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Table of contents
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Table of contents

0:00
Introduction
1:19
Planning
1:45
Color Harmony
3:24
Monitor Calibration
3:59
Using a Color Checker Passport
5:06
Lighting
8:30
Dragging the shutter
9:45
Post processing
12:38
Getting the shot
13:45
Closing words
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Video tags

Photo Inspiration
How to Photography
Lindsay Adler
BTS
creative lighting
canon 5d iv
Adorama
studio photography
studio lighting
photography tips
photography
lighting modifiers
creative photography
professional lighting
photography lighting
studio lighting setup
fashion photography
color theory
analogous color scheme
Split complimentary color scheme
photography color theory
monitor calibration
photography monitor calibration
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color wheel
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Subtitles
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Subtitles

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  • ruRussian
Download
00:00:00
today is all about color join me behind
00:00:03
the scenes of a vibrant fashion shoot
00:00:05
plus we're going to talk about color
00:00:06
management and calibration with a
00:00:08
calibrate display Pro
00:00:10
[Music]
00:00:22
HL hey everybody Lindsay Adler here and
00:00:25
color is my thing I use super saturated
00:00:28
color throughout my work as an essential
00:00:29
part of My Style I want to excite people
00:00:31
with my images I want to hold their
00:00:33
attention and color is one of those
00:00:35
really important ways that I keep a
00:00:37
viewer engaged so whether it is a
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creative fashion editorial a portrait a
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commercial campaign you name it I am
00:00:45
very purposeful about color and so today
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you're going to get a peek at my thought
00:00:49
process and workflow you're going to get
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to take a look at the behind the scenes
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of a vibrant fashion shoe now when I'm
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using Color I think about it at every
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part of the process from my choices and
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clothes in background to considerations
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for color theory and color harmonies my
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camera settings my monitor calibration
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my color grading all of my
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post-processing this video is sponsored
00:01:09
by calite now the reason that they're
00:01:11
partnering with me for this behind
00:01:12
the-scenes video is that we believe that
00:01:14
color management and color management
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tools are essential for photographers so
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now we're on set for the vibrant fashion
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shoot but a lot has happened before
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we've gotten to this stage we had to
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plan the hair the makeup the Wardrobe
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and so I actually began for the shoot
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with the inspiration of the dress my
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wardrobe stylist showed me this
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beautiful purple dress and then I had to
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figure out well how do I want to capture
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it how do I want to build a shoe around
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this and because color is so important
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to my style I often begin with the
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question of what color Harmony do I want
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to use and so if you are brand new to
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color harmonies I recommend you check
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out a tool at color. adobe.com so let's
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take a look this is an interactive color
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wheel and what you can do is you can
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select a single color and then you can
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prompt it to show you different color
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harmonies in other words other colors
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that play well with the color you've
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selected so for example I could pick uh
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let's say a complimentary color and it's
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showing me that opposite the purple that
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I've chosen here is a little bit of like
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a a yellow green that would be the
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compliment or if I wanted to play around
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with triatic triatic colors are equally
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spaced around the color wheel and so if
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purple is my base I've got a teal green
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and then a little bit of this Orange for
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a triadic color scheme so what I decided
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to do is actually a color scheme called
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split compliment so what that means is
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you're taking some colors next to each
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other on the color wheel and then also
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using their compliment so this is
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actually a combination of two color
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harmonies kind of uh the first one is
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called an analogous color scheme this is
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where the colors exist next to each
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other on the color wheel so this would
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be pinks and blues and purples the
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analogous color scheme is a very calming
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very soothing color scheme but I wanted
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something that was vibrant that would
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really pop create a lot of contrast and
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so to create this contrast I selected
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the color opposite on the color wheel in
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this case it's kind of a yellow orange
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and that is something called a split
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compliment so that's what we're going to
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go with today so if you were ever trying
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to figure out okay I've got a blue or a
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purple or you name the color and I don't
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know what other colors would work well
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with it start with your color wheel
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that's going to give you a lot of
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inspiration my intention for this shoot
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is to use really saturated colors and I
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want to make sure that they're
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accurately represented on my monitors
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I'm actually using two different
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monitors here I've got a MacBook Pro and
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I've got a Ben Q so I began by creating
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custom profiles by calibrating both of
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them using the calibrate display Pro HL
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even though the monitors are quite
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different you'll notice that they match
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the contrast and colors match which
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means as I'm adjusting as I'm shooting
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I'm looking at Accurate color which is
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really important if you see in my style
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and the way that I shoot because color
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is so important to me now when I shoot
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things often evolve but a good place to
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start is by taking a picture of a color
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cheer now this is not only going to
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allow me to get accurate white balance
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which is going to give me you know
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correct skin tones but I can also use
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the white and black points to make sure
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that I'm maintaining detail and both in
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other words I don't want blown out
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highlights or Shadows with no detail
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because it's going to be difficult or
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near impossible to recover them so this
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will give me a good starting point for
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my exposure and then correct white
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balance so will you do me a favor will
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you hold this right up next to your your
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face you just want to make sure that it
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is in the main
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light Sure Fire beautiful all right so
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there's just a couple things I'm looking
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for first of all I can use my white
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balance eye dropper on the medium gray
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in order to get the correct white
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balance you'll see that the skin tone
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got a little bit warmer and more
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pleasing and then secondly I just want
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to Mouse over and see that I still have
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information in the whites and I also
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have detail in the blacks so it just
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means my exposure is looking good I've
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got a great place to start
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but I know that I'm likely going to play
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around with some funky color so all of
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this is going to change so let's talk a
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little bit about my light what I'm going
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to do here is I'm going to build in each
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light one by one and this is where
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you're going to see that split
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compliment come to life I'm going to
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begin with my neutral light which is
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what you've seen on my subject already
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over here to the right hand side of the
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frame I have a magnum reflector with a
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grid this is going to give me beautiful
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hard crisp light on her face it's going
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to be our white neutral light and she
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has a amazing cheekbones so I chose this
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light because it really carves out her
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features so let's take a look at what
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light number one is giving us in the
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equation so we're starting off with the
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Bas we have the purple dress the purple
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background and this would be a
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monochromatic color scheme for example I
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could light the background and it would
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be all one Hue and I could lean into
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that that could be my color Harmony but
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I want something that plays around with
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a lot more colors which is why we've
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chosen our split compliment so I need to
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start adding additional Hues to the
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scene which is why we're going to add
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our second light so second light is to
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the back leftand corner we're using a
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strip soft box with a grid in this light
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I've added a pink a magenta gel so let's
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see what that adds to the
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shot so far with this color theory we
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would be playing around with something
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called an analogous color scheme meaning
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colors next to each other on the color
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wheel we've expanded just a little bit
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we've got the purples in the dress the
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pink and the lips we have the uh Pink in
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the rim light the blue in the eyes and
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so it's giving us a little bit more to
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play with but you can see how the colors
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really beautifully work together we're
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using colors next to each other on the
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color wheel and now we're going to add
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our contrasting pop of color which is
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that hairl light from above it's another
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strip soft box with a grid but this time
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I have on a yellow maybe a little bit of
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a yellow orange gel this is going to do
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a few things it's going to light her
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hair from above it's going to light her
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shoulders but you'll notice that there's
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also a little bit of light spilling on
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the background this is an accident on
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purpose uh right now some of the light
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is spilling it's also popping out the
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top of the light and so it creates a
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little bit of of like lines and texture
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to the background but I think it makes
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it look more interesting so let's take a
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look at that next
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light so far so good but I think that
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the color in the background is probably
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looking a little less saturated than I
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intended now in a moment I'm going to
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move over and start playing around with
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color grading which is where I adjust
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the Hue the saturation the contrast of
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the image and I always do this when I'm
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shooting tether because I want to see
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what's possible out of that file and of
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course I want to make sure I'm judging
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it from a calibrated monitor now before
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we start playing around with color
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grading I want to make sure I have all
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of my lights in place so there's one
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more that I want to add to the equation
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for Creative effect now all of the
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strobes I've been using here are in fact
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strobes right they're just pulses of
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light they freeze the subject in place
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but I want to switch that up and I'm
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going to add a continuous light I'm
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adding a nanlite Pavo tube this is an
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RGB tube and I am going to make it blue
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this is another color that is next to
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each other on the color wheel so I have
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the pinks the purples the blues but
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because it is continuous light it is
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going to allow us to have a creative
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effect all right so let's turn on that
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light what I want you to notice here is
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that if you look at the difference
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between those two images you'll actually
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notice very minimal difference right you
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don't really see much blue maybe just a
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little bit in the Shimmer of the dress
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and that is because right now the way
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that I have my camera exposed it's not
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allowing continuous light to register so
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in order to see that blue I need to do
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something called dragging the shutter
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and so you can check out I have many
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other videos that talk about this
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technique but what I'm going to do is
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instead of shooting at 1/200th of a
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second for my shutter speed I'm going to
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slow down to a tenth of a second the
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tenth of the second is going to allow
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the blue to register in the shadows show
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up on the dress it's also going to allow
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me to introduce purposeful motion blur I
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can move my camera I can zoom my lens
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and when I do so you're going to see
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this beautiful St streak in the image
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which gives a sense of energy to the
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shot so first I'll take an image where I
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don't wiggle my camera I'll perhaps
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leave my uh stabilization on and then
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the second image I'm going to turn it
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off and move
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around okay let's see first
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one so something that you should notice
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is that the image looks horribly
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Overexposed it looks totally Incorrect
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and that's because when I dragged my
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shutter I let in all of the ambient
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light including for example the very
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bright modeling light on the face or the
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light that's Illuminating me around the
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space so in order for this to actually
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expose correctly I need to start turning
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off my modeling lights so I'm going to
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do that
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here okay I have all of my lights in
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place so now is the part of the equation
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where I want to come over and I want to
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make sure that I'm getting the color and
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the information out of the file I want
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with a little bit of color grading right
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let's take a look at what we've
00:09:58
accomplished so far
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uh so first of all when we turned off
00:10:02
the ambient light but still dragged the
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shutter you can see that the beautiful
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blue shows up in the Shadows on her face
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and then when I actually move the camera
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you see that I'm getting this beautiful
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blur ghosting effect reflected off of
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the dress sometimes even off of her face
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this is an effect caused by the shutter
00:10:19
drag and that's one of the reasons I was
00:10:21
inspired by this dress to play around
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with that effect the colors are not
00:10:25
nearly as saturated as I intended so
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what I want to do is I want to play
00:10:29
around a little bit with color grading
00:10:30
so first and foremost let me come over
00:10:32
here and pop up my contrast now this is
00:10:34
meant to be fantasy so I don't really
00:10:36
need to have the colors accurate but
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instead I'm going to judge off of my
00:10:40
calibrated monitors and I'm going to see
00:10:43
how saturated I can get them before they
00:10:45
start to break apart before I start to
00:10:46
see you know unpleasing banding for
00:10:49
example so that looks good so far um I
00:10:54
think that I want to play around a
00:10:55
little bit with contrast it's looking a
00:10:57
little bit flat but I notice that when I
00:10:59
play around with contrast some of the
00:11:01
highlights start to get Overexposed so
00:11:03
I'm going to darken down the exposure a
00:11:05
little bit which of course I could come
00:11:07
back and do this in camera as well uh
00:11:10
and then maybe bring in some highlights
00:11:12
so so far here is what I'm doing before
00:11:17
and after and I think the picture is
00:11:18
starting to look much more successful
00:11:21
I'm shooting tethered and editing into a
00:11:22
program called capture one and I really
00:11:24
like the look here but I want to make
00:11:26
sure all of my photographs now have that
00:11:28
adjustment applied so what I'm going to
00:11:29
do is come over here into the top right
00:11:31
hand corner and I'm going to copy and
00:11:33
then apply those adjustments down
00:11:35
everything is now going to have that
00:11:36
effect so there are only two more things
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I want to add into the equation here I
00:11:42
would like to add a little bit more
00:11:43
atmosphere and I'm going to do it in two
00:11:45
ways first of all I'm going to add a
00:11:46
filter this is something called a black
00:11:48
Pro Mist what it does is it takes
00:11:50
highlights and it makes them glow and so
00:11:52
in this instance if I have the corner of
00:11:53
the lights in the frame where the light
00:11:55
up top just peeking in it's going to
00:11:57
make it Bloom just has a very atmosphere
00:11:59
feric effect and then going to actually
00:12:02
add a little atmosphere if you will help
00:12:04
me and I'm going to use atmosphere
00:12:07
aerosol so aerosol in a can we're going
00:12:09
to spray that into the environment and
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it's going to catch some of the
00:12:13
backlight
00:12:15
oops
00:12:20
good good if you take a look to the top
00:12:22
right hand side of the frame you can see
00:12:24
that the strip softbox above is just
00:12:26
glowing a little bit it's hazing out and
00:12:28
there's also a little bit more texture
00:12:30
to the image but if I reset these
00:12:34
adjustments look how flat the image
00:12:36
looks look how boring it looks so that's
00:12:39
why I always Shoot Tethered I always
00:12:41
color grade to make sure I'm controlling
00:12:43
the color throughout I always consider
00:12:45
color theory and I'm always judging my
00:12:47
images from calibrated monitors so now
00:12:50
that I'm all set up for Success it's
00:12:52
time to get the shoe and so this is the
00:12:54
time where I am paying attention to the
00:12:56
angles of her face to that main light to
00:12:58
the Post I'm making sure I try a lot of
00:13:01
different camera movements uh and of
00:13:02
course you'll notice I often get at a
00:13:04
low angle because it makes her look tall
00:13:06
and Powerful all of this working with a
00:13:10
really beautiful split complimentary
00:13:11
color Harmony all right let's do
00:13:16
[Music]
00:13:28
it
00:13:31
[Music]
00:13:46
in these final images you see just how
00:13:48
vibrant they are and how they're another
00:13:49
great example of how I utilize color
00:13:51
throughout the entire process of
00:13:53
creating my work color is considered at
00:13:55
every single step so the hair and the
00:13:57
makeup the Wardrobe the background then
00:13:59
it's also considered in the more
00:14:00
technical elements like my camera
00:14:02
settings my white balance my monitor
00:14:04
calibration my color grading and more so
00:14:06
when color is this important like it is
00:14:08
to me you can't really miss any part of
00:14:10
the equation thanks to calibrate for
00:14:12
partnering in this video and if you want
00:14:14
to make sure that you have your color
00:14:16
management your color workflow under
00:14:17
control you'll definitely want to check
00:14:19
them out thanks everybody for watching
00:14:21
and I'll see you next
00:14:24
[Music]
00:14:28
time

Description:

In this video, we'll explore the behind-the-scenes of a vibrant fashion shoot and delve into the crucial aspects of color management and calibration using the Calibrite Display Pro HL. From selecting color harmonies to adjusting camera settings and post-processing, discover how every step of my workflow revolves around color to engage viewers and bring my images to life! --- 00:00 Introduction 1:19 Planning 1:45 Color Harmony 3:24 Monitor Calibration 3:59 Using a Color Checker Passport 5:06 Lighting 8:30 Dragging the shutter 9:45 Post processing 12:38 Getting the shot 13:45 Closing words --- 💡 Lighting: Light 1: Magnum reflector + grid Light 2: 1x4ft Strip softbox w/ grid + magenta gel Light 3: 1x4ft Strip softbox w/ grid + yellow gel Light 4: Nanlite Pavotube ⚙️ Camera settings: ✅ 1/15th ✅ F5.6 ✅ ISO 400 📸 Gear ✅ Calibrite Display Pro HL Colorimeter: https://www.adorama.com/cbcccdis3hl.html?sterm=Qb5UKk2xlxyKT2X06yxatR4UUkHX3hU8rVoFRA0&kbid=66569 ✅ Calibrite ColorChecker Passport Video 2: https://www.adorama.com/cbccppv2.html?sterm=QbIx502xlxyKT2X06yxatR4UUkHX3hUgrVoFRA0&kbid=66569 ✅ Benq SW271 27” 16:9 4K IPS Monitor: https://www.adorama.com/bqsw271c.html?sterm=QbNWju2xlxyKT2X06yxatR4UUkHX3hU8rVoFRA0&kbid=66569 ✅ Canon EOS R5: https://www.adorama.com/car5.html?sterm=QbKX7j2xlxyKT2X06yxatR4UUkHX3hUsrVoFRA0&kbid=66569 ✅ Canon 24-70mm 2.8: https://www.adorama.com/car2470.html?sterm=QbITOx2xlxyKT2X06yxatR4UUkHX3hU8rVoFRA0&kbid=66569 ✅ Profoto D2 1000 Watts https://www.adorama.com/pp901013.html?sterm=Qbf1F-2xlxyKT2X06yxatR4UUkHX3hU8rVoFRA0&kbid=66569 ✅ Profoto Magnum Reflector: https://www.adorama.com/pp505504.html?sterm=QbZQXn2xlxyKT2X06yxatR4UUkHX3hU8rVoFRA0&kbid=66569 ✅ Magnum Reflector Grid: https://www.adorama.com/pp505531.html?sterm=Qb%3A0wx2xlxyKT2X06yxatR4UUkHX3hUsrVoFRA0&kbid=66569 ✅ Profoto 1x4ft Strip Softbox: https://www.adorama.com/pp254709.html?sterm=Qbe16i2xlxyKT2X06yxatR4UUkHX3hUgrVoFRA0&kbid=66569 ✅ Strip Softbox Grid: https://www.adorama.com/pp101234.html?sterm=QbdXRV2xlxyKT2X06yxatR4UUkHX3hUgrVoFRA0&kbid=66569 ✅ NanLite PavoTube II 30C 4' 55W RGBWW LED Tube Light: https://www.adorama.com/nnpt30c.html?sterm=QbL1LN2xlxyKT2X06yxatR4UUkHX3hUgrVoFRA0&kbid=66569 ✅ Savage Seamless Plum: https://www.adorama.com/sa9150.html?sterm=QbeScE2xlxyKT2X06yxatR4UUkHX3hUsrVoFRA0&kbid=66569 ✅ Tether Tools TetherPro USB-C to USB-C Cable: https://www.adorama.com/ttcuc15or.html?sterm=Qbdx742xlxyKT2X06yxatR4UUkHX3hUgrVoFRA0&kbid=66569 ✅ Tether Tools Tether Block Mounting Plate: https://www.adorama.com/ttcuc15ora.html?sterm=QbbRpB2xlxyKT2X06yxatR4UUkHX3hU8rVoFRA0&kbid=66569 ✅ CaptureOne: https://www.adorama.com/l/?searchinfo=capture+one+software&sel=Item-Condition_New-Items&sterm=QbZ2Fl2xlxyKT2X06yxatR4UUkHX3hUsrVoFRA0&kbid=66569 ✅ Black Pro Mist filter: https://www.adorama.com/tf77bpm1.html?sterm=QbY1PL2xlxyKT2X06yxatR4UUkHX3hUsrVoFRA0&kbid=66569 ✅ Atmosphere in a can: https://www.adorama.com/atahfs.html?sterm=QbcUIg2xlxyKT2X06yxatR4UUkHX3hUgrVoFRA0&kbid=66569 🔥 If you'd like to learn more about using color I recommend checking out my class The Magic of Gels: 👉 https://lindsayadler.photo/gels ---- 👉 Portfolio: https://lindsayadlerphotography.com/ 👉 Instagram: https://www.facebook.com/unsupportedbrowser 👉 Facebook: https://www.facebook.com/unsupportedbrowser 👉 Twitter: http://twitter.com/lindsayadler 👉 Education: http://learn.lindsayadlerphotography.com Some of the links in this description contain affiliate links to partners. This video is sponsored by Calibrite

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