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Download "Adobe Photoshop. Базовый уровень. Гибридный курс. Занятие №1. Андрей Журавлев"

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Table of contents
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Table of contents

0:21
Интерфейс программы
17:23
Командное меню
42:22
Рабочие пространства и операции с палитрами
1:16:10
Preferences - настройки работы программы
1:23:02
Color Settings — настройки системы управления цветом
1:40:31
Открывание файла
1:47:00
Универсальный браузер Adobe Bridge
2:06:50
Навигация в открытом изображении
2:30:29
Команды Save и Save As
2:40:27
Сохранение для интернета: Save for Web & Devices
2:51:33
Форматы файлов - psd, tiff, jpg
Video tags
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Video tags

profileschool
profile school
профайл скул
профайлскул
школа профайл
профайл
profile
обучение онлайн
онлайн обучение
видеоуроки
видео уроки
photoshop
курс adobe photoshop
андрей журавлев
Subtitles
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Subtitles

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  • ruRussian
Download
00:00:01
[music]
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at
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I welcome you to the first lesson
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our course today we will start
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introduction to photoshop and every
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we will have four lecture sessions
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such blocks
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but they may not be more connected and
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connected to each other it will be
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exactly four of these are logically a bit
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separate blocks and
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the first block is adobe photoshop first
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acquaintance
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I think there is nothing surprising in this
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for others of you this is really a first
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introduction to the program
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let me do this I'm here now
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launch the program and we will study everything
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according to creative cloud 2019 I am now
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I'll press three buttons
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alt shift commands and thus the system
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I'll be asked if I can delete them
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presets that are already
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could be photoshop I will say from and we
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we will start the program with you from scratch
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let's run the sheet and see it in this form in
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how it will open for you for the first time
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the very first time so that we
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go through this program together
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set it up and learn how to work with it
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yes you see that I work in English
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photoshop versions
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I want to warn you right away that there is a difference
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there is no Russian and English version
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no team are on the same
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the most places
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the tools are the same, just everything
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messages all names translated into
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Russian language
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if you feel more comfortable working in Russian
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version work in it classes I can’t
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show Russian at the same time
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English photoshop therefore show
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I will be all in the English version but I
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will try
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name commands duplicate name on
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Russian language
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and besides, you have at your disposal
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a summary containing all the names of the teams
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is given first in the English version in
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duplicated in Russian in brackets
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so if anything is possible in parallel with
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watching the lesson
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so keep the notes in it somewhere nearby
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peek then you first open
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photoshop you are greeted by this one
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the screensaver is called home page
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home page this is new this is not true
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Photoshop has been around for a long time, please don't
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be scared, no, not yet
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the program is just its prelude here
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you can go several ways
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for example, click on the experience button and so on
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way to go to the opening dialog
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images you can click on the button
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create new that is, create a new file and
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you will be presented with a standard dialog box
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creating a new file but I'm honest
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I don't really like this homemade one
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page let's see her a little later
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let's fight
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and now I'll just close it and open it
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a window from which is an ordinary double
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click to open the image here we are
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finally got it to photoshop itself
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more details on how to open pictures
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what to do if they don't open?
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open not photoshop we'll talk
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a little later this is what the interface looks like
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adobe photoshop programs for
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windows users
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this is the information I will tell you now
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will be superfluous because you always have
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the program opens in a separate window
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but those who work on a Mac: I
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I invite you
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get rid of this not entirely pleasant
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windowed mode you will now see the program
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it is open as if in a separate
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own window where they live and a picture
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and tools and all palettes but only
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the program command menu remained at
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in its place where it should be
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to work as usual
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accepted on mac
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full screen so that the application takes up
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you need all the screen space
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go to the window menu
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in the Russian version I am called window and
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uncheck the application frame command
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in the Russian version this command is called
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application frame uncheck this box and
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you find yourself on the Mac as usual
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accepted here on the whole big screen
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through the picture or rather around it
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the desktop is visible but nothing
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scary, but we'll see how a little later
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you can fight this
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now let's take a quick walk
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printer interface but to understand
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where does it lie so you can understand what it's for?
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Next we will work on photoshop
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written by people who think very logically
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so if you understand the logic now
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arrangement of various instruments
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various commands you can easily
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later find the desired command or
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the right tool even if you don’t know it
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let's find out exactly where it is
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this general logic and then we will
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understand it individually
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tools
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there are three main groups of organs
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control through which
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photoshop and all the work happens first
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this is the top menu or whatever it is called
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call applications menu menu
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application menu programs in this menu
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divided into sections according to
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what they do collected various
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commands if you are near some
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team you see
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an arrow like this means that
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before you is not just a team, but a whole
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a set of commands, that is, this is a submenu
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menu image image below menu
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adjustments correction Russian version and
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here there are some already finite ones
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menu items for example persian curves
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this is the command that calls but probably
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the most important photoshop tool so
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as a result we can do something
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please don't be afraid to correct
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abundance of these commands abundance of these here
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different nested submenus
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Well, firstly, not all commands are needed
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at work I’ll open it for you, not really
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secret open secret I don't know everything
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photoshop teams and never even
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I tried to study all the commands completely
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team are studied as needed
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now you have a need
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for example, yes you can work with text
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go to the type menu and try it closer
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get to know what's here
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so be afraid of the huge number
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there is no need for commands, it doesn’t matter to us
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secondly, it will slow down many teams even
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if they seem to be necessary for work
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often not used because instead
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they some actions are performed in
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palettes palettes by the way this is the second very
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important governing body
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it is through palettes that much happens
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part of the work the palette is different
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until because the palettes are like this
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small windows so that they
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they took up less space you can do it like this
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minimize to icon mode that is, if you
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suddenly you find something like this
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a small square somewhere just you know
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what is this field minimized to icon mode
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this is done so that she occupies
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less space code palettes are different
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part of the palette is used exclusively
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for informational purposes
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for example, using the info palette it is in
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the Russian version is called info
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you can't do anything in the image
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you can change this palette here
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get some useful information
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pictures we will regularly use this palette
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there are palettes to use through which
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you can take active actions then
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there is already a direct change
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image so my palette has become
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let me scatter
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somehow on the screen
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in this way, for example, what we have
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there is a palette that allows you to change
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picture layer palette for example we can
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create an adjustment layer with you
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drink from the same crooked palette
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settings will appear
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then we will change this curve and here we are
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please we have changed
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to the image most of the work
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occurs precisely through the palette of each
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the palette has its own
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drop down menu hide it here
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on the right you see at the very top it is
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double arrow button
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collapse to icon a just below
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there is a button with a list icon
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three horizontal stripes symbolize
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three lines in the list and this is the menu
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lex palette layers palette
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again, don’t be scared by the abundance of commands
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most of these commands are duplicated
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that is, what you see here
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are also present in some section
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palettes will be returned for example by the create command
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clipping mask create a clipping mask
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and here too there is the same one
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team
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here it is create clipping it's the same
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team why teams are in
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several places for the convenience of someone
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It will be more convenient to use the menu for whom
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it is more convenient to use this menu, but also
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since I'm talking about palettes again
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touched on the menu topic
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let me tell you about the third one
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variety minus I’ll say
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Photoshop has a lot of menus
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context menus drop down in
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at the place where the cursor is located if
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right click right key
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you can click on an object in
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layer structure for example here I have
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context menu dropped out
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This is me next to the icon of the layer itself
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I clicked and the commands appeared and here it is
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By the way, our new friend Kore is clipping
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mask create a clipping mask third
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the place where we get this team
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You can right click for example
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the layer mask icon will appear here
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your context menu
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that is, you can right-click
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on different objects in different palettes
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some will appear here
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context menus and right mouse button
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you can click on the image in
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depending on what instrument you are
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hold in your hands different contextual ones will also appear
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menu for example if I work with a pipette
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right click brings me quick
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switching adjust pipettes if I
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I'll take the move tool
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clutch and right key click here here I am
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got the ability to quickly switch
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between layers
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don't neglect this little one
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life hacks how fashionable it is to talk
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try periodically with the right key
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click on various objects in palettes
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or according to the picture holding different ones in your hands
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tools and you will find that up
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many commands can be done very quickly
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get there because here they appear
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literally in the place where you have it
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cursor
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Yes, I remind you that I don’t know all the commands
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photoshop and of course I don't know
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I remember all the context menus by heart
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falling out, that is, for some
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tools for some cases I am
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I remember somewhere for me it is
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a revelation of something if you click here of
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some other menu has appeared so
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try, study, look at photoshop
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mastering photoshop mat is not only
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reading reference books and more
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listening to someone's stories is also
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own experiments
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but also a third very important manager
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an organ is a palette of instruments or
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or rather even two palettes
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let me move everything a little like this
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images to clear
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space at the top and left of Photoshop there are two
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slightly atypical looking palette
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this is a very elongated vertical palette
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it is called tulz in the Russian version ace
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these are the tools and the horizontal palette
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it is called about chance or in Russian
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version parameters well accordingly
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the most convenient tool palette
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don’t try to move beyond this place
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click on the gray block on top of it because
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that there is a closing button on the left
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palette and on the right is an expandable button
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its in two columns unlike the others
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palettes that collapse into an icon
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here when you click on the double arrow
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you get either single or
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double column
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best because there is not much space here
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between the buttons is best
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pick up the palette here for this one
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Part just below is the gray scale for tire liters
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accordingly, before moves beyond the left
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edge what's special about these palettes in the palette
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tools collected all hand tools
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edit if you want something
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do it by hand
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draw create selection by
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stamp something with a stamp to erase something
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write a text, well, that’s all
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you can think of it if it requires manual
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some of your participation made it all happen
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here to the tool palette
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in the absence palette in the options palette in
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this time they are displayed at the construction site
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the instrument you hold in your hands
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but as in ordinary life in our country
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tool box can be
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there are many tools but we hold them in our hands
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only one thing
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the date is one thing, it is designated like this
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darkened to us as if by pressing a button
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as you switch between instruments
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set of settings in the options palette
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the general palette accordingly too
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changes if you are near the instrument
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see a small checkmark in the lower right
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corner right here and we see it everywhere
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now except for the magnifying glass
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this means that there is no one living in this cell
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one tool that there are many of them living here
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press and hold the mouse button
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hold it, a drop-down appears
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list of all the tools you can
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switch to the tool you need
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or, accordingly, go back
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to the instrument that is here it is his
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by default, that is, if looking at your
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suddenly you won’t find the screen on
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the right tool is not in the right place
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you're probably going to panic in this
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cell just a choice for something else
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instead of a pipette, for example here
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someone chose a ruler press hold
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mouse button and select the piper again
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before you see if you hold it here
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so here's a button that prompts pop up
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at first these were probably animated
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tips they will be interesting here
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you can watch it live
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explains how the tool works
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such a short video but over time they
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get bored
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so I'll show you how to disable it here
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such an intrusive video hint and
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leave a hint very small
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format that will be useful
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will remind you
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which keyboard shortcut which
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button, if necessary, you can
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tool call here actually three
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main groups
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governing bodies through which
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all the work happens until I
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I noticed that the tools are hot
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keys let me show you how to determine
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which ones you move the cursor over the tool and at
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you can see the tips here below
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name coupling tool moving
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we
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that is, if you press on the keyboard on
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Latin letter vip you will switch to
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this tool is a leg pipette
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accordingly, this is what we click on
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we have a pipette in our hands
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switch inside
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tools are also possible, but for this you need
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By default you need to hold down shift
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oh and see I have different types here
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pipettes appear, now a ruler has appeared
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notes
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numberer and again a pipette, that is, by
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circle all the tools are also possible
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sort through
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but on this we have a general analysis of the interface with
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we'll finish with you and let's move on
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Let's discuss it in more detail
00:17:18
let's go to the command menu and see what
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there is
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so next
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my story is the command menu, you
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you see because I closed the picture
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I appeared here, here's mine
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Homepage
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let me cover it and open another one
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photography or variety to
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it was more fun to watch
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although the photograph itself
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you and I won't be needed now
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although no why need it let me
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At the same time, I’ll show you using this photo as an example
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what happens when we call
00:18:04
commands so top command menu 1
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his item is called photoshop [ __ ] then
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there is creative cloud this program item
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will be present only on Mac
00:18:18
versions
00:18:19
those teams that are included here
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are involved in the general organization of work
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programs for example are very important
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preference command with or in Russian
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settings version here you can
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access all settings
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programs to general settings or is
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KVN team that is reset photoshop
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windows version regular command
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called ecwid
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exit the program these are the commands
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which are on mac version
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you see here there will be windows versions
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be either in the file menu or in the menu
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edit
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file and editing as a rule they
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are somewhere right here in the very
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below
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somewhere right here the next menu is already
00:19:03
1 truly versatile menu
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this menu file here contains all the commands
00:19:08
communication with the outside world we need to clearly
00:19:11
you understand the difference between a picture and
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files are different things
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if we draw an analogy but with something
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let's give us the usual everyday things
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culinary taxes and we will use
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because all people even if not
00:19:31
are cooks are eaters so
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that everything about cooking is clear to everyone, well
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here is the picture
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this is an analogue of a cake, suppose that
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we are trying to do
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photoshop this is our desktop chef's table
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that is, here we are on this table
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we create a cake but bake it first
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a basket can be compared for example
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conversion deadline then in this basket
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we put some fruit but this
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similarly suppose some
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Is there any selective correction to work with?
00:20:07
with contrast with with the shades that we
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in Photoshop we then produce it all on top
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cover with cream, let's assume that
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the cream is a retouch and we put a cherry on top
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raising
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image sharpness here we have
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a beautiful good picture has formed
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here is our conventional cake it appeared
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Photoshop then needs it somewhere
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store it somewhere
00:20:35
what we do in real life we ​​take
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put the box in this box
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close the resulting cake and
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put on the shelf of the rack
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we do exactly the same thing in photoshop
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only the role of the box is played by the file tif
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psd jipeg are all different file formats
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that is, in essence it is just a variety
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its in the box where it is packed
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picture
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that is, we put our picture
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inside the file which is
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packaging for it and in this form
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send it somewhere to the hard drive
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a hard drive is an analogue of a rack
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accordingly the file folder where it is
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everything will go there, this is an analogue of the shelf where
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we put the box in the cake this one
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operation of communication with the outside world and then
00:21:24
the moment when we left photoshop to
00:21:27
some space outside
00:21:28
All commands are collected in the file menu
00:21:31
communication with the outside world
00:21:33
if you need to open the image
00:21:35
close image save
00:21:37
import image and
00:21:39
export send for printing by the way, also external
00:21:42
the world this is all collected here the following
00:21:46
edit menu
00:21:47
Russian version is called editing
00:21:50
the teams got here, let's go back
00:21:53
their so non-specific editing
00:21:56
that is, teams for which there was no place
00:21:58
in other specialized menus
00:22:00
for example, there is a menu for working with layers
00:22:03
with text with highlights here if the command
00:22:07
does not fall under any of the definitions
00:22:10
other menus
00:22:11
she turns out to be here right away
00:22:14
draw your attention to enough
00:22:16
a large number of transformation teams
00:22:18
which is here, right here too
00:22:21
we will study them
00:22:22
naturally there are teams there
00:22:25
let's assume working with color profiles
00:22:27
here are the standard cat commands
00:22:30
copy-paste that is, cut will copy
00:22:33
paste and there is a very important one here
00:22:35
a team called ando
00:22:37
ando this is cancel cancellation last
00:22:41
operations about this command let me
00:22:44
Now I’ll say a few additional words
00:22:48
maybe I'm getting ahead of myself a little but
00:22:51
then we will continue to make settings
00:22:55
Let's touch on the menu I'm talking about now
00:22:57
I'll show you now, I want it right away
00:23:00
warn that the command algorithm
00:23:03
ando starting from creative cloud version 2019
00:23:07
changed in my opinion changed not in
00:23:09
the best side at least to some of you
00:23:11
you'll probably like this way of working
00:23:13
Previously, the commands were single-level
00:23:16
did you cancel or the same
00:23:18
teams restored the last
00:23:20
operation now this team has become
00:23:23
multi-level if I draw it like this
00:23:26
image brush stroke command he
00:23:29
will get active he good stule I press
00:23:32
cancel and the stroke disappears to
00:23:36
restore this operation must be given
00:23:39
another team separately bad things then
00:23:42
now command ando cancel eris
00:23:45
restore they are separated and they have
00:23:48
different keyboard shortcuts for commands
00:23:50
then canceling the commons operation is
00:23:52
recovery restore if I
00:23:56
I'll do a few strokes in a row like this
00:23:59
This is how I’ll start further
00:24:02
give the ando command once
00:24:04
the final touch is undone ando
00:24:06
canceled
00:24:07
leading stroke in front of it and so on then
00:24:10
there is actually this team turned
00:24:12
not to the cancel command last operations
00:24:16
when to cancel restore one and the same
00:24:19
there's a joke going on there
00:24:20
and they turned it into this team
00:24:22
walking through the processing history if you
00:24:26
I'm happy with this option if you're ready
00:24:29
remember what shift z commands are needed
00:24:31
press to set operations
00:24:34
and the commands to cancel are every time
00:24:37
teams that miles or teams somewhere
00:24:39
restored work so if you like it
00:24:42
not satisfied and you want help
00:24:44
the same keyboard
00:24:46
cuts cancel and restore
00:24:48
back last steps you will have to
00:24:51
make settings here in the menu
00:24:52
windows xp with keyboard price joke is
00:24:57
menu window section work environment
00:25:00
keyboard shortcuts and menus in the section
00:25:04
keyboard shortcut
00:25:06
here is the key, use the old one
00:25:12
the algorithm for working is a joke than oh well
00:25:15
accordingly they will warn that the effect
00:25:17
will happen only after
00:25:19
restart the program let's say
00:25:22
OK
00:25:23
Let's restart the program, I'll reset it now
00:25:26
photoshop without saving anything I'll run it
00:25:29
for on
00:25:30
and I’ll show you how it works, well it’s like this
00:25:36
historically established habitual for
00:25:39
for most people the cancellation algorithm
00:25:42
last operation
00:25:44
yes we will come back with you of course
00:25:47
keyboard shortcut settings simple
00:25:49
I wanted to show you right away while I'm not far away
00:25:53
gone to someone this home page
00:25:57
home photoshop we will like it
00:26:00
what do you see here are the latest open ones
00:26:03
image is a quick way to get to them
00:26:05
get here I got a picture
00:26:08
and if I now draw on it a few
00:26:11
strokes
00:26:13
ando team will cancel the last ones
00:26:15
actions and at the same time turn into
00:26:18
command row that is the same
00:26:19
joke from z commands undo restore
00:26:22
it will only work with the latter
00:26:25
operations before with this photoshop
00:26:27
it is possible to cancel a lot
00:26:29
actions, that is, you can right here
00:26:32
using the stb card commands there is a move away
00:26:35
back through processing history
00:26:38
undo the last few operations
00:26:40
or do the step forward commands
00:26:44
one step forward in history you can
00:26:45
restore but still exists
00:26:48
here is this separate command cancel
00:26:51
restore the last operation because
00:26:53
that it is much more convenient to continue
00:26:57
get acquainted with the interface here you see
00:26:59
one and
00:27:00
and immediately figured it out
00:27:03
this nuance so let me cancel
00:27:08
masks so they don't distract us
00:27:11
the next menu item is the image menu
00:27:15
Russian version is called image
00:27:17
all direct commands are collected here
00:27:20
corrections, that is, this is where they live
00:27:24
those operators who are engaged
00:27:26
picture changes
00:27:27
well, to be more precise, in the menu
00:27:30
image menu image there is a section
00:27:32
adjust us correction this is the heart
00:27:34
photoshop these are the ones
00:27:38
correction commands come on curves
00:27:40
for example, let's call something
00:27:42
adjust and talk about who we see
00:27:45
that the picture has changed, what's the downside?
00:27:49
direct correction commands the disadvantage is that
00:27:51
their impact is embedded in the image
00:27:53
and in the future we will get rid of it already
00:27:56
Of course we won’t be able to until we’ve gone far
00:27:58
we can press command z and cancel
00:28:00
last operation but if processing
00:28:03
will go further to remove this darkening
00:28:06
will be impossible because the original
00:28:08
the image was not saved after the action
00:28:11
curves she transformed to a new look
00:28:13
It is precisely because of this inconvenience that we
00:28:17
We will try to work with you directly
00:28:18
Use corrections as little as possible
00:28:21
avoid their use completely of course
00:28:23
will not work, but when working with layers with
00:28:27
work here on the photograph itself we can with
00:28:30
you use adjustment layers
00:28:32
this takes us to the next point
00:28:36
layer menu
00:28:37
Russian version is called layers here
00:28:40
all commands for working with layers are collected
00:28:42
largest photoshop menu
00:28:44
because well if if the correction is
00:28:47
the heart is photoshop then the layers are the soul
00:28:49
the layers program appeared in the third
00:28:52
photoshop versions
00:28:53
the first second version did not have layers and
00:28:57
of course in the first 2 versions an attempt
00:29:00
make some kind of collage even very
00:29:01
simple, just take a photo and transplant it
00:29:05
object with 1 photo on a friend and her
00:29:08
was very
00:29:12
ornate and classes with the appearance of layers
00:29:18
this process has been significantly simplified layers
00:29:21
divided into 2 categories
00:29:22
let me briefly describe what kind of animal this is
00:29:25
so that you understand what we will do next
00:29:28
study there are adjustment layers
00:29:32
an adjustment layer is something like
00:29:34
magic glass that we hang
00:29:36
above the picture and it is not introducing correction
00:29:40
changes the appearance of images on the fly
00:29:42
this picture, let me create it
00:29:45
adjustment layer of the same curves
00:29:47
here it is, I'm such a mess
00:29:51
the man is keeping order on the table, here he is
00:29:54
the adjustment layer itself in the DMS palette
00:29:57
but its settings are in
00:30:01
palette drink from in the palette properties
00:30:03
if I darken the image with
00:30:05
adjustment layer at any time
00:30:08
I can turn off the visibility of this layer then
00:30:11
there is again return to the source I'm in
00:30:13
I can return to the settings at any time
00:30:15
this layer change the shape of the curve like this
00:30:17
way to change its impact on
00:30:20
picture
00:30:21
the adjustment layer is such a miracle
00:30:24
light filter that hangs above
00:30:26
image and through it we see
00:30:29
picture if necessary we
00:30:30
we can always remove this correction
00:30:33
which is not implemented in photography
00:30:35
that's why it's very convenient but
00:30:39
allows subsequent reconfiguration
00:30:41
except
00:30:42
adjustment layers have their usual
00:30:44
raster
00:30:45
that is, the layers that contain
00:30:47
we can take the picture and
00:30:50
and draw for example, let's start
00:30:53
I'll just make a new layer and take it
00:30:56
brush and just like me to you
00:30:58
showed with cancellation of the last operation
00:31:01
I'll do a few strokes here if I
00:31:04
drew from the image itself in the same
00:31:07
layer where the picture is
00:31:08
these masks would destroy some
00:31:12
images of those in that place
00:31:14
where did they go
00:31:15
and there would be nothing to do with them
00:31:17
you can't, but because I'm drawing on a new one
00:31:19
empty layer
00:31:20
and an empty regular raster layer is
00:31:24
I can now do an analogue of transparent tracing paper
00:31:27
I can move this tracing paper here
00:31:29
so for example I can move these masks
00:31:32
turn them off altogether, that is, return them
00:31:34
original image if you want
00:31:37
turn off the original image
00:31:38
look only at those traces that
00:31:40
left brush can be reduced
00:31:43
opacity thus partially
00:31:44
keep a trace of strokes and partially through
00:31:47
show them the source is the second
00:31:50
type of layers layers
00:31:52
raster sour may contain
00:31:54
picture the basic freedom they
00:31:58
give it the ability to move
00:32:00
this picture about everything
00:32:03
the rest of the layout moving individual
00:32:06
some kind of manipulation with her and inside on
00:32:09
this is the layer menu
00:32:11
this is where all the work with layers is located
00:32:14
the following is not called type in Russian
00:32:17
versions, respectively, the text is collected here
00:32:20
commands for working with text photoshop
00:32:22
allows us to write something
00:32:25
let's see by the way by default
00:32:28
he immediately writes out this funny phrase
00:32:30
lorem ipsum
00:32:32
this is a meaningless set of letters
00:32:35
which in pronunciation resembles
00:32:37
Latin is just a preview for you
00:32:39
saw what the text would look like if we
00:32:42
let's take it and write
00:32:45
photoshop accordingly it will be possible
00:32:48
then format this text somehow
00:32:51
You can change the font if you want
00:32:54
so that we can put this on, let's have the Times
00:32:57
Let's put on a fat dance, for example, you can
00:33:03
will change the size and so on well
00:33:06
photoshop is not the wrong place
00:33:08
would actively work with the text but fill
00:33:13
put some kind of inscription there copyright
00:33:15
even a few lines of signatures
00:33:18
you can put it all and you can do it
00:33:21
more complex things to type out, but still
00:33:23
It’s not so convenient to do this in Photoshop anymore
00:33:26
like in Illustrator Lebanon
00:33:27
design
00:33:28
most of the work with text
00:33:30
does not happen through the type menu
00:33:32
and through a special palette so here it is
00:33:35
this is the menu we are with you during the course but
00:33:37
we will practically not touch upon it if
00:33:40
someone will be very interested in a special
00:33:42
for such cases to expand
00:33:45
I have the appropriate material
00:33:48
master class on live classes you can
00:33:50
go there there is a master class on working with
00:33:52
the text there is everything, everything, everything about the text about
00:33:55
all all all commands for base layer not
00:33:58
photoshop of course it's not needed next
00:34:01
select menu
00:34:02
in the Russian version it is called
00:34:04
highlight here all commands are collected
00:34:08
creating selections refining selections
00:34:11
well, organizing work with secretions
00:34:13
what is selection and why is it needed?
00:34:16
selection is needed in order to change
00:34:19
not the whole picture, but only
00:34:21
some part of it if we take it like this
00:34:24
select the area and call curves
00:34:32
will not affect the entire picture
00:34:33
but only for the selected fragment
00:34:35
we say ok this is an opportunity
00:34:39
localize the impact altogether
00:34:43
selection is applied of course and directly
00:34:46
but most often the allocation ends up
00:34:49
turn into layer mask masks, that is
00:34:53
this is the essence from
00:34:55
enhance merges with essence will change player
00:34:59
we will definitely talk about all this
00:35:01
but we will study it all sequentially
00:35:04
first about selections, then about layers and
00:35:07
then we'll combine these two topics
00:35:09
how to work with a layer mask as follows
00:35:13
menu filters filters or whatever else they are called
00:35:18
plugins are often called this
00:35:20
additional modules that expand
00:35:22
photoshop functionality, that is, these are
00:35:25
special small programs each
00:35:27
from which they solve their narrow task
00:35:29
which big photoshop can’t solve
00:35:33
can do these filters that you see
00:35:36
here are the filters supplied as standard
00:35:39
standard set of programs they will help you
00:35:42
will appear automatically as soon as
00:35:44
install photoshop and give something
00:35:46
let's try for example from the blur group with
00:35:49
blur groups call the gaussian filter
00:35:51
black
00:35:52
Gaussian blur is a very useful filter
00:35:56
very common occurs in many
00:35:59
in cases this filter is simply necessary
00:36:03
who do the shading we say ok and
00:36:05
we got the picture accordingly
00:36:07
blurry
00:36:08
you can install third-party filters
00:36:11
manufacturers install them very
00:36:12
simply or they go with the software installer
00:36:15
or they will simply write instructions to you in
00:36:18
which folder should I transfer the file will appear
00:36:22
third party filters if you
00:36:25
you will install here at the bottom
00:36:27
parts of the filter list are usually used
00:36:30
to speed up work for some
00:36:32
solve a narrow problem faster next
00:36:36
menu item 3d working with three-dimensional
00:36:38
graphics
00:36:39
Well, I always call it sixth
00:36:43
cart wheel photoshop why sixth
00:36:47
because the fifth wheel in my opinion
00:36:49
this work with video
00:36:51
don't be surprised he can do photoshop
00:36:53
work with video
00:36:55
why was he taught to work with video?
00:36:57
I can understand because they are modern
00:37:00
cameras cameras are very capable
00:37:04
shoot videos and of course once every
00:37:07
man has a camera and
00:37:09
camera photos on computer
00:37:12
processed in Photoshop
00:37:13
then something needs to be done somehow
00:37:16
help the user with video processing
00:37:19
at some point they taught how to do photoshop
00:37:21
video color correction, there's even editing code
00:37:24
It’s not difficult to do, but still
00:37:26
in my opinion this is the fifth wheel
00:37:29
if you already want to work with video you need
00:37:31
master specialized programs
00:37:33
for example adobe premier but from 3d it is
00:37:37
sixth wheel in the photoshop cart this
00:37:40
2D graphics program
00:37:42
photographs and drawings are two-dimensional graphics
00:37:45
It has enough 3d capabilities
00:37:48
limited so as to show this from
00:37:53
3d well let's try to do this
00:37:59
3d such a thing from text in the end
00:38:05
will switch to something funny like this
00:38:07
a space where something can be done
00:38:09
further configure and ultimately
00:38:15
you see the text turned out as if
00:38:17
is extruded, that is, not even
00:38:19
squeezed out and cut from some thick
00:38:23
plywood before it can be done later if desired
00:38:26
you can twist and turn in every possible way on
00:38:29
stretch him with some kind of texture, that is
00:38:31
the result was a three-dimensional object which
00:38:34
a photo is inserted if you need something
00:38:39
moment it will be needed before these
00:38:40
opportunities can be used although
00:38:42
this is clearly not basic knowledge
00:38:45
but also even more interesting functions
00:38:47
related to 3d are the possibilities for
00:38:53
pulling up 3d models, that is, in principle
00:38:56
photoshop you can tighten the three-dimensional
00:38:58
the model is made in a specialized
00:39:00
program and twist it in the same way
00:39:03
pull the picture onto the surface
00:39:05
install light sources and how
00:39:08
figure it out put it on top
00:39:12
photos so that it seems like this
00:39:15
this three dimensional
00:39:16
the toy stood in those objects that are in
00:39:19
the interior, for example, which is in the photo
00:39:21
depicted but it is extremely specific
00:39:24
task
00:39:25
so we're on a basic course with this
00:39:28
let's not get acquainted at all
00:39:31
we will still remain within the framework of the classical
00:39:33
two-dimensional graphics we say improving
00:39:36
photos menu view in Russian version
00:39:39
this menu is called view
00:39:43
Teams that do not change are also collected here
00:39:46
picture but change its display to
00:39:48
screen example of the command zoom in this
00:39:51
command to enlarge the picture increases
00:39:54
or zoom out command to reduce here
00:39:57
There are commands that allow you to display
00:39:59
or hide the display of auxiliary
00:40:01
constructions that photoshop makes
00:40:03
on top of the picture here from the team who
00:40:06
let us look like a photograph
00:40:09
will look like if you want
00:40:10
print for example in some
00:40:12
darkrooms, that is, that's all
00:40:14
It’s not about changing the picture, it’s about
00:40:16
changing the screen display
00:40:18
welcome to this menu and finally
00:40:22
the last window menu in the Russian version
00:40:24
called a window
00:40:26
all commands for working with windows are collected here
00:40:29
by windows photoshop means two
00:40:31
type of objects is
00:40:33
or open documents respectively
00:40:36
see below the name of the file from which
00:40:39
the picture was opened if you open
00:40:41
some photos here will be a list
00:40:42
and the second variety
00:40:45
windows is a palette, that is, now
00:40:51
just a minute while I show you how
00:40:53
3d works I was forced to switch
00:40:57
into the 3d work environment
00:40:59
let me go back to mine
00:41:01
cute mess I made
00:41:04
looking at the window menu we will see a list
00:41:07
starting from 3d and ending with thumbs
00:41:12
the name of all available in Photoshop
00:41:14
palette palette which is currently
00:41:17
open and visible on the screen displayed
00:41:19
tick in
00:41:20
come on, there are actually quite a lot of them
00:41:22
a little let me have what I have at least
00:41:26
I'll spread it like this so they don't
00:41:28
overlapped each other when the palette
00:41:31
partially closed photoshop believes that
00:41:33
that you might not notice he doesn't
00:41:36
shows it as apparently we come here and
00:41:39
that's all that I have now displayed on
00:41:42
screen ticked well, about one third
00:41:46
if you open all photoshop palettes they
00:41:49
will completely take up the entire screen in any case
00:41:51
case, I tried such a screen once
00:41:54
what should we do, what should we do so that well
00:42:01
and there is still room on the screen for the picture
00:42:03
and the palettes were at hand for this purpose
00:42:06
will need to be spread out
00:42:07
and this is how we will
00:42:11
lay out
00:42:12
and what ideas we will be based on
00:42:15
At the same time, let's talk about this in
00:42:19
next block
00:42:29
so next
00:42:31
this is an operation with prayers and working
00:42:33
there is a lot of space, a lot of liters
00:42:38
for what reasons
00:42:40
accommodation will be built but first
00:42:42
all palettes are not needed
00:42:43
at the same time therefore we will leave only
00:42:46
those palettes that will be needed in the work
00:42:49
photographer designer retoucher. in normal
00:42:53
working with the image if something in
00:42:56
in the process of solving your problems then
00:43:01
eat at your work
00:43:03
if you need anything else from the palette
00:43:05
you can always use this palette later
00:43:07
insert to complete this structure which
00:43:10
we will create so first of all we don’t need
00:43:14
all palettes and secondly all the palette is not
00:43:18
needed at the same time
00:43:20
so let me do it again
00:43:23
for variety I'll open this one
00:43:25
a charming photo for everyone
00:43:30
happening
00:43:31
I note that the authors of all photographs
00:43:34
mentioned in file names
00:43:37
so I won’t specifically name who
00:43:40
that he filmed, you can read the title and so
00:43:45
First of all, I will return the palettes to their place
00:43:47
tool palette and palette
00:43:50
ace parameters and in general by the way if you
00:43:54
look at this list you will see that
00:43:56
these palettes are even here
00:43:58
apart from them they are not on the general list
00:44:00
appear
00:44:01
they were specially placed here after
00:44:03
I'll cross out the stripes, emphasizing them
00:44:06
feature exclusiveness of the palette we
00:44:09
glue it to the edge; to do this you need to pick it up
00:44:12
I'm missing the tool palette here
00:44:16
like this and move the cursor to the edge until
00:44:19
don't be shy about the appearance of the blue stripe
00:44:23
don't need a palette just like that
00:44:24
move the cursor to the edge
00:44:28
that is, hold the palette in your hands
00:44:30
move until the cursor hits the edge
00:44:32
a blue stripe appears, let go
00:44:34
the palette is stuck
00:44:37
we do the same with the palette of communities
00:44:39
so much and glue it here to
00:44:41
We also move the top edge so that
00:44:44
it was the cursor that moved to the junction between
00:44:47
desktop and the top menu will appear
00:44:49
blue stripe release palette
00:44:51
paste with an indicator that the palette
00:44:54
about a chance it fell into place and stuck
00:44:56
is its stretching to its full width
00:44:59
screen if it is not stretched means it is not
00:45:01
stick it on, let's start on the right
00:45:06
collect a column of liters and be the first
00:45:09
I'll put the info palette here
00:45:13
This palette takes up a lot of space
00:45:16
although from all these fields we will need
00:45:19
top 4 these are the bottom ones in general
00:45:21
they are not needed, well at least
00:45:25
are not needed at first if you understand that
00:45:27
some information you always want
00:45:29
control
00:45:30
have you all here before your eyes
00:45:33
turn it on and we're still going in
00:45:35
info palette dropdown menu
00:45:37
select the pin-up command chance settings
00:45:42
palettes and in this additional
00:45:44
window that appears
00:45:46
uncheck all the boxes at the bottom to
00:45:51
not a single key remained active, we say
00:45:54
ok and after that information palette
00:45:57
reduced to its most compact form
00:46:02
palette info
00:46:03
we'll glue something on the bottom for you too
00:46:06
useful
00:46:07
let's take the palette and adjustments for example
00:46:09
Russian version is called correction if
00:46:13
you didn’t find such a palette on the screen?
00:46:16
what you need to do is go to the window menu
00:46:18
in the window menu find it in the list of palettes or
00:46:22
just click on it and it will open up
00:46:26
about this list I myself
00:46:30
at the beginning he said that the difference between Russian
00:46:32
and there is no English version that's all
00:46:34
the teams are in place
00:46:36
this is true but this
00:46:39
the only place where there is order
00:46:41
command layout is different why
00:46:44
because sorting the list with
00:46:48
the names of the palettes go by
00:46:49
localization alphabet, that is, if you
00:46:53
you work in the English version
00:46:55
it will be like this for me
00:46:57
ABC and so on if you work in
00:46:59
the Russian version will have Russian names and
00:47:01
they will be lined up like this
00:47:03
a b c d and to hell
00:47:06
then here you will have to look for the name by
00:47:09
meaning here the location was remembered
00:47:11
useless and so palette and jess mills
00:47:14
let's glue it to the bottom edge
00:47:16
palette info so they make a block
00:47:19
holistic for this purpose we pick up the palette
00:47:22
for the label with the name and bring it up like this
00:47:24
to the bottom edge until blue appears
00:47:27
stripes, this is an important point, look
00:47:30
it’s not enough to just bring the palette
00:47:32
jumps a little and it seems like
00:47:33
won't really stick right now
00:47:36
stuck sticked palette only
00:47:39
then when you move the cursor further
00:47:42
point at the edge and after the appearance
00:47:44
let go of the blue stripes
00:47:47
that the palette stuck together is common
00:47:50
single plate with closing buttons and
00:47:54
collapsing into icons it is now
00:47:56
the palette common to both is here
00:47:58
disappeared, here you go, we glued them together
00:48:01
if some palette needs to be inserted
00:48:04
between glued
00:48:05
you can always take it in the same way and
00:48:09
look here at the junction appeared
00:48:12
release the blue stripe or any
00:48:15
moment any palette can be found here
00:48:16
pulling a turnover by the kilo is lovely to me
00:48:19
will need a palette and jasmine with
00:48:23
correction we will place the palette with you
00:48:25
history
00:48:26
in the Russian version it is called history too
00:48:28
like this we glue it under the palette
00:48:31
history let's
00:48:33
glue the palette lars layers here we are
00:48:37
formed our first column
00:48:44
in order to be as effective as possible
00:48:48
you need to dispose of the screen this column
00:48:51
glue the edge just like we do the tools
00:48:54
and the parameters are pasted, we pick it up
00:48:57
for the top die
00:48:58
be careful about the name here
00:49:01
I won’t wrap the palette back to the beginning and
00:49:04
pull out the column specifically for this
00:49:06
the top sleeper and bring it to the edge of the screen
00:49:09
we bring it not until it touches the palette but
00:49:12
until the cursor moves to the edge
00:49:14
and this blue light will appear
00:49:18
let go of the palettes stuck together what the palettes were
00:49:21
stuck can be seen by two
00:49:23
characteristic indicator
00:49:25
First of all, they stretch all the way
00:49:27
secondly, the height of the screen is here
00:49:32
The button to close the palette disappears on the left
00:49:36
not glued on and the palette has it on
00:49:39
it's not on glued palettes, here we have it
00:49:42
the result is a column if this column
00:49:45
it turned out to be very wide, move the cursor
00:49:47
to the left edge and move it to the right like this
00:49:50
to judge him as much as possible, okay
00:49:55
have already cleared space on the screen although
00:49:57
there are some palettes left
00:49:59
what to do next here we use
00:50:04
next level
00:50:06
exception not all palettes that we
00:50:10
will be needed will be needed at the same time those
00:50:14
palette that is completely unnecessary
00:50:16
We will not display on the screen, but those that
00:50:18
we don't need to watch at the same time
00:50:21
put in the same windows along with
00:50:25
palette info
00:50:26
I suggest placing a palette that
00:50:28
called navigator Russian version on
00:50:32
that's also what the navigator is called, here it is
00:50:36
in this palette you can in reduced
00:50:39
you can watch the picture if
00:50:42
want to change the display scale here
00:50:45
here here
00:50:46
The red rectangle indicates which
00:50:49
the area is now displayed then
00:50:51
there is also
00:50:52
this is how someone can move it
00:50:56
useful, that is, if it’s convenient for you
00:50:59
so the picture can be tracked
00:51:01
use this palette, but it’s clear that
00:51:03
while you figure out where you want to go
00:51:06
picture move you palette info
00:51:08
will not be necessary at this time therefore
00:51:11
place it like this, pick it up
00:51:15
name and point it at the palette itself in
00:51:18
fat until the blue frame appears, release it
00:51:21
palettes stuck together in one window
00:51:24
switching is simple
00:51:26
click here if you don't like it
00:51:29
the order of the shortcuts you always them
00:51:31
you can move it like this, but what if
00:51:34
you won't need a palette, you just need it
00:51:36
pull it out from here and close it together with
00:51:40
use palette adjustments to place the palette
00:51:42
which is called a histogram
00:51:46
in the Russian version it’s called that too
00:51:48
bar chart
00:51:50
together with a palette and an old man with a palette
00:51:53
story I usually put the actions palette
00:51:57
in the Russian version it is called
00:52:00
operation, you see it’s even straight
00:52:01
here and you jumped out it turns out this
00:52:03
palettes already lived in the same window
00:52:05
but just actions toomai closed the turnout and
00:52:09
along with the layers palette from the layers palette
00:52:12
traditionally placed channel palette
00:52:14
channels and a palette of paths for everything, here they are
00:52:19
layers channels paths yes I'm out of habit
00:52:22
called paths in the Russian version of the palette
00:52:24
according to all the circuits are called this inclusion
00:52:30
vector graphics photoshop we
00:52:32
We'll definitely talk to him about this very thing
00:52:35
useful for cutting out objects for
00:52:37
creating neat smooth selections
00:52:41
Here we have everything conveniently located
00:52:46
such placement in a column so that it is possible
00:52:49
quickly scale these palette if
00:52:53
palettes allow vertical
00:52:55
zoom you can hover over
00:52:57
at the junction between them here and
00:52:59
redistribute space
00:53:03
but it’s true that not all palettes allow this
00:53:06
example palette info vertically not
00:53:09
scaled by the adjustments palette
00:53:13
strange, it seems like not before either
00:53:15
scale and now maybe it’s possible
00:53:19
quickly redistribute space well
00:53:22
and the most convenient way
00:53:24
if you urgently need to give up a lot of space
00:53:27
for example in the layers palette you can do this
00:53:29
double-click the field course name and
00:53:31
palettes collapse
00:53:33
collapse into a separate state
00:53:36
label
00:53:39
unfold it and they are visible again
00:53:42
entirely except these palettes that we
00:53:45
glued to the edge we will need more
00:53:48
palette drink from palette properties
00:53:50
but we won’t glue it either
00:53:52
leave it here and please do it
00:53:55
its big
00:53:57
how big is it like this
00:53:59
this size I can do a little bit now
00:54:04
jump ahead to show what it's for
00:54:06
need to be done if we do some
00:54:08
adjustment layer for example curves a
00:54:11
the palette will be small
00:54:12
then the interface of the curves will also be small
00:54:15
it will be very inconvenient to configure
00:54:17
that's when our normal one is so big
00:54:20
good interface working with curves
00:54:22
convenient all the size you need is about here
00:54:25
such but so that this palette is not
00:54:29
took up a lot of space it was not glued
00:54:31
because she will move around
00:54:33
screen
00:54:34
when will we work with the picture?
00:54:36
I'll have to do it periodically like this
00:54:37
move to look at
00:54:40
different parts of the picture to
00:54:43
by default it looked more compact
00:54:46
let's double click on and hand with
00:54:48
name and let's roll it up and let it be here
00:54:50
it hangs here if anything opens
00:54:52
the rest of the palettes can be safely closed
00:54:56
as I already showed there is a possibility
00:54:59
collapse palettes to icon state
00:55:02
but I wouldn't recommend doing this
00:55:07
why because those palettes that we
00:55:10
with you brought to this column on the right
00:55:13
this is the palette we will need
00:55:14
in the process of work constantly and regularly we
00:55:18
we will switch between them but
00:55:20
some of them will definitely be
00:55:22
are constantly needed, that is, there is no point in them
00:55:24
roll up a
00:55:27
and others have an extra palette, we have them anyway
00:55:29
generally removed the icon mode from mine
00:55:32
look strange invention want
00:55:34
you can use it but I wouldn't
00:55:39
except for adjusting the palette in addition to
00:55:41
we put things in order by laying out the tools
00:55:44
on the desktop you can also produce
00:55:47
two important and useful settings are not even
00:55:51
2 and three are probably settings
00:55:56
keyboard shortcut rollbacks
00:55:59
abbreviations
00:56:00
these are the menu settings first of all
00:56:03
main menu command but you can
00:56:05
customize the palette menu with this and
00:56:09
these are the tool palette settings
00:56:11
let's talk about all three of them now
00:56:14
We will do a variety of settings
00:56:17
after that we'll put things in order here
00:56:20
keep it as a worker
00:56:24
space
00:56:25
how to configure the keyboard
00:56:27
abbreviation and menu item and what it is for
00:56:30
In general, you need keyboard shortcuts
00:56:33
a way to quickly call a command for example
00:56:36
there is such a shortcut of the commands shift and
00:56:39
if you press it, the command will be called
00:56:42
camera roll filter let me try
00:56:44
do the commands shift and
00:56:46
and so the command is called accordingly
00:56:49
which allow in a specific way
00:56:53
All image processing in Photoshop
00:56:56
active shortcut and everyone is a joke
00:57:00
for now
00:57:02
the workers are correct, they are all marked here
00:57:07
here that is, if you are next to the team
00:57:09
do you see some inscription on the buttons?
00:57:13
real real working joke
00:57:16
but not all commands have keyboard
00:57:19
Is there an abbreviation or not all keyboards
00:57:23
abbreviations may be convenient for you personally
00:57:26
photoshop allows you to reconfigure this
00:57:28
go to the window menu [ __ ] space window
00:57:32
working environment and we find something like this
00:57:36
keyboard commands joke prices menu
00:57:38
keyboard shortcut and menu
00:57:41
then you will call appear
00:57:44
additional window outside own
00:57:48
tune in what a joke you are
00:57:49
menu items
00:57:50
let's start with the keyboards
00:57:52
abbreviations use old
00:57:55
algorithm for the key for the ando button
00:57:59
for the hat you ando or rather about this I'm already in
00:58:02
at the beginning of the lesson I said this tick
00:58:04
you need to put it if you want it
00:58:07
cancel last operation worked like
00:58:09
formerly steel keyboard shortcuts
00:58:11
are configured here, suppose in
00:58:15
menu image
00:58:16
images there is such a command apple and
00:58:18
image external channel and she has no joke then
00:58:22
and I want to assign it here
00:58:26
choose
00:58:27
applications menu is the top menu well
00:58:29
because the foam menu is a palette menu
00:58:32
ace is the menu for which
00:58:36
allows you to customize the joke you
00:58:37
tools we are interested in the top menu
00:58:41
Here
00:58:42
go to the section called
00:58:45
image scroll down because
00:58:47
there are a lot of commands there, including nested ones
00:58:50
subsections and here it is with the command a plain
00:58:53
edge click on it
00:58:54
then place the cursor in the field
00:58:58
text and press on the keyboard
00:59:01
team schitt hey
00:59:02
press the combination you want
00:59:04
use as keyboard shortcut
00:59:07
photoshop shows this warning
00:59:11
exclamation point icon close-up
00:59:14
triangle is an alarm icon here
00:59:17
at the bottom
00:59:18
written comment if you have
00:59:20
stand Russian photoshop naturally everything
00:59:21
comments will be in Russian but
00:59:23
now let me translate
00:59:25
shift and commands are already used and will be
00:59:28
deleted
00:59:29
The camera team has a filter located in
00:59:32
filter menu if you accept this
00:59:34
option we are warned that we
00:59:37
trying to use
00:59:38
hotkeys keyboard shortcut
00:59:41
which is already involved somewhere here
00:59:45
I know you will be happy or not, in my opinion
00:59:47
bad news there are so many teams
00:59:51
what more or less simple joke are you already
00:59:54
you're probably busy with someone, so be
00:59:56
ready for such a message if you are not
00:59:59
want to change the joke from press ando
01:00:02
via undo changes and try
01:00:04
come up with a new one if you are ready with that
01:00:09
the joke will be a fence from the old team
01:00:11
and given to the new team he just click
01:00:14
here we all talk about kay and see that
01:00:18
in the filter menu
01:00:19
now the Kemerovo filter team remains
01:00:22
without hotkeys in the image menu
01:00:25
team and gender image appeared here
01:00:28
combination like this to reconfigure
01:00:31
keyboard shortcuts
01:00:32
what can you do with the menu items at the top?
01:00:36
top menu and by the way the palette menu too
01:00:39
here you are offered two options
01:00:41
action some of the commands is possible
01:00:44
switch off
01:00:45
so that they are not displayed but some
01:00:48
tint commands are turned off
01:00:50
accordingly, the commands are unnecessary
01:00:52
not used
01:00:54
you personally in order not to occupy
01:00:57
space and no distractions in something more compact
01:01:00
the easier it is for you to navigate the menu
01:01:02
tinted commands on the contrary are important
01:01:05
either very frequently used or
01:01:07
the command that is needed from neighbors is very
01:01:09
For example, I’ve never been able to separate exactly
01:01:12
I use the command throw bridge and
01:01:14
experienced smart object that is
01:01:16
scroll through breeches open how
01:01:18
smart object I can easily pull them out
01:01:20
and I would like to save the command as sfs
01:01:24
mark with color to make the eye faster
01:01:26
clung to her and
01:01:28
so there is less chance of missing
01:01:30
cursor when selecting this command to
01:01:32
Don't accidentally select a safe, go to the menu
01:01:37
window work environment
01:01:39
keyboard shortcut and menu and now
01:01:43
switch to the section working with the menu
01:01:47
open the file opposite the ones we don’t need
01:01:50
commands take a look here by the way you can see that
01:01:54
not all commands can be disabled
01:01:56
the most basic and most basic commands
01:01:58
they cannot be switched off she is against it
01:02:02
the team I want to color is here
01:02:04
here we choose a color, example green
01:02:06
talking about kay menu file unnecessary
01:02:12
commands disappeared required command
01:02:14
illuminated very conveniently and at the same time if
01:02:18
some commands were disabled if we
01:02:22
we don't see here in order to quickly
01:02:25
get her
01:02:26
down at the bottom of this menu
01:02:29
an additional item appears
01:02:31
show menu items that is, show everything
01:02:34
menu items
01:02:36
click on this command and temporarily
01:02:39
this is the only way into this
01:02:41
menu
01:02:42
all commands open, that is, before them
01:02:44
you can get there quickly, you don’t need anything
01:02:46
reconfigure but if you come again
01:02:48
since you won't find them again, it's so convenient
01:02:52
system to transfer commands between
01:02:55
menu items or create your own
01:02:57
group items according to your commands
01:02:59
photoshop doesn't allow it, that is, everything is here
01:03:02
there are still limitations but
01:03:03
disable some unnecessary commands
01:03:05
and finally the third third setting
01:03:11
this is the tool palette
01:03:13
here it is, yes, and you can set the settings
01:03:17
get there of course through the menu here
01:03:19
here through the menu edit the bar but much
01:03:21
It's easier to use the bottom button with
01:03:24
three point tools
01:03:26
click on it and it appears here
01:03:29
which item to edit
01:03:34
what can you do with this menu you can
01:03:38
ungroup some tools
01:03:40
for example, if you get together often
01:03:43
use what we can often
01:03:46
I use a brush and a mix brush
01:03:49
brushes xir brooches you can take a mixer
01:03:52
take out the brush this way
01:03:54
and you see, besides the brush, it appeared here
01:03:58
another mix brush that wasn’t there before
01:04:00
before it was like this, just a brush
01:04:04
Now you can take out the mix brush in
01:04:08
a separate cell if any
01:04:10
In principle, you don’t need tools and you
01:04:12
you can just throw them here
01:04:14
to the section called extra ace
01:04:16
they will eventually appear somewhere
01:04:19
down here but they won't litter
01:04:22
the tool palette itself pattern stamp
01:04:26
for example, you can throw out these
01:04:27
historical input in full
01:04:29
throw away any unnecessary laundry
01:04:32
leave only a regular eraser
01:04:35
Well, in general, if I turn around now and
01:04:38
I'll do everything the way I want the palette
01:04:41
instruments it will become in volume
01:04:43
a little more so overall in height but
01:04:46
but here all the instruments will live according to
01:04:49
alone
01:04:51
let me not do that now
01:04:54
because you and I still have these things to do
01:04:56
master the tools and I want you
01:05:00
them at home
01:05:01
found in the same places as in mine
01:05:03
palette
01:05:04
so I'll say Christ and Falls that is
01:05:08
restore default settings
01:05:09
this way the palette will return to
01:05:12
original condition but keep in mind
01:05:14
then when you understand what tools
01:05:17
you need which ones no you can like this
01:05:19
way to remake it, that is, this one
01:05:22
palette it allows you to directly move
01:05:25
Arrange the tools perfectly like this
01:05:27
as you wish
01:05:30
we say yes the problem is solved until about
01:05:35
teams and
01:05:36
joke comrade
01:05:38
also generally not a good idea right away
01:05:41
reconfigure it all right off the bat
01:05:44
work a little in photoshop in that
01:05:46
the form in which it comes standard
01:05:49
get used to those keyboards
01:05:51
abbreviations that already exist
01:05:53
why is this convenient because it
01:05:57
universal if then if you immediately
01:06:00
reconfigure your program and then
01:06:02
sit down at some other computer and you
01:06:04
already accustomed to other keyboards
01:06:05
you will experience contraction
01:06:07
indescribable discomfort, well, not for nothing
01:06:10
belly adobe left a tick
01:06:13
restore the old algorithm
01:06:16
commands ando commands cancel because
01:06:19
people who have worked for many years
01:06:21
program they do not use the new algorithm
01:06:23
cooperate 22 years of work leave
01:06:28
there's a scar on the surface of the brain
01:06:33
jumping out of this cell is already very
01:06:35
work hard in the beginning with
01:06:38
standard settings if through
01:06:39
after a while you will realize that there is something
01:06:41
absolutely not convenient then you all
01:06:44
this is to be reconfigured in order to
01:06:46
return to standard settings
01:06:47
shortcut avki menu let's go as usual
01:06:50
windows xp with keyboard shortcuts
01:06:54
minus this command and select here in
01:06:58
section set of photoshop default
01:07:02
save our set with our changes
01:07:05
we won't make settings let's say
01:07:07
don safe let's go back to the settings by
01:07:09
default photoshop falls down so if everything
01:07:14
okay we're talking about kay again at our place
01:07:17
place keyboard shortcut commands
01:07:20
shift and again we can see all the commands then
01:07:23
yes, I just restored it all
01:07:25
original form
01:07:28
before we start creating a working
01:07:31
space
01:07:32
let's do one more operation like this
01:07:35
I also have my own cheat sheets
01:07:38
namely, I still want
01:07:44
turn off these very abundant ones
01:07:49
animated tips that are here
01:07:51
show up when I hover over
01:07:54
I hold it for a while and this pops up
01:07:56
big window and something starts to move
01:07:59
to turn them off
01:08:01
you need to go to the photoshop menu section
01:08:03
preferences in Russian version preference
01:08:05
with this setting a
01:08:07
windows version I remind you of this section
01:08:09
settings will be in the edit menu
01:08:12
edits here below
01:08:14
come here and we are interested in the section
01:08:19
tool tools here there is one
01:08:25
show tooltips option
01:08:29
show hints this option we
01:08:31
let's leave it because it's basically
01:08:33
tooltip
01:08:34
and here's a check mark against the yusry team
01:08:39
have tips that is to use advanced
01:08:41
or how is it correct and in the Russian version
01:08:44
It's called enable gestures, why do I need it?
01:08:46
need a hint for Russian teams
01:08:49
remember that is, in direct translation from
01:08:52
English is to use enriched
01:08:54
enable hints in Russian version
01:08:56
gestures we will turn this off eventually when
01:08:58
you are not led to the instrument through
01:09:02
for some time if the cursor is on it
01:09:04
a hint floats to you but we see the name
01:09:06
and shortcut, otherwise without this whole animation
01:09:10
at first it’s beautiful, of course, but then
01:09:14
it starts to irritate then you and I are all
01:09:19
settings have been made
01:09:21
palettes laid out tools here if
01:09:25
need to change the joke, you should straighten it out
01:09:28
it's time to remember this order
01:09:31
why because if it breaks
01:09:34
then it will be restored manually
01:09:37
very long and inconvenient
01:09:38
and if you remember it, then return to
01:09:40
it will be very easy for him to
01:09:43
remember all these settings you need to create
01:09:47
new work environment
01:09:48
go to the window menu section
01:09:51
workspace window
01:09:52
working environment and issue commands new
01:09:55
workspace
01:09:57
create a new working environment let me do it
01:10:01
I'll call it photoshop bass, that is, we have
01:10:07
a basic level of
01:10:09
you can name it whatever you like
01:10:12
convenient if it's multi-user
01:10:14
car if different people usually get in
01:10:17
call the work environment by last name
01:10:20
user
01:10:21
but to make it clear where yours are if you
01:10:24
you will solve different problems and you
01:10:27
one location is more convenient in one case
01:10:29
palettes in another other
01:10:30
can you name workspaces by task?
01:10:33
that is, this is for the photo and this is for
01:10:35
drawing, for example, is traditional for me
01:10:39
my workspace is called simply
01:10:42
myspace that is my default space
01:10:46
photoshop remembers working environment
01:10:48
arrangement of the palette then he writes that
01:10:50
The palette layout will be saved in
01:10:52
this workspace
01:10:53
if you want in the settings
01:10:57
workspaces were filled
01:10:59
changes you made to
01:11:02
keyboard shortcuts in menu settings
01:11:04
or in the palette settings ace you need it
01:11:08
let me specially tick the boxes
01:11:11
I won’t check these boxes right now, but if
01:11:13
you want you can do this very much
01:11:15
comprehensively and workspace
01:11:16
remember where they will all change
01:11:20
only the position of the palettes on the screen
01:11:23
press the safe button and it appears
01:11:26
window menu
01:11:28
in the workspace section it appears here
01:11:30
new work environment active work
01:11:32
Wednesday is always ticked top
01:11:36
part of the top list is work environments
01:11:39
which are user created
01:11:43
Next come the working environments that exist
01:11:46
by default you can
01:11:48
and let him switch and see how
01:11:49
there are palettes located there, that is, this
01:11:52
Adobe side recommendation for different
01:11:55
specialists and teams go further
01:11:58
working with this with these working environments
01:12:01
new workspace as we have already seen this
01:12:03
creating a new work environment
01:12:05
if now you accidentally point
01:12:09
mess or to your computer
01:12:11
someone creative will sneak in
01:12:14
moody person designers by the way
01:12:17
they really like this way on the screen
01:12:20
flipping the palette you and I
01:12:23
let's get used to the order right away
01:12:25
our screen will only move
01:12:28
drink the palette because it's
01:12:30
big as a burdock all other palettes
01:12:33
must always be kept on the same
01:12:35
standard places
01:12:36
this will save you a lot of time
01:12:40
I'll be back quickly, order needs to be checked
01:12:43
that you are in your work environment
01:12:46
after that give the command reset after
01:12:50
the words reset will be the name of your work
01:12:52
environment
01:12:54
as soon as this command is given magically
01:12:57
So everything falls into place very much
01:13:03
very convenient function I'm so used to it
01:13:06
Not
01:13:07
photoshop that sometimes looking at your
01:13:09
physical desktop its surroundings
01:13:12
I sadly regret that there is no such thing in
01:13:15
reality in reality with entropy
01:13:19
have to fight exclusively
01:13:21
manually Well, if you don’t want to do it every time
01:13:24
going here to see the menu is also not very good
01:13:27
conveniently keep in mind on the right side in
01:13:31
the very right edge in the palette option
01:13:33
we have this drop-down list
01:13:37
click here and you will see
01:13:40
this is a duplicate copy of what is in
01:13:43
windows menu that is, you can quickly
01:13:45
switch or quickly reset your
01:13:48
working space
01:13:50
This is how to put things in order on the table
01:13:54
please point it out if you have it
01:13:58
familiar arrangement of palettes
01:14:00
let it be as you are used to if
01:14:02
no, arrange it as I suggest it to you
01:14:05
for starters it will be very convenient and
01:14:08
good starting space with
01:14:11
time when you understand that you
01:14:13
I want to improve it, you can change it, yes
01:14:16
if suddenly the working environments are very different
01:14:18
I think you've already noticed a lot here
01:14:20
here is a command to divide god space you
01:14:23
you can delete any work environment
01:14:26
let's just with your permission I don't
01:14:28
I will delete nothing
01:14:29
because I need it here like
01:14:31
since everything is not deleted, only the active one
01:14:36
working environment
01:14:37
if you want to delete any environment
01:14:39
check first that you are not in it
01:14:41
located but what if you want
01:14:44
modify the working environment and save
01:14:47
and with the same name just
01:14:50
create a new workspace and enter
01:14:52
the name is the same as an existing one
01:14:54
as with a regular Perry file saving
01:14:57
you will be asked if you want to resave
01:15:00
say yes and everything will be fine
01:15:04
this is how the first order works
01:15:17
Well, we move on to the next task
01:15:22
let's get to know each other a little
01:15:26
settings
01:15:27
photoshop and we'll do the first few
01:15:34
important settings including by the way here and
01:15:37
let's get rid of this window
01:15:39
although it’s not time for us to get rid of it later
01:15:41
let's get rid of
01:15:45
picture to attract attention like me
01:15:50
already said all the settings are in
01:15:52
photoshop menu preference section with here
01:15:54
they basically don't care which one of these
01:15:56
points you will choose because later
01:15:58
A large additional window will open
01:16:01
where it will be possible in this way
01:16:03
switch that you and I are here first
01:16:08
we'll change quite a lot of settings
01:16:11
we will not study them separately if
01:16:14
suddenly I remind you again about life classes
01:16:17
if suddenly you want everything at once
01:16:20
swallow these settings and disassemble them well
01:16:23
and at the same time with all the tools
01:16:24
figure out how to get to know each other
01:16:27
there's no way to figure it out let's get acquainted
01:16:30
class eat my master class so you
01:16:32
called about preferences
01:16:34
Tools in my opinion this is all the settings
01:16:36
the tools are there for half an hour at a time
01:16:39
in 4 I told about everything that is here
01:16:43
now let's take it slow
01:16:46
calm atmosphere calm pace
01:16:49
analyze the settings that are currently
01:16:51
moment are needed as we study
01:16:53
we will use the tools accordingly
01:16:55
change some other settings
01:16:57
1 very important setting concerns color
01:17:00
which displays the interface and
01:17:03
neighborhood pictures here it is
01:17:05
interface light switch
01:17:08
By default in Photoshop it is like this
01:17:10
option when dark gray
01:17:13
the interface and all the inscriptions on it are drawn
01:17:17
made inside out, that is, white
01:17:23
if you really like working with
01:17:26
dark interfaces, leave them like that
01:17:29
I just beg you not to choose
01:17:31
darkest interface
01:17:33
of course it seems crazy to some
01:17:36
stylish but this is a dark spot
01:17:40
blurring around photos
01:17:42
she is an adapter and she
01:17:45
it spoils our feelings it confuses
01:17:48
our perception of the picture is better
01:17:55
more neutral i.e. lighter
01:17:57
I always use this interface
01:17:59
light gray for me, among other things,
01:18:02
I don't like the twist to me like anyone
01:18:04
a normal person writes in black and white
01:18:06
so I put this interface but
01:18:10
the most important thing is why I brought you here
01:18:11
lured into these settings
01:18:13
these are these four drop down menus
01:18:18
color here you specify what color
01:18:21
photoshop will color the surroundings
01:18:24
pictures in different screen modes
01:18:26
please select everywhere for everyone
01:18:29
four points medium gray
01:18:31
for the same reasons why we don't
01:18:34
we are making a very dark interface so that
01:18:37
displaying the image on the screen
01:18:39
the surroundings were average gray and this
01:18:41
the average gray wouldn't knock yours
01:18:43
image perception is the first important
01:18:47
setting
01:18:48
2 setting we are doing now
01:18:51
concerns characteristics
01:18:55
computer performance section in Russian
01:18:58
versions if my memory serves me correctly
01:19:00
called productivity yes exactly
01:19:03
performance at the top left is
01:19:06
blog dedicated to RAM
01:19:10
RAM is that part
01:19:12
computers that store information
01:19:14
with which it directly works
01:19:17
processes, that is, it is not long-term
01:19:19
storage where the files are located and this is it
01:19:23
the place where your picture is digested
01:19:26
if you want we will delete it
01:19:27
and with RAM the situation is the same as with
01:19:31
money and there is never too much
01:19:35
nasty memory can be few or extreme
01:19:37
little well, today the border between
01:19:42
very few concepts and nothing at all
01:19:45
as I also say the boundaries between
01:19:47
RAM and RAM
01:19:49
it passes through sclerosis at level 8
01:19:51
gigabyte if you have less on your computer
01:19:54
8 gigabytes I strongly recommend
01:19:58
consider some options for
01:20:00
there will be no photoshop to improve the car
01:20:03
work with less
01:20:05
RAM but especially with some
01:20:08
big enough photos
01:20:10
you will feel very serious
01:20:11
discomfort
01:20:12
the program will be conceived in my
01:20:16
There are 16 gigabytes on board on this machine
01:20:19
RAM of which approximately
01:20:21
14 with a tail the system is able to highlight
01:20:25
for the operation of programs of all programs well
01:20:29
because the rest takes
01:20:30
operating system
01:20:31
and here you can adjust the plus
01:20:34
and minus indicate how much of this total for all
01:20:38
photoshop can take away his memory
01:20:40
the more you bet the better but here you go
01:20:44
so absolutely one hundred percent too
01:20:46
no need to push it to the edge, just leave it
01:20:48
at least 10-15 percent about it
01:20:50
so that steel programs also have a place
01:20:54
work but the more you put here
01:20:58
this number will make it more comfortable to work
01:21:00
in the program of some specifically precise
01:21:02
there is no meaning here it will still be
01:21:05
depends on how much memory you have
01:21:06
it's worth it, here's the setting it's desirable
01:21:09
doing this will speed up the work a little
01:21:15
next parameter next setting
01:21:19
no let's please skip disc 1
01:21:22
let's not mess with it now
01:21:24
cursor
01:21:25
photoshop has two types of tools
01:21:28
tools that draw and for
01:21:33
drawing taste cursors written printing
01:21:36
cursors we choose the setting to the norms
01:21:39
brush type this way photoshop will be
01:21:43
display these cursors
01:21:44
like a circle corresponding to the diameter of the brush
01:21:48
that is, you will immediately find your bearings
01:21:49
how wide will you get the stroke?
01:21:52
all the rest are cursors and here is avr
01:21:55
instead of the standard display let's
01:21:58
switch to mode when says this to us
01:22:01
will allow more precise control
01:22:03
cursor position on screen
01:22:05
this is much more important than seeing
01:22:07
pictogram that this is what you can always do
01:22:10
see in the tool palette
01:22:12
check what you are working with
01:22:14
this situation is very important but finally
01:22:18
the last setting we have now
01:22:19
Let's do it in the units and section
01:22:23
rollers of measurement units and rulers
01:22:26
check what centimeters are here
01:22:29
by the way it's finally here
01:22:32
nothing needs to be changed because before
01:22:35
with donkey tenacity adobe units
01:22:39
The default measurements were set to inches
01:22:42
Well, let’s click something in their heads
01:22:45
well checked that they cost a centimeter and
01:22:48
let's say ok that's all for now
01:22:52
the initial settings that we will make
01:22:55
then as you work with different
01:22:57
We will visit here with instruments
01:22:59
fix something else
01:23:11
last in this module let's talk
01:23:14
about color management system settings
01:23:17
what is called in the English version
01:23:20
color management system cms and hide
01:23:25
these settings are here in the edit menu
01:23:29
editing there is a color section
01:23:31
settings color settings if you call
01:23:34
you will see this one here very
01:23:37
developed very large footcloth with a bunch of
01:23:41
all sorts of different settings as usual if
01:23:45
interesting about all the settings good
01:23:47
welcome to the live class there
01:23:50
separate master class where I do all this
01:23:51
sorted it out and with an explanation to whom when
01:23:54
In what cases are these settings possible or
01:23:57
we should change the main thing now
01:24:00
do the initial setup but for this
01:24:04
first a few words need to be said about
01:24:07
how the color management system works and
01:24:10
what is it even intended for?
01:24:14
this diagram let me just do it in photoshop
01:24:18
switch different options of the same
01:24:20
pictures and diagram I will comment on what
01:24:23
we see here the control system
01:24:26
color there is one main task, well there is
01:24:29
some some additional but
01:24:31
main task 1
01:24:32
it must provide reproduction
01:24:36
the same color on everyone
01:24:39
devices, well, here, or rather, capture first
01:24:42
this color, if we have any
01:24:44
color swatch I'm all today
01:24:47
monochrome well let's do it like that
01:24:51
just this color sample here
01:24:53
I'll create
01:24:54
I really like it as an example
01:24:57
bring the color orange why is it me
01:25:03
I'll tell you a little later, but let me here
01:25:08
so I'll fill this rectangle
01:25:11
Well, let's assume that we have some
01:25:14
an object that is colored like this
01:25:16
orange color so make it so
01:25:19
after shooting or after scanning with
01:25:22
showing on all devices we saw
01:25:24
exactly this orange
01:25:27
this is the problem that the system solves
01:25:29
color control for each device
01:25:31
which is engaged in image capture
01:25:34
for example camera one camera second
01:25:36
camera she has her own
01:25:40
characteristics
01:25:41
in this case it is a capture if we
01:25:45
Let's take a photo of this sample in two
01:25:47
different cameras we will get two different ones
01:25:50
set red green blue
01:25:51
I’m not going into the nuances of conversion and
01:25:54
similar processes are simple if from the camera
01:25:58
the picture pops up, here's one already ready
01:26:01
camera films one set lived 2 another
01:26:04
set of ears want light there should be one
01:26:06
and the same and if you put this sample into the scanner and
01:26:09
scan it will be generally 3
01:26:11
red dream blue combination to
01:26:15
control system will solve this problem
01:26:17
in color all these here is the device on
01:26:20
dependent data data which depends
01:26:23
from the device on which they were received
01:26:25
she transforms them to the universal
01:26:27
representation of color to the universal
01:26:30
description, that is, color coordinates well
01:26:33
in the color management system itself it is
01:26:35
this central block or something
01:26:39
say
01:26:41
the color coordinate system is called
01:26:43
profile connection space color
01:26:45
conjugation space, that is, from
01:26:47
hardware dependent spaces all
01:26:49
are transformed to this single but
01:26:53
if you want you can say that everyone
01:26:55
the camera speaks in its own language
01:26:58
in the language of light, he saw some
01:27:00
color and described it in his own language, but
01:27:06
there is a universal language here
01:27:08
to translate from language
01:27:11
camera into a universal language
01:27:13
information used profile profile
01:27:17
or also called profile, who cares
01:27:20
more convenient
01:27:21
as usual, a profile is a file that
01:27:25
describe the characteristics of the device in
01:27:28
in this case, the camera using
01:27:31
profile color management system
01:27:33
understands how to count irji by
01:27:35
camera color coordinates
01:27:37
well, that is, if you turn to our
01:27:41
example about languages ​​profile is a dictionary
01:27:44
dictionary with which from the language
01:27:46
cameras
01:27:48
description is translated into universal
01:27:50
language in color Esperanto
01:27:52
Each camera has its own scanner profile
01:27:55
your profile
01:27:56
they are built individually for everyone
01:27:58
devices in this way using these
01:28:00
profiles on whatever device and digitized
01:28:02
we will get this orange one here
01:28:04
the same
01:28:06
color coordinates next when it is
01:28:09
need to be displayed on the screen come into play
01:28:11
monitor profile
01:28:13
it is also built individually for
01:28:15
each monitor in the process of it to lari
01:28:18
metric setting but you probably
01:28:21
saw specialists who with such
01:28:25
the device comes to users or
01:28:30
You may have heard of such specialists or
01:28:31
maybe you are alexey's master class
01:28:33
Shadrina looked at the volume just one of
01:28:35
such specialists are called by a specialist
01:28:39
device with programs that come
01:28:42
evaluates your workplace in some way
01:28:44
issues recommendations, takes different measurements
01:28:47
then they put it on the screen
01:28:49
a special system is launched that
01:28:52
displays sequentially different colors
01:28:54
reads the devices and based on the results of these
01:28:57
measurements, a file is built in which
01:28:59
color rendition is described specifically
01:29:02
of your monitor and for your monitor
01:29:05
color management system generates
01:29:08
such a set of rabbis so that the picture is here
01:29:10
turned out to be correct if you decide to
01:29:13
show on another monitor or for example
01:29:15
on the projector
01:29:16
you can also build a profile for it
01:29:19
there is red green blue which is here and
01:29:21
when they go here they will be different, but they are
01:29:25
specially made different in order to
01:29:26
take into account the nuances of color rendering so that the color is
01:29:29
in the end it turned out the same on the screen
01:29:32
if you need to send something for printing to
01:29:35
printer comes into play profile printers
01:29:37
exactly the same thing happens, but this
01:29:39
of course a little idealized
01:29:41
description in reality control system
01:29:44
does not always cope with color
01:29:46
task and not always in what we see
01:29:49
different colors it's her fault
01:29:51
in any case, the most serious water
01:29:55
color mismatch problem this system
01:29:58
removed that's why it's needed and that's it
01:30:01
why are settings important
01:30:03
if you have a color management system
01:30:07
will be configured incorrectly
01:30:11
turn out to be the picture that
01:30:14
for example, it looked on my monitor
01:30:16
good and beautiful when you open it
01:30:18
myself
01:30:19
will look dull and unpleasant or
01:30:23
on the contrary, it will be oversaturated or you
01:30:26
you will see yourself well on the monitor
01:30:28
I won't see it well on my monitor
01:30:30
wrong, so CNS is definitely necessary
01:30:33
configure well and hide go to
01:30:35
let me say a few words about the settings
01:30:39
standard profiles here we are all
01:30:42
time during the story when I spoke
01:30:43
there is a camera there is its profile there is a scanner
01:30:46
his profile monitor his profile printer
01:30:49
I had his profile in mind all along
01:30:51
profile of a specific piece of hardware in principle
01:30:55
maybe even a phone profile is possible
01:30:57
try to build it although I don’t know
01:31:00
does the phone support its profile?
01:31:03
TV I built a couple of times it turned out
01:31:06
such a slightly comical result as
01:31:09
like it's a very, very bad monitor
01:31:11
In principle, you can have a TV
01:31:13
calibrate
01:31:14
asks for a projector I built for mine
01:31:16
projector but this is profile 1 specifically
01:31:22
existing monitor in the world and which ones
01:31:25
rgb values ​​should I add the file if I
01:31:28
I'm going to pass it on to everyone, that is
01:31:30
put it on the Internet
01:31:32
put there the rgb values ​​that
01:31:36
need my monitor or my printer
01:31:38
or those from my camera
01:31:39
hit it's not very reasonable because
01:31:43
this is not standard although if it were cms
01:31:46
it would have worked correctly everywhere
01:31:48
do this to make it easier for everyone
01:31:51
life were invented and standard
01:31:53
profiles are profiles that describe
01:31:57
some monitors
01:31:58
the conditional conditions of such a monitor may not be
01:32:01
exist in nature
01:32:02
the main thing is that there is a description of it
01:32:04
color rendition and we are all together
01:32:07
we agree that we will have pictures
01:32:09
what to do with such and such a profile, that is
01:32:11
we will count on it being correct
01:32:13
the color this image will have if
01:32:16
show it here on this conditional
01:32:18
abstract monitor of such profiles
01:32:22
there are three most famous but I showed
01:32:25
here with rgb
01:32:27
for example adobe rgb there is also a profile
01:32:29
profoto air toad
01:32:31
let's agree with you until then
01:32:34
until you understand what advanced is
01:32:39
color gamut
01:32:40
why do you need it and you can’t clearly
01:32:43
explain it to yourself
01:32:45
we will not move anywhere in
01:32:50
expanded color space
01:32:51
coverage we will focus on the simplest
01:32:55
the most ordinary profile with fish sr clogged
01:32:59
the profile that was specified
01:33:01
by microsoft them or packard he
01:33:04
this transmission is described
01:33:06
average windows monitor
01:33:08
Well, that's what they always called him in this
01:33:12
In this case, the word windows can be deleted
01:33:14
search like this with rgb describes color rendition
01:33:18
average modern
01:33:20
monitors there are monitors with extended
01:33:22
the color gamut on them is not very good yet
01:33:24
a lot of them are very expensive but the usual one
01:33:27
The average monitor shows approximately
01:33:29
like twill brie, I think it’s yours
01:33:33
now on the screen, well, with probability
01:33:35
percent 80 years to
01:33:37
90 is exactly this kind of monitor if
01:33:40
you and I will make a picture under
01:33:45
we will lay out such color rendition
01:33:47
such red green blue
01:33:48
so that everything is shown on your monitor
01:33:51
correct means on the usual average
01:33:53
the monitor will show more or less
01:33:55
this is more or less defined correctly
01:33:58
deviation of specific color renderings
01:34:01
specific monitor from average and
01:34:03
structures today is a deviation
01:34:05
very small therefore
01:34:08
Well, let's say this is all for a home for a family
01:34:10
these stories are from colorimetric
01:34:12
The monitor setting can be set to
01:34:14
side
01:34:16
someday if you start seriously
01:34:18
Of course you will invite me to work with light
01:34:20
to your specialist you will set up your
01:34:23
monitor build its profile that is
01:34:25
this thing can be done by a specialist
01:34:28
he will make you very expensive devices
01:34:31
and there is no point in buying a family for the sake of one
01:34:33
calibration costs more than a thousand euros
01:34:36
calling a specialist is much cheaper here
01:34:40
as long as you are serious about color
01:34:43
you can stop doing what you're doing
01:34:45
the monitor is not configured, let it show
01:34:48
as it shows it will show
01:34:50
most likely very close to this with
01:34:52
redheads
01:34:54
to quickly adjust the settings
01:35:00
to the right ones to the ones we need well
01:35:04
as a concept that is correct but extensible but
01:35:06
here are the ones we still need to
01:35:08
get started, no need to go through everything here
01:35:11
these checkboxes and all these points
01:35:13
select yes from the drop-down list
01:35:17
scare everything will not be so long for you
01:35:18
it’s just that I already have different training
01:35:21
settings have been made in groups select
01:35:24
this is the setting
01:35:25
you're up jenny in formation
01:35:27
universal for Europe number three all
01:35:33
the parameters you need will come to those
01:35:36
values ​​that need to be set for
01:35:38
started work fastest fastest
01:35:40
easy way
01:35:41
the only thing I usually care about is you
01:35:44
I'll also ask you to do this, this is my profile
01:35:46
gray
01:35:47
that is, the workspace in Russian
01:35:50
version of the game and is called grayscale
01:35:53
switch dot game 15 percent from
01:35:56
grow scania 15 percent on generic
01:35:59
Gray at home 2 and 2 Russian version is
01:36:01
universal gray scale 2 and 2
01:36:04
if this does not happen, then simply select
01:36:07
houses 2 and 2 most likely you will have it
01:36:10
such a set of settings after this
01:36:14
began to be called a custom custom but this
01:36:17
naturally because this is no longer a set
01:36:19
for Europe this is already your set if you want
01:36:22
You can save it by clicking on the button
01:36:24
the safe is where I got it from
01:36:27
so many different settings and with
01:36:29
saved by previous groups, come on
01:36:38
I called it photoshop, for example
01:36:39
let's say you can save your own
01:36:43
description can be left standard
01:36:45
we say ok now the control system
01:36:49
we have the color set correctly if
01:36:53
suddenly someone comes in and oh sorry
01:36:58
missed someone with this someone will come in and
01:37:02
something bad will do here and all sorts of things
01:37:07
wrong settings here
01:37:09
substitute, we will return everything in one touch
01:37:13
feeling settings menu choose
01:37:16
the setting you saved here it is
01:37:20
photoshop bass all in remote
01:37:25
oh and before we finish this
01:37:30
block let me say a few words about
01:37:34
we saved the cms settings but
01:37:37
one more very important thing important point
01:37:42
When saving an image, you must:
01:37:46
the profile with which it was made was
01:37:48
saved in file
01:37:50
otherwise the control system
01:37:52
there will be no color on the receiving side
01:37:55
know how to convert the value by breaking it down
01:37:58
color coordinates
01:37:59
and this chain of transformations is not
01:38:02
it will work if we embed it in the picture
01:38:05
profile and it is made with an rgb profile
01:38:07
color management system according to
01:38:10
with this profile recalculates red green
01:38:13
blue to color coordinates
01:38:14
color coordinates are converted to
01:38:17
monitor mode
01:38:19
if the picture was made with an Adobe profile
01:38:22
red, although I convinced you that it’s not worth it
01:38:25
do more choose wider
01:38:29
space but at least the profile came
01:38:32
cms knows that obsessed needs to be done differently
01:38:34
recalculate color coordinates to their
01:38:37
will recalculate and then generate fish for
01:38:40
monitor
01:38:41
but if the profile is not embedded in the image
01:38:43
as noted here it will not happen
01:38:48
first step Russian Railways which are in the file
01:38:51
will not turn into do not intersect
01:38:54
color coordinates are not converted
01:38:57
then split it correctly for the monitor
01:38:59
these meanings of red dream blue are simple
01:39:01
will go directly to the monitor and that’s it
01:39:05
trouble might happen, I'll tell you
01:39:07
Now I’ll show you how clearly it is
01:39:09
trouble look we have here
01:39:13
such as a photograph
01:39:15
Igor Shpilenok done let's do it
01:39:18
a little smaller
01:39:19
this photo was taken with
01:39:21
don’t hit me right away with a standard profile
01:39:23
here these are somehow completely their own
01:39:26
own Nikon profile there
01:39:28
if we save this picture without
01:39:33
introduction of the profile, let's go under
01:39:36
add 1 using some other name
01:39:38
let's say save and now try two
01:39:48
photos open together this is 1
01:39:51
and these two compare the bird
01:39:58
this is one bird here the profile is embedded and
01:40:01
colors are rendered correctly and different
01:40:03
the bird here has lost its profile
01:40:06
did not work and the colors were not transferred
01:40:08
correctly required when saving
01:40:11
embed the profile file in order to
01:40:15
color management system on the receiving end
01:40:18
side
01:40:19
worked correctly but that's it for the first time
01:40:22
our block is running out
01:40:26
next time we'll talk about work
01:40:29
with files
01:40:39
Why do we continue to work on the second one?
01:40:43
module we will be dedicated to the topic of working with
01:40:45
files we set up the tool with you
01:40:48
laid out everything as it should be according to law
01:40:51
us on the desktop let's talk about
01:40:54
how to open a file close how
01:40:58
move around it, that is, for now
01:41:00
we will refrain from any correction but
01:41:02
we will learn to work with you correctly with already
01:41:09
open image in order to
01:41:13
open the picture you can go three
01:41:16
ways you can open it from the operating room
01:41:19
systems that's actually how I double-clicked
01:41:21
it was opened in photoshop
01:41:24
if suddenly
01:41:26
the photo opens with this method
01:41:28
not in photoshop but in some kind
01:41:31
another you need to select properties then
01:41:35
there is this problem not photoshop from
01:41:37
problem in the operating system
01:41:39
select the file properties and here in
01:41:41
opening program section
01:41:42
you just need to change set to
01:41:46
what program will be the default
01:41:47
open this photo this
01:41:51
must be done for all types
01:41:53
files so let me put it in
01:41:56
by default it opens in version
01:41:59
creative cloud 2019 we will answer but although
01:42:03
I was here by default before
01:42:04
another choice
01:42:05
since a more recent one has already been opened
01:42:09
the version of photoshop is open
01:42:11
version of all this was most often found here
01:42:16
turns out to be some kind of program like
01:42:18
viewing
01:42:19
Well, that is, change the standard weather
01:42:21
on photoshop click on the button
01:42:23
configure all files of this type now
01:42:26
will open in creative by default
01:42:28
cloud 2019 we do the same thing in poetry with
01:42:32
psd with myths scr two and so on
01:42:39
well, here you go, we photoshop the second one
01:42:44
way to open a file
01:42:46
it can be opened from the inside from the very
01:42:48
programs use the menu for this
01:42:51
file team experience you get to
01:42:55
Winchester where respectively
01:42:58
Having found your way, select the desired folder
01:43:00
and now from this desired folder you select
01:43:02
the image with which they wanted next
01:43:06
would like to work please picture open if you
01:43:10
want to open an image that
01:43:13
recently processed but after that
01:43:17
was closed for this in the same
01:43:20
the file menu has this section which
01:43:22
called oop addressee open recently
01:43:26
process the image here too
01:43:29
these pictures are presented as
01:43:31
a simple list by name that is
01:43:33
if you know the name well
01:43:35
you can just choose from here if you need
01:43:38
I'd like to see it more clearly
01:43:41
it was you who opened this one
01:43:45
Homepage
01:43:47
which appears in our case if not
01:43:50
one picture is not open, it’s just
01:43:52
carries this list of the latest open ones
01:43:54
images before this are also here
01:43:58
Another function is to take the acquaintance tour
01:44:02
with the program
01:44:03
Well, since you signed up for courses, I don’t think so
01:44:06
that this will be very interesting to you
01:44:08
If you want you can watch it from here
01:44:12
Accordingly, you can choose a picture
01:44:14
you can change the sorting method
01:44:16
look there by size or name
01:44:19
but as a rule, when it comes to
01:44:21
the latest pictures are sorted by time
01:44:24
discoveries then the further away the earlier the picture
01:44:27
this page opened for me personally
01:44:31
a little annoying
01:44:33
although if you like her you can
01:44:34
get to it quickly even when you have
01:44:38
open some photo
01:44:40
here is the community palette on the left
01:44:42
button with a house icon
01:44:45
No wonder it's called home
01:44:47
click and the home page appears
01:44:50
I personally still prefer this one
01:44:53
disable the page so that it is because
01:44:55
the devil didn't jump out of the snuff box every time
01:44:57
when I close all the photos
01:44:59
so I'll go to preferences and and here
01:45:06
I'll probably have to here now
01:45:09
do a little searching where this setting is
01:45:11
because usually I turn it off
01:45:15
all once and every time after that
01:45:20
you have to look for where exactly it is
01:45:24
hiding but before I apologize here
01:45:34
the design was in the home screen
01:45:36
we're talking about kay
01:45:38
I really think you need photoshop for this
01:45:41
will reboot let's reset it
01:45:44
let's start for
01:45:46
so if you put the key, turn it off
01:45:50
displaying the home page
01:45:53
will not appear
01:45:54
even if my memory serves me right
01:45:56
the button calls and yes, exactly, you see
01:45:58
home page button from here
01:45:59
disappeared but I’ll note it again if you need it
01:46:02
still want to
01:46:04
and use use what
01:46:06
There's nothing wrong with that, there's a third way
01:46:10
can you open the image?
01:46:12
open not from the operating system having
01:46:15
with photoshop you can open from
01:46:16
some specialized
01:46:19
programs for viewing selection and
01:46:21
image cataloging
01:46:24
such a program, for example, is Adobe
01:46:26
lightroom
01:46:27
but although if you work with slaves then
01:46:30
most likely you are not only cataloging
01:46:33
but you will probably do the conversion as well
01:46:35
in lightroom
01:46:37
since lightroom is separate
01:46:39
product, we won’t deal with it
01:46:42
let me show you what I provided us with
01:46:45
corporation a dope
01:46:47
well in terms of a universal viewer
01:46:50
which works with all programs and
01:46:52
with all file types
01:46:54
I of course mean the program that
01:46:56
called adobe bridge
01:47:08
universal program for viewing and
01:47:11
image selection is called yes
01:47:14
bridge No wonder they call it a bridge
01:47:16
really cooperates with very
01:47:18
different types of files not only with
01:47:20
photographs but we will look at
01:47:22
photoshop context
01:47:23
Of course I won't go into detail now
01:47:27
talk about everything and possibilities
01:47:29
because otherwise we're only a couple of hours away
01:47:31
let's just hang around her
01:47:34
let's do the basic acquaintance
01:47:38
there are several options for bridge
01:47:40
location of windows on the screen, that is, here
01:47:44
there is a window favorite folders for example they
01:47:46
share one window
01:47:48
filters and collections share a second window
01:47:51
content central content window here
01:47:57
preview in publish another window and
01:47:59
metadata keywords here
01:48:01
the last window in this layout is
01:48:04
different options for mutual arrangement
01:48:06
windows they are listed here as
01:48:11
Typically two main layouts are used
01:48:15
this is the son of shows they are simply the most convenient
01:48:17
to get started singles basic layout
01:48:21
for the primary selection there is one here
01:48:23
convenient film strip layout like film
01:48:27
which allows after
01:48:29
the initial selection of personnel was carried out
01:48:32
allows you to go into more detail in more detail
01:48:34
And and quickly having such a large window
01:48:38
preview from view the contents of the photo
01:48:41
we'll go back to the main layout for now
01:48:44
so that the content appears in the window
01:48:47
some pictures to fill it out
01:48:50
content must indicate where these are from
01:48:52
take pictures, indicate this in two ways
01:48:55
ways can be specified or physically
01:49:02
folder on the hard drive in which these
01:49:04
the images lie
01:49:06
or you can specify let's call it like this
01:49:09
a virtual folder, that is, a collection
01:49:13
I have destroyed everything so far
01:49:15
pure collection is a virtual folder
01:49:18
which you and I can create from
01:49:21
images without dragging them onto
01:49:23
hard drive
01:49:24
to specify a folder on disk
01:49:27
go to the folders window, here we see
01:49:29
regular file browser
01:49:31
accordingly choose where we want from
01:49:34
look at the pictures here for example
01:49:36
my work files
01:49:39
not here there is a dedicated daddy
01:49:42
online school profile here for example
01:49:45
there are live classes, if you want you can
01:49:47
take a look and see something there
01:49:49
live class on basic color theory here
01:49:52
there were pictures like this
01:49:53
but for today's lesson me too
01:49:56
got ready so let's go in
01:49:58
basic course
01:49:59
lesson number one is what we have in
01:50:03
folder with the first lesson and here in addition
01:50:06
there is also this daddy
01:50:08
specially
01:50:10
selection included here
01:50:13
reduced truth to make everything faster
01:50:15
thumbnail photos worked
01:50:19
included in the book Russia through the eyes of a blogger
01:50:21
I prepared their seals and therefore
01:50:24
I decided to show you this as an example
01:50:26
you can select the folder here go to
01:50:29
you can use this folder like this
01:50:31
choose accordingly here
01:50:33
lesson number one who is for nothing here on the folder and
01:50:36
we see all the photos included in this
01:50:40
folder you can view them for more
01:50:42
there is a preview window for detailed viewing
01:50:45
you can change it here if you want
01:50:48
size of icons size of thumbnails which
01:50:51
are in the content window by the way one of
01:50:54
the authors of this book Dima Shatrov here it is
01:50:58
photo
01:50:59
the smaller you set the preview size
01:51:02
the more at the same time
01:51:04
you can take in the pictures at a glance, but
01:51:07
the smaller the sky preview itself will be
01:51:10
it's harder to navigate if you have
01:51:12
a big enough monitor you can here
01:51:14
make such pretty big previews
01:51:17
one of the very serious advantages of bridge
01:51:20
is that color rendition is
01:51:24
the color he shows here and in
01:51:29
in the preview window and in the content window this color
01:51:32
the correct one is the color you are
01:51:36
You'll see if you open the picture, it's photoshopped
01:51:38
the color that
01:51:40
will be displayed in any program
01:51:43
supporting color management system
01:51:46
that is, here you see all the colors taking into account
01:51:48
profiles that are embedded in the image
01:51:50
even if it's not a standard profile
01:51:52
moreover, if you further rock
01:51:56
Ezra VOV conversion will be performed by la
01:52:04
Converter approval
01:52:05
that is, in Adobe camera roll or in
01:52:06
lightroom here in adobe
01:52:11
bridge you can even see how
01:52:14
The row file with the current ones looks correct
01:52:16
development parameters, let me show you what
01:52:19
I mean I'll switch to lesson number
01:52:23
I'll shorten this whole story a little
01:52:27
and I’ll find this frame that I took
01:52:30
Sergey pots you see. the nave is
01:52:34
Nikon raw you can see what it’s all about
01:52:38
black label mustache because filming
01:52:40
through the veil of rain and you can see that and here
01:52:45
here and here the light is the same, that is
01:52:48
yes indeed the color rendition is like
01:52:51
the minimum coincides with the correct one
01:52:53
wrong let's try now
01:52:54
take a look
01:52:55
if it's a true file, open it in a converter
01:52:59
we will see here exactly the same faded
01:53:01
picture, what if now I put it in an envelope and
01:53:04
I'll change the settings, let's do this now
01:53:09
the most basic set of operations
01:53:12
we'll do . white black
01:53:16
let's assume no contrast is needed yet
01:53:19
We'll do a little exposure compensation, but
01:53:22
I got a picture like this
01:53:24
much more
01:53:25
these are much more juicy and more
01:53:27
contrasting with what I was originally
01:53:29
I press the button given so that these parameters
01:53:32
converting development parameters
01:53:34
saved and you see what's in the bridge
01:53:36
now I have this picture showing
01:53:39
already with new colors here on the right
01:53:42
at the top next to the photo here he is
01:53:45
icon this icon means that
01:53:48
Crow files were applied which
01:53:52
development settings here you see everything
01:53:55
already manifested one of the very large
01:53:59
advantages of adobe bridge
01:54:01
this is an opportunity to see the right colors
01:54:03
and even in this general window
01:54:08
content containing the first
01:54:10
look small thumbnails even for them
01:54:13
you can focus on this by the way
01:54:15
build high-speed processing flows
01:54:18
because through the bridge you can also
01:54:21
presets
01:54:22
conversions to assign but let's use these
01:54:25
we won’t climb into the wilds now, only
01:54:27
first introduction we are using this for now
01:54:29
How viewing programs if with some
01:54:33
folder you are going to work with often
01:54:35
for example with this one in order to
01:54:38
every time in the folders window and not
01:54:40
look for what time to waste you can this
01:54:43
move folder to favorites window yes
01:54:46
at the same time, here in the favorites window
01:54:48
not a copy of the folder is placed here
01:54:50
a link is placed, that is, on the hard drive
01:54:53
the folder remains where it was from here
01:54:55
you just fall into it
01:54:57
how to do it we go to one level
01:55:00
above so that in the window the content we need
01:55:03
the folder was displayed then switch
01:55:07
in the folders window and just here and and
01:55:09
we throw it over and at any moment, wherever
01:55:12
we were not there
01:55:14
click on this folder and get into
01:55:17
inside except that the bridge allows
01:55:23
us to view the content of a specific
01:55:25
folders it allows you to do well I call
01:55:28
normal folder virtual this collection
01:55:31
if we make a collection let's not
01:55:34
let's call it again let it be
01:55:40
photoshop bass
01:55:42
further but we are selecting this collection
01:55:44
pictures we can do something from here
01:55:47
pick some nice ones
01:55:49
photos
01:55:51
let's scroll through something else or pick it up
01:55:56
then we can go to some
01:55:59
another daddy and for example from here
01:56:02
grab some apples and then you can
01:56:07
move to another folder and well
01:56:11
let's assume what else to take from here
01:56:15
we always see this photo in brackets
01:56:18
How many pictures were ultimately selected?
01:56:21
collection, click on it and that's all
01:56:24
included in the collection is displayed in the window
01:56:26
content is a very convenient approach because
01:56:29
which is unlike physical folders by us
01:56:32
in chester where they are forced to copy this
01:56:34
information collection as I said
01:56:36
this is a virtual folder that is all
01:56:39
these pictures are still on the hard drive
01:56:41
lie in the same place where they lay and were here
01:56:44
Only links were copied
01:56:46
after you with this collection
01:56:49
finish the work and you can, if you wish, these
01:56:51
select all pictures for example right
01:56:54
click the key and issue a command to
01:56:58
pita, that is, copy somewhere and indicate
01:57:01
folder and now this will be real
01:57:03
physical copying of processed
01:57:05
photographs, that is, you can select
01:57:07
which was collected from different places on
01:57:09
hard drive will eventually be copied into one
01:57:11
write the folder to a disk and give it away
01:57:13
to the customer
01:57:14
archive send by mail after
01:57:18
after work with the collection ended
01:57:19
right click on it and say
01:57:24
divide everything delete this way
01:57:28
collection is being made what else can be done
01:57:32
when working in bridge
01:57:35
you can assign in each file
01:57:39
two attributes but besides those attributes
01:57:41
which have already been assigned to them by the camera and
01:57:45
and groups with a bay window, for example, an apparatus
01:57:48
writes into the so-called metadata
01:57:51
the elite is their part which is called their ziv
01:57:54
he writes information about
01:57:57
sensitivity with which I worked
01:58:00
matrix moment of shooting
01:58:01
shutter speed and focal aperture
01:58:07
lens distance and much more
01:58:09
interesting serial number of the camera by the way
01:58:12
maybe they can write there
01:58:14
register geo tags
01:58:15
if the camera marks them, that is
01:58:17
position
01:58:19
coordinates where this picture was taken and
01:58:23
except for all this big
01:58:26
number of signs that appeared
01:58:28
earlier you can assign two more
01:58:31
attribute for each picture 1 attribute is
01:58:33
the rating is assigned or here
01:58:36
through the menu dropped out shortcuts you can
01:58:39
choose how many stars to assign or
01:58:41
as quickly as possible right here below
01:58:44
looking at the stars you can do it like this
01:58:48
It’s natural to place these ratings
01:58:51
no one canceled the keyboard
01:58:54
reductions
01:58:55
if you look here from commands one to
01:58:58
teams 5 that's four stars that's it
01:59:02
three stars this is two stars this
01:59:04
two stars
01:59:05
I liked it there 5 stars it
01:59:08
four stars and so on this is the first
01:59:12
pointer 2 independent of it
01:59:14
index is shortcuts
01:59:16
you can tag each picture but
01:59:20
at the same time they are assigned labels
01:59:25
pictures are marked by color
01:59:28
here they are, let's mark it in red
01:59:32
let's mark it in yellow for example
01:59:36
these three pictures can be done simultaneously
01:59:38
mark too let it be for example
01:59:41
red and so on
01:59:44
what are ranking shortcuts for?
01:59:49
in general, the other pointers that
01:59:51
with theirs and who appropriate
01:59:53
cameras, for example, are needed in order to
01:59:56
quickly navigate a large array
01:59:58
There are 483 pieces of information in this folder
02:00:02
the images in them are already slowly possible
02:00:05
start getting confused, well at least here
02:00:09
they are correctly named and selected in
02:00:12
in the order in which the illustrations
02:00:14
located to the book if it
02:00:16
photo shoot where some of the frames are more
02:00:19
successful part less successful
02:00:21
something suits the topic you are
02:00:23
would like to show the customer, for example,
02:00:25
something doesn’t quite fit, it’s natural
02:00:27
need to select appropriate personnel
02:00:31
For this purpose filtering is used
02:00:35
live in the same window along with the collections
02:00:37
here they are and you can filter by any
02:00:42
tag by any index that were
02:00:46
photographs are used including
02:00:48
shortcuts by ratings we can open
02:00:50
section label and check the box here
02:00:54
here give the command to display in the window
02:00:55
content only those pictures that have
02:00:59
red label but we have it named
02:01:01
select
02:01:02
this is what you and I appropriated here
02:01:05
here if we also give the command
02:01:09
enter what has a label of seconds will
02:01:14
both pictures are displayed, that is
02:01:17
within one parameter it works for us
02:01:19
logical system or picture
02:01:22
is output when it has such a tag or
02:01:25
such, that is, it doesn’t matter which one
02:01:27
let me show you some pictures at the same time
02:01:30
which have been tagged with blue
02:01:31
for example blue & yellow I honestly admit
02:01:37
I confess I don’t know where they are from here
02:01:39
taken I can only guess
02:01:41
I experimented with this photo shoot
02:01:45
the previous version of bridge apparently
02:01:47
these are the labels that I assigned in
02:01:50
old version of bridge
02:01:51
but in the updated version of the bridge not now
02:01:53
are perceived as some kind of separate
02:01:55
independent unrelated to these
02:01:59
tags review or seconds, well, whatever
02:02:04
in this case there is a pointer here
02:02:06
pictures selected can be filtered
02:02:09
image based on several parameters
02:02:11
at the same time because if we use shortcuts
02:02:14
tagging photos
02:02:16
Well, let’s assume that the criterion is not to show
02:02:19
show the customer which line to take
02:02:21
we can show the rating
02:02:24
assign as your personal rating
02:02:26
quality and it often happens that the picture
02:02:29
which I personally like, it’s in general
02:02:31
not suitable for her and
02:02:33
send it to the customer for viewing or what?
02:02:36
I send it to me for viewing personally
02:02:38
and I don’t really like it, it’s just different tasks
02:02:41
different tastes different ratings
02:02:43
if we want to suppose see what
02:02:46
we decided to send that is, pair varnish
02:02:48
filtered and what you like
02:02:50
us
02:02:51
we go to the next ratings section and
02:02:54
click on this checkbox as a result
02:02:58
Only images with
02:03:01
labels selected in the blue and at the same time
02:03:04
rated 5 stars
02:03:06
that is, between the parameters it acts
02:03:10
logical and
02:03:11
so that the picture appears
02:03:13
must be removed so as not to
02:03:15
and the label fell into the specified category and
02:03:19
the rating also fell within the specified
02:03:20
categories can be given the command to display
02:03:23
not 5 4 stars for example 3 and also 2
02:03:28
stars
02:03:29
Well then, here's the picture accordingly
02:03:32
to be here you must have one
02:03:34
from these labels and one of these
02:03:37
ratings from if at least some couple
02:03:40
matches the image appears here
02:03:42
it's a very convenient way to quickly
02:03:45
navigate in large quantities
02:03:48
images
02:03:50
but that's not all except labels
02:03:56
there is a more developed rating system
02:03:59
pointers called keys
02:04:01
words or Kyiv c and here they are
02:04:10
words you can write here
02:04:13
you can do it yourself
02:04:14
your set of keywords and you are in any
02:04:19
quantity you can assign key
02:04:21
words to the pictures you are interested in but in
02:04:26
home archives and in something like this
02:04:29
Initial use of course is like this
02:04:32
a powerful complex search system is unlikely
02:04:35
will need keywords usually
02:04:37
are used in storage where the quantity
02:04:40
images are measured in tens or
02:04:42
hundreds of millions of these are photo banks for
02:04:45
to photo banks to find a photo of a client
02:04:48
goes to the photo bank page
02:04:50
and and enters the words that describe
02:04:54
the desired picture, for example there is a summer field
02:04:57
girl sunset ears there son snob and
02:05:03
so on and the photobank search system it
02:05:08
selects those files in which there is
02:05:10
maximum coincidence with this
02:05:12
a set of keywords, that is, the more
02:05:14
the more keywords matched
02:05:17
the probability that the picture will appear is
02:05:20
rather such a reserve for the future if there is one
02:05:22
wish with keywords you can later
02:05:24
you can figure it out yourself if you want
02:05:27
new class go here for more details
02:05:29
it was told, well, maybe some
02:05:32
Read the instructions in the metadata window
02:05:35
contains information that was
02:05:39
the file is stitched here, there are different ones
02:05:43
sections for example this camera here
02:05:46
camera data
02:05:47
and that is the same vulture in it
02:05:49
contains information about which
02:05:50
parameters the photo was taken with
02:05:53
here gps is a tag
02:05:57
geo-location camera roll is information about
02:06:01
with what parameters it was
02:06:03
the file is converted but it's true if you
02:06:07
convert it not according to tolerances
02:06:10
converter, naturally there’s nothing here
02:06:13
will not quite understand only cr or
02:06:16
lightroom
02:06:17
you can find something interesting and useful
02:06:20
after you found
02:06:22
the picture you want to continue with
02:06:24
work you just double click on this
02:06:29
photos and it opens for you
02:06:33
Photoshop, that is, bridge is not intended
02:06:36
for bridge processing
02:06:37
this system for examining rankings well
02:06:43
and some cataloging like this
02:06:46
very, very convenient program
02:06:58
Let's
02:07:00
im navigating in open image
02:07:03
the next piece of the story is like
02:07:06
navigate through a photo
02:07:09
well the first thing to do is
02:07:12
learn to enlarge photographs because
02:07:14
what's good if it's horizontal
02:07:16
the picture if it was vertical here
02:07:18
this is how it opened, because it’s completely
02:07:20
small to increase decrease
02:07:26
you can use commands from the view menu
02:07:28
menu view I’ve already talked a little about them
02:07:32
said these are the commands zoom in and zoom out
02:07:36
zoom command enlarge the image immediately
02:07:40
we remember or write it down somewhere
02:07:42
joke from teams plus because teams
02:07:45
it will never be called from here
02:07:47
will always be given from the keyboard
02:07:49
commands plus increasing commands zoom out
02:07:53
this command reduce is decreasing
02:07:56
and the third command is very useful which
02:08:01
here is this command fit on screen
02:08:04
place joke on screen that commands 0
02:08:07
even if your photo was like this
02:08:10
that's very much increased as soon as you
02:08:12
press commands 0 image
02:08:15
reduced to this scale on the screen
02:08:18
on the one hand to be as much as possible
02:08:21
large and on the other hand completely
02:08:24
fit on the screen it's all very
02:08:27
a convenient way to move from something
02:08:29
strong reduced greatly
02:08:30
enlarged view to general view evaluate
02:08:33
image and then start
02:08:37
moving somewhere increases that
02:08:39
the fragment you are interested in except
02:08:42
commands increase decrease increase
02:08:46
reductions can be made
02:08:47
with a magnifying glass here she is
02:08:51
zoom tool
02:08:52
by default this tool runs in
02:08:56
animated mode, that is, it looks
02:08:58
everything will be like this when you click
02:09:00
mouse button move the cursor down or
02:09:03
to the right the picture enlarges up or
02:09:05
left decreases it's a lot of fun
02:09:08
looks but it's extremely stupid
02:09:11
inconvenient for the enemy
02:09:12
so let's uncheck
02:09:15
krabi zoom disable this mode in Russian
02:09:20
version with krabi zoom translates as
02:09:22
drag scale or zoom
02:09:24
dragging the second word there
02:09:27
abbreviated therefore to establish exactly what
02:09:30
it was not possible but
02:09:32
in any case, this tick we are with them
02:09:35
As a result, the magnifying glass will begin
02:09:36
work as it has always worked
02:09:38
historically click on the mouse button
02:09:41
circle the fragment we are interested in
02:09:44
release the circled fragment
02:09:46
enlarges to full screen
02:09:49
this is the most convenient mode because
02:09:52
it allows us to quickly specify with which
02:09:55
the area of ​​the image we want to work with
02:09:57
we were interested in this house and its
02:09:59
introduced and he was in maximum close-up
02:10:01
we see 0 teams again
02:10:03
general view we'd like to see what's there
02:10:07
in the distance there is a fragment circled here we are
02:10:09
we see what’s here in the mountains and just like that
02:10:12
you can move from the general view to
02:10:14
an increase in something specifically for
02:10:15
This fragment has a minimum of animation, but
02:10:18
maximum efficiency and one more point
02:10:23
we begin to remember not only
02:10:24
keyboard shortcuts but also
02:10:27
modifier keys what they are different from
02:10:31
Friend differs in shortcut and calls
02:10:35
some command when you press this
02:10:36
key combination modifiers themselves
02:10:39
do not cause anything but modifiers
02:10:42
change the operating logic of the tool that
02:10:45
you are holding something in your hands
02:10:47
keyboard you temporarily turn the mouse
02:10:51
well, a tool that puts you on the mouse
02:10:53
started something else in order to
02:10:56
holding any instrument for a while
02:10:59
turn it into a magnifying glass
02:11:01
just press the command spacebar here
02:11:04
while you hold down the common space bar
02:11:07
any instrument for you
02:11:10
will turn into a zoom tool
02:11:13
fragment release the commands space and y
02:11:16
I have a pipette in my hands again
02:11:18
that is, using a magnifying glass
02:11:20
basically you never need to switch
02:11:22
command space or control space if you
02:11:25
you are working on a windows computer because
02:11:28
that the command keys on a Mac are the main ones
02:11:30
command button to bathroom keys her
02:11:33
the analogue on windows machines is control
02:11:37
commands space
02:11:38
increased in this place of course
02:11:41
mac axis users may experience
02:11:44
some inconvenience why because
02:11:47
the space command combination is now common
02:11:51
switches layouts
02:11:52
Russian American keyboard that I tell you
02:11:55
I can recommend in this case
02:11:57
open your keyboard settings and there you go
02:12:01
here in the keyboard shortcut section
02:12:02
you will be subsection input source
02:12:06
just remove the key from this one
02:12:09
point
02:12:10
so that the space command combination does not
02:12:12
switched layout switch
02:12:15
standard layout such as original
02:12:18
Mac command combination alt space
02:12:22
those who work under Windows with this
02:12:24
no problems to face
02:12:25
you are switching layouts
02:12:28
completely different keys for this
02:12:30
the circuit punched will work well
02:12:33
there is another way to enlarge the picture
02:12:36
this is the rotation of the mouse wheel let's
02:12:40
I'll increase it a little bit initially
02:12:42
the truth of the wheel of disgust spinning down
02:12:45
or turning up, it is wound up
02:12:48
moving pictures
02:12:50
Well, if you want, you can hold alt with
02:12:52
holding down alt rotates the wheel too
02:12:54
will change the scale I don't use it
02:12:58
for two reasons, firstly you see here
02:13:00
It’s very convenient here and very not like that
02:13:03
whole percent these percentages show
02:13:07
How do the pixels of a cell image correspond?
02:13:09
screen
02:13:10
if you see numbers here that are not round
02:13:13
this means that the computer will
02:13:18
experience some difficulties with
02:13:20
recount when he is forced
02:13:22
pixels to be recalculated in a screen cell
02:13:25
his proportion will be very crooked for him
02:13:28
be this is more difficult to do and the result takes longer
02:13:31
will be less accurate, but given the fact that
02:13:34
some important functions such as metering
02:13:37
pipette information is not produced by
02:13:40
the picture itself
02:13:41
and on the preview screens it becomes
02:13:45
generally very unpleasant, preferably here
02:13:47
keep some round values ​​here
02:13:50
if you increase or decrease
02:13:52
picture using the command keyboard
02:13:55
minus commands plus see here very
02:13:59
very round numbers go when increasing
02:14:03
and zooming out with the wheel it’s all very
02:14:05
convenient and yes and the second reason why I don't
02:14:07
I love the wheel, it's amazing for me
02:14:09
quickly on the mouse
02:14:12
crashes and starts to glitch
02:14:16
so it’s better to use the command space
02:14:18
and circle
02:14:22
after you have enlarged the fragment
02:14:25
images and worked with this
02:14:27
a piece for example we have something here
02:14:29
retouch and decide to move on
02:14:33
how to move the visible part of an image
02:14:35
you can of course go here to the navigator
02:14:38
but it's inconvenient
02:14:41
usually to shift the picture to shift
02:14:44
visible area use the tool
02:14:46
Hantu colloquially called paw
02:14:52
now we see this part of the photo
02:14:56
take the paw and move it here we see
02:15:00
how the picture slowly moves
02:15:02
so that every time
02:15:04
switch to this tool
02:15:06
remember one more modifier
02:15:09
to the magical simple it's a gap for now
02:15:13
you press space bar any tool on
02:15:16
time turns into a paw, let go
02:15:19
you have the gap in your hands again
02:15:21
the tool you originally used
02:15:24
worked
02:15:25
Well now we can basically build
02:15:28
universal sequence
02:15:31
move around images like this
02:15:33
universal follow navigation
02:15:35
the only thing I'll do is turn it off
02:15:38
another
02:15:39
animation, see how it behaves
02:15:41
default picture I moved the movement
02:15:46
the hands are over and the image
02:15:48
continues to crawl there, well that's all
02:15:53
cute as usual
02:15:56
interactive but extremely inconvenient because
02:15:59
what about the extra shift then you
02:16:01
the picture stopped moving somewhere else
02:16:03
he moves and gets knocked down while working
02:16:08
so let's go to settings
02:16:13
reference is so I have it here
02:16:16
hint, well, of course this ounce
02:16:18
tools
02:16:20
this is one of the tool settings you need
02:16:26
uncheck this box on the ecu flick polling
02:16:30
in the Russian version it is called continue
02:16:33
panning if you take it off picture
02:16:38
stops moving exactly at that moment
02:16:40
when you let her go and let everything go
02:16:43
she froze in place less cute but
02:16:48
more convenient to use now let's
02:16:50
build
02:16:51
universal sequence
02:16:52
navigation it all starts with us
02:16:56
open the photo let's open it
02:16:59
again and first of all press command 0 in
02:17:12
first command fit on screen
02:17:13
stretched to full screen to maximize
02:17:15
large see all images but at
02:17:18
this is to be sure that you really
02:17:20
you see it further and further you decide on
02:17:22
what area do you want to work in?
02:17:24
with this we hold down the command space and
02:17:28
circle it with a magnifying glass
02:17:30
we increase the third step because after
02:17:34
such a stroke after such an increase
02:17:37
display percentage will probably not be
02:17:40
must have a round eagle eye and some kind of
02:17:45
we have a diabolical presentiment to possess in order to
02:17:48
increase exactly by a round percentage
02:17:51
you'll never get there
02:17:52
so it makes sense to press once
02:17:55
commands plus or commands minus well in ours
02:17:57
in the case of commands plus, that is, a little bit
02:17:59
increase or decrease slightly to
02:18:01
standard scale according to this one of ours
02:18:04
grid according to a standard scale scale and
02:18:06
We will continue to work with this area if
02:18:10
need to move to a nearby one
02:18:11
region
02:18:12
hold down the spacebar and move if necessary
02:18:15
move somewhere far away for example
02:18:17
there’s no need to go there so long and frantically
02:18:22
crawls around the picture in this case just
02:18:25
repeat the whole cycle all over again
02:18:28
commands 0 the whole picture is visible
02:18:31
commands space
02:18:32
circle the section of commands that interests us
02:18:35
plus or minus commands are reduced to
02:18:37
standard scale grid and work with
02:18:40
with this fragment if you get used to
02:18:44
such a system of moving around the image
02:18:46
you will save a lot of money
02:18:49
time
02:18:51
well, not a big part of the operation, of course, but
02:18:54
significant part of the operation 30 percent
02:18:57
probably definitely related to processing
02:19:00
images are not correction, they are just that
02:19:03
moving around the picture therefore immediately
02:19:08
practice a little and find
02:19:10
some photo like this one
02:19:12
where there are all sorts of different details on
02:19:14
which I would like to move around
02:19:16
see what's where
02:19:18
on a larger scale and at least minutes
02:19:22
10 walk on it
02:19:25
Well, you can have several of one photo
02:19:27
then 2 to 3 when you get used to it
02:19:30
for this command cycle the space was increased
02:19:33
commands minus easy man plus led to
02:19:35
standard scale according to moved
02:19:37
again teams 0 chose com he punched
02:19:40
increased teams plus led to
02:19:42
standard scale space
02:19:44
moved that's when it stops you
02:19:48
make you feel the need to remember
02:19:50
what do you need to press to do something?
02:19:52
after this you can safely begin
02:19:55
you will already be able to work with the image
02:19:58
laid the foundation for quickly
02:20:00
you can spend a lot of time navigating
02:20:03
save money on this and get used to it right away
02:20:06
the rule is one hand is on the mouse 2
02:20:09
runs across the keyboard
02:20:11
This is also a great time saver
02:20:14
this is how navigation works in one
02:20:17
image
02:20:18
if there are several images, let us
02:20:22
let's open a few pictures, just here
02:20:25
like this, for example, they are by default
02:20:32
will open in your bookmarks mode
02:20:35
that is, there will be one window in which
02:20:37
switching in this way
02:20:39
bookmarks you can see this or that
02:20:41
the picture is distorted, the mode seems extremely
02:20:45
it’s inconvenient that’s why I am or like this
02:20:50
way these bookmarks
02:20:52
I push it apart, yes, if you want, you can
02:20:56
grab the window at any time
02:20:58
top sleeper with name
02:21:01
and just like that, bring them up and glue them together again
02:21:03
bookmarks but
02:21:06
or so as not to have to deal with this every time
02:21:08
this operation does not happen every time
02:21:12
you can take the windows apart
02:21:15
settings in preferences and automatically
02:21:18
well just take it off
02:21:21
the team that will open all this
02:21:24
in bookmark mode if I remember correctly
02:21:26
it's in the vox section of the train here
02:21:28
she xps
02:21:30
work environment team o panda crimmins s
02:21:33
tabs open documents as bookmarks
02:21:37
uncheck this box talk about kay and
02:21:41
if we now open several
02:21:43
photos
02:21:45
let me close it first and open it again
02:21:48
they will reopen in our separate
02:21:51
windows, that is, one photo separately
02:21:54
one window is very convenient, further you can
02:21:57
reduce them somehow and arrange them on the screen
02:22:01
even if you have several open
02:22:03
photos
02:22:05
you can only work with one
02:22:13
there are other photos are on
02:22:15
pickup this may be needed in order to
02:22:20
to compare pictures when you
02:22:22
process compare for example which
02:22:24
the color turned out to be here and here well
02:22:28
of course compare
02:22:29
Florence and apples it's funny but
02:22:34
if you have let's say there are two
02:22:38
landscape photography
02:22:40
which you wanted to lead to
02:22:42
uniform appearance or more often it happens
02:22:44
but some kind of reportage wedding photography
02:22:47
photo a few photos are needed
02:22:50
they looked uniformly bodily way
02:22:53
adjust them this way
02:22:55
take one photo
02:22:57
place it on the screen and then next to it
02:22:59
open other photos simply on
02:23:02
eye comparing adjusting happens that
02:23:05
photographs are opened and hung nearby
02:23:08
a few pieces to carry
02:23:09
some details from one to another if
02:23:12
for example, you are going to make a collage in
02:23:15
in general, in any case, when you have a big
02:23:17
the number of images you already have
02:23:19
arrange them on
02:23:21
table surfaces if they get confused if
02:23:25
many windows were opened and somehow they
02:23:27
completely confused, can you go to the menu
02:23:29
window
02:23:30
and visit section and range order
02:23:33
there are different options for how to organize it
02:23:36
windows are open I usually use the option
02:23:39
cascade they are simply arranged so that
02:23:41
all the names were visible and then you
02:23:44
you can smash them like this
02:23:51
way to quickly navigate
02:23:52
a large number of open images
02:23:54
and of course the best way to go to
02:23:58
the desired picture
02:23:59
this is to go to the window menu window menu and
02:24:02
just switch to the appropriate one
02:24:05
image but you can only do this if
02:24:08
in case the photo of you is named
02:24:10
it makes sense if it's a stove
02:24:13
1 pic 254 and so on of course here
02:24:18
it will be hard to navigate this
02:24:22
this mode then you see the documents in
02:24:25
each in his own window and see them
02:24:27
is also called standard
02:24:29
the default screen mode is in it
02:24:32
everything will open except the mode
02:24:35
There are two more standard modes
02:24:38
full screen with menus and palettes
02:24:41
and full screen mode
02:24:43
switching between them occurs through
02:24:47
view menu
02:24:49
Well, naturally, viewing too
02:24:52
display options there is a section here
02:24:54
screen mods screen mode and here you are
02:24:57
you see three options but we don’t go here
02:25:00
we'll look at the palette
02:25:03
tools we will find here like this
02:25:04
the bottom button
02:25:07
this button does exactly the same thing
02:25:10
it changes the screen mode and changes
02:25:12
them in a circle
02:25:13
3 modes in a circle switching
02:25:17
shortcut this f button has an f key
02:25:21
pressing on the keyboard brings it to
02:25:23
action let's click once on
02:25:27
button f we will see that all the pictures
02:25:32
disappeared except one except active they
02:25:35
are still open if we go to
02:25:37
window menu we will see that they are here
02:25:39
yes but photoshop switched to
02:25:42
when he shows one photo plus
02:25:45
interface elements and everything else
02:25:48
just covers it with a gray tablecloth
02:25:52
the most convenient mode for processing
02:25:54
a single image when you
02:25:56
decided which photo you are from
02:25:58
would you like to work please?
02:26:01
switch to this mode and feel comfortable
02:26:03
work calmly yours
02:26:04
nothing distracts you
02:26:06
showing through through photoshop
02:26:08
interface is not adjacent open files
02:26:11
nothing else is visible, by the way, here it is
02:26:14
this gray one you and I are in the first block
02:26:16
classes were set up when in the settings
02:26:20
here in the interface section they specified
02:26:22
medium gray color 3 full screen
02:26:26
ooof minus that is full screen mode
02:26:28
month me the third mode is the mode
02:26:32
completely full screen if we do it again
02:26:35
If we press auto, everything will disappear
02:26:37
only the picture will remain and we
02:26:40
still photoshop and we are still
02:26:42
we can work with this image if
02:26:46
you know how to use the joke Tomy you
02:26:48
you can even do something here for example
02:26:50
you can retouch by clicking on the button
02:26:54
thus switch to the stamp
02:26:57
you can change the diameter of the rod like this
02:27:01
Can you keep churning out something Perry?
02:27:04
yeah just don't count me out please
02:27:06
vandals why am I destroying this building so much?
02:27:15
at the roof, well, I had to show it, that is
02:27:18
you can act this way, but this
02:27:20
option for the Jedi because you are not
02:27:22
see the palettes you can't visually
02:27:24
control with which layers for example
02:27:27
Are you working, are there any nuances there?
02:27:28
you don't see any pitfalls
02:27:31
tools and their settings work like this
02:27:34
This mode is inconvenient and is not used
02:27:38
for work it is used for viewing
02:27:41
to see for yourself
02:27:44
image when you are not distracted
02:27:46
interface elements around or show
02:27:48
to his customer
02:27:49
show your boss if you are somewhere
02:27:52
you work and earn money with this
02:27:56
took a picture looked and admired
02:27:58
everything is fine, you can call it invited
02:28:00
looked approved in order to
02:28:04
switch to windowed mode again
02:28:06
press the f button let's summarize
02:28:09
standard mode when in each window
02:28:14
your own picture is displayed
02:28:16
used at the image selection stage
02:28:19
and assembling collage elements, for example in
02:28:23
one picture
02:28:25
stage at the work stage the mode is used
02:28:29
full screen go to it only
02:28:31
along with palettes
02:28:32
and the menu is the most convenient operating mode and
02:28:34
finally to evaluate the result we
02:28:36
use full screen mode
02:28:38
there is one more little trick that
02:28:41
may be useful at work
02:28:46
after all, palettes take up some space
02:28:49
even if yours is big enough
02:28:52
monitor, well, it’s a pity to lose this place
02:28:54
to quickly hide palettes
02:28:57
press the tab key palette
02:29:00
disappear and the menu remains at the top
02:29:03
still can if necessary
02:29:05
call some commands and when
02:29:07
pressing tab again palette
02:29:09
appear with the work essentially being built like this
02:29:12
we switched to full screen mode
02:29:16
checked what the layers look like
02:29:19
checked the tool settings, that is
02:29:24
set all these parameters that
02:29:26
necessary for further work
02:29:28
pressed tab and went to work
02:29:31
for example, retouch something after
02:29:36
how do we retouch we need to go
02:29:38
some other job needs to be changed
02:29:40
settings tab we press again
02:29:42
the whole palette is before your eyes
02:29:45
opportunity to fix it like this
02:29:48
moving around the image
02:29:52
once you have decided which one
02:29:54
exactly the picture you are going to work with
02:29:56
It's best to immediately switch to
02:29:59
full screen mode with menu and
02:30:02
palettes the most convenient mode for working
02:30:05
Well, if it is necessary at the same time, between
02:30:07
no one can switch pictures
02:30:09
prohibited it like this in the menu
02:30:12
window choose what you need
02:30:18
well we talked like a photograph
02:30:23
discover how ponies move
02:30:26
let's move on to the next section
02:30:37
next section
02:30:39
his conversations are save commands
02:30:41
how can you save it
02:30:46
the result we achieved
02:30:49
but wait for me, this photo
02:30:53
will help photoshop there are several commands
02:30:58
saving 2 of them
02:31:00
they are considered so basic
02:31:03
located naturally menu file up
02:31:05
commands safe save and commands sife s
02:31:08
save as what is their difference we are now
02:31:12
let's discuss a few more commands
02:31:15
well, preserving something each of their own
02:31:19
saves is in the section
02:31:21
export we will also look here a little later
02:31:24
Let's look at one of these Saif teams
02:31:25
web but first let's talk about
02:31:28
basic teams first team safe
02:31:32
save this team is blind
02:31:35
that is, when you give it to you
02:31:39
photoshop won't ask for anything
02:31:41
it's simple and uses I don't have
02:31:44
no additional settings
02:31:46
this command means that the new version
02:31:49
the pictures will be saved to that file from
02:31:53
which she opened with the same
02:31:56
settings that were before, that is
02:31:59
file name here extension and
02:32:04
accordingly the file type is jpeg
02:32:06
some additional parameters somehow
02:32:08
quality factor with which the peak
02:32:10
preserved or implementation not implementation
02:32:14
profiles here are all these additional ones
02:32:17
the settings will be in the same form
02:32:19
in which the file was originally saved before
02:32:23
as long as the image is not changed
02:32:27
but they opened it and there was nothing in it
02:32:28
changed commands safe active not
02:32:31
will save just the sword
02:32:34
if you change something in the picture
02:32:36
let me take it and for example like this
02:32:40
brush something here
02:32:42
I'll draw
02:32:44
no matter what change any operation
02:32:47
which at least changes something in the file
02:32:50
command sife will become active give this
02:32:54
team
02:32:56
look at what we have on disk and see this
02:32:59
the preview has changed and now I have it on
02:33:03
Saved on hard drive, this is the version
02:33:06
on which I scribbled something like that
02:33:09
brush with this preservation old
02:33:13
version of the image is irretrievably lost
02:33:16
when saving it happens like
02:33:18
geeks talk over the old one
02:33:20
copy name is the same but the version is there
02:33:25
new and this is a very dangerous moment
02:33:29
there are cases like this, I got there myself
02:33:32
several times a similar situation and in
02:33:34
interviewed many groups online
02:33:37
what was the forest of hands there, the question fell
02:33:42
the situation looks like this
02:33:45
so when you changed something in the picture
02:33:48
but do you doubt it or do you
02:33:51
you know for sure that this is a change that
02:33:54
should not be saved in a normal layout
02:33:56
and you go to the file menu and try to call
02:33:59
command save as
02:34:01
to save a separate copy for example
02:34:03
in the layers burst, they reduced the picture of you
02:34:06
it turned out to be kind of small
02:34:08
a small picture and you need
02:34:10
small jeep save and here I go
02:34:13
menu file
02:34:14
trying to call the save as command and
02:34:16
I miss and hit the save command
02:34:18
save and this is spoiled
02:34:22
version it is saved and kills what
02:34:25
I had a good time
02:34:27
file it's a shame it's very sad
02:34:30
but the most important thing in this situation is not
02:34:33
make sudden movements until
02:34:34
you didn't close this picture situation
02:34:38
we can fix it much later of course
02:34:42
we'll talk about what he's doing
02:34:43
palette history palette history but here
02:34:46
now when it comes to teams
02:34:48
save, I’ll still show you what’s wrong with him
02:34:50
can be done
02:34:51
history palette right here at the top
02:34:53
there is a so-called snapshot
02:34:57
ok picture of the condition it was in
02:35:00
picture at the moment when it was only just
02:35:02
opened
02:35:03
from the file before all your changes
02:35:07
if you click on this snapshot
02:35:09
the photoshop image will return to its original state
02:35:11
the initial state and at this moment
02:35:14
since she's back to her original form
02:35:16
you can once again become a file safe if
02:35:20
you saved something unsuccessfully
02:35:22
with the help of the safe team they spoiled what
02:35:26
was inside the file from roll photos and
02:35:28
how to save the initial scene again and
02:35:30
back
02:35:31
the initial creation of the image is now
02:35:34
me here on the hard drive everything everything
02:35:36
looks ok, but we can move on
02:35:39
go back to photoshop and continue working
02:35:41
what to do with it it's so small
02:35:44
a knot for memory and a life hack on how to avoid
02:35:47
troubles when accidentally wrong
02:35:49
command given to save
02:35:52
but what is it used for?
02:35:54
save command is used for
02:35:56
in order to fix it on the hard drive
02:35:59
the result of your work
02:36:02
it turned out why we sat and worked there
02:36:05
half an hour, for example, we brought the picture to
02:36:08
new state that suits us
02:36:10
and we want to save this result to
02:36:13
just in case we say the file from the iPhone
02:36:16
the next command is saved on the line
02:36:19
safe with save as this is already a command
02:36:22
This command is not blind when saving
02:36:27
allows you to change parameters and settings
02:36:30
you can change the file name
02:36:34
you can change the folder on the hard drive
02:36:37
where will this new version be saved?
02:36:39
you can change the file type or format
02:36:45
file is most often used precisely for this purpose
02:36:47
change the cfs command and apply
02:36:50
for example, if I received the source j5
02:36:52
I'll save it as a PSD right away
02:36:55
photoshop format and will continue to use it
02:36:58
work calmly, that's a tick
02:37:01
embed carpet profile
02:37:03
let me remind you about the system
02:37:06
color management
02:37:09
so that we don’t end up like this
02:37:11
an unpleasant situation when the file is missing
02:37:14
profile when the file is not embedded with a color profile and
02:37:17
doesn't know how to use color management system
02:37:20
interpret the mode that is here
02:37:22
available in colors so that this situation does not
02:37:26
formed necessarily when saving
02:37:29
set this key to implement color
02:37:32
profile
02:37:33
after the colon it will be written which one
02:37:36
this is exactly the profile if you notice that
02:37:42
this is her profile right away by
02:37:44
but then that means I have to say cancel
02:37:47
go back to photoshop and take action
02:37:49
some actions
02:37:50
to convert the image to srgb that is
02:37:54
here you can't change your profile here
02:37:56
the picture is saved with that profile
02:37:58
which she has
02:37:59
let's say save we see here
02:38:04
a new file has appeared on the hard drive
02:38:06
psd
02:38:07
and we see that the picture itself is in
02:38:10
The title now has a psd extension
02:38:15
after the command is executed
02:38:17
save as but image open
02:38:21
Photoshop is associated with a new file
02:38:24
even though they opened mine here
02:38:26
hence now she is associated with
02:38:29
this file, that is, all subsequent
02:38:30
changes will be saved here
02:38:34
such a command save like oh by the way you
02:38:37
you may encounter a situation where this
02:38:40
the team will be called even without your will
02:38:46
This happens for example in this case
02:38:48
if we open a picture from a jpeg file
02:38:51
and then create here for example
02:38:55
adjustment layer because jipped is not
02:39:01
supports working with layers and to
02:39:04
save the picture in the GPK file, it should
02:39:06
have the simplest form possible
02:39:08
accordingly be without layers as soon as
02:39:11
you create a layer or alpha channel or else
02:39:13
some element that jeepeg does not
02:39:15
saves
02:39:16
and try to give the command to the safe
02:39:20
photoshop understands that you opened it
02:39:22
from j peg and save the reverse jeep then
02:39:26
What did you not do at this moment?
02:39:29
a program to insure you instead
02:39:31
commands save calls the command
02:39:33
save as
02:39:35
cfs and offers you let's save
02:39:39
format that supports layers but
02:39:41
if you persist and say
02:39:43
no, I still want a JPEG program
02:39:46
save jpeg but before
02:39:49
save all the layers it will glue with the pop
02:39:52
that is, it further edits the image
02:39:54
it will be heavier, this one is also small
02:39:58
a little knot to remember how these commands
02:40:01
don't be surprised
02:40:05
that in some case having given the command safe
02:40:07
you will see the interface pop up instead
02:40:10
it executes the save as command
02:40:14
these commands are used for such common
02:40:18
I said cases but besides them there are more
02:40:23
one team that may turn out to be
02:40:25
useful
02:40:31
and the next block of my story is
02:40:39
team
02:40:40
save for web so if it and device
02:40:45
this is where I just need apples
02:40:49
this team used to be here
02:40:53
next to ffs save save as
02:40:56
now it has been hidden in the export section
02:41:00
we come here and find here it is
02:41:05
safe's team
02:41:06
and the bracket says legacy, such a hint
02:41:10
on the fact that this is some kind of old algorithm
02:41:12
old bastard, call this command
02:41:15
a separate window appears like this
02:41:18
really works in one window
02:41:20
most likely you have it here by default
02:41:23
the origin option will pop up when you
02:41:26
see one picture this is original
02:41:28
picture
02:41:29
what does optimist optimized mean?
02:41:33
when saving
02:41:34
For the Internet, formats are used in
02:41:37
which for the sake of reducing the file size
02:41:41
information changes in some way
02:41:45
in some cases it changes more than others
02:41:47
smaller but here is an optimized picture
02:41:49
this is what the image will look like
02:41:51
if you save it and then open it again
02:41:54
here you will notice how the losses appear
02:41:58
Well, if it's noticeable, option 2
02:42:02
next to the left the original on the right is what
02:42:05
it will work after optimization but you
02:42:08
most
02:42:09
most visual most convenient
02:42:11
way because you can compare
02:42:14
at the top right you select the format
02:42:17
saving for photography practically
02:42:20
no alternative is the jpeg format
02:42:24
why because gif and png format 8
02:42:28
has a very specific way
02:42:31
There is a color coding answer like this
02:42:34
color table color table
02:42:36
both gif format and png format 8 picture
02:42:43
formed from 256 colors, which is very little
02:42:49
each pixel is colored one of these
02:42:52
these 256 colors
02:42:54
a pixel color plate is made
02:42:58
just write the color number in this
02:42:59
table if we are dealing with homogeneous
02:43:03
with a colored object here for example
02:43:05
everything is very uniformly colored here
02:43:08
well, it doesn’t seem obvious
02:43:11
what's on the left what's on the right, although if on
02:43:14
this place will be noticeable to see
02:43:16
you see here it’s confusing and the transitions come with
02:43:18
more subtle gradations and here they are
02:43:20
had to be collected at the expense of intermediate
02:43:23
the location of these pixels
02:43:26
painted in some rougher colors
02:43:28
changing colors
02:43:29
if in the photo you have
02:43:33
more different shades for example here
02:43:35
this photo is not all red here
02:43:38
there are a lot of colors here, it will come out at all
02:43:42
terry color talking safe web
02:43:44
let's choose a gif, for example, which one
02:43:48
color table turned out well, now
02:43:52
enlarge this fragment and you can see it clearly
02:43:56
here it is quite evenly and asphalt
02:43:58
here is such a mess of pixels that
02:44:01
called upon at least some cards
02:44:03
intermediate colors to imitate therefore
02:44:07
gif and png 8 we do not use it is possible
02:44:11
use but for illustration purposes, that is
02:44:13
when can you advance
02:44:15
make an image in which
02:44:17
limited set of colors why not
02:44:20
used png 24
02:44:26
because in this case the file will be
02:44:29
weigh a lot on one side
02:44:33
of course good format you colors everything
02:44:35
are preserved and transparency is possible
02:44:36
save if you did it somewhere
02:44:38
a picture with a transparent area but it weighs
02:44:42
this picture is all over the internet
02:44:44
then it is very inconvenient to use it
02:44:46
That's why we supply Jeep quality factor
02:44:50
let's leave it at 60 what is the factor
02:44:53
I'll tell you about the quality a little later when
02:44:54
I’ll tell you about the format here
02:44:59
additional keys in which allow
02:45:01
make progressive or
02:45:02
optimized jeep is not needed
02:45:04
there is no need to blurt anything here either
02:45:07
select the fill color
02:45:10
transparent holes if they were in
02:45:12
picture and here it is a very important tick
02:45:15
embed color profile
02:45:18
profile because we are already on our team with you
02:45:20
illuminated, here you can put the key
02:45:24
convert caesar toad
02:45:25
if the picture was not taken with a profile
02:45:28
from orbits, it immediately transforms it into
02:45:33
metadata section you can select
02:45:35
what part of the metadata to save
02:45:37
metadata is an explanatory note on
02:45:40
its essence which is inserted inside
02:45:42
file with a picture and carries
02:45:45
information about their marshmallows, that is, data
02:45:49
which the camera left in the parameters
02:45:51
conversion ogio tags copyright
02:45:54
copy all kinds of information there
02:45:56
this is what piece of information you should leave
02:45:59
here you can choose everything
02:46:01
clean out see program safe in pet
02:46:05
such a program return the command this
02:46:08
the team itself is very very diverse
02:46:11
allows for a very cool picture
02:46:13
you can even improve it here
02:46:16
change size
02:46:19
that is, you can set at the time of saving
02:46:21
desired size for example 900 by 600 and
02:46:25
click on the cf button and select where
02:46:30
save jpeg well let me tell you
02:46:32
I'll save my desktop
02:46:34
we say save here on my work
02:46:38
a jeep appeared on the table with a picture
02:46:41
which is opened in Photoshop
02:46:43
see what file it is associated with
02:46:45
not from the desktop
02:46:47
and with the file from where it was opened
02:46:49
it's still a big full size
02:46:52
image if it was layered
02:46:54
tone and layers and here is a copy saved
02:47:06
if you open this photo here it is
02:47:11
opened because out of 33 percent here, let's have a table
02:47:14
reduce the display to lead to
02:47:16
to the same scale, here it is
02:47:19
a smaller copy of us that we
02:47:21
saved to desktop
02:47:23
the safe team is convenient if
02:47:26
you want without changing anything big
02:47:29
image possible layer by layer possible
02:47:31
this is some kind of heavy collage
02:47:35
big complicated if you want fast
02:47:37
make a little jeep out of it
02:47:40
send to the customer for approval
02:47:42
post this somewhere on the Internet
02:47:45
The command is very convenient to use but also
02:47:48
a small keepsake bundle for people
02:47:54
the most meticulous let me show you
02:47:59
Now I'll try this on the picture first
02:48:03
show it and then I’ll show it on a separate one
02:48:07
in the example with the screenshot we say file
02:48:11
export save for riva
02:48:17
well, something right here closer to
02:48:21
neutral should be more noticeable
02:48:25
we have a squat let's have a jeep
02:48:34
here we have everything in quality 60 here
02:48:45
there is a very important one here
02:48:47
switch that is in the field
02:48:50
preview
02:48:51
here you choose as in this case
02:48:56
a picture will be displayed if you select
02:48:59
option user document profile that is
02:49:02
use profile documents picture
02:49:04
in the right window when they show you
02:49:07
appearance will be displayed
02:49:09
according to the profile you are into her
02:49:11
embed but in our case it is with
02:49:13
I broke this picture as it is in
02:49:17
where people working for her will see
02:49:20
computer where control systems
02:49:22
color supported
02:49:24
if you want, here is the option if
02:49:28
you want to see how it will be
02:49:30
look on a monitor that doesn't
02:49:34
support color management system
02:49:36
you can put it like this or you can
02:49:40
select monitor color see how
02:49:42
this will work on your monitor if cms
02:49:45
not supported here is the memory image
02:49:47
a little yellower than the left one
02:49:50
color monitor color usually not here
02:49:54
almost imperceptibly let me give you
02:49:56
I will show more characteristic more obvious
02:50:00
an example is a screenshot that was sent to me
02:50:03
one of my students here was the question
02:50:09
next why photoshop
02:50:11
I see this color, that is, from
02:50:17
the color is a little more pink and when is it
02:50:20
everything is saved through the sayfa command here
02:50:22
why does the color turn out a little more
02:50:24
yellowish to make it more visible
02:50:27
I specially cut out this photo and moved it
02:50:30
on top of it left let me help you compare
02:50:33
this is in the web safe team and this is it
02:50:36
what was photoshopped, you can see that it was photoshopped
02:50:41
the skin was a couple for things so clear
02:50:42
slightly paler more gray
02:50:44
yellowish is due to the fact that when
02:50:48
applying the command
02:50:50
save for centuries the truth is not visible here
02:50:53
this setting in the preview field
02:50:58
the option do not use profile was selected
02:51:02
just look at how it looks
02:51:04
monitor
02:51:05
here's a slight difference to
02:51:08
see everything correctly use in
02:51:10
section preview position use
02:51:13
profile embedded in the image but
02:51:19
now let's move on to the last one
02:51:24
block in this second topic of ours
02:51:26
in working with images I want
02:51:29
tell me a little about file formats
02:51:40
we will use three main ones
02:51:43
format in his work, although much
02:51:45
more
02:51:46
if you give the command cfs file save
02:51:51
how the tour here we will see just
02:51:52
the switch is so very decent
02:51:55
dropdown list first format which
02:52:01
This is very often used in work
02:52:03
photoshop or psd format
02:52:06
what is it called by its three letters?
02:52:08
psd extensions
02:52:10
this is the proprietary format of the program and how
02:52:14
any branded format is good because
02:52:17
it stores absolutely everything
02:52:22
you could create layers in the image
02:52:25
layer mask adjustment layers
02:52:26
smart object and alpha channels neck player
02:52:30
are there any video layers there that are 3D?
02:52:33
layers that's what you don't do it all
02:52:38
the files will be saved even after this when in
02:52:40
psd will open, you will see all these again
02:52:43
elements are therefore stored in psd format
02:52:46
current work projects let's say
02:52:49
save and we will have something like this
02:52:52
psd file is current working projects
02:52:57
starting from the stage when you are just
02:52:59
you can convert the image conveniently
02:53:02
save psd
02:53:03
and ending up to the stage when you already have
02:53:05
it turned out to be somewhat multi-layered
02:53:07
a large enough file that you
02:53:12
The file has been approved, or rather it remains with you
02:53:15
lies with you approved the appearance and further
02:53:19
you clap the layers brings it to size
02:53:22
which the customer ultimately needs
02:53:25
save as a separate jeep
02:53:27
send it to the customer and you are left with
02:53:29
lie large full size easy
02:53:31
edited latest this one
02:53:33
psd file
02:53:35
this is for current projects
02:53:38
how much does psd weigh if we go here
02:53:41
here and see what size the document is
02:53:43
with picture size picture size 2 and 9
02:53:46
megabyte psd file size 3.1 legs this
02:53:54
the difference of 200 kilobytes came from
02:53:59
that the file needs to be saved except
02:54:02
pictures of some other things well
02:54:04
First of all, this is metadata, don’t forget about them
02:54:06
secondly, the file is saved reduced
02:54:10
preview
02:54:11
thumbnail image as
02:54:13
there is a small separate picture
02:54:16
inside the file it is needed for the operating room
02:54:19
systems for some simple
02:54:21
box views to quickly
02:54:23
form icons small icons
02:54:26
previews so the file always turns out
02:54:28
a little more than the picture itself
02:54:30
regular psd format files are junior
02:54:37
brother called he power document
02:54:40
format or does it have a PSB extension?
02:54:44
this is the same psd of the auger only without
02:54:49
size restrictions, the thing is that
02:54:52
psd files have two
02:54:54
One obvious limitation is related to
02:54:57
The image size cannot be saved in psd
02:55:00
image larger than 30 thousand
02:55:02
pixels on either side are not important
02:55:05
width this height is 30 thousand one pixel
02:55:08
everything in the train will not be saved and
02:55:11
second limitation psd
02:55:13
this is the file size even if the picture is
02:55:15
you are relatively small but
02:55:18
let's assume because there is a lot in it
02:55:19
layers some very complex layout in psd
02:55:24
you can't get a big file in
02:55:26
psd file size cannot be saved
02:55:28
there is more than one gigabyte
02:55:32
such a limitation in this case
02:55:33
used power document format in
02:55:36
the rest from psd
02:55:38
he's no different
02:55:42
here it is, the file is the same 3 1 megabyte
02:55:45
on the disk but if you read into it
02:55:47
unit kilobytes are slightly different but
02:55:50
this is such a frivolous little thing
02:55:53
though for some reason my files would fall
02:55:57
the icon is not always formed
02:55:59
formed graft is so strange
02:56:02
peculiarity
02:56:03
jump if you try to save the psd
02:56:12
not single-layer with more complex layer-by-layer
02:56:15
structure why you still need to be prepared
02:56:18
what action strange photoshop
02:56:22
let's make an adjustment layer here
02:56:24
and let's say save as and add it here
02:56:29
one for example name and select all
02:56:32
so ordinary so conventional
02:56:34
photoshop format let's say save it with you
02:56:38
this message will pop up
02:56:41
do you want to do for this file
02:56:45
maximum compatibility
02:56:47
maximum compatibility
02:56:48
implied with previous versions
02:56:50
photoshop is that from version to version
02:56:54
the format is changing, we are used to it
02:56:57
that he has been around for 25 years psd
02:57:00
but in new versions of the program they appear
02:57:04
new functions appear some new ones
02:57:06
elements new layers new
02:57:09
[music]
02:57:11
well, new details that can be added to
02:57:14
images of which were not previously
02:57:16
existed if you want it
02:57:19
these files opened in older versions
02:57:22
photoshop and retained their appearance
02:57:25
then you check this box:
02:57:28
at the same time the program does except here
02:57:31
this layer for example adjustment
02:57:33
except for those elements that are real
02:57:35
there should be sometime in this picture
02:57:39
but they won’t be saved for you
02:57:41
show off
02:57:42
some more will be saved
02:57:43
layers intermediate from screening
02:57:46
if you open this in a new version
02:57:48
photoshop which supports
02:57:50
your adjustment layer will open
02:57:52
adjustment layer and if you open
02:57:55
this is in some old version but I'm right
02:57:57
it's hard to imagine that anyone else
02:57:59
there is 3 version of photoshop left which is not
02:58:02
supports adjustment layer well
02:58:04
let's assume it's something new
02:58:07
a more cunning element than a corrective one
02:58:08
layer than if you open it in the old one
02:58:10
version then instead of the element that
02:58:13
does not exist in this version which
02:58:15
cannot be opened instead it will be opened
02:58:18
placed under it when the pores are up
02:58:22
time invisible from 1 3 equal layer
02:58:25
unless you assume that
02:58:28
your counterparties will have some
02:58:30
crazy old photoshop is better than this
02:58:32
disable checkbox
02:58:33
because its inclusion leads to very
02:58:36
greatly increased file size
02:58:39
save and see that instead of three this
02:58:46
the file weighs 6 megabytes although it's all
02:58:49
the adjustment layer weighs practically nothing
02:58:50
Nothing
02:58:51
let's try giving the command again
02:58:54
cfs save
02:58:56
under the name 2 also in psd format only
02:58:59
Now let's turn off the maximum
02:59:01
compatibility ok let's look here
02:59:05
this one again weighs 3 megabytes in total
02:59:09
if you don't want to waste
02:59:11
It’s better not to leave disk space
02:59:13
this checkbox about the maximum
02:59:15
compatibility
02:59:16
Dick McClelland is so famous in the world
02:59:21
teach or photoshop he somehow called
02:59:25
I’m not directly quoting this daw right now
02:59:27
I'll give you the meaning if you're a fool
02:59:33
and you want all your files to weigh in
02:59:35
check this box twice like this
02:59:38
free translation was what was written
02:59:40
it was officially better to turn it off
02:59:44
it doesn't make any sense today
02:59:46
you'll just end up with bloated files
02:59:49
second after psd format
02:59:52
the most famous format is tiff
02:59:56
let's say sfs file and select type a
03:00:02
or even this is what I'll do, I just threw it away
03:00:04
Let's say save this layer as we choose
03:00:11
type format will appear like this
03:00:15
the additional palette in it is better
03:00:17
don't change anything because if you
03:00:19
change the order in which the information is recorded in the file
03:00:22
not all programs can do it correctly
03:00:23
read and if you put it here and
03:00:26
compression that will work in
03:00:29
in the process of saving the file, yes it will become
03:00:32
a little less, but that’s all with him
03:00:34
operations will take place much more
03:00:35
longer it was useful once very much
03:00:39
long ago when there were tens of hundreds of megabytes
03:00:42
volumes were measured with such values
03:00:45
carriers now when we work with
03:00:48
terabytes of hard drives save on
03:00:51
such archiving buy sq perdu
03:00:54
hoarding stuff, excuse me, we're talking about
03:00:58
and we save everything in tiff format
03:01:01
this picture weighs or rather this file
03:01:04
exactly the same 3.1 megabytes as psd
03:01:09
typhus is good because it is the most
03:01:12
universal and simplest in its own way
03:01:15
device format once was
03:01:18
truly the most universal format
03:01:19
graphic data exchange
03:01:22
printing houses still require it if
03:01:25
are you going to publish something?
03:01:27
offset printing, intaglio printing there
03:01:30
they will print large quantities from you
03:01:31
demand
03:01:32
pictures in this format but before
03:01:37
between ki foma psd was very serious
03:01:39
the difference in tiff could not be saved
03:01:42
their
03:01:43
That's why the layered layouts were stored in psd
03:01:46
and the finished picture will be slammed and
03:01:48
were given to printing houses, for example, typhus in
03:01:52
this has already happened at some point
03:01:54
quite a long time ago about fifteen years ago
03:01:59
15 years ago but maybe a little more I don't
03:02:03
I remember the exact year the order is like this
03:02:06
at some point adobe taught photoshop
03:02:09
save on layer typhus and in this
03:02:12
moment the difference is for us as for
03:02:14
users between typhus psd erased
03:02:17
therefore, today the tiff format is unlikely
03:02:19
someone will only need a boat near the rocks
03:02:22
when communicating with printing houses, then due to
03:02:25
such very specific conditions
03:02:28
typographical and the most famous and most
03:02:32
This format is still widespread today
03:02:34
jpeg format
03:02:36
here it is when creating jpeg formats
03:02:41
the main focus was on file size
03:02:44
this format was specially developed
03:02:46
for the Internet and tasks on and make a file
03:02:50
as compact as possible for this task
03:02:53
decide the format was invented to save in
03:02:57
which occur with data loss then
03:02:59
there every time you save a jeep
03:03:01
The picture changes a little due to the fact
03:03:03
that she's changing a little
03:03:05
manages to make it more compact
03:03:09
archive that is the meaning of the work
03:03:12
jeep for example on the next one in progress
03:03:14
conservation
03:03:15
dynamic archiving of information is underway
03:03:17
This reduces the file size and
03:03:20
so that the reduction is stronger
03:03:22
information needs to be organized, that is
03:03:25
before her
03:03:26
archiving needs to be done more
03:03:29
uniform
03:03:31
photoshop breaks before saving
03:03:33
picture into squares 8 by 8 pixels and
03:03:36
make each such square small
03:03:38
by averaging, roughly speaking, he's just me
03:03:40
slightly blurs and after that the picture
03:03:44
when saving
03:03:45
tooth 3 becomes much smaller
03:03:48
megabyte of image at maximum
03:03:51
quality saved to a 969 kilobyte file
03:03:55
let's save with maximum
03:03:58
quality just in case here is ours
03:04:01
jipeg to have something to compare with and
03:04:04
Now let's see if it's noticeable at all
03:04:08
Is it noticeable that with such preservation
03:04:10
some kind of loss occurs
03:04:14
enlarged fragment we have it here
03:04:19
pixel grid haunts let's
03:04:23
let's go back a little bit, you see at
03:04:26
high magnification
03:04:27
starting at some point I will tell you
03:04:30
I didn’t tell you a little earlier when
03:04:33
under high magnification the mesh comes out
03:04:36
gray one that breaks the picture into
03:04:38
pixel for those who work with
03:04:40
pixel graphics is probably this function
03:04:42
very convenient but she always
03:04:46
annoys
03:04:48
leads to such mild rabies that's why
03:04:50
I go to the view menu in the view menu and
03:04:54
under the extras command in the Russian version this
03:04:57
the command is called auxiliary
03:04:59
elements with its help we command
03:05:02
to show or not to show
03:05:03
auxiliary markup including here
03:05:05
this grid but I don't want to turn everything off
03:05:07
auxiliary elements so I'll come in
03:05:09
to the show section
03:05:11
show and turn it off here
03:05:14
and everything grid is a grid not yet, well now
03:05:18
it will be more convenient for us to consider
03:05:20
result because we need already
03:05:22
pixel level will compare what
03:05:24
changes so gazebos would be best
03:05:29
save jpeg format
03:05:31
let's also add a C here
03:05:35
we say to save this is the maximum
03:05:38
quality this picture is original
03:05:41
this is what happens when you save
03:05:44
no changes are visible and you
03:05:47
will never be seen when saving with
03:05:49
maximum quality
03:05:50
changes occur at junior level
03:05:53
bits that set the color and by eye these
03:05:57
the changes will not be visible even in JPEG
03:06:00
It is not recommended to save multiple times
03:06:02
well because every time you save in
03:06:05
JPEG is recalculating pictures in progress
03:06:07
loss of quality if you save with
03:06:09
the maximum quality factor you can
03:06:12
calmly resave the picture and five and
03:06:14
ten times 20 times nothing wrong with
03:06:18
it won’t happen, but it’s better the other way
03:06:21
after all, there’s no point in taking such risks, but it’s
03:06:23
can be done if you save
03:06:26
image for the Internet to get
03:06:29
even smaller file is better instead quality 12
03:06:32
take 8 and here you see already
03:06:35
You can see how the image changes
03:06:37
it was especially clearly visible here
03:06:40
on the one hand it became something
03:06:44
mean on the other hand
03:06:45
appeared like this border partition 8
03:06:48
at 8 pixels it already starts somewhere

Description:

Подробнее о гибридном онлайн-курсе – https://www.profileschool.ru/category/graphics/course_photoshop_base На обновленном онлайн-курсе «Adobe Photoshop. Базовый уровень» мы дадим вам намного больше практики, личного внимания преподавателя и больше занятий. Дело в том, что курс становится гибридным: теоретическую часть мы записали на видео, а интерактивные занятия продлили за счет высвободившегося времени и сделали их более интенсивными. Хотите получить больше пользы за те же деньги? Записывайтесь в группу и получите 15 занятий и невероятный бонус, которого раньше не было! У выпускников «гибридных» курсов будет неограниченный доступ к видео-урокам. Вся теория останется с вами пожизненно и вы в любой момент сможете ее повторить! Записаться на онлайн-курс – https://www.profileschool.ru/category/photography/course_retouch_for_photographer Содержание: 00:00:21 - Интерфейс программы 00:17:23 - Командное меню 00:42:22 - Рабочие пространства и операции с палитрами 01:16:10 - Preferences - настройки работы программы 01:23:02 - Color Settings — настройки системы управления цветом 01:40:31 - Открывание файла 01:47:00 - Универсальный браузер Adobe Bridge 02:06:50 - Навигация в открытом изображении 02:30:29 - Команды Save и Save As 02:40:27 - Сохранение для интернета: Save for Web & Devices 02:51:33 - Форматы файлов - psd, tiff, jpg Информация о преподавателе и его онлайн курсах: https://www.profileschool.ru/teacher/andrey-zhuravlev Так же вы можете следить за новостями школы в соцсетях: Группа Вконтакте: https://vk.com/profileschool Facebook: https://www.facebook.com/unsupportedbrowser

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