:23:35

opens eyes, raises head

00:23:46

[music]

00:23:49

gets up, looks out

00:23:52

-German armored vehicles are driving behind the walls along the village street, they are

00:23:55

sitting

00:23:56

[music] a

00:24:05

boy in a cap stands near a well, a

00:24:06

motorcycle with a sidecar stops next to him, a

00:24:11

motorcyclist comes out of the sidecar, pats the boy

00:24:14

on the shoulder,

00:24:17

takes off his helmet, puts it on the boy,

00:24:23

takes 100 more, near the well, hits a bucket

00:24:26

from it, a plump

00:24:28

woman in peasant clothes, cinders of an overcoat, sleeps

00:24:31

on the straw, sunlight falls on him, the

00:24:35

exits of the jor of both hold him at gunpoint,

00:24:42

closing his eyes, cinders gropingly

00:24:44

gets out of the cellar and bowing his head,

00:24:58

cinders walks along the dirt road behind him,

00:25:01

holding the rifle at

00:25:03

Zhora Baev is at the ready, looks around Ogarkov begins

00:25:07

to turn around,

00:25:08

goes further than Ogarkov,

00:25:15

his hair is disheveled, his face has turned gray,

00:25:17

he is breathing heavily, stop, freezes,

00:25:20

tightly compresses his lips, his face is

00:25:25

trembling, Jurabek drops down on one

00:25:30

knee, puts the rifle on the ground, tucks in the

00:25:32

winding, leaning out of us, cinders pulled his

00:25:34

boot, turns around, and

00:25:38

shoot already, Jura I'm afraid, with an imperturbable

00:25:41

look, he continues to fiddle with his shoe, the

00:25:43

cinders opens his mouth in surprise,

00:25:45

raises his eyebrows, Jura Boev runs up

00:25:48

to him,

00:25:49

Uhl1

00:25:53

pushes him behind a small hillock near the

00:25:55

road, a German

00:25:59

motorcycle with a sidecar passes along the road, followed by a

00:26:03

black passenger car

00:26:05

Mercedes 170 file quarry at its bottom,

00:26:09

surrounded by soldiers with s about a hundred Red

00:26:11

Army soldiers, some SS men hold

00:26:14

shepherd dogs on leashes, a

00:26:16

motorcycle and a Mercedes are driven into the quarry by Zhorabayeva Ogarkov

00:26:19

crawls up to the edge of a cliff

00:26:23

Dolores from their fathers are led by girlfriends Red Army soldiers

00:26:25

with a bandaged head

00:26:27

brings the freak out of the car to the

00:26:29

philosopher Red Army soldier play to the youths of the

00:26:46

surgeon CTS the sheep throw him to the ground

00:26:50

they beat him with butts the leg of

00:26:56

Ogarkov turns around Karabaev's

00:27:00

mouth he Fuhrer wipes his face with a handkerchief

00:27:03

puts it in the Red Army soldier's pocket

00:27:05

puts his mouth anchors on his feet with a lazy look

00:27:08

deliver the pistol Walter points at the

00:27:12

Red Army soldier shoots him in the head jour

00:27:21

both hits Agarkov in the face

00:27:24

Gode crawls away from the edge of the cliff

00:27:29

walks after him cinder cinders and Joe slaves

00:27:34

walk along field overgrown with daisies,

00:27:42

Jura battles hung a rifle on his shoulder and a

00:27:45

bayonet in a stowed position

00:27:52

[music]

00:28:11

forest night Jurai puts brushwood in a

00:28:16

small fire of cinders sits

00:28:18

leaning his back against a tree tired

00:28:20

looks at Zhorabaev

00:28:24

until he sleeps and I won’t run away anywhere search

00:28:33

why are you silent

00:28:35

because you are the enemy jor abaya looks at the

00:28:39

fire cinders lies on the left side

00:28:42

takes cover shamil yo jor abayev blows on the

00:28:48

coals the

00:28:50

flame of the fire rises higher

00:28:55

foggy morning

00:28:57

jora fights sits with his head bowed rifle

00:29:00

lies on the shoulder

00:29:16

opens his eyes raises his head

00:29:19

check stand

00:29:23

screws in lower who are

00:29:27

his and Agarkov's documents surrounds the Red Army soldier

00:29:30

Zhora Bayev hands the captain a

00:29:32

soldier's book of cinders a folded sheet of

00:29:47

paper is also surrounded get out he will go under my command no no why I think in the army we need a captain returns Zhora the combat book opens a sheet of paper this is an extract from the protocol of the military

00:29:49

tribunal on the road it's more

00:29:55

reasonable to cover the cinders improvement

00:29:58

it was impossible to go with the captain, no one

00:30:01

asked to let me go, we could

00:30:04

just go with the captain in exactly the same way along the

00:30:06

exact same road your experience of rain the

00:30:09

nose of the captains who knows where to go and

00:30:12

how these are and why in the fall it is clear to a fool

00:30:16

that the army headquarters is not surrounded or you

00:30:19

don’t understand why you’re silent,

00:30:21

Juraev narrowed his eyes, calmly

00:30:23

looks at who do you even understand the

00:30:25

person, I say, he

00:30:26

approaches the big barn, come on, he’s silent

00:30:29

, he’s silent, the club, I’ll run you anyway,

00:30:32

the fields look at his head, these

00:30:34

ladies have a colored rifle,

00:30:36

come on, come on, let me now visited the

00:30:39

tape let's wait closed

00:30:40

let's close Sarah status but I'll run away

00:30:46

realized the

00:30:49

fatty one has a beam put to the back

00:30:52

and on the bolt let's let's close

00:30:56

me with nails by the stabs of the reception drag

00:30:59

to the barricade hand everything on the black sphere

00:31:01

sits with his back to the barn door

00:31:03

presses his cheek the keys of the

00:31:06

rifle

00:31:07

cinders are presented looks around paradise in his goose on

00:31:11

puffs hangs the horse's harness

00:31:13

cinders takes stuck everything on the pitchfork

00:31:18

looks at the shiny tip of the horns

00:31:22

approaches the door between the boards a gap of

00:31:25

several centimeters behind one of them

00:31:27

Joe's back and neck slave

00:31:29

brings his cinders to the crack of the villa moves away from the

00:31:32

door of

00:31:34

force sticks in was carried out she

00:31:38

again approaches the door, tightly squeezing the

00:31:42

handle of the villas, brings up the horns, coughs,

00:31:46

sticks them into the earthen floor, again brings

00:31:51

them to the crack, turns away, bends down, throws

00:32:00

the villas into the hay, makes a

00:32:03

turn on the spot, sits down,

00:32:06

leans in Tver

00:32:07

[music]

00:32:10

looks thoughtfully in front of him, drops fall from

00:32:12

his hair onto his face

00:32:16

turns around the door looks through a strong

00:32:19

Zhorabaev

00:32:21

Zhuravlev sits under a roof slope protruding almost a

00:32:23

meter

00:32:28

[music] a

00:32:32

small village on the main street

00:32:35

several burnt Soviet and

00:32:37

German tanks and tears come out cinders and

00:32:42

Juraev passes by a T-34 with torn off

00:32:46

tracks and a lopsided turret next to

00:32:50

him on the ground two boys about 4 5 years old are sitting near a

00:32:56

pile of charred logs and boards, an

00:32:58

old woman bends over to a trough standing on a bench,

00:33:02

puts spoons in it

00:33:04

[music]

00:33:08

Agarkovs and Djurais walk around another

00:33:10

burnt house, freeze on the ground, the

00:33:15

naked body of a young girl, her arms are

00:33:18

outstretched, her face and chest are blood,

00:33:23

Jura Boev looks at the frozen

00:33:25

Agarkov, takes the overcoat from his hands,

00:33:27

covers the girl, adjusts the rifle hanging on his

00:33:35

shoulder, moves on, but once the clan is

00:33:41

in the head of

00:33:42

Ogarkov, follows on the bank of the wide

00:33:49

river, Ogarkov drinks, scooping up water with his

00:33:52

palm cupped, mouth and becomes,

00:33:55

must give back the cry, Jura Boev, looks

00:34:03

walks along the shore along the sides don't cry you don't

00:34:06

know how to seriously

00:34:13

apple from you don't know how to make their way through

00:34:15

decomposes in the field beer wouldn't be mushrooms

00:34:19

just in the field an hour later I was already on the

00:34:22

other side an hour later and this is a wolf this is not

00:34:24

some kind of lump this three but how many

00:34:27

the vampire Jura, fearfully, takes the rifle off his

00:34:29

shoulder, looks around, slowly walks

00:34:37

forward, the

00:34:41

cattail, as tall as a man,

00:34:45

cinders, stumbles, falls on one

00:34:47

knee,

00:34:49

gets up, Zhorabayeva walks

00:35:00

among the cattail, there are spotted cows and the

00:35:03

horns are tied with a rope,

00:35:15

punishment

00:35:16

to kill her, next to the cow there is a boy of about

00:35:19

eight in a large cap.

00:35:21

in his hand there is a twig why did he kill the mother

00:35:24

said the men's ancestor will kill his own too

00:35:28

from her there is nowhere else here there is a ford

00:35:34

and there is no enemy there the bridge was beyond the meadow the

00:35:37

Germans blew up

00:35:39

the cinders they exchange glances with Zhorabaev and there is

00:35:41

no loki there

00:35:43

is a fruit approaches the boy

00:35:48

squats down in front of him show him

00:35:51

and here true, true, maybe then

00:35:58

you’ll take the pilot with you,

00:36:01

he turns around sharply for his slave,

00:36:02

they follow the boy along more often, but they

00:36:16

found the new one only three days, as on the first day, he

00:36:22

moaned a lot to me, everything will die, he approaches a

00:36:26

large birch tree, its branches bent

00:36:28

almost to the ground, under the birch lies the pilot

00:36:32

his face is covered in blood, his head is bandaged with

00:36:34

cinders, he puts his ear to his chest

00:36:37

as he tells us that if his Germans

00:36:39

someone finds us all at once and kills the birch

00:36:42

trunk with bullet holes, help

00:36:44

me, Jor Abayev quickly approaches the glass, the

00:36:47

night above the horizon is reddish-orange

00:36:50

and the slopes of the

00:36:52

greenhouses with cinders walks knee-deep in water

00:36:56

by a rope, they drag the

00:37:10

drilling rig sitting on the shore next to the pilot of

00:37:14

the explosion, the character I’m

00:37:21

taking off the gifts now died there, I’ll leave it back for

00:37:26

you, it’s already there, you

00:37:32

take the pilot by the shoulders, freezes, what a

00:37:38

fool, you look away,

00:37:40

most of the cinders run away, look around in confusion,

00:37:43

open breast pocket of the

00:37:46

tunic okay

00:37:51

in an hour and I think myself dear what do I

00:37:55

have means well what is written there

00:37:58

cinders this is my grandfather hold

00:38:02

puts the watch in Zhorabaev’s hand he

00:38:04

intercepts his hand returns the watch

00:38:12

I can and ran away just like without you you’ll

00:38:15

get it in this you understand why cinders are thrown there,

00:38:22

enough of Zhorabayev's load, what

00:38:25

happened there, I'm throwing it, but they didn't

00:38:29

even persuade the tea over the shore, describes an arc,

00:38:33

the flare

00:38:35

falls into the water with a sharp movement, the fighting zhura

00:38:39

drops others Agarkova sits down

00:38:44

thoughtfully looks at the pilot

00:38:50

Agarkov in his underwear pushes the fruit away from the shore

00:38:53

in which lies the pilot

00:38:58

Jura Boev and the boy are standing on the shore,

00:39:00

after all, his

00:39:08

Agarkov is swimming pushing a fruit in front of him

00:39:17

and

00:39:20

high in the sky the white full moon of the Jurai is

00:39:23

sitting on the shore, the boy is sleeping with his

00:39:26

head on his thigh,

00:39:30

Jura Baev is constantly looking at the river,

00:39:32

blinking often

00:39:33

to the left along the shore cinders for

00:39:35

the rope I write here is Joe the slave and gets up

00:39:39

smiling during the carry but the

00:39:46

predawn twilight floating cinders

00:39:49

pushes under the Zhorabaeva shore sitting on him

00:39:51

hidden by the thick fog

00:40:03

Jura you are excited looking around at the toes of

00:40:06

his right boot there is no part of the

00:40:09

sole

00:40:13

day of the cinders and the Jurai are carrying the pilot on a

00:40:17

stretcher made from two poles and parachute

00:40:20

fabric, Agarkov's tunic darkened

00:40:27

near the neck, he concentratedly bit his

00:40:30

lower lip jour a buy off tired,

00:40:34

swaying, making their way through dense

00:40:40

thickets,

00:40:51

then

00:40:53

lowering the stretcher to the ground, cinders on their bells,

00:40:59

making their way among the bushes

00:41:01

along country roads, scattered

00:41:05

Red Army soldiers cinders are walking, opening their eyes wide

00:41:12

hands I have my review

00:41:20

of the remote control there we have a pilot from the homeland of a pilot being

00:41:26

transported on a cart among the Red Army soldiers

00:41:28

several tankers in black

00:41:30

overalls and a headset two horses dragging

00:41:34

40 again

00:41:37

no longer in the forest a camp of several

00:41:41

large tents young short-

00:41:43

haired soldiers wash themselves near a

00:41:46

washbasin of soldiers made from a

00:41:49

sleeveless tunic chops firewood

00:41:51

soldiers in kubankas brings the devil to the circle

00:41:55

near the tent to dry the bandages

00:42:06

will be done by the Juraev layer follows the major to

00:42:10

break through the encirclement ring to get people out

00:42:11

with minimal losses it is impossible by the headquarters

00:42:14

that Stus is local since what is the Don that is

00:42:17

paired there in the rear and here I am the command and

00:42:19

everyone who can hold a weapon tomorrow he

00:42:21

will go into battle to place the Jurai

00:42:26

in line according to

00:42:28

Directive 260, you and your prisoners

00:42:31

are at my disposal until you leave the

00:42:34

encirclement, then go to all four

00:42:38

directions, everything is clear to you, and so of course the

00:42:42

major has a triangular-shaped face with protruding eyes

00:42:51

Agarkov sits on a bench pours on a

00:42:54

square a piece of paper shag

00:42:59

jour Abayev sits down next to the

00:43:01

unlockers as the operation was being prepared the cinders are

00:43:04

rolled up wrapping in Kazan gangrene

00:43:06

learned from many quotes in the skin not the

00:43:09

root I smoke licks its edge you the

00:43:19

Komsomol member was looking up at the

00:43:22

gurab him before taking weapons himself to be

00:43:34

surrounded by people going out the cinder

00:43:43

gets up and goes to the cart with weapons and

00:43:45

ammunition, passing through 2 light ones with

00:43:49

my bandages hung, bends down near the cart, an

00:43:55

elderly soldier takes from one box a

00:43:57

bar of soap from another, a can of canned food,

00:44:00

puts them in oiled paper, gives them to a

00:44:03

Red Army soldier standing next to him, when someone

00:44:05

approaches, the heavy-set sergeant-major

00:44:07

gives him a belt with cartridge bags

00:44:14

boat sign hands out a large

00:44:18

notebook of guns here he will pull a boot

00:44:23

boots no

00:44:24

desk hands eat I need to publish no well

00:44:28

then it’s

00:44:29

completely perverted looking at the wristwatch

00:44:31

they go under a tarpaulin canopy let’s

00:44:34

have a good watch you have a

00:44:39

foreman writes in a large notebook keys

00:44:43

cruffins collect but schwa I have the

00:44:46

right

00:44:49

agarkov takes his grandfather's watch out of his breast pocket,

00:44:51

holds it out to the older one,

00:44:54

looks around, takes the watch,

00:44:57

opens it, looks at the dedicatory inscription,

00:45:02

shakes his head,

00:45:04

closes the watch, looks questioningly at

00:45:06

Agarkov, he leans towards his ear near the

00:45:09

field kitchen, stepped on, and I'm subject to it from the bottom,

00:45:14

excuse me, only the magician don't want mail

00:45:17

available Dzhor Abayev sits on the logs with a

00:45:20

knife, picks at his awakened right

00:45:22

boot, it’s good that the world is already standing up to itself,

00:45:25

the fighter hides the boot, you’re like this,

00:45:28

you’ll fall behind the back of this one, and the

00:45:32

walker doesn’t blink often,

00:45:33

come on, Montan is already pining for the tent,

00:45:35

stomp there, just yours the size of a pair of

00:45:38

boots left running jor of both

00:45:41

smiles folds our leaving the foreman

00:45:45

meets the eyes of a suitable

00:45:46

markov we are assigned to the third company we are

00:45:51

assigned to the schools boots for half an hour jor of both

00:45:56

runs away on the logs sits down a soldier with a

00:45:58

large nose

00:45:59

this guy and today people colada rarely

00:46:02

can I take his parachute he

00:46:05

becomes torn blood will start from him

00:46:08

and you ask so he and how he came to his senses

00:46:12

after the operation saw that there were no legs, such a

00:46:15

bullet in the mouth of cinders freezes, continues

00:46:24

to lay out the cartridges in the bag, they

00:46:26

stand up, so what’s wrong with the passage, so

00:46:30

I’ll ask you for fuel there

00:46:32

[applause]

00:46:34

turns to the soldier with sadness

00:46:36

looks at him runs into formation jurabs

00:46:47

gets into formation next to Agarkov at the

00:47:01

slave's dacha his new boots

00:47:14

forest edge tall grass slowly

00:47:17

sways from the grass rises senior

00:47:26

lieutenant waves his hand the

00:47:28

soldiers lying next to him get up and

00:47:32

walk

00:47:33

holding their weapons at the ready

00:47:43

lie down crawl on their bellies

00:47:52

move to the side located a hundred

00:47:54

meters in the village in front of the village hunting in

00:48:01

them fascist pilots

00:48:03

several Red Army soldiers jump into the trenches

00:48:06

tie your hand on the

00:48:10

Agarkov tower together with other Red Army soldiers

00:48:12

jump over the trench

00:48:14

runs further in front of one of the houses

00:48:16

fortifications made of sacks in the hospital a

00:48:18

machine gun is working

00:48:23

[music]

00:48:26

Red Army soldiers lie down on the ground

00:48:35

alone of them rises he is

00:48:38

crossed by a line a Red Army soldier

00:48:40

sticks his face into the ground mortar explosions rise up

00:48:47

senior lieutenant well and a fellow countryman

00:48:50

crawls up a soldier why are you lying on the firing line

00:48:53

well what if they kill you and that’s why it’s war let’s get

00:48:56

up and you’ll be lying down for sure they’ll kill you on the move you’re

00:49:00

more difficult to get in with us let’s get up

00:49:02

let’s squirrels, you see, I get up, but you also

00:49:06

got up, rises, turns around,

00:49:13

shot 40 heels eliminates a machine gun

00:49:16

nest

00:49:18

[music]

00:49:25

soldiers on the run or to the village, fascist

00:49:27

infantry retreating,

00:49:31

Red Army soldiers run out to the village

00:49:33

square, one after another, fall

00:49:36

[applause]

00:49:43

agarks and the courtyard bayat lie down in a

00:49:45

small crater fall

00:49:50

two more Red Army soldiers, the sniper

00:49:54

Ogarkov turns around, the senior lieutenant

00:49:57

lies on his side, we press his

00:49:59

bloody hand to his stomach, Ogarkov falls to the

00:50:04

rifle scope, examines the

00:50:07

nearest houses through it, we jump up, runs to the

00:50:11

German motorcycle and sidecar standing on the edge of the square, he

00:50:18

grabs it, presses his back against the wheel of the

00:50:21

motorcycle, I am a sniper, because there are

00:50:23

bodies lying nearby to shoot fascist soldier

00:50:28

gifts raises his hand

00:50:30

turns the rearview mirror attached to the role looks

00:50:33

through it at home looks at

00:50:37

Joe the slave he

00:50:38

points with his thumb behind his shoulder

00:50:40

then with his middle and index fingers

00:50:42

depicts back

00:50:47

Juraev falls to the sight of the gift jumps up

00:50:52

runs through the kidney Patrick as a

00:50:56

knocked-down Joe Ravayah through the sight

00:50:58

inspects the houses and the cracks in the attic door

00:51:01

standing on the outskirts of the hut sticks out the barrel of a ball

00:51:03

wrapped in camouflage fabric

00:51:06

Baev shoots at the door it slowly

00:51:08

opens from the attic hanging from the case of the

00:51:11

enemy sniper

00:51:14

[applause]

00:51:21

Karabaev runs up to Agarkova 300

00:51:24

can the chok

00:51:27

turn over on his back you are alive cinders

00:51:32

smiles not opening his eyes, getting

00:51:35

comfortable in the crater, putting his hands behind

00:51:37

his head, turning his head to the right, T-34

00:51:41

tanks are moving from the forest towards the village, the

00:51:44

fleeing cress, fascist soldiers

00:51:46

stops,

00:51:47

raises their hands, there were

00:51:49

not enough things

00:51:51

for the verdict of the Soviet tribunal,

00:51:54

the executor brought the Fritz sitting next to the

00:51:58

fat bayev, sighs heavily, adjusting

00:52:00

his cap,

00:52:03

one of Red Army soldier climbs onto the

00:52:05

tank hugs the tank crew

00:52:10

[music]

00:52:15

Jurabek laughs with Agarkova

00:52:18

captain in a dark green cap turns the

00:52:21

head on the camera

00:52:22

this is yours, come on, I brought everything, well, finally,

00:52:26

comrades, let's against the background of the combat

00:52:29

vehicle, Jurabek and cinder stand near the

00:52:31

armored vehicle very well,

00:52:33

just a little a little back to the left and get ready,

00:52:40

attention, smile, smile, smile,

00:52:46

only the cinders are there, when the newspaper comes out, I

00:52:49

have sent you a photo, you have a strong

00:52:52

wish for the liability, and comrade captain is dear, but

00:52:54

fearless people would love to

00:52:56

earn money with you, and you know that everyone who is

00:52:59

surrounded by them went to awards, imagine the

00:53:02

devil same slave

00:53:04

well jour Abayev raises a sad look

00:53:07

at Agarkov that in the army

00:53:12

the smile disappears from his face

00:53:22

removes the rifle from his shoulder they give them back

00:53:25

Zhorabaeva

00:53:29

leaves Jor Abayev lowers his gaze

00:53:32

follows the cinders and jo'raev walk along the

00:53:35

steppe overgrown with short grass

00:53:41

[music]

00:53:56

comes out onto the winding field road

00:53:59

[music]

00:54:05

[music]

00:54:08

night Jor Abayev sits near a small

00:54:11

fire, thoughtfully taps sticks on the coals

00:54:14

and sparks rise above the fire with each hit,

00:54:20

turns around carefully looks around about

00:54:25

7 meters behind him stands a

00:54:30

haystack

00:54:32

Jura bf opens a duffel bag,

00:54:39

takes a thin notebook from it, walks

00:54:42

there is about 100 hectares to the stack of cinders on the

00:54:51

blue jor of both touches his legs

00:54:54

the cinders of the cinders you can rewrite better

00:55:05

letters you can write

00:55:07

jour to both sits down with his back to the stack Kudin

00:55:12

that also don’t wait he’ll be home soon he needs to

00:55:20

write to his mother

00:55:24

Agarkov opens his eyes and sits down Jura

00:55:33

Boev gives him his notebook and chemical

00:55:35

pencil what to describe write the German caught that she already

00:55:45

knows something heroic with you to

00:55:50

eat like you are heroic

00:55:58

let's write that you are a guard

00:56:04

as a guard a guard you are already carrying out an

00:56:09

important order in the eyes of two slaves

00:56:13

his confusion is bad then

00:56:18

the front from the yoke folded because what to take away

00:56:24

ribs of our father father will go Jura fights

00:56:29

looks at the fire breathes heavily they want to

00:56:32

die at the front

00:56:36

now the first dirt turns his head

00:56:42

to Agarkov

00:56:44

describe to forgive

00:56:51

what to

00:56:57

let in It’s just like when he

00:57:03

step the

00:57:05

wind of cinders bends over a leaf

00:57:11

writes the

00:57:29

morning twilight Juraev lies on the right

00:57:32

side with his head to a stack of cinders lies with his back to him,

00:57:34

his eyes are open,

00:57:51

he slowly sits down,

00:58:00

looks at Joe for a long time, his slave

00:58:02

[music]

00:58:06

gets up

00:58:13

Agarkov walks along a dirt road a hundred

00:58:16

meters behind him, a string of

00:58:18

haystacks stops, blinks tensely,

00:58:28

turns around, walks back, a busy

00:58:38

square lies on rags separated on the ground

00:58:40

hardware irons in the castle

00:58:45

[music]

00:58:47

Agarkov food slaves make their way through the

00:58:49

crowd of

00:58:56

the screen

00:58:57

and when his

00:58:59

man holds in his hands a toy in the form of a

00:59:01

Ruthenian with or another expression on his face

00:59:03

say something standing next to him we are going

00:59:05

comrades fighters lieutenant for Serdyuk

00:59:09

city commandant's office

00:59:10

your documents in building, you can

00:59:14

send them to take an order from me, get

00:59:18

tired, memory, this is not an order to me, the

00:59:21

commandant is up to his neck to forge

00:59:24

the paper, of course, the tribunal, let me

00:59:27

repeat to you once again, they would have done their business,

00:59:29

go give me an order, commandant Irina, that even in a

00:59:34

bandaged neck, under

00:59:35

wartime conditions, I can decide

00:59:37

such questions independently clear

00:59:42

parent on the way out and a puppy soldier about

00:59:46

50 years old with gray hair

00:59:52

Jura byte leaves the building and the puppy

00:59:55

follows on the building a sign with a

00:59:59

handwritten inscription Lebedyan city commandant's office

01:00:02

in front of the commandant's office the

01:00:04

dusty gas stops 11 the

01:00:07

captain of the parishes, a former member of

01:00:10

the tribunals, puts on his cap from the right rear door quickly goes

01:00:12

to the commandant's office Zhuravlev thoughtfully

01:00:15

lowers his gaze decisively walks to the entrance

01:00:17

to the commandant's office standing on the porch and the puppy

01:00:20

blocks his path

01:00:23

jour both lets go of his head moves away

01:00:26

a few steps

01:00:29

log building cinders come out of him

01:00:32

his hands folded behind his back

01:00:35

there is no belt on his belt

01:00:36

let's follow a fat soldier out

01:00:40

Roughly pushes Agarkov in the back, Ogarkov

01:00:46

passes by 5 young privates, an

01:00:48

officer Ogarkov sits next to them on a bench, walks towards a

01:00:54

brick wall near the wall, four

01:00:59

men, three sitting on the ground,

01:01:01

4 leaning against the wall for two, no

01:01:04

tunics

01:01:05

drive, the

01:01:08

privates stand in a line, place their rifle butts

01:01:11

on the ground, guys The men raised their

01:01:17

rifles

01:01:20

and cinders and stood in a row in front of the

01:01:22

wall. Lip 1 moved as if he were saying a

01:01:25

prayer.

01:01:33

Agarkova is shaking violently, he slowly

01:01:36

takes a step forward, the

01:01:38

brick wall behind him is riddled with

01:01:40

bullet holes, the

01:01:42

lieutenant nods to the side and the cinder puppy

01:01:47

on half-bent legs

01:01:49

moves away from the wall and the puppy follows him,

01:01:56

cinders freezes, his shoulders

01:02:07

tremble violently, he moves further into the office,

01:02:14

the commandant takes a steel sheet paper

01:02:17

approaches Agarkova to

01:02:18

your Kazakh, you are now obliged to the grave of your life

01:02:20

and if I didn’t bring the planet paper, I’m

01:02:24

on which the number 1 circle on the red

01:02:29

star on the table and chairs are stacks of folders, the

01:02:33

commandant looks into Agarkova’s eyes for a long time,

01:02:35

goes to the table,

01:02:45

bending it, ink, this city is in the ashtray

01:02:51

cinders at the table sat down sleepy hands the commandant

01:02:55

takes a folder from the stack, it's plastic with

01:03:00

legs you decide unties its ribbons

01:03:09

kills new ones we make cinders slowly

01:03:14

comes out from the side of the commandant's office building

01:03:21

Dzhor Abayev sits on the ground leaning his

01:03:23

back against the brick fence quickly stands up for a

01:03:27

long time looks into the eyes Agarkova hastily

01:03:31

feels his pocket and takes it out a

01:03:33

pack of cigarettes takes out a cigarette,

01:03:35

squeezes the end of it, gives it to Agarkova, he

01:03:38

inserts it into his mouth, holds out a burning

01:03:42

match, cinders lights a cigarette, greedily

01:03:45

inhaling,

01:03:48

Agarkova's chapped lips are cracked

01:03:51

on his face, stubble, Jura bayut, inserts a cigarette into his

01:03:54

mouth, lights a cigarette, you decided to save me,

01:04:02

you decided to take the cigarette in your hand, you didn't finish the letter,

01:04:09

you are hard you smoke, looks thoughtfully at the

01:04:12

cigarette, smiles without saying,

01:04:15

throws it behind the back of the

01:04:17

cinders and jo'raev smiles at each other, the

01:04:30

cinders walks away from the building jour of both takes a

01:04:33

rifle placed against the wall and a duffel bag lying

01:04:36

on the ground

01:04:37

follows behind the canopy night a

01:04:42

girl in a headscarf fills an

01:04:44

aluminum mug from a kettle takes from the shelf he

01:04:47

puts a tablet into the mouth of an

01:04:49

elderly woman lying on the bed, bending over in a

01:04:52

low doorway, Zurabs

01:04:54

and cinders enter, the authorities search for you two jour searches

01:05:01

for two places I will find

01:05:03

strips of paper pasted crosswise on the glass, a

01:05:05

girl walks out of the blue djura

01:05:09

fights follows

01:05:12

cinders, slowly approaches Distant from the

01:05:14

stove in the dining room on the terrace, the girl

01:05:18

puts a pillow on the bed and a folded

01:05:20

blanket with another set,

01:05:24

everyone returns, Jor Abayev puts the cinder door behind her,

01:05:30

sits at the table with her back to the stove,

01:05:33

looks around from behind the stove, Maria

01:05:41

slowly approaches the table, you

01:05:47

can already sleep, cinders sighs heavily,

01:05:51

shakes Maria's head sits at the table to the

01:05:59

left of Agarkov looks at him with

01:06:01

thoughtful sadness I can do it myself I want to

01:06:11

pee-pee at the very beginning of the cinders mechanically

01:06:14

nods at the border serves Bessarabia Marie

01:06:18

smiles the same as a city

01:06:23

smile replaces sadness with Maikop looks away

01:06:30

thoughtfully looks out the window

01:06:34

Agarkov drops head on Maria's chest

01:06:38

turns her gaze to him purses

01:06:40

the corners of her lips

01:06:41

sunny day Marie walks down the street and with

01:06:44

two buckets of water she is stately and

01:06:47

smooth skin golden from the tan

01:06:49

guests and brown hair tied back

01:06:53

bone a girl with two pigtails runs past,

01:07:03

raising dust on the road two pass

01:07:05

ZIS-5 truck trucks

01:07:10

stops, Red Army soldiers come out of them

01:07:14

jour Abayev lies on the bed,

01:07:16

gets up, looks out the window, sits down,

01:07:22

turns around, but between the terrace and the

01:07:24

entryway meets the gaze of those sitting at the

01:07:26

table, Agarkova lowers his head,

01:07:30

thoughtfully moves his eyes with the cinders and

01:07:34

Dzhurai coming out of the hut into the courtyard, the cinders

01:07:37

turn to the standing about to be

01:07:38

lazy Maria stops now

01:07:42

goes to Maria Dzhor Abayev goes out onto

01:07:45

the road

01:07:46

Maria froze in her hands an armful of firewood

01:07:49

thank you, come back when you come in

01:07:56

if you remember Maria timidly smiles

01:07:59

cinders barely noticeably smiles in response

01:08:03

behind the house a gap rises

01:08:07

Agarkov falls and covers Maria's owls a

01:08:10

series of gaps crosses the street the Red Army

01:08:20

soldiers rushed to the ground, one

01:08:23

after another, Ogarkov gets up, helps

01:08:31

Maria get up, runs into the street,

01:08:36

pushes away the crowded soldiers,

01:08:40

Jurabek lies on the back of his chest with a shrapnel

01:08:47

wound, and the church hook takes him in his

01:08:51

arms and where he carries him into the hut, he puts it on the

01:09:05

table, you unfasten it and on the belt, here are the

01:09:11

cadets bolts and rags

01:09:17

they earned money under the bloody tunic, puts the

01:09:19

whole bag under his head,

01:09:21

people enter the little body, looks under

01:09:25

Joe's tunic, his slave looks for a long time

01:09:27

at Agarkov, where to wash his hands,

01:09:32

now I'll show him the

01:09:34

cinders, drops to his knees, his head

01:09:36

ends up next to the head of Joe, his slave,

01:09:38

he blinks slowly,

01:09:43

Maria looks through him with pity but fsin

01:09:47

soumey boots what to

01:09:51

sleep if their

01:09:59

boots are poison

01:10:06

on Zhorabaev’s lips the blood his face is

01:10:09

paler

01:10:13

[music]

01:10:15

he blinks several times slowly

01:10:17

closes his eyes

01:10:20

cinders holds his right hand left

01:10:23

pressed to his chest jour both of his faces are pressed

01:10:27

to his face a

01:10:30

field of cinders with a shovel drives a column into a

01:10:33

mound of fresh earth, Agarkov's hair is

01:10:48

combed back on his face, dirt, a tunic

01:10:50

on his shoulders and ears, and darkened on his hands,

01:10:53

blood slowly approaches Maria on her

01:10:56

head, a black scarf,

01:10:57

what was his name, retarder, shoes,

01:11:02

and the name on the post, a sign with the inscription

01:11:06

Private Dzhor Abayev Ogarkov,

01:11:09

shrugs, Maria lowers her head you have a

01:11:16

tunic in your blood, let's Peter

01:11:24

Agarkov continuously looks at the post

01:11:26

nods to Maria goes to the village

01:11:42

Agarkov puts a shovel on his shoulder takes

01:11:45

boots standing next to the grave

01:11:47

follows Maria

01:11:59

Agarkov leaves the hut in a white spodnie

01:12:02

shirt

01:12:03

his hands face clean hair neatly

01:12:05

combed back lights up couperosis and

01:12:11

throws a match, leans his elbows on the

01:12:14

upper veins but not a high fence, a

01:12:16

fat man walks along the street, swaying

01:12:21

[music]

01:12:29

confetti blouse leans on the release of the

01:12:37

fence, breathing heavily and shaming,

01:12:47

Maria walks past him, looks at the man with disgust

01:12:54

[music]

01:12:57

this is Mekail, our neighbor, mischievous Arika, smoking

01:13:02

everything

01:13:05

fought back

01:13:08

I it was gonna wash found Maria

01:13:11

lifts a folded sheet of paper cinders

01:13:15

straightens 2 cinders 2 rapid fire and before

01:13:25

Maria looks intently into Agarkov's face

01:13:27

and this is the man who was led there stuck

01:13:35

cinders takes a sheet of paper from her hand before

01:13:40

Maria slowly lowers her gaze

01:13:49

well that means you can go there now don’t go,

01:13:51

looks questioningly at Agarkov

01:13:54

because there’s evidence,

01:14:03

but you’ll go anyway until

01:14:14

Maria blinks often, excited,

01:14:16

swallows cinders, frozen, Marie goes to the

01:14:22

hut along the road near the village, a

01:14:29

cart with hay rides on it, a woman sits on it with

01:14:31

two boys, about 5 years old, the cart is pulled by a

01:14:35

bay horse, which is held by the bridle

01:14:37

a man in a cap leads onto the road, cinders come out behind him, a duffel bag

01:14:44

on his shoulder, a

01:14:46

rifle on his belt, a belt and the road

01:14:52

climbs the hill

01:14:55

into the yard through the gate, Maria enters in her

01:14:58

hands, then with her underwear, he turns his head

01:15:01

towards the road, freezes,

01:15:05

looks after the retreating Agarkov,

01:15:09

he crosses home, disappears behind him

01:15:12

[music] a

01:15:14

ZIS-5 truck is driving along the road in the middle of the forest

01:15:16

in the back several Red Army soldiers

01:15:19

sit near the tailgate

01:15:24

[music]

01:15:26

and

01:15:27

[music]

01:15:43

Agarkov enters a camp set up in the forest a

01:15:47

Red Army soldier carries an armful of firewood

01:15:49

several tankers on the armor of the tank, one

01:15:52

passes a wrench to another

01:15:54

[music]

01:15:57

Agarkov looks around the camp and goes

01:15:59

further into the field. The Red Army soldier carries an armful of

01:16:06

overcoats and places them on the cart, in which there is

01:16:08

already a small pile of overcoats. The cart starts moving. The Red Army

01:16:12

soldier walks

01:16:15

nearby, laying the bodies of Red Army soldiers in the field among the

01:16:18

flowers.

01:16:19

Several soldiers proit a large hole,

01:16:23

four more dragging fabrics. bodies

01:16:25

[music]

01:16:29

Agarkov slowly crosses the field

01:16:31

looks at the fallen

01:16:34

barrier in the brick fence

01:16:36

two horsemen ride up to him on horseback

01:16:42

let's open it in time and the second is the

01:16:50

mustachioed lieutenant who testified at the

01:16:52

tribunal

01:16:53

three I wish comrade to find at night he

01:16:56

turns around marigold

01:16:57

shudders them you know the lights from you

01:17:06

like cinders with shrugs his shoulders with a smile and

01:17:11

you are not the army headquarters

01:17:13

there when we are on the way to the reception as

01:17:19

the carpet, well, of course it is clear

01:17:22

what is there to understand then where he himself

01:17:25

came of his own free will, a formalist, by

01:17:30

the way, fought surrounded by a request they

01:17:32

did did not boil, we will cover him very much to

01:17:35

shoot the tall one the infantry captain

01:17:37

selects paper for his briefcase, I'll

01:17:42

call you the nearest phone number at the points of

01:17:44

what you will be

01:17:46

posting here likes of

01:17:50

what he wrote from the letter asked to

01:17:53

send the captain gives Vanya a triangle

01:17:55

on it in neat handwriting it is written

01:17:57

Kazakh SSR

01:17:59

Bulgarian region village Leninsky house

01:18:01

8 jora combat a.a .

01:18:04

road in the middle of the forest, a

01:18:06

Gaz-67 SUV, titer, Germany, 1945, is quickly driving along it, a

01:18:13

matured cinder sits next to the driver,

01:18:15

he has a mustache, his hair is

01:18:17

cut short on the shoulder straps of an overcoat, four

01:18:20

captain's stars, a

01:18:24

bridge over the spill behind the dam,

01:18:27

people are walking along it, passing 100 to the hips and

01:18:29

jets covered with a tarpaulin

01:18:31

installations

01:18:32

in front of the entrance to the bridge there is a military traffic

01:18:34

controller in a blue beret in her hands,

01:18:36

green and red flags on a pole

01:18:39

signs Moscow 1862

01:18:42

Berlin 70 in front of Berlin attributed to chalk

01:18:45

on a Katyusha drives past a large

01:18:48

brick building instead of tall ones like

01:18:50

him his mouth gapes empty openings near GAZ

01:18:54

61 with an open

01:18:56

the colonel walks around the hood, lights a cigarette from the stopped

01:18:58

gas-67, the old-timers come out of cinders,

01:19:02

that is, half an hour ago they

01:19:03

should have been at the hospital so that in

01:19:06

five minutes the

01:19:07

column would be ready the contract in general, I

01:19:09

listened to the goji, do it exactly like that,

01:19:13

yeah.

01:19:15

before barking comrade regiment of gifts from

01:19:17

fate what type of colonel is not like I give up

01:19:20

well Senka

01:19:22

throws up his hands smiling tightly

01:19:28

hugging Pershing didn’t find out how where

01:19:32

the sentence passed on me even then they wounded me then

01:19:35

the hospital well now wait now

01:19:40

now wait you won’t believe the ethnics from

01:19:44

yourself found kopylov souls has quickly, Vanya

01:19:47

runs up to Agarkova, they give out a newspaper

01:19:51

inside, look okay, Sergei shakes

01:20:03

hands, Vanya goes to the car,

01:20:07

turns around, Godard happily

01:20:09

waves his hand,

01:20:13

sits down next to the driver,

01:20:15

and Dorkoff opens the newspaper under the

01:20:17

heading “courage and courage of our

01:20:19

fighters”, a photo in which he is captured together with a

01:20:21

combat jora against the backdrop of a damaged area German

01:20:23

armored vehicle under the photo signature of the

01:20:26

Red Army fighters Jor Abayev and Ogarkov after the

01:20:29

heroic attack Ogarkov smiles his

01:20:33

lips are trembling

01:20:34

[music]

01:20:36

in the background of the photo the credits move from bottom to top

01:20:39

films filmed

01:20:41

Agarkov Yuri Borisov Jura Baev Amir

01:20:44

pharmacy Lykov Sinyaev Maxim Demchenko

01:20:47

Maria Maria Karpova Svetlana Ekaterina

01:20:50

Ageeva

01:20:51

Chairman tribunal Valery Nenashev

01:20:53

tribunal member Sergei Veslov tribunal member

01:20:56

Igor Dravin

01:20:57

commandant Sergei Vlasov shepherd boy

01:21:00

Nikita Yasha escort dugout Rodion

01:21:03

Galichenko lieutenant dugout Vladimir

01:21:06

Demin captain artilleryman Artem Alekseev

01:21:09

breeding Andrey not in heaven division commander

01:21:12

Nikolai Drozdovsky officer with

01:21:14

Vitas baskets neighbor Maria and eggs iv

01:21:17

soldiers puppy Mikhail Litovkin

01:21:19

filter Lydia Mutnykh war

01:21:21

correspondent Sergei Korolev

01:21:24

worked on the film

01:21:25

director-producer Sergei Popov scriptwriter

01:21:27

Evgeny Nikishin

01:21:29

director of photography sandor tags grg78

01:21:33

Roman Derme Dushin sound director Olga

01:21:35

Serdyukova sound director dubbing Pavel

01:21:38

Shuvalov digital sound editing

01:21:40

Igor Valeev recording synchronous noise or

01:21:43

on the box for sound effects Pavel

01:21:46

Daryu Lee the film crew expresses

01:21:47

gratitude to the

01:21:49

first deputy general

01:21:50

director of the Mosfilm Cinema Concern

01:21:52

and Osago Vladimir Petrovich to the Moscow

01:21:55

forestry of the Ministry of Defense of the Russian Federation and

01:21:57

personally tins but Roman Vladimirovich about the

01:21:59

film weapons and military

01:22:01

equipment were used in the lips of the Mosfilm Cinema Concern

01:22:03

the end of the film Mosfilm Cinema Concern

01:22:08

2015 warmly commented by

01:22:10

the branch research cinema

01:22:12

photo institute nikveh

01:22:13

joint stock company film studio named after

01:22:15

gorky with the support of the ministry of

01:22:17

culture of russia text glass commentary

01:22:20

prepared by specialists of the WHO film project

Description:

Данная версия фильма сопровождается тифлокомментированием - описанием предмета, пространства или действия, которые непонятны слепому (слабовидящему) без специальных словесных пояснений. Ссылка на официальный Youtube канал Мосфильма: https://www.youtube.com/c/MosfilmRuOfficial Военный фильм Сергея Попова "Дорога на Берлин" "Дорога на Берлин" - российский фильм про Великую Отечественную Войну, 2015 г. 1942 год. Офицер связи Огарков и почти не говорящий по-русски рядовой Джурабаев выбираются с боями из немецкого окружения. Ежедневно балансируя на грани жизни и смерти, они продвигаются по пути, который становится для них героической дорогой на Берлин. Фильм снят по повести знаменитого советского писателя - фронтовика Эммануила Казакевича «Двое в степи» и военным дневникам Константина Симонова. Режиссёр: Попов Сергей Сценарист: Никишов Евгений Композитор: Дормидошин Роман Оператор: Беркеши Шандор Художники-постановщики: Февралев Сергей, Очина Ирина В ролях: Ненашев Валерий, Борисов Юрий, Абдыкалыков Амир, Карпова Мария, Агеева Екатерина, Алексеев Артем , Баровский Сергей , Демченко Максим , Веселов Сергей, Савенков Филипп , Хрипунов Игорь , Бровин Игорь , Власов (Захаров) Сергей, Вааб Роберт, Галюченко Родион, Демин Владимир , Невраев Андрей, Домаскина Лариса, Каплунов Сергей Смотрите наши фильмы - на сайте http://кино-мосфильм.рф Подпишитесь на наш канал и страницы в социальных сетях! ВКонтакте: https://vk.com/club20286388

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