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Download "Tears of Summer : Liebesroman | Hörbuch Romanze"

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Tears of Summer
tears of summer
no more tears
donna summer
barbra streisand
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00:00:03
you hear tears of summer written
00:00:07
by Kaiser Arnold read by Angela
00:00:10
fosköler an audio book production by
00:00:13
audio for you if audio books for
00:00:15
Experience it with audio for you
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good
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Entertainment
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1 buzzer for someone who has never been in
00:00:27
his life has flown, I imagine
00:00:28
I'll try that beforehand
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Landing approach to talk yourself into landings
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are not my thing and St. are certainly not
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not I have all my courage
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put together now I almost have it
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To be honest, they were done
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20 hours on the plane is really a big deal
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No brainer against 18 years alone with mine
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Father on the plane it was essential
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more comfortable than our shabby one
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Apartment has been here I'm looking
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the window the machine turns one more time
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Round leans dangerously towards the ground
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I cling to it fearfully
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my seat and count to ten in silence
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Don't freak out, I already have
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These machines survived worse
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but they end up on some people
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Airports or not is in the
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a plane over Perth recently
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crashed I hope not the ground
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is getting closer and closer and I should
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Close your eyes but I can do it
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Don't look away, it jerks violently
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my feet are jumping and now I'm starting to panic
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in me but then he sets
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Reverse thrust and I realize that we
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have reached the ground without having to
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smash before I unbuckle myself
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the voice of the can already be heard
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stewardes still asks us passengers
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To stay strapped in I unfasten mine
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Fingers I clenched around the armrest
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the person next to me looks strange at me
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He probably noticed what I was for
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a fear had made great like
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I usually breathe again
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are instructed to take our seats
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stay until the plane's final
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Parking position has been reached after endless
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After 5 minutes the machine finally stops
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silent and the redeeming ping sounds
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Allowed us to unfasten the straps there
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It takes a solid hour for me to arrive
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can pull my suitcase off the conveyor belt and
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go through passport control first
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now I feel Australian
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Welcome to Down
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Under Jane promised me
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to pick up and I'll keep an eye out for it
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a pretty blonde but wide and
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Nothing can be seen of her around
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People around me fall into the
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Arms greet each other only I stand up
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little lost in the huge
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arrival hall maybe she is late
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but then it would have been intended for me
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Sent a message I look up
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according to my phone but it works
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Not that kind of crap here in Australia hey
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Are you Aria a tall guy with blonde hair?
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Hair that looks a little shaggy
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looks down at me and grins
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wide he looks like a leek say yes
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I timidly and nod okay, hi, I am
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Riley your aunt sent me I should
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Unfortunately Jane was going to pick you up
00:03:17
stopped I nod again and bite
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me on the
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Lower lip you are area Summerfield
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from London or not he looks
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looks at me skeptically and crosses them
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Arms over my chest, I groan internally
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on because I don't like my name
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my father in particular chose him
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and against my mother's wishes
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let me enter she always only has me
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Called Summer she said I had it
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Summer brought into her life yes that's me
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I just don't call me Summer
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I explain to Aria and pick up my luggage
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well then just buzzer you listen
00:03:55
your pronunciation that you are from London
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Come on, he grins cheekily at me
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Let me take the suitcase he wants
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reach for it but I'm faster
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I already have it, it's too much
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hard for you he looks at mine
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old suitcase that doesn't even roll
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has a lot that fits into it
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practically everything I
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only looks like I'm strong
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I say and then take a few steps
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I stop and turn around
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he doesn't follow me jane has me
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forewarned that you will find it difficult
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but you're convinced but she has me
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really sent I haven't before
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I doubt stealing your suitcase
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also that you have my shirts and bras
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he grins again and looks
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kinda cute about it, come on, him
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takes the suitcase and the heavy one from me
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Backpack from the as my hand luggage
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traveled and we walk together to
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Exit You will like it here Perth
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That's cool, I'm Riley Riley by the way
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Team he gives me his hand while we
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climb into his car it's a jeep
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and also very high so it helps
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me when I got in
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Summer I say as he sits next to me
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Driver's seat climbs but you know that
00:05:10
Sure, Summer, I'll remember that
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buckle up and you can do it
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The journey takes 20 minutes
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Airport to the Institute of
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contemporary art in which my aunt
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works it's a kind of cultural
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Center for art interested jane has
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wrote to me that it was a museum
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Library and an auditorium with a stage for
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hosts theater and dance performances
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I'm really excited because Aunt Jane
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told me that she gave me one here
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You can get a job if you work here
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I ask Riley, looking him over
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strikingly he is wearing beige cargo pants
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and a light blue polo shirt on me
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he gives the impression of a boy scout
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yes, I am an assistant girl for everything
00:05:53
So to speak, Jane, your aunt, takes care of it
00:05:57
it's about the temporary workers
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Lots of fun at the institute too
00:06:01
work, what is my aunt like?
00:06:04
I ask curiously, oh Jane is great
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really she is so casually full
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Ideas we like them all don't say that
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you don't even know them like many
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I want to know that there are temporary workers
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without answering his question
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keeps looking at me even though it
00:06:22
I would prefer he would focus more on that
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Pay attention to the street, it varies
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we are a group of four to S from
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Help depending on what's going on
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Jane mentioned that you are also in
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I will work at the institute, I nod yes
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Jane wants to get me a job
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I have to experience something n rich
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However, you won't have that
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I also don't imagine there is anything in life
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You won't find anything more important than money
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Riley also thinks for a moment
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It depends on when you have enough of it
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That's not important but if you
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every penny has to be turned over three times
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it is one of the most important in the world
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you to the people who have it in sacks
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Do you hoard or do you have daddy's black ones?
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Credit card in my luggage I laugh out loud
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when I think of Dad is one
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Credit card is really the last thing for me
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probably comes to mind
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He gets a free round in the PU
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the other
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spend sorry with one
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I can't just use a credit card
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Cash is real, I reply without saying yes
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Much to reveal, I'll take a look at the KG
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Landscape exactly like that
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Side window just flies past
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Perth is completely different than I think
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I have imagined above all it is
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Takes getting used to when in London
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lived this endless expanse
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Heaven
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homesickness is making itself felt in mine
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chest-width but you have to get new ones every now and then
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I have to pull myself together
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Just don't burst into tears now
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London is behind me it was a
00:07:57
Chapter of my life began today
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I noticed Riley's eyes again and again
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but the vegetation takes away mine
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Attention so demanding that I
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Huser can avert my gaze from it
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come into view and we'll park later
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some time v
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one steebäe one kinerm towers high
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the windows are the same and how it does that
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anesen presses on me as if it were an action
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yourself
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bahnhgebä that is
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Institute I'm sure Riley is looking
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asking me what do you have?
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I thought I had a newfangled one
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Building awaits with lots of chrome and glass
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Something like that, everything ticks a bit here
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Otherwise you will too with time
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still learning says Riley and holds it out to me
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Open the door so I can get out
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He heard you leave your luggage in the car
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Jane okay I say hesitantly my luggage
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just leave it unattended
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It's hard for me, you don't need to be afraid
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to have the parking space is part of the
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Institute only park here
00:09:05
Employees he will guard his gaze
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walks to the little white house
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in front of the two men in light brown
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I give myself uniforms
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beaten and leave the suitcase behind
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we enter a huge hall I lay
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throw your head back and look up
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first floor is a gallery which we
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Accessible via stairs is also here
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everything is open
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the white walls convey width and
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the dark floors look very well maintained
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not a crumb is on the shiny one
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Area to discover on a long
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A young man sits at the desk
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smiles at us in a friendly way, hi Riley is here
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yes, you don't want us as our guest
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let's introduce ourselves first
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So Sammer, this is Quentin, he works
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here for quite a while if you
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need something let him know he can
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Get everything, everything that is legal
00:10:00
jokes Riley hey you underestimate me
00:10:04
Quentin says and grins broadly as he stands
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up and gives me his hand hi Sammer
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I thought your name was Aria Quentin
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slim tall man estimated
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He is in his late 20s and has brown curly hair
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Hair and friendly amber
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Eyes that examine me closely
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grin slightly embarrassed, actually
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Yes, but my friends call me Sam
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because of my last name, well then I hope
00:10:31
I that I belong to your friends
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Jane is still in a meeting
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maybe you want yourself in the gallery
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Look around a bit, it won't be necessary
00:10:40
Quentin we are ready the voice comes
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from a door behind the desk
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There she is, Jane Harris, my aunt
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She is just 8 years older than me
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and looks amazing to my mother
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similarly, hi Aunt Jane, I reply quietly
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because this sudden thing brought me together
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meeting something overwhelms the memory
00:11:02
an mom gives me a little pang
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I wasn't prepared for that though
00:11:07
There was enough time, oh your aunt, you can
00:11:09
give it to you that sounds like it would be
00:11:11
I stone old she comes to me laughing
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and pulls me up into her arms
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once a warm feeling flows through me
00:11:19
Feeling it's weird because Aunt Jane oh
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Sorry, I only know Jane
00:11:24
of pictures that you email me
00:11:26
sent
00:11:27
but it feels familiar
00:11:30
I would have always known her as
00:11:33
we only met this morning
00:11:35
goodbye I have the feeling
00:11:37
finally coming home girl what
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are you just for a beauty you see
00:11:43
your mother as close as I can
00:11:45
I can't believe I'm finally in you
00:11:47
I can hold my arms, she whispers to me
00:11:50
softly in your ear and sniffles out of hers
00:11:52
A tear escapes from the corner of my eye
00:11:55
swallow hard because of sentimentality
00:11:57
I'm not used to it in my life
00:12:00
been around since mom's death over six years ago
00:12:02
Jane has no place for it for years
00:12:04
caresses me lovingly
00:12:06
hair and then hugs me to him again
00:12:08
I peek over her shoulder and give
00:12:11
Riley and Quentin a fleeting
00:12:13
Smile, but that smile kills you
00:12:16
quick death as I take a look
00:12:18
throw the guy with his arms crossed
00:12:20
Arms behind the two on the wall
00:12:21
He leans and throws me a mocking one
00:12:24
Look like I was a little child
00:12:27
now he even rolls his eyes
00:12:29
A big bubble comes out of his chewing gum
00:12:31
he bursts loudly what a
00:12:34
Idiot Mitch chewing gum calls Jane
00:12:38
she breaks away from me and turns
00:12:40
to him about Aria Quentin and Riley
00:12:43
you already know that's Mitch he is
00:12:46
also a new temporary worker like you
00:12:49
It would probably be best if you
00:12:51
for the first time
00:12:53
no really working together now
00:12:56
this guy who looks at you as if it were
00:12:58
you find an insect under your shoe
00:12:59
Please don't do this to me, beg
00:13:02
I mute and close for a second
00:13:04
but when I open my eyes again
00:13:07
Unfortunately he is still there and his
00:13:09
Gaze rests intensely
00:13:11
me two
00:13:14
Mitch she is a little mouse
00:13:18
new victim I can smell it see it
00:13:21
literally in front of me how they scream that
00:13:23
Leaves the country once I'm with you
00:13:24
I'm done with you, but we're still there
00:13:27
I won't be there for a long time
00:13:30
have a good [ __ ] and you
00:13:31
mess up well-groomed hair like that
00:13:33
that you can immediately see how she has hers
00:13:35
She spent time with me
00:13:38
will be a new notch on mine
00:13:40
Bedposts will be an English notch
00:13:43
the first from the UK
00:13:47
as I imagine Jane's face when
00:13:49
she finds out that I am her fine niece
00:13:51
I must have stolen the innocence
00:13:53
involuntary limits - that's what she gets out of it
00:13:56
that she went to bed with my dad
00:13:57
has risen and now mine
00:13:59
I want to play substitute mother, I look up
00:14:01
and look her straight in the eyes
00:14:04
this color they are brown no green
00:14:08
Or it doesn't matter what eye color
00:14:11
She has she is and remains a gray one
00:14:13
She has long brunette hair
00:14:16
tied in a ponytail what she
00:14:18
makes her look incredibly young, however old she may be
00:14:21
Well, she looks like she's 15, but I do
00:14:24
know that they will receive a scholarship
00:14:26
so she must already be over 18
00:14:28
I don't give a [ __ ] how old she is
00:14:30
You're never too old to [ __ ], right?
00:14:32
being too young I puff out my cheeks
00:14:35
chew on the old chewing gum and
00:14:37
burst another bubble Mitch
00:14:40
now take out the gum Jane can
00:14:43
be such a [ __ ] as I hate
00:14:46
just because this buzzer is hers
00:14:48
Niece is she will suffer oh yes and how
00:14:52
she will suffer Mitch that is Aria mine
00:14:55
Niece from countries like your father and me
00:14:58
It will have already been explained to you
00:14:59
We live with you so don't even try
00:15:01
to rehearse a rebellion she owns
00:15:04
even the cheekiness of this sentence
00:15:06
My fist wants to smile in her
00:15:09
Face but I'm bad at one
00:15:10
Woman especially don't suggest
00:15:12
Witnesses so I raise my eyebrows
00:15:15
up and look at each other mockingly
00:15:17
If I have to, I'll be grumpy
00:15:20
back hello Mitch please call me Sam
00:15:24
says this little gazelle and looks
00:15:26
me with her eyes whose color I
00:15:28
still can't determine correctly
00:15:29
curious to hi welcome to the
00:15:32
treadmill by Jane Harris I murmur
00:15:35
quietly and shook the outstretched one
00:15:36
Hand hey, what kind is that?
00:15:39
Handshake firm and strong like a guy
00:15:42
she looks up at me and suddenly
00:15:44
the color of her eyes changes
00:15:47
are clearly green and sparkle to me
00:15:49
knowing thank you very much, she replies and
00:15:53
lets go of my hand damn what should
00:15:56
now she is mocking me
00:15:59
If she has seen through me, she can
00:16:01
Mind reading all the questions are racing
00:16:04
through my head all at once
00:16:07
Mitch, what do you think if you Summer
00:16:10
to familiarize yourself with the buildings asks
00:16:13
Jane, I can do that mixes
00:16:16
Riley is one of the weirdos
00:16:18
this sample boy with crease in
00:16:20
the pants and gelled hair
00:16:22
Son-in-law material like me
00:16:24
I hate it, no, I'll do it
00:16:28
Just don't interrupt me then
00:16:30
puts that something for you, I have one
00:16:32
other task Riley come with Summer
00:16:35
Mitch will show you everything first
00:16:37
I need another hour here then
00:16:39
Let's go home so you can get settled in
00:16:41
Jane smiled
00:16:43
the gray mouse is okay, says Sammer
00:16:47
quietly and nods while it rocks
00:16:50
Ponytail and I have a good time
00:16:51
to pull her hair however she feels comfortable
00:16:54
feels light curls curling up
00:16:57
her little ears she really has
00:16:59
shitty beautiful hair come on I say
00:17:03
and go with her to the back area
00:17:05
where the offices and toilets are located
00:17:07
You don't have to do that if you don't feel like it
00:17:09
she says more quietly than we do
00:17:12
If you are within earshot of others, you have one
00:17:15
Guess I growl, here are the offices
00:17:17
of the employee behind the right
00:17:20
Door is Jane's to share
00:17:21
They are the temporary helpers here
00:17:24
Toilets she looks at me with big ones
00:17:26
Maybe I should keep an eye on her
00:17:29
explain what you do in a toilet
00:17:31
The thought makes me laugh, so I do
00:17:34
I'm definitely doing completely different things there
00:17:36
as she asks what's so funny
00:17:39
straight out you you are so funny you
00:17:43
look at me like you have one
00:17:44
London no Kos very funny I can
00:17:48
sometimes she asks, she presses herself against me
00:17:51
over to the ladies room and punches
00:17:52
the door in my face, well there it is
00:17:55
I probably need someone and I open the door
00:17:58
enter the room the washroom is empty
00:18:01
There are hardly any employees left in the house
00:18:03
It's already after 6 o'clock
00:18:06
At the end of the day, open the door to the room
00:18:08
Cabin opens and she comes out
00:18:10
she goes to a vanity lets that
00:18:12
Water runs and washes itself in everything
00:18:13
You can't rest your hands
00:18:15
Door mistaken she asks and looks at me
00:18:18
over the mirror to no me
00:18:21
always use the dim toilet AHA says
00:18:25
she lies with a raised eyebrow
00:18:27
it's because you are aware of your gender
00:18:29
not sure she wants me
00:18:31
I provoke, I move closer
00:18:33
close behind her and whisper here can
00:18:36
you can find a lot of [ __ ] there I am
00:18:38
Exactly
00:18:39
right and about my gender need
00:18:42
you don't have to worry about it
00:18:43
everything is fine, I grin suggestively
00:18:47
and look over the mirror into hers
00:18:48
Eyes are now green-brown again
00:18:51
and gentle even though they are between me and
00:18:54
wedged into the washbasin, it turns
00:18:56
turns around and looks at me
00:18:57
suspicious
00:19:00
I know exactly who you are grin
00:19:03
I look down at Sammer because she
00:19:04
is a whole head shorter than me
00:19:08
Who am I then maybe I can
00:19:10
find out something else about me that I
00:19:12
I still don't know you're one of those bad guys
00:19:15
Boys who are in front of nothing and no one
00:19:17
But you can't have any respect for me
00:19:19
I'm already scared of it
00:19:22
other guys finished, she hisses
00:19:25
I sink my hands into it
00:19:27
Front pockets of my jeans so I
00:19:29
she will not be tempted
00:19:30
touch but I'm excited because
00:19:33
no one has managed this yet
00:19:35
She looks at me coolly, let me better
00:19:38
in peace, I'm not into guys like that
00:19:40
thinking yourself the greatest but nothing
00:19:42
get baked there is no
00:19:44
Danger, I'm not into small ones
00:19:46
inconspicuous mice they believe
00:19:48
would still be 15 years old for one
00:19:51
She looks puzzled for a moment, then grins
00:19:53
She's your type of blonde, fake
00:19:56
Nailed breasts and sprayed ones
00:19:58
Lips of a chick who goes through all of them
00:20:00
You will sleep in my beds
00:20:03
certainly not landing, I answer
00:20:06
disdainfully she snorts quietly where
00:20:09
no need because there is no demand what am
00:20:11
I for one
00:20:12
Lucky one says, nudging her contemptuously
00:20:15
with her index finger against my chest
00:20:17
and struts out of the room carrying her
00:20:20
black dogmens and paragraphs
00:20:22
squeak loud damn actually am
00:20:24
I'm the one who leaves them standing
00:20:26
should and actually I should theirs
00:20:29
Not feeling my fingers on my skin
00:20:31
after all, she only has my shirt
00:20:33
touched I run after her because she is
00:20:35
she just moved on in a big way
00:20:38
The performances take place here
00:20:41
I explain, watching her do it
00:20:43
her fingers over the wood of the
00:20:45
Chairs move wow the stage is real
00:20:49
huge her eyes get really big where
00:20:53
Are you going to go to school? Are you still going?
00:20:55
about high school I want to know and let
00:20:57
I sat down on one of the folding chairs
00:20:59
They are padded and I slide deeper
00:21:02
and place your feet diagonally on them
00:21:04
Front row last year Senor high I
00:21:07
I'm going to the Balkatte you know
00:21:09
she good school I say casually and
00:21:13
get up, come on, now we have to go
00:21:16
Home, it's already the end of the day and
00:21:18
I still have something to do
00:21:22
Summer has no idea what's going on with this guy
00:21:25
On the one hand, he is friendly
00:21:27
then leave the arrogant ass again
00:21:30
hang out he looks damn good
00:21:32
and he knows that even though it is warm
00:21:35
He now wears a knitted hat that is his
00:21:38
He covers shaggy black hair
00:21:40
has crazy blue eyes like that
00:21:42
I can look intensively at myself
00:21:44
somehow naked we live in
00:21:47
It's called scabborrow the S planate
00:21:49
Street if you ever get lost
00:21:52
is a nice residential area explained to me
00:21:55
Jane while driving the car through the
00:21:56
out of the heavy traffic
00:21:58
City controls I sit in the back
00:22:01
of the car because Mitch insisted
00:22:03
has to sit in front even if Jane is there
00:22:05
I would have liked it to be different but I have
00:22:08
gave in and just fell behind
00:22:10
I don't care at all
00:22:13
where I sit I wonder which one
00:22:16
He comes to me with mental age
00:22:18
like a ten year old in front of the absolutely
00:22:21
He doesn't want to sit in the front yet
00:22:22
I'm the only one old enough for it so far
00:22:25
Tube Dangers Dad had his
00:22:27
Driving license due to drunk driving
00:22:29
lost and sold the car
00:22:32
Although I got a driver's license
00:22:34
but no
00:22:35
Driving experience is not my thing either
00:22:37
I like to walk because you can
00:22:39
This way you get to know the country and its people better
00:22:42
You can go to school with me tomorrow
00:22:43
Jane looks at me over the
00:22:46
Rearview mirror and smiles while Mitch
00:22:48
just a quiet growl, yes, I have that
00:22:51
Discussed with your father Keith is
00:22:54
with father she explains to me, are you going?
00:22:57
I also ask about the cat, surprised
00:23:00
and of course I wouldn't receive an answer
00:23:03
yes, it was too nice, yes, Mitch
00:23:05
also attends the final year
00:23:08
replies Jane for him now I am
00:23:11
confused, he looks so old
00:23:14
really I thought he was already up
00:23:17
I say hello to the college, perplexed
00:23:21
I'm here and can hear you, thank you
00:23:23
he talks about me as if I were nothing
00:23:24
Not available, he grumbles, insulting me
00:23:28
I mean yes, I reply sheepishly
00:23:32
Mitch had a few more problems says
00:23:35
Jane doesn't agree and I dare to do it too
00:23:37
not to deepen the topic not that
00:23:40
he's still acting out I can see his face
00:23:42
don't see it but I think it's him
00:23:44
doesn't like what Jane said about him
00:23:46
There is a silence in the car
00:23:49
and I look curious again
00:23:50
dem
00:23:51
Window this vastness makes me real
00:23:53
There's so much space here that I can
00:23:56
I'm not used to it
00:23:58
I have no idea that
00:24:02
I will live in Australia from now on
00:24:04
I still can't believe everything is working
00:24:07
as unreal to me as a dream
00:24:10
that I can't wake up after one
00:24:13
We park in front of one for fifteen minutes
00:24:14
two-story house it is
00:24:17
sand colored we get out and I
00:24:19
smell salt, there is no smell of the sea
00:24:23
this oily smell that I smell from
00:24:25
I know the harbor area of ​​the Thames
00:24:27
for real sea
00:24:29
clear blue water spreads out
00:24:30
from my right only a short path
00:24:33
separates me from the beach, wow the view
00:24:37
to the sea is no comparison to that
00:24:38
View from the window
00:24:39
run-down two-room apartment in
00:24:42
London lives right by the sea, I'm from there
00:24:46
It doesn't look like this anymore
00:24:49
Summer you B really one
00:24:51
Quick-thinker Mitch grimaces
00:24:54
I'll throw one at you
00:24:56
withering look
00:24:58
He doesn't even appreciate what he is
00:25:00
here he really is such an idiot
00:25:04
My first assessment was probably
00:25:06
I'm almost willing to give him that
00:25:08
I decide to stick out my tongue
00:25:10
but then again that would be closed
00:25:12
I don't want to come across as childish
00:25:14
Mitch stop your stupid sayings and help
00:25:17
It's better to go with the Jane suitcase
00:25:19
strikes a stern tone
00:25:21
I see him rolling his eyes
00:25:24
but then he opens the trunk
00:25:27
touches my luggage as if he could
00:25:29
with something
00:25:30
I quickly grab hold of him
00:25:32
over and pick up the heavy backpack
00:25:34
in his hand so that he doesn't have everything
00:25:35
Towing alone has to touch it
00:25:38
my shoulder his upper arm immediately
00:25:40
I jump back. Mitch grins at me
00:25:42
knowingly says but nothing just takes
00:25:45
the suitcase and goes towards the house
00:25:47
Sammer let's go in I want you
00:25:49
Show your room and introduce Keith
00:25:51
he's already home Jane leads the way
00:25:54
I look at the beautiful house and first
00:25:57
Now I notice this and that
00:25:59
live together and so do I
00:26:01
Mitch won't live in a house
00:26:04
I have no idea why he's only now this one
00:26:05
thought goes through my head my mood
00:26:08
drops to within a second
00:26:09
Zero point Mitch please show Sammer to her
00:26:12
new room I'm looking for Keith please Jane
00:26:16
and with a grumpy snick I follow him
00:26:19
just after because I don't know
00:26:20
where I need to go upstairs
00:26:23
he the last room at the end of the hallway
00:26:25
you have the most beautiful room with a view
00:26:27
onto the ocean
00:26:29
he explains, pulling out the dark ones
00:26:30
With curtains on in the room it is pleasant
00:26:33
cool the walls are in a light color
00:26:35
The furniture is painted peach red
00:26:37
the room isn't big but he knows
00:26:40
The bathroom is exactly mine
00:26:43
opposite Mitch, you point out the hallway
00:26:47
you have to share it with me my
00:26:49
Apartment has no shower, just a toilet
00:26:52
I ask your apartment
00:26:54
confused I live above the garage
00:26:58
pointing out the window on the left
00:27:00
I see a structure above the page
00:27:02
Garage window faces right into mine
00:27:05
I say aha in the direction of aha
00:27:08
Sammer Mitch comes to her for dinner
00:27:12
Jane exclaims and Mitch rolls his eyes
00:27:15
She's such a pain in the ass to lead
00:27:18
acting like she was my mother
00:27:20
But she doesn't, he grumbles and goes
00:27:22
on the way I would be happy if I had one
00:27:25
Mother would have let it escape me and I
00:27:28
Regret it the next moment Mitch remains
00:27:31
Standing at the door gives me a look
00:27:32
but says nothing but puts his
00:27:35
On the other hand, I go to the bathroom and
00:27:38
wash my hands there is one
00:27:40
glass shower cubicle a toilet and
00:27:42
two
00:27:43
There are shaving kits at one sink
00:27:46
and deodorant the other basin is still empty
00:27:48
and I quickly run back into the room
00:27:50
and put my toiletry bag there
00:27:52
I can unpack it later, I hope
00:27:55
Mitch doesn't take too long in the bathroom
00:27:58
Well, that can be cheerful
00:28:00
hello Aria, I'm Keith nice
00:28:04
Getting to know you Keith broad accent
00:28:07
I like it, it has the same ones
00:28:08
black hair and blue eyes like his
00:28:10
Son only his eyes look friendly
00:28:12
and are not constantly on guard
00:28:14
whatever Summer please calls Aria
00:28:18
Actually nobody, I'm happy
00:28:20
to be here and thank you for having me here
00:28:22
I can try my voice
00:28:25
to give a solid sound but it
00:28:27
I don't really succeed
00:28:28
I sound unsure about myself
00:28:30
annoys me and I don't clear my throat loudly
00:28:34
Topic, you're part of the family
00:28:36
Keith explains, pointing to a chair
00:28:38
Take a seat at the table, I have it
00:28:40
cooked I hope you like Pasta Jane
00:28:44
comes with a large bowl
00:28:46
Spaghetti from the kitchen with the red sauce
00:28:48
smells seductive Keith is with us
00:28:51
the cook it is his big hobby and
00:28:54
I'm so grateful that he gave me this
00:28:55
I usually arrive late
00:28:58
Institute explains Jane and sits down
00:29:01
next to me Mitch sits across from me and
00:29:04
has in IAS in the
00:29:06
Ears hey son where are your manners
00:29:09
Keith asks, pointing to his ears
00:29:12
then he starts distributing the food
00:29:14
a large portion ends up on mine
00:29:16
Teller and I thank you politely again
00:29:19
Mitch willingly takes out the headphones
00:29:21
and puts it in his pocket
00:29:23
when good manners were distributed
00:29:25
You probably called here twice
00:29:28
Mitch murmurs, looking at me while
00:29:29
Keith chastising him
00:29:31
Looks clear you want some
00:29:33
I have more than enough I explain and
00:29:36
I smile at him, inwardly clenching mine
00:29:38
Fist and really hit his kin
00:29:41
Mitch asks what's wrong with you
00:29:44
Keith like he's completely clueless
00:29:46
for a guy his son really is
00:29:48
Enjoy it, he says and sits down
00:29:51
after the first bite I am
00:29:53
grateful that I ended up here
00:29:55
I will definitely starve
00:29:57
not
00:29:59
It tastes great, I praise it
00:30:02
Eat that's what she's saying now just to her
00:30:04
don't go straight back out the door
00:30:05
says Mitchell, enough shouts Keith
00:30:10
and Mitch throws the fork in shock
00:30:11
on the table then he jumps up and
00:30:13
goes to the door, you sit down again
00:30:16
Keith demands, I'm not hungry
00:30:19
Mitch shouts, he's already out the door
00:30:23
she slams behind her, great, I do
00:30:27
I hope it's just because of me that I'm so pissed off
00:30:29
Mitchell just comes with changes
00:30:31
difficult to understand, Jane says then I should
00:30:35
Maybe you'd rather live somewhere else
00:30:37
I offer I could get a small one
00:30:39
There's no way you're looking for an apartment
00:30:42
There's no question about it, he's not twelve
00:30:45
more even if he behaves like that
00:30:47
Keith's life consists of
00:30:49
Changes and he should change slowly
00:30:51
to it
00:30:52
It's probably easier to get used to
00:30:55
said and done, some are good with it
00:30:58
cope and there are people who do that
00:31:00
Not getting along is probably also part of it
00:31:03
Mitch four
00:31:06
Mitch, I wonder what else she's doing
00:31:09
I want to bag my room now
00:31:11
Keith is really into her, great
00:31:14
Maybe I should if I were you
00:31:16
move to London a message goes
00:31:19
on my phone it comes from
00:31:21
my friend Cooper I heard you have
00:31:24
your sister got what she sees
00:31:26
ha, very funny, I'm supposed to laugh now
00:31:31
she is not my sister and
00:31:32
ugly, I'll write that in response
00:31:36
I have no idea where he got that from again
00:31:37
Riley could probably do it again
00:31:40
I don't want to shut up
00:31:43
Prove he won't give up
00:31:47
Thought that Cooper liked
00:31:49
Finding Sammer could bother me I want
00:31:52
not that you give me mine too
00:31:53
Friends take away a knock on the door
00:31:56
catches my attention I stand from
00:31:58
Open the bed and of course it is
00:32:02
Summer I have your food here it is
00:32:05
I put it in the microwave while it was still warm
00:32:08
she holds the plate for me
00:32:10
contrary, I'm not hungry like that
00:32:13
devilish wants growls at this moment
00:32:15
my stomach loudly she smiles and enters
00:32:18
just my place, hey, I got you
00:32:20
not invited in not I have so
00:32:23
She says she heard something and holds me one
00:32:26
Fork opposite
00:32:28
Damn, I'll take her plate and fork
00:32:30
out of my hand and leave me at the headboard
00:32:32
of the bed
00:32:33
down may I ask her and as I
00:32:36
She sits down teasingly at the bottom
00:32:39
End of bed, say I've taken you out
00:32:41
She wants to be driven out of your room
00:32:43
suddenly you know how did you come up with that
00:32:46
I found a t-shirt that
00:32:48
probably yours is black with that
00:32:50
The Balkat logo on it was in one
00:32:53
Drawer who is she Sherlock Holmes
00:32:57
maybe it's mine
00:32:59
I pushed you away, that's why you are
00:33:01
so disgusting to me or is that yours
00:33:04
usual charming way she looks at me
00:33:07
and strokes a strand of hair
00:33:08
behind her ear you don't have me
00:33:10
I always wanted to be here
00:33:12
I admit to living above the garage and
00:33:15
stuff the noodles into me nice
00:33:17
Do you have it here? You would have mine
00:33:20
Rooms in London should then be seen
00:33:22
you certainly wouldn't sulk
00:33:24
I don't sulk and I don't care
00:33:26
how you lived in England and why
00:33:28
you are here the fact is that you are here
00:33:30
are and
00:33:31
I'll have the plate in seconds
00:33:34
I learned that I was extremely hungry
00:33:36
Grinning, I give her the empty one
00:33:38
Plate in hand, thank you for the food
00:33:41
is the door I practically push it
00:33:44
Then I think of Koper, wait
00:33:47
I'll quickly pull out my smartphone please
00:33:49
smile, I take a selfie of us
00:33:53
What's the point of asking her if you're with me?
00:33:56
off my t-shirt I say and
00:33:59
I close the door and press send
00:34:02
and send the photo to Cooper none
00:34:05
Minutes later I get an answer
00:34:07
She's really sweet, I knew it
00:34:10
Cooper thinks everything with tits is cute
00:34:12
and I'm not up at three
00:34:15
scroll through my phone and see me
00:34:16
She looks at the photo again
00:34:19
little frightened into the camera
00:34:21
Eyes wide open a strand of hair
00:34:24
lies on her cheek and it makes me
00:34:26
crazy because I can't get her out of her
00:34:27
Koper is right
00:34:30
She looks cute with her little nose
00:34:32
and the strawberry mouth with the beautiful ones
00:34:34
red lips so if you're into sweet and
00:34:37
She's not my type, she's cute
00:34:40
I like real women this way
00:34:43
Girl is always a good thing
00:34:44
That's it and just like me Jane
00:34:47
I know she'll have a fit
00:34:49
if I her holy niece
00:34:51
touch this highly talented bride
00:34:54
has probably received a scholarship
00:34:57
She is something very special, becoming a doctor
00:34:59
or lawyer or
00:35:01
world saver, she definitely knows something
00:35:03
So she wants to start with her life
00:35:05
the exact opposite of me and that
00:35:08
annoys me
00:35:10
incredibly someone better again
00:35:12
is than me at least in the eyes
00:35:15
my father and that totally [ __ ] me
00:35:18
from five
00:35:21
Summer I enter my room and am
00:35:24
again overwhelmed by how beautiful it is
00:35:25
I can't be grateful enough
00:35:28
maybe Jane will contact me at some point
00:35:29
received only by letter and as
00:35:33
I had earned enough that I
00:35:34
get an old laptop account via
00:35:37
eail she was the one who came up with the idea
00:35:39
came that I applied for the donation
00:35:41
I should apply now
00:35:43
Australia and still can't
00:35:45
I really believe everything could be so beautiful
00:35:49
then it wouldn't be this boy that I am
00:35:50
just can't understand it
00:35:53
fold your arms behind your head
00:35:55
I pray for myself
00:35:58
There were guys like Mitch in mine
00:35:59
London school is not enough for anyone
00:36:02
of them had a background like
00:36:03
Mitch they didn't come from enough
00:36:06
Families but grew in
00:36:08
There were no parents in public housing
00:36:10
who paid attention to good behavior and
00:36:12
make sure that the refrigerator always
00:36:13
I just understand Mitch
00:36:16
not he probably wouldn't have one
00:36:19
week in my old life
00:36:21
It's not perseverance for me either
00:36:24
just suddenly a kind of family
00:36:26
I am grateful for it and
00:36:28
I'll do everything in my power not to hurt Jane
00:36:30
disappoint she is almost like that now
00:36:33
something like a surrogate mother for me
00:36:34
even if she is just my aunt she is
00:36:38
but is very similar to my mother
00:36:40
apparently Mitch has his too
00:36:42
Lost his mother but he takes the chance
00:36:45
what is offered to him here is not something
00:36:48
I'm thinking about it
00:36:51
I should sleep better so I can
00:36:52
I'm prepared for my first day of school
00:36:55
I have no idea what to expect
00:36:57
and I have to admit I'm pretty
00:36:59
excited I become friends
00:37:02
suddenly find me big
00:37:04
Afraid that I won't have any contact
00:37:06
I get a connection from one
00:37:09
other country even if we are the same
00:37:11
Speak language what if Mitch is mine
00:37:14
I want to become an enemy here
00:37:17
starting over and that includes
00:37:19
friends too
00:37:20
my life should finally come to fruition
00:37:23
Better ones
00:37:24
turn around
00:37:26
Mitchell the name suits him and it could
00:37:29
finally become good if he doesn't like himself
00:37:31
I would ask m
00:37:34
what tempts him to do so
00:37:38
behave Aria Summerfield hello am
00:37:42
Johnson the director, I'm happy to see you
00:37:44
the B Senor high
00:37:47
greet the Greetings, hold my hand
00:37:49
Contrary to this, the winter semester has just started
00:37:52
a week started so you still have
00:37:54
not missed much here are yours
00:37:56
You still have to apply for your documents
00:37:59
Enter courses that you want next to
00:38:00
prescribed subjects
00:38:02
you have a dance scholarship
00:38:04
received so this compartment is already there
00:38:06
sometimes we also have plenty
00:38:08
Take a look at sports offers and language courses
00:38:11
Check everything carefully and bring the piece of paper with you
00:38:12
your selection courses after class
00:38:14
back into
00:38:15
Secretariat thank you misses Johnson
00:38:19
first course is English literature
00:38:22
Classes are led by MR Reed
00:38:24
find him in the room
00:38:26
101c this is the building directly
00:38:29
I nod towards the one with the bows
00:38:31
knowing and leave the office of the
00:38:33
Director, I have to hurry because
00:38:35
all the students have already disappeared
00:38:37
I hastily run towards the white building
00:38:39
to the one with the round arches over the
00:38:41
I almost bump into the entrances at the door
00:38:44
Mitch together you can't pay attention
00:38:47
Look at me, I'm so surprised
00:38:50
that I can't think of anything suitable
00:38:52
I can throw it at him wherever I have to
00:38:55
he asks room 101c to Mr. Reed
00:39:01
Come with me and we'll be on the same course
00:39:02
He runs forward and I have my trouble with him
00:39:05
keeping up with him as we left the room
00:39:07
someone is trying to reach the door
00:39:09
close fortunately we are just getting there
00:39:11
still on time
00:39:12
ah you must be miss summerfield mr
00:39:16
mcan how kind of you to help
00:39:19
Mr. Reed gives Mitch a look
00:39:22
Wink at he is very young for
00:39:24
a teacher perhaps in his mid-30s
00:39:26
Hair is longer than it is for one
00:39:28
The usual teacher is dark blonde
00:39:31
curly hair reaches up to him
00:39:32
He has good-natured light blue shoulders
00:39:35
eyes and really beams at me
00:39:37
I am pleased to welcome you to my course
00:39:39
They don't have much to do yet
00:39:41
missed we are currently dealing with
00:39:43
F scott fitzgerald the great gsby take
00:39:48
There's room if I'm not mistaken
00:39:50
Is there still a place available next to Mr. min? Mr
00:39:53
Reed points to the back row, great
00:39:56
and among all places I receive
00:39:58
those of hell I follow Mitch and
00:40:02
leave me under the prying eyes
00:40:03
of the other students next to him
00:40:06
as we walk through the rows
00:40:07
a boy mitch his fist and
00:40:09
Mitch returned the greeting, no one wanted to
00:40:12
Sitting next to you I ask quietly and
00:40:15
Mitch glares at me
00:40:18
only has one block and no books
00:40:20
and plays with his only pen
00:40:22
he twirls through his fingers
00:40:24
either he is a straight-A student or
00:40:26
he just has no interest in it
00:40:28
I shouldn't really care about school
00:40:31
be but I am
00:40:32
curious he is wearing clean jeans
00:40:35
those at the bottom edges of the
00:40:36
Pant legs are a bit frayed and a
00:40:39
tight black t-shirt, I'm not coming
00:40:41
around to his black chest hair
00:40:43
stare at the neckline of his shirt
00:40:46
are visible when he looks at me
00:40:48
I noticed this and lowered my head in shock
00:40:50
he caught me staring at that
00:40:52
He will definitely hold it against me
00:40:55
Over time I relax and notice
00:40:58
that it's not just me who's targeting Mitch
00:40:59
I took a whole series
00:41:02
of girls trying his
00:41:03
To get attention I have no idea
00:41:06
what she likes about him
00:41:07
I want to find mine after the hour
00:41:09
Enter courses but I don't have any
00:41:11
Chance on my table lets in
00:41:14
extremely attractive butt down and
00:41:17
who we have here wants a depth
00:41:20
Voice know I look up and see
00:41:23
a pair of brown eyes that made me curious
00:41:26
inspect
00:41:27
right Summer I improve it ah
00:41:31
Summer is good too I'm Cooper Mitch
00:41:34
best friend and I hope soon too
00:41:36
yours he drives himself through his confusion
00:41:38
red hair and grinning broadly he is a
00:41:41
I see that at first glance
00:41:43
Look but there is something gentle in it
00:41:46
him before I can reply
00:41:49
Mitch imagines that won't happen
00:41:51
it doesn't fit into your Coop loot scheme
00:41:54
the model of eternal virgin suits you
00:41:56
Not there, Mitch picks up his pad
00:41:59
which he hasn't written anything down and goes
00:42:00
out of the dust, what has he got?
00:42:02
had breakfast that he was in such a bad mood
00:42:04
Cooper looks at his friend
00:42:07
afterwards and shakes my head
00:42:09
Raise my shoulders, probably it's lying
00:42:12
because he didn't have breakfast at all
00:42:14
I give price because I have today
00:42:16
Ate alone at the table tomorrow because Jane
00:42:18
and Keys had already left for work
00:42:20
where are you from?
00:42:22
London I have a dance scholarship
00:42:25
got hold of and will stay with my aunt
00:42:26
life
00:42:27
Jane is in a relationship with Mitch's father Cooper
00:42:30
nods knowing that the word has already gotten around
00:42:32
done then I say welcome in
00:42:35
Down below he holds my hand
00:42:37
Unsure, I grab it
00:42:40
Thank you very much, what do you have next?
00:42:43
he wants to know and looks up curiously
00:42:45
My plan physics God is Mr Brown
00:42:49
a pain in the ass come with me, I have to too
00:42:51
into the course we run to another one
00:42:54
Building, how do you like it here?
00:42:58
I don't really know, it's completely different
00:43:00
than London is warm and everything is so foreign
00:43:04
I'll ask me again in a month
00:43:06
I haven't seen much yet
00:43:09
give him a little smile you have
00:43:11
Cooper wants to know you are a friend
00:43:15
Pretty curious, I say and Cooper
00:43:17
starts laughing loudly yes, that's what they say
00:43:20
about me here we have to go in it is
00:43:23
an auditorium automatically goes mine
00:43:26
Looking at the top row where I see Mitch
00:43:28
Sitting looks like I am strolling on principle
00:43:31
behind Cooper he goes to third
00:43:32
The seat next to you is the one facing the row
00:43:35
Still free, I ask, we don't have any here
00:43:39
fixed places he says and I want me
00:43:42
Sitting down next to him, I hear someone
00:43:45
my name is calling your type is required
00:43:49
Cooper whispers to me and his look
00:43:50
travels up my back into the
00:43:52
last row I don't even think about it
00:43:55
Follow Mitch's command and join him
00:43:57
to
00:43:59
I'll wait, he calls across the room
00:44:02
and I groan quietly, he won't
00:44:05
stop so I snap my back and
00:44:08
throw Cooper an apologetic one
00:44:09
View
00:44:11
to me
00:44:13
I mournfully and sneak along
00:44:16
stands in the top row with his hands in his
00:44:18
Hips akimbo like I'm running late
00:44:20
Come home who is mine
00:44:23
Father what I thought he was your friend
00:44:27
I guess that's why he wants to
00:44:30
I want you to stay away from him
00:44:32
it's like a slap in the face
00:44:34
I'm probably not good enough for that
00:44:36
his friends I am so shocked that
00:44:39
I can't say anything about his
00:44:42
to avoid the withering gaze
00:44:44
I sit on the chair next to him
00:44:46
I have no idea what this guy is for
00:44:48
I have a problem but I will
00:44:50
don't make it his punching ball
00:44:52
To make matters worse, Mr. Brown calls out
00:44:55
me at the beginning of the lesson and I
00:44:57
have to introduce myself to the class as I did
00:45:00
it love so at the center of the
00:45:01
events to stand
00:45:04
my cheeks don't color as usual
00:45:06
bright red than all of me
00:45:07
stare at me after Mr. Brown
00:45:10
Australia has welcomed
00:45:12
I finally sit down again
00:45:14
stares darkly in front of him the whole time
00:45:16
My next course is educational
00:45:20
Art when I also take the course with Mitch
00:45:22
I'll have another one
00:45:24
High schools are looking far and wide
00:45:26
Cooper is not visible either
00:45:29
doesn't seem to be registered
00:45:31
first time I can feel relieved
00:45:34
breathe a sigh of relief, I introduce myself to Miss Daimer
00:45:37
The leader of the course presented it and she liked it
00:45:39
me she is wearing a colorful skirt
00:45:42
and has her tangled curls in a braid
00:45:44
bound transmits her calm nature
00:45:47
refers to the whole class and the
00:45:49
Lessons are pretty good
00:45:51
funny the girl next to me sees me
00:45:53
always curious until I met her
00:45:55
give a questioning look hey you
00:45:58
you're new here at least I have you
00:46:00
never seen it before I nod in agreement yes
00:46:04
I am Sammer and will be my last
00:46:06
Spend a year here at Senor high
00:46:08
Where are you from, she asks straight away
00:46:11
London is quite far away, yes
00:46:14
that is
00:46:15
I'm sorry, I haven't yet
00:46:18
introduced I'm Ruby Ruby King what
00:46:21
Is your dance major I have one
00:46:24
He got a scholarship, I explain quietly
00:46:27
because I don't know if it will be well received
00:46:29
when I boast about a grant
00:46:31
it's great, I'm happy, it's okay
00:46:34
for you when I sit next to you
00:46:37
But I have to warn you, I belong
00:46:38
not to the elite here, she twists it
00:46:41
Eyes I would be happy Ruby something
00:46:44
exactly is the elite I ask about me
00:46:47
likes her ruby ​​has wavy red hair
00:46:50
and funny freckles on his nose
00:46:52
Those are beautiful green eyes too
00:46:56
the stars who call the shots here
00:46:58
Charlotte Peacock is one of them
00:47:00
loved by teachers because their parents
00:47:02
are very rich and go to school
00:47:03
Donate a lot of money she has a lot
00:47:06
fans and you are a fan of hers too
00:47:09
Ruby rolls her eyes in response
00:47:12
spare let me guess Mitch mcan
00:47:15
also includes her looking at me
00:47:18
surprised at where do you know Mitch and
00:47:21
yes, he is the absolute king of everything here
00:47:24
John also hears his command
00:47:27
lets her get away with everything Mitch father
00:47:30
is my aunt's friend where I am
00:47:31
I admit what she calls out loud
00:47:35
then puts his hand over his mouth
00:47:37
Hamlet ready for us, that means yes
00:47:41
“You basically live together,” she whispers
00:47:44
questioningly I nod silently oh my god I
00:47:49
go crazy Charlot will go crazy
00:47:51
if she hears that she's been there for
00:47:53
Years behind but he doesn't want anything
00:47:55
I know about her, I think that's going to be a
00:47:58
exciting last one
00:48:00
High school year se
00:48:03
Mitch damn I hate these stupid ones
00:48:06
I can see wearing track pants with that
00:48:09
like a total idiot he is
00:48:11
prescribed and I can't
00:48:12
On the other hand, I carry the distance
00:48:16
black track pants and the black one
00:48:17
Armpit shirt like all male ones
00:48:19
participants of the
00:48:21
Contemporary dance course is good
00:48:23
attended because dance is a focus at the
00:48:25
balkat is
00:48:27
We're getting warmed up as
00:48:29
them through the door into the dance studio
00:48:32
It was clear that she was taking the course
00:48:34
after all, she has one
00:48:36
get a dance scholarship Summer contributes
00:48:40
short t-shirt that covers her belly button
00:48:42
small piece leaves a few free
00:48:45
short shorts so short that I almost die
00:48:48
Eyes popping out, she's wearing this outfit
00:48:51
today for the first and last time like this
00:48:53
Much is certain, not all of them work
00:48:57
Guys stare at her like she's one
00:48:58
Apparition I would like to give you the most
00:49:01
shouting that they don't touch them
00:49:03
I have to pull myself together
00:49:05
my hands cramp and clench
00:49:07
to fuss she is enough for misses Baud
00:49:10
a piece of paper indicating your eligibility for
00:49:13
this course and will be warmly welcomed
00:49:17
Ruby King appears behind her
00:49:20
together with Cooper but just for
00:49:21
For a short time I had no idea what he thought of her
00:49:24
then he wanted to have his at a party
00:49:26
Tongue down another girl's throat
00:49:28
plugged in and was quickly removed
00:49:30
his girlfriend his
00:49:33
Ex-girlfriend, hi Mitch, hello and t
00:49:37
the hand nods to her and mine directly
00:49:42
as if I were one
00:49:45
She turns the KF to send a magnetic impulse
00:49:47
andlit me
00:49:48
anof glows et in theirs on me not
00:49:52
is right to interpret
00:49:55
shock or even panic then sets in
00:49:59
small smile across her lips and her
00:50:01
looks a few floors below she does
00:50:05
I'm probably making fun of myself
00:50:07
not mes BA points to the poles and
00:50:11
Sam nods knowingly and walks towards me
00:50:14
She takes it not 3 meters away from me
00:50:17
Lineup and begins to close
00:50:20
stretch pretty pants mcken she says
00:50:24
quietly and giggles that I of course
00:50:27
don't sit on me and kick
00:50:29
You want to get closer to her, stupid
00:50:32
I hiss in her ear
00:50:35
looks at me shocked my tone was
00:50:38
Probably a shade too hard Mitch you come
00:50:42
Please call Miss B and I'll answer
00:50:46
my gaze only involuntarily from zmer
00:50:48
to go over to my teacher with
00:50:51
Mr parfed pointed this out to me
00:50:53
that your swimming training at the same time
00:50:55
Time takes place like our training
00:50:57
He says he won't see you this year
00:50:59
can deberries and you have a regular place
00:51:01
I get to lift in the swimming relay
00:51:03
the shoulders then he should do the training
00:51:06
embarrassed I stay, I explain you know
00:51:10
that you don't necessarily take this course
00:51:12
I have to prove it, I nod, but I know
00:51:15
I'll stay, I'll talk to Coach
00:51:17
parfit I will mine
00:51:20
Rescheduling swimming training times is okay
00:51:23
If you really want to stay, look forward to it
00:51:25
Of course I care about it
00:51:27
continue to warm up, we'll get there soon
00:51:29
Determine your partner for the semester
00:51:32
the devil that hit me
00:51:33
Kiss to visit even if this is me
00:51:36
I really like pissing on ugly pants
00:51:38
the expressive dance and I become it completely
00:51:40
definitely not
00:51:41
I'll give up the puffit thing with Coach
00:51:43
Rules because he doesn't need me
00:51:46
swims the 400 m Freisel faster than
00:51:48
me if he wants me on the swim team
00:51:51
He has to stay with me in another one
00:51:53
Divide training group otherwise he can
00:51:55
me
00:51:57
I swim the 400 m on the 50 m track
00:52:00
just under 3 minutes and 58 seconds
00:52:03
This means I have the last school record
00:52:05
adjusted pafit it can not
00:52:07
afford to lose medame monieur
00:52:11
Would you please sit with me and form
00:52:13
Misses B calls loudly and in an amber circle
00:52:16
claps her hands she was in Paris
00:52:19
born and you can still hear hers
00:52:20
French accent she is for one
00:52:23
was in pretty good shape with vizigerin
00:52:26
She used to be a ballerina but she was able to
00:52:28
no more dancing after an accident
00:52:31
she tells us and hangs in her office
00:52:33
some pictures of her on stage
00:52:36
show she is okay as a teacher
00:52:39
even though she's not the reason why me
00:52:41
Wanting to stay the course is the real reason
00:52:44
sits 3 m away and has focused on her
00:52:46
Hands supported s that I hers
00:52:48
She needs to be able to see her belly button
00:52:52
someone to look after them
00:52:54
Dance class is a hot fish tank and that
00:52:57
she already in the first hour in such a way
00:52:58
Appearing in an outfit confirms me
00:53:01
my choice of course if I do it alone
00:53:04
stalk people like Brandon
00:53:05
and Mike approach her and I can
00:53:07
my plan
00:53:08
forget she tried desperately to me
00:53:11
to ignore and yet I see that she
00:53:13
every now and then a furtive glance at me
00:53:17
Damn these looks are
00:53:20
really
00:53:21
intense you are certainly already
00:53:23
curious what I use for this
00:53:25
I picked out the semester of study
00:53:28
I thought we'd take Romeo and...
00:53:31
Julia heard a general groan
00:53:35
hey, wait until I speak
00:53:39
not from the ballet but from one
00:53:41
modern implementation as contemporary
00:53:44
dance I have modern songs for it
00:53:47
selected the composition of the four
00:53:50
Pairs and the songs we will be in
00:53:52
There is only one way to decide by lottery
00:53:55
four couples who dance a main p
00:53:57
eight remaining dancers will be in the ensemble
00:53:59
dance what I shout excitedly that wants
00:54:03
I definitely don't, that's life
00:54:06
Mitchel you don't always have the free time
00:54:08
So you have to learn that too
00:54:11
who starts I think the men pull
00:54:14
their partners and they can then
00:54:16
pull the song misses Baud writes
00:54:19
some names on pieces of paper that they
00:54:21
folded up and put in a shoebox
00:54:23
As a dancer, I mix four at first
00:54:26
Names selected who will do the training
00:54:28
skips or fails to perform
00:54:30
will be exchanged so make an effort
00:54:33
the same applies to the dancers
00:54:35
The following dancers made it one
00:54:38
to get the lead roles Mike
00:54:40
Brenden Shane and Mitchel she holds mine
00:54:44
the box I am totally
00:54:46
surprised, pull out a piece of paper and fold it
00:54:48
him apart
00:54:50
I read Ella quietly
00:54:53
in front of her is a little shy one
00:54:56
light brown hair she throws me one
00:54:59
embarrassed look and then blushes
00:55:01
It's Mike's turn and he draws Sienna
00:55:04
Brandon dances with Rose and Shane becomes
00:55:07
Ruby
00:55:08
drawn okay Sammer will now be in the
00:55:11
Dancing in an ensemble, I exhale imperceptibly
00:55:14
I'm only now realizing that I
00:55:16
unconsciously held my breath
00:55:19
I have no idea why I'm happy
00:55:21
that she doesn't have a permanent dance partner
00:55:23
She should be disappointed like that
00:55:25
At least you don't notice it on her
00:55:28
get excited about this demonstration
00:55:30
a large part of your final grade
00:55:32
and we have one at the end of the semester
00:55:35
Demonstration at the Institute for
00:55:36
contemporary art is a murmur
00:55:39
through the class so now we'll draw them
00:55:43
Songs from misss baudet keeps ruby ​​the
00:55:46
Cardboard box and she draws a card i
00:55:49
she Fire by sheeren reads it in front of Rose
00:55:53
draws crime a river from Justin
00:55:55
Timberlake
00:55:57
Siena receives an incomplete from James Bay
00:56:00
what I personally think is a good choice
00:56:02
last, it's Ella's turn
00:56:05
she draws a card and takes a look
00:56:07
on it and her cheeks are still coloring
00:56:09
darker than they already are crazy
00:56:12
in Love she reads in a quiet voice
00:56:15
I groan inwardly that this is allowed now
00:56:18
really not true not this song
00:56:21
from shades of gray
00:56:23
No, I say, shaking my head
00:56:27
as a piano piece it complements it quietly
00:56:31
That doesn't make it any better for that
00:56:33
Ensemble then remain vin of
00:56:35
Elisha Keys unsteady from Ex Ambassadors
00:56:39
and Merw in Adam Lambert's version
00:56:42
familiarize yourself with the titles beforehand
00:56:45
If you pack your things, I'll distribute them
00:56:48
piece of paper with the
00:56:49
Song selection the couples study their
00:56:51
Solo parts yourself I'll give you three
00:56:54
Specify positions and leave the rest
00:56:57
I explained to you that you are creative, miss
00:57:01
I definitely have to go with her
00:57:03
speak, you can't be serious
00:57:07
there's no way I'm becoming this one
00:57:09
Dancing to music, however, will be misses Baud
00:57:11
bombarded with questions from my classmates
00:57:13
so I have no chance so wait
00:57:16
I until the end of the hour until all that
00:57:18
have left the studio and speak to them
00:57:20
directly to you, you're not serious, Miss
00:57:23
Baud I'm not dancing to this song
00:57:26
I say and block her path
00:57:28
Door Mitchel we have drawn the same thing
00:57:32
Right for everyone, why can't I?
00:57:35
I want to know about dancing in an ensemble because
00:57:38
I consider you an excellent one
00:57:40
Dancer old I thought it would be you
00:57:43
I'll be happy if you join the solo dancers
00:57:45
She smiles kindly at me
00:57:48
Thanks for the honor but I decline that
00:57:52
Hers is not a wish concert Mitchel
00:57:54
either you dance with a solo part
00:57:57
or you leave the course, these are yours
00:58:01
Alternatives I know the look she has
00:58:03
throws at me and tells me that I
00:58:05
really have no other choice angry
00:58:08
I grab my bag and
00:58:10
leave that
00:58:11
Studio this woman is de tough
00:58:14
Nut them
00:58:17
Summer I'm a little disappointed because
00:58:19
I didn't get a solo part, but
00:58:23
I couldn't really expect it
00:58:25
because I'm the new one with BA don't know
00:58:29
what I can do, she doesn't have me yet
00:58:31
Seen dancing I'll be fine
00:58:33
To get the chance I just have to be patient
00:58:36
I can be happy that I'm here
00:58:39
am and the first day of school without a trace
00:58:40
passed me by, it's nothing
00:58:43
bad thing happened to me
00:58:45
no one has made an idiot of me
00:58:47
Food poured over your head whatever you want
00:58:49
I more this day was more successful
00:58:52
than a whole school year in London me
00:58:54
Wait for Mitch's car so we can get home
00:58:56
can drive, no idea what else he can do
00:58:59
to discuss with Miss B has him
00:59:01
could even be found in the dance class
00:59:03
never a big surprise for me
00:59:06
I would have thought he was a guy
00:59:09
who is interested in contemporary dance
00:59:11
you're interested in what you're in
00:59:13
I could have fooled people
00:59:16
expects him to join the rugby team
00:59:18
Kicker belongs to me, as I found out
00:59:20
He is now on the swimming team
00:59:22
Mitchell mccin is one for me
00:59:25
capital R
00:59:27
There you are, I say as he finally
00:59:30
shows up I'll get one
00:59:32
Have to buy sunglasses
00:59:34
somehow the fixed star shines here
00:59:36
much brighter and hotter than in
00:59:38
land, get in, he grumbles badly
00:59:41
in a good mood and throws his bag at him
00:59:43
I sit in the back seat
00:59:45
The passenger seat falls and Mitch accelerates
00:59:49
instead of the street to the city center
00:59:51
You have to take it home
00:59:53
not working today no
00:59:56
he returns a syllable he has
00:59:59
bad mood and takes it out on me
01:00:03
Damn I don't want to be a doormat
01:00:05
but it's better not to have him yet
01:00:08
However, I have to provoke further
01:00:11
I was wrong, he doesn't drive either
01:00:13
home but park the car
01:00:15
a public place near the beach
01:00:18
what do we want here I want to know come on
01:00:21
with his words are a pure command
01:00:24
but I obey because I want me
01:00:26
Don't mess with an angry Mitch
01:00:28
he runs down the path to the beach
01:00:30
can be found in a depression in a dune
01:00:32
the sand falls here it is a little
01:00:35
shady and you are out of the wind
01:00:37
protected I sit down next to him and
01:00:40
look at the
01:00:41
Ocean it's so damn beautiful here that
01:00:44
I sigh softly at the green of the sea
01:00:48
turns into a dark blue on the horizon
01:00:51
the boundaries are slowly blurring
01:00:54
waves dance on the surface and run
01:00:57
The surf is loud from the shore
01:01:02
but the sound is like a singsong
01:01:04
knows how to tell a whole story
01:01:07
I can't get enough of it and
01:01:09
even if there is a strand of hair every now and then
01:01:11
blowing my face I won't get tired
01:01:13
she
01:01:14
to erase why are you here?
01:01:17
The question comes to me quietly
01:01:20
Soass I think at first
01:01:22
I only imagined it but then
01:01:25
looks at Mitch questioningly while he is watching one
01:01:27
He plucks tufts of blades of grass
01:01:30
I rest my elbow on the sand
01:01:34
the shoulder as he wier the grass pasture
01:01:36
He can't protect it
01:01:37
Seer says I have one
01:01:41
You can't keep money like that
01:01:43
simply sent to you by post
01:01:46
but that's why they applied to me
01:01:50
you always know everything exactly, right?
01:01:52
I applied for it because I'm good
01:01:54
can dance
01:01:56
and because my father was a drinker
01:01:58
My mother is a good-for-nothing
01:01:59
Death drove me but I'll keep that
01:02:02
prefer for
01:02:03
I don't exist in England
01:02:06
He asked dance schools
01:02:08
aggressive though
01:02:10
Of course I wonder why you
01:02:13
I feel so threatened by myself
01:02:16
not at all and then why are you asking me
01:02:18
all these stupid questions like that
01:02:21
I'm starting to get really angry
01:02:23
In one sentence he kneels in front of me and presses
01:02:25
my shoulders to the ground his face is
01:02:28
dangerously close to mine because I love you and
01:02:31
not have your aunt in my life
01:02:33
I want to be great with my date
01:02:35
got along but then only appeared
01:02:38
Jane and now you on we need you
01:02:40
He doesn't hiss quietly and sees me
01:02:43
angry, his gaze always glides
01:02:46
back to my mouth I need you
01:02:50
just like I don't have anyone
01:02:52
Would you need me now please
01:02:54
Let go, the pressure hurts me
01:02:58
his hands slacken but he moves
01:03:00
no matter what, he still stays with me
01:03:03
very close and I feel the warmth from
01:03:05
his body
01:03:06
The sand beneath me is always there
01:03:09
continue until I'm lying down
01:03:11
Position trap and Mitch practically up
01:03:13
I lie, I could be wrong but
01:03:16
I feel something hard on my stomach
01:03:18
he is aroused and his breathing is rapid
01:03:22
quickly as I raise a hand and her
01:03:25
When I lay it on his chest I feel like it's him
01:03:27
Mitch's heart beats hard in his chest
01:03:30
doesn't let me out of his sight for a second
01:03:32
He doesn't even blink
01:03:35
should again
01:03:37
disappear he whispers to me
01:03:40
don't know
01:03:42
why because I don't want you please
01:03:47
what kind of stupid one is that?
01:03:49
I won't answer you about broken ones either
01:03:52
I'm fed up with guys
01:03:55
away from me and my eyes narrow
01:03:58
then he grins, you don't want me to be yours
01:04:02
But BCK tells me something completely different
01:04:05
If he growls your K tells me that too
01:04:09
other I counter and rub myself
01:04:11
easy on
01:04:12
His eyes become very big then he pushes
01:04:16
he made a little curse from BEV i
01:04:19
reierenn be erch a Z of
01:04:24
I think he pauses and his eyes
01:04:28
sparkle menacingly and
01:04:30
I imagine it with pleasure
01:04:33
an I'll wait a second hold his
01:04:37
View
01:04:38
I hope he doesn't kiss me
01:04:41
and actually just as it seemed to me
01:04:44
becomes a lot and I want to get rid of him
01:04:45
he turns his head
01:04:47
Sides touch each other for just a second
01:04:51
our lips as if by chance because we
01:04:53
both not with the movement of the other
01:04:54
have calculated
01:04:57
“I’m sorry,” he says shortly and he raises his eyebrows
01:04:59
we should drive he brings
01:05:03
quickly a few meters distance between
01:05:04
us and practically runs away from me
01:05:07
I stand up and knock the sand off
01:05:09
my clothes, my breathing is hectic
01:05:12
He almost kissed me and
01:05:14
I don't think it's a mere affectation anymore
01:05:19
Still, I don't give him a glance
01:05:21
as I get into the car
01:05:23
At dinner Jane wants to know everything exactly
01:05:26
how I like the school and which courses
01:05:28
I want to prove like I do the teachers
01:05:30
I think I give information eloquently though
01:05:34
otherwise it's not my style
01:05:35
to start babbling but with seems to be his
01:05:38
Having lost his voice and holding his
01:05:40
Head bowed the whole time as if he were
01:05:42
not present at all Jane and Keith
01:05:45
ignore you probably know this
01:05:47
this type is enough, I have no idea which one
01:05:50
Problem with schat but he behaves
01:05:52
not like he was 19 years old
01:05:54
old I try my best to sound positive
01:05:57
although it is not necessary at all
01:05:59
I really like the new school
01:06:02
the conversation Mitch especially the closeness
01:06:05
between us confused me
01:06:07
brought as soon as dinner was finished
01:06:10
Mitch stands up without comment
01:06:12
disappears I look after him as
01:06:16
Only Keith also says goodbye
01:06:19
because he still has work to do stay like that
01:06:22
Jane and I in the kitchen
01:06:24
Come back Sammer, let's sit up
01:06:27
you have a terrace from there
01:06:29
extremely beautiful view of the sea
01:06:32
takes a pitcher of lemonade from the
01:06:33
fridge and we sit in it
01:06:35
Wicker chairs I see that
01:06:38
The sea can even do it
01:06:40
smell only a street separates us from
01:06:43
Beach I can't believe I
01:06:46
I'll really live here it feels
01:06:48
more like a vacation it's very nice
01:06:52
here I say and take a sip
01:06:54
from the refreshing
01:06:56
drink yes I have never regretted it
01:06:59
Why emigrated to Australia?
01:07:02
Did you actually leave then? I want to
01:07:04
Jane smiles and takes it too
01:07:07
on hers
01:07:09
Glass life in London was not
01:07:11
simply our parents so yours
01:07:14
Grandparents were very poor we lived in
01:07:17
a small apartment your mother and
01:07:20
I shared a room
01:07:22
I think life in London was great
01:07:24
just too tight
01:07:26
I wanted more wanted something from my
01:07:28
Life makes my parents pass
01:07:31
that I dropped out of school to
01:07:32
work so that money came into the house
01:07:35
I didn't want to cancel a
01:07:37
Graduating from school was important to me
01:07:39
study I applied for a
01:07:41
art scholarship and then took advantage of it
01:07:43
Chance to leave the country and with it
01:07:45
also my family and my old life
01:07:48
like me, I say yes with a smile
01:07:52
That's pretty much how your mom was back then
01:07:54
married
01:07:55
We barely had any contact, but for a short time
01:07:58
Before she died she asked me
01:08:00
to take care of you if you have something
01:08:01
happened as if she had suspected that
01:08:04
she wouldn't be able to take it much longer
01:08:07
he got her with his alcohol
01:08:10
Driven to death she had three jobs with it
01:08:12
we made ends meet and he just sat
01:08:14
at home and has
01:08:16
No wonder she drank at one
01:08:18
He died of a heart attack himself
01:08:21
at her funeral he was
01:08:23
I drunkenly spit out the last words
01:08:25
almost out of so much contempt lies in
01:08:28
my voice I look out at the
01:08:31
Ocean wherever m is now there has
01:08:35
she better Jane reaches across the table
01:08:38
for my hand and I squeeze it
01:08:41
I'm glad you're here with us now
01:08:43
She smiles at me good-naturedly and I will
01:08:47
I don't need to take care of you
01:08:49
Fear of being more afraid, what do you think about that?
01:08:52
if we take a stroll the day after tomorrow
01:08:54
the city does on Saturdays and Sundays
01:08:56
I'm free and it starts next week
01:08:59
you're okay with your job, you still have it
01:09:01
take some time here
01:09:03
acclimatise, that would be nice
01:09:06
Jane, can I ask you something?
01:09:09
nods at me with a smile and her green ones
01:09:11
Eyes shimmer in the light
01:09:13
setting sun of course Sammer what
01:09:16
is wrong with mitch why is he behaving
01:09:19
so
01:09:20
strange I want these questions
01:09:22
actually don't ask because it's me
01:09:24
It's none of my business but I can't help it
01:09:26
because I know that from Mitch myself
01:09:28
Mitch won't find out anything
01:09:31
She explains some problems in a quieter voice
01:09:35
The family has his mother's voice
01:09:37
left and moved north
01:09:39
when he was just six years old
01:09:42
Mitch doesn't have it
01:09:44
He hasn't been able to cope since then
01:09:46
especially kind to women all of us
01:09:49
have to pay for it
01:09:50
we've already had it
01:09:52
tried a psychologist but it worked
01:09:54
he didn't really do anything
01:09:57
because of his behavior from the last few
01:09:59
three schools flown the Balkat is now
01:10:02
his last chance since when are you
01:10:05
Been with Keith for about three years
01:10:08
now I know
01:10:10
to take with you sometimes he is whole
01:10:12
affable then you can tell which one
01:10:14
There is potential in this boy
01:10:16
most of the time he hides it behind
01:10:18
a mask of anger and
01:10:20
Stubbornness and Keith Keith loves in
01:10:24
constant fear that I would leave him
01:10:26
because Mitch rebellion is too much for me
01:10:28
but I love him and would never love him
01:10:30
leave he is a great man
01:10:33
I agree and Jay nods like Mitch
01:10:36
if he finally allowed feelings that
01:10:39
I can't quite believe that Mitch
01:10:41
It's supposed to have a nice side
01:10:43
However, Jane only knows one rumor
01:10:45
better and I don't want her words in
01:10:47
Ask
01:10:48
maybe he can still ask me
01:10:50
surprise but it falls to believe in it
01:10:52
I really care
01:10:56
Summer Friday is the course schedule
01:10:58
relaxed after two hours of math
01:11:01
one hour of history and two hours
01:11:03
Biology is after lunch
01:11:05
I only have three more hours of dancing to meet Ruby
01:11:08
I'm in Bio again and am so happy
01:11:10
I will see a familiar face
01:11:12
increasingly clear how important it is friends
01:11:14
Everything is different here in Perth
01:11:17
as in landonden we speak the
01:11:19
same language but I understand it
01:11:21
People don't
01:11:22
Really the biggest mystery is Mitchell
01:11:26
He's basically one of those bad boys
01:11:29
who I fled in London
01:11:32
at the same time I feel since our
01:11:34
almost kiss from him
01:11:36
dressed if I like him I have to
01:11:39
yet
01:11:40
find out that he doesn't like me
01:11:43
can stands
01:11:44
That's why I have to have other friends
01:11:46
and I can count on Ruby
01:11:49
She introduces me to Sarah and Paul
01:11:52
of your friends with whom you are in the
01:11:53
Lunch break depends
01:11:55
They are very nice and ask me if
01:11:57
I come to the beach in the evening where it is
01:11:59
have a campfire
01:12:01
I don't think Jane should do anything
01:12:03
will have against it and say
01:12:06
These are available almost every Friday
01:12:08
Meeting on the beach you are lucky that you
01:12:10
If you live close by then you have to
01:12:12
don't worry like you're after
01:12:13
Coming home says Ruby as we get up
01:12:16
You can find the way to the dance studio
01:12:20
Isn't it great that we do this?
01:12:21
They will appear at the institute every year
01:12:24
is very excited
01:12:26
yes you were really lucky that you
01:12:28
You can dance a solo together
01:12:31
Shane she smiles do you like him I ask
01:12:35
quietly and look around to see if we too
01:12:37
no one overhears her cheeks turning red
01:12:40
It's clear to me that that's the case
01:12:43
little but he doesn't even see me
01:12:46
I'm not one of those girls
01:12:48
that are taken into account, she explains
01:12:51
bluntly but perhaps things will change
01:12:54
Now that you're dancing with me, I would have that too
01:12:56
I would like a solo pad but that's just me
01:13:00
new and misses BA don't know what I do
01:13:02
can we enter the studio where already
01:13:05
some of the dancers are warm to each other
01:13:07
make
01:13:08
Ella may be lucky she can
01:13:10
Dancing with Mitch you knew that she
01:13:12
I really like him, I shook him
01:13:15
Apparently he already has it
01:13:17
At least she kissed Sarah
01:13:19
She says he's a great kisser
01:13:23
I can well imagine that
01:13:25
a lot of practice like that, I could do something
01:13:28
But I'd rather say that it's mine
01:13:30
Shut up, she's really lucky
01:13:32
I say she can dance with him
01:13:35
instead I understand the girls
01:13:38
not what they all think of Mitch
01:13:40
maybe he really still has one
01:13:41
other side and I only get that
01:13:44
Devil to face, we're warming up
01:13:46
and Miss Bud comes to her studio
01:13:49
Dear ones, the weekend is just around the corner
01:13:52
and before we start I want something else
01:13:54
see from you
01:13:55
We start with Mitch and Ella yours
01:13:57
Choreography must contain three figures
01:14:00
she invites Mitch and Ella over
01:14:02
explains what she imagined
01:14:04
Mitch and Ella become three characters
01:14:06
Demonstrating it will give you a good impression of it
01:14:09
Both step in front of Mitch again
01:14:12
long training pants and a
01:14:13
black armpit shirt he really looks
01:14:16
Well, I have to admit, no wonder
01:14:19
that Ella likes him, he has his hair
01:14:22
at the back of the head
01:14:24
tied together it is only the length of a film
01:14:26
but enough for a manban
01:14:28
an FU dances a circular movement
01:14:32
with the leg with final
01:14:33
Pirouette goes into the arabesque and Mitch
01:14:36
IB she also makes one too
01:14:38
Pirouette and puts Ella back on it
01:14:40
Please take off the floor and she nods to Ella
01:14:45
Ella is a petite person and Mitch
01:14:47
They shouldn't have any problems
01:14:48
to lift up
01:14:49
Ella goes to the basic position
01:14:52
Lace points a circle with one leg
01:14:54
and turn around without anyone touching you
01:14:58
Kit it suddenly over and lands the length
01:15:00
after a loud murmur on the floor
01:15:03
go for it
01:15:04
clean up and grab your ankle
01:15:09
My tears are in her eyes and she
01:15:11
grimaces
01:15:14
Schmero immediately and help you have something
01:15:18
Done, I don't know, it has happened
01:15:21
feel and torn mird bel sit down
01:15:25
Sit on the bench and try to breathe calmly
01:15:27
I'll call them
01:15:29
School paramedic m B grabs her
01:15:32
Cell phone, it takes less than two minutes
01:15:35
the school nurse is already on site
01:15:37
I'm driving Ella to the foot hospital
01:15:40
needs to be ranked probably she has
01:15:42
sustained a ligament injury
01:15:44
she decides after an incoming one
01:15:46
Examination of the foot
01:15:48
Ella wakes up in pain and we
01:15:50
look at us embarrassed because everyone knows
01:15:52
what this means she will for
01:15:55
be out for a few months and only then
01:15:57
slowly start training again
01:15:59
Ella can do the performance
01:16:01
I will immediately forget the parents
01:16:04
Notify and go to the hospital
01:16:06
send
01:16:07
says Ruby PT bag together and squeezes
01:16:10
put it into the sister's hand like this
01:16:13
Damn Mitch says and picks her up
01:16:16
She carries her face out of the room with her arms
01:16:19
is still wet with tears and she hurts me
01:16:21
sorry the injury looked painful
01:16:25
Okay kids, the show is over
01:16:27
Ella is well looked after and that
01:16:29
Class isn't over yet
01:16:31
I would like to ask you to be careful
01:16:34
warming up and stretching is very
01:16:36
important to avoid injuries good
01:16:39
we need a new partner for
01:16:41
Mitch there is an eerie silence
01:16:44
We're all still in shock
01:16:47
wants Sammer as a partner, explains Mitch
01:16:50
who is just entering the studio again and
01:16:52
so that the silence breaks like
01:16:55
Please, I must have misheard that
01:16:58
a serious one
01:16:59
Sammer asks Misses Baud confused and
01:17:02
Aria I looks at us blankly
01:17:05
mine
01:17:06
Aria okay, do you dare to do a few DDs?
01:17:10
If she asks me, of course I say
01:17:13
confused why not just me
01:17:16
Dancing with Mitch is now really possible
01:17:18
Not to be true, what just got to him
01:17:21
Suggesting me as a dance partner is good
01:17:24
then please take care of the figures
01:17:26
If you don't knock yourself over, you'll be warm
01:17:28
Nodding, I release myself from the
01:17:30
Group and do a few
01:17:32
then I take a position
01:17:35
I dance the fouette Orton which I like
01:17:38
succeeds then one follows
01:17:40
arabesque I stand on one leg that
01:17:42
I take the other route horizontally backwards
01:17:45
arms elegantly stretched to the side
01:17:47
Mitch bends his knees slightly
01:17:50
my waist with my hand and that
01:17:52
Others he puts around my thigh
01:17:55
lifts me up I feel the warmth
01:17:57
his fingers and breathe
01:17:59
hectic that's too much I want these
01:18:02
Don't touch him, he's so close to me
01:18:05
too close I feel his hands on mine
01:18:09
Skin even though I'm wearing tights
01:18:13
puts me down again and breathes
01:18:15
hard, you're pretty heavy
01:18:17
for a great ballerina he says and
01:18:20
raises an eyebrow at the girls
01:18:23
giggle some laugh even you idiot
01:18:27
I hiss to him Misses BA claps
01:18:30
the hands to make themselves heard
01:18:32
your comment was superfluous
01:18:35
Everyone can hardly see that Aria
01:18:36
heavier than Ella can be if you take her
01:18:39
It seems you can't lift
01:18:41
to be weak you should do something more
01:18:43
training with me everything is fine
01:18:46
he gives me a look to say
01:18:49
I'm probably too heavy
01:18:52
Great then he should find someone else
01:18:54
I can use it to look for a partner
01:18:56
remember that you are me as a partner
01:18:58
I didn't want to worry about it
01:19:00
cunning I want to turn around and
01:19:03
go but he pulls my hand
01:19:05
Back, please stay here, he hisses to me
01:19:08
quietly looks at me apologetically
01:19:11
the next position is the CH while
01:19:14
me Aria on the air in the height of EBT
01:19:17
who knows the position
01:19:19
Aria asks Miss B and I nod
01:19:24
I had 5 years of classical music in London
01:19:26
But I'll keep ballet lessons
01:19:28
Better for me, I'll go to the fifth
01:19:30
Position jump into the air and cross
01:19:33
Mitch missed his feet several times
01:19:36
its use and doesn't even get around to it
01:19:37
To lift me up Mitch you have to look at Aria
01:19:40
the waist include declared misses B
01:19:43
and I pray that class soon
01:19:45
is over again and this time
01:19:48
together just before I kneel down
01:19:51
to gain momentum for the jump
01:19:53
Mitch wraps his hands around mine and lifts me up
01:19:55
up this time the figure works and ours
01:19:58
Classmates nod appreciatively
01:20:01
praises misss BDE is the last position
01:20:04
a thrown grand he also EBTs them and
01:20:08
she practically throws during the jump
01:20:09
of herself while Aria is in the air
01:20:11
I continue running, I nod and walk a little
01:20:14
At a distance, I take a quick start, he lifts
01:20:17
me up and throws me away
01:20:19
I have so much momentum that I can go far
01:20:21
Care and do not cushion the jump
01:20:23
I can't but I hit the ground
01:20:26
I hear the students' murmurs despite me
01:20:29
my hip hurts, I'll come quickly
01:20:31
back on the
01:20:32
Miss Baud is with me immediately
01:20:35
but I hold on to her, everything is fine with me
01:20:37
nothing happens, I throw one at Mitch
01:20:40
withering look to this guy knows
01:20:44
really not with his strength
01:20:45
I can't help it if they do
01:20:47
unable to land on his feet hums
01:20:51
Mitch, you should use your strength better
01:20:54
keep under control you idiot screams
01:20:57
I look at it and just leave it there
01:20:59
I grab my things and leave
01:21:01
angry at the studio he's doing that
01:21:04
extra he chose me specifically to
01:21:06
Embarrassing myself in front of everyone is what it is
01:21:08
his agenda, I saw through him like that
01:21:11
a Stupid, I'm in pain
01:21:14
Thighs but I won't do anything
01:21:15
If you go home with him, he will
01:21:18
I run or take one if necessary
01:21:19
Taxi is what little money I have saved for it
01:21:22
I didn't think so, but I did too
01:21:24
my pride is beyond all else
01:21:27
I can give him weekends and at home
01:21:29
I hardly always stay out of the way
01:21:32
have to ignore it to prevent it
01:21:34
that I commit murder nine
01:21:38
Mitch damn I could myself
01:21:42
show up, what do I have again?
01:21:45
hired why did I absolutely have to
01:21:47
the name of the only girl
01:21:49
figure out who I don't dance with
01:21:52
wants every other dancer better than
01:21:55
Summer then happens to me too
01:21:57
Mistake after mistake and I'm standing there
01:21:59
like an idiot she leaves me like one
01:22:02
bloody beginner
01:22:04
Looks like it's going to be a total failure
01:22:07
I'm tearing my hair out, that's what I have
01:22:11
none of that
01:22:12
I just didn't introduce myself
01:22:14
in control when it comes to Sumer but I
01:22:18
wanted to prevent that maybe
01:22:19
another of the boys dances with her
01:22:21
touched as I touch her
01:22:25
I have no idea what's wrong with me
01:22:27
I'm still freaking out because of someone
01:22:29
Bride I can't stand
01:22:31
maybe it plays into me too
01:22:33
the cards when we have more time
01:22:35
I can spend time together with her
01:22:37
come closer and put my plan into action
01:22:39
I know that she is in me
01:22:41
I have fallen in love with every woman so far
01:22:45
get the one I wanted then she will
01:22:48
leave the country again and then am
01:22:50
I let go of her and Jane very quickly
01:22:53
and and hopefully also the memory
01:22:56
of her eyes that put me to sleep
01:22:58
keep track of what color they are brown
01:23:03
green no idea as soon as she me
01:23:06
Something strange happens to you
01:23:08
me and I can no longer think clearly
01:23:11
hopefully I didn't hurt her
01:23:13
Jane will rip my head off if
01:23:15
Sammer told her and I wanted to
01:23:18
not to hurt her but I had mine
01:23:21
Strength no longer below
01:23:23
Control when I let go was clear
01:23:25
that she had too much momentum and than
01:23:28
she hit the ground hard is mine
01:23:29
almost the heart
01:23:31
stopped but is really light in
01:23:33
If I admit it, she would have this
01:23:36
Don't starch
01:23:38
confident, that kind of turns me on
01:23:41
Suddenly I want to know more about her
01:23:43
as good for me
01:23:44
If only she were in this [ __ ]
01:23:47
England is far away
01:23:50
I mean and I look like that
01:23:53
demä she is waiting for me in the car and is
01:23:56
correct
01:23:57
angry when my car came into view
01:24:00
the parking lot is empty
01:24:03
Every human soul in sight is cursed wherever it is
01:24:06
She's gone, she'll probably be
01:24:09
Don't go on foot, I can handle it
01:24:12
not how can you be so stupid
01:24:15
It's good that I have a plan
01:24:18
Everything will then fall back into place
01:24:21
I don't have to see her face anymore
01:24:22
when I close my eyes not not
01:24:24
no more dancing with her after that
01:24:26
School waits for them and above all has to
01:24:28
I don't worry if you do
01:24:30
easy now
01:24:32
disappears
01:24:35
Summer, I don't know myself that well yet
01:24:37
and so I walk down the street
01:24:39
which we with the
01:24:41
Driving a short time later appears
01:24:43
next to me with a black jeep pointing at me
01:24:45
pay no attention to him, just run
01:24:48
I put mine further even than he lifts
01:24:50
Away undeterred, damn Sammer now
01:24:54
Wait, he calls and I see him
01:24:58
overtaken me and half on the gewig
01:25:00
he parks to block my way
01:25:02
jumps out of the car and comes towards me
01:25:04
to at least give me the opportunity
01:25:07
to apologize he stops me
01:25:09
just let me in
01:25:12
Rest, I want to be free
01:25:14
Mitch holds me
01:25:16
firmly no wait I'm really sorry
01:25:20
I shouldn't have touched you so hard
01:25:23
You shouldn't have me in the first place
01:25:25
I should choose as a dance partner
01:25:28
I'm too heavy for you anyway
01:25:31
I smile at him
01:25:33
therefore wet on his face
01:25:37
so the wind you're mad because I'm up
01:25:39
your weight alluded to his
01:25:42
blue eyes literally sparkle with error
01:25:45
you are completely wrong again
01:25:48
a person can only do that on that
01:25:50
I don't have a problem with that
01:25:53
I'm rather too thin for my weight
01:25:55
too fat at all how superficial you are
01:25:58
you actually that I at one
01:25:59
people's weight
01:26:01
interested, I look at him angrily
01:26:03
face and he's still smiling oh
01:26:06
man Zammer, aren't you checking it out?
01:26:09
I just said that to annoy you
01:26:12
I have eyes in my head and can see
01:26:14
he murmurs that your figure is great
01:26:17
quietly and pushes me against her
01:26:18
Passenger door of his Jeep look at me
01:26:22
he demands, raising his index finger
01:26:24
my chin up so I'm looking at him
01:26:27
you must know very well how hot you are
01:26:29
he whispers in my ear
01:26:33
deep voice gives me goosebumps
01:26:35
and I start to shake slightly
01:26:37
breathing falls
01:26:39
hard, I'm anything but hot
01:26:42
I'm a wallflower, remember
01:26:45
I don't answer quietly but with one
01:26:48
somewhat snippy tone oh yes that
01:26:51
you are and you don't know it yet
01:26:55
he makes one
01:26:57
Pause and that means you almost
01:26:59
He gets excited and he bucks at me and I
01:27:02
I'm almost anxiously waiting for him to have his
01:27:04
head to me
01:27:05
He looks down on it
01:27:08
nothing just keeps me trapped
01:27:10
between the car and his
01:27:12
kör why are you making my life like this?
01:27:15
It's hard for me, but I'll do it anyway
01:27:19
nothing, my voice sounds almost quiet
01:27:22
a little fragile
01:27:24
you do more than is good for you and
01:27:27
good for me he licks himself over it
01:27:30
Lower lip and I can my gaze
01:27:32
not
01:27:33
turn away, get in now, he says
01:27:36
rough voice and the pressure of the door
01:27:38
I get even closer to his body
01:27:40
pressed I feel his excitement
01:27:44
look at us and somehow it seems
01:27:46
World silent
01:27:47
I'm all about Mitch
01:27:49
he is focused at this moment
01:27:52
my whole world
01:27:55
his gaze slides over my face as
01:27:57
If he were looking for something then he would leave
01:28:00
from me and goes to
01:28:02
I get on the driver's side, completely confused
01:28:05
and let Mitch take me home
01:28:07
drive even though I can't
01:28:09
wanted 11
01:28:13
Mitch hello son hello
01:28:16
Summer hello no SMer greets you
01:28:20
friendly but disappears immediately
01:28:21
her room upstairs hi dad what
01:28:25
you do it here I'll throw mine
01:28:28
Bag on a chair and let me
01:28:30
fall on the sofa in the living room
01:28:32
Dad sits in front of the TV and watches
01:28:34
remember a cricket match that he
01:28:35
recorded
01:28:37
I finished early today
01:28:39
made because I was having dinner with Jane
01:28:41
the city wants and afterwards to the cinema
01:28:44
then have fun, listen, I don't want to
01:28:48
that Sammer on her first weekend
01:28:50
here alone when you go out to party
01:28:53
could you take her with you
01:28:55
Dad looks at me expectantly
01:28:58
no babysitter I declare and stand
01:29:01
up to get a Coke from the fridge
01:29:02
I'm asking you to get Mitchell, Summer
01:29:05
is a nice girl and doesn't have it
01:29:07
easy, what do you mean by the question?
01:29:10
I as I turn back to him
01:29:12
put on why am I interested in this
01:29:15
once something happened to me
01:29:19
I realize how I can get rid of it again
01:29:22
how will I be again?
01:29:24
Normally I'll save the answer to that
01:29:27
I'm burning for later for now
01:29:29
to find out what it is all about
01:29:31
Her father has some on her
01:29:34
Problems Summer was all up in London
01:29:36
has been on her own since her mom
01:29:38
Jane has died for it
01:29:40
used that she received the scholarship
01:29:42
gets to live here in Perth
01:29:44
I'm a little amazed by it
01:29:46
this one
01:29:47
News means that jane is for it
01:29:50
responsible that Sumer is here now
01:29:52
I really shouldn't tell you that
01:29:54
but I think it would tell you
01:29:56
help your and our situation
01:29:58
Verehe yes Jane made sure of that
01:30:01
that whoever receives the donation she has
01:30:04
very much used for her but not of it
01:30:07
and I count on your secrecy
01:30:09
Mitch got out of London because of her
01:30:12
father dangerous
01:30:13
is
01:30:16
Isesutrust SST his eenaut
01:30:18
against
01:30:20
Money he falls silent doesn't say it
01:30:24
you mean he forced her
01:30:26
body too
01:30:27
I'm shocked Dad
01:30:31
shakes his head, I don't think so
01:30:34
he's gone far that's why we have
01:30:36
She was brought to us a little
01:30:39
kind to her she had it so far
01:30:41
not easy that amazed me I was
01:30:45
assumed that Sammer only one
01:30:47
another one of these spoiled girls
01:30:49
who you stick everything up your ass
01:30:52
Why didn't it close sooner?
01:30:54
I ask Dad and picks it up
01:30:57
Shoulders Jane didn't know that it was hmer
01:31:00
not going well with her father until
01:31:02
the police contacted her
01:31:04
because Rick suer's father because of one
01:31:06
Brawl was arrested
01:31:08
Summer with the language out she has
01:31:11
but refused to London
01:31:13
that's how Jane came up with the idea
01:31:16
Scholarship she knew what dancing meant to her
01:31:19
also means we had in the
01:31:21
There's enough to do with you in the last few years
01:31:24
You're not that easy either, he says
01:31:26
but what he would have given himself
01:31:28
I can take a sip and
01:31:30
nibble on the label of the bottle
01:31:33
Are you staying here longer now, I ask
01:31:35
without looking Dad in the eyes I have
01:31:39
Afraid that he will see how much it is to me
01:31:40
answer to my question
01:31:42
means first of all she has to
01:31:45
senorai then you can finish here
01:31:47
study but then she needs one
01:31:50
Residence permit you could for you
01:31:52
BGen then it would become a permanent one
01:31:54
received I think out loud in the next
01:31:58
At the moment I regret my big mouth
01:32:00
Why do I even want her to stay?
01:32:02
my life was much more relaxed
01:32:04
before they came
01:32:05
is that costs $30,000 I snort as
01:32:11
it depends on you what you pay
01:32:13
from the petty cash box Dad grins at me
01:32:17
We have to wait and see if Sam
01:32:19
She wants to stay in Australia at all
01:32:21
has just arrived give something
01:32:24
Time to get used to it and we'll see
01:32:26
Since when are you interested?
01:32:28
I didn't know what happened to Sammer
01:32:30
the impression that you can do it
01:32:32
I don't particularly like anyone
01:32:34
you know that and Jane and
01:32:36
I especially don't want her niece
01:32:38
I just know how long I'll have it for
01:32:40
I have to endure them, I grab mine
01:32:43
Coke and my bag and leave
01:32:44
Acker before Dad realizes that I have feelings
01:32:47
I have it like a normal person
01:32:50
let me fall onto my bed and
01:32:51
scrolling through the track list on mine
01:32:53
mobile
01:32:54
I then connect the device
01:32:56
the portable one
01:32:58
Loudspeaker slow piano sounds
01:33:00
a quiet female voice then sounds
01:33:04
There is rhythm from the first minute
01:33:06
erotic I have no idea how I do
01:33:08
should dance to this piece with Sammer
01:33:10
without getting turned on and in these
01:33:13
You can see everything in damn thin pants
01:33:16
of course I could use a jockstrap
01:33:18
wear but it's still a bit early for that
01:33:21
Otherwise we only put them on when we go to
01:33:23
Skip training I turn it
01:33:26
Turn up the volume and imagine how
01:33:28
she moves her body to the sounds
01:33:30
I keep seeing Samer's face
01:33:33
me like her eyes
01:33:36
follow how the green-brown turns
01:33:38
changes depending on your mood
01:33:40
she is what color her eyes probably are
01:33:43
when the thought strikes them
01:33:47
literally in my head I have to
01:33:50
need to know how she looks at me
01:33:52
when my hands strip over her skin
01:33:54
when she puts her legs around my hips
01:33:56
loops and what sounds it makes
01:33:58
there when I put myself deep inside her
01:34:01
I'll drill them so far
01:34:04
is clear
01:34:06
Sorry, you have a moment
01:34:08
I jump up, startled
01:34:11
damn Summer is standing in the open door
01:34:14
I knocked but you seem
01:34:16
not having heard me at the
01:34:19
It's no surprise that the volume is loud
01:34:22
Can I, you're already in there growling
01:34:25
I almost had her with me
01:34:28
caught with my [ __ ] in my hand
01:34:30
Damn I should in the future
01:34:33
the door conclude pretty you meant it here
01:34:36
she and sees herself in my room
01:34:38
The little one is curious about how pretty she is
01:34:41
Sister of [ __ ] so what do you want
01:34:44
I'm still very confused, you
01:34:47
Don't exactly listen to Crazy in Love
01:34:49
Song that fits into your playlist says
01:34:52
she and looks at the books in mine
01:34:53
Shelf on how do you know what's in
01:34:56
I bet you can find it on my playlist
01:35:00
There I find creep from Radiohead and
01:35:02
The weekend will definitely be Kevin too
01:35:05
Harris damn she's right you are
01:35:08
Forgot Taylor Swift I'm humming Sammer
01:35:12
smiles at me and sits down next to me
01:35:14
on the bed, I'm right, I can see that
01:35:17
your face and also us
01:35:20
I need a choreography for it
01:35:22
I gulped it down
01:35:24
I explain to her in case she does
01:35:26
I should have forgotten again
01:35:29
too I never expected you to
01:35:31
If you're a dancer, she looks at me skeptically
01:35:34
her gaze wanders over my body
01:35:37
and I feel very warm when she sees me like that
01:35:39
looks at it was the only school that
01:35:42
was willing to give me another chance
01:35:44
I confess, what have you done? I cringe
01:35:48
Slide your shoulders a little higher
01:35:50
not just to lean on the edge of the bed
01:35:52
but also by a little distance
01:35:54
to bring her smell between us
01:35:57
penetrates my nose and clouds me
01:35:59
my senses at the last school
01:36:02
I fought my opponent got me
01:36:04
provoked and had to do it for two weeks
01:36:06
to the hospital it wasn't mine
01:36:07
So it's okay that he went to the hospital
01:36:11
was already coming but he would have me in peace
01:36:13
let
01:36:14
what had he done, she asks
01:36:18
Now I don't want anything from her either
01:36:20
Tell my demons they're leaving
01:36:22
nothing on
01:36:24
Summer looks at me and waits quietly
01:36:27
She doesn't push me but sits
01:36:29
quietly there with her hands in her lap
01:36:32
folded she has changed clothes carries
01:36:35
a white dress with small colorful ones
01:36:36
Flowers
01:36:37
I have no idea what she's up to but
01:36:40
the way she looks, she's for everything
01:36:42
overdressed he has something bad about him
01:36:45
my mother said then slip me
01:36:47
out even though I don't say anything
01:36:49
wanted
01:36:51
aha she says and presses her lips
01:36:54
together that just a white line
01:36:57
she probably thinks of hers
01:36:59
Mother, who is dead, doesn't ask
01:37:02
where my mom is and I'll tell her
01:37:04
certainly not telling that either
01:37:06
nobody cares
01:37:08
What are you wearing, I ask her
01:37:12
looks down and I follow
01:37:14
her gaze from the slender neck
01:37:17
her little breasts heaving and
01:37:19
lowers to your waist above the
01:37:21
bare thighs up to hers
01:37:23
Feet in white sneakers
01:37:26
The hair looks really cute
01:37:29
She has it in a high ponytail
01:37:31
tied I want to touch her hair around
01:37:34
to feel how soft they are the brown
01:37:37
reminds me of
01:37:39
Chocolate damn I will
01:37:41
hard again I have to change
01:37:43
sit down because my [ __ ] is in my pants
01:37:45
painfully throbbing and I don't want to
01:37:46
that she sees how excited I am
01:37:49
this causes me to slide closer to her
01:37:51
raise my hand and touch ha it is
01:37:55
totally soft a fine scent of peach
01:37:58
us to me
01:37:59
over God only now am I taking this
01:38:02
It was sounds from the loudspeaker
01:38:04
still runs crazy and love because me
01:38:07
I've only selected one song and it's playing
01:38:09
endlessly
01:38:10
I will never grind with her
01:38:13
There's no way you can dance to this song
01:38:16
if the bikata is the only school
01:38:18
who was ready to take you in is called
01:38:20
That doesn't mean you're dancing
01:38:22
can she says and her voice sounds
01:38:25
very rough she looks at me questioningly and
01:38:27
the shade of her iris is already
01:38:29
a completely different one now shimmers
01:38:32
her eyes rather dark brown with small ones
01:38:34
green speckles that jump excitedly
01:38:37
I don't know, I had it in the
01:38:39
I took high school as an advanced course
01:38:41
trained intensively last year and that
01:38:43
I had fun now I'm good
01:38:45
in it Misses Baud thinks I am a
01:38:48
Natural talent, who would have thought?
01:38:51
must
01:38:52
grin even when I wear these thin pants
01:38:55
I think it's really shitty Sammer laughs
01:38:58
also
01:38:59
on yes maybe but I think you
01:39:02
you look good in it, you have it
01:39:05
correct physique
01:39:06
God, why does she say that?
01:39:11
you find something like that, you have mine
01:39:15
She's never really seen her body
01:39:18
grins
01:39:19
mysterious hey I say confused
01:39:23
I want to know exactly that now
01:39:26
slightly on her ponytail so that
01:39:27
She gets even closer to me, what's the point?
01:39:29
mean that you secretly see me under the
01:39:31
Shower watching you are a peeping tom
01:39:35
she laughs loudly and shakes it
01:39:37
Her hair slips out of my head
01:39:40
the hands but I want the contact
01:39:41
don't lose so I'm still sliding
01:39:44
closer to her
01:39:45
over we are so close that our
01:39:48
Almost shoulders
01:39:49
touch no of course not I have
01:39:52
with today's lunch break
01:39:54
We spent swimming pool sitting at the top
01:39:57
in the stands as the swim team
01:39:58
was training then I saw you
01:40:02
I breathe a sigh of relief so she is
01:40:04
but not such a crazy one
01:40:07
Stalker, I don't have you at all
01:40:09
I admit we were just noticed
01:40:12
briefly there but I have you in yours
01:40:15
long swimming trunks seen standing
01:40:17
Ruby said you were good too
01:40:20
the best on the swim team can be
01:40:23
I murmur, staring at her lips
01:40:26
They are so red and plump but not like that
01:40:29
as if they were inflated but
01:40:31
You are always classically beautiful in everything
01:40:34
the best wants to know it and limits it
01:40:38
doesn't attract me to the little beast
01:40:41
Guess maybe you should
01:40:42
find out my vote is total
01:40:44
hoarse and I can barely speak
01:40:46
I want to dominate her
01:40:49
kiss no I want more I want her
01:40:52
under me
01:40:54
wants her to squirm and loudly
01:40:56
moans, I know that the wonderful one
01:40:58
makes loud noises when I'm inside her
01:41:00
bury her, you're laughing again
01:41:04
Don't blame me Mitchel
01:41:06
mcan I know exactly that this is a stupid one
01:41:09
Joke is and you me with one
01:41:11
dismiss the stupid saying coldly
01:41:13
would as soon as I go into it no
01:41:15
No, I won't get involved in that
01:41:18
you can make your jokes with one
01:41:20
Others make her jump off the bed and
01:41:22
brings something distance between us what me
01:41:25
immediately makes you angry, why are you?
01:41:27
at all in my room I ask and
01:41:29
I slide into the pillows and fold my arms
01:41:31
Ruby has her arms behind her head
01:41:34
to the beach for a campfire
01:41:36
invited and I wanted to know something
01:41:37
I can wear that too much
01:41:41
points at that with both index fingers
01:41:43
short dress clearly yes comes from
01:41:46
my mouth I'm an [ __ ] because
01:41:49
I don't want anyone else to see her like that
01:41:51
Sees you should wear long jeans
01:41:54
really, but that's way too warm
01:41:58
no, not in the evening and forget yours
01:42:01
Jacket
01:42:02
Above all, don't wear anything too much
01:42:04
I still want to say that skin shows
01:42:07
but then I would shut up
01:42:10
She prefers to wear a long coat
01:42:12
Zammer looks at me suspiciously
01:42:15
then she nods and leaves mine
01:42:17
Room
01:42:19
I can finally breathe normally again
01:42:22
turn off this damn music
01:42:24
and the erotic moans
01:42:26
falls silent, this will never work
01:42:30
ever 12
01:42:33
Summer you can see it from far away
01:42:35
Fire is a huge pile of wood
01:42:38
piled up and set on fire
01:42:40
a lot of young people care about it
01:42:42
gathered loud music reaches us
01:42:45
Over there Ruby picked me up and we
01:42:47
walk along the beach
01:42:50
half a mile north of our house
01:42:52
The meeting takes place remotely
01:42:55
This is Sarah and Paul calling Ruby
01:42:57
excitedly and waves to them hey Summer
01:43:00
It's great that you're there too Sarah hugged
01:43:03
me She and Ruby wear short skirts and
01:43:06
I wonder why Mitch said that
01:43:09
my dress isn't right for this
01:43:11
event
01:43:12
would slowly disappear from me that he was me
01:43:14
didn't tell the truth I can
01:43:16
This guy just doesn't
01:43:18
Trust, what would you like to drink?
01:43:22
Paul I'm having a beer means Ruby I am
01:43:25
Sarah also says and you ask me
01:43:30
I don't want to drink alcohol
01:43:33
I say a Coke quietly, okay, I'll be right there
01:43:36
back man Summer you have such a
01:43:39
Lucky you can dance with Mitch
01:43:41
Ruby tells me yes, you think so
01:43:46
is obviously impressive
01:43:47
I comment on constant bad mood
01:43:50
her enthusiasm but he looks great
01:43:53
“You have to admit that,” she enthuses
01:43:56
I'm silent because what can I say?
01:43:59
Paul distributes the drinks here
01:44:02
red mug calls for a great evening
01:44:06
He clinks glasses with us and I drink one
01:44:09
Swallow and grimace
01:44:11
I taste alcohol in the cola
01:44:14
Whiskey I know the smell of mine
01:44:16
I smelled it every day
01:44:18
I immediately feel sick, what's wrong?
01:44:22
Paul isn't feeling well
01:44:24
my hand and holds me tight I know
01:44:27
Everything doesn't turn in front of my eyes
01:44:31
We've only just arrived and
01:44:33
Summer says she hasn't had anything to drink yet
01:44:35
Ruby and looks at me worried you are
01:44:38
you want yourself completely green in the face
01:44:40
put Sarah asks I feel that mine
01:44:43
Legs give way, it's been a long time
01:44:46
I had a panic attack
01:44:48
I can't get it right now
01:44:50
my eyes go completely black
01:44:53
I have them before I faint
01:44:55
I hear in my voice and feel his
01:44:57
strong arms that catch me whatever is
01:45:00
he asks, I put an arm around him
01:45:04
his neck I don't know in mine
01:45:07
Cola was whiskey I can tolerate the smell
01:45:09
I don't murmur against his neck
01:45:13
get you out of here he says
01:45:16
decisively no, not I still want to
01:45:19
stay my voice sounds pitiful
01:45:22
and scratchy I have to cough I wait
01:45:25
get yourself something to drink he looks
01:45:28
Paul to get some mineral water and
01:45:30
This time he only gave water to Paul
01:45:33
runs off and is a few seconds later
01:45:36
back he brings a locked one
01:45:38
She opens the bottle and hands it to me
01:45:41
I greedily take a sip and get it
01:45:43
at the same time I can breathe
01:45:45
Drink up, that's great too, hey
01:45:50
very calmly Mitch is still holding me
01:45:52
is now on his arms
01:45:54
a crowd of people formed around us
01:45:57
when I realize this I get
01:45:59
I'm short of breath again, let me through
01:46:01
Mitch makes room and brings
01:46:04
me towards the dunes away from the others
01:46:07
no one dares to follow us
01:46:09
He carries me with sure steps
01:46:11
up a small hill and sits down
01:46:13
me together in the sand so we can
01:46:16
in the dark on the people
01:46:17
look down without them seeing us
01:46:20
I sit between his legs he has
01:46:23
pulled me to his chest and the
01:46:24
Hands rest on my bare stomach
01:46:27
and then I drink a sip of water
01:46:29
Otherwise it's quiet around us, just him
01:46:32
Wind carries the music and the laughter
01:46:34
You're feeling better now when you come up to us
01:46:36
he asks, close to my ear
01:46:41
Thanks, I only need one more
01:46:43
Now you can close again
01:46:45
your people, I'll stay with you
01:46:48
I didn't tell you anything
01:46:50
You should wear something decent
01:46:52
You there
01:46:54
he asks darkly why I'm looking at myself
01:46:58
I have a pair of short jeans
01:47:01
Put on shorts and wear one
01:47:02
crop top but a cardigan
01:47:04
about what's wrong with that?
01:47:08
driving every boy here crazy
01:47:10
stare at you and I like that
01:47:12
not he whispers to me and his voice
01:47:14
causes a pleasant tingling sensation
01:47:16
my stomach feels like nausea
01:47:19
blown away his touch is like that
01:47:21
tingling and my heart beats twice as much
01:47:23
as quickly as it should even if I
01:47:26
I don't like it with snow
01:47:29
very even I enjoy them I enjoy
01:47:34
him even though I know he's not good
01:47:36
is for me and not for me
01:47:39
like why are you suddenly so nice to
01:47:42
I ask myself
01:47:44
That's why I'm always he growls no
01:47:48
aren't you, you're a bad one
01:47:51
cheerful ass who always happens to be in
01:47:53
I admit I have to give up
01:47:57
You don't have to be careful, I can
01:48:00
to look after myself alone protest
01:48:03
I and want to move away from him but he
01:48:05
won't let go of me, I can see that Jane
01:48:08
I'll be nervous if you tell me something
01:48:10
happened she would give me my life
01:48:12
I don't want to do that to hell
01:48:13
risk he laughs quietly and I find
01:48:16
his laughter for the first time
01:48:18
sympathetic I turn my head around him
01:48:21
to look into each other's eyes
01:48:23
our faces dangerously close to his
01:48:26
Eyes are as dark as the sky above
01:48:28
us who is only illuminated by the stars
01:48:31
Here the stars look so close
01:48:34
Unlike in Landen, I murmur in regret
01:48:38
you came to Australia
01:48:40
Mitch asks, gently stroking my hand
01:48:43
the hair no, definitely not mine
01:48:46
Life in England wasn't like that
01:48:50
bulging, what happened there
01:48:53
I don't want to talk about it, not now
01:48:55
so I shook my head and breathed
01:48:58
faster, okay, you don't have to tell me
01:49:00
Don't tell if you're not ready
01:49:02
that's why his voice is as gentle as
01:49:05
his hand stroking me it's closed
01:49:08
a lot for me I don't want him like that
01:49:11
to me he wouldn't be with me, I could
01:49:13
fall in love with him he looks like me
01:49:16
my eyes and I hold my gaze
01:49:19
suddenly a smile floods his face
01:49:21
face and he looks around throwing and
01:49:23
I immediately become much friendlier
01:49:26
Kiss you now, he whispers, waiting for you
01:49:29
my agreement and I nod as if by
01:49:31
Guided by magic, he lowers his head
01:49:34
until our lips touch them
01:49:37
feel cool and as his tongue
01:49:39
I want to penetrate my mouth
01:49:41
after it tastes a little like beer
01:49:45
but that doesn't bother me much it is
01:49:47
also a completely different smell than this
01:49:49
high-proof stuff a hand is on
01:49:52
my stomach and caresses my skin
01:49:55
it goes under my shirt and stays
01:49:57
I lie below my chest
01:50:00
enjoy his touch and sigh
01:50:02
suddenly he raises his head quietly
01:50:06
want to be alone with you Sammer let us
01:50:09
go his breathing is ragged and I
01:50:12
feel how excited he is
01:50:14
Mitch, that's not a good idea
01:50:18
when Jane and Keith get home
01:50:20
I'm looking at Jane and Keith
01:50:23
The kiss was so beautiful, I trust it
01:50:25
Not a thing, I hardly know him and
01:50:27
so far he has mostly been
01:50:28
obnoxious, that's not all
01:50:30
forgotten after just one though
01:50:33
irresistible
01:50:35
Kiss he puts a finger on me
01:50:38
Lips the two went out and
01:50:40
I won't be back until late
01:50:43
Come here with the car, I'll drive you
01:50:45
home but I don't want to than that
01:50:47
For girls, this applies after just 5 minutes
01:50:49
left the party again because she
01:50:50
If I can't tolerate alcohol, I'll try it
01:50:53
again he grins again and suddenly
01:50:56
his lips are on mine again
01:50:58
Mouth more greedy, demanding something this time
01:51:02
he wants to prove to me but it feels
01:51:05
good on very good I can't help it
01:51:09
and kiss him
01:51:10
back his hand claws into mine
01:51:13
Hair and his tongue makes its way into one
01:51:15
Way into my mouth my mind
01:51:17
switches off I give myself completely
01:51:20
He kisses towards this unspeakable feeling
01:51:23
fantastic and I'm into this
01:51:25
At the moment it doesn't matter if anyone sees us
01:51:28
wrap my arms around his neck
01:51:30
pull him closer to me his tongue
01:51:34
plays with me and I let myself fall
01:51:35
I'm only going to throw all concerns overboard
01:51:39
Mitch ended that kiss and his
01:51:41
My head lifts and my mind starts again
01:51:45
Come on, he takes my hand and pulls me
01:51:48
I follow behind him as if mechanically
01:51:51
him to the parking lot
01:51:53
I'm a real party crasher
01:51:56
I ironically Mitch borders and puts one
01:51:59
Arm around my shoulders these shorts
01:52:02
you'll never wear it again he grumbles and
01:52:05
his eyes flash at 13 Mitch Sommer
01:52:11
is in my bed and I don't have any
01:52:13
I have no idea how I managed it
01:52:14
To get there we hear quietly
01:52:17
Music and I won't let it be taken away from me
01:52:19
Kissing her every now and then she tastes like that
01:52:22
cute and her shirt keeps slipping
01:52:24
high when they are
01:52:25
I hold her in my arms and move
01:52:28
my desire for her is
01:52:29
indescribable
01:52:31
big, when are Jane and yours coming?
01:52:34
Father asks her back, I bend over
01:52:37
down and kiss hers
01:52:39
Corner of the mouth that still takes time they are in
01:52:42
Cinema and then dinner I push
01:52:45
lift her shirt and kiss her skin
01:52:48
Breasts are small and nipples
01:52:50
stroke very hard with my hands
01:52:53
I over the transparent fabric of hers
01:52:55
Bras I don't know if they're ready for that
01:52:58
but she moans softly when I look
01:53:01
you've already seen it in her eyes
01:53:04
done I ask carefully she shakes
01:53:08
dumb your head why don't I want to
01:53:12
I know, I already thought so
01:53:15
but I can actually hardly believe it
01:53:16
that such a charming girl
01:53:18
never had sex, what luck for me
01:53:22
I don't know, she whispers and
01:53:25
looks away embarrassed, hey, that's it
01:53:28
no need to be ashamed, I wanted it
01:53:30
only
01:53:31
do you want to sleep with me?
01:53:35
hold my breath because I don't know
01:53:37
something in her pretty head
01:53:38
I don't know, she says
01:53:42
again and can't make it into it anymore
01:53:43
eyes closed
01:53:44
I would like to sleep with you
01:53:48
I admit openly and start again
01:53:50
to caress her beautiful breasts
01:53:53
why does she ask why do you want it
01:53:57
even though you don't like me
01:53:59
She really doesn't check anything
01:54:02
You're very wrong, I can stand you
01:54:06
even more than that then I kiss
01:54:10
she greedily and slide me over hers
01:54:11
Body I support myself on one arm
01:54:14
so that I don't become too heavy for her
01:54:17
a hand feels her body I ZRE
01:54:20
on your shirt that you are over the
01:54:22
Head pulls her skin is smooth and
01:54:25
wonderfully soft, you can see that they are
01:54:28
doesn't come from here but it's theirs
01:54:29
Skin is much too light, it smells very fresh
01:54:32
as if she had just gotten out of the shower
01:54:34
blessed and the scent flows from me
01:54:36
Eucalyptus in the nose it's that
01:54:38
Shower gel that I always use
01:54:40
use my lips to travel down her neck
01:54:43
along over the collarbone
01:54:45
to her breasts I lick over yours
01:54:48
Skin oh my god she moans softly
01:54:53
Do you like it? I want to know. Yes, do it
01:54:57
Sammer continues to demand and buries hers
01:55:00
Fingers in mine
01:55:01
I open her jeans with one hand
01:55:05
slide them over her hips Sammer
01:55:07
helps me lift her pelvis and
01:55:09
pulls the shorts off
01:55:11
Legs now she only wears one
01:55:14
tight black thong and I hold
01:55:15
I gasp for a moment when I see it
01:55:18
she looks so incredibly sexy
01:55:20
out of a little insecurity she tugs
01:55:23
my t-shirt that I put over my head
01:55:25
undress she looks at me like I am
01:55:28
an apparition and draws mine
01:55:30
upper body with your fingertips
01:55:32
she has slender fingers with short ones
01:55:34
beautiful nails that have a clear
01:55:36
nail polish
01:55:37
wear very differently than most
01:55:40
Girls in our school who a
01:55:42
Bright pink is preferable to false ones
01:55:44
long nails that look like claws
01:55:47
Look, you're so tanned
01:55:51
she whispers
01:55:52
that comes from
01:55:54
I whisper swimming practice to hers
01:55:56
Lips and kiss her hand again
01:55:59
moves between her legs and me
01:56:00
start them through the string
01:56:02
caress the knowledge that she never
01:56:05
someone there touched makes me
01:56:06
animal like I want her all to myself
01:56:10
but she is not one of the girls
01:56:13
with a different guy every week
01:56:15
making out is something special and
01:56:18
she belongs all alone
01:56:21
me 14
01:56:23
Summer I have no idea what I am
01:56:26
Here I actually do lie in with Bet
01:56:29
and am afraid that Jane and Keith everyone
01:56:31
Come back a moment and see us here
01:56:32
I can hardly concentrate on anything
01:56:35
concentrate differently than Mitch
01:56:38
Inside of my thighs
01:56:39
I can't help myself
01:56:41
hold his hand tight no please don't
01:56:45
I can't do this, please stop
01:56:49
I leave, almost in a panic
01:56:51
I let go of him and pull my shirt
01:56:54
it over because I feel completely naked
01:56:57
What the [ __ ] is wrong with you he asks
01:56:59
and doesn't sound particularly enthusiastic about it
01:57:02
I'm sorry Mitch, I can't do that
01:57:05
So you don't want to sleep with me asks
01:57:08
he and looks at me really offended
01:57:11
I'm sorry, it's not your fault
01:57:13
but I'm just not ready yet
01:57:16
Mitch runs his hands through his black one
01:57:18
Hair and moans you have no idea
01:57:21
Whatever you do with me, I'll tell you
01:57:23
Don't hurt if that's your concern
01:57:25
I no it's not it's just you have
01:57:29
definitely with a girl
01:57:31
slept and I god this is real
01:57:34
embarrassing, I'll go now
01:57:38
slide off his bed and see him
01:57:39
apologizing to I know you will me
01:57:42
Now hate but it's better to believe
01:57:44
I grab my shorts and
01:57:47
leave his
01:57:48
Bude I see that I as quickly as
01:57:51
possible come to my room before me
01:57:53
Does anyone else see me climbing the little one?
01:57:55
Down the stairs to Mitch's room
01:57:57
The garage leads apparently are Jane
01:57:59
and Keith hasn't come back yet
01:58:02
as the door in my room closed
01:58:04
I breathe a sigh of relief and pull
01:58:07
my short pajamas and looks
01:58:09
out the window when I turn to the side
01:58:12
I can bend Mitch's window
01:58:14
Room see the light is on and I
01:58:16
I see him standing at the window, he's staring
01:58:19
me over he only carries his his
01:58:22
Jeans and looks so hot his look
01:58:25
I can't quite explain it but it will
01:58:28
he let me punish the white
01:58:30
I have no idea if I'll ever have the courage
01:58:33
going to find out with a boy
01:58:34
Maybe I haven't slept yet
01:58:38
I always backed out because
01:58:40
I'm afraid of what I can't do
01:58:42
say or I just want it
01:58:45
push out jane has a nice one
01:58:47
Breakfast prepared for us with bacon and
01:58:49
Scrambled eggs, fresh rolls and jam
01:58:52
Even though I'm hungry I can hardly eat anything
01:58:54
something down what did you do yesterday
01:58:56
driven wants to know and bites
01:58:59
then his roll with scrambled eggs on it
01:59:00
Mitch has distributed again
01:59:03
bad mood and head bowed
01:59:05
so I answer we were at the beach
01:59:08
Unfortunately there was a big campfire there
01:59:11
I wasn't feeling well and Mitch was so nice
01:59:12
me home
01:59:13
drive what happened you had to
01:59:16
Drunk a lot Jane asks and sees me
01:59:19
with that certain look at me
01:59:21
My friend doesn't drink either
01:59:24
Mitch murmurs, I'm onto her
01:59:28
Be careful, I have no idea what was going on
01:59:31
I quietly and shrug my shoulders
01:59:34
Maybe you're feeling better now
01:59:36
Is it because of the jet? Sometimes you have weeks
01:59:38
later more complaints Jane sees me
01:59:40
checking on no, everything is fine
01:59:44
I'm looking forward to going there straight away
01:59:45
City drive both men lift the
01:59:48
köpfemer and I will have one
01:59:50
If you want to take a stroll through the city, join us
01:59:52
Both hums accompany something
01:59:55
I thought it was saying something incomprehensible
01:59:58
Jane and laughs out loud but maybe
02:00:01
We can have lunch there
02:00:03
meet what do you think of it Keith nods
02:00:06
That's a good idea isn't it Mitch
02:00:09
I have a date, Mitch mumbles
02:00:13
aha with whom if I may ask Keith
02:00:17
looks at his son curiously
02:00:19
Charlotte
02:00:20
Peacock the name sounds familiar
02:00:24
I always thought that you didn't
02:00:25
Jane says she can suffer
02:00:29
Not that Mitch doesn't want one
02:00:30
But now I can have a conversation
02:00:33
suffering he says and looks at me there
02:00:36
it occurs to me again, it's that
02:00:38
Girl that has been after him for a long time
02:00:40
is she will definitely be with him
02:00:42
want to sleep even if I don't
02:00:45
I want to admit it bothers me that Mitch
02:00:47
If he has a date he would go too
02:00:50
if I slept with him tonight
02:00:52
I probably would have the answer to that
02:00:55
never
02:00:56
find out okay then let's just go
02:00:59
third meal Jane says in a good mood and
02:01:02
I'm trying to get away from it with worse
02:01:03
Not to let your mood get infected than that
02:01:06
Men go away, I say quietly
02:01:08
Mitch wishes you didn't feel that way
02:01:10
make it difficult Jane raises her shoulders
02:01:13
oh you know when his mom let him down
02:01:16
he was only 9 years old
02:01:18
old she is dating an actor
02:01:21
from one day to the next
02:01:23
Mitch never did that properly
02:01:26
coped with it when I was still in Kie and
02:01:28
I entered my life, he is right
02:01:30
ticked off because he thought I wanted to
02:01:32
take his father away from him we have
02:01:35
tried a lot to get psychological help
02:01:37
offered but it has nothing
02:01:39
brought he is from all schools
02:01:42
He's been flying for a year now
02:01:44
on the balkat and it works
02:01:45
surprisingly well the dancing helps
02:01:48
I nod to him, he is a good dancer
02:01:52
I would never have suspected Mitch in
02:01:54
I thought it was more likely that I would meet him on the course
02:01:57
would play rugby or cricket that was
02:02:00
the condition of being at school
02:02:01
To be accepted he had to get in
02:02:03
Enrolling in the sports courses tells us
02:02:06
Jane, it's definitely not easy
02:02:09
he rejects you so much I love Keith and
02:02:12
What's more important is that Keith loves me
02:02:14
We can do it together and since you
02:02:17
there's a lot of it
02:02:19
more accessible says Jane kills you
02:02:22
my shoulders and pulls me towards him
02:02:24
I'm very happy that you
02:02:26
You're finally with me, grateful, I smile
02:02:29
Such sentences have rarely been heard before
02:02:32
in my life and it sounds
02:02:34
What's wonderful about Perth really is
02:02:37
exciting it's so different than
02:02:39
don't land so hectically further and
02:02:43
There is also a more dignified one
02:02:45
Skyline with skyscrapers but the
02:02:47
Sun leaves everything completely different
02:02:49
Light appear Jane doesn't get tired
02:02:51
me all the important data and buildings
02:02:53
explain so that I feel that
02:02:55
my head is just buzzing in my head
02:02:58
We find a lot of pedestrian zones
02:03:00
Stores where we look for clothes
02:03:01
browse and I feel myself in a time
02:03:03
taken back to when mom was still alive
02:03:07
She hardly had time to stroll with me
02:03:08
go because they have the money for the family
02:03:10
Had to earn but Jane is mom very much
02:03:13
similar and I can talk to her about that
02:03:14
same things laughter look how
02:03:17
Don't you think the shirt would be something?
02:03:19
for Mitch she asks and a black one
02:03:22
T-shirt held up with an emoji on it
02:03:24
I am pictured with devil horns
02:03:27
shake your head and laugh, he will
02:03:30
I say never wear it in a good mood
02:03:34
you are right but similarities with him
02:03:36
We're slowly strolling down the Murray
02:03:39
Street along Jane gave us an ice cream
02:03:42
Bought and I try hard to make it
02:03:43
not dripping, we stopped and
02:03:46
sit on a vacant bench
02:03:48
Jane smiles at me happily I can
02:03:52
just keep repeating how happy I am
02:03:54
am that you are here with me now I am
02:03:56
I'm happy too, I can't help you at all
02:03:59
Thank you enough for giving me the money
02:04:00
If you've lent the flight, I'll give it to you
02:04:02
pay back as soon as I get my first one
02:04:04
Jane Wingkt received her wages, laughing
02:04:07
but that's not necessary Keith had
02:04:10
That's how many flight miles we have left
02:04:12
You're welcome, you're now part of the team
02:04:14
Family she presses a kiss on me
02:04:17
the cheek and I don't know how I
02:04:18
The ice skating in J should respond to this
02:04:22
along without her noticing it
02:04:24
drips on the floor but I say
02:04:26
nothing, I just enjoy this moment
02:04:29
the silence that arises between us and
02:04:32
is not embarrassing but quiet and
02:04:34
pleasant oh god my ice cream is dissolving
02:04:38
she calls, fishing for one
02:04:39
Handkerchief from her trouser pocket
02:04:42
takes a look at me and we
02:04:43
They both start to laugh and first
02:04:46
Sometimes my life feels like it is
02:04:48
I am 18 years old
02:04:50
old 15 Summer we meet Keith in the
02:04:55
33rd floor of the ST Martins Tower there
02:04:58
The Sea restaurant is located in the
02:05:00
sky it's one of those restaurants that
02:05:03
offers a 365° view of the city
02:05:06
because it's very slow
02:05:08
turns as we get out of the elevator
02:05:11
My mouth remains open in amazement
02:05:13
I've never been in one like this
02:05:15
fine restaurant and feel the same
02:05:18
dressed inappropriately even though I know that
02:05:20
Dress with the flowers and the white ones
02:05:22
clean Chucks, what did you say doesn't matter
02:05:25
professionally I ask jokingly and Jane
02:05:28
laughs he's a goldfish I
02:05:30
He has a company for more fishing
02:05:33
Computer security and advises large
02:05:35
companies at
02:05:36
Industrial espionage he earns very well
02:05:38
But don't tell anyone, she winks
02:05:41
to me we are led to the niche
02:05:44
in which Keith is already sitting and in
02:05:45
at the last moment I see that he
02:05:47
Hello Mitch is not alone
02:05:51
Jane him kindly I thought you had
02:05:54
a date she sits down next to Keith
02:05:57
There was nothing else for me to sit on the bench
02:05:59
remains than on the bench next to it
02:06:00
Mitch to take a seat if I knew
02:06:03
would have her in a tourist temple
02:06:05
When it comes to eating, I would rather be at home
02:06:06
He stays and complains about cornflakes
02:06:10
I ask to eat and see him
02:06:12
challenging he just shakes it
02:06:14
head and concentrates again
02:06:16
the menu that is in front of him
02:06:18
Waiter takes the drink order
02:06:20
and hands Jane and me one too
02:06:22
Map how was your shopping trip?
02:06:26
Keith crowned with success I could
02:06:29
Sammmer persuade me to give her a few
02:06:31
I buy parts and I have one for Mitch too
02:06:33
Found something, she hands him one
02:06:36
small bag he takes a look inside
02:06:39
and a small smile comes across
02:06:40
his lips are not serious, he says
02:06:44
Summer picked it for you says
02:06:47
Jane and I look surprised by one
02:06:49
on the other hand Mitch pulls this out of the bag
02:06:52
emoji shirt with the
02:06:54
At least she knows mine
02:06:56
He says size calmly and doesn't show it
02:06:59
It's not just your size that seems to Sammer
02:07:01
but also noticed knowing you well
02:07:04
he grins, hey, I don't have anything with that
02:07:07
to do that Jane bought I put
02:07:10
me to the WH actually it has Keith
02:07:12
I purchased with a credit card
02:07:14
paid Jane explains and laughs, yes
02:07:18
Clearly it's my fault again says
02:07:20
Keith calmly takes a drink
02:07:21
Sipping his water thanks murmurs
02:07:24
Mitch and packs the shirt back up
02:07:26
seems a little embarrassed
02:07:28
But the food is something to be happy about
02:07:31
I've had it as a starter for a while
02:07:35
with tomato sauce, spinach and
02:07:37
take gorganolera cream as a main course
02:07:39
I have the salmon with sweet potatoes and as
02:07:42
The icing on the cake comes with dessert
02:07:44
honey panotter with dark chocolate
02:07:47
Portions are quite clear
02:07:49
that I can do everything that men have
02:07:52
decided on Anges fillet and
02:07:54
Jane joined me I am
02:07:56
Mitch is surprised at how sociable he is
02:07:58
There he even makes a joke about that
02:08:00
Australians that made me laugh
02:08:02
get what is you don't know anyone
02:08:05
He asks me Australia jokes
02:08:09
I laugh again, let go
02:08:12
He asks me to listen to Summerbreeze
02:08:15
and bumps me with his shoulder
02:08:18
well a kangaroo hops across the road
02:08:21
and a penguin looks out of the bag
02:08:23
out he wipes his sweat and
02:08:25
mumbles more stupidly
02:08:28
Student exchanges prevail first
02:08:30
awkward silence then Mitch starts to
02:08:33
giggle and Jane and Keith laugh too
02:08:35
loudly sorry but I'm a sucker
02:08:38
Telling jokes I raise devotedly
02:08:41
Hands no, it was really good, praise me
02:08:44
Mitch and looks me straight in the eye
02:08:47
Thank you, I quietly ask, he lifts
02:08:52
a hand and wipes away a hasty tear
02:08:54
from the face we should pay we
02:08:57
still have an appointment in Bunbury
02:08:59
explains Keith on a Saturday I ask
02:09:04
Surprised, yes sometimes you can
02:09:06
not
02:09:07
choose it is an invitation from one
02:09:10
big customers and Jane goes with us
02:09:12
stay there overnight and come tomorrow
02:09:13
again, you don't mind her
02:09:16
is coping, Keith asks, examining
02:09:19
suspicious of us, we are not ten
02:09:22
more Summer and I have to for the
02:09:23
Dance lessons are choreography anyway
02:09:25
rehearse because value only gets in the way
02:09:28
Mitch explains, looking at me
02:09:30
expectantly but I remain silent
02:09:33
I say goodbye to Jane and Keith and
02:09:35
assure you again that I
02:09:37
I can manage on my own as if I had it
02:09:39
not sufficient in recent years
02:09:41
under Evidence
02:09:42
are they gone, Mitch asks
02:09:45
comes from his room yes they are
02:09:48
just set off and he's coming towards me
02:09:51
and I see that he has the black shirt
02:09:53
wearing the devil emoji suits you
02:09:57
I say and walk past him he stops
02:10:00
I didn't wake up when I got to my room
02:10:02
When I enter I notice that he has followed me
02:10:04
is and the door is closed
02:10:06
You don't have a date today
02:10:08
I want to know he lets myself
02:10:11
Falling down on the bed and looking at me curiously
02:10:14
Do you want to stand there any longer?
02:10:16
or do you come to me he goes to mine
02:10:19
Don't ask, I know what's happening
02:10:21
If I give in, I still bet
02:10:23
me on the bed with him too
02:10:25
a little distance buzzb what are you doing
02:10:29
with me you know that you for it
02:10:31
you're responsible for the whole thing
02:10:33
He asks, couldn't sleep at night
02:10:36
quietly and seems to me with his
02:10:37
Look
02:10:38
to take off why does yours work
02:10:41
right hand not I ask and have to
02:10:43
laugh at my joke you have today
02:10:45
He really swallowed a clown
02:10:48
from between his teeth and pulls
02:10:49
me by the hand
02:10:51
I land lengthwise on his
02:10:53
hard body, his arms surround me
02:10:56
like iron brackets we have a whole
02:10:59
Night he whispers to me and I have him
02:11:02
nothing to oppose, he raises his
02:11:05
head and lowers his lips to mine
02:11:07
Mouth I kiss him
02:11:10
Suddenly I don't care about anything
02:11:14
I tug at the emoji with my nimble fingers
02:11:16
and take off his shirt then open it
02:11:18
I his pants e baby don't wait like that
02:11:23
fast his breathing is fast just like
02:11:26
I mean I just want it behind
02:11:28
bring me as I put his pants on him
02:11:30
Pulling my ass, Mitch holds my hands
02:11:33
What's wrong Sammer, that's you
02:11:36
not you, I want it to be over
02:11:39
I quickly admit Mitch sits up
02:11:43
pulls me
02:11:44
But it doesn't work like that
02:11:48
is wrong with you, I can understand that
02:11:50
you're nice but I don't want it around
02:11:53
every
02:11:54
Price it's your first time and it's meant to be
02:11:57
beautiful and not fast he
02:12:00
gently strokes my back
02:12:03
I wouldn't have that much consideration for him
02:12:04
not confident, I close my eyes
02:12:07
down I'm sorry I just know
02:12:10
not what's right I didn't have
02:12:13
Before ever doing it I admit that's why
02:12:17
I never thought about it
02:12:19
made a deep furrow forms
02:12:22
on his forehead what does that mean you
02:12:26
I didn't plan on ever doing it
02:12:29
I've already said way too much
02:12:32
Go now if this isn't my room
02:12:33
It would be nice to talk to me about what's going on
02:12:37
happen I can't he sees me
02:12:41
He probably thinks I'm skeptical
02:12:44
total
02:12:46
crazy Who was it he asks and
02:12:49
exhales labored
02:12:51
someone has done violence to you, I read
02:12:54
with it
02:12:55
right, his voice sounds so quiet like that
02:12:59
knowing that I'm almost willing to yes
02:13:01
say so I take all my courage
02:13:04
together and
02:13:05
nod God I knew who it was
02:13:10
Friend, I can't make it to Mitch
02:13:13
Eyes to see as I say I became
02:13:15
not raped, it didn't happen
02:13:17
because I have to defend myself
02:13:20
knew it was also just
02:13:22
once who Summer a stranger someone the
02:13:27
you knew I can literally rage Mitch
02:13:30
I feel like everything would be better for me
02:13:32
keep me
02:13:33
It's not good if you talk about it like that
02:13:36
something speaks I knew why
02:13:39
I didn't keep my mouth shut
02:13:41
please Sumer who was
02:13:44
it my father's words leave mine
02:13:49
mouth without me consciously controlling it
02:13:51
can be yours
02:13:54
Dad your father tried to kill you
02:13:58
rape disbelief speaks
02:14:00
from his words yes he has it once
02:14:04
I tried it three weeks ago
02:14:07
granted and a bottle over him
02:14:08
Skull hit he was drunk when
02:14:12
He is not the one who drinks
02:14:15
would never have done anything to me if he had
02:14:16
Had I been sober, tears would have come to my eyes
02:14:19
in the eyes
02:14:21
I didn't hit his temple
02:14:24
Look, the bottle isn't even there
02:14:26
broken but he was
02:14:28
I've been unconscious since then
02:14:30
hidden until finally my flight
02:14:32
I wiped it with the back of my hand
02:14:35
the tears from the
02:14:36
Cheeks you are here in safety hammer
02:14:40
you don't need to be afraid here
02:14:43
can't help you anymore
02:14:44
I'll take care of you
02:14:48
pulls me tightly into his arms and I
02:14:50
feel like my hair
02:14:52
kisses, it's okay, I want to leave
02:14:56
set him free but he doesn't give
02:14:58
after no it's not something like that should
02:15:02
no one goes through something so disgusting
02:15:04
[ __ ] growls Mitch no, not me
02:15:09
I don't want you to say something like that
02:15:11
It's okay, I just want it
02:15:14
But you can't forget about sex
02:15:17
just because he's such a wanker
02:15:18
has made a move on you, that's not it
02:15:20
fair
02:15:21
my mom always said the time
02:15:23
Heals all wounds, that's what I ask
02:15:27
and look at him uncertainly, I know
02:15:30
not Sammer he says and after one
02:15:34
He whispers for a while, I just know that it is
02:15:37
You will get better with time
02:15:40
Forgotten at some point he sees me deeply
02:15:43
in your eyes I want you as much as ever
02:15:45
no other before I think the whole thing
02:15:49
time on you he strokes my back again
02:15:52
and looks at me invitingly. I want to
02:15:55
but no pity murmur, I'm embarrassed
02:15:59
I think I want you because I pity you
02:16:01
with you he laughs softly then
02:16:05
don't you know me? I'm not a Sammer
02:16:08
Guy who does something out of pity I want
02:16:11
sleep with you because my [ __ ] makes me
02:16:12
otherwise after kills that is pure
02:16:15
Selfish now I have to laugh and
02:16:17
wipe my eyes you're pretty
02:16:21
uncouth you know that I ask and
02:16:23
feel on his chest as he too
02:16:25
laugh
02:16:26
It becomes clear that you would fall for me
02:16:28
fall in love with a guy in a suit
02:16:30
he confidently asks, hey, I am
02:16:34
not in love with you, how come you
02:16:36
even if he were right
02:16:39
I don't
02:16:40
Admit maybe I'm even one
02:16:43
little in love with him but that will be for
02:16:45
always remain my secret I am a
02:16:48
handsome guy and every girl
02:16:50
is in love with me at school
02:16:52
why not you too because you are conceited
02:16:55
That's why I still have to
02:16:58
make more effort for you to fall for me
02:17:00
He asks me in love and whispers
02:17:03
He slowly leans down and
02:17:05
First, just kiss the corners of my mouth
02:17:08
very gently we slide further and further in
02:17:11
a lying one until he is half on top of me
02:17:15
one hand at a time under my dress
02:17:18
although Mitch can pull it over me
02:17:21
I take the Chucks off my feet
02:17:23
and begin his tanned torso
02:17:25
to
02:17:26
caress him, he's all warm and his
02:17:29
Skin feels like velvet
02:17:32
feel good about your hands on my skin
02:17:35
he explains and kisses me deeply with one
02:17:39
He opens the bra clasp with his hand
02:17:41
my back and brushes it along with me
02:17:42
a safe movement from you are like that
02:17:46
He murmurs beautifully against my skin and
02:17:48
begins to close my erect breasts
02:17:52
I feel his tongue caressing over
02:17:54
the bud rubs and my body begins
02:17:56
at this touch
02:17:58
our bodies are trembling
02:18:01
crammed together with everyone
02:18:03
Moving closer I lick his skin
02:18:07
He has fine hairs on his chest and
02:18:09
it tastes slightly salty, I breathe
02:18:12
shaky because my self-control is on
02:18:15
hanging by a thread as Mitch
02:18:18
I groan as I push my thong down
02:18:20
loudly
02:18:21
his touches are so skillful
02:18:24
knows exactly what he has to do with me
02:18:26
more and more don't want to think for a second
02:18:29
I'm thinking of canceling this because I
02:18:31
I think it's wrong I want Mitch I
02:18:35
wants him to be the first man with that
02:18:37
I sleep my songs flicker and
02:18:40
I close my eyes in pleasure because
02:18:42
I want to enjoy this so much
02:18:44
I still look at him when I am
02:18:46
Concentrating I hear my blood rushing
02:18:48
rushing through my veins hard
02:18:51
my heart in my chest and I am
02:18:52
excited but I don't have any
02:18:55
Afraid you taste so good, Mitch whispers
02:18:59
to me and his mouth always wanders
02:19:00
deeper down between my breasts
02:19:03
in addition
02:19:04
He moves his belly button with his hands
02:19:07
the contours of my body
02:19:09
for flames to shoot into my stomach
02:19:12
and I moan loudly as I spread them
02:19:14
Legs for Mitch to lay between them
02:19:16
can he pull the thong completely for me
02:19:19
from throws the careless desire to the side
02:19:22
he runs his fingertips along mine
02:19:24
Shame along he smiles at me
02:19:27
reciprocate and open myself to
02:19:30
he suddenly holds it in his
02:19:32
Touches in and I'm already scared
02:19:34
he was different
02:19:36
think about it but apparently there is none
02:19:38
Reason for concern because Mitch opens his
02:19:40
Jeans and takes them off along with
02:19:42
his black one
02:19:44
Boxer shorts his big erection is coming
02:19:47
to the fore and I wonder if we
02:19:49
fit together at all
02:19:51
It's so huge and I don't know what
02:19:53
I should do my breathing is always going
02:19:56
more quickly
02:19:58
Room very quiet, nothing will happen to you
02:20:01
happen it will be fun for you
02:20:02
trust me he looks at me expectantly
02:20:06
I would love to have his confidence
02:20:08
share and try to calm down
02:20:11
I nod yes, I just trust you
02:20:16
you a condom he grins and fishes his
02:20:20
Jeans v
02:20:21
He pulls it in from the back pocket
02:20:23
package and puts it on the bedside table
02:20:25
We'll need to explain that later
02:20:28
he and makes himself between mine again
02:20:30
legs
02:20:31
comfortable, you're really excited
02:20:35
he and runs his finger on mine
02:20:36
skin
02:20:37
lie down and enjoy it
02:20:41
he demands and I try
02:20:43
I'm too much to enjoy it
02:20:47
excited I lie on my back and
02:20:50
look at the ceiling where the colors of the
02:20:52
reflecting the setting sun
02:20:54
I see orange and dark red these
02:20:58
I've never seen colors in London
02:21:01
Startled, I scream briefly as I
02:21:03
feel Mitch moving along my privates
02:21:05
then he slowly penetrates me
02:21:08
He whispers so wetly with his mouth
02:21:12
on my thigh and then feel it
02:21:15
I his strong tongue stroke oh god
02:21:19
I shout and can hardly bear it
02:21:22
is so new like that
02:21:24
You like it perfectly, he asks and I
02:21:28
moan more with pleasure in response
02:21:31
Mitch probably doesn't need that
02:21:33
He pushes his fingers further and further into me
02:21:34
an I move my pelvis because that
02:21:37
I like the feeling of hot flames spreading
02:21:40
coming out of me I like the feeling like
02:21:43
A sweet desire builds up in me
02:21:46
Pleading is on my lips but I am
02:21:48
don't give in to him, bite me on those
02:21:51
I feel my lower lip getting faster and faster
02:21:54
his tongue strokes and my hands
02:21:56
I have to cling to the sheets
02:21:58
holding on somewhere because I feel that way
02:22:00
have to fall I tip over a precipice
02:22:03
down and close your eyes
02:22:06
I just fall I hear one
02:22:09
loud scream and realize too late
02:22:11
it comes out of my mouth I scream
02:22:14
because an orgasm affects my body
02:22:15
passes through like an express train without
02:22:17
Breakpoint yes come for me m I love
02:22:21
Mitch whispers how loud you are
02:22:24
Aroused waves of pleasure leave mine
02:22:27
Limbs tremble until I no longer
02:22:29
I can and am only able to do so
02:22:32
I'm catching my breath
02:22:34
get 16
02:22:37
Mitch, she looks beautiful
02:22:40
Skin shines and only slowly soothes
02:22:42
Your body breathes gradually
02:22:45
again
02:22:46
normal the orgasm I gave her
02:22:49
What I gave was also a gift
02:22:51
of me seeing her like that, so naked and
02:22:54
defenseless triggers something in me
02:22:57
gear to want to own her I want the
02:23:01
Be the first with whom she sleeps and stands
02:23:04
just before mine
02:23:06
Goal, it's not over yet, I whisper
02:23:09
to her and grab the condom
02:23:12
it off and pull it quickly
02:23:14
about even though I've been with one several times
02:23:17
Girl slept, I'm like this now
02:23:19
excited as if it were my first too
02:23:21
once said I push myself over hers
02:23:24
Body because I look in the eyes
02:23:27
want what should I do asks her and hers
02:23:31
ires shimmers darkly, nothing remains whole
02:23:35
lie quietly, I want to take care of you
02:23:39
I don't recognize myself
02:23:41
I just got this again
02:23:44
I said I don't have any time left
02:23:47
thinking about it Sammer moves
02:23:50
beneath me rubbing against my skin and
02:23:52
I'm so hard I'm about to [ __ ]
02:23:55
she automatically wraps her legs around her
02:23:57
mine
02:23:58
Hips my penis is in front of hers
02:24:00
Entrance and I penetrate her carefully
02:24:03
up to a certain point it is
02:24:06
very easily then I come across one
02:24:08
Resistance Sammer looks at me with great
02:24:11
Keep your eyes on don't be afraid I will
02:24:14
be careful you will only have one now
02:24:17
feel a small jolt, stay relaxed
02:24:20
She nods at me, I thrust and she
02:24:24
presses his lips tightly
02:24:26
each other the pain leaves the same
02:24:28
after I explain to her and I breathe
02:24:30
strained
02:24:32
from I have no idea how W does it
02:24:35
but I want to take away her fear
02:24:38
wish I could do all that for her
02:24:41
endure everything well murmurs
02:24:45
She wants to move but I hold
02:24:47
she on wait a moment you
02:24:51
you have to adjust to my size first
02:24:54
I've already gotten used to that, she says
02:24:57
smiles, moves the cymbal
02:25:00
carefully you see it feels
02:25:03
great on go on she whispers
02:25:08
I nod, not leaving her out
02:25:10
the eyes register each one of them
02:25:12
Movements as I move back and forth
02:25:14
first move very carefully and then move a little
02:25:18
braver than I realize how she feels to me
02:25:19
in contrast to
02:25:21
Come on, do you like it, I ask her
02:25:24
although I know how unnecessary it is
02:25:26
Question is because I see in her face
02:25:28
that she enjoys it and wants more
02:25:31
yes, it's beautiful, she whispers and swallows
02:25:34
her arms around my neck and
02:25:35
God caresses my skin with her hands
02:25:38
feel so wonderful
02:25:40
How much more do I want?
02:25:44
know she looks me in the eyes and
02:25:46
now theirs are completely green, almost glowing
02:25:50
she explains much more and
02:25:53
grin, you get everything you want
02:25:56
I move harder and push her hard
02:25:59
But keep an eye on Sammer if it happens to her
02:26:02
but pain
02:26:03
prepares but she moans and it sounds
02:26:06
enjoyably she closed her eyes
02:26:09
I want to see the color of her eyes
02:26:11
but I will let her have her own mouth
02:26:14
opened slightly and I see the little one
02:26:17
Tongue that's too much for me I m
02:26:20
down and kiss her red earthy mouth
02:26:22
and get stuck
02:26:24
I want to come now, don't hold it
02:26:27
longer a wave hits me
02:26:30
and I am drowning in a sea
02:26:32
Sensations that overwhelm me and
02:26:34
buried I clench my teeth
02:26:37
each other and yet it comes together
02:26:38
animalistic growls above mine
02:26:42
Sumer's lips tighten around my [ __ ]
02:26:44
together and together we dive into
02:26:46
a world created just for us
02:26:49
The climax was rushing through me
02:26:51
through and I release myself for one
02:26:53
moment complete
02:26:55
on when I feel like Sumer I was coming
02:26:59
back again I feel your nails
02:27:01
boring into my back and exactly
02:27:04
I need this pain to come back
02:27:05
to get to the surface to get some air
02:27:08
Schnaen I grab her hands and
02:27:11
we give away our fingers
02:27:14
with one I leave myself on the side
02:27:16
fall and pull Sumer with Bette her in
02:27:19
My arms
02:27:20
she should feel protected and safe
02:27:23
feel because that's what I want
02:27:26
that they are near me
02:27:29
feels good, wait a moment
02:27:32
I whisper and get up and leave
02:27:35
over to the bathroom to get the condom
02:27:39
My gaze falls into the mirror
02:27:41
and I see the grin in mine
02:27:43
Face I can hardly believe that I
02:27:45
wants to go back to bed straight away
02:27:47
back to Sam to hold her in his arms
02:27:49
hold
02:27:51
When I open the door she is standing there waiting
02:27:53
Before that, I have to go to the bathroom, she says
02:27:58
embarrassed, there she is again
02:28:01
closed Sammer, ashamed
02:28:03
Floor
02:28:04
I take her hand and guide
02:28:07
I get her out of the closet in the bathroom
02:28:09
small towel let warm water
02:28:11
walk over it I'll bring it out and
02:28:14
hit Sammer between his legs with it
02:28:16
What are you doing, she calls out in panic
02:28:21
I hold her tight, everything is fine
02:28:26
sound very determined because I know how
02:28:28
It's hard for her to trust me
02:28:31
I've never been for a girl
02:28:32
made but with Summer it feels
02:28:34
completely natural, I wipe the little one
02:28:37
Remove any trickle of blood and dry it
02:28:40
thank you, her voice is barely audible
02:28:44
When I stand in front of her again I kiss
02:28:46
their swollen
02:28:48
Lips immediately she is with me and
02:28:50
replies that
02:28:51
Course Mitchell mcan I have no idea
02:28:55
what should I think of you, she murmurs
02:28:57
on my lips and kisses me
02:28:59
again and I have no idea what I
02:29:02
should answer that because I know
02:29:04
not even what I think of myself
02:29:06
hold 17
02:29:09
Summer I would like to be in front of charm
02:29:12
sinking into the ground at the same time
02:29:14
I feel free and
02:29:15
two hearts beat in exuberance
02:29:17
my chest and both beat for
02:29:19
Mitch
02:29:21
he lies next to me and is asleep
02:29:23
Face is turned towards me and the features
02:29:25
are completely relaxed it looks like that
02:29:28
good looking that I gasp every time
02:29:30
if I have to grab him exactly
02:29:32
Most of the time I hardly dare to look
02:29:35
to look him in the eyes or I am
02:29:37
angry with him but now I feel
02:29:40
something like falling in love
02:29:43
I've never been into anyone before
02:29:45
in love but I'm sure that's how it is
02:29:48
It must be well after midnight
02:29:51
and I can't stop him
02:29:53
An episode is playing on television
02:29:56
Dance Academy I have the sound muted
02:29:59
I know the series by heart
02:30:02
I loved her, she was one of the
02:30:05
Reasons why I started dancing
02:30:07
why are you watching me in my sleep?
02:30:11
Mitch murmurs into the silence
02:30:13
in my look at him shows that he
02:30:16
light
02:30:17
blinks I can't sleep
02:30:20
why doesn't he want to know me like that?
02:30:24
a lot of thoughts running through my head
02:30:26
always thought that there would never be anyone
02:30:28
would give with the I I break off
02:30:31
because my voice is very raspy
02:30:33
I listen to it and clear my throat
02:30:36
me already
02:30:38
OK, I want to get up, that's easy
02:30:41
too embarrassing hey summerb
02:30:45
Wait, you thought you'd never be with me
02:30:47
Sleeping with a man would be wrong
02:30:50
thought I have you and leave you
02:30:53
no longer let go he pulls me into his
02:30:55
arms and holds me whole
02:30:58
sure you have me, I agree with him, yes
02:31:03
exactly I have you he kisses the little one
02:31:08
Cool below my ear and a
02:31:10
Tremors grip my body
02:31:12
Hands run along my skin, irritating
02:31:14
him in points that I haven't yet
02:31:16
I knew I was squirming because it was barely closed
02:31:19
is endured
02:31:20
I love every sound you make from me
02:31:23
he whispers and a smile floods
02:31:26
my face I manage it for myself
02:31:28
to free myself for a moment and turn
02:31:30
in his arm he is naked and excited
02:31:34
already he had me there again first
02:31:37
Loved again with your hand for an hour
02:31:40
I wrap around his shaft and it costs
02:31:43
I overcome myself to touch him there
02:31:45
but when I notice what reaction it is
02:31:47
With him I become braver
02:31:50
slide down it, make a trail
02:31:52
of kisses over his
02:31:54
Chest God Summer, that's crazy, he moans
02:31:59
loudly he cups the back of my head
02:32:02
directs me deeper and deeper with his hand
02:32:06
I rub him and take all my courage
02:32:07
together I bend down and lick
02:32:10
with your tongue over it, the same thing
02:32:13
feels good, he sucks in a loud breath
02:32:17
an his reaction makes me braver
02:32:20
I take it in my mouth and drive his
02:32:22
Move my length with your tongue
02:32:25
Head back and forth and reinforce the
02:32:27
Pressure I like its taste so tart
02:32:31
and
02:32:32
salty my heartbeat quickens
02:32:35
when I feel how excited Mitch is and
02:32:37
I am always responsible for it
02:32:40
I take it in deeper until I weigh it
02:32:42
I have to retire for a moment
02:32:44
back, you don't have to do that, he whispers
02:32:48
at me with eyes shining with excitement
02:32:51
Everything's okay, I want to do this for you
02:32:54
I explain and have it back in
02:32:56
I move my mouth easily with my teeth
02:32:59
over his skin and Mitch hisses loudly
02:33:01
on lifts his hips to his fine
02:33:04
Hairline pulls away from his
02:33:06
Belly button down and I can't
02:33:08
stop it's like an addiction to him
02:33:11
to provide pleasure
02:33:13
I'll come right away if you don't
02:33:15
he whispers to me and wants to stop
02:33:18
withdraw but I push his
02:33:20
Hand away and continue working on it
02:33:23
feels so hot in my mouth
02:33:25
that I can't stop even though
02:33:27
I it should oh [ __ ] he calls he pours
02:33:32
into my mouth and I swallow
02:33:34
he doesn't seem to stop pumping
02:33:36
ever further and massaging my hand
02:33:38
its root until it is perfect
02:33:40
ready to fall on his back
02:33:42
holy [ __ ] that was crazy you
02:33:46
blows like you never had anything else
02:33:48
made his breathing ragged one arm
02:33:52
lies over his eyes I will myself
02:33:55
later
02:33:56
I'll reply later when I come back
02:33:58
think
02:33:59
I have to laugh and reach for it
02:34:02
Water bottle on mine
02:34:03
Nightstand I feel like I have
02:34:06
Took drugs not that I know of
02:34:08
how it feels because I do something like that
02:34:10
I would never take it, but that's exactly how I put it
02:34:13
it to me
02:34:14
Mitch demands, give me the bottle
02:34:18
out of breath and I hand it to him and he sits down
02:34:21
warms up and drinks several sips greedily
02:34:23
he sets it aside and then pulls
02:34:25
he put me in his
02:34:27
Poor you need to get some sleep now
02:34:29
we have a full program tomorrow
02:34:32
I look at him surprised, what do you mean
02:34:35
you so we'll go surfing tomorrow
02:34:38
I do that every Sunday and then
02:34:40
I have another surprise for you
02:34:42
But I won't tell you until then
02:34:45
That's it, I hate things like that
02:34:48
doesn't like secrets
02:34:50
I complain
02:34:51
me there is a difference between
02:34:54
Surprise and secret I have one
02:34:57
Surprise for you their secret
02:34:59
It will air out tomorrow at noon and so on
02:35:01
Now sleep or I'll lick you for a long time
02:35:04
until you lose your mind and at the same time
02:35:06
I don't really care if you're sore
02:35:08
or not he looks at me seriously and
02:35:11
I know it's not an empty threat
02:35:14
suddenly he smiles and kisses me
02:35:16
lovingly sleep now Sumer
02:35:20
18
02:35:22
Summer, I have no idea what's going on here
02:35:25
happened within a few days
02:35:28
My path has turned 180° and it's closing
02:35:31
quickly, I won't come at all
02:35:33
with I feel like my life is
02:35:35
flew around my ears in two
02:35:37
broken and is now new again
02:35:39
put together what can I say
02:35:42
damn I did something I
02:35:44
I never wanted to have fallen in love with
02:35:49
stole my heart and I want
02:35:51
not at all
02:35:52
back it's just a shame that I gave it to him
02:35:55
Can't say Mitch isn't that type
02:35:58
who get involved in a relationship
02:35:59
will that is me
02:36:01
Sure, but at least I can do it
02:36:03
dreaming what it would be like is more than me
02:36:06
ever expected
02:36:08
Australia is slowly starting to get to me
02:36:10
I like it even if I'm a stranger here
02:36:13
It happens but I have with him
02:36:15
slept and I'm not afraid
02:36:17
I ran away and stayed and have
02:36:20
I have to face my demons
02:36:23
I realized my father will never be
02:36:26
can't do something wrong again because he
02:36:28
1000 kilometers away from me and
02:36:31
the life drains from the body
02:36:33
but because I am strong, much stronger
02:36:36
than he ever will be I stun
02:36:39
I'm not running away, I'm not running away
02:36:42
imagine I am aware that I only
02:36:46
a little stopover on mitches
02:36:48
But that's what I want to do in life
02:36:50
I'm not around anymore at all
02:36:53
I traveled half the world to be heartbroken
02:36:55
I want to capture my new life here
02:36:58
start and Mitch becomes part of it
02:37:00
definitely not be them
02:37:03
Final stop, the water is really cold like that
02:37:06
early in the morning I wear one
02:37:08
surf suit with short legs he belongs
02:37:11
Jane because I like Mitch's suit
02:37:13
Of course I don't have one that's too big
02:37:15
I know nothing about surfing but Mitch is one
02:37:18
good teacher and that's where I'll be soon
02:37:20
a few seconds on the board before I
02:37:22
into the water trap what a
02:37:25
Progress but it doesn't change anything
02:37:28
that we have a lot of fun, Mitch says
02:37:31
just a pair of long neoprene pants and with
02:37:33
its vau-shaped back view
02:37:35
thanks to his swimming training
02:37:37
he just looks incredible
02:37:40
You're lucky the waves aren't like that
02:37:42
high but strong enough to surf always
02:37:45
I try my luck swimming again
02:37:47
out and try to get on board
02:37:50
now every second attempt is
02:37:52
crowned with success and it makes me
02:37:54
incredible fun lying alone
02:37:57
the board out to sea
02:37:59
to paddle out but it is
02:38:01
tiring and after two hours
02:38:03
I'm totally exhausted, I'm lying in the sand
02:38:06
watch Mitch do it elegantly
02:38:08
Hey Mitch, something rides over the waves
02:38:12
goes off and a guy is standing right next to him
02:38:15
I raise my fist and spread it
02:38:17
Thumb and little finger off the slope
02:38:20
Losose the surfer casting as much as I do
02:38:22
Hey Bridge, how's it going with jumps?
02:38:27
off the board and comes back to the beach
02:38:30
great, I was in for a few months
02:38:32
Europe has some competitions there
02:38:35
participated and with you so you should
02:38:38
Really come along, there are a lot
02:38:39
hot cuts there Mitch throws at me
02:38:42
an uncertain look at no I can
02:38:45
not I have to finish school first
02:38:47
bring you know that oh yes yes you
02:38:49
You still have a year ahead of you
02:38:51
can you finally live, I rise
02:38:53
out of the sand and put your hands in yours
02:38:55
Hips I think he already has one
02:38:58
Life or whatever you want to call it here
02:39:00
I know this bridge is turning
02:39:03
Hello, who do we have to ask?
02:39:07
he and then goes to Mitch some
02:39:08
Steps to this is the favorite of the
02:39:11
Month oh I forgot you have it
02:39:14
only weekly relationships so rather that
02:39:16
Favorite of the weekend he grins
02:39:19
Mitch devilishly thinks he's really me
02:39:22
wouldn't have heard that now
02:39:25
You're not a bit too old to be a weirdo
02:39:28
To play it cool I ask him
02:39:31
provocative, I know guys like that
02:39:33
my they would be the biggest they mean
02:39:36
just trouble and that's something Mitch
02:39:38
definitely can't use it
02:39:40
she in peace Bridge Mitch comes towards us
02:39:43
too and takes my side oh
02:39:46
so she really is beneath you
02:39:47
Protection should be my right
02:39:50
It's a little young, don't you think?
02:39:52
That's your decision we should
02:39:54
Let's hang out again and smoke something
02:39:56
See you Mitch, goodbye little one
02:39:59
he winks at me and walks away
02:40:01
What a loser he was
02:40:04
I want to know, I'm seething inside
02:40:07
Such guys only have a lot of anger
02:40:10
Don't pull the flap behind it
02:40:12
others with them in their morass in which they
02:40:14
stuck and can't get out
02:40:16
I just can't deal with guys like that
02:40:18
hold me and get really mad Bridge
02:40:21
It's fine, says Mitch
02:40:25
you it's okay that you're almost 30
02:40:27
still hanging around and smoking pot question
02:40:30
I snap Mitch looks at me irritated
02:40:33
it stank miles into the wind
02:40:36
after grass he is a failure of nothing
02:40:39
you should get settled by
02:40:42
to keep away from such people means
02:40:44
nothing but trouble they drag others along with them
02:40:47
themselves in the swamp because they are jealous
02:40:48
Since they don't get anything baked, well
02:40:51
you seem to be doing well with people like that
02:40:52
Mitch sees me
02:40:55
angry at yes that's exactly what I do I became
02:40:59
of a
02:41:00
conceived with this I turn away and
02:41:02
just leave him
02:41:04
standing the water from the shower flushes
02:41:06
the salt from my body and me
02:41:08
wash the smell of the sea out of my hair
02:41:11
it feels good and warms me
02:41:13
It's 25° outside and still
02:41:16
I may be shaking all over
02:41:19
Is it because I'm actually cold
02:41:21
is or and that is more likely
02:41:24
that I had a fight with Mitch
02:41:27
Okay, I overreacted a bit and
02:41:29
Now, in retrospect, I feel the same way
02:41:31
I'm not really sorry that I hit Mitch like that
02:41:33
I don't care about his
02:41:36
Judging friends they are not
02:41:38
I mean I should with my opinion
02:41:41
keep behind the mountain otherwise I have
02:41:43
Soon there will be no more friends, I have to
02:41:46
have a better handle on my bad
02:41:49
Certainly gets my neck
02:41:51
up so I'm grateful for that
02:41:53
Warmth that surrounds me, I stand
02:41:56
definitely half an hour below that
02:41:57
Jet of water until I finally have enough
02:41:59
and getting out of the shower is you
02:42:01
finally finished, I thought you were
02:42:03
you fell asleep under the water
02:42:05
Mitch stands with his arms crossed
02:42:08
Sink and looks at me he sees
02:42:10
not exactly thrilled, I reach out
02:42:13
after a towel wrap it tightly
02:42:15
my body I'm sorry I wanted
02:42:18
Don't approach you like that, I admit quietly
02:42:22
no problem, I know you don't
02:42:24
All cups in the cupboard, thank you very much
02:42:27
also and I stupid cow apologize
02:42:30
Also, what are you doing here, I ask
02:42:34
defiantly actually I'm waiting for you
02:42:36
I have a surprise for you
02:42:38
you promised, it looks like you did
02:42:40
you're probably not interested
02:42:42
I'm only now seeing that too
02:42:44
Mitch has freshly showered and
02:42:45
Workout clothes
02:42:47
wears okay, wait, I'll get dressed quickly
02:42:50
Put on dance clothes, pants and shirt
02:42:53
he's waiting on my bed
02:42:56
sitting until I'm finished then he takes it
02:42:59
a bag in which one hand grabs
02:43:01
my astonishment my hand with the
02:43:02
others and leads me to his jeep
02:43:05
Get in, we're going to town
02:43:09
he planned a surprise and me
02:43:11
I'm screwing it up now
02:43:14
bad conscience but who else can?
02:43:16
expect that this guy is like that
02:43:18
unpredictable like a whirlwind
02:43:20
always breaks over me when
02:43:22
I don't with that
02:43:23
I guess I just can't keep up anymore
02:43:25
and sigh quietly, the journey doesn't take long
02:43:28
Half an hour then we park in front of one
02:43:30
low building souldance stands above
02:43:33
the door
02:43:35
Dance studio I ask
02:43:37
surprised yes it belongs to a friend and
02:43:40
I can use it on Sunday afternoons
02:43:42
It's closed then, that's what you heard
02:43:44
but not this bridge or I ask
02:43:47
worried as I get out of the car
02:43:50
Are you starting again Mitch concludes
02:43:52
the door opened and after we entered
02:43:54
are also available again from his gaze
02:43:57
I see that I better not do anything anymore
02:43:59
over bridge
02:44:00
say wow the hall is to my right
02:44:04
Everyone sat on two mirrored walls
02:44:07
He can check movement exactly
02:44:09
large almost as big as the studio in the
02:44:12
School with turns on the lights and
02:44:14
He puts his cell phone in the iPod station
02:44:17
chooses a song and shortly after
02:44:19
the first piano chords sound
02:44:21
Crazy in Love he takes off his sneakers
02:44:25
and I slip off my sandals
02:44:27
then he takes off his shirt and I
02:44:29
gulp at the sight of his
02:44:30
muscular
02:44:32
Upper body, let the music take over
02:44:35
drift just let yourself go and the
02:44:37
Music affect you he takes mine
02:44:39
hand and spins me around the room
02:44:42
study a choreography for everyone
02:44:44
We're just going to learn that
02:44:47
We'll build the lifting figures later
02:44:49
what do you think, that's a good one
02:44:52
I agree with the idea and let it go
02:44:54
I shoot a few of the music
02:44:57
Pirouette and stop myself
02:44:58
his sisters
02:45:00
Tightly Mitch turns me to the point of view
02:45:03
Hips up and lets me
02:45:05
slowly on his body
02:45:07
slide down this number has etas
02:45:09
very erotic and my breath
02:45:11
accelerates
02:45:12
automatically I thought we would do it
02:45:15
lifting figure later, that's not it either
02:45:17
required
02:45:19
he says hoarsely and sees me
02:45:21
hauntingly the music continues
02:45:23
but the time remains for a few seconds
02:45:26
standing his hands ride my back
02:45:29
along all the way down to my bottom and
02:45:31
press me close to him I feel
02:45:34
But his excitement doesn't want him
02:45:36
Leaving leadership so I rub myself
02:45:39
but then I turn away from him
02:45:41
Hug I just keep dancing it
02:45:44
follows a sequence of steps with a
02:45:46
Turn and finally a pirouette
02:45:49
Mitch dances towards me doing a cartwheel
02:45:52
comes to a stop behind me and embraces me
02:45:54
and I collapse like one
02:45:56
Doll he draws a diagonal with me
02:45:59
across the dance floor lifts me up and
02:46:01
turns with me, I spread my arms
02:46:04
then lift it over the
02:46:07
Make yourself stiff, he calls to me
02:46:11
At that point my body freezes and
02:46:13
Mitch lifts me over his head and
02:46:15
does a pirouette himself then lays down
02:46:18
myself on the floor and I go in
02:46:20
squatting while holding one of my hands
02:46:22
holds me in a lying position
02:46:25
Position over the ground I hurl
02:46:27
at the other end of the dance floor
02:46:29
Lying will come at the same moment
02:46:31
the music stops, oh man, that's a buzzer
02:46:35
was awesome with standing in front of me and
02:46:37
holds out his hand to me
02:46:39
Now all we have to do is help
02:46:41
the prescribed lifting figures
02:46:42
accommodate without you letting me go
02:46:44
I declare the dance floor with one
02:46:47
grin
02:46:49
I'm sorry, I was an ass
02:46:52
he apologizes when at school
02:46:55
or earlier on the beach I want to know
02:46:58
He ties his hair up in embarrassment
02:47:00
new braid there could be the possibility
02:47:03
insist that I do it in both moments
02:47:04
He admits, then I'm reassured

Description:

Tears of Summer : Liebesroman | Hörbuch Romanze Summer verlässt ihre Heimat London, um ihr trostloses Leben und vor allem ihren gewalttätigen Vater hinter sich zu lassen, nachdem ihre Mutter gestorben ist. Sie zieht ans andere Ende der Welt zu ihrer Tante, die in Australien lebt. Hier, in ihrer neuen Heimat, scheint ihr das Leben zunächst leicht zu fallen. Sie legt ihre Schüchternheit ab und findet entgegen ihrer Befürchtungen schnell Anschluss. Sie hat ein Tanzstipendium an einer Highschool ergattert und kann endlich ihren Traum leben. Einzig Mitch, der gut aussehende Sohn von Keith, dem Freund ihrer Tante, vergällt ihr den Neuanfang. Denn Summers Herz setzt jedes Mal aus, sobald sie ihm begegnet. Und ihre Wege kreuzen sich oft, denn sie wohnen nicht nur zusammen, auch besuchen sie dieselbe Schule - und sind zu allem Überfluss auch noch Tanzpartner. Summers Gefühle stehen in dieser schwierigen Zeit Kopf. War die Flucht nach Australien ein Fehler? Auch Mitchs Gefühle fahren Achterbahn, denn er verliert sein Herz an die junge Engländerin, dabei will er niemanden an sich heranlassen, seit seine Mutter ihn verlassen hat. In Perth treffen zwei Herzen aufeinander, die nicht mehr von einander loskommen und dadurch eine Menge Probleme provozieren.

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