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сделай сам

diy

своими руками

My DIY life

видео мастер класс

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реставрация советских елочных игрушек

реставрация деда мороза

реставрация деда мороза из ваты

реставрация деда мороза из папье маше

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как отреставрировать деда мороза

как отреставрировать подставочную фигуру

реставрация подставочной фигуры

елочные игрушки ссср

00:00:00

[music]

00:00:11

[music]

00:00:22

hello everyone, Irina and my channel

00:00:24

dailylight last year I published

00:00:27

a video dedicated to the restoration of the

00:00:29

figure of Santa Claus with a stand, that is, a

00:00:31

figure that was usually placed

00:00:33

under the Christmas tree in Soviet times and under that video

00:00:36

many of you asked me

00:00:37

to show how to restore a cotton

00:00:40

Santa Claus, I decided to globalize this topic a little

00:00:43

and today I want to bring to your

00:00:45

attention my experience in restoring

00:00:48

Santa Claus figures from almost all materials

00:00:51

except plastic that

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passed through my hands over the past

00:00:57

year. I will show you how to restore a

00:00:59

cotton Santa Claus to a papier-made Santa Claus.

00:01:01

Mâché made from prize sawdust and even from

00:01:04

plaster, let’s look, I’ll start with stands of

00:01:07

figures made from pressed sawdust and papier-mâché,

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pressed sawdust, because it’s something

00:01:12

similar to chipboard, that’s what it is, these

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figures are usually glued together from two

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halves,

00:01:18

then covered with a special

00:01:20

chalk-based primer and the glue is called gesso

00:01:22

and in Russia, thanks to this coating, the

00:01:25

surface turned out to be very smooth.

00:01:27

Unfortunately, over time, such figures

00:01:29

can crack; the

00:01:31

soil in this place has gone cracks,

00:01:33

peels off, or even falls off, as

00:01:35

happened with this figure; it is

00:01:37

necessary to strengthen the coating and

00:01:39

restore what has fallen off to

00:01:42

restore the relief on In such figures,

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I usually use construction

00:01:46

putty in case of severe losses, I

00:01:48

use this adhesion on

00:01:50

alkyd-based putty, it is very

00:01:52

durable, sticks well to the base,

00:01:54

glues firmly if there are any

00:01:56

cracks, and so on, it has two disadvantages: an

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unpleasant odor and a high price if the

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losses are small then you can take a

00:02:04

modern or delicious primer, which is

00:02:07

usually sold in art

00:02:08

stores, or wood putty,

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but in cases where the coating does not

00:02:13

adhere well, you still need a strong

00:02:15

putty,

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apply it with a small spatula or, better yet, a

00:02:18

palette knife,

00:02:19

trying to coat all the cracks so that it

00:02:22

gets stuck there and level the surface

00:02:24

so that later it will be smaller sand if your

00:02:27

sawdust base crumbles, this also

00:02:29

happens, then before you putty you need to

00:02:32

coat the damaged areas with pva glue and

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dry and only then start

00:02:37

leveling the relief

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[music]

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[music]

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on the face, even minor damage must be

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smoothed out, they will be very

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noticeable eyes and here it is important to

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even out the putty especially carefully, you can

00:03:02

immediately smack it gently or rub it in with your

00:03:04

fingers because sanding on the face

00:03:06

will be difficult due to the relief, it is better to have to

00:03:09

do this minimally

00:03:14

after the putty dries well,

00:03:16

sand it, I use fine sandpaper of

00:03:18

at least 400 so that it does not appear on the surface there were

00:03:21

noticeable scratches, deep damage is not

00:03:25

always possible to remove in one go, in

00:03:27

this case the final relief can be

00:03:29

removed with red primer, it

00:03:31

sands better and gives a perfectly smooth

00:03:34

surface;

00:03:35

were at the box office, you can remove the surface

00:03:37

even with an abrasive sponge

00:03:42

[music]

00:03:55

[music]

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[music]

00:04:04

figures they restore from papier-mâché

00:04:07

a little differently, this grandfather is still

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in the works, so I

00:04:11

won’t show the entire restoration, I’ll just show how

00:04:13

pine works, especially since the

00:04:15

painting technique will be absolutely the same as that of the

00:04:18

sawdust papier-mâché grandfather,

00:04:20

the material is quite soft,

00:04:21

especially if the figure was dented in this

00:04:24

in the case of a grandfather with a traumatic brain injury,

00:04:26

the material is very loose and if

00:04:28

you putty it like sawdust, it will all

00:04:30

fall off very quickly,

00:04:32

so all damage to the

00:04:34

papier-mâché figurine must be glued,

00:04:37

we coat all the places where, for example,

00:04:40

the seams have come apart or the base has simply become wet, the

00:04:42

paint has peeled off and we tighten it until After

00:05:15

drying, masking tape will saturate the base and give it rigidity and strength; after the glue has dried, remove the bandage and repair the cracks as follows; coat the damage again with pva glue and put pieces of a regular paper napkin on top; coat each piece with glue on top once again; after drying, you will have a rigid,

00:05:17

durable a crust that can be debated and

00:05:20

further primed and painted in the

00:05:22

same way as figures from sawdust, but let’s return

00:05:31

to the sawdust. Grandfather will have to

00:05:32

touch up the restored places and here I

00:05:35

simply implore you never ever

00:05:37

use pure white in restoration,

00:05:40

it will never look

00:05:42

good, I understand the desire to make a grandfather

00:05:45

newer and cleaner in appearance but let

00:05:47

it be ivory light beige

00:05:49

grayish greenish anything

00:05:52

but snow-white tons you will kill

00:05:54

all the charm vintage things with a

00:05:57

history that has lived in your family for

00:05:59

several generations

00:06:00

the most difficult thing in restoration when it

00:06:02

comes to painting is

00:06:03

just choosing the shade of this

00:06:05

aged white, in this

00:06:07

case,

00:06:08

ready-made tons of ivory was ideal for me,

00:06:10

but this does not always happen,

00:06:12

you have to add a drop of black,

00:06:15

a little light brown, maybe

00:06:17

even green or blue until

00:06:19

you get the same color as the

00:06:22

toy originally had, we also select the colors

00:06:26

for steel painting, I like to

00:06:28

use domestic Ladoga paints

00:06:30

for such restoration, the colors of our paints

00:06:33

often exactly match those

00:06:35

that were used when

00:06:36

painting the figures, initially the palette is

00:06:39

muted and in this case this is a plus

00:06:41

since you don’t need to mix the desired tone,

00:06:44

we tint the damage ourselves and

00:06:48

restore it with a thin brush small

00:06:51

details of the painting

00:07:00

[music] all

00:07:11

we have to do is coat the work with a protective varnish,

00:07:14

usually I use a varnish that has grown in mind, it is

00:07:16

satin, that is, it gives a soft gloss, not

00:07:19

as strong as just a glossy varnish,

00:07:22

I restored this grandfather with a

00:07:25

special feeling in my childhood, exactly the same

00:07:28

partisan grandfather stood under my Christmas tree

00:07:30

only mine was a little taller, this is a

00:07:32

very small child, if they are mistaken, this

00:07:34

small version was produced as a set

00:07:36

along with a small Snow Maiden, unfortunately,

00:07:39

when moving and repairing, my grandfather

00:07:41

got lost, which I really lived with as a child, I did

00:07:43

n’t like him, he seemed too

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angry for Santa Claus,

00:07:47

but now I would I gave a lot to find the

00:07:49

one who was standing at home under the Christmas tree

00:07:52

[music]

00:07:56

this is the output from my grandfather, my subscriber brought it to me for

00:07:59

restoration; his

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face was damaged, fortunately his eyes were not affected,

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so he won’t have to draw them again,

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and he also had a mistake gutted in several places.

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covered with

00:08:11

mica, but at the same time the grandfather is clean cotton wool, not

00:08:14

dirty, almost without stains, so

00:08:16

restoring it will not be so difficult,

00:08:18

I’ll start with the face of the

00:08:20

restoration technology, it’s very similar

00:08:22

to what I did with the nozzles in person, grandfather,

00:08:25

we take it into the red primer or putty

00:08:27

and carefully drive it in with a flat brush we level it

00:08:30

in all damaged areas

00:08:37

and smooth it directly with our

00:08:39

fingers as much as possible and

00:08:41

leave it to dry

00:08:42

and then pudge the smoke with it until it is smooth and

00:08:45

restore the face; flesh color must be

00:08:48

selected very carefully so that the borders are

00:08:51

not visible; mix white; a drop of

00:08:54

red orange, perhaps ocher; until the

00:08:57

desired tone is achieved; check

00:09:00

by applying a small amount a stroke on the face everything as in

00:09:02

foundation makeup should not be visible

00:09:05

on the face

00:09:10

after the main tone I mix a

00:09:13

brighter pink tone for the counter and nose and

00:09:19

paint on the eyebrows and whites of the eyes, again

00:09:22

remember that this is not a snow-white color

00:09:24

1 drop of black or brown

00:09:26

I paint on the eyes with blue and finally

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thin with a brush I restore small

00:09:32

details here in the same way as with white,

00:09:34

remember that it is better not to use pure black as your

00:09:37

own color, it will never be bright,

00:09:39

thick black, it has faded over many years,

00:09:41

so always take dark gray or

00:09:44

dark brown, it looks more

00:09:46

natural, finish we cover face

00:09:49

varnish in this case I used

00:09:51

glossy acrylic varnish and so that it does

00:09:53

not shine too much I always add a

00:09:55

drop of matte there but this is already optional

00:09:59

the face is ready and you can do the fur coat I

00:10:02

remove the tape that was sealed with my grandfather

00:10:04

as I already said and his fur coat is

00:10:07

quite clean except several

00:10:08

small 5 1 way in which you can

00:10:12

remove stains in this case they

00:10:14

are only on the outer crust

00:10:16

which is formed by a paste with mica

00:10:18

and you can take nail scissors and very

00:10:22

carefully cut off the area they sleep in.

00:10:24

As for this case,

00:10:26

you could not touch them, but I very

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I don’t like stains on cotton wool and I always try to

00:10:31

remove them.

00:10:33

The only fairly large stain

00:10:36

on my grandfather’s beard is also carefully

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trimmed. Then we take pva glue and a

00:10:42

wide flat brush,

00:10:44

put pva on the brush and carefully

00:10:46

smooth all the fluffy

00:10:48

areas in from and at the same time coat the entire

00:10:51

fur coat. Of course, on a somewhat controversial

00:10:53

point, in the original the figures were covered with

00:10:55

paste, but I’m not an expert in cotton

00:10:58

toys and therefore I chose not to

00:10:59

experiment with the reliability of gluing; it

00:11:01

gives a slightly tougher

00:11:04

crust than paste;

00:11:05

if you don’t like it, then

00:11:07

first dilute it a little with

00:11:09

water to fix the correct

00:11:11

position, for example hands or the edge of a fur coat,

00:11:14

you can make a temporary bandage from

00:11:16

masking tape on the face; there was not enough cotton wool

00:11:20

around the face; I

00:11:23

carefully pinched off the missing pieces from an inconspicuous place

00:11:25

under the elbows; if you are missing a large

00:11:27

piece, try, if possible,

00:11:29

add new cotton wool into the depths of the figure and

00:11:32

disguise the original one on the outside

00:11:34

you can tint new

00:11:36

white cotton wool, for example, with tea, but

00:11:39

you won’t find the same light as the original Soviet one,

00:11:42

and then this place will be very

00:11:44

different; all that

00:11:49

remains is to install shiny coatings;

00:11:51

jokes; Soviet cotton toys were covered with

00:11:54

small scales; If you do

00:12:02

n’t find mica, you can try taking

00:12:04

artificial snow, it can be similar in

00:12:06

appearance from polyethylene flakes, or just

00:12:09

leave everything as is, sometimes this is the

00:12:11

best option, but here you need a very

00:12:13

delicate, gentle shine and with modern

00:12:16

synthetic materials it’s difficult to

00:12:18

achieve, coat a piece of the joke with

00:12:21

pva glue and sprinkle with mica smack it with

00:12:24

your fingers so that everything settles down well,

00:12:26

it’s better to do this over a sheet of paper and

00:12:29

then shake off the excess after

00:12:33

everything has dried well, you can go over the

00:12:35

joke with an elastic brush or a soft

00:12:37

sponge and remove excess particles of mica

00:12:40

if you think that the shine is

00:12:42

too intense and finally I did it

00:12:45

from a piece of crepe paper you're

00:12:47

not a big bag in the hands of Santa Claus under

00:12:51

my last year's video about the restoration of

00:12:53

Santa Claus the most probably requested

00:12:56

topics were the restoration of the cotton

00:12:58

grandfather such delivery figures

00:13:00

were really the most

00:13:01

common in the USSR there

00:13:03

were a huge number of different ones from

00:13:05

little ones to the huge seventy

00:13:07

centimeter ones from Saratov grandfathers, I

00:13:10

can’t call myself an expert in their

00:13:12

restorations, what I showed is essentially

00:13:14

my first attempt to restore a

00:13:16

toy and grandfather to me, as they

00:13:18

say, for experience,

00:13:19

but I really hope that the owner of this

00:13:22

frost is not left with a disappointed

00:13:24

result

00:13:25

and I want to show you another option

00:13:30

which is also often seen, this is Santa

00:13:33

Claus in jokes made from crepe paper,

00:13:35

this grandfather’s face is not damaged, but the

00:13:38

joke was all torn, his is much

00:13:40

dirtier than the first one, I’ll show you how to

00:13:43

change such a grandfather and tint the

00:13:45

cotton wool if it has become very dark and cut it with

00:13:48

scissors as in the first one In case it

00:13:50

doesn’t work until the fur coat is old, let’s start with

00:13:53

tinting the watts, take acrylic paint,

00:13:56

again I conjure that it’s not snow-white

00:13:59

ivory or even a little darker,

00:14:01

depending on what kind of general novat your

00:14:03

patient has, you can dilute the paint a little

00:14:06

with some water so that it doesn’t form lumps,

00:14:08

but spreads slightly and saturates the watt

00:14:11

and finely porous sponge is most convenient with a

00:14:14

makeup sponge apply paint to the

00:14:16

contaminated area in the recesses you can

00:14:20

help yourself with a brush thanks to this

00:14:22

application you get a shading effect the cotton

00:14:25

wool will not look painted and you

00:14:27

just smooth out the darkest areas and even

00:14:30

out the overall tone

00:14:37

now grandpa needs to be undressed carefully

00:14:40

peel off the belt

00:14:44

[music ]

00:14:51

we pry up and peel off all the cotton edges

00:14:54

along the smell and the bottom of the jokes on the cuffs and

00:14:56

collar of the beard, in general, wherever the

00:14:58

paper goes, my grandfather had a

00:15:01

painting on the jokes, I decided to save it and

00:15:04

carefully cut it out with scissors, after that

00:15:07

we remove everything that was removed; the paper was

00:15:10

laid in two layers I took off the top and

00:15:12

bottom, left it now, we are selecting new

00:15:15

crepe paper for the fur coat,

00:15:17

I tried to find the paper that most

00:15:19

harmonizes with you today, the color

00:15:21

was originally grandpa’s yellow, but it faded a lot

00:15:24

and faded, and eventually became beige,

00:15:26

so as a replacement, I selected

00:15:29

light beige paper for the lost

00:15:31

bag with for gifts, I also chose

00:15:33

paper in a softer pink tone than it

00:15:35

was originally, I think this is how grandpa

00:15:38

will look more harmonious, we

00:15:40

start with the sleeves, cut a piece of crepe

00:15:43

paper large enough to

00:15:45

wrap the arm and tightly wrap the pen with the

00:15:48

edge of the paper around the cuff, we slip it

00:15:51

under this cuff,

00:15:52

you can help yourself with a flat stick.

00:15:57

cut

00:15:58

the seam should be at the bottom route so that

00:16:01

it is not visible and carefully glue

00:16:03

the edge onto the cook

00:16:05

[music]

00:16:16

[music]

00:16:19

when you apply the new paper,

00:16:21

pay attention to how the folds went on the

00:16:24

old joke and try to lay the

00:16:26

paper with folds in the same direction

00:16:33

[music] with the fur

00:16:40

coat itself that's all It’s easier to take a large

00:16:43

rectangle of crepe paper of

00:16:44

approximately the required size,

00:16:46

lay the corner on the floor of the fur coat and

00:16:49

push the edges of the paper under or the handle

00:16:51

on top, make an incision approximately where the

00:16:54

hand will be and carefully bend around the hand

00:16:57

[music]

00:17:01

so we wrap everything around the grandfather;

00:17:04

we bend the excess paper around the sleeves so that there is

00:17:06

no outside you can see the folds and the top

00:17:09

edge of the paper we put under the collar

00:17:12

[music]

00:17:19

we cut off the excess and now the new fur coat is

00:17:22

almost ready we tie the belt to

00:17:27

fix the paper in place and all that remains is to

00:17:30

glue all the edges to glue the

00:17:32

delay of the fur coat and cuffs and beard with the new

00:17:35

paper

00:17:36

[music]

00:17:45

I cut out the motifs with painted and glued

00:17:48

to the fur coat using pva glue

00:17:51

[music] I

00:17:59

coat all the destroyed

00:18:01

areas of cotton wool with glue and all that remains is to make a bag,

00:18:18

cut out a piece of paper, put a lump of

00:18:21

cotton wool or fabric inside,

00:18:22

I put a cloth napkin and fold it into a

00:18:25

bear shape, tie it

00:18:28

with a string and all that remains is to glue the bag to its

00:18:30

rightful place

00:18:38

go over the cotton wool with a sponge with paint

00:18:41

again if there were areas with stains somewhere,

00:18:45

I really wanted the fur coat not to

00:18:48

look provocative compared

00:18:50

to my grandfather using a wet method, for example,

00:18:52

tea or watercolor, crepe paper

00:18:54

cannot be created, it is greatly deformed from

00:18:57

moisture and loses color, so I decided to

00:19:00

try compose it by lightly going

00:19:02

over the joke with a dry brush with paint in a slightly

00:19:04

darker tone than the fur coat, the result is a more

00:19:10

complex shade; the fur coat is a little darker and

00:19:13

no longer looks so new and sleek; in

00:19:16

my opinion, it turned out more harmoniously;

00:19:18

perhaps there are other ways

00:19:20

to age crepe paper without

00:19:22

damaging the textures if you do you know

00:19:24

this method please write to me

00:19:27

[music]

00:19:32

and finally the last version of Santa Claus is made of

00:19:38

plaster, they often break, but this grandfather is

00:19:41

fortunately intact with the exception of a few

00:19:43

elements, part of the staff of the

00:19:46

squirrel on his shoulder is broken off from the head and there

00:19:48

are not enough small elements

00:19:50

chipped off the bear’s face some

00:19:52

details are the most prominent

00:19:54

and besides, of course, the paintwork was badly damaged,

00:19:56

it’s clear that they

00:19:59

tried to touch up the grandfather, but in general everything needs to be

00:20:02

installed, I’ll try to use his example to

00:20:04

show you in more detail the restoration of the

00:20:06

paint, but of course we’ll start with the

00:20:09

lost parts for restoration, I

00:20:11

took a self-hardening compound for

00:20:13

modeling it’s easy to make a part of the desired shape from it,

00:20:16

we fashion the part that needs to be

00:20:18

restored directly on the plaster,

00:20:20

then we take pva glue, carefully separate the

00:20:23

just molded part and

00:20:25

coat the contact points with glue, glue the

00:20:28

part back and leave it

00:20:31

to dry, we

00:20:33

also restore the lost pieces

00:20:36

on the bear’s face and so on

00:20:38

[music] the

00:20:44

most It was difficult to make a squirrel,

00:20:46

given that I am a very mediocre sculptor,

00:20:50

first I made a tail and then

00:20:53

worked on the head, made a blank of approximately the desired

00:20:56

shape, glue it in place and

00:21:01

then trim it with a palette knife and

00:21:03

draw out the shape

00:21:04

[music]

00:21:16

after the mass has hardened, thoroughly

00:21:19

sand the restored elements and at

00:21:22

the same time and his grandfather’s

00:21:24

paint was very peeling,

00:21:25

pieces falling out here and there, and if you paint it

00:21:28

as is, all this relief will be very

00:21:30

noticeable,

00:21:31

I used fine sandpaper in places where

00:21:34

something needed to be noticeably leveled, about the

00:21:36

mistake, I just went over it with an abrasive sponge,

00:21:44

brush off the dust with a soft brush and you can

00:21:46

get started When painting,

00:21:48

I usually try to start with the face, but in

00:21:51

this case I decided to make the

00:21:52

fur coat first, the largest piece in terms of area,

00:21:56

mix the paint and again I want to draw

00:21:59

your attention, do not take the pure color

00:22:01

that you have in the tube, you need to do it

00:22:03

with a burnt muted color, for this

00:22:05

we add a little to the blue black, I

00:22:08

mixed two shades of blue with black

00:22:10

until I got the desired tone

00:22:14

[music]

00:22:17

when painting, I tried to bend the details of

00:22:20

the painting into jokes, crescents and stars,

00:22:22

so that later I could paint them in the same

00:22:25

places for the same purposes, you can

00:22:28

photograph the figures before

00:22:30

painting the color it turns out very

00:22:35

smooth and dense, but initially, if you

00:22:37

remember from the shooting, it didn’t look like that

00:22:40

due to painting with a dark color on white

00:22:42

plaster, the color was uneven,

00:22:44

somewhere darker, somewhere lighter, so

00:22:47

to make the color more complex and

00:22:49

natural, I added a drop of white to the

00:22:51

original blue color to get a

00:22:53

shade a couple of tones lighter and using the

00:22:56

dry brush technique I lightly went over the

00:22:58

whole joke; this emphasizes the relief, all the

00:23:01

protruding parts, all the folds and makes the

00:23:03

figure more lively, then the face is mixed for the

00:23:09

skin with white, a little golden

00:23:12

ocher, red and don’t forget about a drop of

00:23:14

black for the tone it wasn’t like a

00:23:16

plastic doll

00:23:19

[music]

00:23:23

after the tone had dried we painted the face, I

00:23:27

first did some blush on the cheeks, nose and

00:23:29

lips with a small sponge, then we painted the eyelash

00:23:33

line with ivory whites of the eyes with brown paint,

00:23:39

then we painted the pupils with blue and shaded it brown on top,

00:23:43

you can add small dots of

00:23:45

highlights on the pupils with white the color of the eyebrows, I

00:23:49

don’t have a horn yet, we’ll draw them together with the

00:23:51

beard at the very end, now we can move on to the

00:23:57

rest of the details,

00:23:58

mix the color for the staff, again, not

00:24:01

forgetting to add a drop of black to the

00:24:03

main tone, paint the cap,

00:24:11

pulse and mittens, my grandfather’s mittens were

00:24:22

clearly repainted by David and yellow

00:24:25

and so I repainted them to match the color of the belt,

00:24:28

I restored the gilding on the painting,

00:24:30

I didn’t have the required gold shade,

00:24:32

so I mixed gold and bronze

00:24:35

[music]

00:24:44

by the way, I forgot to do this earlier,

00:24:47

if after the mass of the form has solidified,

00:24:49

you don’t quite like the sculpted parts,

00:24:51

you can correct it and trim it with an ordinary

00:24:54

stationery knife

00:24:55

painting the bear, I didn’t immediately realize that

00:24:58

it was a bear, the shade was just like a

00:25:00

lion cub and I sculpted the face like a lion cub

00:25:02

and only then I realized that generally speaking

00:25:05

Santa Claus shouldn’t have a lion cub in

00:25:08

all the large details, after the

00:25:11

main tone had dried I went over it with a dry brush with a

00:25:13

lighter color exactly just like on a fur coat

00:25:16

[music]

00:25:28

[music] at the

00:25:35

very end we restore the small

00:25:37

details of the painting and finally mix a

00:25:41

gray-blue shade for the edge of the fur coat and a

00:25:45

warm grayish beige for the beard and

00:25:47

eyebrows,

00:25:51

just like the sawdust figure,

00:25:53

we cover the work with a protective varnish, this

00:25:57

grandfather is quite rare and the dear

00:26:00

work of the artist, or rather the

00:26:01

sculptor Karen, restoring

00:26:04

this grandfather was a great pleasure

00:26:06

for me, it’s really very beautiful,

00:26:08

it’s made in detail and alive, it’s also not a

00:26:11

toy, rather a small sculpture, if

00:26:13

you’re lucky enough to have the same one, take care of

00:26:16

it, it’s a real rarity

00:26:18

[music]

00:26:29

well, I hope that this is my next

00:26:33

restoration video that will help you

00:26:35

breathe life into your old

00:26:38

Santa Claus or maybe the Snow Maiden,

00:26:40

although they are of course much less

00:26:42

common, which were still collecting dust

00:26:44

somewhere on the mezzanine in the far corner

00:26:46

because the figure lost its appearance under the

00:26:50

Christmas tree and can no longer be placed I would like to hope

00:26:52

that thanks to my video you will be able to

00:26:54

give it a second life and the toys of your

00:26:57

childhood or the childhood of your parents and

00:26:59

grandparents

00:27:01

will delight you under the Christmas tree for many

00:27:03

many years to come, be sure to write to me with your

00:27:06

questions about restoration, paints,

00:27:09

materials to use, I

00:27:11

will try my best answer as

00:27:13

usual but she's all bye today

Description:

Всем привет! Сегодня я покажу как восстановить подставочные фигуры Деда Мороза из разных материалов. Покажу как заделать утраты деталей, восстановить лакокрасочное покрытие, убрать грязь на ватной фигуре и так далее. Видео по реставрации Деда Мороза из прессованых опилок во флокированной шубке: https://www.youtube.com/watch?v=VbuujH97kQ4 Другие мои видео по реставрации: https://www.youtube.com/playlist?list=PLcju-2AgjOSoRcH59EFkga14LbVZT_YPW Другие видео о советских елочных игрушках: https://www.youtube.com/watch?v=X6d9Khr3HAM&list=PLcju-2AgjOSo2td5nRP_xZettEuW7hLJF Для связи и предложений: [email protected]

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