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Владимир Сорокин с ансамблем "Мираж" - Лучшие песни Владимира Шандрикова 1979-1980

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00:00:00

[music]

00:00:08

Hello everyone, Wolf is here as always, and

00:00:11

today I continue to talk about the

00:00:13

rock band The Cure, let's go

00:00:18

[music]

00:00:24

[applause] [music]

00:00:32

well, Zakir became one of the young

00:00:34

discoveries of the autumn 1979 tour

00:00:38

in the UK, as it turned out later

00:00:40

the tour was not entirely pleasant,

00:00:42

the team had to work on

00:00:44

two fronts, finding themselves temporarily playing the role of

00:00:46

support group for Susie andibenchies

00:00:49

during their autumn tour where Robert Smith

00:00:51

played not only his backbone but also

00:00:54

drank to work out the kit program of John

00:00:56

Mackay, who then left the benches Right

00:00:59

during concerts Well, while he was studying in

00:01:01

being the main representative of the rock-gothic

00:01:03

culture, the pressure of this tour caused a

00:01:05

certain friction between him and the bassist

00:01:07

for Q Mikeon Dempsey, who began to

00:01:10

express his dissatisfaction with the way

00:01:12

Smith's new songs were performed and written,

00:01:14

eventually it came to the point that Demsey

00:01:17

took and he just left and was replaced by Simon

00:01:19

Gayla. The more subdued and soft

00:01:22

playing was better and more suitable for the

00:01:24

suffocating territory that

00:01:26

the leaders wanted to explore and which,

00:01:28

importantly, became his best drinking

00:01:31

companion. Gala arrived not alone with

00:01:34

keyboardist Matthew Hartley, who played with the

00:01:36

bassist of the group Max Price. and how this one was

00:01:39

ready to carry out all the orders of the leader of the

00:01:41

group, at least in the near future.

00:01:43

This is certainly a

00:01:50

word in terms of composition and creative

00:01:52

vision. Smith now took on

00:01:54

much more control, even standing on the

00:01:56

production of a future recording together with

00:01:59

Michael Hedges, sound engineer of the group

00:02:01

Free imaginary Boys and Although it sounded

00:02:04

like a project worth at least hundreds of thousands, but

00:02:06

of course it was not at all like that, the band

00:02:08

worked on a minimal budget, the

00:02:10

aftermath album cost less than

00:02:13

£3,000, and there was also

00:02:15

limited time for recording, so the guys worked

00:02:18

17 hours a day and slept in the studio and also

00:02:20

there They drank and ate, the result of such

00:02:23

severe torment was the release of a definitely

00:02:25

Great album in

00:02:27

1980 called seventen Seconds.

00:02:31

Unsurpassed in sound, it sat down as

00:02:34

if on its own, alternating attacks of

00:02:36

both fever and cooling, in any

00:02:39

case. This second album was Although

00:02:41

not yet far from being the successor to the

00:02:42

band represented by Fight and especially

00:02:43

tonographs from post-pang imprints

00:02:46

of the management boys, but it already carried a

00:02:48

special hitherto unseen new

00:02:50

work of the group that Chris Perry, the

00:02:52

boss of the label from which the gang stayed

00:02:54

aloof throughout the entire time of

00:02:56

work on the album, was anticipating something

00:02:59

in the spirit of the continuation of the debut, I received Something from

00:03:01

which I almost fell into circulation on the spot,

00:03:03

having subsequently learned its contents

00:03:07

[music]

00:03:14

well, at that time, musical England was

00:03:17

more than ever a land of contrasts,

00:03:18

divided between the vengeful euphoria of

00:03:20

specials matnes and the like theatrical

00:03:23

disappointment of the increasingly cold New

00:03:25

Wave which was spreading its

00:03:27

icy shoots throughout Europe Plus, its

00:03:30

popularity was involuntarily helped by

00:03:32

the tragedy of sevengine Seconds appeared

00:03:34

just a few weeks before the

00:03:36

suicide of leader Jody Vision and I on

00:03:38

Curtis Maya in 1980, so

00:03:42

many Curtis fans found in Smith a

00:03:45

new older brother capable with

00:03:47

the help of a few words and a few

00:03:48

effects convey the dark romance of

00:03:50

isolation in the tandem of a wedding of horror and

00:03:53

ecstasy if the

00:03:55

convulsive feeling passed through the narrow

00:03:58

channel of a low trembling voice like a flame

00:04:00

on the verge of extinction, then Smith did not take the

00:04:03

form of an almost childish song, reverent

00:04:05

and cosmic in its relation to

00:04:08

reality, moreover,

00:04:10

too often associated with the torment of

00:04:13

adults then in many ways this

00:04:15

album was directly inspired by the

00:04:17

fantasies of children's fairy tales where the threat of the

00:04:19

darkness at Night vied with the threat of the

00:04:22

deep forest of the Forest and where at last there

00:04:24

reigned a kind of protective motherly

00:04:27

sweetness that was then conveyed with great delicacy by

00:04:29

Robert Smith's womb guitars

00:04:32

[music]

00:04:39

This was no longer just post-punk, it was

00:04:43

previously a single whole where the song lived

00:04:45

with each other, grew up, worked and died

00:04:48

differently. How could the

00:04:50

unexpected end of the same Sound file and the

00:04:53

abrupt ending of 7 Seconds be explained as nothing other

00:04:56

than death and departure Another world the album

00:04:58

affirmatively showed the beginnings of a

00:05:00

different kind of rock music at its core,

00:05:03

dark and harmful, decisively addressed

00:05:06

to the absence of ego in favor of the re-

00:05:08

emergence of feeling here Robert Smith

00:05:11

began to sing, as it were, in the distance, keeping his

00:05:13

voice behind the reverberating guitars,

00:05:15

atmospheric frightening keyboards and

00:05:18

life-giving bass, his singing became a gender

00:05:20

instrument among all the others, it

00:05:21

was then revealed as a means of

00:05:24

expressing the disturbing emotions of existing

00:05:26

issues and all the problems that

00:05:28

could only settle in the heart of the mind in this

00:05:31

regard.

00:05:32

This is more than an album, it was at one

00:05:35

time a kind of mirror facing the world and

00:05:38

Robert Smith is not an Idol not a model

00:05:41

reflection those who listen to his inspired

00:05:44

words

00:05:46

[music]

00:05:52

As a result, The Cure in this way unwittingly

00:05:55

opened a genre in which There is simply not a single

00:05:58

extra note. So it was not for nothing that Robert

00:06:01

Smith later called this record the first

00:06:03

real one. The cute to the blurry picture of the

00:06:06

album sleeve is made for cool

00:06:08

tones by imposition frontman fully

00:06:10

reflected the mood of the second landplay,

00:06:12

which subsequently became the initial part of the

00:06:14

trilogy, already hopeless sadness and grief

00:06:17

[music]

00:06:18

[applause]

00:06:20

[music]

00:06:30

[music]

00:06:32

Despite the fact that the fate of the collective

00:06:35

was decreed very favorably for her

00:06:37

group, everything turned out more or less

00:06:38

normally They were already in 1980 we began to

00:06:42

feel like the most miserable

00:06:43

dudes in the world, serenely

00:06:46

pessimistic songs like secret and in

00:06:49

your house were complemented by three dull

00:06:51

instrumentals for greater melancholy,

00:06:53

also spiced up by a

00:06:55

cool talented keyboard player who came to the group, but

00:06:57

the highlight of the disc was a song called

00:07:00

The Forest, on this piece Smith Hedges

00:07:02

spent the most studio time

00:07:04

time is almost a whole day, despite the fact

00:07:07

that the rest of the tracks were recorded in

00:07:08

only 2-3 hours, and as it turned out, it

00:07:12

was not in vain that the song became the first hit,

00:07:14

securing a place not only on the then

00:07:17

popular top The pops, but also

00:07:19

reaching 31st place on the British chart,

00:07:22

securing a place for itself one of the main positions of

00:07:24

all concert sets over the

00:07:27

next decades

00:07:32

[music]

00:07:37

In general, now probably few people

00:07:39

understand that with the release of 17 seconds the

00:07:41

very ideals of

00:07:44

the future sound of many alternative

00:07:46

and not only rock bands of the 80s and 90s were born and the 2000s

00:07:50

and many then, from the so-called Sisters of

00:07:53

Mercy to the Soviet St. Petersburg banks in the

00:07:55

aquarium, were fascinated by the sound of The Cure.

00:07:58

It’s not surprising, because the downed company

00:08:00

created just a complete, still living

00:08:03

illusion of the fact that it’s not just

00:08:05

easy to play like that, but it seemed even easier to sound like that. the

00:08:08

simplest ones on the Insanely

00:08:10

beautiful melodies, mathematically clear

00:08:12

arrangements gave rise to a feeling

00:08:14

of otherworldliness of what was happening, imperceptibly

00:08:17

transforming all this from ordinary post-punk

00:08:19

into an early example of what

00:08:22

would later be called the year. And with

00:08:24

that, for now I was all with you, as

00:08:27

always, Wolf and up to the new videos of music mania

00:08:29

Bye everyone

00:08:32

[applause]

Description:

Станьте спонсором канала, и вы получите доступ к эксклюзивным бонусам. Подробнее: https://www.youtube.com/channel/UCrkEUG8vy_nvPH6QWPNybMg/join Цикл передач,посвященных музыке разных направлений.В этой части затрагиваю музыку группы The Cure,которая создала собственный узнаваемый стиль, сыграв в последствии важную роль в формировании готического рока, став одной из наиболее успешных групп во всем мире.Вторая часть длинной биографии коллектива,которая открывает в карьере The Cure новую эпоху развития, к тому же Seventeen Seconds начинает мрачную трилогию, оставив позади пост-панк ярость своего дебюта,ну а такие композиции как Play For Today, A Forest и M составляют основу классического альбома и являются основным материалом для большинства групп, заявляющих о своем влиянии на The Cure. Незабываем конечно же ставить лайкосы и подписываться в группу в ВК... https://vk.com/club104784833 Донатики можно кидать сюда: https://www.donationalerts.com/r/wolf... Яндекс деньги:41001817383612 Если вам понравилось мое творчество,даже самая маленькая помощь даст огромный импульс в развитие канала: Помощь в развитии канала:WebMoney Рубли: R366153151718 Гривны: U266304965010 Дол. США :Z647346595130 Евро:E998094140350 Яндекс деньги:41001817383612

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