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00:00:00

hello everyone welcome back into the

00:00:03

studio today we are going to do a bit of

00:00:05

a basic deep dive into a topic I've been

00:00:08

wanting to tackle for quite a while the

00:00:10

features of the head

00:00:11

we're going to start with the nose

00:00:14

this will be a beginner friendly lesson

00:00:16

where we'll cover the process of

00:00:17

sculpting and the anatomy of the nose so

00:00:20

let's get into it

00:00:22

first let me explain some of the

00:00:23

materials I'll be using we need

00:00:25

something to sculpt on and Armature is

00:00:28

what we call that and we'll be using

00:00:29

this very simple wooden board with nails

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nailed into it as such

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for this exercise we really don't need a

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lot in terms of Armature and a simple

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board like this will do the job just

00:00:40

fine

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as you can see here I have the board on

00:00:43

an upright easel you could use something

00:00:46

like this to get a front view on your

00:00:47

sculpture of course or you could

00:00:49

construct some small triangles to the

00:00:51

back of the board or you could even hang

00:00:53

the board vertically on a wall

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either way it's going to be fine but we

00:00:57

need to be able to get the board upright

00:00:58

as well as being able to lay it flat

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down on a table

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here are the tools I'll be using it's a

00:01:06

mix of tools from camper tools sculpture

00:01:08

house and tarantee and links to all of

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these tools can be found in my FAQ post

00:01:13

over on patreon which is free

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tools are more of an extension of your

00:01:17

hand your mind and your hand and you

00:01:20

don't really need any specific tools for

00:01:22

this exercise though a small modeling

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tool won't hurt for when we need to add

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small amounts of clay into very specific

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places

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the clay I'll be using is a simple

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Terracotta clay it's water-based and

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rather smooth

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I like it because it's easy to work with

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and fast

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oil-based Clays will work as well but

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require a bit more setup as they should

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be heated up before use to make them

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softer

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to keep the clay from drying we'll spray

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it with water every now and then

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remember that if you do go for a

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water-based clay make sure that it's one

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that's fairly smooth terracotta is going

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to be better than porcelain for example

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even though porcelain is smooth but it

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can't retain its shape very well and it

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dries really fast so go for a smooth

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terracotta if you can find one

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for reference I'll be using some

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photographs of a nose that I took you

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can find these reference photos

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reference photos by looking for model

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packs on my website you can also use

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photographs of your own nose or photos

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of someone else's nose that you've taken

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or found of course

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you can also use plaster casts

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particularly the David's nose is a cast

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that's easy to find and buy and should

00:02:36

be fairly cheap as well I have some

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links to that as well on my FAQ post

00:02:41

over on patreon on the post is as I said

00:02:43

free

00:02:46

instead of Starting by sculpting a nose

00:02:48

straight out of the board I'm going to

00:02:49

build myself a bed of clay that I can

00:02:51

use to build the nose out from

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having a clay bed or base beneath

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anything that you sculpt be it a figure

00:02:58

or a nose can be really helpful as what

00:03:01

will often happen

00:03:03

is that some mistake will occur where

00:03:05

it's easier to fix said Mistake by

00:03:07

adjusting something downwards rather

00:03:09

than upwards

00:03:12

if there is no room to do so because we

00:03:14

have a hard wooden board

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and not a bit of clay we sort of get

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stuck and we have to move many things

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usually up instead of one thing perhaps

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down

00:03:24

an example that will illustrate this is

00:03:28

if you imagine the calves on a figure

00:03:30

the caps on a figure the lower leg being

00:03:32

too short

00:03:34

if we can move the feet down we will get

00:03:36

longer calves but if the feet are on a

00:03:39

hard surface we can't move them down and

00:03:40

everything above the calves have to move

00:03:42

up and of course there's a lot more

00:03:43

above the calves than what is below it

00:03:46

below the calves

00:03:49

this would be difficult to achieve so

00:03:51

building a clay bed below your sculpture

00:03:54

affords us some flexibility in case we

00:03:56

make a mistake that we'll need to fix

00:03:58

and we will almost certainly mix make

00:04:00

some mistakes here

00:04:03

we don't need a lot of clay just enough

00:04:05

to cover the nails and then a little bit

00:04:07

extra the nails are sticking out of the board

00:04:09

a few centimeters at most and really

00:04:12

just keep the clay the clay nose from

00:04:15

sliding around on the board

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the clay will hold itself pretty well or

00:04:20

hold itself upright pretty well once we

00:04:21

start sculpting and we won't need an

00:04:23

Armature inside the nose all the way to

00:04:25

the tip of the nose for example

00:04:27

but in case your clay sculpture dries a

00:04:29

bit the nails will keep the clay nose

00:04:32

from being dislodged dislodged from the

00:04:34

board and falling off they will sort of

00:04:36

lock it in place even if it accidentally

00:04:39

dries out a little bit more than planned

00:04:40

for

00:04:43

first we have to decide on the scale

00:04:45

that we're going to sculpt the nose in

00:04:46

this is important because once we begin

00:04:48

sculpting it helps if we already know

00:04:50

this

00:04:51

otherwise the scale could end up random

00:04:54

which would actually be fine but

00:04:56

measuring ensures that the nose fits on

00:04:58

the board and we don't accidentally make

00:04:59

one that's too big or one that's really

00:05:01

small

00:05:03

I do suggest in this scenario making a

00:05:04

nose that bigger than life size since a

00:05:07

real life nose is actually pretty small

00:05:09

and this can make them very difficult to

00:05:11

sculpt

00:05:12

in this scenario I chose to take my own

00:05:14

nose and double its length so

00:05:17

essentially twice life size

00:05:20

now the reference is not of my nose but

00:05:22

as you'll see it won't really matter as

00:05:24

the scale itself ultimately doesn't

00:05:26

matter only the relationship between the

00:05:28

chosen Heights and the chosen widths

00:05:31

matter

00:05:32

we will make an arbitrary decision about

00:05:34

the scale which is the height

00:05:36

measurement twice the length of my nose

00:05:38

and then work using comparative

00:05:40

measurement to figure out the rest of

00:05:42

the proportions based on the chosen

00:05:44

height of our nose

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to clarify the terminology here a bit

00:05:50

before we lean into it too much

00:05:52

by height I'm talking about the heights

00:05:54

when the nose is standing upright

00:05:56

sometimes that means that my Heights

00:05:58

will turn into left and right for

00:06:00

example when the board is laying flat on

00:06:01

the table

00:06:03

I'll still refer to the heights as

00:06:04

Heights in these scenarios so that we

00:06:06

don't get confused

00:06:09

The Depths are always going to refer to

00:06:11

the depths from the front view

00:06:14

so we'll talk about depth from the side

00:06:15

view but when the board is laying down

00:06:17

and we're working those depths those

00:06:19

depths become up and down of course

00:06:22

but I'll still refer to them as depths

00:06:26

wits refer to wits from the front view

00:06:29

this means widths are depths when

00:06:32

observing from the side view but will

00:06:34

still refer to them as widths

00:06:37

this way we're always dealing with the

00:06:39

same terminology even if we are

00:06:41

observing from different points of view

00:06:45

as you can see I'm going to start

00:06:46

sculpting with this board laying flat on

00:06:49

the table

00:06:50

this means that my nose will be laying

00:06:52

on its back

00:06:53

this doesn't really change anything

00:06:55

other than that it makes it a bit easier

00:06:57

logistically to sculpt this with less

00:06:59

props on the way to to prop up my board

00:07:01

for example while working

00:07:04

and the terminology will remain just the

00:07:06

same as we discussed

00:07:10

we will Begin by sculpting the profile

00:07:12

or the Contour as observed from the side

00:07:14

view

00:07:15

we can do this and we start with this

00:07:17

feature because the Contour of the nose

00:07:19

from the side view is essentially

00:07:21

traveling down the center of the nose

00:07:26

this makes it very easy to build a

00:07:28

contour or a profile as I'll sometimes

00:07:30

call it as we know this profile exists

00:07:32

in the middle of the nose in a straight

00:07:34

line

00:07:35

this profile is the same way that I

00:07:38

would begin sculpting somebody's full

00:07:39

portrait for example

00:07:43

there are important reasons for starting

00:07:45

like this so let's cover some of them

00:07:48

we start with the profile because

00:07:49

certain things are less flexible than

00:07:51

others

00:07:52

the least flexible element will deal

00:07:54

with in sculpture of all kind is going

00:07:56

to be Heights

00:07:58

remember that while this profile travels

00:08:00

left to right we're thinking and using

00:08:02

terminology like if the nose was upright

00:08:04

in its natural state of being

00:08:07

so Heights are very unforgiving and

00:08:09

making changes to the heights

00:08:11

is going to become difficult

00:08:13

these changes become especially

00:08:15

difficult when there is widths

00:08:17

associated with the heights

00:08:21

currently we'll be working on a really

00:08:23

thin pancake-like profile that will have

00:08:26

the heights represented on it but no

00:08:28

widths

00:08:29

this means that the heights remain very

00:08:31

flexible and easy to change and adjust

00:08:35

and we're going to need that in the

00:08:37

beginning as we're likely going to have

00:08:38

issues setting up the heights perfectly

00:08:40

right off the rip

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it will take many iterations to get them

00:08:45

right and before they're pretty close to

00:08:47

being right we don't want to have widths

00:08:49

added to any Heights

00:08:52

reject the urge to add widths at all

00:08:54

costs in the beginning no matter what

00:08:57

you are sculpting almost

00:09:15

um

00:09:17

uh

00:09:28

with nothing there it can be hard to

00:09:29

know how to proceed or even how to begin

00:09:31

sometimes

00:09:33

a good start is to look at your

00:09:34

reference and find something that you

00:09:36

can use to split the long distance of

00:09:38

the profile into smaller parts

00:09:41

perhaps look for the halfway point

00:09:42

between the top of the nose and the

00:09:44

bottom of the nose

00:09:46

perhaps take the tip of the nose from

00:09:48

here to here and count how many times it

00:09:50

should fit into the length of the nose

00:09:52

the overall length that is

00:09:55

or rather the overall height I should

00:09:56

say

00:10:00

measuring like this is comparative

00:10:02

measurement we have a set distance a set

00:10:04

height that we are going to fill with

00:10:06

our nose

00:10:07

then we need to divide that height into

00:10:09

parts to make it easier for ourselves to

00:10:11

navigate and build an accurate profile

00:10:13

within that height

00:10:15

anytime you have to travel from A to B

00:10:17

in sculpture find some way to split a to

00:10:19

B up into smaller parts and then use

00:10:22

that to fill a to B with clay

00:10:27

it doesn't even have to be that accurate

00:10:30

frankly as long as we're able to get

00:10:32

somewhat close we'll be fine and we'll

00:10:34

be able to use our eyes to further

00:10:36

adjust from here

00:10:39

comparative measurements are by default

00:10:41

somewhat inaccurate this is actually a

00:10:44

good thing it means we'll finalize the

00:10:46

measuring using our eyes but we can't do

00:10:48

so without getting pretty close and

00:10:51

that's what comparative measurement

00:10:52

achieves for us

Description:

To improve your Sculpting Skills, subscribe at: https://www.patreon.com/eirikarnesen In this Patreon series we are going to sculpt our first feature of the head, namely the nose. We'll cover the basics of the process that I employ to sculpt pretty much anything and we'll speak about the particulars of the nose. Enjoy! The full video is available to my Patrons who support me with $10 or more. The full length video is over 1 hour long and full of valuable information. To support me on Patreon and watch the full video: https://www.patreon.com/eirikarnesen FAQ: https://www.patreon.com/posts/frequently-asked-54343994 Patreon: https://www.patreon.com/eirikarnesen Instagram: https://www.facebook.com/unsupportedbrowser Facebook: https://www.facebook.com/unsupportedbrowser Website: https://www.eirikarnesen.com/ My name is Eirik Arnesen, I'm a sculptor from Norway, living and working in Florence, Italy. I teach sculpture at the Florence Academy of Art and on this channel I'll share with you every step of my process, discussing materials, tools and techniques. Eventually you'll find tutorials on how I go about sculpting everything from a portrait to a life-size figure.

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