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Mandelbulb

3D

Вводный

урок

2

Интерфейс

1

2

00:00:01

Good day, we continue to get acquainted

00:00:03

with the interface of the mob

00:00:08

3D program. We still have a processing panel in the main

00:00:10

window,

00:00:13

which is necessary for the

00:00:15

final rendering, it is very useful

00:00:18

because almost

00:00:21

all the

00:00:23

output settings are set here, if we save a buffer for

00:00:26

other programs, you can enable this

00:00:28

checkbox; the

00:00:30

rendering process is quite long

00:00:32

depends on the power of the computer,

00:00:34

respectively, hard shadows can be

00:00:36

turned on for all sources, there are

00:00:39

six of them, also soft shadows are

00:00:42

always considered automatically, well, here the

00:00:44

checkbox is checked by default. Who wants

00:00:47

to speed up the process or does not want to wait for

00:00:49

final processing, that is, the nuances are

00:00:52

not important yet, you can also uncheck that checkbox

00:00:55

by default also not a T tick

00:00:58

Nare,

00:01:01

this factor is very important because

00:01:04

reflection gives certain highlights on

00:01:06

surfaces and allows you to make

00:01:09

the image more realistic but

00:01:11

increases the rendering time

00:01:13

significantly; it’s worth additionally familiarizing yourself with the

00:01:17

physical process of reflection. What

00:01:19

materials reflect light, how they reflect light, this is a separate topic, which

00:01:24

means how it is reflected is worth

00:01:27

a look just go to some textbook

00:01:29

on physics and search for information on optics and

00:01:33

carefully study the process of what

00:01:35

demfi is, what is spectral, as it were,

00:01:38

reflection and, accordingly, the

00:01:41

advantage of these tabs is that what can be

00:01:44

included in the already rendered well,

00:01:49

recalculate and it is based on the built

00:01:53

model with using existing shadows, it

00:01:57

will adjust reflections and blur, a

00:02:03

very good function that allows you to

00:02:05

create an optical effect when the

00:02:07

background is blurred, that is, this is the effect of the

00:02:11

camera lens, this also requires

00:02:13

some adjustment effort,

00:02:15

depending on what you want to

00:02:18

get, it’s worth experimenting with

00:02:20

these inputs during the work process Now

00:02:23

we will not pay much

00:02:26

attention to this in the main window of the nastana navigation,

00:02:31

which will be useful to you if you do not

00:02:34

work with 3D,

00:02:35

this is a function, respectively, magnifying glass,

00:02:40

zoom, this is moving around the

00:02:43

screen, this is zooming in and also turning left,

00:02:47

right, up,

00:02:48

down, be careful, this

00:02:50

sets the Degrees of rotation and

00:02:53

there is also such a

00:02:55

moment, any sudden change in scale

00:02:58

can spoil the picture, that is, if you want to

00:03:03

scale it like this,

00:03:06

the image may not appear, that is, it

00:03:09

can be capricious, this editor, so

00:03:13

be careful, the same thing, if you

00:03:16

want to enlarge, just do it larger

00:03:18

than the

00:03:20

viewport and he will build a picture for you at a

00:03:24

far distance. You see,

00:03:26

now he basically doesn’t do anything, that is, it’s

00:03:32

quite difficult to guess how he will bring it closer or further away and make details,

00:03:34

so it’s easier to act through

00:03:38

where navigation is more

00:03:40

efficient. Well, if someone

00:03:43

understands it well, it’s possible will be able to work

00:03:46

with This with these navigation buttons, that

00:03:48

is, they are quite appropriate here and work

00:03:51

further. Below we have various modes,

00:03:55

soft hard video and preview,

00:03:58

you can

00:04:01

modify it, you will see pictures most often, you do

00:04:05

n’t have to press at all, just in the

00:04:07

render it will all be so visible then yes,

00:04:10

if you have a video, you will

00:04:12

scroll through the soft hard video or the

00:04:15

normal preview, it is no

00:04:19

different from the usual viewing window,

00:04:22

then these

00:04:28

tabs are on the first plate

00:04:32

and, accordingly, you can

00:04:34

switch the buttons here to change the angle of

00:04:37

incidence, the coloring angle, that is, during

00:04:41

rendering it

00:04:42

will be be painted a little differently

00:04:45

since the picture here is quite bright, it’s

00:04:47

unlikely that anything can be seen. Well, if for

00:04:50

example we turn on lighting Switch to

00:04:52

this mode and try to color it from different sides,

00:04:58

then this model, in

00:05:01

principle, can be repainted in different

00:05:03

colors if you take a gradient map

00:05:07

too if you have it configured and set,

00:05:10

that is, this is an additional function

00:05:12

of coloring your surface, so I

00:05:17

click and I get a different

00:05:21

color, this is also a good field for

00:05:24

experiments, you can read,

00:05:26

translate, look, that is,

00:05:28

depending on the

00:05:30

angles of incidence of the light, it

00:05:33

changes me accordingly and coloring That is, we

00:05:35

will get

00:05:37

different ways of applying color in

00:05:41

this spectrum, which is set here. Stereo

00:05:44

allows you to make 3 images, that is,

00:05:46

here you can

00:05:51

set this, too, an additional fun

00:05:58

about fu When you have a very large volume,

00:06:02

a fractal happens on the outside, it looks

00:06:05

quite inconspicuous But if

00:06:07

cutting it will turn out to be a wonderful

00:06:10

picture inside, which can then be

00:06:12

used, if I now turn on

00:06:14

the cut at X at 05, it will cut it for me like

00:06:18

this,

00:06:19

notice that it will change

00:06:22

accordingly and the whole Entourage of all the

00:06:25

atmospheres here will be a cut at 05 at X, the same

00:06:29

thing can be

00:06:32

done, for example, at

00:06:35

game That is, it will change the

00:06:38

picture, a useful function that is, we

00:06:41

can cut not only in half, but

00:06:43

also make some kind of cut, if for example

00:06:46

you need an openwork openwork design, we can

00:06:49

cut one there to zero and

00:06:52

actually see the mesh, well, let's try

00:06:54

what the computer will give us

00:06:58

That is, it can actually

00:07:01

cut completely so that a little bit remains,

00:07:04

that is, well, Gir is quite a large

00:07:06

design, this is the fractal that I am

00:07:09

showing you now. It turns out to be

00:07:12

such a wonderful design. In my

00:07:14

opinion, the design. That is, you can

00:07:18

change it further, we have such a function, the

00:07:21

Julia dley model is or rather, it’s a

00:07:25

fractal ju that scatters,

00:07:28

repeating fractal elements many times,

00:07:30

it’s very convenient, especially when you have a

00:07:33

complex fractal design like this,

00:07:35

you can get incredibly

00:07:37

beautiful

00:07:39

images, but with Julia it’s easier, in

00:07:42

my opinion, first experiment in

00:07:45

Novi because here you’ll wait a long time

00:07:47

when and where you get her it will be built And

00:07:50

in Novi, here is the same function of the Julia

00:07:53

mod, it turns on and you can customize

00:07:56

your

00:07:58

image by changing it, for example,

00:08:02

many times, that is, there are very beautiful

00:08:06

models. Well, for example, let's say this, I can

00:08:09

change

00:08:11

Nan

00:08:13

Bo, build it like this and

00:08:17

with the function Julia such

00:08:19

incredible repetitions appear That is, you can

00:08:22

make such designs that are

00:08:25

incredibly

00:08:28

beautiful, change literally a small one, as

00:08:31

if the deviation of the slider is a hundredth, and already

00:08:36

we have a complete change in Novi,

00:08:38

characteristic color spots appear This means that

00:08:42

the depth of the image That is, it is not

00:08:44

enough to rebuild the image on you

00:08:48

it means that in this case we need to do

00:08:50

this, it happens often Yes, both here and in that

00:08:52

render So we transfer our

00:08:55

image to the main editor

00:08:57

to rebuild to

00:08:59

avoid this slice that we have You

00:09:02

see what a wonderful picture We

00:09:05

need to add a little depth to Zend

00:09:09

here What is the secret let’s say zst is the

00:09:14

starting point from which

00:09:17

rendering begins Z is the final stage, that

00:09:20

is, the depth How far it will build

00:09:22

the fractal it can reach hundreds,

00:09:25

you can safely set it to 120 and if we

00:09:29

now have Katin

00:09:31

turned off, we will get a different

00:09:33

picture And here the same thing with this is

00:09:35

neat here, just change it to

00:09:39

one and do the recalculation, everything

00:09:42

will be different, that is, our

00:09:44

picture has moved And in the navigator

00:09:47

the parameters you see everything has disappeared, that is,

00:09:50

our slice has disappeared and we have a

00:09:52

slightly different perspective, but at least you

00:09:59

can do it with this slider of Light add to The

00:10:02

final result, this does not affect it, it will

00:10:04

only help you understand a little about the

00:10:07

lighting on your

00:10:12

surface, the navigator, in principle, can be

00:10:14

closed there, here it shows you The final

00:10:19

result without the Reflex map will be

00:10:22

only now, here it is, the shadows are behind and there will be a

00:10:24

beautiful picture Well, for now it

00:10:26

does that I’ll tell you that you can also make

00:10:29

a perspective, that is, here it’s usually set to

00:10:32

30 by default, such a perspective

00:10:35

perspective if you reduce it will be

00:10:38

blurry, it will stretch it out now, it will

00:10:42

read the shadows and show us The final

00:10:45

result, here you go, let’s

00:10:47

change it, let’s do 80 for example, and

00:10:59

oh, you can

00:11:02

have fun with

00:11:04

the settings indefinitely, please here we have a

00:11:06

horizon line, as if the lens had gone back;

00:11:10

we saw if we put p or zero, it will bring

00:11:15

the picture closer to us. That is, we

00:11:16

may even lose the horizon line

00:11:18

because

00:11:20

here the effect of the removal of space itself has disappeared.

00:11:25

The last thing we can say is

00:11:27

that you like what you have on screen, you

00:11:30

can reset either the location navigation settings.

00:11:34

That is, it resets all your

00:11:37

parameters and gives you the

00:11:40

assigned starting point for depth and

00:11:43

distance, that is, it will turn out like this, but it does

00:11:46

not destroy these

00:11:47

settings and that is, what you have set

00:11:50

in it will remain in the additional panel.

00:11:53

If you want to reset everything altogether,

00:11:56

click on the form in the general pane and you

00:12:00

will get back the Mondel Ford Yes,

00:12:03

which we had

00:12:05

before. The fact is that

00:12:08

this editor has such subtlety, it does not

00:12:10

reset the light and color settings, that

00:12:13

is, in the parameters for example, you see,

00:12:16

it doesn’t show anything That is, for

00:12:19

example, it can’t line up on the VI. Here you can take this

00:12:20

picture that is on your screen, for

00:12:23

example, you can also

00:12:26

redo it and you wo

00:12:29

n’t have

00:12:32

anything in the video. You can also restart the editor if

00:12:34

you really want everything to be

00:12:36

reset because I was experimenting

00:12:39

with the background, you can see here the backlight backgrounds, this will

00:12:41

all have to be returned to its previous

00:12:44

position if, for example, you get a

00:12:47

very beautiful gradient map, very

00:12:49

beautiful light, you can save it all with

00:12:52

these

00:12:53

buttons

00:12:55

there are

00:12:57

still people who hang up their own

00:13:00

additional ones Lighting calculation maps

00:13:02

can be transferred to your model, you

00:13:06

can also save them, we’ll talk about this

00:13:09

when we look at

00:13:10

each tab separately

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