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Download "How To Mix Vocals w/ SLATE DIGITAL PLUGINS"

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Table of contents
|

Table of contents

0:00
Intro
1:37
Metatune
4:46
Infinity EQ
6:04
Virtual Mix Rack
13:02
MO-TT Multiband
16:00
Reverb
18:03
Delay
20:58
Vocal Doubles
23:11
Background Vocals
24:49
Adlibs
26:25
Vocal Outro FX
27:41
Final Mix
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Similar videos from our catalog

Video tags
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Video tags

How to
Mix
vocals
Slate
Plugins
Slate digital
Everything bundle
All access pass
Rap
R&B
Vocal
Template
Ableton
Ableton 11
Slate Vocal Sauce
Vocal Sauce
Whole Loops
Reid Stefan
Puppet
Metatune
Virtual mix rack
Fresh air
MO-TT
How to
Mix
vocals
Slate
Plugins
Slate digital
Everything bundle
All access pass
Rap
R&B
Vocal
Template
Ableton
Ableton 11
Slate Vocal Sauce
Vocal Sauce
Whole Loops
Reid Stefan
Puppet
Metatune
Virtual mix rack
Fresh air
MO-TT
Subtitles
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Subtitles

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  • ruRussian
Download
00:00:00
the following tutorial is brought to you
00:00:02
by whole loops.com
00:00:09
[Music]
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production time i'm reid stefan realest
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puppet in the game
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today i'm mixing vocals with the slate
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digital all access pass we're going to
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be doing this using ableton 11 but these
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slate plugins work the same in every daw
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so you'll be able to follow along no
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matter what software you use the
00:00:33
recordings that we have are for a track
00:00:34
titled wusaw performed by kara produced
00:00:37
by myself and cashmere and if you want
00:00:40
to hear a quick preview of what the
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finished mix sounds like here it is
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[Music]
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so now that you've heard the results
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that we're going to be achieving let's
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open up this group where we'll find all
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the raw recordings of lead vocals
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doubles harmonies background vocals and
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ad-libs we have a lot of vocals to mix
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through so let's take a listen to these
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dry recordings
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[Music]
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[Music]
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the first process i like to apply to
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lead vocals is some tuning before any eq
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compression or special effects i'm going
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to use the meditune plugin here on my
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lead vocals
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all you have to do is choose the key of
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your song which in this case is f sharp
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minor and adjust the tuning speed here
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with this first knob a high tuning speed
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will give you an extreme robotic effect
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and a lower knob position will be more
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suitable for an organic more naturally
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tuned vocal i'm gonna go somewhere in
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the middle to start
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[Music]
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[Music]
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so as you could hear there's a lot of
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variety in tone to be played with when
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controlling the tuning speed while
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you're tracking you have the option of
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using low latency but since i'm just
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mixing i'm going to turn this off now
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and let the plugin do its full thing i'm
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going to keep my retune speed at about
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15. this is somewhere between a pop and
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a hip hop song with a lot of edm
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influence in the instrumental so i think
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a more processed sounding vocal is going
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to be appropriate for this but we're
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going to be automating this plug-in on
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and off using the global bypass button
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because this vocal is not singing the
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whole time which means we're not going
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to need tuning the whole time so the
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easiest way to automate anything in
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ableton is to click on it and then hit
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the letter a for your automation and now
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you have a line that you can enable for
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when you want your tuning bypass so keep
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it down to have it on
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and then turn it off
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[Music]
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i love that breath that kind of
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interrupts the lyrics it's like a
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organic vocal effect that you could just
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very easily do with the grid you even
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have the option to increase your tuning
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speed during the hook maybe you want it
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to blend in better with all the vocals
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[Music]
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this hook has some long bendy swoopy
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notes in it and a lot of times tuning
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plugins and swoopy notes don't go so
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well together so in this hook i'm
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actually going to turn it down maybe in
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your hook you'd want to turn it up and
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since every layer individually needs its
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own tuner i'm going to use the copy and
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paste shortcut to put a meditune on each
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layer of vocals so i'm going to go in
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here
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paste it on each double this is the only
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plugin that we're putting individually
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on each channel
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[Music]
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by itself is putting a huge difference
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on how polished this vocal sounds
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already but tuning is only the beginning
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of the sauce so i don't have to copy and
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paste the same chain onto all three of
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these lead vocals i'm going to use the
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group as a place to process all my leads
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together meta tune is on each individual
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channel but the rest of these plugins
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are going to go on my leads group which
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is effectively the same as pasting at
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the same time on all three of these
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channels but it saves cpu
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inside this eq i'm not going to do
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anything crazy surgical i like to just
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double click where this high pass filter
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indicator is and pull it up around 100
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hertz for female vocals maybe a little
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bit less give or take depending on the
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voice
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[Music]
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i also like to have this little
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resonance peak where it's getting cut
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off i feel like that helps make up for
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some of the perceived bass that gets
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lost from this but around 90 hertz is
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going to be perfect for a female voice
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if you're a guy you might have a lower
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number around 80 maybe even 70 and for
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higher pitched female singing you might
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have a higher number you can even
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automate this to create low cut effects
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throughout your song but that's going to
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be a perfect start for our eq we're not
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doing anything too crazy here we're not
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doing anything dynamic or multi-band yet
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next i'm going to pull up the plug-in
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that's going to be doing a lot of the
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heavy lifting and that is the virtual
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mix rack the virtual mix rack is my
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absolute favorite slate plug-in because
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it allows you to load up a whole chain
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of sauce and save it in one very
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convenient preset and that's exactly
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what we're going to do we've got our low
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cut going here the next thing i want to
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add is a little bit of preamp and
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coloring eq like the fgn i'm going to
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use this drive button to activate the
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preamp saturation and this is going to
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do what an analog preamp would be doing
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to the signal by using these gains to
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just add some more drive and grit to the
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signal from the start
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[Music]
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in addition to that i'm also gonna do a
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little mid-range boost here at around 4k
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[Music]
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and a little bit at the very top
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[Music]
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and we're doing little tiny boosts like
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less than 1 db on each i really like the
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way bells sound instead of shelves
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for boosting and i love the way the
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classic neve eq sounds for this let's
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load up some compression i like to
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alternate between eq and compression
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when i process vocals and kind of split
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the load amongst a bunch of different
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plugins i'm going to hit this with some
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smooth compression first like the fg-2a
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and we're going to do just a tiny little
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bit of peak reduction
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[Music]
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pull this knob down so we're not hitting
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this so hard
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[Music]
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let's turn it on
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[Music]
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i'm really just trying to keep the
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needle around three decibels of gain
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reduction
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[Music]
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and that's just a perfect soft
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compression to help take the huge peaks
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off the vocal and now i'm going to
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follow that up with some more eq i
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always love bumping my highs and mids
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going into a compressor because i always
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feel like that's the tone that gets lost
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from compression so it just makes up for
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it going in next i'm going to add a
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different kind of eq and this is
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actually a free slate plug-in that's
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been one of my og favorite free plug-ins
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for a long time and it's called revival
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and this is a harmonic saturation based
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eq to add warmth and brightness to
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anything like a voice
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[Music]
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i'm gonna use this for the thickness
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[Music]
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and that's just adding a little bit more
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color and warmth going into the next
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chain which is going to be some more
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compression and that is the monster
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compressor this is emulated after an
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1176 with the all knobs in button
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engaged and that's what this punch
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button is here and we're going to be
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using this as a parallel compressor so
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we're going to be blending in half and
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half
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[Music]
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gotta get away
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let's turn the whole rack off
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[Music]
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[Music]
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so that gave us some great dynamic
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control and tone shaping the final
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plug-in i like to have in this is a
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little bit of de-essing and in my
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opinion the best de-esser of all the
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slate plug-ins is here inside virtual
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mix rack
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fg ds-902
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we're going to drop this here at the end
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of the rack
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and let's turn the range up
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[Music]
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turn the frequency up for a female voice
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[Music]
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and we've created a perfect vocal sauce
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consists of compression eq harmonic
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saturation and de-essing sometimes i
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even like to go in and hit it with one
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final eq just like it's going through a
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console like the ssl console eq the fgs
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and this will be your final tone and
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coloring i always like using bells like
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i said to boost or reduce any high
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frequencies and we're going to go way
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higher with this than we've gone before
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get that really really high-end
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information
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[Music]
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but everything
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right now there may be a little bit of
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warmth too
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that's my occupation oh you mad man why
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i could see your aggravation cause i got
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paper from all the haters camera for
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mayor and there's nothing you can do
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about it they keep
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so we've created a basic low cut and an
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entire mix rack of all of our eq and
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compression here all in one spot i'm
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going to follow this up with some
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multi-band compression and that's going
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to be the m-o-t-t
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and this thing starts out with an
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extremely aggressive preset but we're
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just going to turn this down and dial
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this up from zero instead of dialing it
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back from 100 because like i said it's
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like really strong when you first load
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it up just like the ott preset in
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ableton
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[Music]
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the mids a little bit
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[Music]
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and we're just using this at a 10 amount
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very subtle but also doing a lot at the
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same time let's try turning this whole
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chain on and off
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[Music]
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and one last plug-in i'm gonna drop on
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here is gonna be for just that little
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sparkle and sizzle that makes the vocals
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just feel perfectly polished and this
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plugin is called fresh air it's free and
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anyone can use it even if you don't have
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the all access pass you can add mid
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presence or you can add high presence
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[Music]
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try
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[Music]
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and keep in mind this chain is only
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processing this small group of vocal
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layers pretty much just the lead vocals
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everything else is just meditune so far
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i'm gonna keep processing these lead
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vocals before we start copying
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everything down and making adjustments
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but these vocals are very nicely sauced
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up and ready for some wet effects
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do you use slate plugins but find
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yourself getting lost in all that sauce
00:15:37
have you wasted countless hours
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scrolling through presets waiting to
00:15:41
hear something good for your voice
00:15:44
introducing slate vocal sauce the
00:15:46
perfectly sauced up template that'll
00:15:48
transform your raw recordings to a
00:15:51
polished and organic mix slate vocal
00:15:54
sauce is available now only at homes.com
00:16:00
i like to create my effects using aux
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channels and ableton has my favorite
00:16:04
shortcut for creating built-in aux
00:16:06
channels to each track called channel
00:16:09
groups let's use this reverb as an
00:16:11
example this has a mix knob on it but i
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feel like there's a better way to do it
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drop the plugin on your channel press
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command g to turn it into a audio effect
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rack and then right click and create a
00:16:22
new chain
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and rename it dry by pressing command r
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so you have dry and you have
00:16:28
verb suite
00:16:30
color themed with the plugin
00:16:32
and let's add some reverb to this vocal
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using the level of the 100 wet signal we
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can just turn it down maybe 10 or 15
00:16:40
below
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[Music]
00:16:52
increase the decay time for longer
00:16:54
reverb tails
00:16:59
that's already sounding really clean i
00:17:01
like to adjust a few more parameters in
00:17:03
this reverb i love making it really
00:17:05
present in the mid and lows and pulling
00:17:07
back the highs a little bit so that
00:17:09
doesn't compete so much i find that s's
00:17:12
and t's really stick out like a sore
00:17:14
thumb and reverb and turning down the
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highs just takes care of that perfectly
00:17:18
we can also create a little bit of
00:17:19
pre-decay which creates a little bit of
00:17:22
delay before the reverb actually kicks
00:17:24
in and let's take a listen to our vocal
00:17:26
now
00:17:29
[Music]
00:17:43
it back
00:17:50
and we've got a very clean bright and
00:17:52
shiny reverb that holds down the
00:17:54
background of the voice adding a little
00:17:55
bit of width and sparkle to it i just
00:17:58
love the verb suite classics and we're
00:18:00
going to continue loading this rack up
00:18:02
with fun effects now i'm going to create
00:18:04
a little bit of delay to really help
00:18:06
this vocal just fill in the gaps or have
00:18:08
special effects at special moments or
00:18:11
even here where we have the clean
00:18:13
version and some lyrics are cut out
00:18:14
we'll use delays to fill this in too i
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am way to john mccool let's go grab a
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delay plug-in some very slipped-on
00:18:21
plug-ins inside the all-access pass are
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the killerhearts plug-ins they have a
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really simple delay plug in here that we
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could load up in our rack i'm just going
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to trap this delay right here
00:18:32
and we can start with a quarter note
00:18:34
delay we might actually create a few
00:18:35
variations and fill up this rack with a
00:18:38
whole bunch of different effects i'm
00:18:40
going to make this a different color and
00:18:42
we're going to sync this and we're going
00:18:44
to make this quarter note which is 4
00:18:46
16th notes we can keep the ping pong off
00:18:48
and just turn the delay down a little
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bit and this is why i love this because
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it has a ducking knob which reduces the
00:18:55
volume of the delays when the dry vocal
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is going on i'm also going to turn the
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mix up to 100
00:19:02
because this is on an aux channel and
00:19:04
let's pull the volume down a little bit
00:19:05
and see what we got
00:19:09
[Music]
00:19:18
and we could turn the feedback down a
00:19:19
little bit i'm also gonna i'm gonna
00:19:21
follow this up with a few more
00:19:22
killhearts plugins like a filter that
00:19:24
will help us keep all of our delays a
00:19:26
little bit less bright than the original
00:19:29
reason why
00:19:31
everything wasn't feeling right
00:19:34
but everything going right right now and
00:19:36
we're even gonna give these quarter note
00:19:37
delays their own
00:19:39
little reverb with the killerhearts
00:19:40
reverb and we're going to put the mix
00:19:43
knob at a lower percent because i don't
00:19:45
want to completely wash out the delays
00:19:48
why
00:19:49
everything wasn't feeling right right
00:19:52
but everything going right right now
00:19:54
right right now
00:19:58
we can even get extra freaky and add
00:19:59
some distortion before these delays so
00:20:01
that they sound even less dry
00:20:05
[Music]
00:20:16
[Applause]
00:20:18
coming up like
00:20:20
and finally to add some stereo width to
00:20:22
these we could throw the kill heart
00:20:24
stereo plug in at the end
00:20:26
and man we just created some super saucy
00:20:29
delays
00:20:33
let's turn the width up thinking that
00:20:34
you're the reason why
00:20:37
everything wasn't feeling right
00:20:40
but everything going right right now
00:20:41
right now
00:20:43
and we just created a super saucy
00:20:45
quarter note to lay all these plugins
00:20:47
just for one little delay and again we
00:20:49
can mute it and choose the volume of it
00:20:51
using the levels on this rack and our
00:20:54
dry vocal is always here consistently at
00:20:56
full volume no matter what we do with
00:20:58
our effects now that we've got a really
00:20:59
solid vocal chain set setup let's copy
00:21:01
this down and apply it to our background
00:21:04
vocals stacks and ad-libs i'm going to
00:21:06
start out with the stacks and one thing
00:21:08
i know that with my stacked vocals i'm
00:21:10
not going to want as much low end and
00:21:12
i'm also not going to want as much
00:21:14
high-end so i might just do a shelf
00:21:16
because that just reduces it without
00:21:18
completely removing it i don't want it
00:21:19
out of there i just want it down a
00:21:21
little bit and that's going to be going
00:21:23
into this whole chain i don't want them
00:21:25
to be as parallel compressed as my lead
00:21:28
vocals are so i'm going to pull the mix
00:21:30
down on all these some more everything
00:21:32
else we're going to play it and just
00:21:34
kind of go by ear but i know just by
00:21:35
default i don't want my stacks to have
00:21:38
as much of those things as my leads i
00:21:40
want to add one more special plug-in to
00:21:42
the effects rack here in these
00:21:43
background vocals and that's going to be
00:21:45
another delay and this is going to be a
00:21:47
really tight slap delay that kind of
00:21:49
helps emphasize the group effect of all
00:21:52
these layers so i'm going to put slap in
00:21:54
here and i'm going to put milliseconds
00:21:57
and ping pong and we're gonna do a
00:21:59
really fast really short delay so let's
00:22:02
switch this to sync and go way way down
00:22:04
like 50ish
00:22:09
[Music]
00:22:16
just that little bit of slap delay adds
00:22:17
so much nice thickness
00:22:20
[Music]
00:22:28
let's take a listen to the stacks in
00:22:30
this last hook
00:22:34
[Music]
00:22:36
let's turn off the stacks processing
00:22:44
these stacks aren't really too different
00:22:46
from the leads like rhythmically they're
00:22:48
following the top line exactly they're
00:22:50
just doing different octaves and
00:22:52
harmonies and things that help them feel
00:22:54
more stacked like a chorus so that's
00:22:56
simply all we're going to do just a very
00:22:58
light variation of the lead vocal chain
00:23:00
processing this whole group and like i
00:23:02
said earlier everything is panned and
00:23:04
tuned individually but processed here on
00:23:07
the group to save cpu and give you one
00:23:10
easy point to control everything let's
00:23:12
make a duplicate of this chain and bring
00:23:14
it down onto the background vocals we're
00:23:15
going to do something even more extreme
00:23:17
with the processing on these i'm going
00:23:19
to take out even more of the high end
00:23:22
with the infinity eq we're actually
00:23:24
going to switch this to a full-blown
00:23:26
filter instead of a shelf because we do
00:23:28
want to completely completely roll off
00:23:30
and we're also going to be making these
00:23:32
pretty thin too because these are after
00:23:34
all our background vocals
00:23:36
[Music]
00:23:47
and you hear how those are completely
00:23:48
pushed back into the background now
00:23:50
using effects and filtering no
00:23:53
competition with the lead especially
00:23:55
when we put the music in everything just
00:23:57
sits nice and perfectly in the
00:23:58
background
00:24:06
[Music]
00:24:14
might even add just one more reverb on
00:24:16
here just to be extra saucy on the verb
00:24:19
sometimes the verb sweet is really only
00:24:21
good for like short and medium stuff and
00:24:22
you need something to come in and give
00:24:24
you a long heavy duty reverb tailing
00:24:28
[Music]
00:24:37
quiet in the
00:24:41
[Music]
00:24:44
mix sounding ever so perfect in the
00:24:47
background tucked behind the lead so
00:24:49
that brings us down to our ad-lib vocals
00:24:51
and these are going to be processed very
00:24:53
similarly to our background vocals but
00:24:55
these are slightly more like leads than
00:24:58
stacks where everything is supposed to
00:25:00
sound good individually on its own be
00:25:02
heard and understood let's take a listen
00:25:04
to how it sounds through the background
00:25:06
vocal chain
00:25:07
[Applause]
00:25:08
[Music]
00:25:11
just to make sure these are as thin as
00:25:12
possible i might copy this eq before and
00:25:14
after the chain
00:25:16
[Applause]
00:25:18
[Music]
00:25:21
make them a little bit thinner
00:25:26
[Applause]
00:25:30
let those quarter notes delays rock even
00:25:32
some slap delays
00:25:35
and we're sauced up
00:25:37
[Music]
00:25:52
i might even make a little crazy
00:25:54
shouting effect and turn the meta tune
00:25:56
all the way up on these
00:25:57
[Music]
00:26:00
everything wasn't feeling right
00:26:03
let's turn this down a little bit the
00:26:04
mix
00:26:07
[Music]
00:26:19
super saucy
00:26:20
so we've created chains to mix our leads
00:26:23
stacks background vocals and ad-libs the
00:26:26
last thing i want to do is something
00:26:27
super special just for this outro ad-lib
00:26:30
that we have here in the leads
00:26:35
[Music]
00:26:39
and since this is really its own thing
00:26:40
i'm going to do this chain going right
00:26:42
into this channel i'm going to start out
00:26:44
by putting a phaser on here just to give
00:26:46
us that cool stereo thing and also a
00:26:49
little bit of a filter too
00:26:52
[Music]
00:26:59
i'm gonna actually duplicate this filter
00:27:00
make the first one a low cut and the
00:27:02
second one a high cut and the low cut's
00:27:05
always going to stay the same and i'm
00:27:06
going to automate the high cut
00:27:09
[Music]
00:27:30
to close it out like this
00:27:32
and there you have a perfectly sauced up
00:27:34
vocal
00:27:35
top to bottom with 100
00:27:38
slate digital all-access plug-ins we're
00:27:41
going to take one last final listen to
00:27:43
the song to see how far we've come and
00:27:45
also compare it to the drive vocals from
00:27:47
the beginning before we wrap this course
00:27:49
up
00:27:50
[Music]
00:28:09
feel like
00:28:20
[Music]
00:28:25
oh
00:28:28
[Music]
00:28:37
hold me down
00:28:41
[Music]
00:28:55
oh
00:29:01
[Music]
00:29:08
that's my occupation oh you mad man
00:29:12
[Music]
00:29:24
quiet
00:29:25
[Music]
00:29:33
focus on everything
00:29:37
[Music]
00:29:45
imma focus on anything
00:29:49
[Music]
00:30:03
hmm
00:30:05
it's so saucy
00:30:07
[Music]
00:30:10
and there you have it mixing a vocal
00:30:12
from scratch to the finished
00:30:14
professional results with 100 slate
00:30:17
digital all access plugins if you want
00:30:20
to get your hands on my slate vocal
00:30:21
sauce preset available for ableton fl
00:30:24
studio logic cubase studio one the list
00:30:27
goes on and on i'll put a link in the
00:30:29
description below and if you're not a
00:30:30
member of the all access pass i'll
00:30:32
include a link to that as well thank you
00:30:34
so much for watching this tutorial and
00:30:36
i'll catch you guys next time in another
00:30:38
video peace out

Description:

How To Mix Vocals w/ Slate Digital Plug-Ins by Reid Stefan Realest Puppet in The Game. Learn how to Tune, EQ, Compress, Saturate, and add special FX to Hip Hop vocal recordings from scratch. This start to finish tutorial uses MetaTune, Infinity EQ, Virtual Mix Rack, VerbSuite Classics, and Kiloheartz Plugins from the Slate Digital All Access Pass Bundle. Join The Slate Digital All Access Pass https://slatedigital.com//affiliate-reid-stefan/ Get Whole Loops Samples and Presets https://wholeloops.com/product/slate-vocal-sauce/ Join my email list for exclusive promo codes & more https://wholeloops.com/join-email-list/ Listen to “Woosah” by KARRA https://www.youtube.com/watch?v=-7sCLZg1VRU https://open.spotify.com/track/6UTavx3GD3zfF1UUdzVdBx Follow Reid https://www.facebook.com/unsupportedbrowser https://www.twitch.tv/reidstefan https://discord.com/invite/AaWuw95 https://www.twitter.com/reidstefan https://www.tiktok.com/explore https://open.spotify.com/artist/6707QL4RZ9dwtd1PtELnbz Join the Slate Digital All Access Pass https://slatedigital.com 0:00 - Intro 1:37 - Metatune 4:46 - Infinity EQ 6:04 - Virtual Mix Rack 13:02 - MO-TT Multiband 16:00 - Reverb 18:03 - Delay 20:58 - Vocal Doubles 23:11 - Background Vocals 24:49 - Adlibs 26:25 - Vocal Outro FX 27:41 - Final Mix

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