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Russian
00:00:02
[music]00:00:04
hello friends, today we00:00:08
will talk about the five main mistakes that00:00:11
people make when drawing a00:00:13
portrait, you probably already know these mistakes00:00:15
and most likely have encountered them,00:00:17
so this will be a repetition,00:00:19
for someone it may be a00:00:22
self-control system that will arise,00:00:23
so let’s create an image of a certain heads that00:00:28
you and I have and we’ll start a conversation and so the00:00:32
first mistake that everyone makes00:00:34
is the boss eye when you draw a person the00:00:37
eyes are always located exactly in the middle of00:00:40
the head00:00:42
this is a mandatory rule so very00:00:44
often you can see the people who00:00:46
drew the portrait draw the eyes here00:00:48
at the top and then here they draw the nose,00:00:51
draw the lips and draw a very00:00:53
small head from the point of view of the image, it’s00:00:55
wonderful, but from the point of view of00:00:56
reality, in fact, the eyes always00:00:59
divide the distance from the top of the head00:01:02
to the middle of the eye from the middle of the eye,00:01:04
the chin is always exactly in half behind the crustacean there00:01:07
will be exactly a settler of00:01:08
space, I understand that you don’t believe00:01:10
in this, but of course, as soon as the eyebrow00:01:13
is at the dry level, then this00:01:15
rule begins to work exactly; this00:01:17
rule is violated exactly at the moment00:01:19
when you throw your head back up and00:01:20
as soon as you throw your head back and you00:01:23
are already lower, that is, a system has arisen00:01:25
for the disgusting look at this space00:01:28
from below, the nose also rises up,00:01:30
so this mistake with these eyes always00:01:33
works something like this: you00:01:35
draw the nose at a level with the ears, draw00:01:38
everything in the right position here and here,00:01:40
then draw the eyebrows and then draw the00:01:43
eyes00:01:44
above this middle, although you00:01:47
initially chose the axis so if you suddenly00:01:48
drew the eyes higher then lower00:01:51
the ears and the level of the mouth so that this problem00:01:53
is solved immediately and the00:01:55
nose is then raised to the middle of the00:01:57
head then the middle of the head becomes00:01:59
the nose when you throw back the space00:02:01
in any other case the eyes00:02:03
should always remain in the middle of this the00:02:06
distance is divided. in half in the middle00:02:08
I repeated this three times I hope you00:02:10
remember this was the first mistake that00:02:12
everyone makes who starts drawing00:02:15
[music]00:02:20
mistake number 2 the second mistake that00:02:24
people make in most cases is the00:02:26
ears, it turns out the00:02:28
ears are the main thing in drawing a00:02:30
portrait because from them00:02:32
Absolutely everything is determined and therefore I will show you how it00:02:34
works. If you are drawing00:02:38
a person, the first thing that should appear00:02:40
when drawing is the feeling of00:02:43
the location of the ear in relation to the neck and00:02:45
shoulder. Why look, I will show you this is very00:02:49
easy to see in the camera, you will see if we00:02:51
take the height of the ear, then it is equals the00:02:53
distance of the chin to us we must brave00:02:54
dwarves began in the Koran of hair it was00:02:56
quickly said specifically as in this00:02:58
as if this advertisement is getting stronger and so if00:03:01
you take the distance from the ear to the collar00:03:02
then it will be the same value it00:03:05
look what I’m doing watch your00:03:07
nose and behind the ears you will see that the nose00:03:09
is moving and the lobe is00:03:10
not illuminated in its place, no matter what I00:03:13
do, it remains in the same00:03:14
position,00:03:15
this place is unchanged, so when you00:03:18
start drawing the head, your task is00:03:20
as soon as you are at the computer and on the wall and00:03:22
put the axis, put the ear because00:03:25
it will determine how much the head is00:03:28
lowered relative to the ear nose went down,00:03:31
or when you were at the computer, it was moving the head00:03:34
how much the00:03:35
head rises relative to this00:03:38
point,00:03:39
but the head will always be very precisely00:03:41
planted and the place of rotation will be00:03:43
determined, therefore, as soon as you are00:03:45
ready to draw, as soon as you have00:03:46
appeared,00:03:47
and now you you understand how the00:03:49
whole head is thrown back, how00:03:52
the mouth rises in relation to these stable00:03:55
ears, let's call them stable ears that00:03:57
never go away when you turn your head,00:03:59
so when you start drawing00:04:01
a portrait, very often you do this: you00:04:03
drew an eyebrow, you drew a nose, you00:04:06
drew lips, you even drew00:04:08
hair but they usually appear at the very00:04:12
end, look like hell, no matter where to draw them,00:04:14
I was told you can’t swear, so no matter00:04:16
what you do, the ears should appear00:04:19
simultaneously with the appearance of the00:04:21
rest of the volume, as soon as you00:04:23
have defined the ears,00:04:24
you have defined the system, the space of the00:04:26
depth of the entire head, so the most important00:04:29
mistake is that the second thing happens00:04:32
and it's drawn last they should be00:04:34
drawn first this is mistake00:04:37
number 200:04:38
[music]00:04:43
mistake number three this is a classic mistake00:04:46
called00:04:47
drawing stingily and so what happens we00:04:50
'll go back to the diagram that we have00:04:52
here and so here you have there is the base of the00:04:54
nose and here you have the cheeks and so all00:04:57
our cheekbones the cheekbone00:05:00
is always exactly on the base with the nose it is00:05:03
always the same line of the cheekbones and the00:05:07
cheekbone always00:05:09
ends here so when you00:05:10
draw00:05:11
the cheeks you should draw them either lower here00:05:14
here, but the cheekbones always tend to the00:05:18
base of the nose,00:05:19
they cannot be higher and they cannot00:05:21
be lower because this volume is always00:05:23
present, this will allow you to always00:05:25
feel the space and the loop that00:05:28
arises when drawing the head, if you00:05:30
direct the cheekbone to the base of the nose, you will00:05:33
always have the correct position the00:05:36
correct position of the cheeks in relation00:05:38
to everything else, if you don’t make00:05:41
the cheekbones connected to the nose, this is where the00:05:44
incorrect setting of the volume arises00:05:46
and the cheeks begin to shift either up00:05:48
or down again, this shift is00:05:51
only possible if you are for prokidy, but00:05:53
if you have learned to feel it, you00:05:56
will feel the connection between the ear and00:05:59
eyebrow between the cheekbone,00:06:01
nose and ear because it turns out to be00:06:05
this line.00:06:07
sake, the nose is connected into a single space00:06:10
and they work at the same time, as soon as you00:06:12
raise your head a little, you immediately00:06:14
show your nose, you immediately show00:06:17
your cheekbone, you immediately show your ear, you00:06:18
have a general opening of the head from00:06:20
which the lower jaw extends, so00:06:23
without this point of the cheekbone there is no way under00:06:25
no circumstances should you go anywhere, this is mistake00:06:27
number three00:06:28
[music]00:06:33
and now mistake number four is the forehead,00:06:37
drawing the forehead or hair, which00:06:39
worries us all the most when we00:06:42
look at the portrait that is here,00:06:45
you put everything you could, all your strength,00:06:48
all your glucose that was00:06:50
you have already laid out your head here, and00:06:53
this place is usually not strong enough,00:06:55
and this place is the last to be drawn,00:06:57
here you will need a certain00:06:59
rule for the upper part of the head, you00:07:02
pay as much attention as you00:07:04
pay for drawing00:07:07
the chin, school eyebrows, everything else is00:07:09
needed here create a special reflex00:07:13
along the edge00:07:14
if you draw on a white background or on a00:07:16
dark background you create a00:07:18
special rotation reflex here;00:07:20
this sphere of black is in this part,00:07:22
so this entire area has become00:07:25
as dark in essence as the outgoing surface of the00:07:27
cheekbone sphere and or outgoing00:07:30
surface bruce of the brow ridges that00:07:32
goes inward,00:07:33
if here you show a system of care in00:07:36
turns, then for some reason no one00:07:37
does this and the upper part remains00:07:39
absolutely flat and here there are00:07:41
many tiers, that is, the first tier is this00:07:44
line that goes behind the ear and the00:07:46
first structure that comes to ear 200:07:48
structure this structure of the disk that00:07:50
went down to the ear here leaving this00:07:53
next structure the structure of the forehead00:07:55
so you will get a whole system00:07:57
turn 1 turn 2 turn 300:08:00
these are at least three structures that00:08:02
will be and they will be where is the00:08:04
hair structure 1 turn of the forehead00:08:07
turn 2 structure thickness of hair transition to00:08:10
plane care structure 3 this is00:08:12
a must-have triple system that must be00:08:14
molded without it there will be no volume of rotation00:08:16
this is mistake number four that you00:08:19
make when drawing hair at the forehead of the00:08:21
upper part it must be00:08:23
taken into account this mistake number 400:08:25
[music]00:08:30
and mistake number five the most important mistake00:08:33
that everyone who draws portraits makes,00:08:36
without exception, including me, and this is00:08:39
so offensive and this mistake is called00:08:43
symmetry, it turns out when drawing00:08:46
a portrait you simply must, if this is an00:08:49
academic drawing, you simply must00:08:52
ensure that the height of the eyebrows is on the right and00:08:55
left begins at the same height that00:08:58
the slug on the right and left is at the00:09:00
same height and the corner of the eye00:09:02
will be at the same height and the nostril on the00:09:04
right and left will be at the same00:09:06
height and the frontal tubercles and corners of the mouth and the00:09:09
lower part00:09:10
and all these systems are incredibly symmetrical,00:09:13
if you do it consciously and change00:09:17
some height, it will be immediately clear,00:09:19
it will be professional,00:09:21
but if this happened by accident and there was00:09:22
no monitoring, then the depth00:09:27
will not be necessary; the space will not be needed, so everything you do00:09:29
must be constantly symmetrical and00:09:32
this turns out to be the most difficult thing to control,00:09:33
you can track anything,00:09:35
but the system of symmetry when you are carried away00:09:38
by drawing a beautiful eye in which00:09:41
you have already found a wonderful00:09:42
iris that so beautifully shows00:09:46
your open black pupil, and you have00:09:52
already drawn it, you00:09:53
have done it they saw that the black00:09:55
pupil sells active sensuality,00:09:57
so you open it and now you have invested00:09:59
in this eye and suddenly you start00:10:01
drawing the second eye and if the belly is posing for you,00:10:03
it can cover it, the00:10:05
lighting can change, anything and you00:10:07
will draw an eye that is not similar to this one and00:10:09
moreover, he can even look at the00:10:10
other side, oh my God, this is absolutely a super00:10:12
mistake, you must follow the00:10:15
symmetry of all relationships, any line is00:10:18
symmetrical, any line that you00:10:20
draw is symmetrical, any line of the eyebrows on00:10:22
which site is symmetrical, the nostril is00:10:24
symmetrically tied, symmetrically,00:10:25
talk about oh my God, and this is the basic law,00:10:28
he should your consciousness will infiltrate and00:10:29
then you will be super artists, friends,00:10:32
symmetry is our everything, I00:10:34
wish you good luck, I hope00:10:37
you liked these five signs, write below in00:10:39
the description if you like this topic, we00:10:41
will film more of these 500:10:44
10 main mistakes that artists00:10:45
make and we will make a whole range of these00:10:48
videos good luck to you and love the symmetry of the mole otherwise00:10:53
taranto00:10:57
[music]Description:
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