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Ольга Кормухина - Я падаю в небо (Караоке)

Ольга Кормухина - Я падаю в небо (Караоке)

Channel: Калинка Караоке

ДТ Урок 9 - Рисунки. HipHop 2

ДТ Урок 9 - Рисунки. HipHop 2

Channel: Онлайн школа музыки Петь Легко

Сергей Зыков "Романс ты мой старинный".

Сергей Зыков "Романс ты мой старинный".

Channel: Сергей Зыков

ПОВТОРИЛ ШОУ ГОЛОС в GARRY'S MOD DARK RP

ПОВТОРИЛ ШОУ ГОЛОС в GARRY'S MOD DARK RP

Channel: DRЫNDA

Eduard Khil - Midnight

Eduard Khil - Midnight

Channel: EduardKhilFans

39-й Международный фестиваль цирка в Монте-Карло.

39-й Международный фестиваль цирка в Монте-Карло.

Channel: Кэтэлина Заховаева

1. Как обрести уверенность и полюбить собственный голос

1. Как обрести уверенность и полюбить собственный голос

Channel: Онлайн школа музыки Петь Легко

Desireless - Voyage Voyage (Lisa Christ) | Blinds | The Voice of Germany 2023

Desireless - Voyage Voyage (Lisa Christ) | Blinds | The Voice of Germany 2023

Channel: The Voice of Germany - Offiziell

Voice of Germany

Voice Germany

The Voice 2021

The Voice of Germany Staffel 11

The Voice of Germany 2021

The Voice ProSieben

Musik

Show

Wettbewerb

Gesangsshow

Talente

Talents

Blind Audition

Coaches

buzzern

umdrehen

rote Stühle

Singen

Sarah Connor

Mark Forster

Johannes Oerding

Nico Santos

Slipknot

Psychosocial

Alex Kerski

шоу голос

голос

вокал

пение

расщепление

поединки

hellscreamacademy

00:00:01

remind you about the guys from such a

00:00:03

cool ensemble called the

00:00:05

Concord Orchestra, these are, roughly speaking, the guys

00:00:08

who make orchestral slash rock

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covers of various famous compositions and

00:00:15

just recently they released a new video

00:00:16

with a cover of the composition by the sign of life

00:00:19

group evanescence and they

00:00:21

made a video with their own theme, like

00:00:23

androids, people there are robots with how such a

00:00:26

topic is incomprehensible, so you definitely

00:00:28

need to watch it in order to understand what’s

00:00:30

going on there, and I’ll tell you at what

00:00:32

point they are

00:00:34

currently on tour, of course things are going on right now

00:00:36

the concert is postponed but tickets are

00:00:37

on sale, you can always go to their

00:00:39

concert and here the most interesting feature has

00:00:42

never been told about it, it’s just

00:00:44

like in mass effect you can

00:00:47

influence the ending the trick is that

00:00:49

during the concert the audience votes for

00:00:53

people and for androids and accordingly,

00:00:55

depending on which voices

00:00:56

win the show in this way and

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we end the ending changes somehow not the

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palette, I would honestly

00:01:03

look at it myself because it’s interesting how

00:01:05

it’s implemented, that is, they are somehow

00:01:06

given the voices, I don’t decide

00:01:08

what but how makes a decision, they

00:01:10

just put the ending and somehow

00:01:12

perform something differently or how it

00:01:14

looks different in general,

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I definitely think it’s worth getting a link to where to

00:01:18

buy tickets for their YouTube channels

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on their public VKontakte there and Facebook I’ll tell

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you I’ll leave it in the description, and check out a

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small fragment of the clip tag

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[music]

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[music]

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[applause]

00:01:51

here

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hello to everyone, the lilac Academy of Economics

00:02:09

today we continue to

00:02:10

watch the fight, this is called a

00:02:13

fight, we always forget in this

00:02:14

knockout fight there is still the English

00:02:16

language mixed singles these are in

00:02:19

short it doesn’t matter in short here Makhach

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vocal Makhach well and accordingly the

00:02:23

first ones in my alphabetical order here

00:02:26

are Alexander Shpagin and Ali on June 3

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iv they perform and in fact the first

00:02:31

person to start singing is a person who really, well,

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very much reminded Vysotsky Don, even

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visually he resembles him in some way - then it’s similar and it

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sounds rubbed a composition that goes to the

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side here in his performance it sounds like a

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Vysotsky song

00:02:47

[music]

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here you know how it happens with actors like here’s an

00:02:54

actor in the same role the same Stifler

00:02:56

for example yes or Schwarzenegger you anyway

00:02:58

he is associated with the Terminator as if

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you didn’t want didn’t like his other films,

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well, that’s fashion, but there’s Stifler and that’s it,

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here he’s used to drinking like

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Vysotsky, so in fact he sounds even

00:03:10

when they sing a duet in the interval

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[music]

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blogs

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from the point of view of how he sings or not here

00:03:21

everything is clear right away because he has a

00:03:22

very clear, thin, neat

00:03:24

timbre and in the next fragment he

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immediately sings the mix with a new sound, it

00:03:29

sounds very professional, that is, this

00:03:30

suggests that he still has some kind of

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variability in sound, that is,

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he does not try to sing all the time in the

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same manner, which is what

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Alexander does, respectively, and he

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limits himself very much to this, but he

00:03:42

apparently has been singing like this for a long time, so it

00:03:44

happened that way I

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[music]

00:03:50

by the way, in the video when I watched it, I

00:03:52

said that it would be interesting to see

00:03:54

what he could do to make it

00:03:57

happen not Vysotsky, but it turned out to be

00:03:59

Vysotsky again, but in the next fragment they

00:04:01

sing with a very cool head sound,

00:04:04

periodically transitioning into a more saturated,

00:04:06

instantly old sound, but it

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sounds really neat, it’s immediately

00:04:10

clear who has the advantage of

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concrete

00:04:20

in general, live performances and concerts,

00:04:22

when are they played? songs from

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cartoons, or let’s say I recently watched an

00:04:28

anniversary concert where the orchestra was playing

00:04:31

the soundtrack and Skyrim and I just sat like a

00:04:34

street and I don’t remember the Witcher mass effect,

00:04:37

even in my opinion someone played the soundtracks, well,

00:04:39

when things like this happen,

00:04:41

I just like it look at this and

00:04:42

here Polina actually performs with

00:04:44

the composition DPR her only rival is

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R and accordingly I’m just

00:04:51

watching him you know you immediately

00:04:52

find yourself in this very fairy tale very

00:04:55

neatly and clearly everything

00:04:58

[music]

00:05:04

sing the part that I will show you in the

00:05:06

next fragment

00:05:08

you need to be able to, firstly, it begins with

00:05:10

such a strong strong aspiration that it

00:05:13

sucks out a huge amount of

00:05:14

air from us, then at the end of the phrase you need to go

00:05:16

into the head sound, go back there,

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exhale shorter and again do it with the

00:05:21

tape itself, only a lot in others, but

00:05:23

there it’s really very neat work

00:05:27

[music]

00:05:31

or

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I’ll leave the next fragment for you,

00:05:36

just look because when

00:05:40

Alisher starts singing, it’s even

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visual why you looked like I don’t

00:05:44

remember how some prince in a fairy tale

00:05:47

who doesn’t sing is drawn will accept these

00:05:49

old cartoons, just

00:05:51

look

00:05:54

[music]

00:05:56

order go

00:05:59

further, at the end of the composition it

00:06:01

develops Alisher begins to reach

00:06:04

high notes 5 more densely and but it still sounds

00:06:07

a little more academic, I would

00:06:10

say than I would like, it’s just too

00:06:12

academic, and due to the fact that at the bottom it’s

00:06:14

not this one such an academic sound,

00:06:16

it rises to the top, its sound

00:06:18

narrows, it starts right at the head

00:06:20

there is a mix of the Talmud, Vitya, it sharply loses

00:06:22

in volume and sounds a little off topic

00:06:27

[music]

00:06:31

I, just like many people,

00:06:32

was probably interested to see what Arthur would do

00:06:36

after his explosive performance at

00:06:38

blind auditions and actually

00:06:40

check it out really well, again,

00:06:43

you can’t find fault with everything very carefully, everything is sung

00:06:47

easy, such a mix is a new sound because

00:06:50

he sings quietly, but it’s not high, but the

00:06:53

very fact that it would be easier not to get up

00:06:55

in this case, don’t drink, then relax with a chest sound

00:06:57

this is to give a little more while

00:06:59

breathing, well, listen again

00:07:03

and I’m holding it, I

00:07:05

was doing that while I was paying attention

00:07:09

to his you know, like his favorite position in the

00:07:13

sound channel, so open it all up

00:07:16

like an interrogation, she’s like this, he

00:07:18

gets it, he uses it all the time

00:07:22

[music ]

00:07:25

but the way Tamara’s voice reveals itself, I

00:07:28

really really like it, you know, there’s no

00:07:31

extra weight of some sort

00:07:34

hanging there, it’s right where it should

00:07:37

be, it’s a very bright and rich timbre, due

00:07:39

to this it turns out

00:07:40

[music]

00:07:44

quince

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that’s my friend,

00:07:47

but here’s the next one the fragment is

00:07:48

interesting to you and me precisely from a technical point of

00:07:50

view because she sings with a very

00:07:53

powerful and quite powerful and such a mix you are raccoons

00:07:56

but at the same time she looks like a nile and so she does

00:07:59

n’t really strain herself to

00:08:01

sing these notes, no matter how difficult it is, but this

00:08:04

exactly what I told you about, that

00:08:05

exactly those muscles that should work should work,

00:08:07

and not, as usual in the city, you just

00:08:09

squeeze everything out in order to

00:08:12

get us some notes to cut

00:08:13

and nothing happens, it’s just that all the sewing

00:08:15

is torn and the face is off the hinges breaks away from the

00:08:17

tension

00:08:18

[music]

00:08:21

they even

00:08:23

But in the next duet it was quite

00:08:25

difficult to choose because on impact it

00:08:28

seemed to me that the sound was a little too driven into the

00:08:30

nose, it sounds somehow or perhaps she

00:08:33

somehow does not position

00:08:35

the microphone in front of her very correctly for this it sounds

00:08:37

like - you know, sometimes there are

00:08:38

vocalists there like this,

00:08:40

I put the microphone almost on the forehead in order to sing,

00:08:42

well, this is the manner, you know, at a concert

00:08:45

performance, and it’s a little strange, but it all

00:08:48

sounds appropriate

00:08:55

[music]

00:08:57

because in comparison with it, Maxim

00:08:59

sounds Well, it’s very clear and bright, too,

00:09:02

you know, it’s a very clear position, and

00:09:05

at the same time he begins to sing a mixed song to you with the

00:09:06

sound without straining the chest, without pulling it

00:09:09

there with any boot or anything, without

00:09:11

pulling it out like this, it’s just,

00:09:13

well, a big difference can be heard by

00:09:21

mothers and

00:09:23

but at the same time It seems to me that the composition does

00:09:25

n’t suit him very well because

00:09:27

Daria in this case is in a much more

00:09:28

advantageous position from the point

00:09:31

of view of sound because it sounds straight into the

00:09:33

theme very clearly and he

00:09:36

seems to stick out a little from the mix the naivety of the

00:09:38

song itself

00:09:39

[music]

00:09:47

but if at

00:09:49

some point you may notice

00:09:50

that she removes the microphone like this

00:09:52

and he often removes just this

00:09:54

part of the face because the nose because of this

00:09:57

may sound a little and goes away so it

00:09:58

sounds strange because meeting

00:10:00

in the fragment, she begins to go into a

00:10:01

dense mixed music, you are raccoons, it sounds

00:10:03

openly clearly as it should be, that is, well, the

00:10:05

location of the microphone also

00:10:08

depends a lot

00:10:09

[music]

00:10:14

just like about many participants,

00:10:16

I said that it would be interesting to hear

00:10:18

and see what he will do for example, Rustem

00:10:21

because he performed with such

00:10:23

academic compositions with such a manner

00:10:25

of singing and it was interesting to hear what he

00:10:27

can do that is not according to what

00:10:29

I told you from the point of view of

00:10:31

positioning, the sound is very cool, everything

00:10:32

they do is very voluminous, such a fat

00:10:35

timbre and the voice is fully revealed and

00:10:37

he doesn’t limit himself in any way, he doesn’t

00:10:40

have any pressure in those that prevent him from

00:10:42

singing,

00:10:44

Vasily’s pitch,

00:10:49

but at the r hole the timbre is a little thinner,

00:10:52

there isn’t this meatiness, in

00:10:54

fact, I don’t know who they chose,

00:10:56

it will be interesting to watch later even

00:10:58

because it’s a very difficult choice here

00:11:00

because one has a more pop

00:11:04

sound that fits the composition

00:11:05

and the second has a more

00:11:08

stately primacy and it’s difficult to choose

00:11:11

[music]

00:11:13

silence

00:11:18

next we have a performance by Ivan

00:11:21

Kharkovsky and Arin Danilov and here

00:11:23

I am he said that he sings very strongly, the

00:11:25

sun is right on his nose, it’s of course a cool

00:11:28

style, but I do

00:11:30

n’t like it at all, just do whatever you want,

00:11:32

I like it when people sing like that

00:11:37

and

00:11:39

[music] that’s

00:11:41

when Arina starts singing, at first it

00:11:44

seemed to me that it was probably

00:11:47

real she sings because she has such an

00:11:49

airy, aspirated sound, well, the

00:11:54

music sounds very firmino,

00:12:01

but at the same time she sings a little weaker, all of

00:12:05

this is all the more so, you know, it

00:12:07

turns out so airy, and

00:12:10

due to this Ivan collects everything closer to the nose and

00:12:13

he, due to this it sounds brighter and it seems

00:12:16

like he’s the main vocalist here

00:12:19

[music]

00:12:21

I’ll express it to us,

00:12:26

that is, you’ll find out that in this case, within the

00:12:29

framework of such a composition, I like the

00:12:30

sound of Arina more than Ivan, just within the

00:12:33

framework of the composition within the framework of the

00:12:35

brightness of the timbres, somehow this

00:12:37

perception here, of course, Ivan wins,

00:12:39

I don’t know which of them was chosen, but as if

00:12:41

it’s not particularly important for you and me here,

00:12:43

sometimes I just start to be surprised and

00:12:46

wonder why when you

00:12:48

just don’t understand why, and the next

00:12:51

participants perform a very cool

00:12:54

track like this, that’s it, if you listen to

00:12:56

her you know, they mix everything up there

00:12:59

from time to time, you get confused in the

00:13:01

styles of the cat, maybe some kind of romance,

00:13:03

something straight out of an opera, then

00:13:05

some rocket nick skips through, but

00:13:07

the rocket man is very rare, in this

00:13:09

case it sounds unusual and

00:13:11

accordingly 1 starts

00:13:13

Karina's performance and when you listen to this

00:13:15

timbre, from the point of view of

00:13:17

sound positioning, to speak

00:13:19

about this, she has a very soft tempo, it

00:13:21

turns out there is also a slight light

00:13:23

aspiration on which you can not pay attention in

00:13:25

general, what they will receive is quite a

00:13:27

tyutelka and this is really very in the theme here it

00:13:31

sounds and

00:13:36

then Elizabeth begins to sing there

00:13:39

and she comes out there with a light

00:13:41

head sound and returns

00:13:42

back to the chest sound and they sound very similar

00:13:45

will find it as if they were

00:13:47

specially placed in yes this is

00:13:49

because they really suit each other very well

00:13:52

in terms of timbre

00:13:54

[music],

00:13:58

the only thing is that in terms of performance, I was

00:14:00

a little lacking in the meatiness of the sound

00:14:03

from Karina because Elizabeth II

00:14:05

really outshines in this case because she is

00:14:07

denser and Mrs. then sings

00:14:09

the parts, even though they sing there in the interval with each

00:14:11

other on how- you know,

00:14:14

such a strange balancing of sound was one

00:14:16

more densely sung by the other very soft,

00:14:19

they somehow get lost among themselves in

00:14:20

some cases

00:14:24

[music]

00:14:27

next on the list we have Nikita

00:14:29

Basyuk and Olga Balandina and immediately the

00:14:32

performance begins with a very

00:14:34

airy singing, this is like this, this is

00:14:36

a composition, too, now I come across it from time to time,

00:14:38

well, this is a modern

00:14:42

theme that doesn’t suit me, in short, but it really

00:14:44

drives the air forward very strongly, and because

00:14:47

of this, the sound dissolves a little,

00:14:48

while it sounds, well, it’s very cool,

00:14:50

such a neat tender, but very

00:14:53

it loses a lot of timbres due to the fact that all the

00:14:54

sound is collected and dissolves,

00:14:56

and with this bullshit like this

00:15:03

I turn on the herring

00:15:05

because Olga produces a more

00:15:07

collected sound, although she also blows some kind of

00:15:10

air there, but positionally it is more

00:15:12

dense and somehow... then it sounds more legible

00:15:17

yes I will find you I will find you well

00:15:21

actually that’s what I just said

00:15:23

when a denser part starts not

00:15:25

everything is going here it sounds in the theme it sounds

00:15:28

within the style but all the time I have this kind of

00:15:30

clenched jaw and pines

00:15:32

somehow I wasn’t happy

00:15:37

[with the music],

00:15:38

but only when she starts singing a

00:15:41

dense part of the same kind, she also

00:15:44

lowers the pressure a little and

00:15:46

continues to sing a little aspiratedly,

00:15:47

but at the same time it sounds very juicy positionally

00:15:50

and plus all this is not and

00:15:52

due to this it’s so fucking bad everything is

00:15:54

located in some

00:15:56

places, make more organs and add a little

00:15:59

splitting of the catch, but in this

00:16:01

case for me it sounds more

00:16:03

advantageous and firm

00:16:04

[music]

00:16:09

but I advise you to watch the next performance

00:16:11

in full because

00:16:13

it is very firmino academically, I would

00:16:16

say so because that that the novel that the ester

00:16:19

sound really very untimbral,

00:16:23

they seem to be on topic in the duel itself

00:16:25

because when they say let’s ride the

00:16:28

head sound there, it’s all bullshit,

00:16:30

no one sings to them, check out how well he

00:16:32

operates with it when it’s on the topic of the

00:16:38

Siz than the god of

00:16:40

Grisha

00:16:43

there is a performance like that, they

00:16:45

always take turns singing, but for

00:16:47

some reason I really liked the next fragment

00:16:49

because he sings very easily and she is

00:16:51

in the background for him, but not in the background, but it is she who goes around

00:16:54

him in the background and sings in her own

00:16:57

academic manner, well, really it

00:16:59

sounds very cool again, I don’t know which of

00:17:01

them was chosen, but indirectly they sound very cool,

00:17:04

just come in, there’s some kind of magic

00:17:06

in their voices

00:17:09

from

00:17:10

[music]

00:17:12

riku

00:17:15

and

00:17:17

but the next participant seems to be just

00:17:19

making fun of us because she

00:17:21

starts again immersing us in the atmosphere of

00:17:23

some

00:17:24

French village, with her

00:17:27

performance she begins to sing in

00:17:28

French because it is given in topic 5 and in

00:17:32

short, yes, it was interesting what she would do,

00:17:35

but she does the same thing as

00:17:37

before, precisely in terms of what is

00:17:39

French the plan is for some composition

00:17:41

to be so French, yes, she starts

00:17:43

singing and it’s just like I said, it really

00:17:45

immerses you in a certain atmosphere

00:17:47

[music]

00:17:53

but why they put it against it,

00:17:55

I really don’t understand because he

00:17:57

works in a completely different style, this

00:17:59

composition is simply not for him, he’s

00:18:01

just not and here he’s not from here he’s not

00:18:03

here he sounds like remember how he’s a

00:18:06

jackson opel it’s just

00:18:09

like a homer on this one it was very cool

00:18:13

but here he’s just but it’s not his why they

00:18:16

did this I do

00:18:17

n’t understand he’s just just run away from here

00:18:26

I'm afraid

00:18:27

[applause] [music]

00:18:28

when they do this I don't understand at all this is

00:18:30

just

00:18:31

captain obvious yes we need to check

00:18:35

anyway they did

00:18:36

n't let him through because he just sounded

00:18:38

off topic here he sounded really like that he doesn't

00:18:40

know what he's really doing with Michael

00:18:42

Jackson just blew up and this is not for

00:18:44

him, but the next batch is dishonest,

00:18:47

dishonest in all possible respects

00:18:50

because it is too difficult to choose from the

00:18:51

participants, and because, but not really,

00:18:55

everyone sounds very cool and is dishonest from the

00:18:57

point of view of the fact that in this case

00:18:59

two participants are considered one

00:19:01

creative a unit

00:19:02

working as a duet against another

00:19:06

person in the type it just turns out that

00:19:09

Olga and love are in the same pack and

00:19:11

acts against them or alone, they have

00:19:15

built-in

00:19:17

backing vocals there, not a built-in hormone, or at

00:19:19

intervals they have a built-in breath of

00:19:22

singing a phrase behind phrase so that you can

00:19:24

put one in another

00:19:27

or on nothing in this regard, that is, it’s

00:19:30

like, well, it’s one, but still I

00:19:33

told you that this is not fair because it’s

00:19:34

really a very cool performance

00:19:35

[music]

00:19:37

like this

00:19:41

[music]

00:19:44

but when they start singing

00:19:45

Separately, it becomes clear who, in

00:19:48

principle, should be in the lead

00:19:49

because or does not produce very

00:19:51

filigree movements in terms of

00:19:53

reaching the head sound, in terms of

00:19:55

aspiration of a very light, soft,

00:19:57

airy sound with transitions into the head

00:20:00

with a shallow zma tick that you’d kind of

00:20:02

envy it’s really very cool that it’s

00:20:05

difficult to compare again with her

00:20:08

rivals

00:20:09

[music]

00:20:13

in the next fragment we just

00:20:15

managed to have a situation where

00:20:17

they sing phrase after phrase one after another, I

00:20:19

unfortunately can’t distinguish their world behind me, so

00:20:22

I can’t say which one them Olga who is

00:20:24

love I’m just one you know with

00:20:26

twins in general it’s difficult in general because

00:20:28

I’m like I do

00:20:30

n’t know them at all it’s when you don’t communicate with them

00:20:32

you’ll never remember which one is

00:20:33

which in general if you listen to this

00:20:36

first it sounds a little more dissolved,

00:20:39

but I like how 2 sounds better

00:20:41

because the sound is more collected and it’s like a

00:20:43

fist like firmino

00:20:47

[music]

00:20:52

but these 4 are in the style of built-in

00:20:55

inside this is creative unity

00:21:00

built-in this is how I said it

00:21:03

Gorman Isa in I mean, it’s a thing

00:21:05

that kind of draws an interval for you when

00:21:07

you sing with a certain scale there, too, so

00:21:09

that everything matches, it’s a couple, it’s really

00:21:12

cheats, but it sounds cool, very cool,

00:21:14

and

00:21:17

[music]

00:21:19

here’s a performance, for example, by Yulia and Veronika,

00:21:22

in this case, you know this composition, I

00:21:25

just recently for one student

00:21:26

she was learning so much there,

00:21:29

especially at the end there’s just a lot of a lot of

00:21:31

everything you can do there, a lot of

00:21:33

different

00:21:34

McCullough backing vocals and the parts are very

00:21:37

full, in short, it was interesting to

00:21:40

watch, but from the point of view of

00:21:41

sound positioning, she has a very

00:21:43

cool sound turns on the soft palate

00:21:46

so subtly, that is, for minutes this from a

00:21:48

huge volume to and very neatly

00:21:50

closes it, you can hear it even in the

00:21:52

lightest fragments, like right now,

00:21:54

actually, I’ll play it for you just at the very

00:21:56

end of the phrase, pay attention

00:22:00

[music]

00:22:03

what’s cool is that in the original

00:22:05

composition there are intervals which will be in the

00:22:07

next fragment, they were, as it were,

00:22:09

laid down, that is, this is not a part that was invented

00:22:11

now for the performance, it

00:22:13

actually

00:22:16

stood up there

00:22:19

and in this case, Veronica begins to

00:22:22

specifically use the soft palate to

00:22:25

pass on more sound there,

00:22:27

the only thing is that it’s not really on

00:22:29

topic here because you find that you get something

00:22:31

explosive and sharp, and then the sound

00:22:33

becomes calmer, a little bit, well,

00:22:35

somehow not like in the original, that is, in the original, there is a

00:22:38

softer part that is

00:22:40

sung by itself, there are no these from explosions, although

00:22:42

maybe stylistically, of course, it would

00:22:44

fit in, but how then it seems to me that this is

00:22:46

a little off topic

00:22:47

[music]

00:22:51

in fact, such a strange performance

00:22:53

seems to be also pressing on my head is that

00:22:56

it is all processed with this kind of blur like this to find somehow

00:22:58

call it sleepy

00:23:01

such a blur so that the perception would be like this

00:23:03

but like this in fact, things are going well for you and

00:23:07

me, it’s impossible how many more

00:23:08

fights there are left, we’ll watch

00:23:10

next week, I’m looking to release a video with

00:23:12

my students from Germany who

00:23:14

went further in the fights there, they performed

00:23:17

with the composition rihanna umbrella, in my opinion,

00:23:21

they have it there in such a bank pop- the punk

00:23:25

version was remade, as if I also made

00:23:27

an analysis, but if you haven’t watched it,

00:23:29

be sure to watch the German troops Alex Hirsch,

00:23:31

his name is you can watch this one who is

00:23:33

happy but he performed there, he then sang a

00:23:36

song for real, that’s how things are and

00:23:37

by the way, among but it’s better than slipknot

00:23:40

slipknot of course sounded simple and let me

00:23:41

remind you that very soon a

00:23:43

creative vocal competition will start

00:23:45

in which we will be raffling off a cool

00:23:47

microphone from the warm audio company, expect the

00:23:49

poison of compositions to be ready, everything is ready,

00:23:51

as soon as I launch the actual video, you

00:23:53

will see it in all the news, I didn’t

00:23:55

also report this if this is a video it

00:23:57

was interesting and useful informative for you,

00:23:58

be sure to subscribe

00:23:59

cola clubs ring the bell for everything and

00:24:01

remember that if you don’t study,

00:24:03

you can’t do anything, then everything

00:24:05

is fine, you’re just gouging out the packages

00:24:20

[music]

Description:

*** CONCORD ORCHESTRA Клип https://www.youtube.com/watch?v=PfpAGm9ybP8 Билеты https://concordorchestra.ru/bilet/ https://vk.com/concord_orchestra *** Ссылки на все каналы, ресурсы и информация ТУТ http://leos.hellscreamacademy.com/ (Vkontakte, Yandex, Rutube, Telegram, Boosty) Сегодня смотрим еще один выпуск поединков Шоу #Голос Александр Шпагин и Алий Тлюняев. «Кукла с человеческим лицом» Алишер Каримов и Полина Клинникова. «The Prayer» Артур Богданов и Тамара Кутидзе. «Еще минута» Дарья Копейкина и Максим Дмитриев. «Where You Are» Ернар Садирбаев и Рустим Бахтияров. «Мне с детства снилась высота» Иван Харьковский и Арина Данилова. «All of Me» Карина Купер и Елизавета Шарипова. «Чувства» Никита Бысюк и Ольга Баландина. «Комета» Роман Графов и Эстер Кандинова. «Опять мы здесь» Татьяна Качурина и Самвел Азатян. «La vie s’en va» Элина Пан, Ольга и Любовь Кузнецовы. «Like a Prayer» Юлия Плаксина и Вероника Мохирева. «Don’t Speak No Doubt»

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