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Юрьев Руслан

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How to draw a lilac

How easy it is to draw a lilac

как научиться рисовать

00:00:00

[music]

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[applause]

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and

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[music]

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hello friends, good day to all,

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friends, as you already understand, today

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we will paint a lilac

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in full, I won’t draw it, we’ll

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just draw a lilac branch like this,

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now we’ll look at several ways to

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draw a lilac, I have two types of lilacs, 1

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lighter the lilac of the groove is slightly

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darker and this is my pinin, it is

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advisable to make the first layer on pinin more

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liquid, it will dry quickly, it will disappear and you

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can continue to apply more dense strokes of

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paint, this purple

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is brown burnt umber, then green

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chromium oxide

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can be used green grass

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and cadmium yellow this kraplak is red,

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it’s pink, it’s cadmium red, no,

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now we need to find the middle tone,

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that is, let’s say the shadow ones

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here, it’s hard to see on the camera with your

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eyes, look here, everything is visible inside,

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so we need to choose this

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shadow color, like this, that is,

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do something like this color we take

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purple cadmium pink slightly white

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now it looks like but it’s more like

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this light color you’ll see I dipped it in

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thinner you can even take a tee it’s

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not necessary pinin

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it’s better to do the first layer on the back for us and the

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second page and also the day we’ll outline

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now from the shadow 1 will come here

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anyway, like this, it shows like a speck,

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a flower will always come out here,

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conditional, I won’t try to copy exactly exactly,

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just conventionally, and this is for us, but the

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main thing is to repeat the form itself

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[music]

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darker, you can do it a little like this and

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grace, take more pink,

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this flower has even more purple

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and speckled

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[music]

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which is darker than lilac, we also have it

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like this, conventionally,

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if we had a background, what kind of background

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can we eat? Is something painted over too much?

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I want to make a gap, just as a background, paint over the gap

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in the gaps, usually it’s

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always darker, so even if you

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paint over it, do it a little bit darker in

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general, then in this direction it’s again a little

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lighter,

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like in spots, right away we do

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n’t need absolutely no details for the darkest,

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you can add a little green, you can add a little

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darker where it’s a

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little bit so it will be a little bit darker than

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umbro, on top of how you can take cadmium

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red and a little bit of white.

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burnt umber and this sprig

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[music]

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if there is no chromium oxide, take green

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herbal and

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show these green sprigs,

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it is advisable to take a smaller brush, now I’ll

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take a brush of one

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shadow, we showed you can even

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probably make this area even darker,

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purple green

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kraplak,

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that is, just like that, even slightly darker, let

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this middle tone remain and you see, I

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deliberately leave these

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incomprehensible masks, that is, there is already some

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similarity in the spirit of our colors, maybe a little

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more in red, more specks, and

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here to show a little more

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flowers without drawing out just to see

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it, I do this

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a little - a little darkness could not be on top of this,

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we will now draw

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flowers with a brush, spots on this

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sharp flower came out here

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[music]

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I dilute the paint a little more densely,

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not a little the same sour cream I do,

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here we have a medium tone that we

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first threw in, then we threw in dark

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now you need to make it a little lighter than the

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first ones you threw,

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you can draw it like this,

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conventionally, throw them always a

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petal here, one flower in full

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approximately show

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[music] that’s how

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we do it and don’t paint over everything, we

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need all the colors that we have already

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applied to remain and

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then where we have the light falls,

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we take it even lighter and

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just light, but not exactly Komi white,

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just lighter, that is, here it is on the brush,

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which color

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is not white,

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but much lighter than the one we

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threw, and let’s say this flower

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is here to show

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them, and you can already see the bunny more densely and

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so show the light and again I don’t

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paint over everything

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again I need this medium one, I’ll take

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another smaller brush, well, you can

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take a smaller one, it won’t be more

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convenient,

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so I’ll put it on the brush

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and draw a flower here,

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if you already really like it

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when everything is written out with details somewhere on the

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floor of an open flower on the

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reverse side, not all of them are

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turned towards us, well, the leaf,

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in general, will now need to draw out

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the leaves;

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draw out somewhere, leave a gap like this

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dark, just do

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n’t forget a denser brushstroke,

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let’s say this one here

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it has one leaf, here it goes here,

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one goes here,

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the other goes in the opposite direction, this one goes to us

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exactly like this, we put the masks here, that is, here we

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sent them here, here we sent them here, here, this is

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the price, and where are the brightest ones, now we repeat

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these brush strokes, the paint will be

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mixed in,

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this color will remain and like this,

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we will have shadow and penumbra, and where we need the

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brightest, even more white,

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you can even let it dry the

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first time, it will be difficult, but if

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you put such

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pasty, just if you do everything, you

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will get just more white

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and

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which are open and just like that we type

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and

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it’s good to dilute more white so that they are

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soft and the paint will fit well,

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well,

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these are straight bright bright and white and

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where you need to add it is

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not the brightest,

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that is, you see, in several approaches you

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need to make one color, add where you

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need dark, then make a halftone, that

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is slightly lighter there even lighter

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then the brightest ones by adding

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separately children they outline the

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brand flowers everywhere you

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need to do it like this but I

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like it better of course to write it like this but

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it can be just like that just let’s say if the

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color is the same as we did kraplak

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purple

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closed flowers

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slightly white

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not here we have it like this, here we have it like this, the

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main stroke like this and

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putting the closed ones like this means like this

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in the shape of a flower, here we draw it a little lighter here like

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this, we

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go to the bottom here we can already draw it

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[music]

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then we make it a little lighter now

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We’ll also do everything here from too light, we

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need to add a shadow, that is, where

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in the shadow we don’t lighten them too much,

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we leave darker ones

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too, well, a darker

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volume from this will be obtained that

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some of us are in the shadow, some are in the holy place, these

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will be closer to us which were light

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let’s make it lighter

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just like that along the edges we make it brighter

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[music]

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and

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here

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at the edges like this it’s brighter or

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additionally highlights each of

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our flowers, that is, the very shape of the flower, like a

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petal, lies it, so we draw it,

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too, conventionally speaking, we introduce the shape of

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the petal lies mine is like this in a petal

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outline, you put them in the center so that you ca

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n’t make them look like stripes, smooth them out slightly

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and

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then with a second layer you can not immediately

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refine the details, you can leave it for the

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second session, let it dry, it will be

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easier for us and again on the edge,

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or in the shadows, the very edges are more

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white,

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so brighter that is, we are trying to

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gradually bring out this brightness

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and in the total mass it will look as if there are a

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lot of petals

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you are where in the light, of course you need to make it brighter

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in this way, let’s look at this a

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little differently, this is how you can

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put together a rag, that is, like this

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we collect any rags like this so that there are

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more of these,

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all sorts of ribs, we dip them in paint, that is,

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we need to make it lighter there and

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add it a little like this, like this,

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if you want it quickly without unnecessary

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details so that it is clearly visible, now I’ll

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remove this in general then It’s just that now

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I’ve knocked down the spots next to each other and with ear

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sticks like this, it’s also advisable to immediately make a

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middle tone, that is, like this we just need to

00:13:00

[music]

00:13:01

fill it in but leave a

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dark gap like this, then lighter like

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this, quickly more like a child’s and

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this, but you also see this here it

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will be a kind of gray, then even

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more whitewash is

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not where you need it, you can put it like this with a

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rubber band to fake it like this, that

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is, divide it by 1,

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let’s say one two three 4 5 by 4 and just like that, slightly

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scrolling like this,

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but the principle will look and the principle

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will be like this, this will be the method,

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two brushes, the same as I said,

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this can be divided, the

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same thing, now we take a lighter one,

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it’s not very convenient, that is, this is how

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the principle will be, so

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we scroll it slightly,

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but one way to the other

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then there is not just like that, but precisely in

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different directions, as if to show that the

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leaves are curling, and then again you can

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then

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give a little more detail around the edges and

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we will have something like this,

00:14:45

conventionally and abstract lilac, but if it is

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without a background, it will also look like this

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not bad in general, you get the idea, also

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look, it looks pretty nice

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if you add a twig here,

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leaves

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can be green grass,

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cadmium yellow, you can have green grass,

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green

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in c, you need it darker, you can use purple

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green with purple and the

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dark color turns out to be the edge of green

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grass on I because yellow didn’t run away who

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isn’t there, well, in general, with yellow

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it can be such a light color lilac and you

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need to add somewhere on the leaf you need to add it

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gives out the color lilac and then you can when you’ve already

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done it, let’s say it’s more glaze,

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then before you throw on different

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shades of leaves, in general, like this

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friends,

00:15:54

several ways to draw lilacs,

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use whatever you

00:15:59

like best, like more

00:16:01

detail,

00:16:03

you can do something abstract like this, in general, you can even use

00:16:06

scientific sticks, even sew colors, like this, you can

00:16:10

paint lilacs with several brushes,

00:16:13

in general, all friends,

00:16:14

thank you all for viewing the bouquet, I didn’t

00:16:17

draw friends, I don’t have a canvas, I

00:16:20

have a bouquet or I want to paint, I already want to

00:16:22

have a full-fledged painting, but I don’t have

00:16:25

canvases for this, all friends, thank you all

00:16:29

for the likes for the comments, subscribe

00:16:32

to the channel, we will definitely paint a picture

00:16:35

with lilacs, most likely even more than one,

00:16:37

so subscribe, it will be interesting

00:16:40

if you have any questions or wishes, what

00:16:43

kind of picture do you want to paint

00:16:45

together, write in the comments friends,

00:16:49

that’s all thanks to everyone, write pictures

00:16:51

friends, don’t get sick, happiness in the world, health,

00:16:53

good luck to you, friends, until the next

00:16:56

video, bye

00:16:57

[music]

Description:

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