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Arkadaşım Hoşgeldin | 20.Bölüm (Full HD)

Arkadaşım Hoşgeldin | 20.Bölüm (Full HD)

Channel: Arkadaşım Hoşgeldin

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ezgimola

00:00:00

Hello, come closer

00:00:05

to the microphone. I'm very happy. Do exactly what I say,

00:00:08

manager. If you give me permission,

00:00:11

we will do exactly what I say.

00:00:13

Have fun, too. You will always act like you are.

00:00:16

Teacher, you will drive us crazy. You are talking,

00:00:19

I don't understand. You are doing it. I can't do it. If he doesn't wake up, you will die young.

00:00:21

If he doesn't wake up, you will die young.

00:00:25

You are confused about your fate.

00:00:28

Teacher,

00:00:31

take care of yourself, you are neither a village nor a town.

00:00:35

Welcome, welcome, my friend,

00:00:41

welcome, my friend, welcome to your greeting,

00:00:47

a friend of mine, come

00:00:49

o o

00:01:13

[Applause]

00:01:22

[Laughter]

00:01:33

[Applause]

00:01:49

subscribe

00:01:53

this Welcome, good evening, Thank you,

00:02:04

subscribe,

00:02:08

thank you very much. Despite everything,

00:02:11

you came tonight. We thank you very much for

00:02:12

adding more. See you in the evening. Are

00:02:21

you going to bed?

00:02:24

This is a plan. 40 No, my friend. Do

00:02:32

you normally go to bed like a normal person? Are you

00:02:36

going to bed at night? Yes,

00:02:40

why are you pressing? I answer, do

00:02:44

n't keep joking, should I go out? Are

00:02:46

you going to bed normally? It's normal.

00:02:49

If something happens to me in the evening, I'm doing it. What about you, I mean

00:02:51

sleepy? So, are you a human? Yes,

00:02:55

okay, I hope you sleep like any normal person. You

00:03:00

made me forget what to say. Let me work. Why

00:03:01

are you prolonging the issue?

00:03:03

It's only 1/20000. Sir, let's be careful here.

00:03:07

This is a dirty town.

00:03:11

They are taking cash from here. This is the audience.

00:03:18

Don't applaud everything. Let's do our own thing.

00:03:20

Applause in the morning.

00:03:28

But we really thank you. I mean,

00:03:30

everyone has a job. However,

00:03:32

you have prepared for this night months in advance.

00:03:35

You are wonderful people. Ankara. It's

00:03:37

always like this. Thank you very much. People of

00:03:39

Ankara, just hold on and do everything. Do

00:03:42

n't clap, you're working on your mouth.

00:03:44

After all, this is the biggest idiot in the country.

00:03:53

Why do they wear the evil eye bead in front of the moon so that you can't see it even if it's in front of you and behind you?

00:03:55

You don't have it, all of us are

00:03:58

here, everyone can't be touched by the evil eye,

00:04:00

my friend. If the evil eye bead

00:04:02

comes across there, I will be obsessed with the cows in the country.

00:04:10

Attach it to a place that doesn't look like a cow,

00:04:11

but it's gone, it's been set here, are the kids having to

00:04:13

deal with it for an hour? It's

00:04:15

like it's on your neck when you look at it from afar. Do you understand? Let

00:04:17

me love you now, that's me.

00:04:21

Okay, yes, call our child, nothing

00:04:24

is being talked about from you anyway, my child, come to him,

00:04:26

my child, not him. We rebel is right.

00:04:29

Call me to your presence. Unity, don't

00:04:39

get stuck, don't kiss.

00:04:46

It's the week of contagious disease,

00:04:48

this is a wooden kiss. I just called you Small,

00:04:52

I mistakenly called you Small. You. Yes,

00:04:55

our s**** has arrived. Let's go to Ankara. Let's go,

00:04:59

Come, Go, Come, can it be in Ankara?

00:05:00

Play the music too. Don't drink according to the music, take it

00:05:03

inside, we cut the stain inside, my friend, you

00:05:12

don't feel it inside,

00:05:14

there is no point in playing the music. To me, prayer, everyone

00:05:17

felt it. No, go two steps back, take

00:05:21

the microphone back. From there,

00:05:23

start from where you put the microphone, come feel it inside you,

00:05:26

mc32, in a way. Yes, take off the jacket,

00:05:42

be active and play it while taking it off. Listen to the music, be active,

00:05:49

test, wait a minute.

00:05:52

Who are you showing off to? We are

00:05:53

friends. Why are you throwing the jacket on the ground? Did your

00:05:56

father buy the jacket for you?

00:05:59

I can't do anything. Look at the gas, but he

00:06:07

had to talk at his speed. Throw the jacket again,

00:06:10

less, but go hold yourself. OK? Throw

00:06:14

that jacket away and go. Take it away with Atatu.

00:06:19

Okay, it's over. Take that thing out,

00:06:23

take out the cuckold. Actually,

00:06:26

we call it Afyon. Okay, take off the short tie.

00:06:28

Let's dive in. It's over. I'm thinking of a position and a

00:06:36

situation. I

00:06:37

haven't done anything yet. Yes, your hotel

00:06:41

stools are a stool for my friend.

00:06:44

Let me do it my friend,

00:06:50

take a look at yourself from the outside, how

00:06:52

do you look, thank you. Yes,

00:06:56

you are by the sea, on the Suadiye beach. Scene,

00:06:59

make this sea sound. The audience, the audience, wait a minute, wait

00:07:08

a minute.

00:07:12

I said, "The voice of a child being taken to the toilet tonight can be written."

00:07:20

Come on,

00:07:23

let me see this, you are a little thing,

00:07:25

you have overcome yourself alone,

00:07:28

there is no alienation from myself, alone. Loneliness

00:07:32

has been felt, are you something, am I becoming?

00:07:37

Yes, you feel prepared. What do

00:07:40

those who feel lonely do, steal something, play

00:07:41

something?

00:07:43

There is nothing, you are a tool, what a waste.

00:07:49

No, you are the only one. You have too many

00:07:51

tools there. What? Yes,

00:07:56

we are going to the houses, how will it be broadcast? Don't be a

00:07:59

jerk, no guitar, it's a

00:08:02

good thing, it's very nice, give it, give

00:08:06

it, give it, give it to me, give it to my friend, my friend, you

00:08:09

play the clarinet, you play it for

00:08:12

a reason, stay, you

00:08:15

play the clarinet, is it on the Suadiye beach?

00:08:19

Yes, you

00:08:24

are buying that gold match. No, no,

00:08:40

you feel sorry for the air inside you, into the clarinet, but

00:08:43

with your mouth. Yes,

00:08:45

wait, you

00:08:48

will start playing now, okay? While you are playing, wait a

00:08:51

second, you will pick up a lady, she will pass in front of you. Am

00:08:54

I drunk?

00:09:08

Are you thinking of someone to replace me? Is this a plan?

00:09:11

And for the ladies' machine, Sir, how much

00:09:15

are you going to,

00:09:17

how much is the 288 class? 0/8, are you

00:09:24

going to hurdle jump at school?

00:09:26

Oh no, okay, thank you,

00:09:30

my sister, on behalf of Esra, Esra, while this

00:09:34

is playing, when I tell you to come, you will come and

00:09:38

say "Great, wow", while passing by, for a long time, okay? Yes, Three

00:09:41

Two, One of my friends, play it, not like this,

00:09:47

play something. Play Yes Three Two One of my friends, please don't do it, make a

00:09:55

noise, nothing will happen,

00:09:57

it won't be a shame for anyone, come on,

00:10:03

of, of,

00:10:08

[Music]

00:10:24

this, stop, where did you learn to

00:10:29

take it in a perverted way, art lover, do you always have to do it?

00:10:33

Anyway, I gave up because you're stealing,

00:10:37

I have to do it, nothing happens when you do it. Let me

00:10:41

see, play it again.

00:10:50

Okay, cut it. We understand it. Okay, okay, cut it. Yes,

00:11:00

Hatice, Hatice, you are coming from the side.

00:11:06

It's late. It's ringing. It's

00:11:10

Esra. We're going from there, Esra. You're going from there, Esra.

00:11:12

I didn't understand.

00:11:14

You said you were passing. But

00:11:17

I didn't tell you what you were thinking.

00:11:23

You can break it,

00:11:27

I'm behind you, if it's comfortable, Esra, are your parents

00:11:33

here? No, you came with me, my sister

00:11:36

came, there's no problem. No, yes, you are playing,

00:11:39

my friend, with the clarinet in your mouth. As

00:11:44

you were passing by,

00:11:47

it touched my lungs, and all that, when I don't say it,

00:11:52

you pass by, when I don't say it, you don't

00:11:53

pass, it's playing, you're playing,

00:11:57

assume I'll put it on.

00:12:03

This friend touched me with a montage, tell the girl that you are alone, you are

00:12:10

not bothered, because it is not read, you are very good,

00:12:12

you shoot very fast, she is lonely, tell me again, I say she touched

00:12:14

my lungs,

00:12:17

insist, I say 20 touched her, why are

00:12:20

you turning this way again,

00:12:23

don't tease each other a little, she looks

00:12:25

like you who are on stage like you. Nothing

00:12:26

will happen. Yes, it looks too much, but yes, yes,

00:12:33

it's a big one. Get well soon, Sir. What happened?

00:12:35

Stand up, my friend. Get up. Get in touch now. Get well soon. I'll give you a

00:12:37

big recovery. Come on,

00:12:43

my friend. Loneliness.

00:12:47

Loneliness. Let it come out. Yes, he said he touched it.

00:12:52

The girl said he touched it. Come and say it in front of him, crying.

00:12:54

Esra, your touch, but it's there. Hit

00:12:56

it, it will pass, it will pass, where

00:13:01

are you going, just stand in front of it. Okay,

00:13:03

it doesn't stop, that's why it touches,

00:13:05

it stays in the current,

00:13:07

it happens because it stays in the current it created,

00:13:10

I don't know where Esra and the product are, German,

00:13:15

Hit of of of,

00:13:20

you are stopping at the end. Am I right? You

00:13:25

are right, it has been like this for years.

00:13:27

I can't do anything about this, I mean, if there is something that can be solved in one night,

00:13:29

dear Esra,

00:13:32

she hit her lungs in front of the tour and measured me. Cry, she touched me,

00:13:35

my friend, communication is

00:13:43

not like that with a girl, communicating by mouth, by

00:13:46

talking, by talking,

00:13:53

get well soon, how

00:13:55

can it help, I'm alone too, because how

00:13:56

can I help, I'm lonely. Then

00:14:02

now she's even more alone. Esra, what happened to her is a

00:14:06

very bad thing. God, the song you played was worth it,

00:14:07

but

00:14:11

it doesn't matter. I'm just looking, I'm going to ask something, she's

00:14:17

going to have a heart attack soon, write,

00:14:19

you can send her with applause,

00:14:25

yes, my friend, you're sitting there, you're so

00:14:28

lonely, you're playing the keyboard,

00:14:30

give me the clarinet. Why did we take you away? Don't

00:14:32

handle it, you are jealous of a keyboard from

00:14:34

the child

00:14:35

and you take the cover off yourself.

00:14:39

Don't give anything away. I don't want the microphone.

00:14:41

Just let it stay in place on the keyboard. Yes, Ezgi,

00:14:43

come right away, Ezgi, come while the child

00:15:02

is stealing his clothes. Ezgi is on the rocks, cowering to

00:15:04

commit suicide. Because

00:15:06

I decided to marry a child,

00:15:07

your father asked you to give him the child, you are not sure.

00:15:10

You found out that he was cheating,

00:15:12

you came and committed suicide. Oh, go to

00:15:14

Kaya's head before committing suicide.

00:15:16

Cry and sing a song. You too

00:15:19

will hear her voice, my friend,

00:15:20

you will go to her. 3-2-1 Here you go. Oy oy, they do it

00:15:30

around here. They blindfolded me.

00:15:35

The closest light was not there anymore. I was in a memory. They

00:15:42

flashed and called. Pomegranate I would search for two days without you

00:15:47

I leave the news

00:15:54

Cry to your fate Cry for me our fate

00:16:00

far away For your fate Cry for you my friend,

00:16:06

you heard this beautiful and thin voice,

00:16:11

my God, I found this beautiful,

00:16:13

Whose voice is coming from the clouds?

00:16:18

I'm burning, something is burning, God.

00:16:22

I can't believe it. Build an Agriculture and Forestry Farm

00:16:24

here. Can such a thin voice be possible,

00:16:27

my friend? Her voice is thin. Be a delicate girl,

00:16:30

brother, run. Just as she is

00:16:33

throwing herself,

00:16:37

fight from the waist, okay?

00:16:40

When Ezgi clings to someone, do what is necessary for her,

00:16:42

okay? 3-2-1 This is what you are

00:16:46

doing my friend,

00:16:50

I always come across it at night, how can it be?

00:16:53

I did what was necessary, teacher, I told you to close it.

00:16:56

Yes, are you me? Ezgi, if

00:17:00

I come back again, you will commit suicide again. Forgive

00:17:02

my friend, the last thing is the girl, let the

00:17:05

girl throw herself, you hold her in the air 3 2

00:17:08

1 together It's a pity he doesn't catch it, he'll be crippled,

00:17:11

he pretended to hold it in the air, lick 3 2 1 Par,

00:17:17

crazy, what are you doing? Look at the girl, too. In this weather, when the

00:17:29

old one opens, so that nothing happens on the land, beat you, let me go, I

00:17:32

want to die, yes, beat me,

00:17:34

hit Aha, you want to do it to me

00:17:36

too 3-2- I want 1 horse. Shall I throw it? The horse is

00:17:42

salt in the air. Yes, I want to put it here.

00:17:45

Look, it's going. What will this place

00:17:48

hurt me? What will I do? Got2day is a

00:17:50

curse in the flower. I think

00:17:52

you can jump very well. There is no king like you. You can jump head over heels like that. My

00:17:55

friend, what are you doing? He's

00:17:59

not encouraging the girl. Yes, yes.

00:18:02

Ezgi stuck to you while you were jumping and held you by the foot.

00:18:05

It was the best. Yes, sister,

00:18:09

Burak, you left me, my friend. I'm going to throw you away now?

00:18:11

I don't want to live anymore.

00:18:14

They will write me as a witness. So maybe I'll

00:18:17

go and throw you like that. Friend, let me go,

00:18:21

old Lord. What are you doing? Guess the child, she's

00:18:25

not a woman, this is my friend, trying to persuade you.

00:18:28

work, holding it on your feet. I think

00:18:30

you can pull it faster. No, what he's saying, well,

00:18:34

he didn't jump, don't jump, look, when

00:18:37

he's pulling you down, lift your head up, okay

00:18:39

girl, it's sticky to your leg, put your head

00:18:42

up, lift your head up.

00:18:44

You don't have to throw your head into disaster. Life is so beautiful,

00:18:46

don't throw yourself away, just a little bit of

00:18:48

something nice for me. He said,

00:18:51

tell me one nice thing, I'm going to jump, I

00:18:55

got into the vein the most. But tell me

00:18:57

something external, it's me

00:19:00

inside me. Tell Elif, I

00:19:03

don't know you,

00:19:05

I think I won't enter you, I say say a nice sentence,

00:19:08

but is life forgotten, you do

00:19:10

n't need to do such a thing? So,

00:19:12

you're doing something like this, let's give him a rest,

00:19:13

we'll throw him away without a woman. What will happen? I'm in

00:19:15

despair. I'm suffering from love.

00:19:19

They want me to marry someone I don't want. It's not like that, it's not like that, the child has

00:19:21

cheated on you. Actually, it's the one thing I wanted, but he

00:19:24

cheated on me. I can't tell my family about it.

00:19:26

Which one do you want? Is it a child? Is it a person? Thank God, or did

00:19:27

he think of a child? Well, my

00:19:33

friends, if you are in the mood, see

00:19:36

the friend's report. Well,

00:19:38

I will climb up from your feet without leaving you.

00:19:40

How can you say that it suits me? No, it is not like that. You will climb from your feet, your cuffs, your

00:19:46

clothes, your waist, your hands, everything

00:19:50

up to your shoulders. Yes,

00:19:53

C congratulations, one head for you.

00:19:55

Isn't that enough? Isn't the head enough?

00:20:00

Look, I'll tear it apart, my friend, let it

00:20:03

be loud, no, no, I

00:20:06

wrote it wrong, is it happening right here, or

00:20:08

move towards the head. The bottom part is,

00:20:14

my friend, the man is moving head-to-head, and

00:20:16

you back away with the head. Okay, it's wrong,

00:20:20

but I'll save you lady,

00:20:22

I did something, it's something else. It was heart, don't

00:20:24

misunderstand, we are very sorry, my dear, look, it's a shame, what

00:20:27

you did, please don't compete, say Ezgi,

00:20:31

can you be the bridal car driver,

00:20:33

sir, he saved me, he saved my life,

00:20:36

I owe him a life, and

00:20:38

sir, if that's so, at least drive his new car,

00:20:40

brother. I owe my life to him,

00:20:42

my darling. Don't say that, is

00:20:45

n't he like that? Well, then I can't put him

00:20:49

in our car. Let him drive. Yes, the Turk

00:20:52

came right away. He is an influential great

00:20:54

man. He is next to someone. My good friend. You should know too. Yes,

00:20:59

[Music]

00:21:02

Don't throw it, Kutbay. Why are you

00:21:08

sitting in the back? It's important, isn't it the groom? He should be

00:21:10

in the front. If we sit down with the groom, the bride should

00:21:13

sit in the back. If the bride doesn't fit in the back, let her

00:21:15

sit in the front. If you have hired the bride, sit in the back. Stay in

00:21:17

the middle and let the bride sit. Kutay. You are now trying

00:21:23

to cause trouble because the girl sat next to you. Why did she

00:21:25

sit next to you?

00:21:28

What more do you want?

00:21:32

I'm overwhelmed by rude bad things. It's a surprise.

00:21:36

I'm crazy. That's right, bring it, bring

00:21:39

it, head forward. Yes, bring it well, take it out,

00:21:41

take it out, take it out, tell me why is he

00:21:43

sitting next to you? Damn girl, he is

00:21:45

sitting right now. Damn girl, forget about him,

00:21:47

I'm going to the car, I think I'm leaving. What

00:22:01

are you doing?

00:22:08

Are you? Yes, where are

00:22:19

we going? Where are we going?

00:22:21

We are going.

00:22:22

Ahmet Kutay, tell me, my rice pudding, the

00:22:29

man is our driver. He will take it

00:22:31

to you. What is it? Show me one logical

00:22:33

reason for marriage? Or

00:22:35

one? Or no? It's a dirty test. They give

00:22:38

one reason. Come in,

00:22:41

what does it matter to you? The man says, "

00:22:43

God, I'm going to say something.

00:22:47

Let's tie it to the bumper, let's pull it from here to meat.

00:22:50

Look, I swear, my

00:22:54

dear friend, you'll go, you'll go, you'll go

00:22:59

right away, in a second, three children will jump out,

00:23:02

we returned to the car to get envelopes, five of them

00:23:09

arrived, okay, I'll say something, it's

00:23:20

exactly the story, the bride is in her car, she goes to

00:23:22

kindergarten. Are we going in ? No. They

00:23:25

block the front of the bride's car,

00:23:27

jump on it and steal other than you, my dear. The

00:23:29

important thing is that her love is sitting on the sofa.

00:23:33

These trees should turn into saplings. This gas to my country is

00:23:43

from Anatolia. Uncle. s14a.

00:23:55

You are shouting all together. You

00:23:58

say envelopes. You say envelopes. Open it up. Let me open it.

00:24:00

Open up, that's enough,

00:24:04

that's enough, you're staying right now, how can it

00:24:07

be? You're right in our hands, it's not possible if

00:24:10

we give it from ice. This is over. I'll go home

00:24:12

and think about it. Is birth in Ankara free?

00:24:16

Yes, I had a friend, they want it, my dear.

00:24:19

Heart passing from the back, Zeki, shake it

00:24:22

to the children. Zafer,

00:24:24

they got that much without giving it to the children. If I give it away, it's

00:24:27

alone. Not here, my friend, get

00:24:30

on the car and tell them

00:24:31

about the envelope to the children who don't talk. Just

00:24:33

say it from 5 sides.

00:24:40

Subscribe. This is all

00:24:41

in a call that finds water.

00:24:48

If you are coming, it means there is still hope in this country.

00:24:51

Only 20 envelopes.

00:25:05

[Applause]

00:25:07

That's right, children, my friend, you

00:25:11

are making a speech. I said let me kiss

00:25:15

the cake. Take it in your hand, make up something for the children,

00:25:18

draw their attention elsewhere. Children,

00:25:20

I don't have any envelopes anymore. What did he do? The son-in-law

00:25:25

took the envelopes, the children, all six of them, there is nothing that belongs to me now.

00:25:29

Superior, then say something to the other children. He will lift it up

00:25:31

to them, my child, don't turn around,

00:25:33

open it. It's good. Make a move. It's

00:25:37

as if there were envelopes for the children. Run

00:25:40

away, those Sultan children, come to the wedding hall and meet

00:25:46

us there. Maybe we'll come right away. Run to your place.

00:25:49

Everyone, put them in their places. Hurry up. Don't rush. We'll be

00:26:02

here until tomorrow. Yes, my friend,

00:26:08

while you were driving, he screwed you about the envelope.

00:26:10

Kutay is not like that. Drive normally.

00:26:12

Yes, Kutay, why are you upset with

00:26:16

the children? You say, 'You didn't give them away. You're going to lose control over

00:26:17

there, my friend.

00:26:20

Okay? 3-2-1. You get out of the car.

00:26:22

Yes, God, you have given

00:26:24

enough time to give to your children and all the children.

00:26:27

What can I do with

00:26:28

them? You will spend

00:26:30

time for your wedding,

00:26:31

how much does a person do for the children until the night, of course, a

00:26:34

friend of mine, you can come there, that's enough,

00:26:37

I like you, I'm brother,

00:26:40

you know, when I get on top of a car, you see

00:26:43

me Recep, that's enough, I've had enough of

00:26:46

seeing you in this ridiculous situation, let me

00:26:48

tell you, I like you, it doesn't hurt.

00:26:50

Look, in the meantime,

00:26:52

I can't wait too long, Ezgi, go convince him and bring him

00:27:01

to the car, Mr. Tolgiş, as you say, please be patient

00:27:09

a little longer, we will get through it,

00:27:12

I will be patient like that, we will throw him out, let

00:27:17

me show you, hit him in the mouth, I hurt him in the mouth

00:27:23

right now No,

00:27:26

you are talking to your own mouth, how can this be understood,

00:27:30

Kutay? Say that he is a man,

00:27:33

he said it with me, he is a man, you are next to me. Sit down, is he sitting

00:27:36

where you are? God

00:27:39

damn it, is he going to

00:27:40

get married? My friend, go to him and congratulate him.

00:27:44

I can't explain it by hitting him in the mouth.

00:27:46

There is no need. I met him too. I think

00:27:47

you tried in vain. No, congratulate him.

00:27:57

I just want to

00:28:00

reveal my appearance,

00:28:02

so that I don't have any secrets against the lady. May God make her happy, be

00:28:04

good to her,

00:28:06

I will make a move, but I will do

00:28:13

this, Kutlay, you are of the age

00:28:16

to get married, she will attend

00:28:20

your wedding soon.

00:28:22

I will come to see what this move does. You also respond to her move, there is

00:28:24

no need. My son,

00:28:26

because it was my movement, I answered.

00:28:28

So, the movement is popular. Yes, and the

00:28:31

Vik network is right. They come to the production.

00:28:34

Bring the wedding table. Kutlay Kal

00:28:36

took the girl's arm.

00:28:39

They are now at the wedding hall. My friend, shek, is in the car.

00:28:43

Behind the picture in the shop. Well done, the bride

00:29:06

came from the car. You came to the wedding. You

00:29:09

are very touched. The girl's father. Come,

00:29:12

brother Ümit, come, get a wedding officiant immediately, come

00:29:16

to that table, brother Ümit, Hello, welcome, your name is

00:29:20

Mert Mert, welcome brother, welcome

00:29:23

Hello Mert, sit at the Wedding Table instead, sit at the table,

00:29:26

they are not chairs, they are the

00:29:28

complete table. Yes, Ezgi, if

00:29:31

you can be my witness, my witness

00:29:33

has not come, my friend said. If I asked,

00:29:37

my witness had not come. My wedding witness.

00:29:40

If you are happy, there will be a problem.

00:29:46

What is your reason for being nonsense? Oh, our father is

00:29:49

right.

00:29:50

Yes, he can be my witness.

00:29:53

Please. Thank you, little one. Let's do this,

00:29:56

brother. Yes, Ümit brother, you

00:30:02

can make a speech and say, "On this happy day of my daughter, I will write

00:30:04

a song for her." You

00:30:06

say you want to play the song, and after playing the song,

00:30:09

you will feel sorry for Tolga.

00:30:11

First, you played the song to our daughter.

00:30:13

I stopped it just as the wedding officer started speaking.

00:30:15

Of course, it was just a simple wedding officer at first.

00:30:21

Our dear guests, since I'm out for a minute,

00:30:24

play a song on your happy day.

00:30:30

What should I do? Shall I play it? Here you go,

00:30:33

my date friend, Ümit. While I

00:30:39

'm playing the song, I'm the bride and groom, if you dance,

00:30:45

you dance with whoever you find on the stage. Yes, this year, don't hit it twice.

00:30:50

Look, secondly, if you like it, there is a

00:30:52

wedding officer called Haset. There is a wedding officer called Haset.

00:31:50

If you want me, my darling,

00:31:55

I will be your witness. If anyone asks who this man is, I'm

00:32:01

an old acquaintance And I love you. Call

00:32:09

me to your wedding. Darling, if you want,

00:32:15

I can be a witness. Who is this man?

00:32:22

If anyone asks, you can call him an old acquaintance. My beloved, we used to dream, the

00:32:30

years

00:32:42

are never in the account. Separation, we, you know,

00:32:48

how long have I laid

00:32:50

this out? In the whites,

00:32:57

where are you? Dream, We are the years' nothing. There is no

00:33:05

separation in the account. We know how much

00:33:13

I loved. Can't I love in white people? Your

00:33:47

wife can't get enough of

00:33:50

it. I won't give it. You are too rich now. I'm

00:33:56

separate. My heart is just for you. Can't I

00:34:00

give it to you? If I were one, couldn't I love you?

00:34:24

You can't give it away, there is a wedding. Congratulations to you,

00:34:45

brother. Go and throw

00:34:50

this moment to the wedding table. It is

00:34:58

very difficult when you love like this.

00:35:04

Happiness to you, patience, brother. Now

00:35:10

you throw people away, my father, my friend,

00:35:33

late. You are the witness too.

00:35:36

You are crying loudly. My friend, I am very sorry

00:35:38

about this situation. The wedding officer. You stepped in and

00:35:41

started immediately. Oh yes, the song happened.

00:35:45

I think it has touched me for years, it's only the 9th,

00:35:52

you told me to go and kiss your father's hand. Daddy, I cried and said, "

00:35:54

Oh, my son, I'm so sad,

00:36:07

but what will we do?"

00:36:21

We started by hitting the Kaaba. Yes, we started, the brother hits.

00:36:25

Welcome, we are here today to kill this happy couple.

00:36:32

They applied to us. Don't delay there.

00:36:35

Then I will start.

00:37:02

He accepts the lady as his wife, congratulate her, stand up,

00:37:04

shout a lot, Yes, yes, etc.,

00:37:06

move left and right, Yes, yes, what is happening, yes,

00:37:09

yes, let her say the back of my hand, celebrate. 3 I

00:37:13

swear to God, the thing is attacking, I swear

00:37:16

I will stick one, ask the girl now. Ask

00:37:19

Ms. Ezgi, in sickness and in health, for better or

00:37:23

for worse. How

00:37:25

do you know these, son, what do you do?

00:37:31

But my friend, a love engineer, is just

00:37:36

giving an answer when the girl steps in. Yes, here

00:37:39

you go. Do you accept the gentleman as your wife?

00:37:45

But I am my friend. Throw yourself on the table.

00:37:48

There is something here. It's not like that.

00:37:55

Welcome with a message. No way.

00:37:58

No. This can't happen to me,

00:38:08

daddy, my heart doesn't want it either,

00:38:10

ask your father, he'll leave you cold

00:38:13

Yes, Three Two One, this is the place, see if my friend cheated on me,

00:38:35

things are changing now, my father,

00:38:41

them, my mother, what days have I seen? Sugar

00:38:46

stay free. Yes, tell me what his father

00:38:49

will step in and please tell me what his father is. It's okay, girl,

00:38:53

since he cheated on you. You get out of here and let

00:38:56

me see, come on, hug and kiss me. My friend

00:39:12

was very happy. Because he is very happy.

00:39:21

Take it immediately as if it were a football.

00:39:35

I will celebrate with Burak and kiss you. You

00:39:41

can help too. Come on there, girl, and have a

00:39:48

happy ending for that girl.

00:40:00

Witness the happy ending. Bring it to Ümit Besen's stages for making it and for preparing the happy ending.

00:40:04

Applause,

00:40:19

we're coming. He fell on his knees,

00:40:29

dragged, leave for a second, shouting. Go

00:40:33

here, honey, this, this meat. Celebrate it in

00:40:35

a bowl.

00:40:43

Send it here with applause. Put it on the bride's arm. Come on, don't put the

00:40:54

bride on your own arm. Yes, come

00:41:04

on your hand. Give me a promise by hitting her in the mouth. What should

00:41:08

I do? Give me a promise by hitting her in the mouth. I swear to the girl.

00:41:10

I won't hit a group.

00:41:13

I won't ask again. Drink like it's okay. Then come and

00:41:23

[Applause]

00:41:25

[Music] Welcome,

00:41:33

my

00:41:38

friend.

00:41:54

Why don't you come? I

00:41:55

wasn't that interested. I came to your house as you said.

00:41:58

Well, get out of the water, you can eat a brush.

00:42:01

Go away, what are you?

00:42:04

I'm coming as a caller, you don't come when I call,

00:42:07

you're just skin, you're aggressive. No,

00:42:12

look at your clothes and tell me what's going on. Greengrocer. No,

00:42:14

no, pull it into your stomach, can you take your muscles out?

00:42:18

Yes, your arms. Sunday Inflate the hips,

00:42:22

take them back, take the legs,

00:42:27

I can't stop at the front. Because my friend, do

00:42:31

n't be rejected throughout the situation, whose Rambo is

00:42:35

Rambo

00:42:36

this month, be like him, that is, the hip is

00:42:40

outside and up, that is, the hip close to his waist, he

00:42:42

crashed the car, why

00:42:45

give it to Pelin, but it is close to her back.

00:42:49

That's right, yes, but we're not, the waist is here, the back is here.

00:42:51

Black hip wants to go up to the back,

00:42:54

but

00:42:56

it's like you're trying to lower it yourself, the account is starting

00:43:03

to start, but if you're already coming out,

00:43:07

you're pressing from within yourself, the audience

00:43:08

feels it. Yes, yes, press what

00:43:12

we want, it's going to release it soon.

00:43:15

Kurdish ma, just press the hip down with the current. Yes,

00:43:18

okay. What's on your chest? Claude is

00:43:23

blasting more than the Janissary.

00:43:25

Maybe look, did I make less of your chest? Maybe the gas is

00:43:29

in your stomach. Feel the gas in your chest, oh oh. This is the way it

00:43:33

always goes.

00:43:35

Can you say this?

00:43:36

Yes, this is water. You are

00:43:41

a soldier who fought in Vietnam years ago. That's why

00:43:45

you are like this. This is it. Yes, yes, it's better if

00:43:50

you stop, her hips are better, yes,

00:43:52

it's better. Yes, this position is better.

00:43:54

I like it very much. Yes, it's like a war. Give it to me

00:43:57

in your eyes. Oh, yes again.

00:44:02

It's like a war and you're angry at the army. You're

00:44:06

a soldier in the American army.

00:44:08

Why are you angry at me? No.

00:44:13

The story goes back. It's my movie.

00:44:16

Don't try to ruin it. Tell me why you got offended.

00:44:18

They didn't pay withholding tax. They didn't pay the withholding tax. The

00:44:22

American army. You slipped. And they threw you

00:44:26

aside like a piece of cloth. Tell me.

00:44:30

They threw me away again. But you

00:44:32

talk in such a way. When you talk, children are buzzing.

00:44:36

You come in dreams at night. You're like that. Maybe he's that type of person. So if

00:44:39

it is thrown aside, let me see the result. Talk,

00:44:41

maybe that's it, you and Hüseyin, Come on,

00:44:47

Chemistry,

00:44:49

Come on, let something come to us from behind,

00:44:53

Hüseyin, immediately put on 150 microphones. Hüseyin's

00:44:55

daughter was kidnapped and

00:45:00

they said to Hüseyin to find the girl,

00:45:02

if he finds her, who will find her?

00:45:07

Someone who is experienced in this job finds Captain Tolgiş, is this it?

00:45:12

Yes, Hüseyin,

00:45:14

you come sighing and whining and you

00:45:18

find tons of people, you say, "Soldier,

00:45:20

can we talk, come, come, knock on his door,

00:45:22

my friend, you are doing something inside too" Run quickly

00:45:33

Lara, we are in a hurry. Why do you want to play

00:45:43

something that makes the music work? Yes, give the music. You

00:45:46

are working inside. You are working inside. Make a bodysuit for

00:45:48

yourself. You lift the walls and lower them.

00:45:50

No, you lift the walls and

00:45:52

lower them. Yes,

00:45:55

you lift them on the wall of a living room. Lean on the wall of a bedroom. When you

00:46:02

lift them separately, the people in the kitchen You are showing there

00:46:04

are friends in the kitchen, look at the living room,

00:46:06

show that I lifted it evenly. Look at the kitchen.

00:46:12

Yes, you lower the walls completely.

00:46:14

This is a prom with a noise. Bloom Bloom.

00:46:18

Hüseyin comes and knocks on the door.

00:46:24

Hüseyin. Come knock on the door.

00:46:33

Come closer, come closer, come closer to this

00:46:35

door, it's

00:46:38

beautiful. Okay, guys, don't hold

00:46:42

this door. First, ask if you're Hüseyin, who

00:46:46

are you? Hüseyin, open the

00:47:01

important video for that paper, you're looking at it.

00:47:11

Where are you going?

00:47:14

Who are you? We need to talk about you.

00:47:19

Which one of my friends, Işıl, I haven't talked to? Don't be

00:47:23

a pervert No, what's the problem,

00:47:26

Mr. Hüseyin, you are talking by clapping your hands together in your hand and

00:47:28

banging your two fists together.

00:47:30

Girl, girl, girl, let me say, I don't have a daughter,

00:47:33

quickly, my girl, my girl,

00:47:37

where is my girl? My girl, my girl, my girl, my girl, my girl, my girl, my girl, my girl, my girl, my girl, my girl, no, you are a young man,

00:47:47

what does it have to do with it, my dear,

00:47:57

Hüseyin, sit down, sit down, sit down, squat down on the ground.

00:48:00

Yes, chair.

00:48:06

Hit your knees saying '

00:48:26

my daughter, my daughter, my daughter, my daughter, my daughter, my daughter, my daughter, my daughter, my daughter, no, try to talk to you. Before you talk, drop by drop, remove the wall and one of them. It's okay. What's the problem? I was working out with my full body. What happened? He couldn't understand what is the problem? 'My daughter, they kidnapped my daughter, I

00:48:29

don't have a daughter, they kidnapped my daughter. Yes. Then

00:48:32

you will go to the police, my friend. Tell me, pero,

00:48:35

I left things proud, proud,

00:48:37

everyone has changed, I quit, proud,

00:48:39

I deal with proud things, No, no,

00:48:42

no, I can't find your daughter, say the same thing,

00:48:44

I'm doing hotel things,

00:48:46

it's too far behind for me, I'm a person who lives on his own now,

00:48:48

Hüseyin, ask me

00:48:51

why are you removing the wall? Why

00:48:53

are you removing the wall so that Ceren can do it?

00:48:55

There is no window in the house, she is aware that the wall is always

00:48:57

left. Yes, she put it there to let the air in.

00:49:00

Two men walk in its place and say that you were expelled from the army with your pride

00:49:04

broken and that no

00:49:06

one will help anymore. Yes, your daughter was

00:49:08

expelled from the army by forming a group. It's yours,

00:49:11

your daughter. No, it's yours. Man, take

00:49:14

me, my daughter, she was expelled from the Army,

00:49:18

what is yours, how are you,

00:49:19

she was dispersed there, she doesn't know, my daughter, what

00:49:21

is you, you are, you are, you sat in the middle, she

00:49:33

is not my friend, I am here,

00:49:43

from now on,

00:49:45

I am not interested in anything anymore. I think Hüseyin is crying and say, "Do you

00:49:48

have a child?"

00:49:50

Please do I have a child or not?

00:49:55

[Music]

00:49:58

Show me the girl's picture Look at my daughter, look, look at my

00:50:02

daughter, look how she smiles,

00:50:06

look, this is my baby, how she smiles.

00:50:09

This is my daughter, the beard suits her incredibly well.

00:50:17

I fell in love when I saw the girl. Then, when you see her hand, fall in love. It's

00:50:19

incredible. There will be a day. Don't fall in love, fall in love with what you have Love,

00:50:23

Don't be a jerk Yes,

00:50:30

my God, is this your daughter,

00:50:33

what happened? Well, how can we give information, we do

00:50:36

n't know either, we know that she is missing, she

00:50:39

was just kidnapped in a forest area,

00:50:42

tell me, she was kidnapped in a forest area, that's

00:50:44

all the information we have, don't

00:50:47

you be too hard on her, head, I didn't open my mouth.

00:51:01

I didn't say anything, tell me. Well, there

00:51:04

is other information, describe the girl. Tell me, this

00:51:05

kind of girl is not enough for me, you need to give me some more

00:51:07

details. If

00:51:08

I am going to do this, I need more attention. This is all

00:51:11

the information we have. What a shame,

00:51:13

my friend, she got lost in the forest,

00:51:15

look at her hand, the girl is very thin, her face,

00:51:17

her eyes. Is there any information? It has been deleted.

00:51:26

Okay. Lastly. Where do we see it? In the forest.

00:51:34

Yes, that's it. More information. There is

00:51:37

no more. I will do my best. I

00:51:47

will do my best. Just because I understand the heart of a father. For this, Hüseyin Saral, let him be off his feet. Shake the air. I won't do it. I was

00:51:55

very happy too. Thank you so much

00:51:57

to my master. But

00:51:59

I can't do it anymore. That's why

00:52:00

I will call a friend to see what else can happen.

00:52:05

But did this poor person break it? My name is the spinal cord

00:52:10

thing. Hüseyin, he loves you very much.

00:52:13

Our duty is to be happy. Thank you very much.

00:52:18

I didn't know if I could do it, he'll do it, I

00:52:25

won't do it.

00:52:41

We built the wall in the new year, before his brother opened the door.

00:52:42

Anyway, okay, my friend, you

00:52:47

can prepare yourself now, go

00:52:48

and talk to yourself in front of the mirror,

00:52:50

what an attractive man you are,

00:52:52

not like that, my friend, you

00:52:55

haven't been doing this job for years now, this is the world. That's why you're

00:52:58

talking. I'm still strong, I'm strong,

00:53:00

etc. I'm still strong, I

00:53:03

have no reason to do this. I got that man reunited with his daughter.

00:53:06

I'm going to do a good deed. You go out to buy nice materials.

00:53:08

Go out and play

00:53:10

fast music. You can even go to the

00:53:13

guy who sells guns. Do they sell them on the ground floor of the house

00:53:15

under my house?

00:53:17

Yes, good luck.

00:53:22

You're doing Altay, they sell it downstairs,

00:53:26

okay, I can't stand up there,

00:53:28

but it's a cramped place. Okay,

00:53:30

tell me. But let's talk about it, too. It's very

00:53:32

low in here.

00:53:34

What happened? He's mute.

00:53:39

Tell me, where is this friend of mine? Give me this, give me

00:53:42

the bullet. Give me, give me this, give me this.

00:53:44

Okay. What are you going to do? I'll buy these. I

00:53:47

need them. Where will you use them?

00:53:50

It says, 'Should I give you a hand grenade?'

00:53:52

You're saying nonsense.

00:53:54

Give me a Scout pocket knife. Say 'Yes, give me. Give me.

00:53:58

You'll throw the car away. You never know who I'll come to. I have to

00:54:01

be well-groomed.

00:54:04

Friends. Don't be perverted, please.

00:54:07

Look, this is it.' Give us mustache wax from

00:54:09

big breasts. Yes, there is something else missing.

00:54:13

Because in the package, everyone's problem is

00:54:17

the same. Look, there are 15 of them. Four

00:54:21

handkerchiefs are not enough. Four colored wipes are not enough. If

00:54:25

you tell me after every day, it

00:54:27

will make 16. I don't have time for bugs. Give me a water bottle.

00:54:29

Okay, that's enough. Now

00:54:32

you can buy them all here.

00:54:34

This is the owner, Osman brother. You stop by and

00:54:37

tell Osman brother. You say, Osman

00:54:39

brother, I'm going on duty. Osman brother, I

00:54:41

'm going on duty. Now, brother. Yes, shake your

00:54:43

hand from Osman brother. As always,

00:54:46

Osman brother is a basketball player. Your landlord

00:54:53

friend, Osman brother.

00:54:57

Yes, brother Osman, I

00:55:00

will be here for about a week, don't worry about me,

00:55:01

I will pay the rent period. Where

00:55:03

are you going? It's none of your business,

00:55:05

Tobias, tell me, I'm going on a secret mission, we'll

00:55:08

reunite a father with his child, come home,

00:55:10

I'm going home.

00:55:12

So, what are you going to do? Come on, he won't recognize me.

00:55:18

Yes, move towards the

00:55:21

secret mission. Yes,

00:55:28

stop at the bus stop and

00:55:36

I will cook it for one person just in case there is a bus driver. One

00:55:37

person, my son, you are 9 years old, the tire is the same

00:55:40

size, Sunagul, brother, not that much, come.

00:55:43

Come, brother, come. Brother, your brother does not let go.

00:55:46

Welcome, brother. Yes, let it go, you are the bus

00:55:48

driver. Come by driving the bus fast. Very

00:55:51

fast, always take the bus. Come from the side. If the man is

00:55:55

standing at the bus stop. How should you come?

00:55:57

If you come from such a place, come

00:55:58

running. Okay, when you see it, do a tour or something.

00:56:02

Come back, press the button,

00:56:07

subscribe to Google Plus.

00:56:24

I'm asking for his head. He's

00:56:29

the Bey of Bursa. It's okay now. Yes,

00:56:32

let it go. You can come. He pressed the brakes. This is your opportunity. Ask

00:56:36

where you're not going. You're not going

00:56:39

home. Where are you going? Where are you not going?

00:56:42

Where are you going? I'm

00:56:45

not going anywhere. I pressed for the light.

00:56:47

The bus is not waiting. What's the

00:56:50

traffic light? I'm going to cross the street.

00:56:51

My friend. Nonsense, you're going somewhere,

00:56:53

you're not going home, ask me, let me know where

00:56:55

you're not going, I don't have any business, I'm adding nothing. I think you should ask me, where are you going, will you

00:57:01

go there,

00:57:03

will you go after me, wherever you're going, no,

00:57:05

I'm not that kind of person, my friend, the man is

00:57:08

trying to gas you.

00:57:09

Give him gas, he already gassed you. He is still under his

00:57:13

influence. You have to know. I need to know the man.

00:57:15

Tell him, he is preparing for you.

00:57:21

No, no. Tell me everything, my friend, I

00:57:24

will go to your house, let's drop me off,

00:57:25

I will go to the forest. Of course, thank you.

00:57:30

We are bargaining for 10800 at BİM. No, my friend,

00:57:35

the man tells you. He doesn't know. Even if you

00:57:39

jump, as you get in, you will say I don't know,

00:57:42

I won't leave. I'm like Bismillah What

00:57:46

kind of a voice is this? You're in the wrong profession.

00:57:49

I don't want to know. I'm going to walk. It's

00:57:51

natural. Where are you? What did you say?

00:57:55

Please, can you get in? I'm polite. I'll talk too. It's

00:58:00

a building and a friend of mine. Okay,

00:58:04

I know, Akbil. Press. What

00:58:10

are you doing? I pressed No,

00:58:12

I asked you something right now. You push it, driver. Okay,

00:58:35

okay, he didn't walk back. The word for me is, I'm holding the steering wheel. Can you change that gear? I'm holding the steering wheel with my manic hand. You can change that gear. A deck in both hands. Couldn't we continue? Where is my friend going? Okay, I'm walking.

00:58:41

Walk over here with the gears talking among ourselves. Yes, reverse, backwards. Now, why is he

00:58:50

coming back? We will go back then. Come and

00:58:53

see, the steering wheel turns into gear without beating.

00:58:56

By the way, we are turning it in the Japanese gear.

00:58:58

I swear to God, you too. Bro,

00:59:00

we will turn it. Well, where are you sitting?

00:59:02

Then why don't you use the gear? No,

00:59:04

delete this right now. o Yes, my friend, you

00:59:09

have a steering wheel like this right

00:59:12

now. Ya Burak, show your foot,

00:59:16

show the clutch in the gas comment, show us if we change gear, show

00:59:18

the clutch, show your foot,

00:59:20

show it by shaking it. Now

00:59:26

you say gas, right?

00:59:29

He doesn't know how to drive, is it a gift bus, why

00:59:33

did you come? He didn't know the regiment, though.

00:59:36

You never mind Yes, yes, while you're going too much,

00:59:39

when you're going, when you're going, because it's a lot of gear,

00:59:42

body, what are you doing, you're going down,

00:59:47

the gear is small, the year last shared it back,

00:59:49

let's go, come back, flags, once in a while, it

00:59:53

made this car take it,

00:59:56

I see it here, No, you're going down,

00:59:57

that's right, if you want it, Yes, now it's

01:00:01

uphill. Saying that you are going,

01:00:03

come and turn the car in which you are my stage, with wrinkles on the hill. Let's

01:00:09

go up the hill a few times,

01:00:16

hold the video instead, and in the other one, hold this by the belt,

01:00:18

what will I do with the bully from behind? Which

01:00:20

bag did I take from the man from below? He has the bag in his hand.

01:00:24

Elif can't

01:00:26

hold it by the belt of her coccyx. Yes, yes, now it's the

01:00:32

most disgusting forest. This is all wild.

01:00:34

animals here and here they will tear you apart

01:00:36

The download Here and here the exact pieces

01:00:45

Okay download it I will watch it it

01:00:53

was very nice thank you

01:00:56

Leave the money I will miss you now and hug

01:00:59

me I will say stop don't leave the bus

01:01:02

baby Look you send it to your place with applause

01:01:10

Yes my friend you build a heart there and

01:01:14

now you have lost the way watch and look and

01:01:18

smell the traces Smell the tracks, smell the tracks, did the

01:01:22

girl pass by?

01:01:25

You take out a piece of the green girl's belongings,

01:01:26

smell it from her pocket, then you

01:01:28

sniff the ground, I work like a dog,

01:01:32

come out here with the wolf, now smell it new,

01:01:37

it's not gone from here. So, what should we do?

01:01:41

I said I'm not coming back. No,

01:01:43

you're going to call a helicopter. It's me.

01:01:45

You're going to call a helicopter. Where do you work? Call me.

01:01:49

talk with a walkie-talkie. Do you have a walkie-talkie? Is there a walkie-talkie? And

01:01:52

helicopters, break break, let me go.

01:01:55

The center is direct color. I

01:01:58

need a helicopter. What kind of thing do you want?

01:02:01

And it burns less LPG and is a helicopter. What about

01:02:06

going somewhere, bad sugar, without a driver? It would

01:02:08

be more acceptable if it was a weedy one.

01:02:12

I am sending a production. Send

01:02:14

something. Do you mind your business,

01:02:20

the helicopter will come, now let go, make

01:02:28

a break-break move, I can't see you, it's

01:02:32

not like that, make a bigger move,

01:02:34

I can't see you, you can't have both hands, I can't see

01:02:36

you, let's

01:02:37

do this move, jump a little bit,

01:02:42

how will you show me, how do

01:02:44

you show it, sit down, angel, let me show you, let me do

01:02:46

a different move if you want.

01:02:49

Do that move. Everyone does it. What

01:02:57

are you doing? The fire is like this. By cutting the fire,

01:02:59

smoke comes out. It's yours. How

01:03:01

can it be? I saw it and I'm going. Next time, the audience,

01:03:08

make a helicopter sound. Make a helicopter sound. Do

01:03:18

you see me? Do you see me?

01:03:20

I'm Basri. I'm weight. Okay, stop there.

01:03:23

Pilot Basri Do you see me? I

01:03:25

see, mind your business, I see. Why don't you

01:03:30

make a gesture, Ayşe? No

01:03:35

to the helicopter. Say 'Stop, I'm going to

01:03:41

jump.' '

01:03:43

Stop!' 'He says 'I'm

01:03:48

going to jump.'

01:03:51

Helicopter, you're coming out

01:03:54

quickly. Is it here? Where am I going?

01:03:56

Wherever you come from, just get out of there.

01:04:11

Hello, welcome. I'm Basri.

01:04:14

I'm leaving it like that. Words in our hands.

01:04:20

Shake my hand. Let's show the audience. Yes,

01:04:27

now it's taking off. Take a little pat, pat, pat, pata,

01:04:30

aunt, aunt, aunt. Just

01:04:35

then, something like press. It happens, God, money,

01:04:37

something is happening, my heart is holding it, I think Oh

01:04:39

My heart is going to your heart, the simple ones,

01:04:41

the heart, What, Aha, it goes to your heart, the heart, the heart,

01:04:44

here and after, the heart,

01:04:48

or Add you to the hearts, where is it,

01:04:51

its hand goes to your heart, Oh, something

01:04:54

is happening to me, something is happening to me, let me press,

01:04:56

tell me What You are doing this

01:05:00

in a situation like this, sing a song to me, my friend, talk to me,

01:05:03

man and man are dying,

01:05:06

you say we will all be dust, you can't be my friend, you always give me

01:05:10

a belt, we can't

01:05:12

save the girl, say it all won't happen, you

01:05:13

have to take care of yourself, you have to be organized, you will

01:05:15

save your life, we will put it My heart is broken,

01:05:18

I think I'm having a heart attack, why is

01:05:20

it broken? My heart is broken, one Of course,

01:05:24

human friends have broken your heart, the

01:05:27

man who had a heart attack, try to fix it.

01:05:29

How nice is this shooting? This is the last worker,

01:05:32

take a break. Oh, ho, ho, what are you doing?

01:05:51

May God have mercy on me, what are you doing?

01:05:56

[Music] [Applause] You

01:06:03

just did it like a colt of God.

01:06:07

It was no use. How are you going to drive it now?

01:06:10

Ha ha. Try to drive quickly. The helicopter

01:06:16

is going left and right. What

01:06:20

are you doing to yourself? He's doing something. He

01:06:21

might be scared. I'm leaving a little bit of a fuss. I

01:06:24

gave him his voice. I gave him that much

01:06:29

time. Get in touch.

01:06:31

Everyone. Yes, the center is listening. No, I am.

01:06:35

I'm calling you, not everyone, but someone special.

01:06:38

[Applause]

01:06:39

Don't you know what you're doing?

01:06:42

I'm trying to practice it. Okay, lift the helicopter up

01:06:56

into the air, start watching the girl. Look, Elif. If you pull the one in your hand into the air, it will already rise. Yes, pull it up into the air like that. Lift it up to the tip.

01:07:02

You're using it from the side as "ba ba ba my friend." Now the plane is in the photo.

01:07:06

The audience is doing this in an explosion.

01:07:10

I can't believe it. Or yes, let's see where the girl is.

01:07:14

Ezgi, come, old man, come now. Come on,

01:07:17

come on somewhere. We're going under the knife.

01:07:22

Welcome. Yes, my friend.

01:07:36

God

01:07:39

damn you, look in front of you. Why am I

01:07:42

coming to save you?

01:07:46

I didn't see it. You did it wrong. You are leaving by looking.

01:07:50

You are looking at my teacher from the window.

01:07:53

When you see the old you from the other window, say something by shouting

01:07:55

to him. Sir,

01:07:58

he is there. Take a step, you don't see,

01:08:01

you hear the voice of help. But

01:08:04

you don't see. Talk to yourself, let

01:08:08

me turn on some music here. No, he's running away. Okay, help me. I have

01:08:12

work to do. Then, my friend,

01:08:16

you still don't see me, girl. Is there a sound coming from?

01:08:18

Where is it coming from or something? But where is it coming from? I

01:08:20

'm here. 62. Insult him a lot.

01:08:32

Get your head around the songs and

01:08:35

look in front of you. Okay, don't shout,

01:08:38

you're a maniac, that's an unpleasant thing.

01:08:41

Look at your daughter. This guy

01:08:42

is attracted to your mother. This means my friend is attracted to your mother. Say it and get

01:08:45

yourself out the window. Okay, I'll go downstairs and I'll save you. Let

01:08:49

me tell you about your move. I'll come downstairs by talking. I'll save you. Okay, that's where you

01:08:57

show me that you can save me.

01:08:58

Yes. Yes,

01:09:04

you can lift it a little higher, lift the helicopter,

01:09:06

lift the helicopter a little higher,

01:09:08

lift it, say it, say I'm throwing a rope, I'm throwing a rope,

01:09:11

but girl, I need to know if it's that girl,

01:09:13

test it first, don't get angry. Yes, it's a girl. Would

01:09:17

you undress? Okay, let it be like that. Is

01:09:21

this the girl in the photo I see you? Look and

01:09:24

see. Yes, this is the girl. How did you know?

01:09:28

Because I saw the photo of the girl, this

01:09:30

girl is 40 years old. I couldn't recognize her in the forest because her face was miserable and she had a beard. It's the

01:09:36

same girl. Mom, what will happen?

01:09:48

Sir, I'm sorry, please. What

01:09:53

are you doing? Well, your father's name is 1 and 3 letters,

01:09:57

s,

01:09:58

what is your father's name, 1/3 letter, Hakkari's

01:10:03

whole, Samsun's voice.

01:10:10

Yes, okay, yes, I'm throwing the rope

01:10:14

to you now. I'm throwing the rope to you now. It's stuck, I'm jumping out

01:10:18

now. Open the door. He cried.

01:10:22

Go out the door and get the girl, God

01:10:26

damn it, it's clear and get out of it

01:10:30

Oh God, use a flight plane, take the girl in your hand,

01:10:34

Shall I wipe the windows too? It's dusty.

01:10:38

Always say, "No, take Ergüç's feet,

01:10:42

you can use them with your hips if you have to. It makes more sense, call me.

01:10:51

What are you doing?"

01:10:54

You can't control the helicopter, here is the remote control. Okay,

01:10:56

tell the girl what to do now,

01:10:59

get away from there, if you want, I can hold it,

01:11:09

sorry, it's dripping, Iron,

01:11:11

I wanted it out of fear, its head is coming back, my friend, please

01:11:17

take it short, how can I take it up? You wolf,

01:11:20

the helicopter is moving left and right, right

01:11:23

now, the helicopter is swinging left and right,

01:11:25

you are holding a sensor, rap Şevki.

01:11:28

Leaf helicopter down, it's not like that, it can't be done,

01:11:32

turn it around and tell the girl, go

01:11:34

ahead and call a taxi, you're very stressed right

01:11:38

now. Yes, it is, show it all in short.

01:11:40

Yes, I'm very stressed right now. Because

01:11:43

it's a small show, I'll lose my balance. Seren

01:11:44

might lose it. Try to climb the stairs slowly. Will the one

01:11:46

at home

01:11:49

rise from under you, my angel?

01:11:51

At least by climbing. Shall I come 6

01:11:54

This slice is nice, it

01:11:57

would be ridiculous in pieces because it is a propeller from the top,

01:11:59

but I'm starting to go out, Ezgi Aydoğan,

01:12:04

I'm starting to go out,

01:12:07

as if I really cared, my friend. Nice, give it a short time, hold your oil and let

01:12:10

it come out, set the place where you control the helicopter soon, that's

01:12:21

it, Ezgi, hurry up, my friend, your daughter.

01:12:24

direct it this way, go that way.

01:12:27

No, if the children come, hold it in between. What should

01:12:32

I do, hold it to your feet, to the girl, I mean,

01:12:35

the girl has already arrived, hold on to her feet, hold on to me

01:12:40

UV Wow mashallah Yes, fall in love as soon as you see the girl,

01:12:54

talk to the girl by laying the flower on its side,

01:12:57

invest in the girl,

01:12:58

play jokes on the girl, scare her. Not him, he is

01:13:01

Helicoptering the Helicopter. So

01:13:04

you are writing to me this way, he is very

01:13:06

worried about you, Ezgisel, you are very scared,

01:13:08

sir. What are you doing? This is my style,

01:13:13

I always use it sideways. Okay, then let me stop it.

01:13:22

I don't understand what we are talking about. We stay in the air for a while

01:13:24

until it falls, Ezgi. While you

01:13:27

are looking down, you see Basri in the background,

01:13:31

lying there. There is something, Headman. Is that it?

01:13:36

Yes, Captain, tell me, the one you appointed, I fired him,

01:13:40

he was using the one below to see if he was sleeping,

01:13:42

my friend. Don't be ridiculous, you insisted so much that

01:13:45

we have to save the icon, but

01:13:48

we have to save this one. It's very difficult. We have to save it. Please

01:13:52

take it. Come and get out. It's a bit difficult,

01:13:56

my friend. Well, I will try to come to you by helicopter,

01:13:59

Ezgi. You hold on, Tolga,

01:14:01

just in case, just in case, jump

01:14:02

from the helicopter, please, please, whatever, please, whatever,

01:14:05

whatever, I will do that anyway,

01:14:07

we will land soon, then we will save you,

01:14:09

you know my friend, let

01:14:11

something happen to Pervari at that moment. Look, what

01:14:13

did you do now? Look, we see now.

01:14:15

When I threw it just now, it got stuck there and the

01:14:19

helicopter does not

01:14:21

make a forced landing towards the place where it is dominant. Be careful,

01:14:28

Sir. Scream, you are very scared,

01:14:34

you are a woman, or what is

01:14:40

this? Bademli Hit the pilot slowly

01:14:47

down. Now you will go down. You ca

01:14:51

n't stop the helicopter and stop it. It

01:14:54

landed on its own anyway. Are we yes? Yes,

01:14:59

you will come out. Repentance. Oh my God, there is a garden

01:15:02

missing. Don't take it out without placing it. Oh, this

01:15:09

man is alive here. My friend, please handle it.

01:15:22

God damn you.

01:15:39

Sister, what are you doing, sister? Oh me?

01:15:58

They got stuck under your feet. Oh Oh my hand, relax too,

01:16:10

my friend, you'll get air again. God damn

01:16:13

us, we don't know,

01:16:15

no. No, before you take off, you have to get that

01:16:18

thing that's attached to the propeller full, it'll probably

01:16:25

carry it. Oh, you tell me to press the button, if you want

01:16:33

the propeller to turn, you have it in your hand.

01:16:35

It's a shame. Oh, I'm a propeller, school is

01:16:40

nothing, no, it's zippered, it's 4 Turkish,

01:16:42

you throw it off, will

01:16:44

I kill the man in plain sight, my teacher, my friend,

01:16:47

I turn it with my hand, you press the button, you do it, I

01:16:51

swear, it's crackling, teacher, go down one

01:16:55

step down. Yes, it's aldo, did you take it? I took

01:17:05

it, show me, let me wash it and

01:17:09

show it like this. Yes, now you can go up immediately.

01:17:18

I'm showing you right now Rise Rise

01:17:20

Rise Rise Rise Rise Rise Why don't you close the door, let's

01:17:23

get some air, Rise,

01:17:27

Rise, Rise Just then, the helicopter

01:17:31

crashes down on the nose. Why did it come out

01:17:35

now? You forgot it's

01:17:37

on the nose. Tell me what happened. Ezgi, what's going on?

01:17:41

Sir, we're playing downstairs. It's fast. It

01:17:43

has value. He forgot it. Propeller also forgot.

01:17:49

The athlete is stuck in the propeller. The athlete is stuck in the

01:17:53

propeller. I was wondering why I always go up and

01:17:56

undress. So

01:17:58

I wrote to dry the asd. He gets up. Okay, oh oh.

01:18:08

That's why it happened to us. The

01:18:10

helicopter is on the nose.

01:18:16

Two months of age.

01:18:32

Tell me something. Don't say yes, we will die. It

01:18:36

will give morale to life.

01:18:37

How happy are the things to look at, and then they

01:18:39

will understand that we will die beautifully? The plane

01:18:44

crashes towards the ground, on your face.

01:18:48

An anchor sticks to you. My friend, first you leave, then

01:18:53

you stay Ezgi, from the window.

01:18:57

This is a lesson, you go down and

01:19:03

there is a blizzard.

01:19:07

There is snow,

01:19:09

there is snow everywhere, it's like this again, it's mine, it's my, it's mine, I

01:19:13

'm going to open your mouth,

01:19:15

God, you in the coffee shop, Jack, hu, huh,

01:19:24

this is the door. Here, this is different, like a head, or

01:19:30

you put the door in like a head.

01:19:33

This is it. The kiss is like a wind,

01:19:37

my friend, you talk, but

01:19:39

Ezgi can't hear because the wind is in your mouth.

01:19:41

I'm putting a key on her. I say, "Why is he

01:19:53

walking, my friend? He has a door in his hand,

01:19:56

he guides himself with the door, so he

01:19:58

needs to go further. Back Yes, you,

01:20:00

the wind blows you away,

01:20:02

goes to Ezgi's lap and goes to the door." You cling to it

01:20:04

and drop it on the ground with Ezgi. What happened?

01:20:10

Nothing happened to me. Well, how are you

01:20:14

going to live here now? The living

01:20:16

conditions are very bad.

01:20:17

Ali Boztaş moved to another one. Why is he here

01:20:20

now? How will you find food?

01:20:22

He won't find it. We will slaughter each other and eat them.

01:20:24

If that happens, will we all be slaughtered

01:20:26

here? What are you doing?

01:20:38

I'm going to make rotisserie lamb. Today, my friend made me do it at that time.

01:20:45

Oh, my guest friend,

01:20:55

you're doing it because you're doing nothing. What should

01:20:58

I do? The man smashes his head. What

01:21:02

a bad person you are, or the old you

01:21:04

are telling the door.

01:21:06

Can't I just tell you any story? I'm lost.

01:21:08

It fell and broke into pieces. You

01:21:11

didn't think of the appropriate helicopter.

01:21:33

What's left for you? He got angry at the one who brought it to him. Let

01:21:41

me surrender with applause, grape, my friend. I

01:22:00

think it's yours. I understand. It's not you. I mean you. Why are you

01:22:05

doing this to finish a movie? No,

01:22:07

I don't have any food. His man is dying. Anyway, he does

01:22:10

n't help him.

01:22:11

He was screaming even when I put him on. Wood Why do

01:22:14

you throw it twice? In the video below,

01:22:16

when your enthusiasm does not die, I will come to both of them. Do you greet Enver?

01:22:33

Subscribe.

01:23:33

Subscribe.

Description:

Arkadaşım Hoşgeldin her hafta kahkaha ve keyif dolu bölümle ve sürpriz konuklarıyla ekrana geldi. Burada da ilginize ve beğeninize tekrar sunuyoruz. Keyifli izlemeler! Arkadaşım Hoşgeldin Kanalına Abone Ol: https://www.youtube.com/channel/UCOYerJedhQqSyhXkev8QRFA?sub_confirmation=1

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