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Анна Виленская, музыковед и композитор

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Как вы справляетесь с нынешней обстановкой?

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Почему власть сейчас так сильно взялась именно за музыкантов?

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Особенности современной украинской военной музыки

33:05

Российские антивоенные песни: Noize MC, Монеточка, Oxxxymiron, Земфира

35:27

Может ли музыка спасти мир?

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МУЗЫКА 2022 НОВИНКИ - ХИТЫ 2022 - САМЫЕ ЛУЧШИЕ ПЕСНИ 2022 - RUSSISCHE MUSIK

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shaman

шаман

ярослав дронов

шаман встанем

shaman встанем

шаман песни

shaman песни

я русский

noize mc

нойз мс

нойз

клип

live

noize

рэп

rap

выход в город

лайв

концерт

монеточка

нойзмс

2022

official video

страна дождей

oxxxymiron

оксимирон

окси

versus

мирон

пропаганда

новости

Россия

Украина

музыка

хиты 2022

музыка 2022

русская музыка 2022

анна виленская

открытый музыкальный лекторий

лекция

виленская

лекции по музыке

как теперь

овд-инфо

кактеперь

овдинфо

аннавиленская

00:00:02

is the one that works directly on the

00:00:05

subconscious

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ta-ta-ta-tam

00:00:09

Kolyan Bratukha I am your brother This is the one in spite of this is

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also my brother my land A ray of hope

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flashed like my little brother my little soldier Everything is

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calm everything is restless what are we doing with

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you brother, they did it Ah, we came to

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the beginning, we are answering the question why,

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if you don’t share the values

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that Russian

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Propaganda conveys, you can turn very ugly. It’s been a

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long time since this happened for the

00:00:38

state to create a request for music.

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How do you cope with the current

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situation before the war started, and

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for me everything was in order In balance with

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internal values, I understood that I am

00:01:03

who I am, why am I, my job is

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to study music and talk

00:01:07

about it accordingly, if I

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understand the music so well, I wo

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n’t tell you what it is to find the music of

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Rachmaninov, Tchaikovsky, Beethoven or

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even modern music, but which

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makes it seem to me that people are better, then the

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world will move forward Everyone will be

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kind, everyone will be happy there at the lectures, everyone

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will be happy and everyone, that is, it was very

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clear to me why I was doing this and why

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what I was doing was valuable when the war started

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This whole system of values immediately

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fell for me and I had to go through it again

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with great difficulty and for some time for

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several months in a row. I still

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worked because I still loved her,

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but at the same time I didn’t have the feeling that

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what I was doing was in any way necessary to the world,

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how relevant is this now, how

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relevant is Mozart or something else now, and

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do I generally help people with what they need in

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this situation? I’m again trying to find something

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valuable in what I do. I’m trying to

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Realize what is valuable to me.

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justice, clarity,

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reasoning, then everything is fair. And

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everything is fair. then when all the reasons,

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investigative connections and details are visible, nothing is

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hidden when people feel

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good and kind and can, say,

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at least 2 hours during a lecture not read

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the news, and so on and so on,

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bit by bit this picture is collected

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after which you still don’t care you feel

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valuable That is, I would say that I

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cope How with the help of my work with the

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help of the fact that I am trying to Realize what is

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valuable for me and not for other

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people, what is mine Well, with the help of a

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psychologist, I don’t know how people cope

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without a psychologist

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How Russian music has changed since

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the war, modern Russian music

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is divided into several layers, the first layer

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is Russian musicians who went

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into exile, there is no censorship or

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self-censorship and basically it is thematically

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related to what is happening, it is written for

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people who may also have gone into

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exile or who feel

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lonely now in Russia and it

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absolutely corresponds to their request, that is, with

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this coin. But from Russia, for example,

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they are supported by the second Request, which

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is those people who find it difficult to

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come into contact with this reality, they

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need to understand that everything is the same as it

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was. This is a completely normal request,

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this is

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very a universal human moment, and for

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these people music is written that

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pretends that nothing is happening.

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For example, if you type in YouTube the best

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hits of Russian musicians of 2022,

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you will see quite a lot of new

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songs there that are written in a very old way,

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for example, Arctic also released something

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some new album in which the

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chords, rhythms, and instruments are

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no different from what was before

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22, and the theme is no different either, it’s

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mostly love lyrics, these are the kind of

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songs that are played on the radio, for example, and the

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third layer is terrible music interesting one

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that Russian Propaganda is now creating

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and says that this is

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new music and it is created for those

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people who, let’s say for themselves, cannot

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pretend that nothing is happening, but

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they need some internal supports,

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some explanations, some

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cultural Layer in order to understand

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what they have values and that there are people

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who exist with the same

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values, there is probably something else there,

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but you feel these three layers, they have

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now risen to the surface of the information field,

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this is also an interesting thing because the

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Russian music market has changed, only

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the lazy one didn’t talk about the fact that

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Russian music now the departure of

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Western companies and brands is influencing, in

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fact, yes. That’s how it is, it has

00:04:46

influenced who exactly creates

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music for us, demand. If before the departure of all these

00:04:52

companies and before the departure of the opportunity to

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publish the current tag without any tricks,

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music became and did not

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stop popular thanks to

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listener reactions That is, you could

00:05:05

create some music on your knees even

00:05:08

as a sixteen-year-old teenager at

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home, release it, launch it on Tik

00:05:13

Tok, people will pick it up and after that

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some company will contact you and take

00:05:18

you to their label. That is, it

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worked That’s how it works now it happens

00:05:21

differently and the monopoly on that and on broadcasting

00:05:25

passed to the state, this happened for

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ideological reasons that the state

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needed this Monopoly and for purely

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technical reasons. It’s been a long time

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since the state created a request for

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music,

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as now music is created at the request of

00:05:43

propaganda and the authorities. I would share it into

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two parts absolutely not How to say,

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unequal in quantity and quality and

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it will sound strange But this is Shaman and

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everyone else and this is absolutely

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unique I want to say that

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propaganda music is bad If you

00:06:03

do not share the values of propagandists,

00:06:06

you can say that it is amazing If

00:06:08

you share them but in fact, the

00:06:10

concept of good, bad, terrible,

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amazing is applicable to music, but

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not at all in an ideological

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framework, we need to look at how it is

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made, there are certain absolutely

00:06:22

things. That is, how the form is built so

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that on the coupe we really want to

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sing along if there is a so-called hook then

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there is that detail that makes us

00:06:33

want to repeat this song, somehow the

00:06:35

voice didn’t bring it up to dance, and so on.

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That is, these are different professional

00:06:39

details that add up to the picture, in the end

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it turns out, say, good music, well

00:06:44

made, and so, based on this, I can

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say with complete confidence that the

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Shaman’s song is good music, it’s

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really well done. But the

00:06:54

second part, let’s say not the Shaman, is the

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music that, for example, sounded at the

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unforgettable political evening at the

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Call That was organized by Zakhar

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Prilepin and Margarita Simonyan, there

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were poems and some songs and

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this concert I looked at it once and

00:07:13

analyzed the music from there and recognized the

00:07:15

performers who are now

00:07:17

writing this music. I don’t know how I would

00:07:20

recognize them, they are not exactly

00:07:22

famous like Shaman and there is

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a reason for this, this music is made

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worse worse, but there is quite a lot of it, I don’t even

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know what it is call some new

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Russian Correct music,

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what examples of modern

00:07:41

Russian military songs are there, there is such an

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interesting New performer whose

00:07:45

name is Akim Apachev, he writes rap

00:07:49

compositions, for example, there is the most famous one

00:07:51

that sounded automatically in the evening,

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this is from Donetsk With love, I felt

00:07:55

that I was like music Veda something In This

00:07:57

song was confused by the rhythm in it, something like this;

00:08:06

in general, nothing

00:08:08

is felt that rap seems to be

00:08:12

characterized by something else rap. It’s more likely

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to listen to the music in a direct rhythm in such an

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even manner, emphasized by the correct beats,

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then this brings us together, they relax I

00:08:29

usually give here the example of music

00:08:31

Victor Tsoi because she is just for

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dads. Here she is straight and usually at

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this moment you want to shake your head shake your leg

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shake your hand we are collected so I

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read such symbolism in this,

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firstly there are usually two gloomy chords

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against the background of some kind of

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gloomy repeating rhythm so direct

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collected, restrained That is, it does

00:09:05

n’t even turn out to be rap, but some kind of harsh

00:09:07

diplomacy. This is some kind of genre. Is

00:09:10

this music well done? If

00:09:13

Akim has the task of

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gathering us, making us restrained, and

00:09:18

here we go, then this is brilliant music,

00:09:20

then it works very well,

00:09:21

you feel that is It can only be

00:09:24

assessed in this way only because of the

00:09:26

task for which it was created. Another song

00:09:28

that extremely attracted my

00:09:30

attention, this song that

00:09:34

was performed by Alexander in Sklyar on an unforgettable political evening The ov, this song in

00:09:37

which the chorus

00:09:39

sounds like this, you forgot bro, how we worked, we sat down, we sat down at a

00:09:44

gallop above the wave on horses,

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what have you and I

00:09:53

done, brother, that now we are standing on different

00:09:57

sides, the first thing we usually hear in

00:10:01

a song is its sound appearance, that is, its

00:10:02

arrangement, instrumentation and rhythm and

00:10:05

timbre of the voice, the arrangement there with

00:10:08

electric guitars, there is also a very harsh

00:10:10

introduction

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in the best traditions Beethoven and the rhythm is

00:10:21

so pum pum straight Really marching the

00:10:23

glass itself is so hoarse Tsoi is

00:10:26

shrill and the music is so you know, as

00:10:29

if something more familiar is so

00:10:32

romantic Intonation you forgot bro

00:10:35

Tata and one more thing What I immediately

00:10:37

noticed is that this song is amazing

00:10:39

the number of

00:10:40

different forms of the word brother with brother Kolya

00:10:43

Kolyan Bratukha I'm your brother you forgot

00:10:47

bro We're standing with my brother this is also brother my

00:10:50

land what about brother my little soldier what have

00:10:53

we done with you bro it's all

00:10:54

Delight is a full palette of forms the word

00:10:58

brother I started to analyze this song I

00:11:00

picked it up and wrote it down with notes and discovered

00:11:03

that if you play this song without this

00:11:07

arrangement, actually since it was

00:11:10

written in the acoustic version by Vitaly

00:11:12

Maksimov with a guitar, it sounds something like this,

00:11:14

now I won’t hum it,

00:11:15

I’ll just play

00:11:17

[music]

00:11:47

somehow so emotionally my finger

00:11:50

jumped off. So I wrote it all out and

00:11:52

found in it that it was very interesting; the

00:11:54

chord sequence

00:12:00

[music] is

00:12:04

extremely familiar. For example, it was

00:12:06

used in the song Black Boomer, a black

00:12:08

boomer is rolling under the window; in general, this is

00:12:10

such a closed chord

00:12:12

sequence that has such

00:12:14

meanings everything calm Everything is restless Ah we

00:12:19

came to the beginning, we actually this

00:12:22

song is built like some bard

00:12:26

songs some chanson some songs of the

00:12:28

seventies

00:12:30

military songs look I’m now coming from the

00:12:33

end I find these features in all

00:12:37

Soviet music and post-so and they go

00:12:40

back to the 19th century I’ll show you one

00:12:43

composition that was recorded and

00:12:46

written in

00:12:48

1870 which is very

00:12:51

similar far away in the country of Irkutsk between

00:12:55

two huge rocks surrounded by a high wall

00:13:01

Alexander Central On Sunday the

00:13:04

old mother came to the prison gates

00:13:09

the sequence was on Sunday the

00:13:12

old mother repeat lower

00:13:16

came to the prison gates and in

00:13:20

I brought a parcel to my native son in a scarf Yes And this is the

00:13:25

sequence simple chords If

00:13:27

you look at that Layer of music is very

00:13:29

unknown because it is slightly

00:13:31

taboo socially disapproved

00:13:33

This genre of music and it is

00:13:36

called Blatnyak Blatnyak is something

00:13:39

condemned Yes this is not necessarily what

00:13:42

they sing zeki Blatnyak this musical genre is the

00:13:45

same as all the others with its own

00:13:47

stylistic features, traditions of

00:13:49

song structure and even words

00:13:53

because bro bro this song

00:13:55

definitely has a nice chorus form

00:13:58

but the words in the choruses are a little different each time

00:14:00

However, they have something in common,

00:14:03

so I’ll read it you forgot the first lines

00:14:06

of each chorus you forgot How much we

00:14:09

read together you forgot how difficult it

00:14:12

was without each other You forgot bro how we

00:14:15

plowed and sowed how could my little soldier brother

00:14:18

forget it all Oh this is a verse But it

00:14:20

doesn’t matter Do we now need someone who

00:14:22

poured Maslenitsa it is important that all these

00:14:25

lines are questions,

00:14:28

rhetorical questions, it is impossible to answer them

00:14:30

conditionally correctly or unambiguously; I

00:14:34

immediately think of such an important

00:14:36

question for the modern Internet:

00:14:39

If you were 8 years old, that is, the question Where

00:14:41

were you for 8 years is impossible to answer

00:14:43

essentially correctly Yes this is a question with

00:14:47

a trick, there are some

00:14:49

questions with a trick, sometimes and even

00:14:51

there is a prison culture. I think we will

00:14:53

now remember all of them, which you need to know

00:14:55

how to answer correctly, this is always a non-

00:14:57

obvious option that does not directly

00:15:00

concern yes, that is, it is correct to

00:15:02

avoid answer, that is, there is

00:15:04

such a story in every story And here, in fact,

00:15:07

it is also very important because if you

00:15:10

watch this concert carefully,

00:15:12

I don’t know why you are for investigative purposes, then

00:15:15

you will notice that in general

00:15:17

verbal rhetoric, it also consists of Such a

00:15:20

form, every phrase there beginning Yes,

00:15:23

this is an appeal to the audience or to the listeners with a

00:15:26

rhetorical question, this is an amazing

00:15:28

detail that can still be seen in,

00:15:30

say, Telegram channels, you can

00:15:33

read them too, that is, it is definitely a

00:15:34

rhetorical question, then a statement

00:15:37

about what happens to you

00:15:39

if you do not agree with those who

00:15:41

disagree and further with that What kind of brothers are those

00:15:44

who agree with this amazing

00:15:47

rhetoric

00:15:50

Why Shaman’s songs are so popular the video clip of the

00:15:53

singer Shaman for the song I’m Russian

00:15:55

was watched by 20 million people, this is a

00:15:59

huge number, does this mean that this

00:16:02

song

00:16:03

has become popular and loved by everyone Perhaps

00:16:06

or perhaps perhaps not Because that there is

00:16:08

a lot Many of them came to watch

00:16:11

the original after Alexander

00:16:14

Gudkov’s parody I’m narrow which you watched

00:16:16

5.5 million people but there is no need to

00:16:21

make fun of or devalue that this is

00:16:23

all people came to giggle, nothing

00:16:24

like this this song is really well

00:16:26

made, made completely differently And

00:16:29

generally appeals to our others properties

00:16:32

and needs Well, let's see how, for

00:16:35

example, the verse of this song is structured

00:16:37

I breathe in this air

00:16:43

looks at me

00:16:47

[music]

00:16:53

this is a very European song,

00:16:57

there is nothing folklore in it, there is

00:17:01

nothing criminal in it

00:17:03

chords It sounds with a certain

00:17:06

dramaturgy

00:17:07

[music] a

00:17:09

tragic chord such a restrained,

00:17:12

sad Ray of hope flashed

00:17:16

there, a certain relationship

00:17:19

of chords, it pushes it away, in

00:17:21

fact, in the sense of harmony, it pushes it upward with a

00:17:26

meaningful look and again

00:17:29

tragedy. And what’s more, these are exactly the

00:17:32

chords that are also in the chorus, the

00:17:33

chorus seems completely different, the melody is

00:17:35

different and the chords the same

00:17:38

[music]

00:17:39

ta-ta-ta-ta

00:17:43

[music]

00:17:45

tragic but then a bright turn

00:17:47

heroic effort Will to the top and back

00:17:51

as if I’m now a football mother

00:17:52

commenting on this has a very strong

00:17:55

effect on us chords rhythms and everything that

00:17:57

remains in the background it has a stronger effect than the

00:18:00

voice, the arrangement of the words and the turns of the

00:18:02

melody, it’s just a very strong

00:18:04

subconscious influence. This is a heroic

00:18:06

story, this is not such an uplifting

00:18:08

story, such as, say,

00:18:10

Marshal in this Soviet type, this is a

00:18:13

European spiritual

00:18:15

uplifting story, I can easily

00:18:17

imagine any song with

00:18:19

English lyrics, and such chords are

00:18:21

zero and I

00:18:24

[music]

00:18:28

zombie zombie zombie and this song

00:18:34

is written with the same chords this in

00:18:36

no way means that it is plagiarism In

00:18:38

no way this is a very common place for everyone but

00:18:40

you feel How it is also

00:18:43

quite internally

00:18:45

emotional about the melody

00:18:53

here on the second the chord melody hits

00:18:57

the top but not on the note that is asked for,

00:19:03

it seems to deliberately hit one higher than

00:19:06

something,

00:19:10

and this is called retention. That is,

00:19:13

this is a note that painfully does not coincide with the

00:19:16

chord in the background and then immediately

00:19:18

manages to the right one, this is a very strong

00:19:20

technique which touches us deeply,

00:19:22

for example, Last Christmas begins also

00:19:29

deeply touching, good reception and it is

00:19:32

poignant, that is, it also creates this

00:19:34

feeling of overcoming Through force through

00:19:37

strong emotion, the song is made very

00:19:39

well in construction, that is, at the beginning it is

00:19:42

calmer. Then, of course, there is a chord

00:19:46

that prepares us for the chorus.

00:19:51

And from above it started with from the point of view of

00:19:55

musical theory in general, no

00:19:56

complaints about this music. It is very well

00:19:58

made and very well solves its

00:20:00

task of giving a feeling of overcoming

00:20:02

heroism, full of nobility and

00:20:06

power that we have collected. As they say, we

00:20:09

took in more air into our lungs and

00:20:12

shouted the

00:20:18

Shaman's song, let's rise, the anthem of War. The shaman

00:20:22

has a song, let's rise more popular than

00:20:25

the song I'm Russian, what also made it popular is

00:20:27

that cameras came out that the

00:20:30

stars of Russian show business sing at the same time,

00:20:31

and if the song I'm Russian

00:20:35

is more like an example of Western rock before the

00:20:38

song let's stand up, there's a lot of Italian in it, so

00:20:41

you can actually conduct a

00:20:43

cool experiment of portraying

00:20:46

Italians as we all know how to do it from

00:20:48

auditory experience and it will turn out relatively

00:20:51

well. By the way

00:20:53

[music]

00:20:58

I’m pretending to be Italian, this is not

00:21:01

real Italian

00:21:07

[music] the

00:21:11

old one stopped nearby,

00:21:18

in fact, this is an Italian

00:21:21

stage that grew out of the Italian

00:21:23

Aria, which has a very

00:21:25

specific form, a form that has captured

00:21:28

space higher they captured high

00:21:31

they captured even more they captured that is, there is

00:21:34

a melody there if you write the notes directly,

00:21:36

you will see that each time it reaches

00:21:37

some other necessary threshold, it is

00:21:41

written in D minor, this is a key that is

00:21:43

easy to play on the guitar, I

00:21:46

think that this was taken into account when releasing the

00:21:47

song because that this song is relatively

00:21:50

easy to play by yourself in D minor, it

00:21:52

was such a folk theme. This song is

00:21:56

written in an astronomical form, that is, there

00:21:59

is no braid and chorus. The stanza is a

00:22:03

Form characteristic of a ballad. And a ballad has

00:22:06

very specific tasks, yes, this is

00:22:08

to tell a story, and secondly, not

00:22:11

to do it swing when the verse marinates us

00:22:14

and the chorus makes us throw out

00:22:16

the tension then marinates again And this is the

00:22:18

growing tension This is a story about

00:22:22

such a spring that unwinds, a

00:22:24

spring unwinds in a melody, a spring

00:22:27

unwinds in form and there are some

00:22:30

details that at some

00:22:32

moments make it unwind in the right

00:22:33

emotional direction, for example, to the side

00:22:35

There is such a look like this Bitter

00:22:37

warmth

00:22:38

Bitter warmth I mean certain

00:22:42

two chords

00:22:43

[music]

00:22:50

[music]

00:22:57

this turn has an official

00:23:00

name, by the way, interrupted turn and this is a

00:23:03

very important turn for the history of world

00:23:06

music, in fact, we wouldn’t use such a second chord

00:23:09

we let the first one go where he

00:23:13

intended where he went; we interrupt this;

00:23:16

this feeling is directly laid down; in spite of this, it is

00:23:20

there in spite of;

00:23:25

Please note that this is what it is, it is just staged,

00:23:28

that is,

00:23:38

laziness;

00:23:45

at the moment of that very climax, we will

00:23:48

feel something right, if you want,

00:23:51

write such words, if you want such, if you want,

00:23:53

it will be about a war song, if you want

00:23:55

an anti-war song, but it doesn’t matter, that is,

00:23:58

any words are remembered after the

00:24:01

song has penetrated into the soul And this

00:24:03

song is in the soul penetrates Is it possible to say

00:24:05

that this is, say, the main song of the war or the

00:24:07

anthem of the war, a song of generations, a folk

00:24:11

song Yes, which the author wrote, it

00:24:14

became a folk song, the author herself, by the way, writes

00:24:16

that he did not write it Yaroslav writes that

00:24:19

he wrote this song recently and

00:24:22

unexpectedly for himself it seems like

00:24:25

someone - something dictated to him from above That is,

00:24:27

this is a song It is positioned As let’s say,

00:24:30

not the author’s if it was dictated from above, then

00:24:32

probably everyone, and not only Yaroslav,

00:24:34

such a folk song appeared as an anthem

00:24:37

cannot be called This, but this is really a

00:24:39

unifying ballad that does not come from the

00:24:41

side, the rising side is huge

00:24:43

because it too from above it doesn’t seem to

00:24:45

work, but from the side of this one in the

00:24:48

direction of the Lyube group Yes, this story is

00:24:49

like this this I will overcome I’m part of something

00:24:53

else and not an order, get it And this is

00:24:58

more like a proposal As

00:25:00

they say, let’s stand up, don’t get up It’s

00:25:03

interesting the roll call is like this it turns out

00:25:07

how Propaganda uses music for its own

00:25:10

purposes, the song is so well made that

00:25:13

it gets into our very primitive

00:25:15

emotional reactions that

00:25:18

we all absolutely have and we feel this

00:25:20

nobility rise with desire that’s what’s

00:25:24

true in your country but at the same time there are people

00:25:27

who don’t believe in it who do not believe, let’s say,

00:25:31

what Russian Propaganda says about the war,

00:25:33

it also works for them,

00:25:35

but their other part is such a non-

00:25:38

primitive emotional part, such an

00:25:40

intellectual part, it is included in the

00:25:42

first in a categorical contradiction, this

00:25:45

proves once again that propaganda is a

00:25:48

very powerful tool and in

00:25:51

reality it works for everyone

00:25:53

the same way That is, what I’m doing may be

00:25:55

verbal Propaganda no, musical

00:25:58

definitely yes, that is, this song touches

00:26:01

everyone differently, but the difference is

00:26:05

between the person who

00:26:07

is the propaganda that I don’t believe, but in the

00:26:10

effort of will who makes an effort

00:26:13

not to believe this propaganda It works it

00:26:16

hurts, I really want it, I really

00:26:19

want it, I also want such pleasant feelings Yes,

00:26:21

but at the same time you don’t allow yourself, you

00:26:24

understand rationally That is, you go

00:26:26

with your values, and this

00:26:28

allows you to resist and

00:26:30

criticize something that is considered a primitive emotion

00:26:34

that obviously exists in in music this

00:26:36

evocation occurs much more simply than in

00:26:38

words And here is an interesting

00:26:40

detail in the sum, yes, that is, we invoke there an

00:26:43

interrupted turn

00:26:46

such in spite of then some kind of

00:26:50

heroic chord Yes, we had there

00:26:54

a ray of light in the kingdom of darkness, something

00:26:57

a little That’s from the prison that we found a

00:27:00

simple

00:27:04

something like this Folk ditty this is

00:27:08

all going to That is, you are like that

00:27:10

I am part of the people I am right I am making an effort

00:27:13

Yes the music tells me about this and in the end

00:27:16

I get some kind of ecstatic experience in

00:27:19

combination with the pose of Zakhar Prilepin

00:27:22

who is leading a concert for UV With the look of

00:27:25

Margarita Simonyan, who seems to

00:27:27

encourage you to look at what is happening a little from high with her,

00:27:30

poems in

00:27:32

which the beginning of a new stanza is a

00:27:34

rhetorical question, the phrase is normal,

00:27:36

look at how it comes together in detail, yes, that

00:27:38

is, it all works together and

00:27:41

works well, and it answers the the question is

00:27:43

why can you, if you do not share

00:27:47

the values that are broadcast by Russian

00:27:49

Propaganda, become very bad If

00:27:52

you listen to this matter or read

00:27:57

why the government is now so focused

00:27:59

on

00:28:01

propaganda musicians, there are many instruments, but music

00:28:04

is the one that works directly on the

00:28:06

subconscious, if words don’t work, then

00:28:09

music this is something that forcibly

00:28:10

unites this is the same universal

00:28:12

language, so of course Propaganda took

00:28:14

on the musicians, but not quite in the sense

00:28:18

that it took on them so that they would write

00:28:20

music dialogically, so these are all people.

00:28:23

They are not just attracted, they are

00:28:25

really passionate people who

00:28:27

made everything is as they think according to their hearts and

00:28:30

simply occupied their specific niche, but

00:28:33

Propaganda took care of the musicians

00:28:36

not expressing an anti-war opinion as

00:28:39

individuals, they give them much more

00:28:41

agency and create problems not for those who

00:28:43

mention something like that in their song,

00:28:46

some kind of extremist, why is there a

00:28:49

morning star even before the war, all the time it was still

00:28:51

somehow, but for those who say something from the stage,

00:28:54

this is such an important story that is

00:28:58

connected in general with the history of music of the 20th

00:29:00

century in the 20th century, the musician truly

00:29:03

separated from his material, the musician

00:29:06

began to present himself and not the material and

00:29:10

you can trace how in critical

00:29:12

articles or some reviews they mainly

00:29:14

talk about musicians, they talk about his

00:29:16

chords, for example, the result is important, the result is that the

00:29:19

musician has become a Personality and a kind of

00:29:22

authority that people need purely

00:29:26

evolutionarily, we have such a

00:29:28

programmed important property that

00:29:31

we are trying to rely on those who more

00:29:33

successful not out of envy, but from the pure heart

00:29:37

because these are evolutionarily successful

00:29:39

individuals, that is, they are clearly doing something

00:29:41

right that I have no idea what should be

00:29:44

done as they are musicians, they took

00:29:46

exactly the role of such authorities and

00:29:48

Propaganda understands this perfectly

00:29:51

because a person who is emotionally is connected

00:29:53

with the audience, that is, it emotionally presents something to him,

00:29:55

anyway, such

00:29:57

communication is obtained On such an intuitive level

00:29:59

This person If he says something, people

00:30:02

will listen because he is an

00:30:03

evolutionarily successful individual, he is conventionally

00:30:06

standing higher, he is on stage a meter higher,

00:30:10

and I will do as he did, so

00:30:12

we can say that Propaganda did

00:30:15

not take up music at all, but specifically

00:30:17

musicians. But it didn’t take up music and

00:30:20

it was lucky that there is a talented Yaroslav, that

00:30:22

is, a Shaman, that same prophet, the anointed

00:30:25

of God, the song is dictated to him. So

00:30:28

his name is Shaman and shaman like that that this is

00:30:31

such good luck

00:30:34

What are the features of modern

00:30:36

Ukrainian military music, in addition to

00:30:39

Russian music with military themes,

00:30:41

a lot of Ukrainian music has its own

00:30:44

mathematics and it is much more

00:30:45

popular for several reasons, one

00:30:47

of which is Technical, it is more on Tik

00:30:50

Tok, Ukrainians post much more

00:30:53

content because technical Tik Tok

00:30:55

limits Russians from

00:30:58

uploading it and this is music, as they say, it

00:31:00

becomes viral, but at some

00:31:03

point in my body I also think, well, it’s unfair. Well,

00:31:05

unfair Russian music

00:31:07

was often considered, I looked at the Ukrainian one

00:31:10

and found out that there are also some

00:31:14

common points, but they practically no And

00:31:16

why is this because the natural

00:31:19

development of music is very similar to such a

00:31:21

truly evolutionary history, that

00:31:23

is, the chaotic movement of genes from

00:31:25

which something turns out to be successful,

00:31:26

something mutates, that is, such an evolution

00:31:29

It’s so blind, chaotic to the touch,

00:31:31

musicians each express their emotions

00:31:34

in a special way form, something takes root and

00:31:36

becomes a flow as soon as it

00:31:38

becomes completely coherent and so

00:31:41

official, it begins to rot and

00:31:43

disintegrate, that is, this is such a process of

00:31:44

really life before this genre and in the

00:31:48

natural environment, music should have its

00:31:51

main judge as a listener,

00:31:55

not a state, if the market is free if

00:32:00

this is not such a planned economy, a market

00:32:03

economy, if you can make such a comparison,

00:32:04

then the music will be different. It

00:32:07

will always be different, it will be

00:32:08

as different as possible. Most of the

00:32:10

compositions that I know from

00:32:12

Ukrainian new music

00:32:14

are called post-punk by genre, that is, this is a genre

00:32:18

that is inspired by Russian Soviet

00:32:20

protest rock Thus, Viktor Tsoi is

00:32:23

the most important figure, there is a lot of

00:32:25

sound processing. That is, it is

00:32:27

done electronically and the main thing is emotion. Yes, this is the

00:32:30

feeling of

00:32:31

such despondency,

00:32:34

despondency, it is very so acute

00:32:36

emotional because it is expressed Quietly

00:32:38

Well, this is not only Ukrainian military

00:32:41

music, this is the Belarusian group are silent

00:32:43

at home, for example before the war they wrote this, there

00:32:45

is rap in Ukrainian military music, there are

00:32:48

lyrics, there are arrangements of folk songs, and

00:32:52

arrangements made very

00:32:54

tastefully because they were made by very

00:32:56

young guys, this is music made

00:32:58

extremely differently, this is its strength and this is why

00:33:01

it is more popular I think

00:33:06

Why are there so few Russian anti-war songs

00:33:09

now, everything should be different,

00:33:11

there should be rap pop chanson, symphony,

00:33:15

wild Avant-garde and their wild mixtures. That is,

00:33:18

all this Always exists in such a beat,

00:33:19

and there is very little anti-war music And in

00:33:24

some ways it is those people who write to me

00:33:27

comes to Umnaya from MSI I really

00:33:29

like his song about the land of rains

00:33:32

and coin, these are people who even before the war,

00:33:35

for example Noize MC coin, definitely

00:33:37

communicated and did collaborations, they

00:33:40

belong to the same certain style in a

00:33:44

strict musical sense. Well, Zemfira is good for the style of

00:33:46

thinking of musical values,

00:33:49

but and Zemfira in general is not

00:33:53

that strongly opposed to them, she’s

00:33:55

not a tough rapper, rapper no. She also

00:33:59

works with music, text of the verse, chorus

00:34:02

form with recitation in the

00:34:05

same direction, the genre is different, but it

00:34:07

seems internally that’s why Russian

00:34:10

anti-war music so that she can survive so that

00:34:13

she to become popular in order for her to remain

00:34:16

in memory and to become such an important strong

00:34:20

layer, she needs a huge variety,

00:34:22

she needs anti-war Russian rap,

00:34:25

anti-war Russian rock in the style of Give

00:34:28

me back my 2007 and a symphony and that and that’s it, so that there

00:34:32

’s just a lot of it, so that it’s all

00:34:34

in different quality so that I didn’t have

00:34:36

the feeling that these great quantities

00:34:38

were being written, but I can’t, on the contrary, write more and

00:34:41

with a guitar and everything else, but it’s very

00:34:43

difficult to do because it’s

00:34:44

limited by law. Yes, but in general,

00:34:48

diversity, that’s what

00:34:50

gives birth to the future. That is, what will happen

00:34:54

depends on how it is now

00:34:56

this diversity will develop. A war where it

00:34:58

seems to you that the truth is on your side,

00:35:00

it contributes to the writing of music. a war

00:35:03

in which it seems to you that the truth is not on the

00:35:06

side of your country, the citizen

00:35:10

you are,

00:35:11

this does not contribute to inspiration at all,

00:35:14

no, this also must be taken into account

00:35:17

as if it were necessary in some way - then give it time

00:35:22

because I can’t say anything more specific about

00:35:24

the future, but there is a chance.

00:35:28

Can music save the world? music is a

00:35:32

reflection of the value of a large layer of people

00:35:35

that the composer collects and can

00:35:37

transform in sound; this was not only

00:35:40

in the 20th century when musicians became important

00:35:42

figures such as Wow, such authorities

00:35:46

for example,

00:35:47

in Mozart's symphonies there are

00:35:50

certain values that come from their form

00:35:53

in which everything

00:35:55

happens as a conflict and then it

00:35:58

necessarily resolves and comes to a

00:35:59

good ending. That is, this is the value of

00:36:01

Mozart and in such musical

00:36:03

details it can be traced, it

00:36:06

really works. This is not unfounded.

00:36:08

There are Moscow studies. details therefore

00:36:11

music as such cannot help but

00:36:15

save the world not

00:36:17

eject the world music is a reflection of the

00:36:19

composer’s values another thing is what

00:36:22

if the composer Whose values we say are not

00:36:28

encouraged for example by the authorities or by the listener

00:36:31

in the best of times yes When was it important

00:36:33

if this composer is frustrated and

00:36:36

writes little Well that means if others write, it

00:36:38

means there will be other values. But if,

00:36:41

on the contrary, he writes more, he finds

00:36:44

the strength in himself

00:36:46

to heal his wound and write, it means his

00:36:49

values

00:36:50

will draw some of the attention to themselves, that is,

00:36:53

to save the world is such a formulation

00:36:55

conditionally to make the world the way I see it

00:36:58

ideally, but who- then he sees it differently, this is

00:37:01

such an eternal struggle of values that

00:37:03

is reflected in music that if I want to save the

00:37:06

world, then I must transform my values.

00:37:08

As

00:37:10

many messages as possible, examples of such a

00:37:12

message and broadcast it. This does

00:37:14

not mean at all that this world will

00:37:16

act the way I want but I will bring

00:37:18

this my contribution I am a person, I am an activist, I am an

00:37:21

author, I am broadcasting my own, you know how

00:37:23

convenient it turns out If there are more authors like you

00:37:26

than others, then you will

00:37:30

consider that the world is saved, the rest will

00:37:32

believe that he has been cast into tartar,

00:37:34

that his traditional values are gone,

00:37:36

that everyone everything is bad, behemoth And if

00:37:40

it’s the other way around, then you will think that the world

00:37:42

has gone downhill second to everything else, so it’s

00:37:44

just a matter of how you think,

00:37:48

how you feel and how you convey

00:37:50

values, if there are more of you than others,

00:37:53

then in your opinion the world will be saved

Description:

Как теперь власть меняет современную музыку и создает запрос на военные песни? Почему певец Shaman (Шаман) с песнями «Я русский» и «Встанем» стал популярен, и как пропаганда использует его треки? Почему власть так сильно взялась за несогласных музыкантов — Noize MC, Oxxxymiron, Face и других? Новый гость «Как теперь» от ОВД-Инфо — музыковед, композитор, преподаватель и создатель «Открытого музыкального лектория» Анна Виленская. Не забудьте поставить лайк, подписаться и нажать на колокольчик, чтобы не пропустить наши новые выпуски — это действительно важно для продвижения. Ютуб-канал Анна Виленской: https://www.youtube.com/@user-vz6ye2bq4f Все соцсети ОВД-Инфо: https://ovdinfo.taplink.ws/ 00:00 Анна Виленская, музыковед и композитор 00:52 Как вы справляетесь с нынешней обстановкой? 02:44 Как изменилась российская музыка с начала войны? 05:39 Как музыка создается по запросу пропаганды и властей? 07:38 Примеры современных российских военных песен 15:48 Почему песни Shaman так популярны? И причем тут «Я узкий» Гудкова? 20:17 Разбор песни Shaman «Встанем» как гимна войны 25:06 Как пропаганда использует музыку в своих целях? 27:55 Почему власть сейчас так сильно взялась именно за музыкантов? 30:33 Особенности современной украинской военной музыки 33:05 Российские антивоенные песни: Noize MC, Монеточка, Oxxxymiron, Земфира 35:27 Может ли музыка спасти мир? Если вас задержали на акции Пишите: https://t.me/OvdInfoBot Звоните: 8 800 707-05-28

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