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0:00

Intro

1:00

Adding Harmonies

6:30

Melodyne

12:00

Experimental

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creating

vocal

harmonies

studio

one

using

audio

recording

00:00:01

by far the best way to create harmonies

00:00:03

in your song or track that you're

00:00:04

working on is to have the singer

00:00:06

go ahead and do several passes and do as

00:00:08

many takes

00:00:09

um to get them just right and sounding

00:00:12

clean

00:00:13

but we don't always have that luxury and

00:00:14

if you have a situation where you don't

00:00:16

have access to the singer

00:00:17

you can't re-record and add the

00:00:20

harmonies

00:00:21

we do have a few tools that we can make

00:00:22

use of um

00:00:24

within studio one and these can also be

00:00:27

useful if you're working on

00:00:28

electronic or experimental music and you

00:00:30

want to

00:00:31

try out some experimentation

00:00:34

with harmonies then you can use these

00:00:36

tools for that as well

00:00:38

so let's go ahead and get started and

00:00:40

take a look at these

00:00:41

now i've got a cheesy vocal recording

00:00:45

here on this one track so let's play

00:00:47

that back to hear how it sounds

00:00:58

okay so uh let's add

00:01:01

some harmonies to this now the first

00:01:03

thing you'll want to do is right click

00:01:05

in the track column on that track and

00:01:07

choose duplicate track

00:01:09

complete be sure that you choose that

00:01:11

and then let's right click on that

00:01:13

second one

00:01:14

and duplicate that complete as well

00:01:17

now when you right click on an event on

00:01:20

audio event we can see we have a

00:01:21

transpose

00:01:22

and we can use this to raise

00:01:26

the pitch of our sample in semitones but

00:01:28

i'm going to

00:01:29

use the inspector and this is

00:01:32

essentially the same transpose setting

00:01:34

as we saw in the contextual menu

00:01:37

let's select the second one and for this

00:01:39

i'm going to

00:01:40

click once and put in four to raise that

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up by four semitones

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let's select the third one and for this

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i'm going to put in minus three i'll

00:01:52

press enter now let's play these back and hear

00:01:55

how they sound

00:02:06

okay so they don't sound that great

00:02:07

first of all we do have some clippings

00:02:09

so i'm gonna f3

00:02:10

and open up the console i'm gonna hold

00:02:13

shift and select this first one

00:02:15

and then pull these down just a little

00:02:17

bit

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now the first thing that you want to do

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is take a look at the time

00:02:24

stretch setting and that would be here

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by default this is going to be set to

00:02:29

drums so that's part of the reason why

00:02:31

they sound so bad let's change that to

00:02:35

pro monophonic formant which i think

00:02:38

should work best in this

00:02:40

with this particular audio recording

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we'll select the third one

00:02:43

and let's change that from drums to the

00:02:47

monophonic as well then let's listen

00:02:49

back to this again

00:02:59

[Music]

00:03:01

okay so it's a little bit better now

00:03:03

most of the time when we're

00:03:04

working with vocals in our track we're

00:03:07

not going to leave them dry we'll apply

00:03:09

some sort of processing to that usually

00:03:11

a touch of reverb or a lot of reverb

00:03:13

so this is something else that we can

00:03:15

use to help the sound a bit better

00:03:17

so let's close out the inspector and i

00:03:20

will f3 to open up the console now i'm going

00:03:23

to right click

00:03:24

in the empty space here and choose to

00:03:26

add an effects channel

00:03:28

and on this effects channel let's click

00:03:30

on the plus

00:03:31

to add a room reverb

00:03:35

and let's take them to church on this

00:03:36

one so we'll choose

00:03:38

church we can close that out now

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and let's come to the send section of

00:03:45

our three vocal tracks and choose to send

00:03:47

that to effects one

00:03:49

that i just created

00:03:52

so now these are all being processed by

00:03:55

our room reverb which is on the church

00:03:57

setting let's play this back and listen

00:03:59

to this

00:04:08

[Music]

00:04:09

okay so now we can really play with some

00:04:12

of these faders and

00:04:14

get this to sound a little bit better so

00:04:17

you can use the

00:04:18

fader for your effects channel to adjust

00:04:20

how much of that reverb you want in

00:04:22

there you can also use the sends up above the

00:04:25

send levels

00:04:26

maybe you don't want your the main

00:04:29

and original vocal maybe you don't want

00:04:32

that to have so much reverb on that

00:04:33

up it could be a little bit more dry but

00:04:36

these are the ones that are kind of

00:04:37

processed with the transposing tool

00:04:39

maybe we want to add a little bit of

00:04:41

reverb to help those

00:04:43

to soften them up a little bit and take

00:04:44

away some of that mechanical sound

00:04:47

and also we could take the levels down

00:04:50

for these two

00:04:51

a little bit so just experiment with the

00:04:54

faders the levels for each of your

00:04:58

harmonies and also the send level to try

00:05:01

to achieve the sound and a better quality

00:05:03

so let's listen

00:05:04

back to this

00:05:36

hey

00:05:38

okay so this isn't perfect but with a

00:05:40

bit of experimentation with the levels

00:05:42

and trying

00:05:43

you could also try out different uh

00:05:45

spaces for your reverb

00:05:47

try out different reverbs maybe if you

00:05:49

have third party

00:05:51

and uh again if you're in a jam this can

00:05:54

be something that may work for you

00:05:56

and a lot of it has to do on the

00:05:57

particular recording that you have

00:05:59

and how it's sung what the melody is how

00:06:02

much vibrato and everything so this may

00:06:04

work with some audio material better than

00:06:07

others and you can even try this with

00:06:09

instruments that are playing a melody as

00:06:11

well

00:06:13

so let's take a look at the second

00:06:14

method and i think this one should be a

00:06:16

bit better quality i'm going to remove

00:06:18

the effects track

00:06:19

and let's start over from the beginning

00:06:24

and we'll remove these out i'll shift t

00:06:27

to remove those and let's just start

00:06:29

that we

00:06:30

as we hadn't done anything yet we still

00:06:32

have our initial

00:06:34

single vocal recording now the second

00:06:37

method is going to start off the same we'll

00:06:39

right click and duplicate the track

00:06:41

complete

00:06:42

we'll right click on that one and

00:06:43

duplicate complete

00:06:45

but for this time what i'm going to do

00:06:48

is right click on this third one

00:06:50

and we'll want to come to the event

00:06:53

section here

00:06:54

and then near the bottom we want to

00:06:56

separate

00:06:57

shared copies because these

00:07:01

events were created from the original

00:07:03

one up above and

00:07:04

with this method we're going to be using

00:07:06

the melodyne

00:07:08

and this can get a little bit funky if

00:07:11

you don't

00:07:12

create kind of a separate copy of this

00:07:14

vocal recording when we start processing

00:07:17

in melodyne so you can see in the bottom

00:07:19

left-hand corner this is listed as two

00:07:22

and if i select this we see one and one

00:07:26

now unfortunately melodyne is only

00:07:27

included in the professional version

00:07:29

of studio one so if you're only using

00:07:30

prime or artist

00:07:32

then this is not going to be available

00:07:34

for you unless you purchase melodyne and

00:07:37

get that feature but with this event

00:07:39

selected i'm going to

00:07:40

press ctrl m and that's going to open up

00:07:43

melodyne

00:07:44

and we can see what melodyne calls

00:07:48

as blobs representing our waveform up

00:07:51

above

00:07:53

and to make adjustments to the pitch we

00:07:54

would simply click to select

00:07:56

one of these

00:08:03

we can uh click and hold to audition

00:08:04

that but so for the first

00:08:11

blob i'm going to take that to c sharp

00:08:14

and the i'm using the mouse wheel to

00:08:16

scroll i'm going to select the second

00:08:17

one

00:08:18

and take that down to

00:08:22

b flat and let's hear how this sounds

00:08:24

how the processing of melodyne sounds

00:08:27

on this so i'm gonna solo and let's

00:08:30

listen back

00:08:41

okay i think it sounds pretty decent

00:08:43

let's now come to

00:08:45

the third and i will

00:08:49

control m now for this one i'm going to

00:08:52

take the first blob here

00:08:56

to a and the second one

00:09:03

to b flat

00:09:10

and this is just as simple as coming to

00:09:12

the center of your

00:09:13

uh blob and click hold and dragging up

00:09:16

and down to adjust the pitch this is going to

00:09:18

adjust in semitones if you would like to

00:09:21

do a finer adjustment in cents just hold

00:09:23

down alt

00:09:24

while you're dragging up or down let's

00:09:27

close out the editor

00:09:28

and listen back to this

00:09:38

[Music]

00:09:40

okay and let's come to our mixer here

00:09:44

i'm gonna hold shift to select this one

00:09:46

and take these down just a little bit

00:09:48

more

00:09:49

and we can once again add our effects

00:09:52

channel

00:09:53

put the uh reverb on

00:09:57

we'll take him to church again

00:10:03

and let's send these to

00:10:06

the fx1 same process as we saw

00:10:10

earlier now let's play this

00:10:16

back

00:10:30

right

00:10:40

see that's a little bit funky you could

00:10:42

play around and adjust that

00:10:56

okay so you can always come in to the

00:11:00

melodyne by control m on the event that

00:11:02

you select

00:11:03

and play around with the adjustments you

00:11:06

can come to the top

00:11:07

of your event and

00:11:15

select it first

00:11:20

and then when you have this icon here

00:11:22

you can click

00:11:24

double click to separate this

00:11:27

so if you really like to come in and do

00:11:29

some finer adjustments to the melody

00:11:31

then you can do that but all of the

00:11:34

details of how to use melodyne is

00:11:36

beyond the scope of this tutorial i just

00:11:38

wanted to really show you the methods

00:11:40

that you can use i will put up an

00:11:42

in-depth tutorial on melodyne soon

00:11:44

but just know that you can do some extra

00:11:47

work in here to make things sound a bit

00:11:49

better

00:11:51

okay we'll close out the editor let's

00:11:54

delete that

00:11:55

event this one shift t to remove that

00:11:58

track

00:12:00

and this one and actually we don't need

00:12:03

this either

00:12:04

so the next and final method is

00:12:07

more experimental and if you're doing

00:12:10

electronic or experimental music

00:12:13

this is going to be more useful for that

00:12:15

if you're doing

00:12:16

something acoustic i wouldn't really use

00:12:19

it for that

00:12:20

let's come to the browser and the files

00:12:24

this is our same sample that we've been

00:12:26

listening to i'm going to right click

00:12:28

and send to a sample one and i'm just

00:12:31

going to really quickly

00:12:32

talk about this one we won't spend much

00:12:34

time here

00:12:36

now uh we have our caps locked to open

00:12:39

up the virtual

00:12:40

qwerty keyboard

00:12:44

so now at this point i could trigger

00:12:50

we hear it's the same sample and with

00:12:52

this you can actually

00:12:54

while this is loaded into sample one you

00:12:56

can just

00:12:57

press two or three keys to play back

00:13:06

[Music]

00:13:14

and you can hear the the pitched up

00:13:17

vocal finishes sooner than the original on c3

00:13:21

during playback we can use the follow

00:13:23

song tempo even though

00:13:24

this has been a little bit buggy for me

00:13:26

at times getting both to play back at

00:13:29

the same time but if i

00:13:30

turn the follow song temple on then

00:13:33

this will stretch or compress the audio

00:13:36

that's being played on different pitches

00:13:38

to all playback at the same time so

00:13:41

let's try that

00:13:48

[Music]

00:13:57

so again the quality is really not that

00:13:58

great on this one but it could be used

00:14:00

for

00:14:01

again experimental or fun stuff that

00:14:04

you're doing

00:14:05

you would just enter into record and

00:14:07

press the keys that you'd like

00:14:09

to create the harmony you want and then

00:14:11

you're all set

00:14:12

now i do have a track where i use this

00:14:15

method so i'm gonna

00:14:16

just play a few seconds of that so you

00:14:18

can get an idea of

00:14:19

some sort of instance where you could

00:14:21

use this particular method

00:14:23

so let's come to the song i'm gonna open

00:14:26

this up

00:14:27

and then here on this vox

00:14:30

sample one you can see this is triggered

00:14:34

only one pitch at a time through these

00:14:37

first

00:14:38

bars but here i trigger that more than

00:14:41

once

00:14:42

so let's listen back i'm gonna solo this

00:14:45

track so you can hear

00:14:47

the vocal sample

00:14:59

and then here the higher pitches come in

00:15:02

i'll play the track

00:15:17

[Music]

00:15:36

[Music]

00:15:47

okay uh so that is one example of

00:15:50

how you could use this if you don't

00:15:53

write this kind of music and if you

00:15:54

absolutely hate it then that third

00:15:55

method

00:15:56

may not be useful for you at all but i

00:15:58

just wanted to give an example

00:16:00

of how i've used that in the past

00:16:03

so i hope you found something useful

00:16:05

here on how you can

00:16:07

work with creating harmonies in studio

00:16:09

one it may not be

00:16:10

perfect a perfect solution but it's

00:16:13

something that you can try and maybe it

00:16:14

will work for you

00:16:16

when you're in a jam all right thanks

00:16:18

for watching and i will see you in the

00:16:20

next tutorial

Description:

In this tutorial we take a look at the several tools we can use in Studio One to create harmonies from one vocal/audio recording. Useful for when you are in a jam and are not able to re-record your singer, or, if you'd just like to have fun and experiment! Find me on the web: https://www.quantaaudio.com/ https://soundcloud.com/quantaaudio [email protected] (For business inquiries or one on one training) Help support the channel! One-time contribution: https://www.buymeacoffee.com/quantamedia Support me on Patreon: https://www.patreon.com/quantamedia

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