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Video tags
Subtitles
Russian
00:00:01
blender's 3d and 2d tools to create this00:00:03
awesome toon shaded scene we'll be00:00:05
modeling and texturing and even using00:00:06
the grease pencil tool for our 2d00:00:08
character so let's jump right in00:00:11
[Music]00:00:18
hello everybody and welcome back to00:00:20
tiptoe and to this blender series where00:00:21
we've been working with the 3d and 2d00:00:23
tools to create a complete scene from00:00:25
start to finish last episode we created00:00:27
the basic scene and this episode we'll00:00:28
be adding all of the foliage like bushes00:00:30
and grasses to our scene if you haven't00:00:32
watched the previous episode you can do00:00:34
so here otherwise let's just jump right00:00:35
into it okay so we're basically done00:00:37
with our hardscaping it's time now to00:00:39
add a little bit of life to this scene00:00:41
with some soft escape or foliage we're00:00:43
going to create some bushes to which00:00:45
we're going to add a particle system00:00:47
leaf00:00:48
system around the edge and we're also00:00:49
going to use a particle system to create00:00:51
some flowing grass that will react to00:00:53
wind and things like that and we'll do a00:00:55
little bit more mesh modeling to create00:00:57
a fallen over tree the first thing i'm00:00:59
going to do is create the grass to do00:01:02
that you basically need an object to00:01:03
apply your particle system to so i'm00:01:05
going to choose my grass layer up here00:01:08
so i'm going to go over to my modifiers00:01:09
channel make sure i've got that open and00:01:11
i'm just going to add modifier and00:01:13
choose particle system then that will00:01:15
give you a new drop down under the00:01:17
particle properties menu where you can00:01:18
actually adjust the settings of that so00:01:20
it's not done in the modifiers tab we're00:01:21
going to change the emission type to00:01:23
hair and immediately you're going to see00:01:25
a whole bunch of thin strands of hair00:01:27
coming out the top of your plane like00:01:29
this we're just going to quickly switch00:01:30
into solid view up the top there so that00:01:33
we don't lag out our computer too much00:01:35
the emission factors here you can use to00:01:37
control the length of your grass or hair00:01:39
in this case maybe like 0.6 actually00:01:41
it's double that just so it's nice and00:01:42
long to be starting with and you want to00:01:44
keep this number quite low for now00:01:46
because the more you put in here yes the00:01:48
more00:01:49
strands of grass you will get but the00:01:50
more it will also make your computer00:01:52
freak out you can keep this low and then00:01:53
turn it up when it comes to render time00:01:56
essentially so we are going to leave00:01:58
pretty much everything off but we will00:01:59
need rotation factors for some reason is00:02:01
under advanced even though it doesn't00:02:03
seem terribly advanced for me um and the00:02:05
other thing we're going to play around with is the render settings here we will00:02:07
be rendering as a path that is true you00:02:09
can choose an object which we'll be00:02:10
doing for the bushes later on but um00:02:12
what we want to do is make sure that our00:02:15
hair shape has a larger root than it00:02:17
does at the tip you can see that if i00:02:19
drag this diameter tip upwards then00:02:22
you'll start to see the thickness on our00:02:24
grass a little bit grass doesn't usually00:02:26
behave like this it usually clumps00:02:27
together so what we're going to do is00:02:29
instead of increasing our00:02:30
number of emissions we're actually going00:02:32
to told down this children menu and just00:02:34
use simple children and what this will00:02:36
do is for every hair particle that's00:02:38
generated it will generate a number of00:02:40
children around that it is important to00:02:42
know that your rendered amount of grass00:02:44
even in rendered view here will by00:02:46
default be ten times more than your00:02:48
display amount because we're doing it00:02:50
quite cartoony we can actually turn the00:02:51
render amount down to be the same as the00:02:53
display amount and this will give us00:02:54
some nice clumps of grass which we can00:02:56
then increase to say maybe i think about00:02:58
7000 i use at render time for this to00:03:02
create like a fairly thick field of00:03:04
grass again we're going to leave it at00:03:05
1000 for now so as you can see we've00:03:07
started to get some grass but we want00:03:09
some of these clumps to sort of00:03:11
push themselves together a bit so we're00:03:13
going to turn down uh twirl down this00:03:15
clumping option and just turn up the00:03:17
clumping a bit and you'll see that i'll00:03:18
start to draw the points of our grass00:03:20
together this grass itself is going to00:03:23
be pretty basic if i go into rendered00:03:24
view here you can see that it's going to00:03:26
take the color of our base grass mesh00:03:29
and apply that but if you want your own00:03:31
material applied to that that is going00:03:33
to be under your render settings and you00:03:35
can see here we have material grass like00:03:37
this if we go to our shading menu you00:03:40
can see that what we can do is in fact00:03:42
let's just disconnect it entirely and00:03:44
create a new material for the grass and00:03:46
this one we will call grass blades00:03:49
and on this we're going to add another00:03:50
one of our simple toon shaders so we're00:03:53
going to need a principal bsdf going00:03:55
into a shader to rgb which will connect00:03:57
like say00:03:58
and a shader to rgb going into a color00:04:01
ramp no need to mix anything for these00:04:03
ones we're just literally going to color00:04:04
ramp in like this let's change that from00:04:06
linear to constant and add in a few00:04:08
stops00:04:09
and for this one we'll use our brighter00:04:11
collection of greens that we've got on00:04:13
our color palette here00:04:16
so we want that color for the grass but00:04:17
we don't want that color for the plane00:04:19
okay so the best way to do that is00:04:21
actually to select your grass object00:04:23
here and set that back to be quite00:04:25
unquote grass so once you set the base00:04:28
of the plane to be grass you can't00:04:30
actually choose the the grass blade00:04:32
material from here until you add it as00:04:34
an option in the slot so i'm just going00:04:35
to add on top of our border a grass00:04:37
blades okay let's put that actually00:04:39
above the border and we'll make sure to00:04:42
go to our modifier settings for our00:04:45
black border on the grass and just00:04:47
increase00:04:48
the material offset uh on this solidify00:04:52
modifier here to two so that it's still00:04:54
selecting from that00:04:56
third slot now instead of the second00:04:58
slot and then we can go back to our00:05:00
particle settings and we can change this00:05:01
to be grass blades and that's going to00:05:03
take the color of our grass blades for00:05:05
the particle but the color of our grass00:05:07
base for the plane looks a bit weird at00:05:10
the moment but then when you turn up to00:05:11
7000 pixels you'll see that it just00:05:13
basically means that if you're looking00:05:14
at it from a different angle it's going00:05:15
to be darker underneath than it is on00:05:18
the top there one a little annoying00:05:19
thing is we're getting a little bit of00:05:21
like overlap on the very edges so what00:05:23
we need to do is wait paint um our plane00:05:26
so that we can choose where our objects00:05:29
appear where our grass appears so i'm00:05:31
going to select my plane object again my00:05:33
grass and i'm going to control tab into00:05:36
weight paint mode unlike when you tab00:05:38
into edit mode it leaves all your00:05:39
modifiers in place okay rarely i'm going00:05:41
to go to my modifiers here i'm going to00:05:43
twirl down all my options and i'm going00:05:45
to hide my particle system from the00:05:46
viewport so i can just see the base of00:05:48
my object and you can see that it is00:05:49
blue and we have a brush that we can00:05:51
draw with and when i do draw you get00:05:53
this kind of heat map you can and you00:05:55
can play with the radius so you can00:05:56
start painting in where you want your00:05:58
grass to appear and everywhere that is00:06:00
red will have like 100 grass and then00:06:03
down through the colors down to blue00:06:06
will give you less so basically we'll00:06:08
just paint an area for everything that00:06:10
isn't the very edge and if you miss a00:06:12
few spots that's fine because grass00:06:14
isn't going to be super duper uniform is00:06:16
it00:06:19
so then when we tap back to object mode00:06:21
you'll see that unfortunately nothing00:06:22
has bloody happened we can turn our00:06:24
grass back on and it's still going00:06:25
across the whole mesh we actually have00:06:27
to go to our particle settings and then00:06:29
right down at the bottom underneath00:06:30
field weights excuse me not field00:06:32
weights under vertex groups we need to00:06:35
change our density to this new group00:06:37
that's been created and boom that'll00:06:39
start you'll see our grass now has sort00:06:41
of creeped away from the edge so there00:06:42
is a way to save time here and just copy00:06:44
this modifier down onto our base mesh00:06:47
now earlier we linked materials by00:06:48
selecting both and pressing ctrl l and00:06:51
copy modifiers but we don't want to copy00:06:53
all of them we just want to copy one of00:06:54
the modifiers and to do that you need to00:06:56
enable an add-on that comes pre-built00:06:58
with blender so we're going to go to00:06:59
edit and preferences and then go down to00:07:01
the add-ons tab here and we're going to00:07:04
search for copy00:07:06
and then there'll be copy attributes00:07:08
menu you need to check that so that it00:07:10
is enabled and then just click refresh00:07:12
now what we need to do is select our00:07:14
plane and then shift click our grass and00:07:16
press ctrl c to open up the copy00:07:18
attributes menu choose copy selected00:07:20
modifiers and we're going to choose00:07:21
particle system and click ok now one00:07:23
thing that we want to do to this grass00:07:25
is sort of have the wind blowing through00:07:26
it so to do that we're going to add few00:07:28
more things to our scene we're going to00:07:30
press shift a and add a force field for00:07:33
wind now this wind here is going to help00:07:35
us choose the direction of our grass00:07:38
blowing so i'm going to press g and z to00:07:40
bring that up before i go too much00:07:41
further though i am going to remember00:07:43
that i've left my 7 000 articles on and00:07:45
i'm going to turn that down to say like00:07:47
uh i don't know 500 just for now whilst00:07:49
we're working on it and if i select my00:07:51
wind object now the position doesn't00:07:54
matter but the rotation you'll see will00:07:56
start to affect the direction of our00:07:58
grass so which direction do you want the00:08:00
wind to be blowing in i'm essentially00:08:01
going to want just a little bit of00:08:02
rotation in our grass like so we now00:08:04
need an object that is essentially just00:08:06
going to make this grass wiggle really00:08:08
easily so we're going to shift a again00:08:10
and bring in something called a00:08:12
turbulence field and we'll bring this up00:08:14
as well so we can see a little bit of it00:08:16
and if i go into solid view so that we00:08:18
don't have to worry about rendering00:08:19
those textures you can now see that our00:08:21
grass has started to bend and be all00:08:23
wibbled about and if we just move this00:08:25
object here with turbulence you'll see00:08:28
that the grass blows in the wind so this00:08:31
one turbulence modifier is going to00:08:32
control all of the hair particles in our00:08:34
scene so we'll worry about animating00:08:36
that for later on for now we'll just00:08:38
sort of leave them in the scene so we00:08:39
want to copy the same particle system00:08:41
down onto our plane here so i'm just00:08:43
going to select that i'm going to choose00:08:45
to add a new00:08:47
particle system modifier and under the00:08:50
particle settings we're just going to00:08:51
choose our first you'll only have one00:08:53
here this is just where i've been00:08:54
messing around choose your particle00:08:56
settings collection here and we'll just00:08:58
rename this one grass so it's easier for00:09:00
us to remember later on that's going to00:09:01
apply the same physics um all the same00:09:03
settings and if you change one it will00:09:05
change all of them i'm just going to do00:09:07
a simple weight paint on our plane down00:09:09
here as well because i don't want00:09:12
obviously too much grass in our sand00:09:15
area00:09:18
okay so there we go roughly correct00:09:20
let's just briefly turn that up to 700000:09:23
so we can see what our final graphs00:09:25
might look like00:09:26
and we've got some crazy stuff going on00:09:29
here00:09:30
because it doesn't actually copy across00:09:32
your material so you can see here we've00:09:34
got00:09:35
the material border and that's because00:09:37
if we go to our material settings here00:09:39
we haven't added the grass okay so we're00:09:41
going to add a new slot for that one on00:09:43
here we're going to choose grass blades00:09:45
we'll put it above the border and then00:09:46
to make the border work on our ground00:09:48
correctly we're gonna go back to our00:09:50
solidify modifier that we made before00:09:53
and we're gonna increase the material00:09:54
offset just so that all of our textures00:09:57
and work properly and now you can see we00:09:59
have grass down here and grass at the00:10:01
top now you might be thinking that this00:10:03
is uh this craziness here is is caused00:10:06
by like the wind but it's actually not00:10:08
it's caused by the order of the stack of00:10:10
modifiers so you can see here that we00:10:12
have our particle system and it is going00:10:14
after our displace modifier here and our00:10:17
displaced modifier on this is way00:10:19
stronger than it is on the grass above00:10:21
so if we actually put this before our00:10:23
displaced modifier you'll see the grass00:10:24
will stand up a bit better now i use00:10:27
that displace modifier for this texture00:10:29
okay i don't actually want it affecting00:10:31
the direction that the grass grows from00:10:33
so i'm actually going to leave it there00:10:35
underneath like so and we're going to00:10:37
actually bring down the overall particle00:10:40
amount i think to about 5000 um overall00:10:43
like that if you wanted to have the same00:10:46
settings and you're happy with all the00:10:47
settings and a different particle amount00:10:48
maybe you want more grass up here less00:10:50
grass down here and you can obviously00:10:52
create a duplicate00:10:54
for this downstairs grass00:10:57
and then that will allow you to control00:11:00
those values00:11:01
individually reducing the amount of00:11:03
grass down here compared to up there so00:11:05
to animate our grass later on we'll just00:11:06
be animating the position of this00:11:08
turbulence object here and now we're00:11:10
going to take a look at creating our00:11:11
bushes using object particles instead of00:11:14
path particles i'm actually going to00:11:15
turn off just for now um these particle00:11:18
systems in my viewport so that it00:11:20
doesn't send my computer crazy and a00:11:23
good add-on to enable actually whilst00:11:26
we're talking about that if we go to00:11:27
edit and our preferences is the modifier00:11:31
controller kind of add-on if you just00:11:33
type in modifier it'll come up with00:11:35
modifier tools if you tick that00:11:37
and refresh you'll get this little00:11:40
menu up here and what that allows you to00:11:42
do is if i say select a to select00:11:44
everything in my scene and just click00:11:46
this viewport viz it'll turn off quickly00:11:49
all of the modifiers are on all of the00:11:52
modifiers with a single click in your00:11:54
scene for every selected object and of00:11:57
course you're just toggling them so you00:11:58
can turn them on and off like this but00:12:00
if you wanted your temporarily or your00:12:02
curves obviously to remain in place you00:12:04
can just turn those on individually so00:12:06
now you're looking at everything with no00:12:08
modifiers um but your scene is still00:12:11
built so let's create our bushes i'll00:12:13
press shift a and i'm going to bring00:12:15
myself in a cube and i'm just going to00:12:17
bring that up in z space a little bit so00:12:18
it's floating above our scene and we'll00:12:20
go to solid view as well so we don't00:12:22
have to deal with the lights we're going00:12:23
to add a modifier onto this subdivision00:12:25
surface just before and we'll crank it00:12:27
up to about four right click shade00:12:29
smooth exactly the same as the rocks so00:12:31
far similar to the rocks as well we're00:12:32
going to add ourselves a displacement00:12:34
modifier but this time we're going to00:12:36
call it00:12:37
a bush and under our texture settings00:12:39
here we're going to change to clouds as00:12:42
opposed to voronoi it's going to look00:12:43
similar at the beginning but as we00:12:45
increase the size you're going to see00:12:47
how different it is we're going to be00:12:48
using the size and the contrast as we00:12:50
did before and you get this more lumpy00:12:53
puffy kind of texture same as before of00:12:55
course if you tap into edit mode using00:12:57
maybe face selection you can start00:12:59
pulling this around and that's going to00:13:01
affect your general shape of your bush00:13:04
now i want this scale to come up just a00:13:07
little bit more so we get something00:13:09
something like that where it's not too00:13:12
crazy and we'll just loop cut this maybe00:13:14
twice in each direction all right so00:13:16
control r and then scroll once00:13:19
and then control r and scroll00:13:22
once like that that's obviously going to00:13:24
affect the shapefile brush make it a bit00:13:25
more cubie let's do it this way as well00:13:28
so we're working with a cube like this00:13:29
and i'm just going to pull these00:13:32
into more of a lumpy shape and turn off00:13:34
proportional editing00:13:35
um and just start pulling out these00:13:37
different lumps00:13:39
just something like that obviously you00:13:41
can start playing around with them i'm00:13:43
going to scale it down a little bit00:13:45
and then i'm going to apply my scale00:13:47
what we want to do now is cover this in00:13:49
leaves using a single leaf object in a00:13:52
similar way to create the grass but00:13:53
we're going to use this object as our00:13:55
particle so i'm going to shift a00:13:58
in object mode and add in a new plane00:14:00
and we'll just bring that up above here00:14:02
let's rotate it along the x-axis 9000:14:04
degrees holding control allows you to00:14:06
snap let's then scale it down00:14:09
until we get something roughly the size00:14:11
of one leaf so let's pop it on top of00:14:13
our bush and say yeah we want nice big00:14:15
chunky leaves that seems about right so00:14:17
i'm going to tab into edit mode first00:14:18
i'm going to apply that scale i'm going00:14:20
to tab into edit mode and this one's00:14:21
really easy control r and we're just00:14:23
going to split it twice let's then hold00:14:25
alt middle mouse and flick the mouse to00:14:27
the right to go to this front of the00:14:28
graphic key press 1 to go into vertex00:14:30
editing mode00:14:31
and we're just going to scale down00:14:34
our shape00:14:36
until we get something vaguely00:14:39
leaf-like okay00:14:41
so just pressing g to move s to scale00:14:46
i'm going to split this down the middle00:14:49
three times00:14:51
right click to release i'm going to hold00:14:52
alt to edge select then i'm going to00:14:54
loop slide this by pressing g for move g00:14:57
again we'll move it along the plane and00:15:00
we're just going to bring it in like00:15:01
that we'll do the same thing here alt00:15:02
click gg move in00:15:05
good game i'll click the middle and then00:15:08
g and y to move that back to create the00:15:10
crease in our leaf and we're going to00:15:11
select all these parts on the top of our00:15:13
leaf here and we're going to press scale00:15:16
zero and that's going to bring them all00:15:18
together now unfortunately all these00:15:19
points are still here so if i just00:15:20
select one and move up you'll see all00:15:22
these other points we want to merge00:15:23
these together so i'm going to press a00:15:24
to select everything m to bring up the00:15:26
merge menu and choose merge by distance00:15:28
and then this little setting down here00:15:30
is going to say that any vertex is close00:15:32
to the 0.01 meters are going to be00:15:34
merged into a single vertex let's00:15:36
confirm that with enter and then now you00:15:38
can see that we've only got the one00:15:39
vertex at the point of our leaf apply a00:15:41
modifier to this subdivision surface our00:15:43
old reliable friend um and let's do00:15:46
three it's probably good enough for a00:15:48
plane like this while we're at it as00:15:49
well add a solidify modifier just to00:15:52
give00:15:53
a little bit of a chunk and whilst we're00:15:56
at it again we'll tab back into object00:15:57
mode and choose shade smooth leaves00:15:59
usually aren't perfectly flat however00:16:01
and so what i am going to do is i'm just00:16:03
going to grab these center points00:16:06
here and just bring them back with g and00:16:09
y to create that way curve and create00:16:11
the other curve i'm going to tap into00:16:12
object mode and add a simple deform00:16:15
we're going to choose that symbol to00:16:16
form as bend00:16:18
um because it's kind of going a bit00:16:20
crazy there00:16:21
we want it to bend around the00:16:24
z axis oh excuse me we have to apply00:16:27
all of our transforms00:16:29
um so that because we did some rotation00:16:31
earlier if you remember and we will now00:16:33
want it to bend along the00:16:35
x-axis and that's going to bend our leaf00:16:37
inwards like that let's tab into edit00:16:40
mode press a to select everything i'm00:16:41
just going to move everything up so that00:16:43
its origin point is at the base of the00:16:45
leaf like that and then we can obviously00:16:48
pull down the intensity of our shape00:16:50
still in edit mode i'm going to shift d00:16:52
to duplicate the leaf right click to00:16:54
release it00:16:55
g and y to bring it back and then00:16:58
moving into front orthographic we're00:17:00
going to rotate00:17:02
and scale until we get a cluster of00:17:04
three leaves okay00:17:07
something like that let's duplicate it00:17:09
again right click to release00:17:11
rotate it this way move it along like00:17:13
that make sure you check the back so you00:17:15
don't have any weird clipping so we'll00:17:17
actually move this one back in space a00:17:18
bit rotate it along the z-axis00:17:22
bring it back in closer like that00:17:24
let's scale it down00:17:28
like so we now have in one object a00:17:30
cluster of three rotated leaves which is00:17:33
beautiful i'm just gonna move those down00:17:35
for the sake of simplicity like that and00:17:37
we're gonna pop em next to our bush it's00:17:38
now time to scatter our leaves across00:17:41
our bush okay so we're gonna select our00:17:43
bush we're gonna go to add modifier and00:17:45
we're going to choose particle system00:17:47
this particle system this time we're00:17:49
going to again choose hair and you can00:17:50
see it's going a bit crazy and the first00:17:52
thing you want to do is put your object00:17:53
on before you mess with any settings00:17:55
okay so we're going to twirl down all00:17:57
these settings and underneath render00:17:59
we're going to uh choose object from the00:18:01
drop down the object instance that we're00:18:03
going to eye dropper is our leaf bam and00:18:05
now our bush is covered in leaves they00:18:08
are a bit small so let's scale them up00:18:10
and as you can see we've now got our00:18:12
kind of leafy bush they're not naturally00:18:15
are going to follow the same rotation as00:18:17
your object here so if i tab into edit00:18:19
mode press a to select everything and00:18:21
rotate you'll see that that affects the00:18:23
rotation of your bush if you want to00:18:25
change that obviously if i rotate00:18:26
outside of edit mode as long as i don't00:18:27
apply none of that's actually going to00:18:29
change but if you don't like that00:18:31
rotation what you can do is under your00:18:33
particle settings here you can go to00:18:35
advanced check rotation and choose00:18:37
global y00:18:39
or global z so i'm going to use velocity00:18:42
hair for this because i want it to be00:18:43
affected by the wind still and i'm going00:18:45
to add a little bit of phase so i can00:18:47
pick the direction that i want let's say00:18:50
about there and a little bit of00:18:52
randomness like so so we start to00:18:54
intersect and i'll reduce the number to00:18:56
say like 750 it's a bit of a busy bush00:18:58
at the moment that's looking okay but00:19:00
it's going a bit crazy for me um so00:19:02
let's decrease the phase just so there00:19:05
and for this one we're just going to00:19:06
rotate that down that it lies a bit more00:19:08
flat against the bush because that's our00:19:10
like key object there looks a bit crazy00:19:12
at the moment but don't worry when you00:19:13
go into material mode it looks good and00:19:15
then if i grab my turbulent object you00:19:17
can see that that's actually affected00:19:19
all right so once you're happy with that00:19:20
we're going to select our leaf object00:19:22
and our bush just by shift clicking and00:19:24
we're going to press ctrl p00:19:26
and then choose object to parent those00:19:28
objects together and what that means is00:19:29
i can now select my bush in the menu00:19:31
move that around and it moves the source00:19:33
leaf with it let's position this bush00:19:35
and bring it down position it for now00:19:37
just kind of like over here let's go00:19:40
into material preview mode00:19:42
and let's add a preview to this bush00:19:45
okay00:19:46
um a material to this brush sorry we'll00:19:48
go into shading and on our bush we will00:19:51
choose grass that's going to shade the00:19:54
bush underneath and for our particle00:19:57
we will choose the grass texture and the00:20:00
good thing about this is we don't have00:20:01
to worry about adding textures or00:20:02
materials to the other objects because00:20:05
we're just going to choose the original00:20:06
source object and it's going to apply00:20:08
all of that to it as well we've got a00:20:10
bit of a gap here so let's increase00:20:12
i was wrong to reduce the amount let's00:20:15
increase the amount of00:20:17
things there now that's looking pretty00:20:18
good but we do need to add our border00:20:20
onto our object um onto our leaves at00:20:23
least probably not the bush itself so00:20:26
we're gonna go down to our material00:20:27
options with our leaf selected add a00:20:29
second slot and choose00:20:31
the border then up in your modifiers00:20:33
let's collapse all these down and we'll00:20:35
add finally after everything else a00:20:37
solidify modifier uh because we've got00:20:40
two we're going to rename this one00:20:41
border00:20:42
we'll flip the normals00:20:44
we'll offset the material00:20:46
boom and we now have a black border00:20:47
around our leaves so once you're happy00:20:50
with that um you can just start00:20:51
duplicating your bush around your scene00:20:53
as you did with uh the rocks but now00:20:55
that it's all textured i'm going to00:20:57
start playing around with the angles of00:20:59
this leaf and things like that so that i00:21:01
can get a bush that you know i'm happy00:21:03
with00:21:07
okay so i'm fairly happy with that what00:21:09
i did in the end was i made both of the00:21:11
textures the grass texture including the00:21:13
interior object and i change my rotation00:21:15
to normal so it'll follow the surface of00:21:18
the bush better if i choose to want this00:21:20
to blow in the wind all i need to do is00:21:22
either animate the internal rotation of00:21:25
the leaf or i can just you know briefly00:21:27
animate this randomized phase and phase00:21:30
options here to get it blowing in the00:21:31
wind so i'm just going to duplicate this00:21:33
bush a few times play with the interior00:21:35
mesh and just create a few bushes around00:21:37
my scene00:21:42
okay i think i'm pretty happy with that00:21:43
for now so i'm just gonna press a to go00:21:45
to everything in my scene go to my00:21:47
modifiers and toggle all of my viewport00:21:49
modifiers hope my computer doesn't freak00:21:51
out and boom we now have our bushes00:21:54
hiding in our grass obviously important00:21:57
to make sure that you're doing this00:21:59
every now and then with your modifier00:22:00
turned on at least in solid mode so you00:22:03
can actually see how things look in your00:22:05
grass like for example this bush needs00:22:06
to come up a bit00:22:08
in fact we'll have it like hiding the00:22:09
lip of the00:22:11
cliff a little bit here as well00:22:13
otherwise it just gets lost in the grass00:22:14
and you've done all that modeling for00:22:16
basically no reason so that's looking00:22:18
pretty nice gonna look through my camera00:22:21
this is obviously just a temporary00:22:22
camera position maybe we'll have it00:22:24
actually be a bit more up like this or00:22:26
maybe down in the water but i'm pretty00:22:28
happy with that for now all right let's00:22:30
add our final thing that we're going to00:22:31
do for this episode which is going to be00:22:34
our broken down tree all right so we're00:22:36
going to start off then with a pretty00:22:38
basic circle i'm just going to hide00:22:40
temporarily my turbulence and my wind i00:22:42
don't bother to look at them anymore00:22:43
floating around and we're going to press00:22:45
shift a mesh and we're going to bring in00:22:47
a circle let's open up this option down00:22:49
here and we'll just choose 12 vertices00:22:52
for our circle and then let's bring it00:22:54
up so we can see what we're working with00:22:56
on the base of our tree i'm actually00:22:57
going to position this now where i want00:22:59
it roughly around here let's scale it00:23:02
down00:23:03
and we're going to put the base of our00:23:04
tree maybe00:23:07
about there seems good to me okay let's00:23:10
tab into edit mode here and press numpad00:23:13
dot so that i can center my view then00:23:15
it's just a simple case if i'm going to00:23:16
create the trunk of my tree first okay00:23:19
so i'm going to extrude by pressing e on00:23:22
the z axis and we're just going to go up00:23:24
a bit00:23:25
and let's go to say maybe the height00:23:27
that we want the tree there okay and00:23:30
just quickly we're going to test because00:23:31
this tree is eventually going to fall00:23:32
over00:23:36
not quite long enough so we actually00:23:38
want to bring those up00:23:39
just a little bit further00:23:42
perfect okay brilliant so inside here00:23:45
we're then going to press f00:23:47
to create a face on these or a good way00:23:50
to do as well is to extrude once more on00:23:53
the z-axis and then you can go to scale00:23:55
zero and that's going to bring them to a00:23:57
point then again a m by distance is00:24:00
going to merge that point at the top00:24:02
into a singular one and this is the main00:24:04
trunk of our tree now it's looking a bit00:24:06
thick at the moment it's a bit of a00:24:07
chunker right so we're going to scale00:24:09
down the top here so that it at least00:24:11
tapers off a little bit then we're going00:24:12
to add some variation to our trunk with00:24:14
some loop cuts so ctrl r scale up the00:24:16
loop cuts let's just turn that down a00:24:19
little bit and we go to edge selection00:24:21
mode and we're just going to alt click a00:24:23
few of these and just start playing00:24:25
around with the scale and position of00:24:28
them a little bit00:24:32
uh we're gonna right click and shade00:24:33
smooth this before we go too much00:24:35
further and add a subdivision surface uh00:24:38
we're also going to add a voronoi00:24:40
displacement modifier to this one and00:24:41
we'll call this one tree bark00:24:44
we'll go to image or movie and swap that00:24:46
to voronoi00:24:48
there is a wood texture that you can00:24:50
play around with um i found it to be00:24:52
pretty damn crazy uh00:24:55
it kind of you can choose bands or rings00:24:57
but it kind of just goes a bit nuts for00:24:59
me00:25:00
uh i've not really gotten along with it00:25:02
so instead i'm going to once again00:25:04
choose voronoi but have a play you know00:25:06
maybe like marble or something could00:25:08
work well but i'm going to stick with00:25:09
voronoi for now we're going to increase00:25:11
the scale of it a whole bunch okay and00:25:13
the contrast just a little bit and00:25:15
that's going to give us just like a00:25:16
lumpy bumpy tree texture let's tab into00:25:19
edit mode and we're going to create the00:25:20
base of our tree let's go to face00:25:22
selection here let's grab a face and00:25:24
we'll extrude it bonk outwards let's00:25:27
scale it down on the z-axis and i'm then00:25:29
going to bring it down00:25:30
so that it's intersecting with the00:25:33
ground00:25:34
let's loop cut that a few times00:25:37
then00:25:38
in face select mode holding alt remember00:25:40
on a vertical line i can start tweaking00:25:44
this to create our00:25:46
um00:25:48
to create our variation in our tree00:25:50
roots top tops of the roots base of the00:25:53
roots00:25:54
whatever you know what i'm talking about00:25:56
um like so00:26:01
all right that's looking pretty good00:26:02
i'll move the whole tree down a touch00:26:04
let's create our branches okay so the00:26:07
way trees work is they grow for a season00:26:09
they stop growing and they spread out00:26:11
looking for light so essentially you00:26:14
want to just go around the edges of your00:26:15
tree at a certain height let's just say00:26:16
about here and you just want to start00:26:18
pulling these faces out we'll just do a00:26:20
few few branches for now this looks a00:26:22
bit thin to me so let's pull that out on00:26:24
the x-axis and we're just going to keep00:26:27
extruding this outwards00:26:29
maybe scaling it a bit00:26:31
maybe just move it a bit00:26:32
and remember that if you're moving in00:26:34
the viewport by just pressing g it'll00:26:36
move along the direction that you're00:26:37
looking so we'll just extrude those out00:26:39
maybe00:26:40
bring the00:26:42
branch upwards so make sure i'm on00:26:44
global there00:26:45
like that and at some point as well the00:26:47
season would stop and it would start00:26:49
growing again splitting again so we'll00:26:52
split that face now we don't want the00:26:54
loop cut to go all the way okay so what00:26:56
we're actually going to do is just00:26:57
select with edge select00:27:00
these two um faces here and then when00:27:03
you when you right click and choose00:27:05
subdivide it's going to split between00:27:06
those two faces that allows us to just00:27:08
extrude these you'll notice if i tried00:27:10
to move this it's still one object so if00:27:12
i go to edge select mode and select the00:27:14
middle and press v that's actually going00:27:15
to split that object into two now it's00:27:18
very important that i then go back into00:27:20
here select these edge loops like that00:27:22
and press f to create a face on both of00:27:25
those what that does allow me to do now00:27:27
is to separate these out into two00:27:28
branches like that so both of them scale00:27:31
them down on the zed they're looking a00:27:33
bit chunky and extrude those outwards00:27:35
like so okay00:27:37
so we're just going to continue00:27:38
basically doing that for every branch00:27:41
until we get something that we are00:27:43
relatively happy with if i turn on x-ray00:27:46
mode for example i can grab all of these00:27:48
faces here and just start00:27:50
tweaking my branches a little bit maybe00:27:52
rotating them around so they curve in a00:27:54
bit more we're going to basically just00:27:56
continue that around the entire tree00:27:59
and when we're done we'll have ourselves00:28:01
a modeled tree remembering of course00:28:02
that it doesn't just split once okay so00:28:04
up here you might want to split it again00:28:07
by selecting this face and extruding00:28:09
that out yeah so let's do a little bit00:28:11
of an extrude and then another extrude00:28:12
and scale that down00:28:14
and another extrude and maybe move that00:28:16
so it bends outwards like that and all00:28:18
of a sudden you're looking at a tree00:28:24
now i'm not going to model all the way00:28:25
around because i'm going to have this00:28:27
tree fallen over so there's no real00:28:29
point but what i am going to do is we'll00:28:31
rename this tree okay and we will tab00:28:35
into edit mode and turn on x-ray00:28:38
then i'll select everything around there00:28:41
including those extra bits there i00:28:43
missed00:28:44
so that we have pretty much all of this00:28:46
top section of tree then i'm going to00:28:48
press p for new object via selection and00:28:52
that's going to move the top half of00:28:53
this tree into its own object uh that is00:28:56
now called tree one then we'll take our00:28:58
tree trunk we'll right click and choose00:29:01
set orange into geometry to see where it00:29:02
puts it it's up there it's no good for00:29:04
us let's turn off00:29:06
x-ray mode okay so let's hide our tree00:29:09
trunk and go to our tree stump tab into00:29:11
edit mode and we'll edge select this00:29:14
loop here then we're going to extrude00:29:16
upwards again just a little bit and00:29:18
scale it down and that's going to give00:29:19
us like the lip of our bark for later on00:29:22
then we will press 1 for vertex mode uh00:29:26
extrude again00:29:28
upwards00:29:29
scale00:29:30
zero to zero that all out enter to00:29:32
confirm it g and z to move that down00:29:35
okay00:29:36
so now we've got something like that00:29:39
then a and m merge by distance to merge00:29:41
those points into one then we'll alt00:29:43
click this border here and press ctrl b00:29:46
to bevel it and that's gonna just00:29:47
basically split that for us and then00:29:50
pressing that again we can then00:29:52
bring that down to create the dip in our00:29:56
wood we want it to have broken off so00:29:58
what we're going to do is go to face00:30:00
select mode and select these few face00:30:02
edges here and just bring them up as if00:30:04
it's like snapped off irregularly then00:30:06
when we tab back we can see that we have00:30:08
a tree stump that's kind of a one kind00:30:10
of half broken edge and you can add as00:30:12
much or as little details to this as you00:30:14
want you know maybe i can loop uh maybe00:30:16
i can say subdivide this section here00:30:19
and then just start bringing this up00:30:22
maybe extrude it upwards and scale that00:30:24
down to create more lumps and bumps00:30:26
around the edges so maybe extrude that00:30:28
one too scale it down let's select this00:30:32
face subdivide it extrude that one up00:30:35
you know extrude that one up a little00:30:36
bit just to create a bit where it looks00:30:38
like it's snapped off now what we can do00:30:40
is go to top mode press seven to go to00:30:42
top mode and then shift right click the00:30:44
center of this stump and what that's00:30:46
essentially gonna do is put our sort of00:30:48
world 3d cursor in there when we turn00:30:51
back on our tree stump we can then right00:30:53
click this and choose set origin to 3d00:30:55
cursor and that's going to allow us to00:30:57
rotate00:31:00
[Music]00:31:01
our trees that it's falling over let's00:31:03
then move it over a bit here and i'm00:31:05
gonna actually just rotate this one00:31:06
along the x-axis as well until it's00:31:09
lying down like that so you can see now00:31:11
why i didn't put branches on the00:31:13
underside because well frankly there's00:31:14
no point and then we'll do the same00:31:16
thing on the bottom of this trunk which00:31:17
obviously the moment doesn't have a face00:31:22
so we now have our broken tree all00:31:25
modeled what we need to do now is apply00:31:27
a texture to it so let's go to our00:31:28
material preview and let's see what our00:31:30
dirt texture looks like on this you know00:31:32
might might look fine and add our00:31:36
cliff wall or dirt texture00:31:38
yeah that looks pretty okay we can start00:31:40
with that at least and now that we've00:31:41
got it textured as well we can start00:31:43
playing with our displacement and maybe00:31:46
decreasing the size and maybe we'll just00:31:48
increase brightness ever so slightly00:31:50
just so it displaces it more that looks00:31:52
good to me let's apply the same material00:31:55
to the trunk okay00:31:57
but you'll notice that obviously the00:31:58
inside of a tree trunk is a different00:32:00
color usually to the outside of a tree00:32:03
trunk and we'll add our border material00:32:05
on this last because we're actually00:32:06
going to be splitting this mesh to apply00:32:08
different materials to it but in a00:32:10
different method than we did with our00:32:11
ground we're going to tab into our tree00:32:14
trunk i'm going to go to face select00:32:16
mode let's temporarily turn off the00:32:19
displacement modifier in our viewport00:32:21
and go to solid selection and turn off00:32:24
our subdivision surface in our viewport00:32:26
so we can easily see the faces that00:32:28
we're selecting and we're going to00:32:29
select all the faces on the inside of00:32:30
this trunk here not this is important00:32:33
not these faces because that would00:32:34
technically still be bark let's turn00:32:36
those back on so we can see what we're00:32:37
working with go to material preview so00:32:39
now we have these faces we're going to00:32:40
assign a different material just to00:32:42
those faces so if we go to material00:32:44
settings here create a new slot and00:32:46
we'll call this one in a bar with those00:32:48
faces still selected we just click00:32:50
assign so now if i go to say uh my00:32:54
clip wall texture and i go inside and00:32:56
i'm just going to copy these00:32:58
nodes so i don't have to do it again00:33:00
basically uh we'll go back to in a bark00:33:03
for that or just delete those there00:33:06
paste that there00:33:08
and connect the color to the surface00:33:10
material output i can essentially just00:33:11
delete these lower00:33:14
colors and slide00:33:16
these ones along00:33:21
so now we've got a lighter bark texture00:33:23
on the inside of our tree stump and the00:33:26
darker texture on the outside looking at00:33:28
this again our cliff wall texture again00:33:31
i don't really like00:33:33
that um that wood it needs to be it00:33:35
needs to like absorb the light a bit00:33:37
better if that makes sense so we'll just00:33:39
copy these and go back up and we'll00:33:41
duplicate our cliff wall and we'll call00:33:43
this tree bark00:33:45
then we can just delete00:33:47
paste00:33:49
and connect or if you wanted to you00:33:51
could you could group these as well into00:33:52
a node group if you thought you were00:33:53
going to mix them later on uh and i'm00:33:55
actually going to crank it so that00:33:58
a little bit less light hits our tree00:34:04
something like that looks good to me00:34:05
awesome then i go to this object here00:34:07
we'll do the same thing we'll swap this00:34:10
cliff wall we don't want you we want00:34:11
tree bark yeah that looks much nicer00:34:14
we're going to tab into edit mode and00:34:16
we'll select all the bottom faces of our00:34:18
tree we can add a new material slot we00:34:21
will call that00:34:23
uh in a bark or in a trunk i should really00:34:26
have called it uh and we'll click assign00:34:28
bam that's looking nice tab back out of00:34:30
that obviously it's darker in there if00:34:32
we if we had a bit more light hit it00:34:34
then we would see that finally let's add00:34:36
another texture for our border okay and00:34:39
we'll add a solidify modifier00:34:42
onto that00:34:43
um which is i think i put it at 0.0200:34:46
thickness materials are flipped and the00:34:49
offset this time is gonna be two because00:34:52
of extra material that's added to it and00:34:54
we can't see our material on the outside00:34:56
and i believe that is because if i turn00:34:58
on face orientation you'll see that some00:35:01
of our objects here are actually flipped00:35:03
so our leaves have got their normals00:35:05
flipped which is usually bad but doesn't00:35:06
really matter in this kind of shading00:35:08
style um what that means is however00:35:11
let's just turn that back off so that00:35:13
it's easier to see actually leave one00:35:14
for now um we need to tab into edit mode00:35:17
press a to select everything and choose00:35:20
mesh00:35:21
normals flip okay and then when we tab00:35:23
back into object mode and we can turn00:35:25
that overlay off we should now see that00:35:27
we've got our border material around the00:35:29
edges of our trunk so we'll do that for00:35:31
this guy too00:35:33
tab a00:35:35
mesh normals flip00:35:37
tab back out00:35:39
then when we add the material to it so00:35:42
we'll add our border00:35:45
we'll add our solidify modifier00:35:48
which is 0.0200:35:50
normal is flipped00:35:52
you'd think that you wouldn't have to do00:35:53
that if you just leave the normals on00:35:54
flip but you do it's weird00:35:56
offset by two and bam our tree trunk now00:35:59
has our border on it as well let's uh go00:36:02
back to layout mode press a to select00:36:04
everything in our scene go to our00:36:06
modifiers and toggle all of the00:36:09
modifiers on and off to see what our00:36:10
grass looks like boom that's looking00:36:14
pretty nice if i was trying to show00:36:15
myself i think that is plenty for00:36:17
today's tour what we've essentially done00:36:19
is all of the soft scape there's a few00:36:21
details we'll be adding next time like00:36:23
some mushrooms and flowers and things00:36:24
like that to our scene and then after00:36:27
that we'll be jumping into all of the00:36:28
grease pencil elements like creating the00:36:30
water and adding our animated character00:36:32
to the scene thank you very much for00:36:33
watching i hope you've enjoyed this if00:36:35
you have make sure to comment and let me00:36:37
know what you'd like to see in future00:36:38
blend tutorials how i can improve all00:36:40
that sort of thing so uh yeah hopefully00:36:42
i'll see you next time i've had loads of00:36:43
fun making this hopefully you've had fun00:36:44
watching it i'll see you next time on00:36:46
once again i'd like to extend absolutely00:36:48
massive thank yous to my level 2 and00:36:49
above members without whom tiptup would00:36:51
have died a long time ago become a00:36:53
tiptitan yourself by clicking that join00:36:54
button below for exclusive perks and00:36:56
benefits [Music]00:37:03
remember to subscribe for more tips00:37:05
tricks and tutorials thanks for watchingDescription:
In this series we explore the techniques used to create a full 3D modelled scene with 2D grease pencil animated characters. We'll explore modelling, texturing, working with particle systems and animating with grease pencil. Please leave your feedback and questions in the comments and let's go! Colour Palette: https://gigantic.store/gigantic-color-pallet/ 00:00 Intro 00:18 Series Overview 00:36 Making the Grass with Particle Systems 07:23 Adding Wind Physics 08:39 Adding Varied Grass Systems 11:15 Adding the Bushes 13:56 Making the Leaves 17:38 Texturing & Placing the Bushes 22:35 Modelling the Tree 31:25 Texturing the Tree 36:46 Members Shoutouts _____________________ MY ANIMATION COURSE: I made an Adobe Animate Course (I'm super proud of it), enroll here: https://www.bloopanimation.com/animate-cc-animation/ref/98/?campaign=MyAnimationCourse Enroll in other great animation software and theory courses: https://www.bloopanimation.com/our-courses/ref/98/?campaign=Courses ____________________ If you found this video useful, consider subscribing or joining this channel to get access to perks such as badges and shout outs in videos: https://www.youtube.com/channel/UCYK0C3K9RYJIN0iKo8i8CIw/join ______ Great tech for Graphic Designers: Graphics Tablets: Graphics Tablet with Screen: https://www.amazon.co.uk/dp/B07FC7W4Z4?aaxitk=.xBIGH0eAYbRs4JRhu44cQ&pd_rd_plhdr=t&language=en_GB Graphics Tablet with No Screen: https://www.amazon.co.uk/HUION-Professional-Battery-Free-Multimedia-Adjustable/dp/B082S8LDC6?s=electronics&language=en_GB Wacom Tablet That I use: https://www.amazon.co.uk/Wacom-DTH-1620A-UK-16-Inch-Cintiq-Graphics/dp/B07G25MHQK?s=electronics&language=en_GB Large Graphics Tablet Premium: https://www.amazon.co.uk/Wacom-including-adjustable-Illustrating-Compatible/dp/B07TTC8TVQ?s=electronics&language=en_GB Large Graphics Tablet Budget: https://www.amazon.co.uk/dp/B01BER296K?language=en_GB My Tablet Stand: https://www.amazon.co.uk/gp/product/B07YDJPS7D?ie=UTF8&language=en_GB My Monitors: https://www.amazon.co.uk/Dell-U2719D-Widescreen-Monitor-2560x1440/dp/B07JP9QJ15?language=en_GB My microphone: https://www.amazon.co.uk/Rode-NT-USB-Condes-Microphone-Tripod-Filter/dp/B06XD6XW52?language=en_GB My Chair: https://www.amazon.co.uk/gp/product/B08L79YGV9?ie=UTF8&language=en_GB Using these links provides me with a small commission with no impact to you at all, and helps keep TipTut running! ______ Thanks for watching! Join this channel to get access to perks such as badges and shout outs in videos: https://www.youtube.com/channel/UCYK0C3K9RYJIN0iKo8i8CIw/join Subscribe: TipTut: https://www.youtube.com/c/TipTut Website & Resources: https://linktr.ee/tiptut Social Media: Facebook: https://www.facebook.com/unsupportedbrowser Twitter: http://www.twitter.com/tiptutzone Instagram: https://www.facebook.com/unsupportedbrowser Dribbble: https://dribbble.com/tiptutzone
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